Multi-platinum artist, entrepreneur, and philanthropist, Big Sean shares his five key practices for­ inner work and self-acceptance in this interactive guidebook on maintaining daily mental wellness.

Sean Anderson, better known as Big Sean, has reached incredible levels of success in his music career. And while, from the outside, his life looks like a collection of enviable achievements, in truth, he has experienced the highest highs and the lowest lows that come with anxiety and depression.

At the age of eighteen, Sean decided to forgo college to sign with Kanye West’s record label. Even though he saw his wildest dreams coming true, almost like a rap fairytale, he found himself contemplating taking his own life. It was in this, his darkest moments, that he started applying the spiritual practices he’d witnessed his mother embrace throughout his childhood from books like The Four Agreements, The Secret, and many more.

From that moment on, Sean has been on a journey of inward reflection, self-acceptance, and continual work to become the best version of himself every day. In these pages he walks you through the five practices—accepting, strategizing, trying, trusting, and manifesting—that have given him the skills and confidence to become the beloved father, musician, and man that he is today. This book is a clarion call for the next self-help movement, poised to meet the complexities of the moment we’re in.

Go Higher dares to ask the question: If we worked on our self-care regularly, instead of only when we were in crisis, how much higher could we go? Filled with step-by-step instructions for the tools Sean has been using on a daily basis for the last decade—journaling, agreements, affirmations, and meditation, as well as prompts to guide you on your own journey of self-reflection, Go Higher is a spiritual guidebook for our times, proving that investing in yourself isn’t something that drains your energy, but is something that gives you the energy to reach your fullest potential.

An immersive epic taking place over one night at an underground London house party, conjured by a multi-hyphenate sensation.

Welcome to the Wickedest, the longest running house party in the South London shoob scene, always held at an undisclosed inner-city spot. You better hope you have the address: this is for locals only.

Sweaty and cinematic, pulsing with rhythm and heat, every moment here―from one-on-one intimacies to the swell of the party’s collective roar―is refracted in Caleb Femi’s writing. Ingeniously blending conversations, text messages, sonnets, vignettes, monologues, photos, and lyrics, The Wickedest is a modern epic, told as a minute-by-minute chronicle of an unforgettable night out.

Femi, a multi-hyphenate sensation and the author of Poor, which was called “a landmark debut for British poetry” by The Guardian, is a generational storyteller and scene setter. But The Wickedest does more than tell the story of one party; Femi uses the experience of nightlife to document the broader contexts surrounding the shoobs―the marginalization of low-income communities of color, the red tape that bars those on the edges from already shrinking communal space. Still, the party goes on. The Wickedest is a respite and a reckoning, a community of desire, care, and resistance that carries on long past the night’s end.

This lyrical and heartwarming picture book follows a Nigerian girl who worries about her family's upcoming move. But she soon realizes that no matter where they go, there will always be room at their kitchen table for her community to gather around.

When Zainab runs down the stairs in the morning, she knows what she'll find: Papa cooking at the stove, Mama pouring tea, and then everyone gathering around the family table. Neighbors stop by, and there's plenty of room for them, too. There are so many beloved rituals that happen at the table: homework and crafts, aunties coming to plait hair, and festive gatherings with neighbors and relatives. But soon boxes start piling up around the house, and Zainab worries about the move—will the rituals feel the same in her new home?

In the new house, the family table still feels cozy to sit around. And soon, old neighbors and new friends stop by, and everyone is welcome at the table. Meg Medina's Evelyn Del Ray is Moving Away meets Peter H. Reynolds's Our Table in this heartwarming story about how difficult it is to move, but how connecting with community makes everything better.

In this lyrical and stirring companion to the “spellbinding” (Harper’s Bazaar) Shallow Waters, Oya—the Yoruban deity of the weather—is brought to life during 1870s America. Perfect for fans of Children of Blood and Bone and Black Sun.

Born in Cuba after her mother Yemaya’s adventures in the New World, Oya has inherited otherworldly powers from her Yoruba Orisha lineage. While Yemaya is known for her healing abilities, Oya’s influence over the storm proves to be destructive, posing a threat to her mother and the island’s safety.

Sent to New Orleans to study under Marie Laveau, the Queen of Voodoo, Oya begins a journey across the still young America, encountering a myriad of historical figures, including Mary Ellen Pleasant, Jesse James, Lew Hing, and more.

As Oya navigates the landscapes of racism, colorism, and classism, she grapples with her own identity and powers, striving to find her place in a fraught and complex society. A moving, vivid exploration of resilience, heritage, and the enduring spirit of a young woman coming into her own, The Wind on Her Tongue transports you to a world where magic and reality intertwine.

When two outlaw lovers from opposite sides of the war face off, their second chance at happily ever after will come at a cost only one crime king and queen pin are willing to pay.

Empress reigns as 1930’s Chicago’s cunning Queen Pin, yet sultry Dulce Ella Monroe still longs for freedom from oppression her criminal empire provides. But when rivals threaten all that the influential and glamorous Empress built, her last hope of defense walks through the door in sharp-shooting ex-lover Snipes Creed, now a foe for hire bound to the enemy.

A decade ago, Perry Savage had stolen Dulce's heart before battles abroad stole their chance at happiness. Discharged into Depression’s bleak landscape, taking on the alias Snipes Creed elevated Perry from destitute veteran to contract fixer extraordinaire. But no success could eclipse memories of the one who got away.

Facing off on opposing sides yet still bound by unbreakable passion, past promises, and present perils, Snipes and the notorious Empress must determine if their romance can rise again or if devastation will strike when luck inevitably runs dry. For two scarred souls gambling everything on last bets placed in the name of love and legacy, only one question remains: will Chicago burn them both before they burn Chicago down?

Although much Black religious scholarship has engaged with feminist theory and womanist thought, a gap remains where little work has been done in religious studies to investigate the Black male experience. A Misrepresented People explores how African American men grapple with identity and masculinity in relation to Black religious thought. This book counters the dominant portrayal of Black men in American society as suspicious, morally defective, and irredeemable, and showcases the strength and relevance of Black religious thought in developing alternative notions of Black manhood.

Drawing on womanist discourses, African American religious thought, literature, and Black male studies, as well as an examination of the writings and sermons of Howard Thurman and Martin Luther King Jr., Darrius D’wayne Hills offers a vision of Black male identity that is grounded in interpersonal relationships and connection. Positioning identity formation as a religious concern, Hills expands the application of religious scholarship toward the complex social and material realities faced by Black men. In doing so, this volume offers a much-needed new model for understanding Black male gender identity, illustrating how religious thought fosters more holistic and livable futures for African American men.

How psychedelics can heal historical, intergenerational, and racialized trauma—an Afrofuturistic take on Black psychedelia toward joy and liberation

The mainstream has long seen psychedelic medicine as the purview of people with privilege: money to burn, time to trip, and the social safety to experiment with drugs without risking arrest or worse. Despite psychedelics’ deep roots in Black and Indigenous cultural practices, most psychedelic spaces have excluded Black people and other People of Color. But psychedelics like psilocybin, MDMA, and ketamine are not just for a rarefied liberal elite—and they’re definitely not just for white people.

Combined with quality therapy, safe and equitable access, and full-scale societal healing, psychedelics are a shortcut to liberation, dignity, and power—the “Promised Land” as envisioned by Martin Luther King, Jr.

Risqué? Sure. But that doesn’t make it any less true.

In Black Psychedelic Revolution, Dr. Nick Powers charts how psychedelics can heal historical, intergenerational, and racialized trauma. He shows how these medicines unlock a return to one’s self, facilitating an embodied experience of safety, peace, and beingness otherwise disrupted by whiteness—and explores psychedelics’ ability to transform individual wellness even as they transcend it. Drugs taken with therapy can heal. But drugs taken with a social movement can heal a nation.

Powers unpacks how the Drug War, racist policing, mass incarceration, and community gatekeeping intersect to sideline POC—and specifically Black people—from the psychedelic movement. He moves past “making space” for Black psychedelia to assert instead the need for a full-stop reclamation and revolution: one that eschews psychedelic exceptionalism, breaks down raced and classed constructs of “good” vs. “bad” drugs, realizes true, full-scale healing, and lives into a free, strong, and independent Blackness. With an Afrofuturist lens, Black Psychedelic Revolution takes utopian politics seriously, re-centering social justice around ownership of historical trauma and giving People of Color the authority to define a new humanism.

Elaine Neil Orr, born in Nigeria to expat parents, brings us an indelible portrait of a young female artist, torn between two men and two cultures, struggling to find her passion and her purpose. 

It’s 1963 and Isabel Hammond is an expat who has accompanied her agriculture aid worker husband to Nigeria, where she is hoping to find inspiration for her art and for her life. Then she meets charismatic local singer Bobby Tunde, and they share a night of passion that could upend everything. Seeking solace and distraction, she returns to her painting and her home in a rural village where she plants a lemon tree and unearths an ancient statue buried in her garden. She knows that the dancing female figure is not hers to keep, yet she is reluctant to give it up, and soon, she notices other changes that make her wonder what the dancing woman might portend. 

Against the backdrop of political unrest in Nigeria, Isabel’s personal situation also becomes precarious. She finds herself in the center of a tide of suspicion, leaving her torn between the confines of her domestic life and the desire to immerse herself in her art and in the culture that surrounds her. The expat society, the ancient Nigerian culture, her beautiful family, and even the statue hidden in a back room—each trouble and beguile Isabel. Amid all of this, can she finally become who she wants to be?

Coral is the first person to discover the body of her brother, Jay, in the wake of his suicide. There’s no note, only a drably furnished bachelor pad in Long Beach, California, and a cell phone with a handful of numbers in it. Coral pockets the phone. And then she starts responding to texts as her dead brother.

Over the course of one week, Coral, the successful yet lonely author of a hit dystopian novel, Wildfire, becomes increasingly untethered from reality. Blindsided by grief and operating with reck­less determination, she doubles―and triples―down on posing as her brother, risking not only her sanity but also her relationship with her precocious niece, Khadija. As Coral’s swirl of lies closes in on her, the quirky and mysterious alien world of Wildfire becomes entangled with her own reality, in the pro­cess pushing long-buried memories, traumas, and secrets dangerously into the present.

A form-shifting and soul-crunching chronicle of grief and crisis, Venita Blackburn’s debut novel, Dead in Long Beach, California, is a fleet-footed marvel of self-discovery and storytelling that explores the depths of humankind’s capacity for harm and healing. With the daring, often hilarious imagination that made her an acclaimed short-fiction innovator, Blackburn crafts a layered, page-turning reckoning with what it means to be alive, dead, and somewhere in between.

New York Times bestselling author Kami Garcia has returned with a middle grade graphic novel about the struggles of a game-loving girl who gets diagnosed with dyslexia and her loving support network that help her along in the journey.

Stella knows fifth grade will be the best year ever. Her closest friends, Emiko and Latasha, are in her class and they all got the teacher they wanted. Then their favorite television show, Witchlins, announces a new guidebook and an online game!

But when the classwork starts piling up, Stella struggles to stay on top. Why does it take her so long to read? And how can she keep up with friends in the Witchlins game if she can’t get through the text-heavy guidebook? And when she can’t deal with the text-heavy Witchlins guidebook, she can’t keep up with her friends in the game. It takes loving teachers and her family to recognize that Stella has a learning difference, and after a dyslexia diagnosis she gets the support and tools she needs to succeed.

Bestselling author Kami Garcia was inspired to write this special book by her daughter’s dyslexia journey; her own neurodivergent experience; and the many students she taught over the years. With subtle design and formatting choices making this story accessible to all readers, Mixed-Up shows that our differences don’t need to separate us.

To make reading as comfortable as possible for dyslexic readers, the book has been lettered in Dyslexie.

Praise:

“Mixed-Up is sweet, fun, and important―a cozy blanket for those of us with learning differences. I wish I'd had this book when I was growing up with dyscalculia." ― Hope Larson, New York Times bestselling & Eisner-winning cartoonist of A Wrinkle in Time and All Summer Long

“Mixed-Up carefully and gently discusses the frustrations and struggles of a child living with dyslexia and handles it beautifully with empathy and compassion. This is a must read book.” ―Dan Santat, National Book Award winner and bestelling author and illustrator of A First Time for Everything

“Here’s what I love about this middle grade graphic novel: The pacing, the length―just perfect―the easter eggs, the magic, and Brittney Williams’ art. Kami Garcia has written a very beautiful story about dyslexia, with a very important message about courage.”―Kwame Alexander, Emmy Award-winning producer and #1 New York Times bestselling author of The Crossover and The Door of No Return.

The first installment in the Healing Verses series from prolific writer and poet r.h. Sin comes New Moons, a profound collection of restorative poetry woven together to address the intricate journey of healing from trauma.

Through its beautiful narrative and empathetic voice, New Moons: Phases of Healing stands as a testament to the transformative power of words in healing the soul and rebuilding a life touched by trauma. In this collection of reflections and poetry, r.h. Sin takes readers along the journey of heartbreak that led him to a new a joyful place of resilience and self-renewal in hopes that they, too, might find themselves on the other side of hurt and renewed by the promise of new love in all its many forms.
 
Designed to be a beacon of light and hope, the carefully selected writings within these pages explore themes of loss, grief, recovery, and the rediscovery of strength within oneself, making it a compassionate companion for anyone navigating the challenging process of healing. Start your journey today, guided by the light of New Moons.

Issa Rae’s Insecure with a magical realist spin: River Mumma is an exhilarating contemporary fantasy novel about a young Black woman who navigates her quarter-life-crisis while embarking on a mythical quest through the streets of Toronto.

Alicia has been out of grad school for months. She has no career prospects and lives with her mom, who won’t stop texting her macabre news stories and reminders to pick up items from the grocery store.

Then, one evening, the Jamaican water deity, River Mumma, appears to Alicia, telling her that she has twenty-four hours to scour the city for her missing comb.

Alicia doesn’t understand why River Mumma would choose her. She can’t remember all the legends her relatives told her, unlike her retail co-worker Heaven, who can reel off Jamaican folklore by heart. She doesn’t know if her childhood visions have returned, or why she feels a strange connection to her other co-worker Mars. But when the trio are chased down by malevolent spirits called duppies, they realize their tenuous bonds to each other may be their only lifelines. With the clock ticking, Alicia’s quest through the city broadens into a journey through time—to find herself and what the river carries.

Energetic and invigorating, River Mumma is a vibrant exploration of diasporic community and ancestral ties, and a homage to Jamaican storytelling by one of the most invigorating voices in today’s literature.

“This quirky, fizzy, charming debut surprises and amuses. Reid-Benta writes beautifully, drawing on Caribbean mythologies to create a fast paced and entertaining tale. It's rare to find a novel written with such humour and heart.” —T. L. Huchu, USA Today Bestselling author of The Library of the Dead

A debut poetry collection wrangling the various selves we hold and perform—across oceans and within relationships—told through a queer, Nigerian-American lens

At times surreal, at times philosophical, the poems of Strange Beach demarcate a fiercely interior voice inside of queer Black masculinity. Oluwaseun’s speakers—usually, but not specified, as two men—move between watery landscapes, snowy terrains, and domestic conflicts. Each poem proceeds by way of music and melody, allowing themes of masculinity, sex, parental relations, death, and love to conspire within a voice that prioritizes intimate address.

In announcing their acquisition of the UK edition, after a three-way auction, Strange Beach was described as “a wrangling of the various selves we hold and perform – across oceans and within relationships – through a highly patterned and textual lyrical play: it is a deeply moving and philosophical tapestry.”

Strange Beach often eschews meaning, preferring, in its deluge of images and emotions, to transmute messages straight to the mind to the reader. Oluwaseun’s poetic influences are clear: Claudia Rankine, Jorie Graham, Louise Gluck, Carl Phillips, Kevin Young, Hannah Sullivan, John Ashberry, and Ocean Vuong. Strange Beach is a searching collection where land and water, body and mind, image and abstraction, are in productive tension, leading to third ways of considering intimacy, selfhood, and desire.

From the author of The Lesbiana's Guide to Catholic School, two best bros fake an engagement–but will their friendship survive?

It’s about time roommates Alejandro and Kenny get married. Or at least, that’s what all their close friends and family think when they announce their engagement. The kicker? The two are faking their whole relationship so Alejandro can get a green card. But if Han was going to marry anyone, it would be his ride or die since second grade.

Han has never been able to put down roots, and the only one who truly breaks through his walls is Kenny. Sweet, sensitive Kenny is newly single, and what better distraction from his soul-sucking relationship than proposing marriage to Han? Kenny can’t think of anything more fun than spending his life with his best friend, even if it’s just for a piece of paper. But as Kenny keeps up the charade, he’s soon struggling to resist their sizzling chemistry.

The line between fact and fiction begins to blur the closer they get to their wedding date. With all eyes on Han and Kenny—including a meddling ex and immigration officers—will these two bros make it down the altar for real?

From Playboy to Jay-Z, the racial origins of toxic masculinity and its impact on women, especially Black and “insufficiently white” women

More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness.

Connecting the past to the present, sociologist Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces.

Using historical research, personal stories, and critical analysis, Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination.

The Last Prophet is a novel based on the extraordinary life of the prophet Muhammad, one-time shepherd and outcast revolutionary. This desert master’s discipline and principles would later become the basis for Islam, which today claims two billion followers.

Death comes easily in the seventh-century Arabian desert—from hunger and thirst to the relentless sun to war and raiding tribes who take by force the scarce resources needed to survive. In this harsh land, the powerful city of Mecca is a beacon, famous for its well, which provides abundant life-giving water, and its great temple, where pilgrims come to worship the totems of hundreds of gods. It is here that the prophet Muhammad is born.

As an orphan, he is disparaged by society. Brought up by an uncle, he was put to work on the caravan trade, traveling throughout Arabia, and soaking in an array of knowledge and religious views. He is a man of wisdom and faith who is troubled by the world around him. When God speaks to him, he sets out to preach what he has been told. Though every tribe has their own deity, he speaks of just one God. He shuns arrogance and the pursuit of luxury over truth and seeks to abolish slavery. In this patriarchal culture, he insists that smothering infant girls in the sand is murder, a custom to be abolished.

As the prophet starts to develop a following, the leaders of the city recognize the threat his radical views have to their lifestyle—one of wealth built in part upon the backs of slaves. The nobles try to turn the people and even his own family against him. They ban him and his tribe, and they torture and kill those who follow him. But no matter what they do to him, his influence continues to grow. The two sides eventually call upon allies throughout Arabia, rallying warriors for an epic battle that will forever change the course of history.

The second graphic novel in this original series inspired by the hit television show Are You Afraid of the Dark? features three chilling stories based on Ghanaian urban legends and folktales and written by New York Times bestselling author Roseanne A. Brown

Izzy’s sister has been acting strange. Izzy knows that something is going on with her twin, Grace; hurrying off to hang with other kids, avoiding her at school, and going to bed earlier than usual. When Izzy learns that her twin sister has been sneaking off at night to hang out with the mysterious Midnight Society, she surprises them at their night of storytelling and threatens to tell their parents about Grace’s new hobby. But in order to prevent Izzy from telling on her, the Midnight Society proposes a scare-off! If Izzy wins, Grace is booted from the Midnight Society. If Grace wins, Izzy won’t tell anyone about the Midnight Society. What follows are three terrifying tales that may determine the fate of not only the Midnight Society, but also the twins’ relationship.

In “The Tale of the Bushwalkers,” a girl who cheats in school discovers that monsters may be prowling her campus, ready to eat cheating students. In “The Tale of the Spirit Drum,” a young boy tests his luck when he comes into possession of a drum that can make his dreams come true. And in “The Tale of the Sinister Sisters,” two twins must survive the night by themselves as malignant spirits take their form to pit the twins agains each other.

Drawing from urban legends, folklores, and stories rooted from Ghana, New York Times bestselling author Roseanne A. Brown crafts all new stories inspired by the hit television series, brought to life by artists Shazleen Khan, Bill Masuku, and Gigi Murakami!

Updated documentation of The Theater of Refusal on the exhibition's 30th anniversary

In 1993, at the University of California, Irvine, Charles Gaines and Catherine Lord mounted a category-breaking exhibition of Black artists from different generations, working across Fluxus, Conceptualism, assemblage, photography and installation. Challenging the racializing of Black artists’ work, the exhibition confronted the discourse around race difference in the United States by including excerpts of writing by art critics who had discussed the featured artists. On the 30th anniversary of this event, this publication reprints the eponymous 1993 volume documenting the show, which contained essays by Gaines, Lord and Berger, and the transcript of a roundtable of artists and writers. Reproducing images of the exhibition in color for the first time, this new edition augments the original publication with an essay by poet and scholar Fred Moten; recent conversations between Lord and Gaines; an interview with Gaines by Moten; and a new roundtable discussion moderated and edited by curator Jamillah James and Thomas (T.) Jean Lax.
Artists include: Jean-Michel Basquiat, Renée Green, David Hammons, Ben Patterson, Sandra Rowe, Gary Simmons, Lorna Simpson, Carrie Mae Weems.

Already a major international bestseller, Zeinab Badawi’s sweeping and much-needed survey of African history traces the continent’s extraordinary legacy from prehistory to the present from the African perspective.

“Equal parts gripping and galvanizing. . . . Researched across more than 30 countries, it brings the dazzling civilizations of pre-colonial Africa vividly to life. A book that feels both long-overdue—and wholly worth the wait.” —British Vogue

Everyone is originally from Africa, and this book is therefore for everyone.

For too long, Africa’s history has been dominated by western narratives of slavery and colonialism, or simply ignored. Now, Zeinab Badawi sets the record straight.

In this fascinating book, Badawi guides us through Africa’s spectacular history—from the very origins of our species, through ancient civilizations and medieval empires with remarkable queens and kings, to the miseries of conquest and the elation of independence. Visiting more than thirty African countries to interview countless historians, anthropologists, archaeologists and local storytellers, she unearths buried histories from across the continent and gives Africa its rightful place in our global story.

The result is a gripping new account of Africa: an epic, sweeping history of the oldest inhabited continent on the planet, told through the voices of Africans themselves.

An electric debut novel about the daughter of Afghan refugees and her year of self-discovery—“a stunning coming-of-age story” (Publishers Weekly, starred review) and a portrait of the artist as a young woman set in a Berlin that can’t escape its history

A girl can get in almost anywhere, even if she can’t get out.

“A no-bullsh*t, must-read debut.”—Kaveh Akbar
“Kaleidoscopic, full of style and soul.”—Raven Leilani
“I loved this book.”—Leslie Jamison
 
In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. 
 
Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be?
 
A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

From the New York Times bestselling creative team behind The ABCs of Black History comes a statement-making follow-up that celebrates women, their history, and their future by centering the diversity of the disruptors who blazed a path forward for everyone.

In a beautiful picture book brimming with G for Groundbreaking women, National Book Award nominee Rio Cortez and illustrator Lauren Semmer celebrate all the joys, challenges, and historic forward movement of women’s history in the United States, with a special focus on the Black women, brown women, transwomen, and others who make change happen. This is a book about Artists, Activists and Allies, about Civil Rights and Choice, about Freedom Fighters, Headliners, Labor -- and Librarians! It’s about historic moments—Kamala Harris being sworn in as the first African-American and first Asian-American Vice President of the United States; Title IX passing through Congress; Seneca Falls, where the first women’s rights convention was held; the Riot Grrrls movement; and so much more. 

The ABCs of Women’s History is a story of persistence. It’s a story of pride. And it’s a story of progress. This book celebrates the disruptors, the dreamers, the determined, and the do-it-yourself-ers who continue to inspire the next generation of women to build a brighter, better tomorrow.

Preorder now and receive the stunning DELUXE LIMITED EDITION while supplies last―featuring a special alternate cover design on the hardcover case, gorgeous sprayed edges, and exclusive endpapers. This breathtaking edition is only available on a limited first print run.

"Her best work yet... about fame and family, culture and change, the power of story, the writer’s life... and robots. This one has it all.” — George R.R. Martin

“I was captivated... [An] ambitious, inventive tribute to the power of storytelling itself.” — Nikki Erlick, New York Times bestselling author of The Measure

In this exhilarating tale by New York Times bestselling and award-winning author Nnedi Okorafor, a disabled Nigerian American woman pens a wildly successful Sci-Fi novel, but as her fame rises, she loses control of the narrative—a surprisingly cutting, yet heartfelt drama about art and love, identity and connection, and, ultimately, what makes us human. This is a story unlike anything you’ve read before.

The future of storytelling is here.

Disabled, disinclined to marry, and more interested in writing than a lucrative career in medicine or law, Zelu has always felt like the outcast of her large Nigerian family. Then her life is upended when, in the middle of her sister’s lavish Caribbean wedding, she’s unceremoniously fired from her university job and, to add insult to injury, her novel is rejected by yet another publisher. With her career and dreams crushed in one fell swoop, she decides to write something just for herself. What comes out is nothing like the quiet, literary novels that have so far peppered her unremarkable career. It’s a far-future epic where androids and AI wage war in the grown-over ruins of human civilization. She calls it Rusted Robots.

When Zelu finds the courage to share her strange novel, she does not realize she is about to embark on a life-altering journey—one that will catapult her into literary stardom, but also perhaps obliterate everything her book was meant to be. From Chicago to Lagos to the far reaches of space, Zelu’s novel will change the future not only for humanity, but for the robots who come next.

A book-within-a-book that blends the line between writing and being written, Death of the Author is a masterpiece of metafiction that manages to combine the razor-sharp commentary of Yellowface with the heartfelt humanity of Tomorrow and Tomorrow and Tomorrow. Surprisingly funny, deeply poignant, and endlessly discussable, this is at once the tale of a woman on the margins risking everything to be heard and a testament to the power of storytelling to shape the world as we know it.

An essential exploration of the overlooked impact of disordered eating among Black women—and a prescriptive road map to returning to peace and wholeness within our bodies, from the clinical therapist who founded Black and Embodied Counseling and Consulting PLLC

Food has always been a political tool for the oppressor. And the body, especially the Black body, has always been one of its many battlegrounds.

Licensed mental health therapist, somatic healer, and eating disorder specialist Alishia McCullough understands that for far too many Black women, the myriad effects of racial trauma have disrupted their most essential relationship: the one they have with their bodies—and by extension, with their food. African Americans are disproportionately impacted by disordered eating behaviors, yet their experiences are frequently overlooked by doctors and mental health experts. As a result, entire communities—our most vulnerable communities—are forced to navigate systems that are already primed to dismiss their needs, leaving them without proper care, or often even the language they need to identify what’s wrong.

McCullough’s groundbreaking work radically validates the lived experiences and generational traumas of BIPOC communities. As part of a steadily growing movement among clinicians to “decolonize therapy,” McCullough rejects the patriarchal, white supremacist mindset that has dominated the field, and instead embraces a more integrated approach that seeks to understand disordered eating patterns by examining the psychological wounds left by centuries of racism.

Weaving together crucial history, compelling client stories, guided practice, and McCullough’s own experiences with disordered eating behaviors, Reclaiming the Black Body is a revealing, potentially life-saving book that illuminates the way home, back to the safety and comfort found within our bodies.

An inspiring and empowering collection of 75 mindful meditations curated for Black women everywhere to help prioritize self-love, find inner peace, and promote self-reflection.

Meditations for Black Women is a collection of 75 mindful reflections tailored uniquely to the experiences of Black women. These reflections are designed to inspire, support, and ground Black women, helping them navigate their unique everyday challenges. Each meditation is accompanied by a powerful quote from an influential Black woman, adding an extra layer of inspiration and contemplation.

The book is a testament to the power of self-reflection and meditation as wellness tools. It acknowledges the unique stressors and obstacles Black women face, such as micro- and macro-aggressions, the “strong Black woman” trope, and historical trauma. By offering tailored tools to address these unique needs, the book provides a much-needed mental health support for Black women.

Meditations for Black Women is a journey to self-discovery, self-love, and self-care as well as a celebration of Black womanhood and a testament to the strength, resilience, and beauty of Black women.

She needs a divorce from her husband—but a hurricane threatens to dredge up their stormy, passionate past in this sizzling romance from the bestselling author of Say You’ll Be Mine.

“The most amazing rollercoaster of big feels and humor and heart.”—Hannah Bonam-Young, author of Out on a Limb

“The second-chance, accidental-marriage novel fans of classic romcoms like Sweet Home Alabama and What Happens in Vegas are dying for.”—Danica Nava, author of The Truth According to Ember

It's been years since Meena separated from her husband, Nikhil . . . years since they first laid eyes on each other in their home state of Texas, years since they spontaneously wed in Las Vegas and she felt true happiness. Now a high-powered lawyer on Capitol Hill and ready to move on (at least, she thinks so) with another successful lawyer, Shake, Meena has returned to Texas. This time, finally to obtain a divorce.

But there’s one thing Meena didn’t account for: a hurricane forming in the Gulf, veering right toward them and giving them no choice but to hunker down in the home they had built together. Suddenly, she finds herself trapped amid gale-force winds and pelting rain with the man she once loved.

As they spend more time together, Meena begins to remember everything that drew her to Nikhil: his small-town charm, his thoughtful nature . . . his absurdly good looks. But being with Shake makes sense to her. He’s steady, ambitious, and wants exactly what she wants. So she’ll stick to her plan, come hell or high water. But will her windswept heart make the right choice, once the eye passes over and the storm settles?

With sharp observations about second chances at love, ambition and Indian American identity, and with characters who share an undeniable chemistry, Flirting with Disaster is a modern romance with the sensibility of a classic.

A picture book biography celebrating the first known Black female tattoo artist in the U.S., Jacci Gresham, co-authored by Jacci herself, and with stylish, accessible artwork by David Wilkerson

How to make your mark?
Express yourself: From coloring outside the lines to creating her own clothes, expressing herself through art made Jacci Gresham feel confident.
Keep an open mind: When Jacci started out, women getting tattooed was considered distasteful. Women giving tattoos was unheard of. And a Black woman tattoo artist? Jacci was the first.
Practice every day: Jacci studied her craft. She developed new inking techniques for Black and brown skin. And she welcomed everyone into her New Orleans shop, including women of every color, shape, and size.
Stand up for what you believe: From art class to artist, Jacci Gresham pushed boundaries, and she never took no for an answer. Jacci made her mark. How will you make yours?

The dramatic and unforgettable story of a girl and a family caught up in the turbulent days of the Depression from Newbery Medal and Coretta Scott Kind Award-winner Christopher Paul Curtis.

"We are a family on a journey to a place called wonderful." This is the motto of Deza Malone's family, but the road is getting rocky.

     Deza is the smartest girl in her class, singled out by teachers for a special path in life. But the Great Depression hit Gary, Indiana hard, and there are no jobs for Black men. When her beloved father leaves to find work, Deza, Mother, and her older brother Jimmie go in search of him, and end up in a Hooverville outside Flint, Michigan. While Jimmie's beautiful voice inspires him to leave the camp to be a performer, Deza and Mother continue on, clinging to the hope that they will find Father.

     The twists and turns of the Malone's journey reveal not only the devastation of the Depression but also the enduring strength of family bonds and the mighty heart of young Deza Malone.

During one of the most important times in the civil rights movement, one unforgettable family goes on a road trip in this Newbery and Coretta Scott King Honoree, from author Christopher Paul Curtis, recipient of the Coretta Scott King–Virginia Hamilton Award for Lifetime Achievement.

When the Watson family—ten-year-old Kenny, Momma, Dad, little sister Joetta, and brother Byron—sets out on a trip south to visit Grandma in Birmingham, Alabama, they don’t realize that they’re heading toward one of the darkest moments in America’s history. The Watsons’ journey reminds us that even in the hardest times, laughter and family can help us get through anything.
 
"A modern classic." —NPR

“Marvelous . . . both comic and deeply moving.” —The New York Times

"One of the best novels EVER." —Jacqueline Woodson, Newbery Honor and National Book Award–winning author of Brown Girl Dreaming
 
Bonus Content
• New foreword and afterword from the author
• Map of the Watsons’ journey
• Original manuscript pages and letter from the Newbery committee
• Personal essays celebrating the book’s legacy by award-winning authors: Elizabeth Acevedo, Chris Crutcher, Kate DiCamillo, Varian Johnson, David Barclay Moore, Jason Reynolds, Jerry Spinelli, Vince Vawter, Rita Williams-Garcia, and Jacqueline Woodson

This stunning picture book takes a joyful look into the loving and long process of a hair wash day and the beautiful bond between a daughter and mother. Perfect for Mother’s Day or all year round!

I love Sundays, because Sundays are wash days. And wash days are just for us.

Filled with heartwarming illustrations, Wash Day with Mama centers on a little girl cherishing each step of their hair washing routine while Mama imparts her wisdom and stresses the importance of self-care, loving yourself, and being proud of who you are. The process of washing and taking care of Black hair takes time and effort, but this poignant story shows how it is an act of self-love and nurtures a special connection between mother and daughter.

For the Black community, washing their hair can feel like an event in and of itself, and that's why it has been christened "wash day." For many, wash day isn't just a routine, but an intimate ritual that is a symbol of self-love and pride. This self-care practice, although individual to the person, can root them in their culture and allow them to embrace generations of hair traditions. This book shows the love and care of washing Black hair and compels us to reflect on shared moments that we may take for granted.

From an MSNBC Political Analyst, a riveting account of the legendary party hosted by Diahann Carroll for Shirley Chisholm's 1972 presidential campaign, which changed the playing field for Black women in politics.

In 1972, New York Representative Shirley Chisholm broke the ice in American politics when she became the first Black woman to run for president of the United States. Chisholm left behind a coalition-building model personified by a once-in-an-era Hollywood party hosted by legendary actress and singer Diahann Carroll, and attended by the likes of Huey P. Newton, Barbara Lee, Berry Gordy, David Frost, Flip Wilson, Goldie Hawn and others. In A More Perfect Party, MSNBC political analyst Juanita Tolliver presents a path to people-centered politics through the lens of this soiree, with surprising parallels to our current electoral reality.

Chisholm worked the crowd of movie stars, media moguls, music executives and activists gathered at Carroll's opulent Beverly Hills home, forging relationships with laughter as she urged guests to unify behind her campaign. With the feminist movement on the rise and eighteen- to twenty-year-olds voting for the first time in American history, the Democratic Party and the nation were on the cusp of long-overdue change.

Zooming in on one party attendee per chapter, A More Perfect Party brings this whimsical event out of the margins of history to demonstrate that there is an opportunity for all of us to fight for a better nation and return power to the people.

Introducing Mudpuppy's new Board Book: ""Basquiat Colors"".  Immerse your child in the dynamic world of colors through the iconic artwork of Jean-Michel Basquiat in this engaging and educational board book. With the inclusion of translations in English, French, and Spanish for each color, this book offers a multicultural journey through language, inviting children to expand their horizons while learning about colors. From ""rouge"" to ""rojo"" to ""red,"" each translation fosters curiosity and appreciation for diversity.

PERFECT FOR GIFTING – Crafted from sturdy board pages, this book is designed to withstand the enthusiastic handling of little hands. The large, colorful illustrations and clear text make it perfect for early learners to engage independently or enjoy with a caregiver. Whether it's storytime at home, a multicultural learning experience in the classroom, or a gift for an art-loving child, "Basquiat Colors" is sure to inspire creativity, curiosity, and cultural appreciation.    

EDUCATIONAL –  The inclusion of translations in English, French, and Spanish introduces children to basic vocabulary in multiple languages, fostering early language skills. Introducing children to the artwork of Jean-Michel Basquiat also encourages appreciation for contemporary art and diverse artistic styles.  Engaging with colorful illustrations and learning new words in different languages provides a multisensory learning experience, stimulating cognitive development.  
 
FAMILY BONDING –  The Basquiat Colors Board Book is a wonderful family bonding activity because it engages children and parents alike, promotes literacy and color appreciation, creates lasting memories, encourages creativity, and fosters a sense of togetherness and joy. Children associate the joy of reading with the warmth and comfort of spending time with their parents, strengthening the parent-child bond. Sharing the experience of reading will become a cherished family memory!

MUDPUPPY - For over 25 years, Mudpuppy has created quality non-digital puzzles, games and toys for children and families that facilitate creative play and imaginative thinking. One of our core design principles is to engage kids and promote learning without the use of digital screens or technology. Mudpuppy is committed to designing and producing eco-friendly products that have a minimal carbon footprint. All Mudpuppy products adhere to CPSIA, ASTM, and CE Safety Regulations

This creative activity book belongs in the hands of every child who has lost someone special in their lives to help them heal through play and art therapy with stickers, coloring sheets, keepsakes, and comfort cards.

Whether a child has lost a grandparent, a pet, or an important person in their life, My Grief Comfort Book offers them space to process their emotions through hands-on art, play, and storytelling. From Writing a Goodbye Letter on the stationary in the book to creating a Memory Box to hold and share memories, the projects help kids heal after a death. Kids are encouraged to sketch Before and After Drawings, put together a Comfort Kit to cope when they're sad, or make an Activity Jar of things a loved one enjoyed before they died. The 25 prompts, games, exercises, and keepsake crafts were designed by author Brie Overton, the clinical director at the Experience Camps for grieving children. My Grief Comfort Book invites kids to take a creative break from the heaviness of their loss. As they draw, paint, share a story, or play a game, they build coping skills, manage their emotions, develop resilience, and make peace with their grief.