From a National Book Award finalist, Witness is an elegant, insistent narrative of actions taken and not taken.

What does it mean to take action? To bear witness? What does it cost?

In these ten stories, each set in the changing landscapes of contemporary New York City, a range of characters—from children to grandmothers to ghosts—live through the responsibility of perceiving and the moral challenge of speaking up or taking action. Though they strive to connect, to remember, to stand up for, and to really see each other, they often fall short, and the structures they build around these ambitions and failures shape not only their own futures but the legacies and prospects of their families and their city.

In its portraits of families and friendships lost and found, the paradox of intimacy, the long shadow of grief, the meaning of home, Witness enacts its own testimony. Here is a world where fortunes can be made and stolen in just a few generations, where strangers might sometimes show kindness while those we trust—doctors, employers, siblings—too often turn away, where joy comes in snatches: flowers on a windowsill, dancing in the street, glimpsing your purpose, change on the horizon.

With prose as upendingly beautiful as it is artfully, seamlessly crafted, Jamel Brinkley offers nothing less than the full scope of life and death and change in the great, unending drama of the city.

The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents.

“After Yara is placed on probation at work for fighting with a racist coworker, her Palestinian mother claims the provocation and all that’s come after were the result of a family curse. While Yara doesn’t believe in old superstitions, she finds herself unpacking her strict, often volatile childhood growing up in Brooklyn, looking for clues as to why she feels so unfulfilled in a life her mother could only dream of. Etaf Rum’s follow-up to her debut, A Woman Is No Man, is a complicated mother-daughter drama that looks at the lasting effects of intergenerational trauma and what it takes to break the cycle of abuse” (Time magazine).

From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret

“One of the best books I’ve read in my entire life. It’s epic. It’s transportive . . . It was unputdownable!”—Oprah Winfrey, OprahDaily.com

The Covenant of Water is the long-awaited new novel by Abraham Verghese, the author of the major word-of-mouth bestseller Cutting for Stone, which has sold over 1.5 million copies in the United States alone and remained on the New York Times bestseller list for over two years.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time. From this unforgettable new beginning, the young girl—and future matriarch, known as Big Ammachi—will witness unthinkable changes over the span of her extraordinary life, full of joy and triumph as well as hardship and loss, her faith and love the only constants.

A shimmering evocation of a bygone India and of the passage of time itself, The Covenant of Water is a hymn to progress in medicine and to human understanding, and a humbling testament to the difficulties undergone by past generations for the sake of those alive today. It is one of the most masterful literary novels published in recent years.

With echoes of Educated and Born a Crime, How to Say Babylon is the stunning story of the author’s struggle to break free of her rigid Rastafarian upbringing, ruled by her father’s strict patriarchal views and repressive control of her childhood, to find her own voice as a woman and poet.

Throughout her childhood, Safiya Sinclair’s father, a volatile reggae musician and militant adherent to a strict sect of Rastafari, became obsessed with her purity, in particular, with the threat of what Rastas call Babylon, the immoral and corrupting influences of the Western world outside their home. He worried that womanhood would make Safiya and her sisters morally weak and impure, and believed a woman’s highest virtue was her obedience.

In an effort to keep Babylon outside the gate, he forbade almost everything. In place of pants, the women in her family were made to wear long skirts and dresses to cover their arms and legs, head wraps to cover their hair, no make-up, no jewelry, no opinions, no friends. Safiya’s mother, while loyal to her father, nonetheless gave Safiya and her siblings the gift of books, including poetry, to which Safiya latched on for dear life. And as Safiya watched her mother struggle voicelessly for years under housework and the rigidity of her father’s beliefs, she increasingly used her education as a sharp tool with which to find her voice and break free. Inevitably, with her rebellion comes clashes with her father, whose rage and paranoia explodes in increasing violence. As Safiya’s voice grows, lyrically and poetically, a collision course is set between them.

How to Say Babylon is Sinclair’s reckoning with the culture that initially nourished but ultimately sought to silence her; it is her reckoning with patriarchy and tradition, and the legacy of colonialism in Jamaica. Rich in lyricism and language only a poet could evoke, How to Say Babylon is both a universal story of a woman finding her own power and a unique glimpse into a rarefied world we may know how to name, Rastafari, but one we know little about.

From Ibi Zoboi, bestselling, award-winning author of American Street and co-author of Punching the Air, comes a bold new YA coming-of-age story, which explores race, feminism, and complicated family dynamics. The ideal next read for fans of Roxane Gay, Jacqueline Woodson, and Elizabeth Acevedo.

Warrior Princess. That’s what Nigeria Jones’s father calls her. He has raised her as part of the Movement, a Black separatist group based in Philadelphia. Nigeria is homeschooled and vegan and participates in traditional rituals to connect her and other kids from the group to their ancestors. But when her mother—the perfect matriarch of their Movement—disappears, Nigeria’s world is upended. She finds herself taking care of her baby brother and stepping into a role she doesn’t want.

Nigeria’s mother had secrets. She wished for a different life for her children, which includes sending her daughter to a private Quaker school outside of their strict group. Despite her father’s disapproval, Nigeria attends the school with her cousin, Kamau, and Sage, who used to be a friend. ­There, she begins to flourish and expand her universe.

As Nigeria searches for her mother, she starts to uncover a shocking truth. One that will lead her to question everything she thought she knew about her life and her family.

From award-winning author Ibi Zoboi comes a powerful story about discovering who you are in the world—and fighting for that person—by having the courage to be your own revolution.

A groundbreaking debut collection portraying the lived experiences of Black Muslims grappling with faith, family, and freedom in America.

In Temple Folk, Black Muslims contemplate the convictions of their race, religion, economics, politics, and sexuality in America. The ten stories in this collection contribute to the bounty of diverse narratives about Black life by intimately portraying the experiences of a community that resists the mainstream culture to which they are expected to accept and aspire to while functioning within the country in which they are born.

In “Due North,” an obedient daughter struggles to understand why she’s haunted by the spirit of her recently deceased father. In “Who’s Down?” a father, after a brief affair with vegetarianism, conspires with his daughter to order him a double cheeseburger. In “Candy for Hanif” a mother’s routine trip to the store for her disabled son takes an unlikely turn when she reflects on a near-death experience. In “Woman in Niqab,” a daughter’s suspicion of her father’s infidelity prompts her to wear her hair in public. In “New Mexico,” a federal agent tasked with spying on a high-ranking member of the Nation of Islam grapples with his responsibilities closer to home.

With an unflinching eye for the contradictions between what these characters profess to believe and what they do, Temple Folk accomplishes the rare feat of presenting moral failures with compassion, nuance and humor to remind us that while perfection is what many of us strive for, it’s the errors that make us human.

An exhilarating and expansive new novel about fathers and sons, faith and friendship from National Book Foundation 5 Under 35 honoree and Costa First Novel Award winning author Caleb Azumah Nelson

One of the most acclaimed and internationally bestselling “unforgettable” (New York Times) debuts of the 2021, Caleb Azumah Nelson’s London-set love story Open Water took the US by storm and introduced the world to a salient and insightful new voice in fiction. Now, with his second novel Small Worlds, the prodigious Azumah Nelson brings another set of enduring characters to brilliant life in his signature rhythmic, melodic prose.

Set over the course of three summers, Small Worlds follows Stephen, a first-generation Londoner born to Ghanian immigrant parents, brother to Ray, and best friend to Adeline. On the cusp of big life changes, Stephen feels pressured to follow a certain path—a university degree, a move out of home—but when he decides instead to follow his first love, music, his world and family fractures in ways he didn’t foresee. Now Stephen must find a path and peace for himself: a space he can feel beautiful, a space he can feel free.

Moving from London, England to Accra, Ghana and back again, Small Worlds is an exquisite and intimate new novel about the people and places we hold close, from one of the most “elegant, poetic” (CNN) and important voices of a generation.

When Ikemefuna is put on a plane from Lagos, Nigeria to Sugar Land, Texas, she anticipates her newly arranged All-American life: a handsome husband, a beautiful red-brick mansion, pizza parlors, and dance classes.

Desperate to please, she'll happily cater to her family's needs. But Ikemefuna soon discovers what it actually means to live with her in-laws. Demands for a grandson grow urgent as her every move comes under scrutiny. As Ikemefuna finds there’s no way out, her new husband grapples with the influence of his parents against his own increasing affection for her.

As family secrets boil to the surface, Ikemefuna must decide how to scrape herself out of an impossibly sticky situation: a marriage succumbing to generational cycles of pain and silence. In the end, she may be carrying the greatest secret of all. 

An unforgettably delicious thriller, House Woman is about a woman trapped in a dangerous web of conflicting desires, melting in the Texas heat. 

An unforgettable debut about a young British Ghanaian woman as she navigates her twenties and finds her place in the world, for readers of Queenie and The Other Black Girl.

Maame (ma-meh) has many meanings in Twi but in my case, it means woman.

It’s fair to say that Maddie’s life in London is far from rewarding. With a mother who spends most of her time in Ghana (yet still somehow manages to be overbearing), Maddie is the primary caretaker for her father, who suffers from advanced stage Parkinson’s. At work, her boss is a nightmare and Maddie is tired of always being the only Black person in every meeting.

When her mum returns from her latest trip to Ghana, Maddie leaps at the chance to get out of the family home and finally start living. A self-acknowledged late bloomer, she’s ready to experience some important “firsts”: She finds a flat share, says yes to after-work drinks, pushes for more recognition in her career, and throws herself into the bewildering world of internet dating. But it's not long before tragedy strikes, forcing Maddie to face the true nature of her unconventional family, and the perils––and rewards––of putting her heart on the line.

Smart, funny, and deeply affecting, Maame deals with the themes of our time with humor and poignancy: from familial duty and racism, to female pleasure, the complexity of love, and the life-saving power of friendship. Most important, it explores what it feels like to be torn between two homes and cultures—and it celebrates finally being able to find where you belong.

In the literary tradition of Carmen Maria Machado’s In the Dream House, Maxine Hong Kingston’s The Woman Warrior, and Jesmyn Ward’s Men We Reaped, this debut memoir confronts both the challenges and joys of growing up Black and making your own truth.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

Mouton writes, “The phrases of my mother and grandmother began to seem less colloquial and more tied to stories that had been lost along the way. . . . Mythmaking isn’t a lie. It is our moment to take the privilege of our own creativity to fill in the gaps that colonization has stolen from us. It is us choosing to write the tales that our children pull strength from. It is hijacking history for the ignorance in its closets. This, a truth that must start with the women.”

Mouton’s memoir is a song of praise and an elegy for Black womanhood. With a poet’s gift for lyricism and poignancy, Mouton reflects on her childhood as the daughter of a preacher and a harsh but loving mother, living in the world as a Black woman whose love is all too often coupled with danger, and finally learning to be a mother to another Black girl in America. Of the moment yet timeless, playful but incendiary, Mouton has staked out new territory in the memoir form.

D’Vaughn and Kris have six weeks to plan their dream wedding.

Their whole relationship is fake.

Instant I Do could be Kris Zavala’s big break. She’s right on the cusp of really making it as an influencer, so a stint on reality TV is the perfect chance to elevate her brand. And $100,000 wouldn’t hurt, either.

D’Vaughn Miller is just trying to break out of her shell. She’s sort of neglected to come out to her mom for years, so a big splashy fake wedding is just the excuse she needs.

All they have to do is convince their friends and family they’re getting married in six weeks. If anyone guesses they’re not for real, they’re out. Selling their chemistry on camera is surprisingly easy, and it’s still there when no one else is watching, which is an unexpected bonus. Winning this competition is going to be a piece of wedding cake.

But each week of the competition brings new challenges, and soon the prize money’s not the only thing at stake. A reality show isn’t the best place to create a solid foundation, and their fake wedding might just derail their relationship before it even starts.

Carina Adores is home to highly romantic contemporary love stories where LGBTQ+ characters find their happily-ever-afters. Discover a new Carina Adores book every month!

The official re-release of Ebony Stewart’s latest collection Home.Girl.Hood.

Rings on every finger. Hood and educated AF. You’ve met her. Wearing all her feelings and responding with a side-eye or a tongue-pop. You’ve seen her. At the grocery store. In restaurants. On the subway. At the bus stop. In a car you pulled up next to blaring whatever matches her mood. Hair in some natural or protective style for the Gods. Ebony Stewart. An around the way girl. One part human, all parts womxn. You know these poems because they be familiar. They be your grandmama, mama, auntie, and sis stories. Welcome to Home.Girl.Hood.

With On Girlhood, Edim has beautifully curated a canonical work centering around the voices of young Black characters as they contend with innocence, belonging, love, and self-discovery. From the timeless lessons in Jamaica Kincaid’s “Girl” (“this is how you smile to someone you like completely”) to those in Dana Johnson’s “Melvin in the Sixth Grade” (“this is how kids start fights”), these short stories illuminate the power and the precariousness of Black girlhood. Highlighting both iconic and lesser-known authors—Edwidge Danticat, Amina Gautier, Dorothy West, Paule Marshall, Shay Youngblood, and more—this is an indispensable compendium that will instill readers with “the nerve to walk [their] own way” (Zora Neale Hurston).

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The unforgettable, inspiring story of a teenage girl growing up in a rural Nigerian village who longs to get an education so that she can find her “louding voice” and speak up for herself, The Girl with the Louding Voice is a simultaneously heartbreaking and triumphant tale about the power of fighting for your dreams. Despite the seemingly insurmountable obstacles in her path, Adunni never loses sight of her goal of escaping the life of poverty she was born into so that she can build the future she chooses for herself - and help other girls like her do the same. Her spirited determination to find joy and hope in even the most difficult circumstances imaginable will “break your heart and then put it back together again” (Jenna Bush Hager on The Today Show) even as Adunni shows us how one courageous young girl can inspire us all to reach for our dreams…and maybe even change the world.

When global climate change and economic crises lead to social chaos in the early 2020s, California becomes full of dangers, from pervasive water shortage to masses of vagabonds who will do anything to live to see another day. Fifteen-year-old Lauren Olamina lives inside a gated community with her preacher father, family, and neighbors, sheltered from the surrounding anarchy. In a society where any vulnerability is a risk, she suffers from hyperempathy, a debilitating sensitivity to others' emotions.

Precocious and clear-eyed, Lauren must make her voice heard in order to protect her loved ones from the imminent disasters her small community stubbornly ignores. But what begins as a fight for survival soon leads to something much more: the birth of a new faith . . . and a startling vision of human destiny.

It’s the early 1960s, and as the Civil Rights movement begins to reach segregated Tallahassee, the young, deeply principled Elwood Curtis takes the words of Dr. Martin Luther King, Jr. to heart: he is “as good as anyone.”

He is about to enroll in the local black college, but for a black boy in the Jim Crow South, one innocent mistake is enough to destroy the future. Elwood is sentenced to a juvenile reformatory called the Nickel Academy, a grotesque chamber of horrors where the sadistic staff beats and sexually abuses the students, corrupt officials steal food and supplies, and any boy who resists is likely to disappear “out back.” Stunned to find himself in such a vicious environment, Elwood tries to hold on to Dr. King’s ringing assertion: “Throw us in jail and we will still love you.” His friend Turner thinks Elwood is worse than naive—that the world is crooked and the only way to survive is to scheme and avoid trouble. The tension between Elwood’s ideals and Turner’s skepticism leads to a decision whose repercussions will echo down the decades.

Formed in the crucible of the evils Jim Crow wrought, the boys’ fates will be determined by what they endured at the Nickel Academy.

One of the most highly praised novels of the year, the debut from an astonishing young writer, Freshwater tells the story of Ada, an unusual child who is a source of deep concern to her southern Nigerian family.

Young Ada is troubled, prone to violent fits. Born “with one foot on the other side,” she begins to develop separate selves within her as she grows into adulthood. And when she travels to America for college, a traumatic event on campus crystallizes the selves into something powerful and potentially dangerous, making Ada fade into the background of her own mind as these alters—now protective, now hedonistic—move into control. Written with stylistic brilliance and based in the author’s realities, Freshwater dazzles with ferocious energy and serpentine grace.

A literary coming-of-age poetry collection, an ode to the places we call home, and a piercingly intimate deconstruction of daughterhood, Black Girl, Call Home is a love letter to the wandering black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

“In these kaleidoscopic stories of Jamaica and its diaspora we hear many voices at once: some cultivated, some simple, some wickedly funny, some deeply melancholic. All of them shine.”—Zadie Smith

Tenderness and cruelty, loyalty and betrayal, ambition and regret—Alexia Arthurs navigates these tensions to extraordinary effect in her debut collection about Jamaican immigrants and their families back home. Sweeping from close-knit island communities to the streets of New York City and midwestern university towns, these eleven stories form a portrait of a nation, a people, and a way of life.