Eater, 15 Spring Cookbooks We’re Excited About This Year

Michelin-starred pitmaster Evan LeRoy breaks down his secrets to the best barbecue in the nation, sharing nearly 100 innovative techniques and recipes that have made LeRoy and Lewis one of Austin's most popular barbecue joints.

This barbecue bible is essential reading for any griller who wants to learn from the best. LeRoy shares the tenets of barbecue with illustrations, step-by-step photography, and nearly 100 delicious recipes for mains, sides, and desserts that run the gamut from bacon ribs to smoked banana pudding.

Barbecue is not a set menu; it’s a cooking method―and nobody knows this better than Austin-based chef Evan LeRoy. As the co-owner, pitmaster, and mastermind chef at LeRoy and Lewis, one of the most popular and acclaimed BBQ joints in Texas―not an easy feat―LeRoy has reinvigorated the old style and staked his claim as a modern master of the barbecue game.

In New School Barbecue, LeRoy encourages home cooks to think differently about the barbecue they’re already familiar with, going beyond the “classic” dishes everyone serves. The methods he outlines can be applied to any cut of any meat (including lamb, chicken, beef, goat, and pork), any type of produce (avocados, cauliflower, squash, and more), and almost any cuisine.

And LeRoy’s techniques work on all kinds of outdoor cookers: offset smoker, pellet smoker, a kamado grill, or an old-fashioned Weber kettle grill, so anyone will be able to apply his recipes and recommendations to their setup.

This book is perfect for fans of Franklin Barbecue who want to take their dishes one step further with new flavors, techniques, and ingredients.

Genuine Pizza is James Beard Award–winning chef Michael Schwartz’s vibrantly illustrated guidebook for creating unforgettable pies at home.

Foreword by Wolfgang Puck

Throughout his acclaimed career, chef Michael Schwartz has been celebrated for his skilled use of quality ingredients, and with his pizzas, this talent is on full display. This cookbook makes the pizza process approachable and fun, giving the reader the tools they need to make better pizza and then run with them.

First providing a clear and simple view of the fundamentals—with detailed step-by-step methods for making the best pizza doughs—Schwartz then empowers home cooks to mix and match ingredients, playing with different sauces, cheeses, meats, vegetables, and more, to build pies both classic and innovative. Pizza is just the beginning—it’s a jumping off point to colorful, delicious meals.

Includes color photographs by Sidney Bensimon

Molly Irani, the visionary cofounder of the James Beard Award–winning restaurant Chai Pani, shares her passion for hospitality and story of building a thriving business that puts people first.

Growing up with parents who owned a restaurant, Molly understood the power of service but also had a keen understanding of the industry’s challenges. When her husband Meherwan wanted to open a restaurant that would serve the Indian street food of his childhood, Molly thought he was nuts. And yet, the couple turned this unlikely dream into a vibrant reality. Chai Pani would eventually win the James Beard Award for Most Outstanding Restaurant in America, and be named one of 50 Favorite Restaurants in America by The New York Times, and one of Southern Living’s 20 Friendliest Places in the South.

In Service Ready, Molly takes readers on their inspiring journey to the heights of culinary and professional success. While she and her husband learned their way into running a restaurant, Molly created a groundbreaking work culture with industry-leading retention rates. They have fostered a loyal team and legions of fans, and have since launched multiple Chai Pani locations, the fast-growing spin-off, Botiwalla, and the popular spice business, Spicewalla.

Molly shares the ten core principles that have shaped their path, offering essential lessons for any industry. She opens up about the challenges and rewards of being business partners with your life partner and shares how she and Meherwan learned to merge their strengths in order to thrive. Her story celebrates the power of female leadership in a traditionally male-dominated field and is a testament to the essential impact these strengths bring to businesses. As she reflects on navigating a recession, a global pandemic, and the devastating floods in Asheville, she explores resilience, innovation, and how to create a strong culture in any workplace.

For chef Tyson Cole, sushi has always been more than just food; it's an expression of his love and respect for Japanese culture. Having now devoted more than a decade of his life to the skill, art, and discipline of being a sushi chef, Cole's sole purpose is simple: to create the perfect bite.

Cole delivers that perfect bite every day at Uchi, his Austin restaurant. Since 2003, Uchi has received national acclaim for stretching beyond the borders of traditional Japanese sushi. "Ingredients and flavors from all over the world are easily accessible now," Cole says. "The cuisine I create is playfully multicultural, mixing the Japanese tradition with tastes that inspire me." Uchi's prominence in the evolution of Japanese cuisine has garnered the restaurant four James Beard Award nominations, as well as a spot for Cole on Food and Wine magazine's list of "Best New Chefs."

With their first cookbook, the team at Uchi invites sushi lovers and novices alike to explore their gastronomic boundaries with some of the restaurant's most celebrated recipes: a crisp melon gazpacho adorned with luscious morsels of poached lobster, for instance, or the polenta custard, corn sorbet, and corn milk dessert—a blissful homage to summer corn. Uchi: The Cookbook also presents the story of Tyson Cole, from dishwasher to restaurant owner; an account of the current state of American sushi; and a primer on the ins and outs of this sophisticated, yet artful cuisine.

A comprehensive and inspiring collection of essays by Larry Neal, a founder of the seminal Black Arts Movement

“The Black Arts Movement is radically opposed to any concept of the artist that alienates him from his community. Black Art is the aesthetic and spiritual sister of the Black Power concept. As such, it envisions an art that speaks directly to the needs and aspirations of Black America.”
—Larry Neal, The Drama Review, 1968

Larry Neal, a poet, dramatist, and critic, was a founding figure of the Black Arts Movement in the 1960s and 1970s in New York. Writing as the arts editor for Liberator magazine, a radical journal published in Harlem, Neal called for Black artists to produce work that was politically oriented, rooted in the Black experience, and written for the Black community. Engaging with fiction, music, drama, and poetry in his texts, he challenged the dominance of the Western art-historical canon and charged Black artists and writers with reshaping artistic traditions according to their own history. As he proclaimed in his essay “The Black Writer’s Role,” written in 1966, “Black writers must listen to the world with their whole selves––their entire bodies. Must make literature move people. Must want to make our people feel, the way our music makes them feel.”

The writer Allie Biswas, who selected the texts Neal wrote from 1964 to 1978 included here, introduces the volume, illuminating the rich and varied context in which he produced his work.

An empowering and thought-provoking collection of meditations for Black men, helping them to experience the awareness, enlightenment, and healing they deserve from licensed therapist and popular author Jor-El Caraballo.

In Mindful Meditations for Black Men, mental health expert Jor-El Caraballo teaches Black men of all ages about the many benefits that mindfulness and meditation provide. From finding peace to practicing self-compassion and normalizing fear and defining success, each of the seventy entries in this book provide context and insight on a certain topic rooted in the practice.

In these meditations, you will:
-Learn the practice of mindful awareness and the power of presence
-Discover ideas, themes, and messages that influence the health and wellness of Black men
-Challenge self-criticism, internalized pressure, and self-limiting beliefs
-Encounter perspectives that help them embrace their full humanity
-Discover opportunities for further personal growth

This book is an invitation for personal reflection and growth. With Caraballo’s guidance, this book encourages and uplifts Black men and gives them space to discover the power of mindfulness.

A trillion-dollar industry, the US non-profit sector is one of the world's largest economies. From art museums and university hospitals to think tanks and church charities, over 1.5 million organizations of staggering diversity share the tax-exempt 501(c)(3) designation, if little else. Many social justice organizations have joined this world, often blunting political goals to satisfy government and foundation mandates. But even as funding shrinks, many activists often find it difficult to imagine movement-building outside the non-profit model. The Revolution Will Not Be Funded gathers essays by radical activists, educators, and non-profit staff from around the globe who critically rethink the long-term consequences of what they call the "non-profit industrial complex." Drawing on their own experiences, the contributors track the history of non-profits and provide strategies to transform and work outside them. Urgent and visionary, The Revolution Will Not Be Funded presents a biting critique of the quietly devastating role the non-profit industrial complex plays in managing dissent.

Contributors. Christine E. Ahn, Robert L. Allen, Alisa Bierria, Nicole Burrowes, Communities Against Rape and Abuse (CARA), William Cordery, Morgan Cousins, Ruth Wilson Gilmore, Stephanie Guilloud, Adjoa Florência Jones de Almeida, Tiffany Lethabo King, Paul Kivel, Soniya Munshi, Ewuare Osayande, Amara H. Pérez, Project South: Institute for the Elimination of Poverty and Genocide, Dylan Rodríguez, Paula X. Rojas, Ana Clarissa Rojas Durazo, Sisters in Action for Power, Andrea Smith, Eric Tang, Madonna Thunder Hawk, Ije Ude, Craig Willse

Chairman is the first comprehensive book dedicated to artist and designer Yinka Ilori, tracing his celebrated chairs and the vibrant design language shaped by his British-Nigerian heritage.

Bringing together over a decade of work, the book explores how Ilori transforms discarded and overlooked furniture into powerful vessels of memory, migration and joy. Rooted in the storytelling traditions of his Nigerian upbringing and shaped by the visual landscape of London, Ilori’s chairs operate at the intersection of art, design and social commentary. Each piece carries a narrative, often inspired by parables shared in his childhood, reimagined through bold colour, pattern and craft.

Through newly commissioned photography, archival material and in-depth studio insights, Chairman reveals the processes behind Ilori’s distinctive aesthetic, from material sourcing and restoration to surface intervention and conceptual development. Essays situate his practice within wider conversations on diasporic identity, sustainability, and contemporary design culture, positioning the chair as both a functional object and a cultural archive.

Visually rich and critically engaged, Chairman is both a collector’s object and a significant contribution to twenty-first-century design discourse, offering the first sustained study of an artist whose work reshapes how we understand furniture, authorship and belonging.

As the federal government attempts to erase all evidence of Black Americans' civic participation and achievements from official websites, museums and even from the National Park system, this Expanded Edition brings the essential, groundbreaking title, The Black History of the White House up to date, culminating in our current, Trumpian White House era.

"Clarence Lusane is one of America's most thoughtful and critical thinkers on issues of race, class and power."—Manning Marable

The Black History of the White House presents the untold history, racial politics, and shifting significance of the White House as experienced by African Americans, from the generations of enslaved people who helped to build it or were forced to work there to its first black First Family, the Obamas, and now in the era of its second occupation by President Donald Trump.

Clarence Lusane juxtaposes significant events in White House history with the ongoing struggle for democratic, civil, and human rights by Black Americans and demonstrates that only during crises have presidents used their authority to advance racial justice. He describes how in 1901 the building was officially named the "White House" amidst a furious backlash against President Roosevelt for inviting Booker T. Washington to dinner, and how that same year that saw the consolidation of white power with the departure of the last Black Congressmember elected after the Civil War. Lusane explores how, from its construction in 1792 to its becoming the home of the first Black president, through the first Trump term and Biden's, and up to the present moment of Trump's second presidential term, the White House has been a prism through which to view the progress and struggles of Black Americans seeking full citizenship and justice.

A stunning survey of the boom in independence-era building by western African architects in the mid-20th century, expressed across universities, hotels, banks, museums and more

Beginning in the late 1950s and continuing to the 1980s, the independence period in Africa was a time of prolific―and thrilling―architectural production, during which leaders of newly independent nations sought to redefine themselves and their countries in contrast to colonial rule. Architects of Liberation: Modernism in Western Africa focuses on seven western African nations―Benin (Dahomey), Cameroon, Côte d’Ivoire, Ghana, Nigeria, Senegal and Togo―and illuminates the ways in which architects sought to adapt, adopt or reinvent the idiom of modernism for their specific cultural, political and economic purposes.
This landmark publication features more than 200 illustrations, including architectural drawings and archival photographs, as well as a newly commissioned photographic portfolio by François-Xavier Gbré highlighting these stunning works of architecture. Essays on critical topics―including Africanization, Pan-Africanism, infrastructure projects, housing and tourism―together with close studies of iconic buildings and their architects, situate the architectural production of the region within its many complex contexts.

For more than a decade, Andre D. Wagner has explored and documented New York City street life, with a particular focus on the changing landscape of Bushwick, Brooklyn, where he has lived and worked since 2011. His work offers an intimate portrait of city life shaped by connection, responsibility and care. Born in Omaha, Nebraska, Wagner came to New York to pursue a degree in social work, but ultimately found his voice through the camera. He is also deeply committed to photographic processes, developing his own black-and-white negatives and making gelatin silver prints in his own darkroom. Wagner’s work belongs to a lineage of American street photography that investigates the social landscape and addresses questions of race, class and identity. His photographs capture the joys and hardships of Black life in the city: moments of tenderness and distance, humor and melancholy, solitude and communion. This publication, representing the 2025 Gordon Parks Foundation / Steidl Book Prize, features work made between 2014 and 2024, much of it never published before. The book also includes an essay by the acclaimed writer Hanif Abdurraqib. Co-published with The Gordon Parks Foundation

Meditating on the legacies of racial injustice in America: a photographic reimagining of Emmett Till’s life had it not been cut short

Published with Museum of Contemporary Photography at Columbia College Chicago.

This book honors the life, death and legacy of Emmett Till through a kaleidoscope of 20th- and 21st-century photography. Both a reckoning with the past and a probing investigation into the current state of American life, If Emmett Till Lived presents a fictionalized narrative of the life Emmett Till might have lived had he returned home in 1955, rather than being murdered at the age of 14 while visiting family in Mississippi, a victim of the racial terror of Jim Crow rule. Curated by writer and scholar Sarah Lewis, the more than 100 photographs from dozens of artists are drawn from the permanent collection of the Museum of Contemporary Photography. Her selection of works recalls small but not insignificant moments in Till’s childhood as well as larger themes from his life’s unfulfilled promise. Collectively, Lewis’ selections present a poetic and profound photographic account of quotidian moments from a childhood and adulthood unrealized. These photographs speak to the absence of images of Till’s life beyond the age of 14. In filling that void, the exhibition more broadly addresses the lasting impact of racialized violence in the United States across generations, ultimately offering a framework for considering how freedom is secured on American ground.
Photographers include: Dawoud Bey, Keith Carter, Teju Cole, Bruce Davidson, An-My Lê, Danny Lyon, Sally Mann, Diana Matar, Gordon Parks, Walter Rosenblum, Carrie Mae Weems.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.

We are living through a period of perpetual crises and explosive struggles for liberation on a global scale. This transdisciplinary collection explores what W. E. B. Du Bois's groundbreaking 1935 work, Black Reconstruction in America, tells us about repression and resistance across the world, asking: What do abolition and reconstruction mean today? What would it take for these concepts to become a global reality? How can we make sense of our political moment, from the resurgence of Black consciousness across the Americas, to the rise of neofascism in Europe and beyond, to the fight against land dispossession in Africa? Reading "Black Reconstruction" Today draws together a group of leading scholars and activists to explore the lasting relevance of Du Bois's political masterwork.

Forbidden Fruit is a collection of fascinating, largely untold tales of ordinary men and women who faced mobs, bloodhounds, bounty hunters, and bullets to be together—and defy a system that categorized blacks not only as servants, but as property.

In the true love stories of Forbidden Fruit, you will meet sixteen couples who fought for love—love between slaves, between slaves and masters, and between slaves and free black folks. There is the fugitive slave from Virginia who spends seventeen years searching for his wife. A Georgia slave couple that sails for England with federal troops trailing behind. A white woman who falls in love with her deceased husband's slave. A young slave girl who is delivered to her fiancé inside a wooden chest.

Acclaimed journalist Betty DeRamus gleaned these anecdotes from descendants of runaway slave couples, unpublished memoirs, Civil War records, census data, magazines, and dozens of previously untapped sources. This is a book about people pursuing love and achievement in a time of hate and severely limited opportunities. Though not all of the stories in Forbidden Fruit end in triumph, they all celebrate hope, passion, courage, and triumph of the human spirit.

Following up Betty DeRamus’s Essence bestselling Forbidden Fruit, Freedom by Any Means follows the story of extraordinary acts of courage and love by Blacks in the American slave era with beautifully written and inspiring stories of how slaves used the law—against all odds—to gain freedom for themselves and loved ones.

In Freedom by Any Means, Betty DeRamus explains that “Much of what we think we know about African American history isn't completely true.” Slave freedom isn’t limited to the usual story—slaves gained their freedom by running away, being freed by their owners, buying their way out of bondage, or having someone else buy them. But history doesn’t account for the slaves who bluffed their way to freedom, sidestepped tricks and traps, won lawsuits, or even gained their freedom by their cooking.

Riveting and surprising, DeRamus captures the tumultuous lives of the humans in inhumane situations who were able to salvage their families and marriages and achieve freedom together against tremendous odds. It takes a broader look at the various extraordinary ways that enslaved and dehumanized people achieved freedom and the means to a self-determined life. Among these people are visionaries who not only survived against the odds, but prospered—building businesses, owning land and other property. Freedom by Any Means also features the return of many of the beloved figures from her previous book Forbidden Fruit, including Lucy Nichols, Al and Margaret Wood, and Sylvia and Louis Stark.

This inspiring account, steeped in rich historical research, attests to the resolve of the human spirit and reveals how men and women were willing to risk it all to escape the slavery.

2005 COVR Award Winner

Hoodoo is an eclectic blend of African traditions, Native American herbalism, Judeo-Christian ritual, and magical healing. Tracing Hoodoo's magical roots back to West Africa, Stephanie Rose Bird provides a fascinating history of this nature-based healing tradition and gives practical advice for applying Hoodoo magic to everyday life. Learn how sticks, stones, roots, and bones―the basic ingredients in a Hoodoo mojo bag―can be used to bless the home, find a mate, invoke wealth, offer protection, and improve your health and happiness.

Hoodoo is a bold spiritual tradition that helps enhance your wellbeing and solve everyday problems. This practical, do-it-yourself guide shows you how to use spells, rites, recipes, mojos, and curios to enrich your life and be ready for whatever comes your way.

365 Days of Hoodoo starts by providing the basics of Hoodoo, and then gradually builds your knowledge day after day. You'll discover the essential components for your practice, how to master the parts of your life that seem out of control, and the various ways Hoodoo can improve love, prosperity, protection, and much more. This impressive book also features lore, prayers, potions, altars, baths, and meditations.

An inspired herbal guide to natural living with ancient techniques, remedies, and rituals from around the world centered on the rhythms of the seasons.
 
The changing of the seasons is magickal—green leaves transforming into browns and golds, snow melting to show fresh buds. We all recognize these telltale signs, but few of us are aware of the powerful impact each season has on our spiritual lives. Whether sunny, snowy, windy, rainy, cold, or humid, the weather has a dramatic effect on our being wherever we may live.
 
The author, Stephanie Rose Bird, is deeply committed to keeping alive the spiritual wisdom of her indigenous African ancestors. In African American Magick, she examines the magickal ability of the seasons to enhance our lives by unearthing ancient techniques, rituals, and methods from around the world that reflect each season’s inherent energies to supplement body, mind, and soul.
 
Drawing upon her own ancestral heritage, as well as other cultures and those that have influenced her, Bird offers a lifetime of wisdom and expert botanical knowledge while sharing her path to a holistic and magickal life. Guidance from all over the world, and from classical and modern traditions alike, are offered:
* Spiritual insights from Caribbean African American culture
* Wisdom from indigenous Native American traditions
* Buddhist and Hindu meditation practices and rites
* Practices of classical European spiritual traditions
* Lessons from Aboriginal Australian “dreaming” practices

African American Magick was previously published in 2006 under the title Four Seasons of Mojo. This new edition includes a new preface by the author.

Black Architect ist eine provokante Erkundung der Schnittstellen zwischen ethnischer Herkunft, Identität und gebauter Umwelt. Sekou Cooke verbindet eigene Erinnerung, Kulturkritik und freimütige Gespräche mit Kolleg:innen ebenfalls afro-amerikanischer Herkunft, um zu ergründen, was es wirklich bedeutet, als Schwarze Person in den USA Architekt:in zu sein.

Cooke zeichnet seinen eigenen Weg nach, von der Kindheit in Jamaika und der frühen Faszination für Architektur über die Ausbildung an Ivy-League-Hochschulen bis hin zu einem Berufsfeld, das von eurozentrischen Idealen geprägt ist. Er konfrontiert uns mit einer unbequemen Realität: Architektur wird in den USA bis heute durch eine überwiegend weisse Brille konstruiert – im wörtlichen wie im übertragenen Sinn. Was aber geschieht, wenn das Schwarz-Sein diesen konzeptionellen Raum betritt, als Identität, als Art zu denken, zu gestalten und zu leben?

Black Architect bietet uns Antworten auf diese Frage durch eine fesselnde Mischung aus persönlicher Erzählung und Interviews mit einigen der einflussreichsten schwarzen Architekt:innen und Theoretiker:innen der Gegenwart. Das Buch zeichnet die historische Marginalisierung schwarzer Stimmen in der Architektur nach, die strukturellen und kulturellen Hindernisse, mit denen sie konfrontiert sind, und die alternativen Visionen, die sie in die Disziplin einbringen. Es ist eine kritische Auseinandersetzung mit einer exklusiven Vergangenheit und ein hoffnungsvoller Entwurf für eine inklusive Zukunft zugleich. Vor allem aber zeigt es auf, wie eminent wichtig dieses Thema auch für jene ist, die weder schwarz noch Architekt:in sind.

In the spirit of American cultural prophecy―from Ta-Nehisi Coates to Rebecca Solnit―acclaimed writer Casey Gerald offers a groundbreaking work of joyous dissent and stunning vision, a survival guide to a society in crisis.

“Somehow Casey Gerald has pulled off the most urgently political, most deeply personal, and most engagingly spiritual statement of our time by just looking outside his window and inside himself. Extraordinary.” ―Marlon James on There Will Be No Miracles Here

Most afternoons for the past three years, Casey Gerald took a walk. He would pass the compound that Elon Musk was building in his neighborhood; the burned-down Freedman's church; the little house where he and his lover Jack had seen a shooting star. He knew the world was crumbling, but he didn't fret. He had been promised: When it breaks, you'll be ready.

"There is a great unfolding going on," Gerald writes, "and all the clues for what's to come are planted in the people." In this quietly redemptive and lyrical book, Gerald shares his map for finding those clues, finding each other, and finding our way out of this dark and wearied time. On the other side of No, Gerald insists, there is a Yes―an embrace of what we really want, what we might finally claim once we refuse.

Calling forth a kaleidoscopic cast, from Odysseus to D'Angelo, Sun Tzu to Simone Biles, Black literati and desert mystics, Gerald implores us to take our power back and to remake the world together, on our terms. Written with Didion's cold eye and Baldwin's unflinching urgency, and with the dark humor of a man who’s seen too much but still wants to see what’s next, The Great Refusal is a lifeline from the other side of ruin.

In the pages of Wild Surrender, bestselling poet r.h. Sin takes readers on an all-new journey that is sure to warm you up and flush your cheeks. Providing a glimpse into desire stripped bare, a quiet exploration of vulnerability and seduction, this collection wildly begs the question, Are we alone yet?

Soft Hunger and Wild Surrender exist as two halves; an intimate duology tucked sweetly into the same sensual world. Soft Hunger is the slow burn; Wild Surrender is the fire it becomes.

In Wild Surrender, Sin lives beyond the threshold of desire, thriving deep within the aftermath of hesitation where fantasy gives way to action. These poems explore the rawness of embodiment, where passion consumes and imagination manifests into movement, breath, and the ultimate release. It is a celebration of uninhibited intimacy and the surrender that transforms longing into experience.

Together, the two books form a continuum; a collection of short verses that interlace perfectly to awaken the senses and stir the soul without ever overstaying their welcome. Whether you read them alone, with a partner, or a part-time lover, Soft Hunger and Wild Surrender invite you to take off your coat, get comfortable, and stay a while.

From beloved content creator Taryn Delanie Smith, comes a luminous and comforting vision of the afterlife—told through her beloved character, Denise, Heaven’s sharp-witted and big-hearted receptionist.

For millions of followers, Denise has become a guide to the great beyond: welcoming new arrivals at Heaven’s front desk, answering their most pressing questions, and offering reassurance with humor, grace, and a knowing wink. What is there to do in Heaven? Can our loved ones still sense us? What about our pets? Do we get to choose our eternal outfit? Denise has heard it all—and she’s ready with answers that are as thoughtful as they are disarming.

In Welcome to the Afterlife, Smith expands the world that has captivated those who know her from social media, inviting readers on a richly imagined tour of the “Upstairs.” From horseback riding and bingo nights to flying lessons and long-awaited reunions, Heaven is revealed as a place of joy, restoration, and deep connection. But Denise doesn’t shy away from the harder questions: What happens to unfinished business? How are babies cared for? How do we forgive ourselves—and each other—once we’ve crossed over?

Along the way, we meet unforgettable souls, and with each encounter, Denise gently reminds us that love endures, and that those we’ve lost are never truly far away.

Behind the humor and sparkle lies Smith’s own grounding in philosophy and religion, lending depth and nuance to Denise’s voice. The result is a work that is at once playful and profound—a comforting meditation on grief, grace, and the invisible threads that bind us to one another.

Warm, funny, and unexpectedly wise, Welcome to the Afterlife offers solace to anyone who has loved and lost—and a hopeful reminder that what awaits us may be far less frightening, and far more beautiful, than we imagine.

A revelatory and powerful testament of protest, courage, and imprisonment in America’s deportation regime

“Are you Mahmoud Khalil?” The question marked the start of a politically charged odyssey that took the Palestinian graduate student and legal resident from his pregnant wife and home in New York City, transported him across the country, and locked him up in a Louisiana detention camp under threat of deportation. His “crime”: exercising his right to free speech at Columbia University, where he emerged as a leading voice against the slaughter of Palestinians in Gaza. No Land to Stand On is his indelible account, the story of a man confronting the reality that he had become target number one for a lawless regime shredding basic rights.

Drawing on his prison diary and writing in vivid, page-turning detail, Mahmoud Khalil conjures the despair and cruelty of ICE detention, where prisoners can vanish overnight and visiting families risk their own deportation. There is humanity, too, in the men’s acts of care―their mutual help with documents, the prison cake they make after Mahmoud can only follow the birth of his son on the public payphone. In tandem, he tells the multi-generational story of a family expelled from Palestine to a Syrian refugee camp, of flight from Assad’s regime to Lebanon, of arrival in an America that promised permanence and protection, and of the enduring struggle for Palestine.

A work of courage and resistance, No Land to Stand On is a call to integrity, to staying true to one’s life’s mission, and to defending the inalienable right to safety, freedom, and a land to stand on.

For Black women who've grown weary of shrinking back.

The Pink Robe Chronicles began in a moment of heartbreak. In August 2016, Rev. Dr. Melva L. Sampson wrapped herself in a tattered pink robe, pressed "Go live" on Facebook, and preached from her living room--grieving the police killing of Korryn Gaines and the silencing of her own voice in the pulpit. That livestream became a sanctuary. Week after week, she showed up in her robe, offering meditations on justice, healing, and spiritual insurgency. What started as a digital hush harbor grew into a movement.

Now, in this powerful new collection of womanist wisdom, Dr. Sampson weaves together sermons, essays, letters, and reflections that center the lived experiences of Black women navigating identity, trauma, joy, and liberation. With fierce honesty and poetic depth, she chronicles her journey from silence to sovereignty, bringing ancestral wisdom, theological insight, and radical love into a sacred space for the weary and the rising.

Each chapter closes with prompts, meditations, and affirmations that invite us into reflection, healing, and embodied truth-telling. The Pink Robe Chronicles offers a space to rest, rage, and reimagine. It is a love letter to Black women's brilliance, a call to collective healing, and a reminder that our stories are sacred--and our voices, unchained.

A Millions Most Anticipated 2026 Selection

"This is poetry of the highest order, and a stunning reminder of what words can do.”—Omar El Akkad

"Hold this book, read every word, study every picture, notice the prints you leave behind—a reminder that no one’s hands are clean."—Robin D. G. Kelley, author of Freedom Dreams

From National Book Award Finalist Fady Joudah, a collection of poems, essays, and photographs that offers a Palestinian representation of not only the staggering grief, but the unwavering resilience and prevailing life force of a people and place enduring genocide.  

Fady Joudah writes from the split perspective of a Palestinian American physician caring for the sick while watching the destruction of Gaza from the United States, a nation complicit in that destruction. He locates the paradox of his position everywhere: in the seed a sparrow eats from his proffered hand; in his writing in English, the oppressor’s language; in the faces of Palestinian children receiving meals from aid kitchens—a glimpse into what his life could have been, and what is being lost in a war disproportionately impacting children and their families. Throughout the book, beauty insists on its survival not only through the Palestinian people, but also through the nonhuman world in which he takes occasional refuge from the devastation that humanity brings upon itself.

By placing before readers a series of carefully chosen images from Gaza, Joudah presses his reader to comprehend that the experience of both the individual and the whole are integral to an explicitly Palestinian understanding of genocide, even if that rendering is a nearly impossible endeavor. Exhibit G insists on the immensity of Palestinian interiority, and finds in this collective act of creation a hyper-present awareness. “By claiming what is being actively erased,” Joudah writes, “I become presence.”

At once an indictment of genocide, a rendering of catastrophic loss, and “an affirmation of life instead of a staging of death” (Katherine Larson), Exhibit G insists that love exists in all its variousness, and that it is the only defense against a totalizing, destructive force.

How black gospel music crossed over, reshaped American popular music, and transformed the culture at large.

Gospel music is the soundtrack of black Christian history, a soulful expression of faith, endurance, and hope. From the mid-twentieth-century Golden Age of gospel―when artists like Mahalia Jackson and Clara Ward helped make church music a national force―to today, gospel has evolved from images of energetic choirs belting and clapping in rhythm into a sound as innovative and pervasive as chart-topping pop.

Ethnomusicologist, minister, and gospel singer Charrise Barron calls 1993 to 2013 the Platinum Age of Gospel, when new artists and industry executives pushed gospel beyond the church and into a commercial, show-driven, crossover era. While traditional and early contemporary gospel arose from church life, Platinum Age gospel often emerged from outside it, stretching the boundaries of worship and religiosity and helping to reshape black churches―especially megachurches―and what it means to be a black Christian.

Crossover music and Christian entertainment transformed gospel and amplified shifts in black Pentecostalism. Gospel came to encompass far more sounds than most people imagine―from the diverse and collaborative worship of Israel Houghton to the “sexy for Jesus” flare of Mary Mary; from Fred Hammond and CeCe Winans’s soaring praise to Kirk Franklin’s hip hop and R&B fusions and Kim Burrell’s velvety rasp and runs. Bridging Christian and secular audiences, these pioneers and their producers redrew the boundaries of the genre. The Platinum Age of Gospel calls readers to reckon with what changed―and to examine and preserve gospel's soul.

A passionate and illuminating account of soul, the hard-won wisdom shepherded by Black people throughout generations

How did enslaved Africans turn America’s infamous failure into the greatest moral occasion of modern Western life? In this book, Christopher Freeburg answers that question with one word: soul. It was soul, Freeburg believes, which drove Black individuals and communities, grappling with horrific strife, to reimagine American life and equality in earnest.

Black cultural life contains a central and significant theme―a soul, or form of life―expressed in a variety of musical, religious, and political forms. Through the work and words of figures ranging from the poet Phillis Wheatley to President Barack Obama and musician Nina Simone to disco owner Jewel Thais-Williams, Freeburg shows how Black communities leaned time and again on soul and its four pillars: resonance, revelation, resilience, and transcendence. It is soul, what Freeburg calls a beautiful transaction between individual and community across time and place, that has allowed Black people over generations to transform feelings of defeat and alienation into moral courage and shared belonging.

An exploration of sisterhood, creativity, and community inspired by the artist Alma Thomas’s life and work, from the award-winning poet Alexis Pauline Gumbs
 
Alma Thomas (1891–1978) was an influential figure in twentieth-century modern art, best known for her bright, mosaiclike abstract paintings. Although some critics have seen Thomas’s emphasis on beauty, color, and abstract art as a way to divorce her work from her life as a Black woman, Alexis Pauline Gumbs reveals how Thomas’s art was, in fact, deeply rooted in the Black community in which she lived. Black, in other words, was one of Thomas’s primary colors.
 
Gumbs sheds light on Thomas’s experience as a junior high school teacher in the still-segregated schools of Washington, D.C., where Thomas—as educator, mentor, and advocate—established community art programs for Black schoolchildren and galleries to showcase Black artists’ work. In this volume of poems and prose, Gumbs becomes a student of Thomas, allowing the wonder in Thomas’s work to open her to wonder about her own creativity, sistering, daughtering, and practice of communal transformation.

An innovative work that explores the relationship between the Black church, the Hammond organ, and the musicians that bring it to life.

The Hammond organ has long distinguished the Black church. Masters of the instrument, often Blackqueer men, invented and advanced gospel music, pioneered new modes of worship, and helped define Black life in the twentieth century. But when AIDS crisis struck, churches vociferously rejected all forms of queerness, even as musicians grew ill and hushed rumors spread. Drawing on years of experience as a preacher, choir director, and organist, award-winning visual artist and scholar Ashon Crawley combines personal history and cultural analysis to tell an urgent story about how AIDS fundamentally changed gospel music and the sound of the church. Profiling foundational figures in the church and Black life, such as Zora Neale Hurston and Rev. Clarence Cobbs of Chicago’s First Church of Deliverance, as well as the inventor of the organ, Laurens Hammond, Crawley’s lyrical work offers a captivating new portrait of the Black church as a site of refuge and rejection for Blackqueer genius.

69 illustrations

A whirling exploration of how Megan Thee Stallion inspires Black women and femmes like the late Monica Roberts, framed by the storm-making work of both.

While rap megastar Megan Thee Stallion needs no introduction, fewer will be familiar with Monica Roberts, a Houston journalist, community historian, and trans activist with the popular blog TransGriot. Though the two women never met, their work has inspired Black LGBTQ+ activists to love, resist violence, speak truth to power, and dance like life depends on it. With a written energy that’s infectious, Omise’eke Tinsley highlights just how intertwined these artists are.

An incisive look at the impactful sisterhood between Black women and femmes, Bringing Wreck is a book of empowerment. From Megan’s first performance on Saturday Night Live calling to “Protect Black Women,” to Roberts’s use of Hurricane Hanna to poke fun at Donald Trump’s border wall, Tinsley digs into the world-changing power of disruption and joyful expression in the face of racial injustice, anti-trans and queer violence, mental health crises, and community disparities. Reveling in both women’s love of Houston, calling-out of gendered violence, penchant for political humor, and staunch mental health advocacy, Bringing Wreck is an ode to the Bayou City, Black music, and the difference that one woman’s voice can make when we listen carefully.

An oral history with the women of Parliament-Funkadelic, from forming the band to landing the mothership.

Parliament-Funkadelic is perhaps the greatest funk band ever assembled. Yet at the time of the group’s induction into the Rock & Roll Hall of Fame, none of the women who helped create the sound and performed in P-Funk were invited to the ceremony and their contributions have been largely overlooked.

Mothership Connected tells the story of Mallia Franklin, Lynn Mabry, Dawn Silva, Debbie Wright, and Shirley Hayden, all of whom were instrumental in making Parliament-Funkadelic, as well as the spin-off groups Parlet and the Brides of Funkenstein, into the legends they are today. Assembled by Seth Neblett, son of the “Queen of Funk” Mallia Franklin, and filled with the voices of funk icons like George Clinton, Sly Stone, Bootsy Collins, and the women themselves, this oral history makes clear why these “architects” at the “core” of P-Funk were both essential—and erased. From Franklin introducing Bootsy Collins to Clinton, to the Brides’ top-10 hit “Disco to Go,” to the drugs that helped destroy the group, this book reveals the hidden lives and uncomfortable truths of life in P-Funk. More than sex, drugs, and rock and roll, Mothership Connected is about Black women navigating a tumultuous era and industry to become musical pioneers. Now, after decades in the shadows, these genre-defining women are finally telling their story.

An urgent and clear-eyed look at the battles over reproductive control and women’s work in our tipping-point moment—and how to forge a path forward.

Reliable birth control has enabled the rising percentage of planned births over the past 35 years,allowing women to enter the paid workforce and civic life in significant numbers for the first time in recorded history. While many Americans embrace these changes, those who see themselves as benefiting from the old hierarchies resist this progress with divisive rhetoric.

In The Real Domestic Product, fertility researcher Elizabeth Gregory argues that our battles over abortion and LGBTQ bans, pronatalism, and DEI are economic at base—that conservatives seek to push women out of civic life through forced childbearing. Their goal? To maintain their discount on domestic labor (getting the work of childrearing done for “free”) and a steady supply of low-wage workers (desperate parents who must take any job to feed the baby).

By connecting the dots among shifting fertility patterns, economics, climate change, equitable work, expanding longevity, and the rising status of formerly excluded groups, Gregory counters reactionary narratives. She demonstrates that a caring democracy and an end to systemic poverty can engender critical advantages for our economy and for our fragile planet.

Never more urgently needed, The Real Domestic Product envisions the way forward to an economy of care for our planet and its people.