Bestselling author and transformational speaker Ryan Leak shares research-based strategies for working with even the most challenging people to create more collaborative and productive teams.

Who is the most complicated person you work with?

You probably don’t have to think very hard to answer that question. You already know their name, their job title, their quirks, and their flaws. You have firsthand experience with the mental and emotional fallout they leave in their wake. You’ve seen the problems their complexity creates for everyone on their team. You wish you could fix them, solve them, ignore them, or teleport them to a parallel dimension.

But you can’t.

You have to work with them.

(You could quit, but your next job will have a complicated person waiting for you.)

That means you need effective strategies to collaborate with (nearly) anyone. Especially the picky, prickly, problematic ones.

Drawing from his global consulting experience with teams and leaders from the glitz of sports and entertainment, to the number-crunching world of finance, to the meticulous realms of insurance, pharma, and manufacturing, Ryan Leak provides proven strategies for…

* Seeing challenging individuals as human beings to understand rather than problems to solve
* Detoxing unrealistic expectations and getting comfortable with complicated
* Learning to communicate effectively in complex environments
* Embracing healthy disagreement as a tool to discover better solutions
* Setting boundaries that let people into your world without letting them run your world

“The process of learning to collaborate with difficult individuals is transformative—it’s a gateway to greater creativity, stronger teams, and increased productivity,” Leak explains. “On the other side of complicated is the wonderful, wide-open world of effective collaboration and a workplace you love.”

John Hope Franklin lived through America's most defining twentieth-century transformation, the dismantling of legally protected racial segregation. A renowned scholar, he has explored that transformation in its myriad aspects, notably in his 3.5-million-copy bestseller, From Slavery to Freedom. Born in 1915, he, like every other African American, could not help but participate: he was evicted from whites-only train cars, confined to segregated schools, threatened―once with lynching―and consistently subjected to racism's denigration of his humanity. Yet he managed to receive a Ph.D. from Harvard; become the first black historian to assume a full professorship at a white institution, Brooklyn College; and be appointed chair of the University of Chicago's history department and, later, John B. Duke Professor at Duke University. He has reshaped the way African American history is understood and taught and become one of the world's most celebrated historians, garnering over 130 honorary degrees. But Franklin's participation was much more fundamental than that.

From his effort in 1934 to hand President Franklin Roosevelt a petition calling for action in response to the Cordie Cheek lynching, to his 1997 appointment by President Clinton to head the President's Initiative on Race, and continuing to the present, Franklin has influenced with determination and dignity the nation's racial conscience. Whether aiding Thurgood Marshall's preparation for arguing Brown v. Board of Education in 1954, marching to Montgomery, Alabama, in 1965, or testifying against Robert Bork's nomination to the Supreme Court in 1987, Franklin has pushed the national conversation on race toward humanity and equality, a life long effort that earned him the Presidential Medal of Freedom, the nation's highest civilian honor, in 1995. Intimate, at times revelatory, Mirror to America chronicles Franklin's life and this nation's racial transformation in the twentieth century, and is a powerful reminder of the extent to which the problem of America remains the problem of color.

Addresses the political and aesthetic evolution of African American literature and its authors during the Cold War, an era McCarthy calls “the Blue Period.”

In the years after World War II, to be a black writer was to face a stark predicament. The contest between the Soviet Union and the United States was a global one—an ideological battle that dominated almost every aspect of the cultural agenda. On the one hand was the Soviet Union, espousing revolutionary communism that promised egalitarianism while being hostile to conceptions of personal freedom. On the other hand was the United States, a country steeped in racial prejudice and the policies of Jim Crow.

Black writers of this time were equally alienated from the left and the right, Jesse McCarthy argues, and they channeled that alienation into remarkable experiments in literary form. Embracing racial affect and interiority, they forged an aesthetic resistance premised on fierce dissent from both US racial liberalism and Soviet communism. From the end of World War II to the rise of the Black Power movement in the 1960s, authors such as Richard Wright, James Baldwin, Gwendolyn Brooks, and Paule Marshall defined a distinctive moment in American literary culture that McCarthy terms the Blue Period.

In McCarthy’s hands, this notion of the Blue Period provides a fresh critical framework that challenges long-held disciplinary and archival assumptions. Black writers in the early Cold War went underground, McCarthy argues, not to depoliticize or liberalize their work, but to make it more radical—keeping alive affective commitments for a future time.

Opening up the cosmos of an entire continent - New perspectives on Africa

This lavishly illustrated volume explores Africa from multiple points of view as it progresses beyond prejudice and stereotypes. Combining cultural history with contemporary art, it presents a diverse range of artistic voices and shifting viewpoints. Human history intersects with the colonial past and the omnipresent influence of Africa across the world.

A fresh lens capturing the cosmos of Africa and its everlasting presence in our global societies.

This lavishly illustrated volume approaches the vast continent of Africa from a variety of viewpoints; beyond prejudice and stereotypes, via cultural history and contemporary art: by means of permanent changes of perspective and a diversity of artistic voices. The history of humankind meets the colonial past and the omnipresence of aspects of Africa in many regions of the world.
 
On the one hand, surprising views of Africa are focused on from Europe. And on the other, works and installations by Africans or protagonists from the diaspora present ideas, impulses and identities which all signify Africa. The texts illustrate the broad time frame from the first humans to Pan-Africanism and Afro-Futurism, as well as present literary and philosophical narratives.

ARTISTS:
DELE ADEYEMO, JOHN AKOMFRAH, JAMES GREGORY ATKINSON, SAMMY BALOJI, ARÉBÉNOR BASSÉNE, MEMORY BIWA, MARÍA MAGDALENA CAMPOS-PONS, CATPC, OMAR VICTOR DIOP, SOKARI DOUGLAS CAMP, WILLIAM KENTRIDGE, KONGO ASTRONAUTS, SUSANA PILAR DELAHANTA MANTIENZO, ROMÉO MIVEKANNIN, ZANELE MUHOLI, JOSÈFA NTJAM, KALOKI NYAMAI, EMEKA, OGBOH, ZINEB SEDIRA, SANDRA SEGHIR, YINKA SHONIBARE, THE SINGH TWINS, GÉRALDINE TOBE, KARA WALKER, CARRIE MAE WEEMS

Three extraordinary and impassioned nonfiction works by Richard Wright, one of America's premier literary giants of the twentieth century, together in one volume, with an introduction by Cornel West.

“The time is ripe to return to [Wright’s] vision and voice in the face of our contemporary catastrophes and hearken to his relentless commitment to freedom and justice for all.” — Cornel West (from the Introduction)

Black Power: A Record of Reactions in a Land of Pathos is Richard Wright’s chronicle of his trip to Africa’s Gold Coast before it became the free nation of Ghana. It speaks eloquently of empowerment and possibility, freedom and hope, and resonates loudly to this day.

The Color Curtain: A Report on the Bandung Conference is a vital piece arguing for the removal of the color barrier and remains one of the key commentaries on the question of race in the modern era. “Truth-telling will perhaps always be unpopular and suspect, but in The Color Curtain . . . Wright did not hesitate to tell the truth as he saw it” (Amritjit Singh, Ohio University).

White Man, Listen! is a stirring assortment of Wright’s essays on race, politics, and other social concerns close to his heart. It remains a work that “deserves to be read with utmost seriousness, for the attitude it expresses has an intrinsic importance in our times” (New York Times).

A new collection of the seminal writings and speeches of a legendary writer, orator, and civil rights leader
 
This compact volume offers a full course on the remarkable, diverse career of Frederick Douglass, letting us hear once more a necessary historical figure whose guiding voice is needed now as urgently as ever. Edited by renowned scholar Henry Louis Gates, Jr., and Pulitzer Prize–nominated historian John Stauffer, The Portable Frederick Douglass includes the full range of Douglass’s works: the complete Narrative of the Life of Frederick Douglass, as well as extracts from My Bondage and My Freedom and Life and Times of Frederick Douglass; The Heroic Slave, one of the first works of African American fiction; the brilliant speeches that launched his political career and that constitute the greatest oratory of the Civil War era; and his journalism, which ranges from cultural and political critique (including his early support for women’s equality) to law, history, philosophy, literature, art, and international affairs, including a never-before-published essay on Haitian revolutionary Toussaint L’Ouverture.
 
The Portable Frederick Douglass is the latest addition in a series of African American classics curated by Henry Louis Gates, Jr. First published in 2008, the series reflects a selection of great works of fiction, nonfiction, and poetry by African and African American authors introduced and annotated by leading scholars and acclaimed writers in new or updated editions for Penguin Classics. In his series essay, “What Is an African American Classic?” Gates provides a broader view of the canon of classics of African American literature available from Penguin Classics and beyond. Gates writes, “These texts reveal the human universal through the African American particular: all true art, all classics do this; this is what ‘art’ is, a revelation of that which makes each of us sublimely human, rendered in the minute details of the actions and thoughts and feelings of a compelling character embedded in a time and place.”
 
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The work of one of the most formidable figures in American intellectual life."

-- Washington Post Book World

The seventeen essays collected in this volume prove that Ralph Ellison was not only one of America's most dazzlingly innovative novelists but perhaps also our most perceptive and iconoclastic commentator on matters of literature, culture, and race. In Going to the Territory, Ellison provides us with dramatically fresh readings of William Faulkner and Richard Wright, along with new perspectives on the music of Duke Ellington and the art of Romare Bearden. He analyzes the subversive quality of black laughter, the mythic underpinnings of his masterpiece Invisible Man, and the extent to which America's national identity rests on the contributions of African Americans. Erudite, humane, and resounding with humor and common sense, the result is essential Ellison.

A dazzling memoir of an African childhood from Nobel Prize-winning Nigerian novelist, playwright, and poet Wole Soyinka.

Aké: The Years of Childhood gives us the story of Soyinka's boyhood before and during World War II in a Yoruba village in western Nigeria called Aké. A relentlessly curious child who loved books and getting into trouble, Soyinka grew up on a parsonage compound, raised by Christian parents and by a grandfather who introduced him to Yoruba spiritual traditions. His vivid evocation of the colorful sights, sounds, and aromas of the world that shaped him is both lyrically beautiful and laced with humor and the sheer delight of a child's-eye view. A classic of African autobiography, Aké is also a transcendantly timeless portrait of the mysteries of childhood.

From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, Brooding over Bloody Revenge strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt. Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners. The stories presented, which span centuries and legal contexts, demonstrate that these acts of lethal force were carefully pre-meditated. Enslaved women planned how and when their enslavers would die, what weapons and accomplices were necessary, and how to evade capture in the aftermath. Original and compelling, Brooding Over Bloody Revenge presents a window into the lives and philosophies of enslaved women who had their own ideas about justice and how to achieve it.

It is Paris, 1815. An extraordinarily shaped South African girl known as the Hottentot Venus, dressed only in feathers and beads, swings from a crystal chandelier in the duchess of Berry’s ballroom. Below her, the audience shouts insults and pornographic obscenities. Among these spectators is Napoleon’s physician and the most famous naturalist in Europe, the Baron George Cuvier, whose encounter with her will inspire a theory of race that will change European science forever.

Evoking the grand tradition of such “monster” tales as Frankensteinand The Hunchback of Notre Dame, Barbara Chase Riboud, prize-winning author of the classic Sally Hemings, again gives voice to an “invisible” of history. In this powerful saga, Sarah Baartman, for more than 200 years known only as the mysterious lady in the glass cage, comes vividly and unforgettably to life.

Dear Black woman, you are not alone.

God has not disregarded your pain and suffering. God sees you. God knows you. God understands.

In Black Woman Grief, Natasha Smith unearths a painful reality that is tangled within our nation’s roots and DNA: trauma, loss, and grief are embedded in the lived experience of the Black woman in the United States. Smith talks about grief that is specifically applicable to Black women, providing them with affirmation and a safe place to exhale. Yet, amid a broken world and broken systems that have weighed down Black women for generations, Smith reminds us that there is hope because the kingdom of God is at hand. In Black Woman Grief, Natasha Smith

* takes us readers through narrative and biblical truths
* provides a space made by and for Black women to be seen and understood by God
* encourages Black women to live a God-filled life in a grief-filled world

Otherworldly Mothering argues that literary works by Toni Morrison, Gloria Naylor, Paule Marshall, Audre Lorde, and Toni Cade Bambara reimagine subjectivity in processual and relational terms through a rewriting of maternal praxis, a technique that unveils the historical continuities between antebellum and neoliberal America. By refiguring materials drawn from the tradition of slave narratives, Black women’s literature of the 1970s and 1980s often conjures maternal otherworlds where it is possible to engage alternative modes of being.

In conversation with the work of Hortense Spillers, Sylvia Wynter, and Saidiya Hartman, Marika Ceschia analyzes how Black women writers find in the maternal a means of creatively reenvisioning the figure of the human. Morrison’s Song of Solomon, Naylor’s Linden Hills, Marshall’s Praisesong for the Widow, Lorde’s Zami, and Bambara’s The Salt Eaters each change the strictures that dictate how the human is performed. As these texts show, maternal praxis can have a transformative ontological effect: confronting the toll exerted by centuries of racial violence, these writers reclaim the maternal as a site of subject formation.

Otherworldly Mothering reassesses canonical works of twentieth-century Black women’s literature alongside theoretical debates around the ontology of the human, antiblackness, and Black motherhood. Ceschia proposes a reappraisal of maternal praxis that challenges neoliberal discourse and questions recent critical turns toward Afropessimism and posthumanism.

In nine lively essays, critic Aisha Harris invites us into the wonderful, maddening process of making sense of the pop culture we consume.

Aisha Harris, cohost of NPR’s beloved Pop Culture Happy Hour, has made a name for herself as someone you can turn to for a razor- sharp take on whatever show or movie everyone is talking about. Now, she turns her talents inward, mining the benchmarks of her nineties childhood and beyond to analyze the tropes that are shaping all of us, and our ability to shape them right back.

In the opening essay, an interaction with Chance the Rapper prompts an investigation into the origin myth of her name. Elsewhere, Aisha traces the evolution of the “Black Friend” trope from its Twainian origins through to the heyday of the Spice Girls, teen comedies like She’s All That, and sitcoms of the New Girl variety. And she examines the overlap of taste and identity in this era, rejecting the patriarchal ethos that you are what you like. Whatever the subject, sitting down with her book feels like hanging out with your smart, hilarious, pop culture–obsessed friend—and it’s a delight.

Based off of the bestselling author's family history, this novel tells the story of Kunta Kinte, who is sold into slavery in the United States where he and his descendants live through major historic events.

When Roots was first published forty years ago, the book electrified the nation: it received a Pulitzer Prize and was a #1 New York Times bestseller for 22 weeks. The celebrated miniseries that followed a year later was a coast-to-coast event-over 130 million Americans watched some or all of the broadcast. In the four decades since then, the story of the young African slave Kunta Kinte and his descendants has lost none of its power to enthrall and provoke.

Now, Roots once again bursts onto the national scene, and at a time when the race conversation has never been more charged. It is a book for the legions of earlier readers to revisit and for a new generation to discover.

To quote from the introduction by Michael Eric Dyson: "Alex Haley's Roots is unquestionably one of the nation's seminal texts. It affected events far beyond its pages and was a literary North Star.... Each generation must make up its own mind about how it will navigate the treacherous waters of our nation's racial sin. And each generation must overcome our social ills through greater knowledge and decisive action. Roots is a stirring reminder that we can achieve these goals only if we look history squarely in the face."

The star- studded cast in this new event series includes Academy Award-winners Forest Whitaker and Anna Paquin, Laurence Fishburne, Jonathan Rhys Meyers, Derek Luke, Grammy Award-winner Tip "T.I." Harris, and Mekhi Phifer. Questlove of The Roots is the executive music producer for the miniseries's stirring soundtrack.

Discover the life of Serena Williams―a story about challenging yourself and achieving your dreams for kids ages 6 to 9

Serena Williams is one of the most famous and talented tennis players in history. Before she became a legendary professional athlete, she was a young girl who loved reading and gymnastics and started playing tennis at three years old! In this book about Serena Williams for kids, new readers will explore how she faced discrimination, injuries, and many other challenges, but still worked hard to be the best player she could be.

Independent reading―This biography book for kids is broken down into short chapters and simple language so they can read and learn on their own.

Critical thinking―Kids will learn the Who, What, Where, When, Why, and How of Serena's life, find definitions of new words, discussion questions, and more.

A lasting legacy―Find out how Serena's love for her family and her community inspired her to get involved with important charity work, helping people all over the world.

How will Serena's competitive spirit inspire you?

PRE-ORDER: On Sale Date: November 25, 2025

In less than a decade, Jean-Michel Basquiat went from being a teenage graffiti artist to an international art star. His meteoric rise to fame coincided with the outrageous excess of the heady ’80s art boom. A fixture of the downtown scene, with its explosive mix of music, fashion, art, and drugs, he soon became involved with some of its most celebrated personalities, including Keith Haring, Andy Warhol, and Madonna. 

Basquiat fulfilled that cynical aphorism: Die young and leave a beautiful corpse. But Basquiat did more than that: he left a beautiful corpus. With each passing year, the remarkable energy, perspicacity and originality of his work increases in power. 

In a world where Black Lives Matter and the imperative need for diversity are among the driving forces of our time, Basquiat’s success in the 1980s white art world, and his ongoing universal celebrity, have made him a significant role model for generation of artists to come. 

From the rise and fall of the graffiti movement, to the East Village art scene, to the art dealers and out-of-control auction houses, Basquiat: A Quick Killing in Art, the definitive biography of the young painter, is a vivid portrait of both the artist and his time. 

Basquiat: A Quick Killing in Art includes 12-14 photographs.

Iconic music and film legend Grace Jones gives an in-depth account of her stellar career, professional and personal life, and the signature look that catapulted her into the stardom stratosphere.

Grace Jones, a veritable “triple-threat” as acclaimed actress, singer, and model, has dominated the entertainment industry since her emergence as a model in New York City in 1968. Quickly discovered for her obvious talent and cutting-edge style, Grace signed her first record deal in 1977 and became one of the more unforgettable characters to emerge from the Studio 54 disco scene, releasing the all-time favorite hits, “Pull Up to the Bumper,” “Slave to the Rhythm,” and “I’m Not Perfect (But I’m Perfect for You).” And with her sexually charged, outrageous live shows in the New York City nightclub circuit, Grace soon earned the title of “Queen of the Gay Discos.”

But with the dawn of the ’80s came a massive anti-disco movement across the US, leading Grace to focus on experimental-based work and put her two-and-a-half-octave voice to good use. It was also around this time that she changed her look to suit the times with a detached, androgynous image. In this first-ever memoir, Grace gives an exclusive look into the transformation to her signature style and discusses how she expanded her musical triumph to success in the acting world, beginning in the 1984 fantasy-action film Conan the Destroyer alongside Arnold Schwarzenegger, then the James Bond movie A View to a Kill, and later in Eddie Murphy’s Boomerang.

Featuring sixteen pages of stunning full-color photographs, Miss Grace Jones takes us on a journey from Grace’s religious upbringing in Jamaica to her heyday in Paris and New York in the ’70s and ’80s, all the way to present-day London, in what promises to be a no holds barred tell-all for the ages.

Winner of the 2017 American Book Award

Flores Forbes, a former leader in the Black Panther Party, has been free from prison for twenty-five years. Unfortunately that makes him part of a group of black men without constituency who are all but invisible in society. That is, the “invisible” group of black men in America who have served their time and not gone back to prison.

Today the recidivism rate is around 65%. Almost never mentioned in the media or scholarly attention is the plight of the 35% who don’t go back, especially black men. A few of them are hiding in Ivy League schools’ prison education programs—they don’t want to be known—but most of them are recruited by the one billion dollar industry reentry employee programs that allow the US to profit from their life and labor. Whereas, African Americans consist of only 12% of the population in the US, black males are incarcerated at much higher rates. The chances of these formerly convicted men to succeed after prison—to matriculate as leading members of society—are increasingly slim. The doors are closed to them.

Invisible Men is a book that will crack the code on the stigma of incarceration. When Flores Forbes was released from prison, he made a plan to re-invent himself but found it impossible. His involvement in a plan to kill a witness who was testifying against Huey P. Newton, the founder of the Black Panther Party, had led to his incarceration. While in prison he earned a college degree using a Pell Grant, with hope this would get him on the right track and a chance at a normal life. He was released but that’s where his story and most invisible men’s stories begin.

This book will weave Flores’ knowledge, wisdom, and experience with incarceration, sentencing reform, judicial inequity, hiding and re-entry into society, and the issue of increasing struggles and inequality for formerly incarcerated men into a collection of poignant essays that finally give invisible men a voice and face in society.

My Bondage and My Freedom is the second of three published autobiographies from one of the most brilliant and eloquent abolitionists and human rights activists in American history. The Narrative of the Life of Frederick Douglass, an American Slave was published ten years before in 1845, while The Life and Times of Frederick Douglass was published twenty-five years later.

NATIONAL BESTSELLER • Provocative and illuminating essays from women at the forefront of the climate movement who are harnessing truth, courage, and solutions to lead humanity forward.

“A powerful read that fills one with, dare I say . . . hope?”—The New York Times
 
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SMITHSONIAN MAGAZINE

There is a renaissance blooming in the climate movement: leadership that is more characteristically feminine and more faithfully feminist, rooted in compassion, connection, creativity, and collaboration. While it’s clear that women and girls are vital voices and agents of change for this planet, they are too often missing from the proverbial table. More than a problem of bias, it’s a dynamic that sets us up for failure. To change everything, we need everyone.
 
All We Can Save illuminates the expertise and insights of dozens of diverse women leading on climate in the United States—scientists, journalists, farmers, lawyers, teachers, activists, innovators, wonks, and designers, across generations, geographies, and race—and aims to advance a more representative, nuanced, and solution-oriented public conversation on the climate crisis. These women offer a spectrum of ideas and insights for how we can rapidly, radically reshape society.
 
Intermixing essays with poetry and art, this book is both a balm and a guide for knowing and holding what has been done to the world, while bolstering our resolve never to give up on one another or our collective future. We must summon truth, courage, and solutions to turn away from the brink and toward life-giving possibility. Curated by two climate leaders, this collection is a celebration of visionaries who are leading us on a path toward all we can save.

With essays and poems by:

Emily Atkin • Xiye Bastida • Ellen Bass • Colette Pichon Battle • Jainey K. Bavishi • Janine Benyus • adrienne maree brown • Régine Clément • Abigail Dillen • Camille T. Dungy • Rhiana Gunn-Wright • Joy Harjo • Katharine Hayhoe • Mary Annaïse Heglar • Jane Hirshfield • Mary Anne Hitt • Ailish Hopper • Tara Houska, Zhaabowekwe • Emily N. Johnston • Joan Naviyuk Kane • Naomi Klein • Kate Knuth • Ada Limón • Louise Maher-Johnson • Kate Marvel • Gina McCarthy • Anne Haven McDonnell • Sarah Miller • Sherri Mitchell, Weh’na Ha’mu Kwasset • Susanne C. Moser • Lynna Odel • Sharon Olds • Mary Oliver • Kate Orff • Jacqui Patterson • Leah Penniman • Catherine Pierce • Marge Piercy • Kendra Pierre-Louis • Varshini • Prakash • Janisse Ray • Christine E. Nieves Rodriguez • Favianna Rodriguez • Cameron Russell • Ash Sanders • Judith D. Schwartz • Patricia Smith • Emily Stengel • Sarah Stillman • Leah Cardamore Stokes • Amanda Sturgeon • Maggie Thomas • Heather McTeer Toney • Alexandria Villaseñor • Alice Walker • Amy Westervelt • Jane Zelikova

The real tools for career success and work satisfaction for anyone feeling undermined or marginalized at their job, from a productivity expert and editor at Wired.

“Alan Henry doesn’t just illuminate the invisible barriers that often stand in the way of success—he shines a light on what you can do to break through them.”—Adam Grant, #1 New York Times bestselling author of Think Again and host of the TED podcast WorkLife

For over twenty years, Alan Henry has written about using technology and productivity techniques to work and live better for publications such as Lifehacker, The New York Times, and Wired.But he found that as a Black man he didn’t have access to some of the more powerful ways to hack your job—like only checking email once a day or blocking out time on your calendar to do deep work. In fact, he found that even when he landed a prestigious title at the Times, there were moments when he was still overlooked and excluded from the most interesting and career-boosting work. 

This led him to first explore these struggles in a Times piece titled “Productivity Without Privilege.” Now he goes even deeper, interviewing experts across multiple fields to come up with powerful tools to overcome the forces of marginalization. In Seen, Heard, and Paid, Henry shares the new work rules that may finally allow people of color, women, and LGBTQ+ folks to have the same access to career advancement and rewarding work as those with more privilege, including: 
 
How to Be Seen: Only spend time on work that gets you attention.
How to Be Heard: Figure out your unique contribution.
How to Get Paid: Data is power and power is money.
 
Whether you’re dealing with microaggressions, trying to get the glamour work instead of the office housework, weighing the pluses and minuses of working remotely, or deciding it’s time to look for a new opportunity, Seen, Heard, and Paid will help you feel informed, supported, and empowered.

A shocking and revelatory account of the murder of Emmett Till that lays bare how forces from around the world converged on the Mississippi Delta in the long lead-up to the crime, and how the truth was erased for so long

Wright Thompson’s family farm in Mississippi is 23 miles from the site of one of the most notorious and consequential killings in American history, yet he had to leave the state for college before he learned the first thing about it. To this day, fundamental truths about the crime are widely unknown, including where it took place and how many people were involved. This is no accident: the cover-up began at once, and it is ongoing. 

In August 1955, two men, Roy Bryant and J.W. Milam, were charged with the torture and murder of the 14-year-old Emmett Till in Money, Mississippi. After their inevitable acquittal in a mockery of justice, they gave a false confession to a journalist, which was misleading about where the long night of hell took place and who was involved. In fact, Wright Thompson reveals, at least eight people can be placed at the scene, which was inside the barn of one of the killers, on a plot of land within the six-square-mile grid whose official name is Township 22 North, Range 4 West, Section 2, West Half, fabled in the Delta of myth as the birthplace of the blues on nearby Dockery Plantation.

Even in the context of the racist caste regime of the time, the four-hour torture and murder of a Black boy barely in his teens for whistling at a young white woman was acutely depraved; Till’s mother Mamie Till-Mobley’s decision to keep the casket open seared the crime indelibly into American consciousness. Wright Thompson has a deep understanding of this story—the world of the families of both Emmett Till and his killers, and all the forces that aligned to place them together on that spot on the map. As he shows, the full horror of the crime was its inevitability, and how much about it we still need to understand. Ultimately this is a story about property, and money, and power, and white supremacy. It implicates all of us. In The Barn, Thompson brings to life the small group of dedicated people who have been engaged in the hard, fearful business of bringing the truth to light. Putting the killing floor of the barn on the map of Township 22 North, Range 4 West, Section 2, West Half, and the Delta, and America, is a way of mapping the road this country must travel if we are to heal our oldest, deepest wound.

Based on over a decade of research, a powerful, moving work of narrative nonfiction that illuminates the little-known world of the anexos of Mexico City, the informal addiction treatment centers where mothers send their children to escape the violence of the drug war.

The Way That Leads Among the Lost reveals a hidden place where care and violence are impossible to separate: the anexos of Mexico City. The prizewinning anthropologist Angela Garcia takes us deep into the world of these small rooms, informal treatment centers for alcoholism, addiction, and mental illness, spread across Mexico City’s tenements and reaching into the United States. Run and inhabited by Mexico’s most marginalized populations, they are controversial for their illegality and their use of coercion. Yet for many Mexican families desperate to keep their loved ones safe, these rooms offer something of a refuge from what lies beyond them―the intensifying violence surrounding the drug war.

This is the first book ever written on the anexos. Garcia, who spent a decade conducting anthropological fieldwork in Mexico City, draws readers into their many dimensions, casting light on the mothers and their children who are entangled in this hidden world. Following the stories of its denizens, she asks what these places are, why they exist, and what they reflect about Mexico and the wider world. With extraordinary empathy and a sharp eye for detail, Garcia attends to the lives that the anexos both sustain and erode, wrestling with the question of why mothers turn to them as a site of refuge even as they reproduce violence. Woven into these portraits is Garcia’s own powerful story of family, childhood, homelessness, and drugs―a blend of ethnography and memoir converging on a set of fundamental questions about the many forms and meanings that violence, love, care, family, and hope may take.

Infused with profound ethnographic richness and moral urgency, The Way That Leads Among the Lost is a stunning work of narrative nonfiction, a book that will leave a deep mark on readers.

Now available in paperback! Build financial literacy, improve your money management skills, and make the dinero work for you!

In many immigrant households, money isn’t often a topic of discussion, so financial education can be minimal—especially when a family is just trying to survive the day-to-day. Despite being the largest minority group in the United States, the Latino community still faces cultural and systemic barriers that prevent them from building wealth. As a first-generation Latina, Jannese Torres, award-winning money expert, educator, and podcaster, knows these unique challenges well. She set out to pursue the traditional American Dream, becoming the first woman in her family to graduate from college, climb the corporate ladder, and secure the six-figure paycheck, only to find herself miserable and unfulfilled. She soon realized that everything she’d been taught about money and success wasn’t as it seemed. After discovering the true meaning of wealth, Torres resolved to pave her own path, leaving the life she was told she should want for one of entrepreneurship, autonomy, and financial freedom.
 
In Financially Lit! Torres offers you culturally relevant and relatable personal finance advice that will allow you to finally feel seen, heard, and understood. Whether it’s the guilt you feel from being the first person to “make it” while members of your family are still struggling, or the way financial trauma manifests itself in negative and limiting beliefs around money, Torres is here to guide you through it all.
 
With the warmth and no-nonsense wisdom of someone who’s been there before, Torres will teach you how to:
* set boundaries with your dinero
* protect yourself from financial abuse
* navigate the complicated relationship between amor and money
* invest like a white dude—or better!

 
With Financially Lit! at your side, you’ll harness the powerful ways money can be used to create the life of your dreams, and be empowered to step into financial freedom.

A portrait of worker solidarity in the South, and of the fight for Black liberation.

In 1928, the Third International adopted a resolution on the right of self-determination for African Americans in the Black Belt, in the southeastern US. Over the next decade, this resolution guided the CPUSA's regional focus in the US South, as a frontline organization in the struggle against white supremacy. This was a period of great experiments in building an independent multiracial working class movement in North America, a movement that confronted the remnants of slavery, under conditions that foreshadowed the fascism that would soon develop in Europe. Across the cities and rural areas of the US South, communists engaged existing traditions of struggle, and planted seeds for the growth of the movement against racism in the following decades.

This reader presents primary documents from the period to aid the study of the history, theory, and political application of the Black Belt thesis.

EUGENE PURYEAR is a journalist, activist, politician, and host on Breakthrough News. He is a founding member of the Party for Socialism and Liberation, and is the author of Shackled and Chained: Mass Incarceration in Capitalist America.

The root of all inequality is the process of othering – and its solution is the practice of belonging

We all yearn for connection and community, but we live in a time when calls for further division along the well-wrought lines of religion, race, ethnicity, caste, and sexuality are pervasive. This ubiquitous yet elusive problem feeds on fears – created, inherited – of the "other." While the much-touted diversity, equity, and inclusion initiatives are undeniably failing, and activists narrowly focus on specific and sometimes conflicting communities, Belonging without Othering prescribes a new approach that encourages us to turn toward one another in unprecedented and radical ways.

The pressures that separate us have a common root: our tendency to cast people and groups in irreconcilable terms – or the process of "othering." This book gives vital language to this universal problem, unveiling its machinery at work across time and around the world. To subvert it, john a. powell and Stephen Menendian make a powerful and sweeping case for adopting a paradigm of belonging that does not require the creation of an "other." This new paradigm hinges on transitioning from narrow to expansive identities – even if that means challenging seemingly benevolent forms of community-building based on othering.

As the threat of authoritarianism grows across the globe, this book makes the case that belonging without othering is the necessary, but not the inevitable, next step in our long journey toward creating truly equitable and thriving societies. The authors argue that we must build institutions, cultivate practices, and orient ourselves toward a shared future, not only to heal ourselves, but perhaps to save our planet as well. Brimming with clear guidance, sparkling insights, and specific examples and practices, Belonging without Othering is a future-oriented exploration that ushers us in a more hopeful direction.

Examining aesthetic connections between the works of more than 50 Black artists from throughout the global diaspora

This book was born out of frustration with art histories that emphasize Black artists’ resilience over the aesthetic impact of their work. The experiences of oppression Black people endure are inconceivable, yet this focus on resilience often overwhelms critical attention to Black artists’ ideas, innovations or use of materials. Imagining Black Diasporas defines “diaspora’’ more broadly, understanding it as a dynamic term that evolves with Black experience. Through four themes, the book illuminates aesthetic connections among established and emerging US–based artists in dialogue with artists working in Africa, the Caribbean, South America and Europe.
Artists include: Mark Bradford, Lorna Simpson, Calida Rawles, El Anatsui, Josué Azor, Isaac Julien, Frida Orupabo, Theaster Gates, Yinka Shonibare, Wangechi Mutu.

Kofi Dᴐnkᴐ was a blacksmith and farmer, as well as an important healer, intellectual, spiritual leader, settler of disputes, and custodian of shared values for his Ghanaian community. In Our Own Way in This Part of the World Kwasi Konadu centers Dᴐnkᴐ's life story and experiences in a communography of Dᴐnkᴐ's community and nation from the late nineteenth century through the end of the twentieth, which were shaped by historical forces from colonial Ghana's cocoa boom to decolonization and political and religious parochialism. Although Dᴐnkᴐ touched the lives of thousands of citizens and patients, neither he nor they appear in national or international archives covering the region. Yet his memory persists in his intellectual and healing legacy, and the story of his community offers a non-national, decolonized example of social organization structured around spiritual forces that serves as a powerful reminder of the importance for scholars to take their cues from the lived experiences and ideas of the people they study.

Covering 500 years of Ghana's history, The Ghana Reader provides a multitude of historical, political, and cultural perspectives on this iconic African nation. Whether discussing the Asante kingdom and the Gold Coast's importance to European commerce and transatlantic slaving, Ghana's brief period under British colonial rule, or the emergence of its modern democracy, the volume's eighty selections emphasize Ghana's enormous symbolic and pragmatic value to global relations. They also demonstrate that the path to fully understanding Ghana requires acknowledging its ethnic and cultural diversity and listening to its population's varied voices. Readers will encounter selections written by everyone from farmers, traders, and the clergy to intellectuals, politicians, musicians, and foreign travelers. With sources including historical documents, poems, treaties, articles, and fiction, The Ghana Reader conveys the multiple and intersecting histories of Ghana's development as a nation, its key contribution to the formation of the African diaspora, and its increasingly important role in the economy and politics of the twenty-first century.

Winner of the National Book Critics Circle Award for Autobiography
A National Book Award Finalist
A New York Times Notable Book

From the age of four, award-winning writer Edwidge Danticat came to think of her uncle Joseph as her “second father,” when she was placed in his care after her parents left Haiti for America. And so she was both elated and saddened when, at twelve, she joined her parents and youngest brothers in New York City. As Edwidge made a life in a new country, adjusting to being far away from so many who she loved, she and her family continued to fear for the safety of those still in Haiti as the political situation deteriorated.

In 2004, they entered into a terrifying tale of good people caught up in events beyond their control. Brother I'm Dying is an astonishing true-life epic, told on an intimate scale by one of our finest writers.

The future of Honduras begins and ends on the white sand beaches of Tela Bay on the country's northeastern coast where Garifuna, a Black Indigenous people, have resided for over two hundred years. In The Ends of Paradise, Christopher A. Loperena examines the Garifuna struggle for life and collective autonomy, and demonstrates how this struggle challenges concerted efforts by the state and multilateral institutions, such as the World Bank, to render both their lands and their culture into fungible tourism products. Using a combination of participant observation, courtroom ethnography, and archival research, Loperena reveals how purportedly inclusive tourism projects form part of a larger neoliberal, extractivist development regime, which remakes Black and Indigenous territories into frontiers of progress for the mestizo majority. The book offers a trenchant analysis of the ways Black dispossession and displacement are carried forth through the conferral of individual rights and freedoms, a prerequisite for resource exploitation under contemporary capitalism.

By demanding to be accounted for on their terms, Garifuna anchor Blackness to Central America―a place where Black peoples are presumed to be nonnative inhabitants―and to collective land rights. Steeped in Loperena's long-term activist engagement with Garifuna land defenders, this book is a testament to their struggle and to the promise of "another world" in which Black and Indigenous peoples thrive.