Polyamory can be fun, sweet and even liberating. But ethical nonmonogamy can also take work. In A Polyamory Devotional, relationship coach Evita “Lavitaloca” Sawyers streamlines the vast abstractions of “working on yourself” into a guided tour of rigorous self-reflection. Building upon her wealth of experience in fostering the journey from monogamy to nonmonogamy, Sawyers invites you to ask yourself the big questions. Can compersion and jealousy coexist? How do we hold space for hurt we didn’t cause?

Through 365 daily prompts, you are encouraged to develop the tools of emotional diligence that will serve you for a lifetime. For those eager to love authentically but overwhelmed by the emotional process of polyamory, this is your reminder that you don’t have to do it alone.

For fans of Ainsley Earhardt and Matthew Paul Turner, this lyrical and heartwarming picture book introduces little ones to prayer and its infinite meanings, encouraging connection with God in moments big and small.

When we lie down to sleep or bless our food before we eat, we pray. But what is prayer?

Prayer is gratitude. Prayer is love. Prayer is a gift from God that everyone can use in times of need. It can be said in a shout or a whisper, in the pews of a church or on the living room couch. Prayer is simple--anyone can do it.

With simple, sweet, contemplative text from award-winning author Tameka Fryer Brown and sweet illustrations from rising-star artist Alleanna Harris, Prayer Is is a gentle exploration of the different meanings of prayer seen through the eyes of a girl and her family--the perfect gift for baby showers, christenings, birthdays, or any moment in a child's life.

Did you enjoy Prayer Is? Then you'll love these picture books from Tameka Fryer Brown: All the Greatness in You and Brown Baby Lullaby.

A fierce exposé of the resistance to believing Black people and its devastating effects throughout American history.

From Reconstruction to Redemption, from the enactment of landmark civil rights legislation to the execution of the Southern strategy, from 2020’s multiracial protests to the swift elimination of policies etching out a more inclusive society, Americans regularly experience periods of racial reckoning followed by walloping retrenchment.

In Black Evidence, political scientist Candis Watts Smith shows that this pattern is the result of an American habit: denying the truths about our society that Black people experience and remember. Smith then delivers a warning: the effects of this habit ripple out, dulling our ability to identify the signs of authoritarianism and heightening our tolerance for cruelty. Still, she shows how these same truths offer models to overcome our repeated predicament.

Through a curation of critical moments across four centuries, Smith invites us to review the evidence that has been obscured, distorted, and denied. She rigorously investigates the practices that turn Black witnesses into liars in the court room, Black patients into superbodies that don’t feel pain in health care settings, Black people into subhumans in scientific experiments, and Black children into superpredators. She reveals what happens when Black voices are subject to exclusion―their communities are terrorized, their memories are refuted, and their resistance is pathologized.

Written with compassion and tempered optimism, Black Evidence prescribes a cure and encourages readers to practice the skills needed to build a truly multiracial democracy: confront our past, acknowledge the damage of inequality in our present, and listen to the voices of those who experience the problems we wish to solve for an equitable future.

A centennial celebration of the Schomburg Center for Research in Black Culture and its vital role in the development of Black Studies

In 1926, the Afro-Puerto Rican bibliophile Arturo Schomburg's collection of four thousand books, pamphlets, papers, and prints arrived at the 135th Street branch of the New York Public Library. The collection contained works in many languages and formats, offering an unparalleled look into the richness and global reach of Black history. One hundred years later, Schomburg's collection remains a central feature of the Schomburg Center for Research in Black Culture, now the world's premier archive for study of the African diaspora, housing more than 11 million items, and a vibrant site of Black intellectual life.

This volume not only contextualizes the life and work of Schomburg and chronicles the history of the institution that bears his name but also includes a list of books and pamphlets in Schomburg's initial "seed collection," the fruit of a multiyear research effort to reconstruct this early Black Studies archive. Framing this list are essays and reflections written by an interdisciplinary group of scholars on the development of the Black intellectual tradition, both in Schomburg's time and today.

The author of It’s Me They Follow chronicles the improbable true story of how she left an abusive past to build a bookshop that survived the Covid pandemic and become an international sensation.

Jeannine Cook always thought she’d open a bookshop in her old age. Raised by a blind librarian, books were integral to her life, and she expected she would eventually write one as well. Instead, Jeannine found herself a burnt-out workaholic with three jobs and no time to read or write, feeling like she hadn't fulfilled her purpose.

In her journal, Jeannine began an imaginary dialogue with Harriet Tubman, “Q&As” she dubbed Conversations with Harriett. Jeannine wondered how Harriet became a “wade through waist-high water in the winter: type of woman—and how she could become one too.

On February 1, 2020, Jeannine fulfilled her dream and opened a bookstore in Philadelphia which she named after her hero and inspiration, Harriet Tubman. Harriett’s Bookshop would be a place to celebrate women authors, artists, and activists. While the name was ironic—Harriet could neither read nor write—it was also fitting. The City of Brotherly love was one of Harriet's first stops to freedom on the Underground Railroad. But in only six weeks, Jeannine would be forced to shut the shop’s doors when Covid turned the world upside down—not knowing whether her dream would survive.

Five years later, this small independent bookshop is thriving, with satellite stores in unconventional places, from movie theaters to horse trailers. Despite global death and destruction, book bans, the downward spiral in readership, the lack of physical customers, AI, and more, Jeannine's shops have survived. Shut Up & Read is her story—the story of the little bookseller who could, and of the woman who has been the driving force behind it all.

We're meeting to discuss A Fighting Dream: The Political Writings of Claudia Jones by Claudia Jones!

BOOK CLUB MEETING DEETS

When: Tuesday, January 20 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Romance Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT A FIGHTING DREAM

The instant New York Times bestseller and companion book to the PBS series.

“Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again

“Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review

From the New York Times bestselling author of Stony the Road and The Black Box,and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America.

For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues.

In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion.

But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.

In over a dozen interviews, Conversations with Kiese Laymon provides an in-depth look at author Kiese Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within these pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.

As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, this volume provides an unfiltered look at the prolific Southern writer in his own words.

Adapted from Clint Smith's #1 New York Times bestselling and universally acclaimed How the Word Is Passed, this must-read narrative takes readers to historical sites across America, exploring the legacy of slavery to help readers make sense of our nation's past and present, and be better stewards of their own future.

Beginning in his own hometown of New Orleans, Clint Smith leads young readers through an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—offering an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.

How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view—whether in places we might drive by on our way to school, holidays such as Juneteenth, or entire neighborhoods (like downtown Manhattan) on which the brutal history of the trade in enslaved people has been deeply imprinted.

Informed by scholarship and brought alive by the story of people living today, this adaptation of Clint Smith’s #1 bestselling, award-winning work of nonfiction offers kids a new understanding of the hopeful role that memory and history can play in making sense of our country, and shows how they can reckon with the past and present to become better stewards of their future.

A searing critique of medical racism and a powerful call for health-care professionals to make real change in their field, written by a leading activist and doctor

Unequal access to care. Misdiagnosis. Mistreatment. Medical gaslighting. An increasing number of studies show the profound impacts racism has on communities of color—particularly Black Americans. But these disparities in health care and wellbeing are not the result of a handful of uninformed or malicious doctors: racism in the medical system is institutional, woven into the very fabric of diagnostic criteria and even hospital infrastructure. Medicine denies fair treatment to Black patients not in error…but by design.

Drawing from extensive research, in-depth interviews with medical students and resident physicians, and over twenty-five years of experience as a medical doctor, Dr. Vanessa Grubbs argues that the reason racism in medicine continues to go unchecked is because it is in fact the standard of care. Any attempts to dismantle medical racism through “placebo” efforts such as forming diversity committees or releasing statements condemning racism will fail, she says, because they don’t address the reality of how the institution of Medicine has been, and continues to be, negligent when it comes to the treatment of Black people.

Dr. Grubbs skillfully unpacks the three core problems of how our health-care system currently considers the race of patients, which she identifies as being “race based,” “race disregarded,” and “race denied.”

* When medical diagnoses and trainings are race based, they lead doctors to make different treatment decisions for Black patients, and create a dangerous disadvantage.

* At the same time, medical textbooks and trainings may inappropriately disregard race in cases when it does matter, like failing to include pictures of how rashes may appear differently on light and dark skin—leading to misdiagnosis and death.

* And finally, many medical institutions still deny the extent to which racism is an issue at all, resulting in fewer Black physicians and disastrous outcomes for Black patients.

Calling on her medical colleagues to join her in working against the negligence of American medicine, Dr. Grubbs lays out a pathway to true equity and inclusion in health care: getting to the root of the underlying fears and insecurities that have led to racist medical negligence; recruiting and retaining a diverse physician workforce; and forcing Medicine to commit to the cultural humility necessary to rebuild, not just replaster, a broken institution.

The first major publication on Baltimore-based painter Jerrell Gibbs, whose contemplative portraits of Black sitters thrum with a vivid sense of place and reflect the complexity and emotional depth of everyday Black life.

This book captures a prolific period of self-examination and observation for contemporary artist Jerrell Gibbs (b. 1988). Known for his luminously rendered, expressionistic oil paintings, Gibbs uses the figure as a dynamic and recurring motif to explore themes of Black masculinity, fatherhood, legacy, and remembrance.

Drawing from archival family photographs, Gibbs emphasizes placement, size, and proportion, blending intimate mark-making with bold painterly gestures. By complicating and subverting visual stereotypes, Gibbs engages deeply with the materiality of painting, offering tender, emotionally evocative portrayals of Black men as husbands, fathers, brothers, and sons. These allegorical and autobiographical works underscore quiet moments of joy, sorrow, and beauty as vital components of Black life. Additionally, commissioned portraits of such figures as Elijah Cummings and August Wilson are juxtaposed with allegorical figures from Gibbs’s dreams, reflecting his growth as an artist and individual. Gibbs’s work offers a fresh approach to painting the human form, following in the footsteps of other Black figurative painters Kerry James Marshall, Henry Taylor, and Amy Sherald.

Palestinian women are an essential—often silenced—part of global struggles for freedom. They are at the forefront of the anti-colonial struggle against Israel’s occupation of their lands, as well as being comrades in intersecting movements worldwide.

This series of interviews with Palestinian women living across Palestine and in the diaspora include a journalist on the front line of resistance against settlers and the Israeli army in the West Bank, a BDS activist, a doctor exposing Israel’s deliberate targeting of medical infrastructure as part of its genocidal assault on Gaza, an organiser who critiques the Palestinian Authority’s repression of social media and those making their voices heard in the diaspora, and others.

Everything We Thought Was Beautiful: Interviews with Radical Palestinian Women broadcasts these women’s struggles in their own words and on all fronts—against colonialism, white supremacy, conservatism, patriarchy, state control—and Israel’s occupation. They discuss their politics, the fight for freedom, and their hope for the future.

Complied by Shoal Collective, a co-operative of independent writers and researchers writing for social justice and a world beyond capitalism, the voices include Ayah Al-Ghazzawi, Lina Nabulsy, Samah Fadil, Diana Khwaelid, Shahd Abusalama, Sireen Khudairy, Lama Suleiman, Shrouq Aila, Rana Abu Rahmah, Shatha Abu Srour, Ghada Hamdan, Mona Al-Farra, and Faiza Abu Shamsiyah with a Foreword by Huwaida Arraf.

The compelling memoir that explores race, cultural representation, Black media’s legacy, privilege, and identity from VIBE’s founding fashion editor and CNN correspondent Michaela Angela Davis.

As VIBE’s founding fashion editor and a CNN correspondent, Michaela Angela Davis has been at the forefront of cultural shifts, working alongside iconic figures like Diana Ross, Prince, and Beyoncé. Her memoir is a celebration of Black media’s vibrant history and a critical examination of its challenges and erasure in mainstream narratives.

In Tenderheaded, Davis journeys back through her career as both a celebration and an interrogation of Black media, exploring the difficult truth of how historically Black media titles and brands have had such mighty, culture-shifting starts, then disappeared or limped along in mainstream obscurity. Her story is one of self-discovery and liberation, as she navigates the complexities of identity politics, sexism, and racism within the media industry. Her career has been a tapestry of glamorous adventures from the bustling streets of 1980s New York City to the exotic markets of Morocco, all while styling some of the most influential figures in music and culture. Yet, beneath the surface of this dazzling world lies a poignant narrative of struggle and resilience.

Tenderheaded is not just a memoir; it is a cultural manifesto that questions the legacy of Black media and the stories of Black women that remain untold. Davis’s narrative is both a romance and a tragedy, reflecting her American life and the broader story of American media.

It can be difficult to navigate a lifetime’s worth of relationship patterns to clearly see the best ways to treat the folks we care about—and be treated well in return.

In A Quick & Easy Guide to Healthy Relationships, Mariah-Rose Marie offers a cheery, articulate, and fun-to-read guide to navigating, recognizing, and reenforcing positive patterns in friendships, romances, families, and work connections, all while taking care of your own head and heart in the process. From tips for engaging in difficult conversations, advice on communicating boundaries, and resources for strengthening bonds, this guide can help you make your relationships stronger and healthier than ever.

The latest volume of the critically acclaimed, bestselling A Quick & Easy Guide series of educational comics.

A new edition of a landmark work on Black women’s intellectual traditions.
 
An astonishing wealth of literary and intellectual work by nineteenth-century Black women is being rediscovered and restored to print in scholarly and popular editions. In Kristin Waters’s and Carol B. Conaway’s landmark edited collection, Black Women’s Intellectual Traditions: Speaking Their Minds, sophisticated commentary on this rich body of work chronicles a powerful and interwoven legacy of activism based in social and political theories that helped shape the history of North America. The book meticulously reclaims this American legacy, providing a collection of critical analyses of the primary sources and their vital traditions. Written by leading scholars, Black Women’s Intellectual Traditions is particularly powerful in its exploration of the pioneering thought and action of the nineteenth-century Black woman lecturer and essayist Maria W. Stewart, abolitionist Sojourner Truth, novelist and poet Frances Ellen Watkins Harper, educator Anna Julia Cooper, newspaper editor Mary Ann Shadd Cary, and activist Ida B. Wells. The distinguished contributors are Hazel V. Carby, Patricia Hill Collins, Karen Baker-Fletcher, Kristin Waters, R. Dianne Bartlow, Carol B. Conaway, Olga Idriss Davis, Vanessa Holford Diana, Evelyn Simien, Janice W. Fernheimer, Michelle N. Garfield, Joy James, Valerie Palmer-Mehta, Carla L. Peterson, Marilyn Richardson, Evelyn M. Simien, Ebony A. Utley, Mary Helen Washington, Melina Abdullah, and Lena Ampadu. The volume will interest scholars and readers of African-American and women’s studies, history, rhetoric, literature, poetry, sociology, political science, and philosophy. This updated edition features a new preface by the editors in the light of new developments in current scholarship.

Toni Morrison's definitive edition of James Baldwin's incomparable nonfiction.

Contains all the major essays collections in their entirety, plus 36 uncollected essays.

James Baldwin was a uniquely prophetic voice in American letters. His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck's documentary "I Am Not Your Negro." Edited by Nobel laureate Toni Morrison, the Library of America's Collected Essays is the most comprehensive gathering of Baldwin's nonfiction ever published.

With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as "The Harlem Ghetto," "Everybody's Protest Novel," "Many Thousands Gone," and "Stranger in the Village." Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political.

The classic The Fire Next Time (1963), perhaps the most influential of his writings, is his most penetrating analysis of America's racial divide and an impassioned call to "end the racial nightmare...and change the history of the world." The later volumes No Name in the Street (1972) and The Devil Finds Work (1976) chart his continuing response to the social and political turbulence of his era and include his remarkable works of film criticism. A further 36 essays—nine of them previously uncollected—include some of Baldwin's earliest published writings, as well as revealing later insights into the language of Shakespeare, the poetry of Langston Hughes, and the music of Earl Hines.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

"A much-needed resource for women's health"--Uché Blackstock, MD, author of New York Times bestseller Legacy: A Black Physician Reckons with Racism in Medicine

Are you dealing with uterine pain, heavy bleeding, fibroids, or endometriosis? Take your power and your health back with this comprehensive, inclusive and accessible guide to uterine health, and should you need it, hysterectomy.

After years of dealing with pelvic pain--whether from fibroids, endometriosis, or another issue--your doctor has recommended a hysterectomy. Perhaps those are words you'd never thought you'd hear. Perhaps the suggestion is a relief; perhaps it brings up all sorts of concerns--questions about the surgical process, the recovery period, and even about your own mental health as you weigh your options. In this offering from board certified obstetrician and gynecologist Dr. Kameelah Phillips, you'll find a comprehensive, evidenced-based, and empowering guide that you need to read before making a life-changing, irreversible decision about about your future health and well-being. 

The Empowered Hysterectomy is the antidote to the lack of medically sound resources and the overwhelming amount of misinformation surrounding this procedure. In it, you'll find: 
* A primer/refresher on the female anatomy--something many women are out of touch with
* Insights into the origins of the hysterectomy procedure, and the ripple effect it continues to have
* The various conditions (fibroids, endometriosis, ectopic pregnancy, cancer, and other ailments) that may lead to hysterectomy 
* Finding balance between holistic & non-surgical options alongside medical management 
* Advice for gender-affirming hysterectomy
* A complete guide to the surgical and recovery process 

You don't have to make this decision alone! With The Empowered Hysterectomy, you can come to the table prepared and informed about your body and your choices and avoid potential pitfalls in the doctor-patient conversation around treatment options.

The FBI has made possible a reassembling of the history of Malcolm X that goes beyond any previous research. From the opening of his file in March of 1953 to his assassination in 1965, the story of Malcolm X’s political life is a gripping one.

Shortly after he was released from a Boston prison in 1953, the FBI watched every move Malcolm X made. Their files on him totaled more than 3,600 pages, covering every facet of his life. Viewing the file as a source of information about the ideological development and political significance of Malcolm X, historian Clayborne Carson examines Malcolm’s relationship to other African-American leaders and institutions in order to define more clearly Malcolm’s place in modern history.

With its sobering scrutiny of the FBI and the national policing strategies of the 1950s and 1960s, Malcolm X: The FBI File is one of a kind: never before has there been so much material on the assassination of Malcolm X in one conclusive volume.

A spectacular musical and scientific journey from the Bronx to the cosmic horizon that reveals the astonishing links between jazz, science, Einstein, and Coltrane

More than fifty years ago, John Coltrane drew the twelve musical notes in a circle and connected them by straight lines, forming a five-pointed star. Inspired by Einstein, Coltrane put physics and geometry at the core of his music.

Physicist and jazz musician Stephon Alexander follows suit, using jazz to answer physics' most vexing questions about the past and future of the universe. Following the great minds that first drew the links between music and physics-a list including Pythagoras, Kepler, Newton, Einstein, and Rakim — The Jazz of Physics reveals that the ancient poetic idea of the "Music of the Spheres," taken seriously, clarifies confounding issues in physics.

The Jazz of Physics will fascinate and inspire anyone interested in the mysteries of our universe, music, and life itself.

A distinguished scholar presents a landmark historical perspective on parenthood in America. This trailblazing book suggests that behind the rhetoric of maternal responsibility are issues of power, resources, and control.

"Berry's book could be a significant impetus for corporate executives and political leaders, conservatives and liberals, and mothers and fathers to support parental involvement that is gender-free."--The Washington Post Book World.

This collectible edition celebrates James Baldwin’s 100th-year anniversary, revealing and critiquing the realities of Black life in mid-century US

Originally published in Notes of a Native Son, the essays "The Harlem Ghetto," "Journey to Atlanta," and "Notes of a Native Son" will appeal to those interested in the personal and political turmoil of Baldwin's life.

“The Harlem Ghetto” introduces readers to the extremities of life in Baldwin’s native city. “Journey to Atlanta” depicts the faulty relationship between the Black community and the politician, following a quartet called The Melodeers on a trip to Atlanta under the auspices of the Progressive Party. Baldwin concludes this collection with “Notes of A Native Son,” a powerful autobiographical essay about his fractured relationship with his father.

The Harlem Ghetto: Essays explores the American condition through a mix of analytic and autobiographical essays. This second collection in the Baldwin centennial anniversary series is Baldwin’s most personal as he grapples with his childhood and his own affinity with Blackness.

A powerful, incisive reckoning with the impacts of school desegregation that traces four generations of the author’s family to show how the implementation of integration decimated Black school systems and did much of the Black community a disservice

On May 17, 1954 the landmark case Brown v. Board of Education determined that racial segregation in schools was unconstitutional. Heralded as a massive victory for civil rights, the decision's goal was to give Black children equitable access to educational opportunities and clear a path to a better future. Yet in the years following the ruling, schools in predominantly Black neighborhoods were shuttered or saw their funding dwindle, Black educators were fired en masse, and Black children faced discrimination and violence from their white peers as they joined resource-rich schools that were ill-prepared for the influx of new students.

Award-winning interdisciplinary scholar of education and Black history Noliwe Rooks weaves together sociological data and cultural history to challenge the idea that integration was a boon for Black children. She tells the story of her grandparents, who were among the thousands of Black teachers fired following the Brown decision; her father, who was traumatized by his experiences at an almost exclusively-white school; her own experiences moving from a flourishing, racially diverse school to an underserved inner-city one; and finally her son and his Black peers, who over half-century after Brown still struggle with hostility and prejudice from white teachers and students alike. She also shows how present-day discrimination lawsuits directly stem from the mistakes made during integration.

At once assiduously researched and deeply engaging, Integrated tells the story of how education has remained both a tool for community progress and a seemingly inscrutable cultural puzzle. Rooks' deft hand turns the story of integration's past and future on it's head, and shows how we may better understand and support generations of students to come.

This powerful collection of articles, essays, and letters spans the period between Black Skin, White Masks (1952) and The Wretched of the Earth (1961), Fanon’s landmark manifesto on the psychology of the colonized and the means of empowerment necessary for their liberation. These pieces display the genesis of some of Fanon’s greatest ideas — ideas that became so vital to the leaders of the American civil rights movement.

In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.

Tommy J. Curry’s provocative book The Man-Not is a justification for Black Male Studies. He posits that we should conceptualize the Black male as a victim, oppressed by his sex. The Man-Not, therefore,is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of Black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines.

Curry argues that Black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including Black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of Black males. Curry challenges how we think of and perceive the conditions that actually affect all Black males.

A science-based, data-driven, and global exploration of racial disparities in health care access by virologist, immunologist, and science journalist Layal Liverpool; In the spirit of ambitious bestselling books like Medical Apartheid and Killing the Black Body. The COVID-19 pandemic taught us that viruses disproportionately affect people of color. Here, Layal Liverpool goes a step further to show that this disparity exists for all types of illness and that it is caused by racism. Liverpool will show how racism is woven, invisibly, not just into the structure of medicine and science but into our very bodies. Refuting the false belief that there are biological differences between races, Liverpool goes on to show that racial stereotyping and trauma can however lead to biological changes that make people of color more vulnerable to illness. Systemic tackles: * The problem of racial bias and data gaps in medicine where the default human subject is white * The dangerous health consequences of systemic racism, from the physical and psychological effects of daily micro- and macro-aggressions to intergenerational trauma * The fatal stereotypes that keep people of color undiagnosed, untreated, and unsafe * How we can fix these problems by confronting bias and closing the data gap Using data-driven science, Layal Liverpool shows that racism itself can have biological consequences on the body.

Home Girls, the pioneering anthology of Black feminist thought, features writing by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and contains work by many of feminism's foremost thinkers. This edition features an updated list of contributor biographies and an all-new preface that provides Barbara Smith the opportunity to look back on forty years of the struggle, as well as the influence the work in this book has had on generations of feminists. The preface from the previous Rutgers edition remains, as well as all of the original pieces, set in a fresh new package. 

Contributors: Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willi (Willie) M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Spears Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita J. Weems.

*Ships in 7-10 business days*

More than 30 acclaimed writers—including diverse voices such as Nikki Giovanni, David Omotosho Black, Natasha Trethewey, Barry Jenkins, Jacqueline Woodson, Tayari Jones, and Angela Flournoy—reflect on their experience and expertise in this unique book on the craft of writing that focuses on the Black creative spirit.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world.

For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth? How We Do It addresses these profound questions. Not a traditional “how to” writing handbook, it seeks to guide rather than dictate and to validate the complexity and range of styles—and even how one thinks about craft itself.

An outstanding list of contributors offer their insights on a range of important topics. Pulitzer Prize winner Jericho Brown explores the lives personified in poetry, while Pulitzer Prize winner Natasha Trethewey explores decolonizing enduring metaphors. National Book Award finalist Angela Flournoy illuminates the pain of grief in all forms and how it can be revealed in the act of creation, and iconoclast Nikki Giovanni offers an elegiac declaration on language.

New and previously published essays and interviews provide encouragement, examples, and templates, and offer lessons on everything from poetic form and plotting a story to the lessons inherent in the act of writing, trial & error, and finding inspiration in the works of others, including those of Toni Morrison, Shakespeare, and Edward P. Jones. A handbook and a reference tool, How We Do It is a thoughtful and welcome tool that offers direction to help Black artists establish their own creative practice while celebrating and widening the scope of the Black writer’s role in art, history, and culture.

Contributors include David Omotosho Black, Jericho Brown, Breena Clark, Rita Dove, Camille T. Dungy, W. Ralph Eubanks, Curdella Forbes, Angela Flournoy, Ernest Gaines, Nikki Giovanni, Marita Golden, Ravi Howard, Terrance Hayes, Mitchell S. Jackson, Barry Jenkins, Charles S. Johnson, Tayari Jones, Jamaica Kincaid, Tony Medina, E. Ethelbert Miller, Elizabeth Nunez, Carl Phillips, Jewell Parker Rhodes, Rion Amilcar Scott, Evie Shockley, Natasha Trethewey, Frank X Walker, Afaa M. Weaver, Crystal Wilkinson, Jacqueline Woodson, Tiphanie Yanique.

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A guidebook to the institutional transformation of design theory and practice by restoring the long-excluded cultures of Indigenous, Black, and People of Color communities.

From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. Decolonizing Design first asks how modernist design has encompassed and advanced the harmful project of colonization—then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories.

A leading figure in the movement to decolonize design, Dori Tunstall uses hard-hitting real-life examples and case studies drawn from over fifteen years of working to transform institutions to better reflect the lived experiences of Indigenous, Black, and People of Color communities. Her book is at once enlightening, inspiring, and practical, interweaving her lived experiences with extensive research to show what decolonizing design means, how it heals, and how to practice it in our institutions today.

For leaders and practitioners in design institutions and communities, Tunstall’s work demonstrates how we can transform the way we imagine and remake the world, replacing pain and repression with equity, inclusion, and diversity—in short, she shows us how to realize the infinite possibilities that decolonized design represents.

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Award-winning viral curator and poet Natasha Marin follows up her acclaimed Black Imagination with a brilliant new collection of sharply rendered, breathtaking reflections from more than one hundred Black voices.

When do you feel most indigenous?
What does it sound like when you claim yourself?
When do you feel most powerful?

Black Powerful explores the monumental resilience, joy, and triumph of Black People everywhere.

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One of our preeminent historians of race and democracy argues that the period since 2008 has marked nothing less than America’s Third Reconstruction

In The Third Reconstruction, distinguished historian Peniel E. Joseph offers a powerful and personal new interpretation of recent history. The racial reckoning that unfolded in 2020, he argues, marked the climax of a Third Reconstruction: a new struggle for citizenship and dignity for Black Americans, just as momentous as the movements that arose after the Civil War and during the civil rights era. Joseph draws revealing connections and insights across centuries as he traces this Third Reconstruction from the election of Barack Obama to the rise of Black Lives Matter to the failed assault on the Capitol.

America’s first and second Reconstructions fell tragically short of their grand aims. Our Third Reconstruction offers a new chance to achieve Black dignity and citizenship at last—an opportunity to choose hope over fear.