Learn about raising inclusive, antiracist children in an informed, actionable, and accountable way with this must-have guide from antiracist and anti-biased educator and advocate Britt Hawthorne.

Raising inclusive, antiracist children is a noble goal for any parent, caregiver, or educator, but it can be hard to know where to start. In Raising Antiracist Children, Britt Hawthorne—a nationally recognized teacher and advocate—and her coauthor Natasha Yglesias offer an interactive guide for strategically incorporating the tools of inclusivity into everyday life and parenting. Hawthorne and Yglesias break down antiracist parenting into four comprehensive sections to help adults and kids find common ground in becoming anti-biased and antiracist (ABAR) human beings:

-Healthy bodies—Establishing a safe and body-positive home environment to combat stereotypes and create boundaries that will keep kids of all ages safe.
-Radical minds—Encouraging children to be brave agents of change, accompanied by scripts for teaching advocacy, giving and taking productive feedback, and becoming a coconspirator for change.
-Conscious shopping—Raising awareness of how local shopping (from food deserts to independently-owned businesses) can empower or hinder a community’s ability to thrive, and teaching readers of all ages how to create shopping habits that support their community.
-Thriving communities—Acknowledging the personal power we have to shape our schools, towns, and worlds, accompanied by exercises for instigating change.

Full of questionnaires, stories, practical activities, helpful tips, and tools to foster an antiracist lens, Raising Antiracist Children empowers you and your kids to become conscious citizens and active participants in working towards justice. This must-have, practical guide is essential for parents and caregivers everywhere.

As bell hooks uses her incisive mind and razor-sharp pen to explore the question “What is love?” her answers strike at both the mind and heart.

In thirteen concise chapters, hooks examines her own search for emotional connection and society’s failure to provide a model for learning to love. Razing the cultural paradigm that the ideal love is infused with sex and desire, she provides a new path to love that is sacred, redemptive, and healing for the individuals and for a nation. The Utne Reader declared bell hooks one of the “100 Visionaries Who Can Change Your Life.” All About Love is a powerful affirmation of just how profoundly she can.

One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. 

Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.

In the literary tradition of Carmen Maria Machado’s In the Dream House, Maxine Hong Kingston’s The Woman Warrior, and Jesmyn Ward’s Men We Reaped, this debut memoir confronts both the challenges and joys of growing up Black and making your own truth.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

Mouton writes, “The phrases of my mother and grandmother began to seem less colloquial and more tied to stories that had been lost along the way. . . . Mythmaking isn’t a lie. It is our moment to take the privilege of our own creativity to fill in the gaps that colonization has stolen from us. It is us choosing to write the tales that our children pull strength from. It is hijacking history for the ignorance in its closets. This, a truth that must start with the women.”

Mouton’s memoir is a song of praise and an elegy for Black womanhood. With a poet’s gift for lyricism and poignancy, Mouton reflects on her childhood as the daughter of a preacher and a harsh but loving mother, living in the world as a Black woman whose love is all too often coupled with danger, and finally learning to be a mother to another Black girl in America. Of the moment yet timeless, playful but incendiary, Mouton has staked out new territory in the memoir form.

The essential, sweeping story of Juneteenth’s integral importance to American history, as told by a Pulitzer Prize–winning historian and Texas native.

Weaving together American history, dramatic family chronicle, and searing episodes of memoir, Annette Gordon-Reed’s On Juneteenth provides a historian’s view of the country’s long road to Juneteenth, recounting both its origins in Texas and the enormous hardships that African-Americans have endured in the century since, from Reconstruction through Jim Crow and beyond. All too aware of the stories of cowboys, ranchers, and oilmen that have long dominated the lore of the Lone Star State, Gordon-Reed—herself a Texas native and the descendant of enslaved people brought to Texas as early as the 1820s—forges a new and profoundly truthful narrative of her home state, with implications for us all.

Houston was Boomtown USA in the 1970s, growing through tremendous immigration of people and through frequent annexation of outlying areas. But in the shadow of the high-rise "petropolis" was another city ignored by and invisible to Houston municipal boosters and the national media. Black Houston, the largest black community in the South, remained largely untouched by the benefits of the boom but bore many of the burdens.

Robert D. Bullard systematically explores major demographic, social, economic, and political factors that helped make Houston the "golden buckle" of the Sunbelt. He then chronicles the rise of Houston's black neighborhoods and analyzes the problems that have accrued to the black community over the years, concentrating on the boom era of the 1970s and the dwindling of the economy and of government commitment to affirmative action in the late 1980s. Case studies conducted in Houston's Third Ward--a microcosm of the larger black community--provide data on housing patterns, discrimination, pollution, law enforcement, and leadership, issues that the author discusses and relates to the larger ones of institutional racism, poverty, and politics.

During Houston's rapid growth, freeways were built over black neighborhoods and municipal services were stretched away from the inner city and poverty pockets to the new, far-flung, and mostly white city limits. Businesses thrived, but many jobs called for advanced education and skills, while black youth still suffered from inadequate schools, inexperienced teachers, and, later, unemployment rates nearly double those of whites. When the oil-based economy collapsed in the early eighties, many blacks again bore a heavier share of the burdens.

Invisible Houston describes the rich cultural history of the South's largest black community and analyzes the contemporary issues that offer the chance for black Houston to become visible to itself, to the larger community, and to the nation.

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A revealing, humorous, behind-the-scenes memoir from Kenny "The Jet" Smith—superstar basketball commentator, host of top-rated Inside the NBA, and two-time NBA champion. Smith reveals memorable inside stories of his playing and broadcasting careers, focusing on the star players, coaches, and mentors who inspired him along the way.

Kenny Smith was a star at the University of North Carolina before his storied NBA run, in which he won two championships with the Houston Rockets. His tremendous popularity skyrocketed when he joined TNT’s new show, Inside the NBA, which has thrived for twenty-four years and won multiple Emmys, receiving enormous acclaim for the insight, humor, social commentary, and unrivaled basketball coverage from Kenny Smith, Charles Barkley, Shaquille O’Neal, and Ernie Johnson, Jr. Kenny is known to fans for his laser-sharp analysis and eloquent observations of the basketball scene and culture.

In this honest and profound memoir, Kenny writes chapters about each of the extraordinary people who taught him invaluable life lessons. He illuminates the personalities, affections, and quirks of friends such as Michael Jordan, Shaquille O’Neal, Charles Barkley and Kobe Bryant, among others, and what he learned from each of them. He writes about his legendary UNC coach, Dean Smith, and other indelible role models through his career. And he interweaves poignant material about his upbringing in Queens, New York, his parents, his children, and his marriage, explaining the rich knowledge he obtained from the important figures around him. Kenny is also a strong, intelligent voice on race, as his fans and TV viewers will know. Ultimately this is a revealing, humorous, and powerful memoir, offering a candid glimpse inside the rarified world of elite sports and broadcasting, with inspiring takeaways.A revealing, humorous, behind-the-scenes memoir from Kenny "The Jet" Smith—superstar basketball commentator, host of top-rated Inside the NBA, and two-time NBA champion. Smith reveals memorable inside stories of his playing and broadcasting careers, focusing on the star players, coaches, and mentors who inspired him along the way.

Intimate, revealing, provocative, Communion challenges every female to courageously claim the search for love as the heroic journey she must choose to be truly free. Silencing our fears about becoming women who love too much, Communion answers all of our questions about the place of love in a woman’s life.

bell hooks explores the ways ideas about women and love were changed by the feminist movement, by women’s full participation in the workforce, by the culture of self-help and by popular media forces such as television and movies. She celebrates the experiences of women over 30, shares collective wisdom, and the lessons learned as we practice the art of loving. Communion is the heart-to-heart talk every woman needs to hear.

Part history and part cultural analysis, The Grift chronicles the nuanced history of Black Republicans. Clay Cane lays out how Black Republicanism has been mangled by opportunists who are apologists for racism.

After the Civil War, the pillars of Black Republicanism were a balanced critique of both political parties, civil rights for all Americans, reinventing an economy based on exploitation, and, most importantly, building thriving Black communities. How did Black Republicanism devolve from revolutionaries like Frederick Douglass to the puppets in the Trump era?

Whether it's radical conservatives like South Carolina Senator Tim Scott or Supreme Court Justice Clarence Thomas, they are consistently viral news and continuously upholding egregious laws at the expense of their Black brethren. Black faces in high places providing cover for explicit bigotry is one of the greatest threats to the liberation of Black and brown people. By studying these figures and their tactics, Cane exposes the grift and lays out a plan to emancipate our future.

A collection of prayers, poems, and spiritual practices centering Black interior lives, from the New York Times bestselling author of This Here Flesh and creator of Black Liturgies

For years, Cole Arthur Riley was desperate for a spirituality she could trust. Amid ongoing national racial violence, the isolation of the pandemic, and a surge of anti-Black rhetoric in many Christian spaces, she began dreaming of a more human, more liberating expression of faith. She went on to create Black Liturgies, a digital project that connects spiritual practice with Black emotion, Black memory, and the Black body.

In this book, she brings together hundreds of new prayers, along with letters, poems, meditation questions, breath practices, scripture, and the writings of Black literary ancestors to offer forty-three liturgies that can be practiced individually or as a community. Inviting readers to reflect on their shared experiences of wonder, rest, rage, and repair, and creating rituals for holidays like Lent and Juneteenth, Arthur Riley writes with a poet’s touch and a sensitivity that has made her one of the most important spiritual voices at work today.

For anyone healing from communities that were more violent than loving; for anyone who has escaped the trauma of white Christian nationalism, religious homophobia, or transphobia; for anyone asking what it means to be human in a world of both beauty and terror, Black Liturgies is a work of healing and empowerment, and a vision for what might be.

Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.

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In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.

It should come as no surprise that the dominant narrative of American history is blighted with errors and oversights—after all, history books were written with the perspective of white men at the forefront. It could even be said that the historical devaluation and elimination of the experiences of Black people is as American as apple pie. Or rioting after football games. Or calling the cops on Black Americans for walking around their own neighborhoods, or listening to music, or bird-watching, or any other normal everyday activity.

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In Becoming Abolitionists, Purnell draws from her experiences as a lawyer, writer, and organizer initially skeptical about police abolition. She saw too much sexual violence and buried too many friends to consider getting rid of police in her hometown of St. Louis, let alone the nation. But the police were a placebo. Calling them felt like something, and something feels like everything when the other option seems like nothing.

Purnell details how multi-racial social movements rooted in rebellion, risk-taking, and revolutionary love pushed her and a generation of activists toward abolition. The book travels across geography and time, and offers lessons that activists have learned from Ferguson to South Africa, from Reconstruction to contemporary protests against police shootings.

An inspiring, indelible memoir from the daughter of sharecroppers in East Texas who became the first Black president of an Ivy League University—an uplifting story of girlhood and the power of family, community, and the classroom to transform one young person's life.

I was born at a crossroads: a crossroads in history, a crossroads in culture, and a geographical crossroads in North Houston County in East Texas.

Born in 1945, Ruth J. Simmons grew up the twelfth child of sharecroppers. Her first home had no running water, no electricity to light the two crowded rooms, no books to read. Yet despite this—or, in her words, because of it—Simmons would become one of America’s preeminent educators. The former president of Smith College and Brown University, and now the outgoing president of Prairie View A&M, Texas's oldest HBCU, for decades Simmons has inspired generations of students as she herself made history.

In Up Home, Simmons takes us back to Grapeland to show how the people who love us when we are young shape who we become: We meet her caring, tireless mother who managed to feed her large family with an often empty pantry; her father, who refused to let racial and economic injustice crush his youngest daughter's dreams; the doting brothers and sisters; and the attentive teachers who welcomed Ruth into the classroom, guiding her to a future she could hardly imagine as a child.

From the farmland of East Texas to Houston's Fifth Ward to New Orleans at the dawn of the civil rights movement, Simmons depicts an era long gone but whose legacies of inequality we still live with today. Written in clear and timeless prose, Up Home is both an origin story set in the segregated South and the uplifting chronicle of a girl whose intellect, grace, and curiosity guide her as she creates a place for herself in the world.

A powerful study of the women's movement in the U.S. from abolitionist days to the present that demonstrates how it has always been hampered by the racist and classist biases of its leaders. 

Let's celebrate I Finally Bought Some Jordans with Michael Arceneaux, one of our favorite Houston authors! 

EVENT DEETS

When: Tuesday, March 19 @ 7 PM

Where: Hogan Brown Gallery (2310 Elgin Street, HTX, 77004)

How: RSVP to reserve your seat or RSVP WITH Book to get a signed copy of I Finally Bought Some Jordans and support our programming. No refunds. 

Note: There will be books on site. Copies of I Finally Bought Some Jordans bought from other retailers will not be allowed in the venue. If you would like an copy early, please purchase here. 

ABOUT THE BOOK

In his books I Can't Date Jesus and I Don't Want to Die Poor, Michael Arceneaux established himself as one of the most beloved and entertaining writers of his generation, touching upon such hot-button topics as race, class, sexuality, labor, debt, and, of course, paying homage to the power and wisdom of Beyoncé. In this collection, Arceneaux takes stock of how far he has traveled—and how much ground he still has to cover in this patriarchal, heteronormative society. He explores the opportunities afforded to Black creatives but also the doors that remain shut or ever-so-slightly ajar; the confounding challenges of dating in a time when social media has made everything both more accessible and more unreliable; and the allure of returning home while still pushing yourself to seek opportunity elsewhere.

I Finally Bought Some Jordans is both a corrective to, and a balm for, these troubling times, revealing a sharply funny and keen-eyed storyteller working at the height of his craft.

ABOUT THE AUTHOR

Michael Arceneaux is the New York Times-bestselling author of I Can’t Date Jesus, I Don’t Want To Die Poor, and his latest, I Finally Bought Some Jordans

ABOUT THE CONVERSATION PARTNER

Josie Pickens is a womanist and abolitionist professor, organizer, writer and thought leader. In addition to speaking and writing about topics that focus on the intersections of race, gender, and sexuality, Josie is also the program director for upEND Movement, which is an organization committed to abolishing the the child welfare system. Connect with Josie and follow her musings on Twitter and Instagram at @jonubian. 

OPRAH BOOK CLUB PICK 2022

Finding Me is Viola Davis’ story, in her own words, and spans her incredible, inspiring life, from her coming-of-age in Rhode Island to her present day. Hers is a story of overcoming, a true hero’s journey. Deeply personal, brutally honest, and riveting, Finding Me is a timeless and spellbinding memoir that will capture hearts and minds around the globe.  

Featuring more than 125 recipes, My America is a celebration of the food of the African Diaspora, as handed down through Onwuachi’s own family history, spanning Nigeria to the Caribbean, the South to the Bronx, and beyond. From Nigerian Jollof, Puerto Rican Red Bean Sofrito, and Trinidadian Channa (Chickpea) Curry to Jambalaya, Baby Back Ribs, and Red Velvet Cake, these are global home recipes that represent the best of the patchwork that is American cuisine.
 
Interwoven throughout the book are stories of Onwuachi’s travels, illuminating the connections between food and place, and food and culture. The result is a deeply personal tribute to the food of “a land that belongs to you and yours and to me and mine.”

A New York Times Notable Book

A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR).

Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).

New York Times Bestseller

From the author of the classic Their Eyes Were Watching God comes a landmark publication of the American experience, now in paperback!

“A profound impact on Hurston’s literary legacy.”— New York Times

In 1927, Zora Neale Hurston traveled to Plateau, Alabama, to visit eighty-six-year-old Cudjo Lewis, a survivor of the Clotilda, the last slaver known to have made the transatlantic journey. Illegally brought to the United States, Lewis was enslaved fifty years after the transoceanic slave trade was outlawed. At the time, Cudjo Lewis was the only known person alive who could recount this integral part of the nation’s history. As a cultural anthropologist and ethnographer, Hurston was eager to hear about these experiences firsthand. But the reticent elder didn’t always speak when she came to visit. Sometimes he would tend his garden, repair his fence, or be lost in reveries of his homeland.

Hurston persisted, though, and during an intense period of about three months, she and Cudjo Lewis communed over her gifts of peaches and watermelon, and gradually Lewis, a poetic storyteller, began to share heartrending memories of his childhood in Africa; the attack by, Amazons, the female warriors who slaughtered his townspeople; the horrors of being captured and held in the barracoons of Ouidah for selection by American traders; the harrowing ordeal of the Middle Passage aboard the Clotilda, as “cargo,” along with more than one hundred other souls; the years he spent in slavery until the end of the Civil War; and finally his role in the founding of Africatown.

Barracoon reflects Hurston’s skills as both a social scientist and a writer, and brings to life Cudjo Lewis’s singular voice, in his vernacular, in a poignant, powerful tribute to the disremembered and the unaccounted for others of the Middle Passage. This profound work is an invaluable contribution to our history and culture.

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In an inspiring follow-up to her critically acclaimed, #1 bestselling memoir Becoming, former First Lady Michelle Obama shares practical wisdom and powerful strategies for staying hopeful and balanced in today’s highly uncertain world.
 
There may be no tidy solutions or pithy answers to life’s big challenges, but Michelle Obama believes that we can all locate and lean on a set of tools to help us better navigate change and remain steady within flux. In The Light We Carry, she opens a frank and honest dialogue with readers, considering the questions many of us wrestle with: How do we build enduring and honest relationships? How can we discover strength and community inside our differences? What tools do we use to address feelings of self-doubt or helplessness? What do we do when it all starts to feel like too much?

A new edition of the classic New York Times bestseller edited by Toni Morrison, offering an encyclopedic look at the black experience in America from 1619 through the 1940s with the original cover restored.

When Toni Morrison was a senior editor at Random House, she worked with four prominent collectors of black memorabilia to develop this extraordinary “scrapbook” of more than five hundred images detailing the rich cultural and social history of African Americans—from the era of the transatlantic slave trade through the start of the Civil Rights movement. Now, as the nation marks the four hundredth anniversary of the first enslaved Africans’ arrival on these shores, The Black Book returns to print in hardcover, featuring the original jacket design.

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Pop culture is the Pandora’s Box of our lives. Racism, wealth, poverty, beauty, inclusion, exclusion, and hope -- all of these intractable and unavoidable features course through the media we consume. Examining pop culture’s impact on her life, Nichole Perkins takes readers on a rollicking trip through the last twenty years of music, media and the internet from the perspective of one southern Black woman. She explores her experience with mental illness and how the TV series Frasier served as a crutch, how her role as mistress led her to certain internet message boards that prepared her for current day social media, and what it means to figure out desire and sexuality and Prince in a world where marriage is the only acceptable goal for women.

Here, Coates takes readers along on his journey through America’s history of race and its contemporary resonances through a series of awakenings—moments when he discovered some new truth about our long, tangled history of race, whether through his myth-busting professors at Howard University, a trip to a Civil War battlefield, a journey to Chicago’s South Side to visit aging survivors of 20th century America’s “long war on black people,” or a visit with the mother of a beloved friend who was shot down by the police.

In his trademark style—a mix of lyrical personal narrative, reimagined history, essayistic argument, and reportage—Coates provides readers a thrillingly illuminating new framework for understanding race: its history, our contemporary dilemma, and where we go from here.

No more self-denial. Politics should be a resounding, erotic "yes," not another deadening "no."

How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Author and editor Adrienne Maree Brown finds the answer in something she calls “pleasure activism,” a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work. Drawing on the black feminist tradition, she challenges us to rethink the ground rules of activism. Her mindset-altering essays are interwoven with conversations and insights from other feminist thinkers, including Audre Lorde, Joan Morgan, Cara Page, Sonya Renee Taylor, and Alexis Pauline Gumbs. Together they cover a wide array of subjects—from sex work to climate change, from race and gender to sex and drugs—building new narratives about how politics can feel good and how what feels good always has a complex politics of its own.

Building on the success of her popular Emergent Strategy, brown launches a new series of the same name with this volume, bringing readers books that explore experimental, expansive, and innovative ways to meet the challenges that face our world today. Books that find the opportunity in every crisis!

Introduction by New York Times bestselling author Henry Louis Gates Jr. 

Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.

“One of the greatest writers of our time.”—Toni Morrison

One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston’s well-known works such as “How It Feels to be Colored Me” and “My Most Humiliating Jim Crow Experience.” 

The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer’s work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer’s development and a window into her world and time.