Iconic rapper, entrepreneur and New York Times bestselling author Rick Ross takes readers on the road trip of a lifetime in this indispensable guide to creativity, reinvention and greatness

It's been nearly twenty years since Rick Ross broke out with his 2005 debut single "Hustlin'.” Since then, he’s cemented his legacy in hip-hop and found success in dozens of endeavors beyond music. But as Ross approaches 50, he finds himself in unfamiliar territory: a mid-life crisis. His first creative rut.

The Renaissance of a Boss tells the story of how Rick Ross rediscovered his spark, taking readers on an unforgettable journey that includes:

• Ross’ failed attempt to climb Mount Kilimanjaro, and the unexpected lessons he learned;
• an open road adventure, from Graceland to Santa Fe, where Ross seeks answers to life’s biggest questions;
• an inside look into Ross’ celebrity collaborations with Dr. Dre, Bruno Mars, and Bill Murray and more;
• behind-the-scenes stories of how his biggest hits came to be;
• a shrooms-induced hallucination that you’ll have to read to believe;

In the same open spirit as his New York Times bestsellers Hurricanes and The Perfect Day to Boss Up, The Renaissance of a Boss gives readers a blueprint for success from one of the most prolific minds in music.

The epic journey takes Ross to Elvis Presley's Graceland estate in Memphis, Cadillac Ranch in Amarillo and ultimately a Native American sweat lodge ceremony in Santa Fe. Along the way, Ross reflects on his creative process, the artists who have inspired him, and shares his own rituals and habits that made him into one of the most prolific minds in music today.

Four-time Emmy-nominated actress Laverne Cox shares her journey as a transgender woman in Hollywood, confronting childhood trauma, shame, gender identity, her transition, body image issues, her search for romantic love, deep-seated feelings of unworthiness, and ultimately, healing.

Laverne Cox is a powerhouse in the fight for transgender rights and representation—but her path from a struggling trans actress to a cultural movement was anything but easy.

Surviving a childhood full of trauma, dealing with depression, and working at a drag restaurant in New York City for seven years, Laverne was turning forty and felt it was time to throw in the towel when it came to being a Hollywood star—then she booked the character of Sophia Burset in Orange is the New Black. Her world changed overnight.

She made history as the first openly transgender person nominated for a Primetime Emmy, starred in a range of high-profile shows, and became the first transgender person to win a Daytime Emmy as executive producer on Laverne Cox Presents: The T Word. A red-carpet fashion icon, podcast host, and fearless advocate, she uses her stardom to champion LGBTQ+ rights, whether on Hollywood’s biggest stages, her personal channels, or at Supreme Court hearings. And she’s only getting started.

In Transcendent, you will experience life in Laverne’s shoes, from her childhood abuse to making her big break, dealing with Hollywood bureaucracy, feeling lonely in a world that is unaccepting, and finding her voice through the chaos of it all. With behind-the-scenes stories and personal reflection, we can heal and fight for equality, right alongside Laverne.

From Diaspora Spice Co., the progressive spice company rooted in flavor and equity, comes a cookbook celebrating beautiful, simple, and seasonal cooking with 85 recipes adapted from India and Sri Lanka’s best family spice farms.

Diaspora Spice Co. sources the most flavorful, fresh spices in the world from 150 regenerative farms across South Asia—from elders, indigenous communities, young changemakers, and brilliant multi-generational farming families across India and Sri Lanka who are leading the way in sustainable and climate change–resistant agriculture. Filled with culinary storytelling, The Diaspora Spice Co. Cookbook highlights these farmers and their spices with profiles and evocative photography, plus 85 recipes for simple, seasonal, and powerfully delicious meals.

CEO and founder Sana Javeri Kadri and recipe writer Asha Loupy realized that eating with the people who grow our spices unveils a whole new dimension in our cooking. For instance, the Mir family, who works all year to grow and harvest their saffron, shared not only their technique for blooming the vibrant spice and how to make sure every thread is fully utilized, but their unforgettably delicious dishes. Adapted for a global pantry, these recipes share the warmth of true South Asian home cooking at its truest and tastiest, starting with chutneys & pickles, snacks, and veggies, traveling through to mains from the sea and from the land, rice and breads, and ending with drinks and desserts.

Sana and Asha also note which recipes are the most beginner friendly, freezer friendly, good for a dinner party menu (like a Diwali feast!), and which lend themselves to be pantry building blocks, all for a super easy-to-navigate cookbook.

* Burst Tomato Chutney
* Perfect Pakora
* Spiced Maple-Roasted Carrots with Carrot-Top Sambol
* Aloo Masala
* Jammy Egg Curry
* Coconut Lamb Biryani
* Fennel Tom Collins
* Turmeric-Banana Snacking Cake
* Apricot-Saffron Frangipane Galette

This incredibly fresh, beautifully photographed, powerful collection is a celebration of these farming families, their precious harvests, and how they season recipes with big flavor.

From one of the most electric and consequential figures to emerge from the contemporary American labor movement, the remarkable story of his battle to create the first Amazon union in the U.S. and a powerful call to arms on behalf of the working class

In the early days of the Covid pandemic, warehouse worker Chris Smalls and his colleagues continued showing up as the rest of the world was shutting down. A dedicated and experienced Amazon employee, increasingly frustrated by the inner workings of the retail giant, Smalls had already felt himself reaching a breaking point. So, when coworkers around him began falling ill, and with no transparency or assurances of safety coming from those in charge, he made the only choice left available to him. He staged a walkout with friend Derrick Palmer, eventually finding himself on the picket line without a job. But what began as a demand to keep essential employees safe in a crisis would grow into a movement devoted to achieving dignity and security for the American wage worker, sparking a groundswell of organizers at the most notable companies across the nation—including Starbucks, Trader Joe's, and Apple—and leading to lasting change for labor.

When the Revolution Comes is the riveting inside story of how a young Black man from Hackensack, NJ with little-to-no resources led a scrappy band of Staten Island warehouse workers in an improbable fight against Amazon, the second largest private employer in the U.S., and won. This epic David-and-Goliath tale traces Smalls’ dramatic story, from a childhood spent navigating his dad’s stints in and out of prison to his early pursuits of a career in music; from his years of sacrifice and economic uncertainty as a father of three, fighting a miasma of warehouse managerial politics in an effort to make ends meet, to his ascension as the leader of a new generation’s labor movement. Along the way, he details lessons learned from a life spent working paycheck-to-paycheck, advocating for those around him, and persevering in the face of adversity, and shares how those lessons helped him build the coalition that became the first-ever union of American Amazon workers.

A deeply personal and eye-opening account of the creation of the Amazon Labor Union, When the Revolution Comes is both a searing exposé of what it’s like to be working class in America today as well as the empowering story of what is possible when the overworked, underpaid, and disempowered join together, a movement born in community.

Sip and savor the rich culinary history and culture of the Afro-Latino diaspora with over 40 drink recipes and 20 food recipes from Top Chef and restauranteur Nelson German.

Sip and savor the bold flavors and vibrant culture of the Afro-Latino diaspora with over 40 drink recipes and 20 food recipes from Top Chef alum and acclaimed chef-restaurateur Nelson German, the culinary visionary behind Meski, Sobre Mesa, and alaMar Kitchen and Bar.

For Afro-Dominican chef Nelson German, drinks and food are about connection-whether it's sharing stories over cocktails on a stoop in Washington Heights or gathering with friends under the warm, buzzy lights of his restaurants. In Caribbean Cocktails, he brings the rich culinary history of the Afro-Latino diaspora straight to your home bar and kitchen, blending tradition, personal storytelling, and modern mixology. Inside, you'll find cocktail recipes easy enough for home bartenders yet inventive enough for seasoned mixologists, along with an ingredient index to help you make the most of every bottle on your bar cart, tips for batching drinks, plus low-ABV and alcohol-free variations for every kind of celebration.

Reflecting the vibrant drinking and food culture of the Afro-Latino diaspora, Caribbean Cocktails presents a rich selection of recipes from celebrated bartenders and chefs, spanning refreshing spritzes and bold island classics to tasty small plates. Each chapter highlights a distinct flavor profile, including concoctions for-

* Warm and sweet flavors like The Heights Mamajuana, Gingerbread Holiday Milk Punch, and Coconut Rum Caramelized Sweet Plantains
* Floral, fruity, and herbal flavors like Coconut Daiquiri, Zombie Revier No. 2, and Dominican Chorizo "Kipe" Bites
* Sour and bitter flavors like Cafecito de la Mesa, La Cultura Old-Fashioned, and Coffee Cake with Guavaberry Caramel Sauce
* Spicy flavors like Spice Me Down, Dominican Date Sour, and Afro-Cuban Mojo Olives with Peanuts
* Salty and smoky flavors like El Premio, Mayaimi Swizzle, and Dungeness Stuffed Piquillo Peppers

With the unique, culturally rooted, flavorful recipes in Caribbean Cocktails, you'll soon be entertaining impressively at home.

A radically vulnerable and virtuosic inquiry into the pursuit of freedom and the interminable nature of struggle, from the award-winning author of What We Lose

Weaving personal reflections with piercing insight and expansive vision across nine brilliant essays, Zinzi Clemmons explores the complexities of the elusive concept of freedom. As the daughter of a South African mother and a Trinidadian America father, she recounts growing up in the largely white, affluent town of Swarthmore, Pennsylvania—and her frequent travels to Johannesburg, where the lofty promise of freedom was all around her. Coming of age amidst the euphoria of South Africa's first all-race elections, she grapples with the legacy of Nelson Mandela and the shattered hope in the wake of the Obama era. Clemmons critiques the entrenched inequalities that haunt both countries, from the tragic loss of a childhood friend to the violence that often befalls women who have the audacity to be free.

In a deft mix of memoir, family history, criticism, and reportage, drawing on a vast range of material from Joan Didion to James Baldwin, political analysis and history to Clemmons’s own experiences across the globe, Freedom is an incendiary exploration of race, sex, class, and inheritance. In elegiac prose, Clemmons trains her discerning eye on American institutions and mythologies, probing the bounds of liberation and autonomy to interrogate our most enduring quest—the relentless pursuit of freedom for all.

NATIONAL BESTSELLER • How would your life look if you gained years of wisdom, guidance, and strategy while you were asleep? That’s exactly what you receive when you tap into the power of God’s voice in your dreams!

“The Power of Your Dreams isn’t just words on a page; it’s a tool every believer needs to receive personal instruction for their destiny!”—Travis Greene, pastor, recording artist, and author

The average person spends twenty-six years of life sleeping. That time was created not only to enjoy the physical benefits of rest but to engage in the presence of God and access His guidance for our days. Through fascinating real-life stories, Pastor Stephanie Ike Okafor reveals how dreams have equipped her and many others throughout history, and she shows how you, too, can receive revelation from God through your dreams.

Anchored in biblical truth, The Power of Your Dreams answers your most perplexing questions about dreams:

• Are all dreams from God?
• How do I know if my dream contained a message from God?
• How do I interpret my dreams?
• Do nightmares have any meaning?

God spoke to His people through dreams in biblical times. Today He speaks to you in the same way, inviting you to unlock hidden treasures of wisdom. Discover richer clarity and confidence in your purpose as well as enjoy a strengthened relationship with God as you learn how to recognize and respond to His voice in your dreams.

The soul-stirring intersectional biography of the most famous Islamic woman scholar working today, from the two-time Pulitzer Prize finalist author of If the Oceans Were Ink and Home, Land, Security.

“A testament to what it means to labor for justice from inside a faith tradition—to love it enough to transform it . . . The Lady Imam is right on time to ignite our courage.”—Valarie Kaur, bestselling author of See No Stranger and Sage Warrior

A feminist scholar-activist, single mother of five, and queer advocate, amina wadud has led a struggle against Islam’s patriarchal establishment that’s been felt keenly all over the world. Like Martin Luther King, Jr. and Malcolm X before her, wadud has mobilized faith’s potential as an engine of equality. Yet this American trail-blazer’s story has never been told in book form—until now.

Born Mary Teasley, the daughter of a Methodist preacher, wadud grew up in Maryland with a rare vantage on socioeconomic divides, living through poverty and her sister’s death from an illegal abortion. A gifted student, teenage wadud was sent to live with affluent white families in Weston, Massachusetts. After cross-country hitchhiking and a stint in a Buddhist ashram, she converted to Islam as a twenty-year-old Ivy League student.

wadud devoted her life to studying the Qur’an and challenged centuries of patriarchal interpretations, finding in it equality for all. In Manhattan in 2005, she became the world’s most famous—and infamous—Islamic scholar when she became the first woman in 1400 years to lead men and women together in public Friday prayers.

The Lady Imam chronicles the life of a singular figure not only in Islam, but also in feminism, Black history, and gender studies. With unprecedented access through years of interviews and archival research, Carla Power has written the definitive account of wadud's extraordinary life while shedding light on our deepest questions about faith, family, and social justice.

"Makes a valuable contribution to the ever-widening field of Morrison studies by exploring the intricacies of Morrison's African references, giving critics the ability to make more informed readings of the novels."--Canadian Review of American Studies

"A study of African cosmology and epistemology in Morrison’s writings that draws on the academic author's experience in the Kongo and Yoruba traditions."--Chronicle Review

"Addresses a real need: a scholarly and ritually informed reading of spirituality in the work of a major African American author. No other work catalogues so thoroughly the grounding of Morrison’s work in African cosmogonies. Zauditu-Selassie's many readings of Ba Kongo and Yoruba spiritual presence in Morrison's work are incomparably detailed and generally convincing."--Keith Cartwright, University of North Florida

While others have studied the African spiritual ideas and values encoded in Morrison's work, African Spiritual Traditions in the Novels of Toni Morrison is the most comprehensive. In this volume, K. Zauditu-Selassie explores a wide range of complex concepts, including African deities, ancestral ideas, spiritual archetypes, mythic trope, and lyrical prose representing African spiritual continuities. She delves deeply into African spiritual traditions, clearly explaining the meanings of African cosmology and epistemology as manifest in Morrison’s novels.

Zauditu-Selassie is uniquely positioned to write this book, as she is not only a literary critic but also a practicing Obatala priest in the Yoruba spiritual tradition and a Mama Nganga in the Kongo spiritual system. The result is a comprehensive, tour-de-force critical investigation of such works as The Bluest Eye, Sula, Song of Solomon, Tar Baby, Paradise, Love, Beloved, and Jazz.

A visual journey of Caribbean art profiling more than 60 contemporary Caribbean artists, curated by award winning multidisciplinary artist and textile surface designer, Malene Barnett .

Through powerful interviews with more than 60 artists and designers of Caribbean heritage, accompanied by gorgeous photographs, Crafted Kinship takes readers on a unique journey through the world of Black Caribbean creativity. Each maker crafts a kinship with the land, the people, the culture of their country of origin. Their art explores and reflects deeply on themes like African origins, ancestors, Black womanhood/Black manhood, identity, joy, memory, and the complicated and painful history of migration and diaspora. An art that is more often than not multidisciplinary, created by makers who eschew traditional labels by reshaping the boundaries around art and design.

Curated by Malene Barnett, an award-winning multidisciplinary artist and textile surface designer of Jamaican and Vincentian descent, Crafted Kinship is the first book in which Caribbean makers share the intimate stories of their art-making process and how their countries of origin influence and inform how and what they create. Included are makers working across all mediums. Meet Anina Major, a Bahamian visual artist whose work attempts to reclaim the significance of straw basketry through her ceramics; Basil Watson, a Jamaican figurative artist and sculptor famous for his stunning bronze figures that are exhibited outdoors all over the world; Renee Cox, a Jamaican photographer whose work celebrates Black womanhood; La Vaughn Belle, a multidisciplinary artist from St. Croix who draws from archival sources to interrogate colonial legacies; Sonya Clark, a textile artist and educator of Jamaican, Trinidadian, and Bajan heritage who works with hair and other meaningful materials to explore issues of power, race, and gender; and Nyugen E. Smith, an interdisciplinary artist of Trinidadian and Haitian ancestry whose fluid stream of consciousness is expressed through objects, performance, music, and moving image.

From Dorothy Roberts, author of Killing the Black Body and a writer who “has brilliantly illuminated the Black experience in America for decades” (Bryan Stevenson), comes a spirited and riveting memoir of growing up in an interracial family in 1960s Chicago and a daughter’s journey to understand her parents’ marriage—and her own identity.

Dorothy Roberts grew up in a deeply segregated Chicago of the 1960s where relationships barely crossed the “colorline.” Yet inside her own home, where her father was white and her mother a Black Jamaican immigrant, interracial marriage wasn’t just a part of her upbringing, it was a shared mission. Her father, an anthropologist, spent her entire childhood working on a book about Black-white marriages—a project he never finished but shaped every aspect of their family life.

As a 21-year-old graduate student, Dorothy’s father dedicated himself to the study of interracial marriage and her mother soon became his full-time partner in that work. Together over the years they interviewed over 500 couples and assembled stunning stories about interracial marriages that took place as early as the 1880s—studying, but also living, championing, and believing in their power to advance social equality.

Decades later, while sorting through her father’s papers, Roberts uncovers a truth that upends everything she thought she knew about her family: her father’s research didn’t begin with her parents’ love story—it came long before it. This discovery forces her to wrestle with her father’s intentions, her own views about interracial relationships, and where she fits in that story. Rather than finish the book her father never published, Roberts immerses herself in their archive of interviews to trace the story of her parents and to better understand her own.

Though grounded in her parents’ research, it’s Roberts’ captivating storytelling that drives this memoir. In following the arc of her parents’ interviews and marriage, The Mixed Marriage Project invites us into the everyday lives of interracial couples in Chicago over four decades. Along the way, Roberts reflects on her own childhood as a Black girl with a white father, and how those experiences shaped her into one of today’s most prominent public thinkers and scholars on race. Blurring the boundaries between the political and the personal, between memoir and history, The Mixed Marriage Project is a deeply moving meditation on family, race, identity, and love.

Jess Hilarious, comedy’s whip-smart and unapologetic superstar, continues to push boundaries and offers a hilarious account of the challenges in creating a healthy coparenting relationship and the lessons she’s learned on life's journey.

Before Jess Hilarious ever had dreams of telling jokes in front of sold-out arenas across the country, being featured on Wild-’n-Out, or becoming a cohost on The Breakfast Club, Jess dreamt of marrying her high school sweetheart and raising a family together in their hometown of Baltimore, Maryland. In hopes that having her partner’s child would solidify this outcome, Jess became pregnant at nineteen but begrudgingly learned that the vision she had for her life—as a wife and mother—would have to be reimagined.

After multiple attempts at a relationship between her and her son’s father failed, Jess accepted that, while they would never get married, they were forever linked by the lifetime commitment of raising a child together. With her trademark wit and perspective, Jess shares her experiences with valuable and vulnerable insight for coparents who struggle with what it means to put their children first while protecting them from the ups and downs of adult relationships. ’Til Death Do We Parent is an inspirational journey to coparenting with ease and humor.

“An amazing book…all the iconic photographs that people took of The Champ.” —Barack ObamaGREATEST OF ALL TIME: A TRIBUTE TO MUHAMMAD ALI is a book with the power, courage, depth, creativity, and dazzling energy of its extraordinary subject. Slimmed down from the heavyweight Collector’s Edition, this bantamweight edition is smaller in size, but pulls no punches on its expertise, passion, and insight on The Champ.

With thousands of images, including photography, art, and memorabilia and two gatefold sequences, the book pays vivid tribute to The Greatest both in and outside of the ring. Original essays and five decades’ worth of interviews and writing explore the courage, convictions, and extraordinary image-building that made Ali one of the most recognizable and inspirational individuals on the planet, an icon not only as an extraordinary athlete, but also as an impassioned advocate of social justice, interfaith understanding, and peace.

Compiled by bestselling author susan abulhawa, an Arabic-English bilingual anthology of essays from eighteen young Palestinian writers trying to survive the genocide in Gaza.

In early 2024, writer and activist susan abulhawa managed to enter Gaza twice through the Rafah crossing. There, at the Culture and Free Thought Association, susan held a series of workshops for young people who had been displaced to tent encampments. The lives of all participants were marked by unrelenting Israeli violence and extraordinary loss—of home, family, safety, education, electricity, and all the structures of life. They’d fled from place to place as Israel’s colonial violence swirled around them, complete with food and water insecurity and constant threat. Still, despite the bitterness of life in tents and the dangers of travel, they came together to share in the refuge of writing and community.

Samya recounts a tender moment with an old man mending shoes in the street, while her cousin Saja hides books in her closet, hoping they and her home will still be there when she returns. Ghassan is haunted by the baby he rescued from the rubble, who for a time became his son. Fatima risks it all retrieve her clothes from a danger zone buzzing with drones and warplanes. Maram’s loving aunt is gone, and chaos inhabits Amr’s mind. Samah, Lubna, Rizq, and Nebal take us by the hand through raining death, trails of tears, classroom shelters, and shared clothes in crowded tents.

Every Moment Is a Life delivers rare, unfiltered portraits of life in the holocaust of our time, platforming the emerging voices struggling to survive in Gaza today. These essays are raw and real, capturing human moments—buying bread, going to the bathroom, sharing a meal, drinking coffee—all set against the backdrop of history’s first livestreamed genocide. With courage, anger, love, agony, and—impossibly—hope, these achingly tender voices from Gaza will stay with us, captured in these pages, forever.

*All proceeds go back to the contributors in Gaza and to Palestine Writes Literature Festival

In Foremother Love, Dana Murphy examines the importance of eighteenth-century poet Phillis Wheatley as a foundational figure for Black feminist criticism. Murphy establishes Phillis (as she refers to her) as a writer who wrote in response to and in conversation with other creators as well as a critic who was invested in sharing, explaining, and evaluating her own and others’ work and contexts. Indeed, Phillis played a key role in the development of what Murphy calls “foremother love”—the Black feminist depiction of the love of an unrelated feminist ancestor as a legitimate relation for the practice of inheritance, mourning, liberation, and friendship. Drawing on the work of Barbara Christian, June Jordan, Audre Lorde, Barbara Smith, and others, Murphy shows that Black feminist criticism becomes a transhistorical theorization when read in conjunction with Phillis’s labor and vision. Revealing how Phillis lives on in Black feminist criticism, Murphy contends that foremother love is an ethic of critical care that implores readers to recognize the affective labor of all those working in the field.

A probing essay collection that chronicles one woman’s complicated quest to find home in a fractured America, from the award-winning author of Field Study and contributor to Four Hundred Souls, edited by Ibram X. Kendi and Keisha N. Blain

At eighteen, Chet’la Sebree began, as she writes, “perfecting the art of leaving.” After moving out of her parents’ house in Delaware for college, the lauded poet, essayist, and academic rarely kept the same address for more than two years—bouncing from city to city, country to country, perpetually in search of her next adventure.

For Sebree, traveling has been a life-long passion, forged during family road trips and vacations with friends; college study abroad programs in Europe; and far-flung writing residencies and job opportunities. She dreamed of one day taking her own Great American Road Trip, Jack Kerouac–style—except refashioned as a millennial Black woman who had also begun considering her next chapter: settling down and starting a solo fertility journey.

During the pandemic, Sebree thought she might finally get her chance to hit the road. But then, George Floyd was murdered, following the killings of Breonna Taylor, Ahmaud Aubrey, and so many others. As America continued to reveal its most violent self, Sebree started to wrestle with the very idea of home: Where do I belong in a country not meant for people like me to survive? What does this mean for a child I might bring into it?

In Turn (W)here, Sebree turns to the page for answers, seamlessly weaving memoir with history and cultural criticism in a collection of inventive essays bound by themes of movement, home, inheritance, and belonging. Spanning continents, geographies, and states of mind, Sebree lights a pathway for the wanderer, the seeker—anyone propelled into the unknown by the desire for a place to truly belong.

By the author of the New York Times Bestseller The Hundred Years' War on Palestine

From British colonization to Israeli occupation, an essential primer on the nearly century-long fight for Palestinian liberation

A Beacon Classics edition, featuring a spot gloss cover and retro, classic palette

After over 75 years of death and dehumanization, the fight for Palestinian statehood has only grown more fervent, the stakes more dire than ever before. Israel’s increasingly violent occupation has culminated in a one-sided war, with Palestinians unable to defend themselves against Israel’s military assault. What led to the longest—and one of the deadliest—ongoing military occupations in the world? In The Iron Cage, Rashid Khalidi, one of the foremost scholars of Middle Eastern history, traces the origins of today’s war through sociopolitical and cultural analysis.

Drawing on a wealth of experience and scholarship, Khalidi offers crucial historical context of Palestinian attempts to achieve statehood. He tracks how settler colonialists—first the British, then the Israelis—ensnared Palestinians behind the bars of an “iron cage.” This cage bred the conditions for ineffective Palestinian leadership that would ultimately strengthen the bars that confined them.

Reflective and well-researched, The Iron Cage is an incisive negotiation with the past. Khalidi examines the internal and external failures of the late 19th and early 20th centuries to ground our understanding of the harrowing realities in the region today. Reading this vital chronicle is the first step in disrupting complicity and thinking about the future of the Middle East.

This essential guidebook—created by the founder of Cancer Kids First, the world’s largest youth-led cancer nonprofit—gives young changemakers the exact blueprint they need to turn big ideas into real-world impact.

Young people are driving social change like never before—but many passionate activists lack the roadmap to turn their ideas into sustainable organizations. In this guide, Olivia Zhang, who launched Cancer Kids First at age fourteen after losing two loved ones to cancer, delivers the comprehensive nonprofit playbook she wishes she’d had when first starting out. Now a student at Harvard University and a recent inductee into the Forbes 30 Under 30 list for Social Impact (she was the youngest honoree in her category in 2026), Zhang shares her journey of scaling a youth-led charity to reach over 10,000 patients across twenty-two countries.

Readers will receive the following:

* Step-by-step instructions on legal filing, branding, teambuilding, and fundraising
* Practical worksheets, checklists, and actionable exercises
* A Gen-Z–friendly format with emojis and approachable language
* Proven strategies from Zhang’s journey of scaling Cancer Kids First globally

Drawing from her viral Google Docs guide—which garnered more than 400,000 views—Zhang transforms trial-and-error lessons into an actionable blueprint, covering startup essentials, growth strategies, and the authentic leadership challenges unique to young founders. Whether you’re in high school or college, for every passionate young person who believes they can (and should) change the world—YOUth is the ultimate resource to make it happen.

In Long Eye, Kwoya Fagin Maples brings us a sea-bound collection that channels the mythic, defiant voice of a Black Mermaid.

Inspired by Mami Wata, a water spirit of West African folklore, Maples explores the power and divinity of being a Black woman, a mother, a thinker, a protector, and creator. The poems emerge from a neurodivergent mind navigating writing, parenthood, and the Atlantic waters of the South Carolina Lowcountry. The sea and its many creatures serve as guides—for survival, resistance, and transformation.

As she explores the intersection of science, poetry, and mythology, Maples also seeks to depict Black familial bonds in societies structured against them. Woven through the book is the voice of the mermaid, reminding us that “every underwater being exists in relation.”

At turns wonderstruck and irreverent, these poems pulse with human longing. Maples is a poet whose work is both musical and meticulous. Her eye somehow equally trained on the world at large and her own inner workings. The result is an astonishing, immersive experience.

Midlife isn’t a crisis. It’s an upgrade.

For the ambitious, accomplished person who’s done everything “right” but feels the quiet tug of reinvention, this book is your permission slip. Melanated Midlife is a bold, honest, and empowering guide for professionals of color over 50 who are ready to pivot, professionally, emotionally, spiritually, and even geographically.

Through deeply personal stories, client journeys, and research-backed insight, Dr. Akilah Willery unpacks the truth about midlife transitions: the career changes, the identity shifts, the empty nests, and the full hearts. She challenges outdated norms, calls out the myths of “too late,” and invites you to design a life that fits who you are now, not who you had to be before.

Whether you're downsizing your home, dusting off forgotten dreams, or finally putting yourself at the top of your own to-do list, this book will walk beside you like a trusted girlfriend, coach, and guide.

Expect real talk, reflection prompts, and actionable steps for:
* Pivoting careers with confidence
* Redefining home and releasing what no longer serves
* Building a personal brand rooted in purpose
* Reclaiming joy, boundaries, and time
* Healing in community, not in isolation

You’ve spent years showing up for everyone else. Now it’s time to show up for you.

Time has never moved the same for everyone.

In Colored People Time, Manny Fidel explores how race, culture, and history shape not only our lives, but our sense of time itself. Through sharp, personal, and often humorous essays, Fidel interrogates the myth of linear progress, the politics of punctuality, and some of the ways people of color are forced to navigate a world that rarely moves at their pace or in their favor.

Whether it's a tongue-in-cheek argument that "CPT" should be legislatively supported, ruminations on our longing to return to the summer of 2016, or reflections about mortality through the advent of video game innovations, Fidel confronts the systems that structure time around identity and power. From the slow churn of racial justice to the private time loops of memory, nostalgia, grief, and joy, this book acts as an invitation to readers to question whether they are aware of the way time folds around them.

Colored People Time isn't solely about lateness. It's about how time works differently depending on who you are and where you stand.

A TIME AND WASHINGTON POST BEST BOOK OF THE YEAR • The New York Times Book Review Editors' Choice • A stunning personal manifesto on memory, family, and history that explores how we in America might—together—come to a new view of our shared past

“A vulnerable, honest look at a life lived in a country still struggling with its evils...Hopeful...Beautiful and haunting.” —Eddie S. Glaude Jr., author of Begin Again

In 2020, heartsick from constant assaults on Black life, Tracy K. Smith found herself soul-searching and digging into the historical archive for help navigating the “din of human division and strife.” With lyricism and urgency, Smith draws on several avenues of thinking—personal, documentary, and spiritual—to understand who we are as a nation and what we might hope to mean to one another.

To Free the Captives touches down in Sunflower, Alabama, the red-dirt town where Smith’s father’s family comes from, and where her grandfather returned after World War I with a hero’s record but difficult prospects as a Black man. Smith considers his life and the life of her father through the lens of history. Hoping to connect with their strength and continuance, she assembles a new terminology of American life.

Bearing courageous witness to the terms of Freedom afforded her as a Black woman, a mother, and an educator in the twenty-first century, Smith etches a portrait of where we find ourselves four hundred years into the American experiment. Weaving in an account of her growing spiritual practice, she argues that the soul is not merely a private site of respite or transcendence, but a tool for fulfilling our duties to each other, and a sounding board for our most pressing collective questions: Where are we going as a nation? Where have we been?

Landscapes are key to the Black Atlantic. The history of how Africans and their descendants populated and transformed nations, regions, and ecosystems has always been attentive to the multiple meanings embedded in the landscapes of the Atlantic rim. More recently, the study of archival silences, Black geographies, fugitivity, and the connections between environment and identity has refreshed traditional conversations and formulated new perspectives of analysis, a shift that acts as the focus of Black Atlantic Worlds: Landscape Histories of the African Diaspora.

Based on the Dumbarton Oaks 2023 symposium on Black Atlantic landscapes, this volume features the work of scholars from distinct disciplines addressing West African Atlantization processes on both land and water, struggles over voice and agency in landscape representation, Black geographies as a conduit for religion and spirituality, and the unexpected and connective diasporic meanings of urban landscapes. By engaging and building upon the ever-evolving paradigms of Afro-diasporic studies, these contributions illuminate the hidden figures, strategies, and ideas that constitute the Black Atlantic.

A social activist, journalist, public theologian, and international speaker who has become a powerful and brilliant voice of her generation offers a bold path to liberation and healing for people of African descent struggling in the shadows of the American Dream.

The United States is at a critical juncture in its history. Not since the 1960s has the nation been so racially divided. White supremacy remains America’s Achilles’ heel—a moral failure that haunts us and holds us back from being the great nation we profess. For centuries, people of African descent have endured unimaginable hatred and discrimination which has manifested in pain and trauma passed from generation to generation. To break free from this historical cycle of suffering and be truly free at last, Black and brown people must reimagine ourselves, our communities, this country, and our relationship to Africa.

Weaving storytelling, socioeconomic analysis, and cultural criticism with the spiritual and political threads of liberation theology and Pan Africanism, Imagine Freedom empowers us to begin the difficult but necessary work of decolonizing our minds and overcoming the lies we have been told about ourselves for centuries. Sobering and inspiring, filled with despair and hope, Rahiel Tesfamariam dares us to see the world through a larger historical and global lens— to understand how our quests for freedom and healing are intrinsically connected to our past, present, and future. By widening our vision, we discover new ways of imagining self, community, nation, and world, and most importantly, a new way to achieve the freedom that has been too long denied.

A stunning narrative from one of the most powerful young writers at work today—We Survived the Night interweaves oral history with hard-hitting journalism and a deeply personal father-son journey into a searing portrait of Indigenous survival, love, and resurgence.

Julian Brave NoiseCat’s childhood was rich with culture and contradictions. When his Secwépemc and St’at’imc father, an artist haunted by a turbulent past, abandoned the family, he and his non-Native mother were embraced by the urban Native community in Oakland, California, as well as by family on the Canim Lake Indian Reserve in British Columbia. In his father’s absence, NoiseCat immersed himself in Native history and culture to understand the man he seldom saw—his past, his story, where he came from—and, by extension, himself.

Years later, NoiseCat sets out across the continent to correct the erasure, invisibility, and misconceptions surrounding the First Peoples of this land, as he develops his voice as a storyteller and artist in his own right. Told in the style of a "Coyote Story," a legend about the trickster forefather of NoiseCat’s people who was revered for his wit and mocked for his tendency to self-destruct, We Survived the Night brings a traditional artform nearly annihilated by colonization back to life on the page. Through a dazzling blend of history and mythology, memoir and reportage, NoiseCat unravels old stories and braids together new ones. He grapples with the erasure of North America's First Peoples and the trauma that cascades across generations, while illuminating the vital Indigenous cultural, environmental, and political movements reshaping the future. He chronicles the historic ascent of the first Native American cabinet secretary in the United States and the first Indigenous sovereign of Canada; probes the colonial origins and limits of racial ideology and Indian identity through the story of the Lumbee Tribe of North Carolina; and hauls the golden eggs of an imperiled fish out of the sea alongside the Tlingit of Sitka, Alaska. This is a rewriting and restoration—of Native history and, more intimately, of family and self, as NoiseCat seeks to reclaim a culture effaced by colonization and reconcile with a father who left. Virtuosic, compelling, and deeply moving, this is at once an intensely personal journey and a searing portrait of Indigenous survival, love, and resurgence.

Drawing from five years of on-the-ground reporting, We Survived the Night paints a profound and unforgettable portrait of contemporary Indigenous life, alongside an intimate and deeply powerful reckoning between a father and a son. Soulful, formally daring, indelible work from an important new voice.

From the #1 New York Times bestselling author of The Rap Year Book and Basketball (and Other Things), a clever and inventive examination of some of basketball's most iconic players, moments, games, and more.

Everything in basketball is measured. Everything in basketball is counted, and quantified, and computed. And yet, no matter how expansive the list of various pinpoint-specific statistical categories gets, some basketball things remain uncountable, and unquantifiable.

Some moments are more poetry than calculation; more art than numerical value; more feeling than data processing. And thus: Expensive Basketball.

From the final 196 seconds of Kobe Bryant’s playing career to the Sue Bird backpedal, from the erosive terror of Tim Duncan to the Larry Bird memory carousel, Expensive Basketball is an affirmation of feelings.

It’s an affirmation of basketball as virtuosity. 

It’s an affirmation of how sometimes you watch a person perform on the basketball court and it feels the same way it does when you lie in the grass at night and stare up at the moon for long enough that you start to think about how incredible it is that you really, truly, honestly, actually exist.

What began as an effort to prevent the neglect and potential loss of hundreds of African objects at the University of Texas at Austin has evolved into one of the most significant collections on campus. The art collections at Black Studies were born from the John L. Warfield Center for African and African American Studies’ Art and Archive Initiative, under the leadership of Cherise Smith, Omi L. Jones, and Edmund T. Gordon.

Today Black Studies at the University of Texas boasts approximately 900 objects from sub-Saharan Africa, over 200 contemporary works from African American and Afro-Caribbean artists, and more than 100 pieces jointly held with other collecting entities on campus, adding a diverse richness to the overall collections. Collecting Black Studies gathers and presents these holdings—including costumes, jewelry, paintings, sculptures, works on paper, and photography—and prominently features five Black artists whose work is particularly significant. Scholars and curators examine how John Biggers, Michael Ray Charles, Christina Coleman, Angelbert Metoyer, and Deborah Roberts—artists with deep relationships to Texas—contributed to the Black Studies collections, to art history, and to the culture of our state and beyond.

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The iconic comic created by contemporary African American artist Kerry James Marshall.

Marshall, widely considered one of America’s greatest living painters and inspired chronicler of the African American experience, has sought to diversify the art historical canon. In the late 1990s, he began working on a series of comics in response to the absence of authentic black characters and authors in the mainstream.

Marshall’s comic offers an alternative reality focused on the main character, Rythm Mastr, and his young protégé, Farell, superheroes whose powers derive from the seven gods of the Yoruba pantheon. Marshall’s characters debate history, philosophy, and politics in vernacular black English using the graphic novel medium to create an empowering, utopian blend of science fiction and Afrofuturism.

Initially serialized in a daily newspaper and presented as a Carnegie International installation, it has appeared in various incarnations over the past two decades, including light boxes, paintings, graphic prints, and drawings. This volume is the most comprehensive look at the character, its genesis, and its evolution.

Winner of the 2022 Modern Language Association First Book Prize

Winner of the 2022 Nicolás Cristóbal Guillén Batista Outstanding Book Award, presented by the Caribbean Philosophical Association

"Hold tight. The way to go mad without losing your mind is sometimes unruly." So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as "rage," and any drastic deviation from psychosocial norms. With care and verve, he explores the mad in the literature of Amiri Baraka, Gayl Jones, and Ntozake Shange; in the jazz repertoires of Buddy Bolden, Sun Ra, and Charles Mingus; in the comedic performances of Richard Pryor and Dave Chappelle; and in the protest music of Nina Simone, Lauryn Hill, and Kendrick Lamar, among many others. These artists activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition. Joining this tradition, Bruce mobilizes what he calls "mad methodology"—where madness informs and animates ways of reading, ways of thinking, ways of feeling, ways of telling, ways of being, and ways of life. Ultimately, How to Go Mad without Losing Your Mind is both a study and an act of critical, ethical, radical madness.

Inspired by the South Central Los Angeles neighborhood that the artist and her family have lived in for generations, Halsey’s expansive practice teems with the signs and symbols that populate that urban landscape and celebrates the community’s vitality and a creative form of resistance to advancing gentrification and the threat of erasure.

The artist’s important work centers the on Black community, both aesthetically and materially. Halsey gathers icons of pride, autonomy, initiative, and resilience from local vernacular sources recontextualizing and reinterpreting them for her utopic fantasies of the city. Both celebrating Black cultural expressions and archiving them, her work—which includes wall works, massive multiroom installations, and immersive outdoor environments—is a potent reminder of the importance of community and home.

Beyond the signs and symbols of contemporary South Central, Halsey employs the iconography of ancient Egypt as a means to reclaim lost legacies, drawing inspiration from Afrofuturism—a transcultural movement blending science fiction with aspects of Black art and culture—and the utopian architecture proposed in the 1960s by Archigram and Superstudio.

Penguin announces a prestigious new series under presiding editor Arthur Schlesinger, Jr.

Many works of history deal with the journeys of blacks in bondage from Africa to the United States along the "middle passage," but there is also a rich and little examined history of African Americans traveling in the opposite direction. In Middle Passages, award-winning historian James T. Campbell vividly recounts more than two centuries of African American journeys to Africa, including the experiences of such extraordinary figures as Langston Hughes, W.E.B. DuBois, Richard Wright, Malcolm X, and Maya Angelou. A truly groundbreaking work, Middle Passages offers a unique perspective on African Americans' ever-evolving relationship with their ancestral homeland, as well as their complex, often painful relationship with the United States.

In an other, Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE’s incarnation as an animal liberation group; uses sovereignty in Morrison’s A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett’s films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.