Explore the wearable modern art of Art Smith, one of the world’s most celebrated 20th-century jewelers

This striking jewelry coffee table book features 160 photos of more than 60 jewelry pieces

Mid-century modernist jeweler Art Smith (1917-1982) considered the human body to be as integral to his jewelry as the metals, wire, and semiprecious stones he used to make it, calling his necklaces “neck pieces” and his rings “hand decorations.” Bodyworks: The Jewelry of Art Smith presents 160 images, including previously unpublished design sketches and historic photographs alongside newly commissioned photography. Together, they offer a comprehensive visual record of Smith’s bold, fluid, and creative designs, including:

* “Lava” bracelet which evokes volcanic movement through its layers of long, curving, and patinated sheet metal
* “Lil’s Wire” pendant, inspired by the atom, representing Smith’s interest in mid-century scientific discoveries and the space age
* “Minetta” necklace with a carnelian stone, whose name alludes to the historical Little Africa neighborhood in New York City

Art Smith was influenced by jazz, dance, visual art, pan-African regalia, and relationships he formed with New York’s African American arts community. In his Greenwich village studio, he created custom pieces for many high-profile clients, including First Lady Eleanor Roosevelt and jazz pianist Duke Ellington, and had work featured in Vogue. Art Smith was a luminary to his contemporaries and remains one to today's artists. With stunning photography and essays that reflect on his life, influences, and legacy, Bodyworks is the magnificent retrospective Smith's pioneering career deserves.

From the New York Times bestselling author of Behold the Dreamers, a captivating novel about love lost—and the weight of regret

What if I’d never gotten into that car? What if I’d pulled out of the driveway five minutes earlier, or ten minutes later?

Three years ago, Wolo’s pregnant wife was killed in a tragic car accident. In an instant, the great love of his life was gone, and so was their beautiful future: the twins they were expecting, the PhD she was on the cusp of finishing, and the house they’d just bought in New Jersey. In the face of a loss that seemed insurmountable, Wolo has slowly rebuilt a semblance of a life: he goes to work, hangs out with a small circle of friends, and fends off the matchmaking efforts of the older women in his family. The grief that dogged him has, with time, become a little gentler.

Until a letter arrives one day, unbidden, threatening to upend his life once again. It is from Victoria, the woman who was behind the wheel that terrible day. Wolo’s family pastor tells him the letter is the work of the devil; his mother expressly forbids him from making further mention of it; his father’s second wife calls, from Cameroon, to tell him to destroy it. But Wolo ponders it for days, and ultimately agrees to meet with the woman who killed his wife. When he does, the compassion and deep remorse of the woman affects him in ways he had never imagined, and he begins to wonder if the long road to healing can be shared.

What do we owe to those who have hurt us? Are we defined by our worst moments and our deepest regrets? And, more than anything, can forgiveness ease our suffering? Moving and full of life, Every Story Is a Love Story charts the uneven path from heartbreak to healing.

From the author of Queen Sugar, a piercing examination of friendship and loyalty as two best friends find themselves at odds over their beliefs on race, identity and allyship, especially when it comes to their teenage children

Babs and Nora became friends thanks to their kids. Now, the desire to protect their children might tear them apart.

Babs and Nora have spent a decade’s worth of morning walks sharing family secrets, local drama, and advice—everything from tips on lingerie choices to Babs’s suggestions to Nora, a white woman, on how to raise Nathan, her adopted Black son.

But their worlds are turned upside down when the cops are called on their kids while they’re home alone, leading to a traumatic police encounter for Nathan. In the aftermath, Babs and Nora find themselves divided as never before, and Nathan looks for refuge with Babs and her family, where, unlike in his own home, race, identity, and culture are always up for discussion. Babs can see that Nathan is a young Black man without community trying to find himself. Torn between respecting Nora’s boundaries and embodying the values so important to her own family, Babs will make a choice that will shape their lives forever.

Set in a tight-knit enclave in the Bay Area, Friends and Family is an eye-opening exploration of friendship and privilege, race and community, and what it means to truly be a good friend and ally.

From the author of the multi-award-winning, National Book Award–longlisted, “vivid, fast, funny, way-smart, and verbally inventive” (George Saunders) story collection Heads of the Colored People, comes a sly, spry, literary debut novel about the murder of an infamous moonshiner and the cacophony of true stories a small town can tell about itself.

Rich Milford is dead. At last.

We find ourselves in 1920’s Oklahoma, just far enough out of Tulsa, just long enough after the Race Massacre of 1921. For as long as anyone can remember, the Milfords have led plentiful lives on the backs of the townspeople of Newville. Now, on the ominous brink of the Great Depression and at the height of Prohibition, Richard Milford was an infamous moonshiner and womanizer who, it seems, finally crossed the wrong person at the wrong time. He’s dead and buried with only his women to mourn him, but a question remains: Who killed him, and why?

Top suspects are his four “wives,” Lally, Sophronia, Georgette, and Vivianne. But as their stories burst to light, the very idea of a true story comes apart before our eyes.

In an electric follow-up to her acclaimed debut collection, Nafissa Thompson-Spires once again serves up a brilliant distillation of front-of-mind happenings—think, cults of personality, capitalism run amok in politics, and rampant societal distrust—structured like a stupefying line dance. In her uniquely powerful, humorous manner, Thompson-Spires takes on the interdependent clash of the traditional and the newfangled in this gobsmackingly excellent novel.

A riveting, kaleidoscopic portrait of the American compulsion toward cruelty and our power to subvert it from an award-winning contributor to The Guardian and The New York Times.

In How to Look Away, Daniel Peña explores how fringe elements of his Texas childhood—AM radio, conspiracy theories, Post-Cold War paranoia—came to dominate the American political discourse and contributed to our extreme tolerance of human rights abuses against migrants from Latin America and elsewhere. He asks: What compels us to look away from these abuses? And how do we wake ourselves into action?

These evocative essays braid journalism, cultural criticism, and memoir, roaming from the vestigial Comanche War battlefields of his native Austin, to the black markets of Mexico City, to the home of a cartel hitman’s family doomed to live in the unglamorous aftermath of his crimes. Writing from both Mexico and the United States, Daniel Peña reflects on two childhood fears: demons and the death penalty. Or the answer to the question, “Do you ever really belong to yourself?” A question that serves as the looking glass through which Peña meditates on American citizenship and the kinds of people we are willing to disappear in the name of the American project.

How to Look Away conjures disquiet and longing beside clarity and hope as it offers a haunting account of the strange bond between two nations, this American moment, and the land upon which our bodies stand.

A young warrior in training and a team of unlikely-heroes-turned-friends set out to uncover a conspiracy that threatens their entire solar system—and challenges their idea of honor.

This epic space-based graphic novel for 8-12 year olds is perfect for fans of Star Wars and Iyanu on Cartoon Network!

All her life, Àkànní has dreamed of being an onija—brave in the face of danger, strong in the face of opposition, and honorable in the face of injustice. And as a student at the prestigious Onija Institute, she’s on her way to becoming part of the elite force that defends her solar system.

But when a surprise attack decimates her home planet and the government refuses to respond, Àkànní no longer knows who to trust. She rushes home to Asa to search for survivors—and there meets a misfit group of rebels seeking answers.

When they discover evidence that the attack on Asa was just the beginning, it’s up to Àkànní and her new friends to open the eyes of those in power to the real threat of war.

The accomplished CEO, investor, and African queen shares the remarkable story behind the Fearless Fund's landmark legal battle while translating a roadmap from civil rights and African independence movements of the 1960s into a modern "playbook" directing entrepreneurs, business leaders, and policymakers toward expanding opportunity and building lasting economic prosperity.

When Arian Simone received news of a federal lawsuit against her and the “Fearless Fund”—her venture capital firm whose most well-known grant funded Black women-owned businesses in need—she was shocked. Not only because the principles on which the fund was established—equity and diversity, especially—were the new cornerstones in a post-George-Floyd-America, but because the plaintiffs, who had just won a Supreme Court case against affirmative action in college admissions—built their argument using the 1866 Civil Rights Act: a law put in place for formerly enslaved persons to enter into contracts the same as whites.

In Fearless Freedom, Arian discusses how everyone—whether you’re a business owner, a politician, an educator, or someone simply navigating their own path in life—has something to gain from creating a more inclusive world. And with lessons imparted by her parents, informed by her top-tier international education, and refined in the flames of political and civil turmoil—Arian expertly delivers a roadmap for the change we know we need and the actions change requires.

In the context of financial freedom for all, fearless action is our greatest tool in dismantling the barriers that hold others back and establishing wealth for future generations.

The long-awaited memoir by the comedy legend and author of multiple New York Times bestsellers, a beautiful and mesmerizing book that reveals as never before his childhood in South Central Los Angeles, his time in the infamous Bloods gang, and how humor became his salvation.

I learned a joke could be more than humor. It was body armor. Could be a spell. Could be a sword and a shield, all in one breath.

He was always Charlie’s Boy—even before he found his name, his voice, his fame.

In this raw, cinematic, and deeply personal memoir, acclaimed comedian and cultural critic D.L. Hughley documents his rise from the streets of South Central Los Angeles to the national spotlight—and the man who quietly stood behind him through it all.

While his mother’s wrath shaped his early years with fear and rejection, it was Charlie Hughley—a soft-spoken bag handler at the Los Angeles Airport—who raised D.L. and taught him how to survive through tough love and sacrifice. Though he was not D.L.’s biological father—a fact only revealed when D.L. was ten—Charlie gave his boy the only thing he truly needed: a sense of being seen.

It was a time when gangs ruled the streets of South Central, and D.L. rose through the ranks of the Bloods. But when his mother’s car was shot up and dead roses were left on his doorstep—signaling he was marked for death—D.L.’s mother knew that he couldn’t stay in Los Angeles. So, D.L. boarded a bus to Ohio and left behind everything he understood. It was exile. But it proved to be a fresh start.

This is not just a coming-of-age story. It’s the story of how one man found his voice by being raised in silence—and how he learned to get on stage and turn pain into punch lines. Through storytelling that’s both unsparing and funny, Charlie’s Boy is a tribute to the man who never asked for one, and a reckoning for the boy who had to wrestle for love, identity, and truth.

“[Pusey] was a builder and a breaker, a composer of surfaces that vibrate. Her abstractions are alive with feeling, frequency, and vision.” ―Chenoa Baker, the Brooklyn Rail

Published with The Studio Museum in Harlem.

Jamaican-born artist Mavis Pusey (1928–2019) developed her clean, graphic style of hard-edge abstraction from her education in fashion design and her time spent working in the fashion industry. Her paintings and prints abound with architectural shapes and patterns. Mobile Images is the first major catalog dedicated to Pusey’s long-overlooked practice. It brings together newly commissioned scholarship by Hallie Ringle, Valerie Cassel Oliver, Cecilia González Godino and Kiki Teshome, each addressing a different aspect of Pusey’s practice―from her transnational biography and commitment to abstraction, to her engagement with architecture, sound and Black feminist artistic lineages. Illustrated with paintings, prints, works on paper, archival materials and installation photography, Mobile Images serves as both an authoritative reference and a visual record of Pusey’s work.

The veteran White House correspondent follows up Black Women Will Save the World with a gripping, soul-baring, and deeply personal examination of online misogynoir—specific and relentless online bullying attacks based solely on race and gender.

Notes on a Blacklash is veteran White House reporter April Ryan’s gripping, soul-baring look at what happens when the world suddenly turns its full attention on you. This isn’t just the story of one viral moment with President Trump. It’s about the avalanche that follows: the scrutiny, the emotional and physical toll, and the way your identity can become fuel for headlines and hashtags.

April pulls back the curtain on what it truly costs to be seen and what it takes to survive it. With vulnerability and power, she recounts the moments that made her go viral, not because she chased attention, but because she showed up authentically. Her presence, her truth, and her refusal to shrink under pressure struck a chord and sparked cultural firestorms.

From a high-stakes press room showdown to the history-making decision by Vice President Kamala Harris, from the public disrespect of Stevie Wonder to the slap heard around the world, April explores how race, gender, and power collide in a world addicted to outrage and instant opinions.

At its core, this book explores visibility—its price, its power, and the fight to reclaim your story when millions are watching. What does it mean to go viral when your hair is politicized, your voice is policed, and your very existence is treated as a threat? Sometimes, this is what it feels like when the spotlight finds you: uninvited, unrelenting, and impossible to ignore.

From the New York Times bestselling author of the Dear Martin series comes a spin-off novel written in prose and letters-in-verse about a thirteen-year-old girl. As she navigates cancer, family challenges, and newfound friendship during her initial chemo treatment, she discovers that hope can bloom in the most unexpected places.

“Absolutely incredible—I read it in one sitting and finished in tears. Stone shows so much care and nuance here. Dasia will stay with me forever.” —Andrea Beatriz Arango, author of Newbery Honor book Iveliz Explains it All

“Unflinching, fearless, and strikingly original.” —Soman Chainani, author of the bestselling School for Good and Evil series and Young World

After nineteen days of “induction chemotherapy,” Dasia Monae Riley knows no one else should be in her hospital room . . .

But there she is: Jameson “Jimmy” Jeffs. Another cancer patient who’s seemingly everything Dasia is not: rich, well cared for, and a smidge childish (in Dasia’s opinion).

However, Dasia soon discovers that their commonalities go beyond a random, incurable disease . . . like older brothers who are gone, baby brothers who need them, and struggles with friends at school.

As Dasia and Jimmy chat, Dasia’s memories unfold in the unsent “letters” (read: poems) Dasia wrote to her incarcerated older brother. And over the course of one life-changing night, two girls who are at their lowest fight to keep each other uplifted. When you hit rock bottom, what does it take to survive and allow yourself to hope again?

In a spin-off to the Dear Martin series, New York Times bestselling author Nic Stone delivers a heart-wrenching story of resilience, connection, and the fight to stay alive when battling illness and bearing the weight of difficult circumstances.

From the PEN/Faulkner finalist and National Book Award longlisted author of Welcome to Braggsville, comes this audacious and darkly funny literary crime masterpiece centered on a Black cop in an Atlanta precinct, whose façade of white alliance begins to crumble after a highly publicized murder

George Washington Jonson is determined to forge a new life. After growing up in one of Atlanta’s poorest housing projects, he enlists in the U.S. Army and finds some relief serving abroad. When events lead him back home, he joins the police force. It’s 1992, and Jonson is patrolling the streets he grew up on alongside his new partner, a shady legacy cop and self-described “redneck” who takes Jonson under his wing.

After a decade on the job, Jonson has fashioned a new life in an affluent suburb with his white wife and stepson, though he’s still policing his old neighborhood, and now tasked with training hot-headed rookie recruits. One night on patrol a split-second confrontation with a white teenager takes a violent turn. That single gunshot sets into motion a series of escalating lies.
When the white-washed veneer of Jonson’s life begins to crack, the story splits, presenting two contrasting versions of the American experience as he’s forced to confront the history that shaped him and the compromises required of a good man in a broken system.

Employing a bold, inventive structure and spanning two fraught decades, vividly evoking the complexities of the South, and written with his trademark virtuosic dissonance, The Occidental Book of the Dead is a propulsive, pyrotechnic exploration of corruption and conspiracy in a nation divided.

'Everything can have beauty, even the worst horror.'

Frida Kahlo’s fierce dedication to her art left a legacy of paintings and writings that reveal both her creative brilliance and her remarkable endurance. Her diaries, letters and reflections show a woman who - despite profound physical pain - sought meaning through colour, symbolism and uncompromising self-expression.

The inspiring quotes and images by Kahlo collected in Wings to Fly illuminate her artistic evolution and her lifelong struggle to transform suffering into beauty, connection and a deeper sense of personal empowerment.

'I am not sick. I am broken. But I am happy to be alive as long as I can paint.'

A searing, suspenseful story of a woman’s confrontation with the sinister legacy of British colonialism in Southern Africa.

Leaving Oxford and the shocking death of her father behind, Koliwe travels to AIDS-ravaged Eswatini to take a job as an aid worker. Enmeshed in the cold bureaucracy of her office and a queasily erotic relationship with her supervisor, Koliwe begins to feel increasingly split between her British upbringing and African roots—especially when she connects with a local girl and aid recipient named Thandi.

When Thandi goes missing, Koliwe’s search for truth leads her deep into the mountains, towards the harsh reality of the injustice underlying their lives. Tangled in the knotted web spun by corrupt colonial outposts and the instability they breed, Koliwe bears the consequences of uncovering inconvenient secrets. Late author Laura Fish’s final offering burrows under the skin with pervasive mystery, veering between the dream and nightmare of one woman’s return from diaspora.

A revival of the iconic anthology of best Southern short stories featuring eminent and emerging voices.

This anthology marks the much-anticipated return of the annual story collection, New Stories from the South, gathering outstanding short stories written by Southern writers or about the American South. Stories were nominated by editors of literary journals and magazines, publishers of short story collections, and by prominent Southern writers who served as contributing editors for this volume.

The 2026 edition contains an exciting lineup of both well-known Southern writers and talented newcomers: 

* Ron Rash
* Deesha Philyaw
* Mesha Maren
* Emily Nemens
* Ashleigh Bryant Phillips
* Tony Earley
* Exodus Oktavia Brownlow
* A. J. Bermudez
* Heather Swain
* Chelyen Davis
* Joanna Pearson
* Jody Hobbs Hesler
* Catherine Niolet
* Dean Marshall Tuck
* Emily Harper Ellis
* Farheen Raparthi
* Randy F. Nelson
* Lisa Wartenberg Vélez
* Pritha Bhattacharyya

This year’s volume has an introduction by Appalachian writer Silas House, New York Times bestselling author of seven novels, and the poetry collection All These Ghosts (Blair, 2025) and is edited by Blair’s Editorial Director, Robin Miura, who assumes this mantle from Shannon Ravenel, the Algonquin editor who launched the series and edited the volumes through 2006.

In keeping with Blair’s mission, this anthology contains a wide range of voices reflecting the rich diversity of the South. The following talented writers served as contributing editors who helped select stories for this volume: Jason Mott, LaTanya McQueen, Daniel Wallace, Monique Truong, Chantel Acevedo, and Susan Gregg Gilmore.

Charts the Black Catholic attempt to gain independence within the larger Catholic Church

In 1971, a delegation of Black Catholics traveled to the Vatican seeking a meeting with Pope Paul VI. While they did not meet the pope, they informed Vatican officials of the plight of Black Catholics in the United States. They wished to form their own church governance, independent from the White bishops who oversaw their diocese, so that they could exercise governance over their parishes and schools, which were frequently under threat of closure. Their journey was a chapter in a long history of struggle around African American missions and the place of African Americans in the Catholic Church.

The Black Catholic Movement charts the long arc of the movement among Black Catholics to seek independence within the Catholic Church. Influenced by the Black Power Movement’s struggle for self-determination as well as the Second Vatican Council (1962-1965), the Black Catholic Movement hoped to establish new ecclesiastical structures that would give them ownership over their church. When American Catholicism proved inflexible to their demands, the break-away Afrocentric Church, Imani Temple, drew thousands of Black Catholics away from Roman Catholicism.

Drawing on interviews and archival research in New Orleans, Detroit, and Washington, DC, the book reconstructs the Black Catholic struggle to maintain distinct Black Catholic communities and to preserve their spiritual, liturgical, and theological heritage. The volume comes up to the present, noting that although allowances have been made for Anglicans to enter the Catholic Church while maintaining their specific Anglican liturgies and traditions, the church has not granted this independence to Black Catholics. The debate about how to navigate unity within the Catholic Church while preserving Black Catholic heritage is still on-going. Ultimately, the book makes the case for the urgency of Black Catholic self-determination and self-governance.

Holes command attention. They make us giggle, squirm, and wonder. But what do they really mean to us and why are they so often surrounded by surprising discourses of power and control?

For millennia, the figure of the hole stood as the cornerstone for idioms and expressions that denote emptiness, lack, absences, and voids. Approaching a hole makes one wary of imbalance or depravation. A hole demands to be filled. This Book Is Full of Holes challenges these hollow associations, offering instead a range of unexpected (and provocative) religious, sociosexual, philosophical, and scientific discourses.

Through an analysis of a wide range of literary and cultural objects, yasser elhariry brings disparate discursive spheres into conversation. He nimbly juxtaposes the holey relationships between ancient Hebrew riddles and Hollywood space movies, ’90s grunge and Black astrophysics, Swiss cheese and philosophy, sacred ritual and postcolonial feminism.

Satirical, dead serious, and deeply personal, elhariry’s treatise on this seemingly dead-end object―holes―illuminates the paradox that they nonetheless maintain a persistent hold on the imagination. His stylish analysis reveals their overlooked racialized, gendered, homophobic, and corporeal histories. Holes have been weaponized. This Book Is Full of Holes disarms.

The breathtaking sequel to the #1 New York Times bestseller, Immortal Dark!

 Like all ruinous things, he came from the abyss.
 
Kidan Adane has finally embraced her darkness. She’s killed without remorse, lied, and broken Uxlay University’s most sacred law by inviting elusive rogue vampires, the Nefrasi, into Uxlay.
 
Trapped with a violently unstable vampire, and reeling from her sister’s return, Kidan wields her anger like a weapon. She vows to master her house and protect the sacred artifact hidden inside, even if it means forging an alliance with the depraved leader of the Nefrasi, Samson Sagad--and betraying Susenyos.
 
A dangerous new philosophical text seems to hold the answers and promises the very thing Kidan has lost: control. Even as the dark pages consume her, Kidan knows no soul at Uxlay is trustworthy—least of all Susenyos. For Kidan and Susenyos, the lines of loathing and attraction may blur, but the quest for power rules them both. And neither is willing to surrender.
 
As devastating secrets resurface from the past, Kidan and her sister, June, must finally confront each other and take their rightful places in the looming war.

Prepare yourself for an unconventional approach to a provocative novel with a poetic vision.

In the post-monetary world, people are coded as "valid" or "invalid" - homeless, no citizenship, no access to goods or services. One day, a glitch in the global information system suddenly switches everyone's coding, and people instantly lose or gain everything. Beginning with veteran Sequoia, whose switch from valid to invalid thrusts her into poverty and homelessness, three women struggle with this massive shift in their lives, challenging systemic assumptions about class, age, gender, and migration along the way.

A 21st century story revealed in the poetry of women determined to make themselves at home-at home in the body, in the city, in the universe, in a rapidly changing world. The future is now-young and old, rich and poor, male and female, and everything in between-all must question themselves to reimagine life and work and reclaim their humanity.

"This innovative novel takes us to the edge of what it means to be human. Ntoso challenges us to grapple with the truth about the world we inhabit. In Ntoso, we find a writer that has the courage to pull the curtain away and show us the harsh realities of what it means to be unseen." -Donnelle McGee, author of Ghost Man

Named one of the Most Anticipated Books of 2025 by Foreign Policy

“Howard French’s The Second Emancipation stands the second half of the last century on its geopolitical head.” ―David Levering Lewis, winner of the Pulitzer Prize

From the acclaimed author of Born in Blackness comes an extraordinary account of Africa’s liberation from colonial oppression, a work that fundamentally reshapes our understanding of modern history.

A work of epic dimension that recasts the liberation of twentieth-century Africa through the lens of revolutionary leader Kwame Nkrumah.

The Second Emancipation, the second work in a trilogy from best-selling author Howard W. French about Africa’s pivotal role in shaping world history, underscores Adam Hochschild’s contention that French is a “modern-day Copernicus.” The title―referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom―positions this liberation at the center of a “movement of global Blackness,” with one charismatic leader, Kwame Nkrumah (1909–1972), at its head.

That so few people today know about Nkrumah is an omission that French demonstrates is “typical of our deliberate neglect of Africa’s enormous role in the birth of the modern world.” Determined to re-create Nkrumah’s life as “an epic twentieth-century story,” The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana’s Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French’s consummate style more vivid than in Nkrumah’s early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu―including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him “one of the greatest political leaders of our century”―and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.

Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana’s first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah’s radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.

In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history.

16 pages of illustrations; 3 maps

A man’s quest to resolve an inherited family trauma leads him to an enigmatic priory in a war-ravaged region, from which he’s not sure he will be able to flee.

HOPING TO MAKE SENSE OF HIS GRANDFATHER’S UNSPOKEN TRAUMA, Malachi journeys to return a family heirloom to the land of its origin. He finds himself in a seaside town surrounded by rumors of war. He visits the priory, a place of welcome that quickly draws him in―and also a place of duty that refuses to let him go.

The priory, its people, and its resident Angel have their own purpose in a far larger history of trauma and conflict. Malachi learns of ancient and modern atrocities and his grandfather’s helplessness in the face of both. Past echoes become present concerns as a new battle approaches. Malachi repeatedly tries and fails to leave the escalating danger.

This is not his land, nor is it his war. He did not inherit his grandfather’s vocation, nor take his grandfather’s vows. None of this is his fault, nor even his responsibility. And yet the Angel will not let him go until Their last judgment is complete.

The first biography of a controversial, iconoclastic architect of Black Studies, from a leading scholar of the Black intellectual tradition

In the 1960s and 1970s, Harold Cruse (1916–2005) was one of the most prominent Black intellectuals in the world, mentioned in the same breath as James Baldwin, Frantz Fanon, and Malcolm X. Today, Cruse is nearly forgotten. In this biography, Vincent W. Lloyd reclaims the story of an influential contrarian, a man who was beloved, feared, hated, reviled, praised.

Cruse grew up poor in Virginia and Harlem, worked as a critic and organizer, and then spent years making his living through manual labor while writing The Crisis of the Negro Intellectual (1967). The book electrified Black America, and the activist who never finished high school became a tenured college professor, a founder of the field of Black Studies, and a mentor to countless student activists. By the 1980s, however, Cruse’s distaste for integration, liberal pluralism, and multiculturalism meant that his influential work was fading from view.

Drawing on Cruse’s letters and unpublished writings, along with scores of interviews, Lloyd offers a fast-paced narrative of an extraordinary life―and a new perspective on Black justice struggles. Ultimately, this is the story of a singular man: passionate, brilliant, strange, and visionary.

Growing up is a team effort in Fast Break, a contemporary middle-grade graphic novel about hoops, family, and friendship―perfect for fans of The Tryout and Ride On.

Mikayla Thomas is a star basketball player determined to be the best at everything she does, including making her family's move across town as stress-free as possible.

So when the girls’ coach at Mikayla’s new school refuses to let her try out for their lineup, she agrees to join the Firebirds, a ragtag coed-league team, instead. But Mikayla is used to winning, and while the Firebirds are great kids, they aren't great at basketball.

In this fast-paced, high energy story about taking charge on and off the court, Mikayla begins to wonder if the path to success is maybe more than a solo journey.

From bestselling author Celeste Headlee, an urgent and eye-opening story of the women who risked everything to ensure a generation of Black Americans had the right to read.

In the waning days of the antebellum South, millions of African Americans were suddenly released from enslavement. But they soon realized that “freedom” was not free; they were subject to hundreds of laws aimed at preventing them from voting and, in many cases, learning. Were it not for the work of an exceptional group of women―activists, educators, mothers, organizers―the foundations for Black education might never have been laid.

With Freedom's Daughters, Headlee set out to write into the record book the untold stories of these remarkable women. As a journalist who spent her career in public media, Headlee has long championed unheard voices and sought to tell the stories of those whose contributions have gone unacknowledged. But this project was fueled by an even deeper connection: Carrie Still Shepperson―one of the most important figures in this fight―is Headlee's great grandmother and one of the biggest influences in her life.

Now, after a decade of research spanning personal diaries to public records, Freedom’s Daughters paints a vivid portrait of figures intentionally erased from history, recognizing the work of a generation of Black women who believed freedom was inextricably linked with learning and free expression, and who worked tirelessly to secure access to literacy and education for a generation of children born into freedom.

By turns shocking, inspiring, and deeply moving, Freedom’s Daughters is Headlee’s impeccably researched journey to better understand her family history and herself, and a timely examination of the influence and power of unfettered access to schools, libraries, and higher education.

A technique-focused study of Hodges’ recent paintings, where soft brushstrokes against black ground contribute to his subtle approach to the figure in space

Compton-born, Maine-based painter Reggie Burrows Hodges (born 1965) originally studied film and performance art, and thus brings a sense of dramatic staging to his compositions. Beginning with a black ground, Hodges builds his scenes through loose brushwork―a technique which deliberately plays with perceptions by reducing the focus on the human figure. As Hodges says, “I’m painting an environment in which the figures emerge from negative space.” By focusing on the environment where the figures are situated rather than the figures themselves, Hodges explores questions of identity, community and memory. Published on the occasion of the artist’s first solo museum exhibition in Europe, Mela features over 30 new works inspired by his relocation to Malta.

A sweeping survey of Black quiltmaking in America with stunning archival photographs of quilters and quilting bees, as well as full-page reproductions of both significant historical quilts and bold contemporary creations.

This compelling volume gives Black quilting traditions long-overdue attention, highlighting the artistry, innovation, and community solidarity of quilters from the 1700s through today. The deeply researched text of scholar and artist Dr. Sharbreon Plummer explores quilts as an archive of collective and personal memory, delves into methods of Black quiltmaking―both distinctive and endlessly diverse―and demonstrates the power of quilts and quilting as medicine against grief and oppression.

* This book evokes the craftsmanship and tactile beauty of quilts with stunning archival and full-color photos.
* Discover the stories of scores of individual creators throughout history, including self-taught seamstresses, community organizers, and archivists of everyday life.
* Delve deeper into the stories behind world-renowned artists, past and present, like Bisa Butler, Faith Ringgold, and the Quilters of Gee’s Bend.
* Each profile illuminates the reasons behind the quilts: to honor heritage, express political beliefs, process grief, find peace, or simply create beauty.

Stories in the Seams celebrates the act of sewing in solitude or in community, as resistance or as rest. Whether you’re a veteran quilter, a textile arts appreciator, or a beginner exploring the art form, this is an informative, inspiring, and indispensable resource.

JOIN THE QUILTING MOMENT: Whether you've been wowed by major museum exhibitions of textile arts, just joined a local quilting circle, or are simply a fan of patchwork styles and nostalgic Americana aesthetics, now is the perfect time to enrich your knowledge of quilt history.

UNTOLD HISTORY: This book shares the often-ignored stories of self-taught artists, independent women creators, intergenerational collaborations, and more. From artists who created under enslavement in the early 1800s to sewing cooperatives formed in the 1960s, Dr. Plummer traces the story of quilts through a lens of personal and communal healing.

A VIBRANT AND THRIVING CREATIVE TRADITION: Black quiltmaking isn't limited to one style or frozen in the past. This book highlights the kaleidoscopic variety and continual innovation that define this art form.

Perfect for: 

* Quilters, sewists, and other crafters, makers, and collectors
* Art history buffs and readers of artist biographies
* Anyone interested in Black culture, history, and art
* Professional artists and designers, art students, and researchers
* Creatives interested in the intersection of art and activism

Awarded the Deloitte Photo Grant 2025, this imagined photo archive transmutes grief into a reflection on memory, absence and identity

When the Ghanaian photographer and filmmaker Carlos Idun-Tawiah’s (born 1997) father died, he was left with few photos of him and his father together. Photography was not widely accessible in Ghana during the time of his childhood, so Idun-Tawiah lacked a photo archive through which he could process his grief. He created Hero, Father, Friend in order to fill this disheartening gap. Featuring reconstructed scenes, both real and imagined, from Idun-Tawiah’s memory of his father, the photobook bears testimony to a cherished familial bond. Idun-Tawiah’s photographs depict piano lessons with his grandfather, days on the beach with his uncle and games of soccer with his cousins―a family network united to fill the complex role of paternity. Denis Curti and Alessio Fusi contribute essays that provide a critical counterpoint to Idun-Tawiah’s visual narration by analyzing how its emotional and aesthetic attributes interrelate.

A groundbreaking investigative account of the life of the mogul who brought hip-hop to the mainstream, offering readers a riveting look at the empire he built and the destructive power of celebrity

If not for Sean “Diddy” Combs’ ability to harness the voice of hip-hop and package it via artists like Mary J. Blige and the Notorious B.I.G., the landscape of American―and world―music would look and sound entirely different. For decades, mainstream performers clamored to be close to Combs; his charisma, vision, and brand of cool transformed hip-hop culture into a multibillion-dollar powerhouse. While his acumen built an empire that reflected the biggest names in not only music but also fashion, business, and the bright lights of Hollywood, another side of Combs was hidden from public view.

In Bad Boy for Life, journalist Cheyenne Roundtree vividly brings to life Combs’ early days and his rise to power. She also excavates the disturbing history of his alleged abuse. Through cultural insights, meticulous reporting, and in-depth interviews with more than one hundred sources, she examines Combs’ misuse of power that led to the criminal trial in 2025 that caused his kingdom to unravel.

Ultimately, this account shows how Combs embodies the much bigger story of hip-hop’s ascension, the wider music industry, and fame’s sinister aspects. This is one of the most significant pop-culture stories of our time, one that charts the path of an impresario while asking questions about accountability and justice, who is believed and who is silenced, and why we protect the powerful. In Bad Boy for Life, Roundtree depicts the man in full, offering a comprehensive portrait of Combs’ astonishing rise and fall.

THE POWERFUL FOLLOW-UP TO THE INTERNATIONAL BESTSELLER GOOD VIBES, GOOD LIFE

The more you chase approval, the further you get from yourself. The path back begins when you stop performing.

Do you say yes when every part of you wants to say no? Do you overthink every message, keep the peace, carry other people’s feelings and worry you’re still not doing enough? Does life feel like a constant audition, where your worth depends on being who others want you to be?

Vex King has helped millions of people worldwide on their paths of growth and self-reflection. Here he shows how seeking approval leads you to abandon your centre – the place of self-trust, authenticity and inner peace.

People-pleasing can look like love, kindness or responsibility, but it often begins where self-love has been forgotten. At its heart is the fear that who you truly are might not be worthy of love, acceptance and belonging. This isn’t about caring less. It’s about loving yourself deeply enough to stop abandoning yourself, protect your peace and return to your centre.

Blending lived experience, spiritual insight and practical tools, Vex reveals how to rebuild self-trust, build healthier relationships and make choices that align with your values. You’ll learn how to:

* Recognize the people-pleasing patterns running your life
* Use the Five-Second Pause before an automatic yes
* Choose alignment over approval and follow your own path
* Set boundaries without shutting people out
* Navigate family, friendships and relationships with more honesty
* Handle guilt, overthinking, criticism and rejection

You can’t please everyone. But you can finally be yourself, and peace begins when you stop abandoning yourself for everyone else.

‘Some people will like you more when you’re agreeable, endlessly available and easier to manipulate, but you’re not here to please everyone. You’re here to rise, awaken and live as your whole self – not the edited version that keeps others at ease.’Vex King

A joyous celebration of Jamaican food — and of Christmas — set to the traditional song, The Twelve Days of Christmas, a debut picture book by acclaimed author Zalika Reid-Benta.

On the third day of Christmas, mi granny gave to me three beef patties, two sorrel drinks and some saltfish with some ackee. And then coco breads and Champagne colas. Plaintains and black cakes and breadfruits and yams — and don't forget the rice and peas!

This playful twist on the classic Christmas song builds a delicious festive feast, Jamaican style. As Granny bakes and roasts and fries, her family prepares for the season, shopping and decorating and "helping" in the kitchen, hungrily watching the dishes come together.

A joyful seasonal celebration of family and food.

Includes recipes for ackee and saltfish.

The new novel from acclaimed, three-time instant #1 New York Times–bestselling author Tomi Adeyemi blends shocking contemporary storytelling with a sinister dark academic flair to create a blockbuster about rage, longing, and a woman’s darkness that will leave readers breathless.

When Emery steps foot onto Dartmouth’s campus, she knows what she has to do: keep her scholarship, take her meds, and pray no one ever finds out about the past she left behind.

But that all changes when Emery meets an intoxicating girl named Roux, her disarming stepbrother named Eli, and the mystical band of girls Roux calls “The Sirens.” Each Siren is as beautiful as the last, and their lives on campus are shrouded in extravagance and secret parties. Before the girls became Sirens, they were outcasts, yet under Roux, their wildest dreams come true. When Roux offers Emery the chance to join them, Emery will do whatever it takes to make it in.

Even if it costs Emery her life.

A Most Anticipated Book of 2026 by PEN America, Lit Hub, BookPage, and Ms. Magazine

The wife of a popular and powerful megachurch pastor upends her charmed “rags-to-Rolex” life when her secret past comes roaring into the spotlight—in this "funny and juicy and sexy and delicious peek behind the pulpit" (Samantha Irby) from the acclaimed and beloved author of The Secret Lives of Church Ladies.

From the moment Scharisse Freeman ditched her humble roots and married a megachurch pastor fifteen years her senior, she’s been labeled too brash and too “of the world” by church folks who grudgingly accepted her into their fold, and too holy by her estranged childhood bestie Petra. Schar doesn’t have many allies, but that hasn’t stopped her from building an enviable business empire spanning books to clothing to branded products, and living the comfortable life her husband's power affords her.

On the eve of her 40th birthday, Schar gets the final bit of validation she’s always dreamt of: a coveted invitation to participate in the First Lady USA pageant. This is her chance to be accepted by the other pastors’ wives—First Ladies—who are “like Jesus’ disciples if they had been a group of mean girls.” Finally, blissfully, the ice between Schar and the other First Ladies begins to thaw.

But as the pageant nears, a sensational scandal breaks with Schar at its center, and her carefully curated life implodes. Schar faces down shame and terrible secrets from her childhood and is reminded that in the eyes of the church, optics can matter more than the truth.

Unflinchingly funny, frank, and packed with surprising turns, The True Confessions of First Lady Freeman exults in the luscious, messy pleasure of finally feeling free.

"Deesha Philyaw has already established herself as one of the greatest short story writers, but in The True Confessions of First Lady Freeman she cements herself as the most soulfully entertaining writer of her era." - Kiese Laymon, author of Heavy and Long Division