If you knew the world was ending, who would you save? And would they let you?

Sixteen-year-old Winnie Bray is a liar. As the resident psychic at an oddities shop, Winnie truly can see the future. But her customers only want reassurance, and Winnie only wants their money. Favorable fortunes are a fast track to funding her way out of Buffalo, New York for good, after all.

But all of that changes when a vision sends her stalking in the remains of her family home that burned down in a fire 10 years ago. Among the ash and rubble, Winnie finds a box made of bone, untouched by flames and…whispering. At the touch of her finger, the box shows her a vision of death, chaos, and apocalypse, with her and rich kids Apollo and Cyrus Rathbun at the center.

Apollo knows their cousin is up to no good, and with the Rathbun family scattered to the wind, they know Cyrus is aiming to present himself as the new patriarch. Despite an initial attraction, Apollo is reluctant to believe Winnie. But soon it becomes clear that their family histories are intertwined, with the whispering, hungry box at the very center, and more than their lives are on the line. Together, they must discover the origins of the box and stop unforeseen forces from fulfilling the apocalyptic prophecy, or die trying.

From the author of I Feed Her to the Beast and the Beast is Me comes a speculative thriller about the ties that bind us to places and people, perfect for fans of Andrew Joseph White and Tochi Onyebuchi.

Monsters and mortals, rejoice! Acheron is back . . .

Though Laure has tried to close the lid on her ballet shoes and the feelings she once held for dance since the Palais Garnier incident two months ago, Laure is spinning out. Between partying, drinking, and avoiding anything and, well, everyone, she has no time to be anything but a monster. But when Laure stumbles across a mysterious dead body during one of her nights out, she’s forced to notice the cracks stretching beyond herself.

Below the streets of Paris, Elysium is dying, and Acheron and Lethe’s influence is spilling into the streets like a blight. Laure isn’t the only of Elysium’s beasts to rise from the ruins of Palais Garnier, and someone is mobilizing an army of monsters with plans greater than Laure, Andor, and Keturah could have ever guessed. While Laure is warring between her wants and Acheron’s ever-demanding appetite, she and her circle of monsters are left to reckon with a not-so-simple question: how do you save yourself from oblivion?

Jamison Shea's sharp and unflinching voice will bring readers to terrifying new heights in this vicious sequel to the "relentlessly gory and almost euphoric in its embrace of the horrific" (NPR) I Feed Her to the Beast and the Beast is Me.

From the award-winning, bestselling “literary pied piper” (The New York Times) who brought us Boy, Snow, Bird comes a masterful story that asks: What if the different sides of your personality had trust issues with each other?

New Day, New You!

Kinga is a woman who is just trying to make it through the week. There’s a Kinga for every day: On Mondays, you can catch Kinga-A deleting food delivery apps. By Friday, Kinga-E is happy to spend the days soaking, wine-drunk, in the bath.

Kingas A–G, perhaps unsurprisingly, live a varied life—between them is a professional matchmaker, a scent-crazed perfumer, and a window cleaner, all with varying degrees of apathy, anger, introversion, and bossiness. At least three of them are Team Toxic.

It’s an arrangement that’s not without its fair share of admin, grudges, and half-truths. But when Kinga-A discovers a man tied up in their apartment, the Kingas have to reckon with the possibility that one of them might be planning to destroy them all.

How many versions of oneself can one self safely contain?

In a time of rising authoritarianism and attacks on personal freedoms, the New York Times bestselling author of I’m Still Here chronicles her efforts to live as her full self in a society that wants women—and Black women in particular—to do anything but that.

As an antiracism educator and writer leading through America’s cycles of racial unrest, Austin Channing Brown reached a crossroads. “I love my work,” she writes, “and I am tired. We are tired. Tired of protesting. Tired of ‘saving democracy.’ Tired of educating and explaining.” She began to ask, “What do I deserve, not just as a citizen but as a human?”

Full of Myself answers that question. Weaving personal narrative with perceptive social commentary, Brown offers a look at the mechanisms that limit who Black women are allowed to be—at work, at home, in community—and the defining moments when she decided that self-possession is the justice work she had been made to undervalue. From skinny-dipping in the ocean to becoming a mom, she delves into the drama of life and invites readers to begin defining themselves not as empty vessels to improve the world, but as a people born free in spirit, in hope, in joy.

For Black women seeking to understand the true roots of their burnout, or for anyone wondering what it means to live joyfully in a hostile world, Full of Myself is a breath of fresh air and an invitation to full humanity.

In the final book of the best-selling Mindfulness Essentials series, Zen Master Thich Nhat Hanh shows us how to realize our dreams in this very moment.

We all want our lives to be useful and meaningful. The aspiration to transform suffering—our own, each other’s, and the Earth’s—can give us the energy we need to continue on a wholesome path. In How to Dream, Thich Nhat Hanh explains how to let our deep desire nourish us and, in turn, how to keep that desire alive.

With inspiring illustrations throughout, this pocket-sized book explains how to:

• Get in touch with our deepest dream
• Live our dream in every moment of daily life
• Keep our dream alive with the help of a community
• Protect our dream from the dampening effects of our fast-paced modern life
• Direct energy towards lasting personal, social, and political change

If our aspiration is lost, depleted, or if we’ve slowly let it go, we must rekindle it. Whatever our role in society—activist, businessperson, teacher, parent, or politician—we can live into our deep aspiration and change the direction of civilization. And together, as a community with a collective aspiration, we have the energy to realize our dream.

A dangerous cult craves a dark power. The Legacy of Arniston House is the spellbinding fourth instalment of the USA Today bestselling Edinburgh Nights series by T. L. Huchu

Ropa Moyo is a wannabe magician, can speak to the dead, and has officially given up being an intern. Leaving Scottish magic behind, she now works for the English Sorcerer Royal. But just as she adjusts to working for the English, an old enemy reveals a devastating secret about her Gran, and Ropa’s world falls apart.

Outraged, she rushes home, but finds her grandmother dead – murdered – with no killer in sight. What’s more, she’s the prime suspect. In her quest to find the true murderer, Ropa becomes caught in the dark tendrils of a cult, hell-bent on resurrecting an ancient power. Ropa must use her wits, her magic, and call in all favors to stop the ritual – and clear her name.

Edinburgh Nights series:
The Library of the Dead
Our Lady of Mysterious Ailments
The Mystery at Dunvegan Castle
The Legacy of Arniston House

Named one of the Most Anticipated Books of 2025 by Foreign Policy

“Howard French’s The Second Emancipation stands the second half of the last century on its geopolitical head.” ―David Levering Lewis, winner of the Pulitzer Prize

From the acclaimed author of Born in Blackness comes an extraordinary account of Africa’s liberation from colonial oppression, a work that fundamentally reshapes our understanding of modern history.

A work of epic dimension that recasts the liberation of twentieth-century Africa through the lens of revolutionary leader Kwame Nkrumah.

The Second Emancipation, the second work in a trilogy from best-selling author Howard W. French about Africa’s pivotal role in shaping world history, underscores Adam Hochschild’s contention that French is a “modern-day Copernicus.” The title―referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom―positions this liberation at the center of a “movement of global Blackness,” with one charismatic leader, Kwame Nkrumah (1909–1972), at its head.

That so few people today know about Nkrumah is an omission that French demonstrates is “typical of our deliberate neglect of Africa’s enormous role in the birth of the modern world.” Determined to re-create Nkrumah’s life as “an epic twentieth-century story,” The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana’s Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French’s consummate style more vivid than in Nkrumah’s early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu―including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him “one of the greatest political leaders of our century”―and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.

Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana’s first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah’s radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.

In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history.

16 pages of illustrations; 3 maps

“A restless collection of incredible breadth, whose ability to meld applied science, faith, history, racial myth, and personal archive gives us poems whose power is unmistakable. A game-changing book.”—Rosalie Moffett, judge of the 2024 National Poetry Series

Radiant with a tenderness that is only achieved through close attention, these poems offer witnessing and formalistic exploration as well as a unique cosmology that is made ever more expansive by blurred lines between the instructional and the improvisational. For Keith Wilson, no image, thought, stanza, or diagram is sufficient in the practice of illumination, so he combines them. The Uncanny Valley diagram is repurposed to imagine a future Emmett Till never saw; visual instructions for line dancing stand in tension with the memory of Wilson’s grandfather picking cotton; prayer is input as equation; a poem gerrymanders a sentence diagram. In these and other gestures, Wilson expands the possibility of what poetry can hold.

Thematically expansive and materially ambidextrous, Games for Children demonstrates how play is one of the highest forms of freedom, and in reclaiming it, our most tender truths are exposed.

Dedicated to Gilliam's late-career sewn and collaged fabric works, this colorful catalog embraces the artist's restless creativity and visionary approach to abstraction

A pioneering artist who redefined the boundaries of painting, Sam Gilliam (1933–2022) transformed the medium with his radical approach to color, material and space. Sewing Fields focuses on a lesser-known yet crucial period in Gilliam's later career: that of his sewn and collaged works. His residency at the Ballinglen Arts Foundation in 1993 reshaped his artistic practice. Far from his Washington, DC, studio, Gilliam embraced new materials, working with pre-stained fabrics that he shipped to Ireland, cutting and layering them into sculptural compositions. A collaboration with a local dressmaker further expanded his process, reinforcing his innovative fusion of painting and textile techniques. Sewing Fields brings these groundbreaking works back to the Irish Museum of Modern Art, nearly 50 years after Gilliam's first Dublin exhibition, positioning him within a broader transatlantic dialogue on abstraction.

One determined party planner + one grumpy pumpkin farmer = a fall to remember…

Given the chance to plan her bestie’s 30th birthday bash, Wren Southwick is determined to create an experience so big and so bold that the name of her party planning business spreads beyond the confines of her own small town.

The key to her plan? The Finch family’s Goldleaf Pumpkin Farm. It’s not just the perfect venue but also the perfect supply partner for the autumnal-themed bash Wren envisions. But to get what she wants – and needs – she’ll have to get gorgeous grouch August Finch on board.

The table is set, and the battle is about to begin … but who will fall first?

Save the day with this paper over board bind-up of the first four original chapter books in the Marvel After-School Heroes series with black-and-white illustrations throughout!

New York City has no shortage of villains putting young heroes to the test in these exciting stories. First, Miles Morales teams up with Princess Shuri of Wakanda to save the Stark Center. Then, Gwen Stacy has to balance her responsibilities as a super hero and a student, and Princess Shuri uses her technological know-how to save her friends. Finally, Ghost-Spider teams up with an unlikely ally.

This bind-up is perfect for Marvel fans beginning to read on their own or for reading aloud!

This action-packed paper over board bind-up includes:
Miles Morales Untangles a Web
Ghost-Spider’s Unbreakable Mission
Shuri Takes Control
Reptil & Ghost-Spider Join Forces!

© 2025 MARVEL

In this riveting domestic thriller for readers of Jeneva Rose, Kimberly McCreight, Kimberly Belle, and Shanora Williams, one woman’s seemingly perfect marriage is shattered by a shocking revelation. Now, how far will she go to learn the whole truth—and will it be enough to outrun the lethal consequences?

Growing up as a foster child, Brooke Perry has known more than her share of hard times. Securing a successful financial career and marrying Andre, a wealthy businessman, is far more than she ever dreamed she could achieve. And though she's suffered two miscarriages—losses that shook her and Andre to their core—she's content to create the happiest of futures . . .

. . . Until a mysterious other woman, Erika Jones, swears Andre fathered her baby, claimed the child was dead—and made her disappear. Brooke refuses to believe her—until Erika is killed in a sudden, extremely suspicious house fire. Then Brooke discovers Andre's first wife didn't in fact die from an illness.

Now Brooke is determined to uncover the truth, no matter the cost. Even if it means lying to the police—and facing arrest. Even if it takes all her courage to go up against Andre's formidable—and ruthless—mother. And as more of Andre's secrets and double life surface, Brooke will piece together a nightmare beyond mere lies and betrayal, a lethal hall of mirrors where she can believe nothing . . . and the stakes are higher, and deadlier, than she ever imagined.

A rediscovered classic from the Harlem Renaissance about a young Black woman’s journey passing as white in 1920s New York City and her quest for self-acceptance—with an introduction by Glory Edim, founder and author of Well-Read Black Girl.

Jessie Redmon Fauset is one of the literary titans and foremost tastemakers of the Harlem Renaissance—hired by W. E. B. Du Bois to edit The Crisis, she helped popularize writers like Nella Larsen, Claude McKay, Langston Hughes, amongst countless others. And yet, her own work has been largely underread in the twenty-first century. Written in 1929, at the height of the Harlem renaissance, Fauset’s celebrated second novel tells the story of Angela Murray.
 
Growing up in a Black middle-class Philadelphia neighborhood, Angela has always dreamed of becoming a painter. But the profession is largely reserved for white society. So when Angela’s parents prematurely pass away, she moves to roaring New York City, where she befriends elite artists and presents herself as a white woman. While her sister Virginia’s complexion resembles that of their father’s, Angela’s is lighter, like her mother’s, and passing, she believes, is the only way she’ll ever achieve success. Virginia, meanwhile, refuses to bow to racist pressures, and stays in Philadelphia to embrace her heritage with pride. 
 
Each time Angela thinks she’s found artistic, professional, and romantic fulfillment, her ethnicity gets exposed and she finds herself stripped of everything she cares about. As she navigates a world of seduction, betrayal, lust, and heartbreak, she’s forced to consider: What does it mean to find genuine success in a society marred by injustice? Fauset’s “novel without morals” never passes judgement and stays teeming with tenderness. Full of moments that underline the joy of every day Black life, Plum Bun is a pertinent meditation on art, identity, and what it means to find community—as relevant today as ever before.

A young girl contemplates the passing of time and changing of seasons as she looks out on the world from her favorite chair in this heartwarming picture book by award-winning poet and New York Times bestselling author Rio Cortez.

In the morning, a young child opens her eyes, and, after one biiiiig streeeeetch, heads straight for her favorite place in the house: the blue velvet chair. Perched from the chair set by the living room window, the child daydreams about each season of the year and the changes that come with them. A now-snowy roof was once pelted by the slick rain of spring showers. Icy windows will once again transform into conveyors of sunshine and warmth against her skin.

And just as the seasons change, the child will continue to change too. But one thing will always remain the same: the coziness of the blue velvet chair.

An authoritative anthology tracing the history of one of the most important concepts Black people drew on to challenge the brutal, totalizing system of Jim Crow racism

This book brings together a wealth of readings on the metaphor of the “New Negro,” charting how generations of thinkers debated its meaning and seized on its potency to stake out an astonishingly broad and sometimes contradictory range of ideological positions. It features dozens of newly unearthed pieces by major figures such as W. E. B. Du Bois, Charles S. Johnson, and Drusilla Dunjee Houston as well as writings from Cuba, the US Virgin Islands, Dominica, France, Sierra Leone, South Africa, colonial Zimbabwe, and the United States. Demonstrating how this evocative and supremely protean concept predates its popularization in Alain Locke’s 1925 anthology of the same name, The New Negro takes readers from its beginnings as a response to Henry Grady’s famous “New South” address in 1886 through the Harlem Renaissance and the New Deal.

Opening a fascinating window into a largely unexplored chapter in African American, Afro-Latin American, and African intellectual history, this groundbreaking anthology includes writings by Gwendolyn Bennett, Marita Bonner, John Edward Bruce (“Bruce Grit”), Nannie Helen Burroughs, Charles W. Chesnutt, James Bertram Clarke (“José Clarana,” “Jaime Gil”), Anna Julia Cooper, Alexander Crummell, Countee Cullen, Alice Dunbar-Nelson, Marcus Garvey, Hubert Harrison, Langston Hughes, Zora Neale Hurston, D. Hamilton Jackson, Fenton Johnson, Claude McKay, Oscar Micheaux, Jeanne “Jane” Nardal, Jean Toomer, Gustavo Urrutia, Booker T. Washington, Dorothy West, Ruth Whitehead Whaley, Fannie Barrier Williams, Carter G. Woodson, and a host of others.

Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture.

Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.

In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place—from the shadows of racetracks where jockey culture and the ubiquity of “equestrian chic” was born, to the reclamation—or, in Lil Nas X’s word, yeehawification—of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?

Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of “horse people”—the swaggering masculinity, snooty elitism, and assumed whiteness—to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.

Betty meets Queenie in this courageous coming-of-age story about a Black girl fighting for recognition in a South Carolina Cherokee community that refuses to accept her ancestry as legitimate.

Ophelia Blue Rivers is a descendent of Cherokee Freedmen: Blacks formerly enslaved by rich southern Cherokee. She is “Black” but doesn’t understand why that makes her different. She is “Cherokee” but struggles to know what that means.

Their town of Etsi—once a reservation—still lives with the wounds of its disbanding. When the town, and the river that sustains it, are put in mortal danger personal rivalries threaten their very survival. Against this backdrop Ophelia begins her spirited, at times harrowing, search for place and family. She must discover: what does it mean to belong when belonging comes at such a high price?

With dazzling language, keen insight, and an unforgettable voice, Black Cherokee is an astonishing novel from an emerging literary talent.

A long-awaited, comprehensive collection of renowned poet and performance artist Jayne Cortez’s poetry.

Like the jazz rhythms that inspired and punctuated her practice, Jayne Cortez improvised her way through and across disciplines, bridging poetry and performance with music and the visual arts to create a unique body of work. Consciously rupturing the boundaries between art and politics, Cortez’s practice uneasily fits within literary movements of the 20th century, residing everywhere and nowhere between the Black Arts Movement, Surrealism, feminism, and early performance art. As intersectional as it is interdisciplinary, her work is consistently visceral and fearless, acting as a powerful expression of collective rage on behalf of the disenfranchised and dispossessed. In the words of historian Robin D.G. Kelley, “her poetry was never ‘protest’ but a complete revolt, a clarion call for a new way of life.”

A queer Black teen discovers the sinister, deadly history of his boarding school and the corrupt powers behind it all in this page-turning dark academia/horror YA novel that’s A Lesson in Vengeance meets The Taking of Jake Livingston. A USA Today bestseller!

Regent Academy has a long and storied history in Winslow, Vermont, as does the forest that surrounds it. The school is known for molding teens into leaders, but its history is far more nefarious than any outsider could begin to suspect.  

Seventeen-year-old Douglas Jones wants nothing to do with Regent's king-making; he’s just trying to survive. But then a student is murdered and for some reason, by the next day, no one remembers him having ever existed, except for Douglas and the groundskeeper's son, Everett Everley. In his determination to uncover the truth, Douglas awakens a horror hidden within the forest, unearthing secrets that have been buried for centuries. A vengeful creature wants blood as payment for a debt more than three hundred years in the making—or it will swallow all of Winslow in darkness.

And for the first time in his life, Douglas might have a chance to grasp the one thing he’s always felt was missing: power. But if he’s not careful, he will find out that power has a tendency to corrupt absolutely everything.

Celebrate a Black boy's first haircut in this joyful book from the creator of the popular Princess Hair and Don't Touch My Hair!

Jordan loves his hair: soft like a cloud, regal like a crown. He doesn't want a haircut to change all that.

Jordan’s friends are getting new haircuts for picture day at school. Shape-ups, low fades, frohawks, and more—there are way too many styles to choose from. But when Mama brings Jordan to the barbershop, he sees everyone’s haircuts are like magic.

Can Jordan find a style that’s just right for him?

With her trademark bright colors and expressive characters, Sharee Miller teaches confidence and self-love through the timeless tradition of school picture day.

Dreaming is a luxury that few can afford. And yet, however inadvisedly, Iman dreams.

In an unnamed African country devoured by rampant urbanization and haunted by the mirages of Western prosperity, where for a few CFA francs a child can be bought and sold into slavery, Toumani's earliest education is in the tolerance of suffering. He endures one master then the next, holding his survival―his very self―with open hands.

For Iman, a black and white biracial boy with an elusive presence, the only viable option appears to be an escape to bountiful Europe, where everything must be easier. Obsessed with this idyllic elsewhere to the point of losing himself completely, he remains, for those close to him, an object of fascination difficult to define.

When Iman reaches out his hand to rescue Toumani from certain death, he sets in motion a friendship that may satisfy their need for connection but cannot fundamentally change their circumstances. What is the point of survival without hope for a more livable future? And what happens to them when they both love the same girl?

In this stunning translation of Ryad Assani-Razaki's award-winning debut novel, dreaming is a luxury that few can afford. And yet, however inadvisedly, Iman dreams.

Save the day with the first four original chapter books in the Marvel After-School Heroes series with black-and-white illustrations throughout—now available together in one paperback boxed set!

New York City has no shortage of villains putting young heroes to the test in these exciting stories. First, Miles Morales teams up with King T’Challa and his sister Shuri to save the Stark Center. Then, Gwen Stacy has to balance her responsibilities as a super hero and a student, and Princess Shuri uses her technological know-how to save her friends. Finally, Ghost-Spider teams up with an unlikely ally.

These chapter books are perfect for Marvel fans beginning to read on their own or for reading aloud!

This action-packed paperback boxed set includes:
Miles Morales Untangles a Web
Ghost-Spider’s Unbreakable Mission
Shuri Takes Control
Reptil & Ghost-Spider Join Forces!

© 2025 MARVEL.™

Tiny Idols biographies feature BIG stars for the littlest of hands! Introduce your little ones to Beyoncé with this read-aloud biography that’s perfect for BeyHive members young and old.

From Girls Tyme and Destiny’s Child to her Grammy Award–winning solo career, Beyoncé holds an irreplaceable spot in her fans’ hearts. Follow her journey in this inspiring biography for the youngest readers, with an empowering message and fun Easter eggs that fans of any age will love!

A deeply personal memoir-in-essays, reckoning with being an object of Asian fetish and how media, pop culture, and colonialism contributed to the oversexualization of Asian women—from Kaila Yu, former pinup model and lead singer of Nylon Pink.

No one fetishized Kaila Yu more than she fetishized herself. As a young girl, she dreamt of beauty. But none of the beautiful women on television looked like her. Growing up as a teenager in the late '90s and early 2000s, Asian representation was scarce, and where it existed, the women were often reduced to overtly sexual and submissive caricatures—the geishas of the book-turned-film Memoirs of a Geisha; the lewd twins, Fook Mi and Fook Yu, in Austin Powers films; Papillon Soo Soo’s sex worker character in the cult Vietnam War movie Full Metal Jacket; and pin-up goddess Sung-Hi Lee. Meanwhile, the "girls next door" were always white. Within that narrow framework, Kaila internalized a painful conclusion: The only way someone who looked like her could have value or be considered beautiful and desirable was to sexualize herself.

Blending vulnerable stories from Yu’s life with incisive cultural critique and history, Fetishized is a memoir-in-essays exploring feminism, beauty, yellow fever, and the roles pop culture and colonialism played in shaping pervasive and destructive stereotypes about Asian women and their bodies. Yu revisits the formative moments that shaped her identity. She reflects on the women in media who influenced her, the legacy of U.S. occupation in shaping Western perceptions of Asian women, her own experiences in the pinup and import modeling industry, auditioning for TV and film roles that perpetuated dehumanizing stereotypes, and touring the world with her band in revealing outfits. She recounts altering her body to conform to Western beauty standards, allowing men to treat her like a sex object, and the emotional toll and trauma of losing her sense of self in the pursuit of the image she thought the world wanted.

Raw and intimate, Fetishized is a personal journey of self-love and healing. It’s both a searing indictment of the violence of objectification and a tender exploration of the broken relationship so many of us have with beauty, desire, and our own bodies.

A heartwarming and unforgettable collection of love stories set at Historically Black Colleges and Universities, exploring hope, endurance, and what it means to leave a legacy, from some of today’s most prominent Black writers and edited by the acclaimed author of Love Radio

Love can be messy, painful, and heartbreaking, but it can also be revolutionary, profound, and hopeful. For Celine, a forbidden crush on a professor evolves into a second chance at romance years later. Myra’s focus on a coveted audition for the Fisk Jubilee Singers is challenged by the handsome music major determined to help her. Kiese investigates the darker side to academia, love, and identity. Like most blessings, love emerges in the most unexpected places—in a training cockpit for new pilots, during a Mardi Gras celebration, or while gathering signatures to start the first-ever LGBTQ+ student organization officially recognized at an HBCU.

These are just a few of the heart-searing, tender, and transporting love stories collected in You’ve Got a Place Here, Too—a true celebration of Black love and the profound impact of HBCUs on the community.

Featuring stories by Elizabeth Acevedo, Jasmine Bell, Carla Bruce, Aaron Foley, Kai Harris, Ebony LaDelle, Kiese Laymon, Christine Platt, Farrah Rochon, Kennedy Ryan, Dawnie Walton, and Nicola Yoon.

The remarkable story of Edward McCabe, a Black man who tried to establish a Black state within the United States.

In this paradigm-shattering work of American history, Caleb Gayle recounts the extraordinary tale of Edward McCabe, a Black man who championed the audacious idea to create a state within the Union governed by and for Black people — and the racism, politics, and greed that thwarted him.
 
As the sweeping changes and brief glimpses of hope brought by the Civil War and Reconstruction began to wither, anger at the opportunities available to newly freed Black people were on the rise. As a result, both Blacks and whites searched for new places to settle. That was when Edward McCabe, a Black businessman and a rising political star in the American West, set in motion his plans to found a state within the Union for Black people to live in and govern. His chosen site: Oklahoma, a place that the U.S. government had deeded to Indigenous people in the 1830s when it forced thousands of them to leave their homes under Indian Removal, which became known as the Trail of Tears.
 
McCabe lobbied politicians in Washington, D.C., Kansas, and elsewhere as he exhorted Black people to move to Oklahoma to achieve their dreams of self-determination and land ownership. His rising profile as a leader and spokesman for Black people as well as his willingness to confront white politicians led him to become known as Black Moses. And like his biblical counterpart, McCabe nearly made it to the promised land but was ultimately foiled by politics, business interests, and the growing ambitions of white settlers who also wanted the land.
 
In Black Moses, Gayle brings to vivid life the world of Edward McCabe: the Black people who believed in his dream of a Black state, the white politicians who didn't, and the larger challenges of confronting the racism and exclusion that bedeviled Black people's attempts to carve a place in America for themselves. Gayle draws from extraordinary research and reporting to reveal an America that almost was.

A spiky, edgy collection of five sly yet sensitive stories spotlighting clear-eyed and “difficult” women who are navigating their identities as workers and women in contemporary Japan—a feminist, anti-capitalist modern classic published outside Asia and in English for the first time.

The Dilemmas of Working Women is Fumio Yamamoto’s darkly witty look at modern Japanese women who are ambivalent about their lives and jobs. In “Naked,” a woman who’s simultaneously lost her business and her husband finds that it is surprisingly comfortable to stay at home sewing stuffed animals, even if it makes her a “loser” in the eyes of society. In “Planarian,” a young woman recovering from breast cancer tells her friends and boyfriend that she would prefer to be the titular worm to organically regenerate her body. Each of these spiky women—as well as the three other protagonists in this groundbreaking work—chafes against social expectations that equate work with worth and demand women squeeze into the confining and sometimes dehumanizing role of employee in a world built by and for men.

First published in Japan in 2000, The Dilemmas of Working Women struck a nerve with Japanese readers and became a bestselling literary sensation, selling nearly half a million copies and winning the prestigious Naoki Prize in Literature. A quarter of a century later, this brilliant modern classic—available for the first time outside Asia and in English—remains deliciously funny and astonishingly relevant.

Translated from the Japanese by Brian Bergstrom

Eve Ambroise may be a rising star playwright, but her personal life is falling part. Desperate for a fresh start, she breaks up with her fiancé, cuts off her parents, and heads to the Tennessee mountains. But keeping up the lie that she’s just on a writing retreat becomes near impossible when faced with the well-meaning townspeople and a neighbor who has just as much baggage as she has.

Coming off a contentious custody battle, Jamie Gallagher is restructuring what his life looks like as a single dad, and spending more days at his cabin makes his new “free time” a little less empty. Especially when he meets the beautiful—and prickly—woman next door. The last thing he needs is a new romance to shake up his family dynamics even more, but there’s something about Eve.

What starts out as a fling quickly becomes more serious, and it’s not long before Eve is running scared once again. She’s loved and lost in every possible way, and risking it one more time could finally break her. But like the fireflies that fill the mountains around them, Jamie's and Eve’s lives keep falling into sync. A fairy-tale ending could be in the cards, but only if the new couple can get out of their heads and put their hearts first.r

“[Loved One] is special . . . full of wildly astute, delectably thorny questions about love and loss and possession.” —Maggie Shipstead, New York Times bestselling author of Great Circle

“Shimmers with wit even as it explores deep loss.” —Rachel Khong, New York Times bestselling author of Real Americans

Julia is eighteen when she meets her first-love-turned-close-friend, Gabe, at a party in Barcelona. Twelve years later, Julia meets Elizabeth, Gabe’s most recent ex-girlfriend, at Gabe’s funeral—an interaction that leaves Julia with more questions than answers about Gabe and their shared history.

When Gabe’s mother asks Julia to retrieve the sentimental objects her late son left in the London home he shared with Elizabeth, Julia leaps at the chance to track down her ex’s ex and make sense of their brief encounter. Soon, the two women find themselves in a complex dance of withholding and revelation. Both, it turns out, have something to hide.

An emotional mystery spanning years, continents, and relationship statuses, Loved One introduces Aisha Muharrar as a novelist intimately attuned to the intricacies of love, memory, and ambiguous loss. What happens when we admit that the deepest feelings never die? How do we reconcile various—and sometimes contradictory—truths about those closest to us? An engrossing, transformative coming-of-age story with a powerful love at its heart, Loved One is poised to become an instant classic.