Richly illustrated catalogue of the works of one of the most significant contemporary artists practicing today. In his both powerful and lyrical works, Jafa consistently reflects on the ontology of race and of blackness. Over several decades, Arthur Jafa has constructed a compelling body of work that defies categorization. Both powerful and lyrical, his practice combines a profoundly unsettling blend of images and histories. Bringing together affective memories that touch on the history of the United States of America, violence, repression, modalities of survival, and how these exist in the production and dissemination of images, music, sound, and time-based media, Jafa reflects on the ontology of race and of blackness. The catalogue explores the philosophical, historical, and artistic implications of Jafa’s work, featuring essays and a series of conversations between Jafa and key practitioners working in the fields of cinema, arts, and theory. Text: Norman Ajari, Tina M. Campt, Liam Gillick, Ernest Hardy, Saidiya Hartman, R.A. Judy, Nathaniel Mackey, Fred Moten, Julian Myers, Vassilis Oikonomopoulos, Peter Saville, James A. Snead, Greg Tate, and Peter Watts.

The bestselling author of the Reese’s Book Club pick Honey and Spice returns with a sexy, hilarious, and heartfelt standalone novel starring Kiki Banjo, a young woman who hosts a podcast about modern love, even though her own love life is a hot mess. When her ex comes back into the picture, Kiki must decide whether she’s ready to risk it all—or let her heart burn again.

Twenty-eight-year-old Kiki Banjo hosts the popular podcast The HeartBeat, solving romantic conundrums and dishing out life advice. Behind the scenes, though, career setbacks and a devastating breakup have left her hanging on by a thread. As she’s preparing to be the Maid of Honor in her best friend’s wedding, everything starts to unravel, and Kiki is left wondering if she ever had the answers.

Then Kiki finds herself face-to-face with the Best Man, her ex-boyfriend, Malakai—the smooth-talking, absurdly handsome, annoyingly perceptive man who stole her heart and then shattered it. While Kiki’s approaching rock bottom, Malakai’s been on the rise as a filmmaker, and now they have no choice but to play nice until the wedding is over. Both are hell-bent on ignoring the smoldering chemistry between them, but as they navigate the chaos of wedding plans, career ambitions, and Kiki’s growing fears about the future, they can’t ignore the spark that’s only getting hotter.

They just have to get through the summer. So why does it feel like playing with fire?

Nikki Giovanni’s extraordinary final collection—a landmark of American literature—speaks to the fury of our current political moment while reflecting on the tragedies and triumphs of her early life.

For decades, Nikki Giovanni’s poetry has been at the forefront of American culture. The New Book is a towering work of protest against the divisions of our time, leavened with moments of joy and reflection about her indelible legacy, her family history, and the small pleasures of her richly lived life.

In The New Book, Nikki Giovanni slashes at the ridiculousness of our cultural and political climate: “We have no secrets/since the world shrunk/and the icebergs melted/and all the year books/are digitized./… and we press Like/or No Like/as if it mattered.”

She remembers 2020 and its cataclysmic reckoning with police brutality and white supremacy: “I do understand that republicans/Are cowards and so are those nazis/Cheering/And those kkk we now call police killing/Not to mention father and sons chasing unarmed Black men/and running their cars into crowds/Pretending they are brave or something/They are not only cowards/And nazis but evil fools/And who go to bed white/Wake up American/And hate themselves for having/To share this earth/They will not overcome/And we will not love them.”

But also in the same poem: “But what does 2020 mean to me/A chance to learn to open oysters/Talk to my friends/Catch up on my reading/Tell myself I am going to dust the house/Lie about it/...Enjoy my own company not to mention football/And remember there will be tomorrow/Because there will be/And evil will go and good will come/I am Black/We have seen much worse.”

With this collection, which includes brief letters and short prose from her life as well as poetry, Giovanni reaffirms her place as a giant of literature, a canny truth-teller, an indispensable radical orator, and one of America’s preeminent cultural critics. It is a book to be savored, and shared.

"If there was a need for poetry that galvanized and inspired, there was also a demand for poetry that comforted and unified — and Ms. Giovanni provided on both counts." — The Washington Post

Sam Cooke's legendary and beloved civil rights anthem is brought to life for the first time with stunning illustrations by Nikkolas Smith.

I was born by the river in a little tent.
Oh, and just like the river, I've been a-runnin' ever since.
It's been a long, a long time coming,
but I know a change gonna come. Oh yes, it will.

The immortal lyrics of Sam Cooke's inspiring civil rights anthem are among the most powerful in music history. Written as an ode to the struggles and joy of Black Americans living under the oppression of Jim Crow, "A Change Is Gonna Come" became a rallying cry for justice and equality when it was shared in 1964. Now, more than sixty years later, the fight for freedom continues, and these sweeping lyrics remain as important and soul stirring as ever.

Alongside Sam Cooke's inspiring words, Nikkolas Smith's breathtaking art guides young readers through pivotal moments in American history. The award-winning illustrator of The 1619 Project: Born on the Water, powerfully references civil rights milestones and Black freedom fighters, empowering all of us to continue the mission of change.

Includes a QR code link to Sam Cooke's iconic recording.

The highly anticipated sequel to NUBIA: REAL ONE highlights the importance of self-acceptance and the enduring power of true friendship!

After a turbulent school year, Nubia is both thrilled and anxious as she embarks on a transformative summer training with the Amazons on Themyscira! Amid the mounting pressure of expectations, she grapples with feeling like an outsider, letting the weight of her self-doubt strain her most important relationships.

Just when she thought her life couldn’t get more complicated, her biggest fear threatens the safety of everyone on Paradise Island. Will Nubia rise above the chaos and embrace her true self as the hero she was destined to be?

From critically acclaimed author L.L McKinney and brought to life with delightful, vivid art by Robyn Smith, NUBIA: TOO REAL follows Nubia as she explores her Amazonian identity, navigates her friendships, and learns how to love herself.

Drawing on new research, centring Black voices and perspectives, and celebrating Black Cambridge history, Rise Up focuses on the period from 1750 to 1850, when Britain became the world's first industrialised nation and one of history's largest empires. At the same time, Britain played a central role in the Atlantic slave trade, trafficking more captive African people than any other European power. Millions were forcibly abducted and transported to work on British-owned plantations in the Caribbean and Americas.

In Britain, Black and white anti-slaverygroups and individuals campaigned for abolition. Despite opposition, laws were gradually enacted to abolish the slave trade in 1807, and enslavement in 1833. However, other exploitative systems including apprenticeship and indentured labour took their place. Financial compensation was awarded to former enslavers while the formerly enslaved received nothing.

This is the story of the fight to end Atlantic slavery, its aftermath and ongoing legacies. It is told through the stories of individuals from across the Black Atlantic - many silenced or pushed to the margins. It interrogates historic objects and artworks from collections across the University of Cambridge and beyond, in conversation with responses from contemporary artists. Despite the passing of almost two centuries since Britain outlawed slavery, the struggles for autonomy, equality and social justice continue today.

A walk through their bustling city neighborhood brings a girl and her grandfather closer together in this gentle, contemplative picture book that’s “a reminder of the importance of being in the world with unhurried attention and open hearts” (Publishers Weekly, starred review).

A child and her grandfather step out of their brownstone and take a walk around their lively city. Together, they practice looking closely. They delight in the world that they see, taste, touch, feel, and hear. Whether learning a yellow bird’s song, tasting a street vendor’s mango slices, or listening to the thumping music from passing cars, they find small wonders in every moment they share—and together, always, they go slow.

Simple yet poetic, We Go Slow is a breathtaking invitation to everyday wonder from acclaimed picture book creators Mariahadessa Ekere Tallie and Aaron Becker.

In this spicy new rom-com, an ambitious entrepreneur working to get her speakeasy supper club off the ground is pushed off balance when her childhood crush turns up, hotter than ever––then tells her she's off-limits.

Now that Kendra’s returned home, she can’t help feeling like a kid again—back in her big brother’s shadow, trying to get her restaurant off the ground while his new venture is flying high right out the gate. It doesn’t help that everyone refuses to stop calling her Keke, the childhood nickname she loathes.

The only bright spot is her longtime crush BJ. He’s been her big brother’s best friend for most of her life, and he’s always been that cool, chill guy who was easy to talk to and made her laugh. Now he’s looking at her like she’s all grown up, and there’s nothing childish about the chemistry brewing between them. Even better, he takes her dreams seriously, and he’s ready to help her make her supper club a reality.

But then BJ extinguishes the sparks flying between them, insisting nothing romantic can ever happen because she’s “off limits.” As her investors fall through and her best chance at fulfilling her professional dreams points toward leaving home again for a fresh start, will BJ be ready for love before Kendra moves on? Or will he sweep her off her feet when she least expects it?

Follow Janey on a magical journey as she searches for her missing hoop earring! A perfect picture book for fans of The Queen of Kindergarten and Hair Love.

Golden hoops are magic. That’s what Mommy says.

And Janey has always wanted her own pair of glowing golden hoops, just like the ones her mother wears.

Finally, the day comes when Janey gets her own. With her hoops, Janey can do anything. She feels like a million bucks! But when she gets home, Janey discovers that one of her hoops has gone missing.

Without her special hoops, can Janey find her magic again?

In this fun ode to the tradition of receiving a first pair of hoops, Janey experiences the beauty of inner magic and sisterhood—and learns just how far both can take her.

The acclaimed poetic force celebrates the practice of poetry as healing and prayer in this vital, life-affirming collection about surviving the void and touching the divine—the second book in a creative collaboration between Amistad and Moore Black Press.

At age fifteen, Barbara Fant tragically lost her mother, and her world was suddenly upended. “I became an angry teenager. I was mad at the world.,” she recalls. “I even stopped praying, but I began to write. Poetry became my way of communication, my way of processing . . . it became my way to pray.”

Rebirth, renewal, and healing are the heart of Joy in the Belly of a Riot. Fant’s monumental collection is a continuation of her lifelong project of using poetry as prayer; this is healing-informed poetry to restore herself, her community, and the world. Exquisitely lyrical and boldly resonant, Fant’s poems excavate the nightmares of a childhood marked by poverty, violence, racism, and the loss of countless loved ones. Suffering seemed endemic to neighborhoods like hers, and yet, in Fant’s own words, “I keep trying to write about the trauma, but the joy won’t let me.”

Steeped in a rich Black Christian tradition and drawing on Scripture for artistic inspiration, Fant’s verse offers solace and guidance for all, from the devout to the skeptical. In these poems Fant demands that we see her, and her community, throug more than our grief. As she closes this profound collection, Fant gently preaches that we choose life and reminds us that “wholeness is our birthright.”

Joy in the Belly of a Riot is a healing balm in times of sustained uncertainty and a rock upon which we can build and sustain a foundation of joy. Fant’s essential message demands to be heard, now more than ever.

In this moving intergenerational tale perfect for fans of Messy Roots and Illegal, Eisner-nominated creator Pablo Leon combines historical research of the Guatemalan Civil War with his own experiences as a Guatemalan immigrant to depict a powerful story of family, sacrifice, survival, and hope.

Langley Park, Maryland, 2013

Brothers Jose and Charlie know very little about their mother’s life in Guatemala, until Jose grows curious about the ongoing genocide trial of Efrain Rios Montt. At first his mother, Clara, shuts his questions down. But as the trial progresses, she begins to open up to her sons about a time in her life that she’s left buried for years. 

Peten, Guatemala, 1982

Sisters Clara and Elena hear about the armed conflict every day, but the violence somehow seems far away from their small village. But the day the fight comes to their doorstep, the sisters are separated and are forced to flee through the mountains, leaving them to wonder…Have their paths diverged forever?

Cozy Bookshops―your ultimate escape into a world of bookish bliss and mindful relaxation in 46 adorable scenes, from the coziest book nooks.

Wander labyrinthine bookshelves, sink into soft armchairs by roaring fireplaces, and lose yourself in snug, atmospheric corners. Escape, relax, and unwind with this colouring book for all skills levels and bring your own personality. The possibilities are endless!

Perfect for…

* Book lovers and cozy-core enthusiasts
* Adults and teens seeking mindful relaxation
* The ultimate creative gift

With single-sided pages, and bespoke illustrations start your cozy escape today and bring your imagination to life with Cozy Bookshops.

Featuring real-life bookshops:

* Daunt Books (London)
* Topping & Company (Edinburgh)
* Mr B's Emporium (Bath)
* P&G Wells (Winchester)
* Maldon Books (Essex)
* Shrew Books (Cornwall)
* Kett's Books (Norfolk)
* FOLDE (Dorset)
* Much Ado Books (East Sussex)
* John Sandoe Books (London)

A searing critique of medical racism and a powerful call for health-care professionals to make real change in their field, written by a leading activist and doctor

Unequal access to care. Misdiagnosis. Mistreatment. Medical gaslighting. An increasing number of studies show the profound impacts racism has on communities of color—particularly Black Americans. But these disparities in health care and wellbeing are not the result of a handful of uninformed or malicious doctors: racism in the medical system is institutional, woven into the very fabric of diagnostic criteria and even hospital infrastructure. Medicine denies fair treatment to Black patients not in error…but by design.

Drawing from extensive research, in-depth interviews with medical students and resident physicians, and over twenty-five years of experience as a medical doctor, Dr. Vanessa Grubbs argues that the reason racism in medicine continues to go unchecked is because it is in fact the standard of care. Any attempts to dismantle medical racism through “placebo” efforts such as forming diversity committees or releasing statements condemning racism will fail, she says, because they don’t address the reality of how the institution of Medicine has been, and continues to be, negligent when it comes to the treatment of Black people.

Dr. Grubbs skillfully unpacks the three core problems of how our health-care system currently considers the race of patients, which she identifies as being “race based,” “race disregarded,” and “race denied.”

* When medical diagnoses and trainings are race based, they lead doctors to make different treatment decisions for Black patients, and create a dangerous disadvantage.

* At the same time, medical textbooks and trainings may inappropriately disregard race in cases when it does matter, like failing to include pictures of how rashes may appear differently on light and dark skin—leading to misdiagnosis and death.

* And finally, many medical institutions still deny the extent to which racism is an issue at all, resulting in fewer Black physicians and disastrous outcomes for Black patients.

Calling on her medical colleagues to join her in working against the negligence of American medicine, Dr. Grubbs lays out a pathway to true equity and inclusion in health care: getting to the root of the underlying fears and insecurities that have led to racist medical negligence; recruiting and retaining a diverse physician workforce; and forcing Medicine to commit to the cultural humility necessary to rebuild, not just replaster, a broken institution.

A high school student whose promising basketball career is in jeopardy discovers the triumphs and hardships of Kareem Abdul-Jabbar's life as a social justice advocate in this stunningly illustrated graphic novel.

Monk Travers is the star basketball player on his high school team. Confident about his future as an NBA player, he doesn’t see the point in caring much about school, let alone his community. But his world is about to change—big time!

After getting caught graffitiing his team's rival school, Monk comes to the awful realization that his actions have put his place on the team—and his future—in jeopardy. Fearing the worst, he’s taken by surprise when his coach offers him an unorthodox way to atone: completing a report on the life of Kareem Abdul-Jabbar.

Monk is ecstatic. He knows all Kareem’s records and stats. He smugly announces that the project will be a snap, but his excitement is short-lived when coach tells him that the project is not about Kareem’s basketball career—it’s about his life as an advocate for change.

As Monk grudgingly begins his research, he discovers a history of struggles, conflicts, frustrations, and violence that he’d never been aware of, awakening a passion for social justice that rivals Kareem’s own.

From the award-winning poet at the height of his career, a book of personal and American experiences, both beautiful and troubling, touching on the generative cycle of loss and renewal

Following on his exquisite Stones, Kevin Young’s new collection, written over the span of sixteen years, shapes stories of loss and legacy, inspired in part by other lives. After starting in the bayous of his family's Louisiana, Young journeys to further states of mind in “All Souls,” evoking “The whale / who finds the shore / & our poor prayers.” Another central sequence, “The Two-Headed Nightingale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into enslavement, stolen, and then displayed by P. T. Barnum and others, the twins later toured the world as free women, their alto and soprano voices harmonizing their own way. Young’s poem explores their evolving philosophical selfhood and pluralities: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”
In “Darkling,” a cycle of poems inspired by Dante’s Divine Comedy, Young expands and embroiders the circles of Hell, drawing a cosmology of both loneliness and accompaniment, where “the dead don’t know / what to do / with themselves.” Young writes of grief and hope as familiar yet surprising states: “It’s like a language, / loss—,” he writes, “learnt only / by living—there—.” Evoking the history of poetry, from the darkling thrush to the darkling plain, Young is defiant and playful on the way through purgatory to a kind of paradise. When he goes, he warns, “don't dare sing Amazing Grace”—that “National / Anthem of Suffering.” Instead, he suggests, “When I Fly Away, / Don't dare hold no vigil . . . Just burn the whole / Town on down.”
This collection will stand as one of Young’s best—his voice shaping sorrow with music, wisdom, heartache, and wit.

Five female Afghan poets wield language to combat the loneliness, absurdity, and claustrophobia of life in a war-torn country and its diaspora. There are “hypnotic, long beards” tangled with mass extinctions; hateful men burning grapevines; black blindfolds; jinn in chadors; and condoms advertised every eight minutes on TV. Interspersing these are tender moments: one poet describes brushing her daughter’s hair, while another imagines a tree growing at the center of a room, undisturbed by the bombs outside. In the wake of the Taliban’s escalating war on Afghan women’s rights, Hair on Fire is a blazing tribute to a group of exceptional poetesses and a reminder of what we lose when voices are silenced.

A collection of private correspondence from one of the Harlem Renaissance’s brightest and most radical voices
 
The Jamaican-born, queer author Claude McKay (1890–1948) was a central figure of the Harlem Renaissance. His 1919 poem “If We Must Die” expressed a revolutionary vision for militant Black protest art, while his novels, including Home to Harlem, Banjo, and Banana Bottom, described ordinary Black life in lyrical prose. Yet for all that McKay connected himself to Harlem, he was a restless world traveler who sought spiritual, artistic, and political sustenance in France, Spain, Moscow, and Morocco.
 
Brooks E. Hefner and Gary Edward Holcomb bring together two decades of McKay’s never-before-published dispatches from the road with correspondents including W. E. B. Du Bois, Langston Hughes, Alain Locke, Max Eastman, and Louise Bryant. With wit, wisdom, insight, and sometimes irascible temper, McKay describes how he endured harassment from British authorities in London and worked alongside Leon Trotsky and Alexander Kerensky in Bolshevik Moscow. He reflects on Paris’s Lost Generation, immerses himself in the Marseille dockers’ noir subculture, and observes French colonialism in Morocco. Providing a new perspective on a unique figure of American modernism, this collection reveals McKay gossiping, cajoling, and confiding as he engages in spirited debates and challenges the political and artistic questions of the day.

A Puerto Rican trans epic that blends poetic play and speculative fiction, by a Lambda Literary Award winner

Algarabía follows Cenex, a trans being who narrates his life while navigating the stories told on his behalf. An inhabitant of a colony of Earth in a parallel universe, Cenex leads us through his years as an experimental subject, a stay in suburbia, and not-so-far-off lands as he struggles to find a name, a body, and a stable home. His song clashes variegated sources with work by cis writers on trans figures, referencing everything from Clueless to Taino cosmology within a single line.

Algarabía inscribes an origin narrative for trans people in the face of their erasure from colonial and anti-colonial literary canons, laughing at its own survival with sharp, unserious rage.

Una epopeya puertorriqueña trans que mezcla poesía y narrativa especulativa, por un ganador del Premio Lambda

Algarabía sigue a Cenex, un ser trans que narra su vida retrospectivamente mientras navega por las historias contadas en su nombre. Habitante de una colonia de la Tierra en un universo paralelo, Cenex nos conduce a través de sus años como sujeto experimental, una estancia suburbana, unas tierras no tan lejanas y su lucha por encontrar un cuerpo y un hogar estables. Su canto enfrenta textos de escritores cis sobre figuras trans con una variedad de fuentes, haciendo referencia a Clueless y a la cosmología taína dentro de un mismo verso.

Algarabía inscribe un mito fundacional para las personas trans frente a su exclusión de los cánones literarios coloniales y anticoloniales y se ríe de su propia supervivencia con una rabia pícara y aguda.

In this companion to Bravo!, Margarita Engle's beautiful poetry introduces young readers to lesser-known Latinos from varied backgrounds who have all shown tremendous resilience.

Prepare to be inspired by this empowering collection of poetry that tells a larger story about fortitude and community across Hispanic history. From environmental activists such as Christina Figueres to record breaking athletes like Pelé, each role model featured is a legend in their own right. There’s no better time to champion the accomplishments of this remarkable group of unsung heroes from all across Latin America!

Those profiled in this collection include Anacaona, Martín de la Cruz and Juan Badiano, Sor Juana Inés de la Cruz, Micaela Bastidas Puyucahua, Simón Bolívar, Mariana Grajales Cuello, Ana Roqué de Duprey, Julio Garavito Armero, Ramón Fonst Segundo, Christiana Figueres, Juano Hernández, Gabriela Mistral, Martín Chambi de Coaza, Marina Núñez del Prado, Noé Canjura, Nicolás García Uriburu, Pelé, and Rigoberta Menchú Tum.

A collection of exceptional new essays by one of the most significant contemporary writers on the world stage

Tracing a loose arc from Edwidge Danticat’s childhood to the COVID-19 pandemic and recent events in Haiti, the essays gathered in We’re Alone include personal narrative, reportage, and tributes to mentors and heroes such as Toni Morrison, Paule Marshall, Gabriel García Márquez, and James Baldwin that explore several abiding themes: environmental catastrophe, the traumas of colonialism, motherhood, and the complexities of resilience.

From hurricanes to political violence, from her days as a new student at a Brooklyn elementary school knowing little English to her account of a shooting hoax at a Miami mall, Danticat has an extraordinary ability to move from the personal to the global and back again. Throughout, literature and art prove to be her reliable companions and guides in both tragedies and triumphs.

Danticat is an irresistible presence on the page: full of heart, outrage, humor, clear thinking, and moral questioning, while reminding us of the possibilities of community. And so “we’re alone” is both a fearsome admission and an intimate invitation―we’re alone now, we can talk. We’re Alone is a book that asks us to think through some of the world’s intractable problems while deepening our understanding of one of the most significant novelists at work today.

Pachinko meets Beasts of a Little Land in this stunning, evocative tale, set in 1920s Korea, of one seemingly ordinary woman—an uneducated villager living under Japanese occupation—who takes control of her own destiny and rises to become an advocate for women’s literacy as a force for change.

“Women need other women to survive.”

In 1924, Korea is an occupied country. In Seoul’s secret, underground networks and throughout the countryside, rebellion against the Japanese Empire simmers, threatening to boil over. Kim Na-Young lives a simple life in the rural village of Daegeori, where she watches the moon rise and set over the pine-wooded mountains, tends to her household alongside her best friend, Yeon-Soo, and cares for her sick mother.

But the occupation touches every Korean life—even Na-Young’s. In the wake of a tragedy that stuns the village, Na-Young’s father arranges her marriage to a man she’s never met, and Na-Young and Yeon-Soo decide to flee, taking their fate into their own hands. That decision sets them on their own collision course with the occupying forces, resulting in a violent encounter that will alter both of their lives forever—in shockingly different ways.

Taking us from a small village to the bustling corridors of Seoul, where women and girls can learn to read and write in multiple languages and members of the revolution pass coded messages through the back rooms of teahouses, Ann Y. K. Choi weaves a masterful tale of a woman taking command not only of her own identity but her own destiny.

A sweeping journey through historical Korea and an utterly compelling portrait of one woman’s remarkable life, All Things Under the Moon is both a stunning literary achievement and a beautifully written tribute to the sacrifices women make for each other.

The second installment in the Healing Verses series from poet r.h. Sin introduces Serenity’s Song, a profound collection of restorative poetry woven together to address the intricate journey of healing from trauma.

Across the volumes of The Healing Verses, r.h. Sin delves deep into the heart of human suffering, offering solace, understanding, and pathways to recovery through the power of words. Each book is a beacon of hope, designed to guide readers through the darkness of their experiences and toward the light of resilience and self-renewal. The carefully selected writings within these pages explore themes of loss, grief, recovery, and the rediscovery of strength within oneself, making the series a compassionate companion for anyone navigating the challenging process of healing.
 
In Serenity’s Song, the second installment of the series, Sin explores the deep and profound desire for harmony that dwells within our collective and individual souls. Throughout his excavation of these feelings, he hopes readers of all backgrounds and lived experiences can find comfort in the knowledge that the peace we seek is already planted within us, we just need the tools to find it. May this series be the shovel on your journey of discovery.

The award-winning, bestselling Japanese phenomenon: a speculative, prophetic novel following a young and brilliant celebrity architect in Tokyo who takes on her most controversial project yet—perfect for readers of Klara and the Sun and Chain-Gang All-Stars.

Welcome to the Japan of tomorrow. Here, the practice of radical sympathy toward criminals has become normalized. The incarcerated are considered victims influenced by their environments to commit crime and are labeled accordingly as Homo miserabilis.

A grand, yet controversial, skyscraper in the heart of Tokyo is planned to house lawbreakers in compassionate comfort—Sympathy Tower Tokyo. Acclaimed architect Sara Machina has been tasked with designing the city’s new centerpiece but is filled with doubt. Haunted by a terrible crime she experienced as a young girl, she wonders if she might inherently disagree with the values of the project, which should be the pinnacle of her career. As Sara grapples with these conflicting emotions, her relationship with her gorgeous—and much younger—boyfriend grows increasingly strained. In search of solace and in need of creative inspiration, Sara turns to the knowing words of an AI chatbot…

The recipient of Japan’s highest literary prize, Sympathy Tower Tokyo is an extraordinary novel from one of the most exciting new global voices. Partly inspired by conversations with an artificial intelligence, it offers an urgent and brilliant defense of the power of language written by humans, a moving exploration of the imaginative impulse, and an often hilarious send-up of our modern world’s unrelenting conformity.

"We Are Not Numbers is not just a book—it's my life, their life, and our shared story ... This is Gaza as it truly is, written by those who live it every day" —MOTAZ AZIZA

"This book is a jailbreak and a miracle" —NAOMI KLEIN

"Essential ... A project that insists on liberation" —TA-NEHISI COATES

"Impossible to put down or forget" —RIZ AHMED

A teenage girl stares at her roof, hoping it won’t collapse over her head. A young student searches the Internet for photos of libraries around the world, hoping he’ll be able to visit them one day. Another walks around the city, taking notes of all the buildings she dreams of repairing.

These are the stories of young people from Gaza, born under Israeli occupation and blockade. They are people who have endured unspeakable struggles and losses, who keep fighting to be recognized not as numbers, but as human beings with hopes, dreams, and lives worth living.

We Are Not Numbers was founded in 2014 to give voice to the youth of Gaza. In this collection—vital, urgent and full of heart, spanning over ten years to the present moment—we gain an unparalleled insight into the past, as well as the current and next generation of Palestinian leaders, artists, scientists and scholars and imagine where we might go from here.

A perfect book for young readers to discover lesser-known works of art and culture that have shaped Black history in the United States.

The Banjo Lesson. The Brownies Book. "Rapper's Delight." Throughout history, Black people have performed, created art, and broken barriers that helped propel the fight for equality forward. Celebrate little-known groundbreaking contributions to art and culture like these and learn about their social impact on American history in Overlooked Creations of Black Art and Culture.

ABOUT THIS SERIES:

This brand-new series is rooted in a profound commitment to shedding light on some of the important -- and often lesser-known -- aspects of Black history. From the Archives features landmarks, events, people, and artistic endeavors that have played a significant role in the Black experience in America and offers a chance to celebrate them. Written in a vivid, engaging style and featuring a colorful combination of photos and illustrations, each title serves as a powerful vehicle for education, inspiration, and empowerment for young readers.

A perfect book for young readers to discover lesser-known people who have shaped Black history in the United States.

The organizer behind the 1963 March on Washington for Jobs and Freedom. The first Black American head coach in the National Football League. The first Black female state senator from New York. Throughout history, Black people have broken barriers and protested to fight for equality. Celebrate little-known people like these and learn about the social impact of their work on American history in Unsung Voices of Black History.

ABOUT THIS SERIES:

This brand-new series is rooted in a profound commitment to shedding light on some of the important -- and often lesser-known -- aspects of Black history. From the Archives features landmarks, events, people, and artistic endeavors that have played a significant role in the Black experience in America and offers a chance to celebrate them. Written in a vivid, engaging style and featuring a colorful combination of photos and illustrations, each title serves as a powerful vehicle for education, inspiration, and empowerment for young readers.

A perfect book for young readers to discover lesser-known places that have shaped Black history in the United States.

The square in New Orleans where enslaved people met to sing, dance, and play music together. The oldest Black church still standing in the United States. The first Freedmen's colony in the country. Throughout history, Black people have founded communities, churches, and more to fight for equality. Celebrate little-known historic sites like these and learn about their social impact on American history in Hidden Landmarks of Black History.

ABOUT THIS SERIES:

This brand-new series is rooted in a profound commitment to shedding light on some of the important -- and often lesser-known -- aspects of Black history. From the Archives features landmarks, events, people, and artistic endeavors that have played a significant role in the Black experience in America and offers a chance to celebrate them. Written in a vivid, engaging style and featuring a colorful combination of photos and illustrations, each title serves as a powerful vehicle for education, inspiration, and empowerment for young readers.

A perfect book for young readers to discover lesser-known events that have shaped Black history in the United States

The Stono Rebellion of enslaved people in 1739. Harriet Tubman's Combahee River raid in 1863. The Biloxi Wade-in to desegregate beaches in 1959. Throughout history, Black people have spoken up, protested, rebelled, and even risked their lives to gain equality. Celebrate little-known historic events like these and learn about their social impact on American history in Overlooked Milestones of Black History.

ABOUT THIS SERIES:

This brand-new series is rooted in a profound commitment to shedding light on some of the important -- and often lesser-known -- aspects of Black history. From the Archives features landmarks, events, people, and artistic endeavors that have played a significant role in the Black experience in America and offers a chance to celebrate them. Written in a vivid, engaging style and featuring a colorful combination of photos and illustrations, each title serves as a powerful vehicle for education, inspiration, and empowerment for young readers.

A fast-paced, suspenseful novel that questions desire, painful family dynamics, and the preoccupations with Jihadism.

Yacoub, a Kuwaiti man in his sixties, devotes all his time to managing his many successful businesses. His wife, frustrated by the deteriorating situation of their marriage, fills the void in her existence with unbridled consumption. But the luxury in which their family bathes cannot hide the echoes of a terrible absence, that of Ahmad, the youngest son, who has turned his back on his family to join a jihadist organization in Syria. When Yacoub discovers an attraction—as irremediable as it is unexpected—for one of his employees, a young woman of Iranian origin, he almost loses his footing. Caught between worry for the fate of his son and the exaltation that this budding relationship gives him, he suddenly learns that Ahmad is being held hostage by a rival terrorist group who is demanding a colossal ransom.

This captivating and suspenseful novel—a true immersion in the daily life of an ultra-rich Kuwaiti family—questions desire, painful family dynamics, and the preoccupations with jihadism. Through the doubts of this patriarchal figure brought to review his life and his choices through the prism of unforeseen upheavals, it is the picture of a very current society that the author paints, in which generations and visions of the world are opposed.

You might be struggling in debt, living paycheque to paycheque, or worried about preparing for retirement; maybe you're considering your first investment, or you just want an escape plan from the '9 to 5'. Wherever you are on your journey, this book will revolutionize your lifestyle and your relationship with money.

Authors Ken and Mary Okoroafor started out as resource-poor, working-class immigrants and have built a life of financial independence and joyful moments through hard work, smart saving and savvy investing. They know what it feels like to start from ground zero, and as a chartered accountant and former CFO, Ken shares his financial expertise to help you unlock the secret to building wealth.

You'll learn how to take control of your finances, develop good money habits, become debt-free, invest in assets and multiply your income so you can create the freedom to travel, spend time with your loved ones and plan for a stress-free (early) retirement - all whilst prioritising your wellbeing and having fun!

It also includes a dozen real-life interviews with singles, couples and those with children, from different backgrounds, age groups and stages of their money journey, including a few well-known public figures.

Financial joy can be achieved by anyone - and it can start today, not tomorrow.

The first book to center Black artists' voices on Black aesthetics, revealing a century of evolving relationships to race, identity, and art.
 
What is Black art? No one has thought harder about that question than Black artists, yet their perspectives have been largely ignored. Instead, their stories have been told by intellectuals like W. E. B. Du Bois and Alain Locke, who defined "a school" of Black art in the early twentieth century. For the first time, Black Artists in Their Own Words offers an insightful corrective.
 
Esteemed art historian Lisa Farrington gathers writing spanning a century across the United States, the Caribbean, and the African continent—including from renowned artists Henry Tanner, Nancy Elizabeth Prophet, Romare Bearden, Wifredo Lam, Renee Cox, and many more—that reveals both evolutions and equivocations. Many artists, especially during the civil rights era, have embraced Black aesthetics as a source of empowerment. Others prefer to be artists first and Black second, while some have rejected racial identification entirely. Here, Black artists reclaim their work from reductive critical narratives, sharing the motivations underlying their struggles to create in a white-dominated art world.