A richly illustrated reflection on a century of Black queer art and culture featuring seven essays from leading scholars.

The word ecstasy derives from the Greek ekstasis, meaning “to put out of place.” It passed into English through the Old French extasie, which roughly translates as “rapturous.” Ecstasy, today, can be understood as a form of transcendence, often through an indiscriminate combination of extremes. Art’s truest depictions of ecstasy exist in the muddled territory between exaltation and despair. Transcendence highlights visual representations of Black queer ecstasy in a variety of media from the last one hundred years that challenge its absence from the historical record. Centering Blackness and queerness creates the conditions to investigate the potential of queer perspectives around the paradoxes of pleasure and pain, excess and lack, and autonomy and dependence.

This catalogue features seven essays by preeminent scholars of Black LGBTQ+ art and culture, each based on one of the volume’s subthemes: Portraiture; Beyond Figuration; Dance and Movement; Spirituality; Sex and Sensuality; Black Queer Futures; and Altered States. Together these themes represent the foundations of queer experiences and offer readers a space to engage with artwork and ephemera that highlight an ecstatically abundant past and advocate for a more inclusive and equitable future.

From the daughter of the legendary Mildred “Mama Dip” Council, a heartfelt cookbook celebrating four generations of Black restaurateurs and the soulful recipes that nourished a community. 

For nearly fifty years, Mama Dip’s Kitchen wasn’t just one of Chapel Hill, North Carolina’s most beloved restaurants―it was an institution. In 1976, with just $64 and a lifetime of kitchen wisdom, Mildred “Mama Dip” Council opened the doors to a gathering place that fed the soul as much as the stomach. Her youngest daughter, Anita Spring Council, honed her skills as a chef within its walls, learning the secrets of the Southern kitchen at her mother’s side. Now, the inheritor of this incredible legacy steps forward to share her family’s story.

In her tenderhearted debut cookbook, Southern Roots, Spring offers more than 100 dishes grounded in the oral recipe-sharing tradition. It’s a collection filled with treasured family secrets and vignettes from her experience coming of age as a Black girl in the Jim Crow South, all brought to life with a thoughtful, modern approach to the classics.

The recipes invite you to create a vibrant Southern table, from mouthwatering starters like PIMENTO CHEESE BISCUITS to showstopping main courses like FRIED GREEN TOMATO PARMESAN and SMOTHERED FRIED CHICKEN WITH ANDOUILLE SAUSAGE. You’ll find these updated classics alongside sweets like the decadent GOAT CHEESE POUND CAKE that will wow even the most demanding guests.

Beyond the recipes and stunning, colorful photography, Southern Roots is a powerful tribute to a large, loving, and hardworking entrepreneurial family who left an indelible mark on Southern culinary history. Warm, accessible, and bursting with flavor, this rich cookbook introduces a powerful new voice in Southern food and inspires home cooks everywhere to celebrate the enduring joy of a shared meal.

75 photographs

In When Home Is a Photograph, Leigh Raiford asks how Black people use photography to make home in the world. Raiford focuses on a selection of Black American activists and artists, including Marcus Garvey, James Van Der Zee, Eslanda Goode Robeson, and Kathleen Neal Cleaver to explore the complex relationship between racialized subjects and the medium of photography. As they traveled the world for study, for work, for pleasure, or for survival, these artists and activists took and collected photographs to express their political platforms and personal sense of self. Raiford considers the everyday image-making practices that these Black Americans employed to improve the condition of Black lives globally by imagining, identifying, inhabiting, leaving, defending, and destroying “home.” When Home Is a Photograph shows how these figures did not merely utilize photography to emplace themselves in the world—they demonstrated how the use of photography is itself a way to mediate one’s relationship to the world.

An assembly of refusals portraying the radical power of “no” by the renowned scholar and author of The Feminist Killjoy Handbook, Sara Ahmed.

To be heard as complaining is not to be heard, writes Sara Ahmed. In her sweeping exploration of complaint as a means of resistance, Ahmed attunes her “feminist ear” to those who seek to challenge powerful institutions. She shows how complaints can unbury past complaints, getting them out of filing cabinets or from behind closed doors, allowing us to see institutions more clearly—how they work, and for whom they work.

Where complaints live, how complaints are made, who receives them, who buries them and where—Ahmed’s accessible, attentive writing brings to life the lessons learned from people knocking at closed doors, teaching us how to collectively resist the glacial weight of institutional power. This book inspires all of us to persist, to say “No!” and to build new collectivities that break down brick walls together.

You are asking me where I live and it’s making me think all these things about space, where I start and end in space and where space starts and ends in me and when, in space, I am a body and when I’m a book, in space.

So begins Renee Gladman's Theory for Moving Houses, and with these lines we are invited into a liminal space of imagination and investigation, as Gladman guides us through the architectures of her poetics. Foundational here is a sense of fluidity, a slippage of time, a devotion to “non-linear and hyper gestural movement,” a communal spirit. Her inquiry into her intersecting practices of writing and drawing reveals a deep commitment to uncertainty and “fictional knowing.” Yet again, Gladman upends traditional expectations of prose, as she leads us through landscape of her Ravicka series novels, ultimately surprising us with a novel within nonfiction. The latest volume in Wave’s Bagley Wright Lecture Series, Theory for Moving Houses is not only visionary it its contemplations but also is a virtuosic example of the ways in which language can shape utopian sites of possibility.

A bold vision for a Black and Indigenous future rooted in real solidarity, a future that exists beyond the confines of the liberal imagination

Current advocates of reparations for slavery and land back often fail to scrutinize racial capitalism and settler colonialism, instead accepting that their destinies will forever be tied to US empire. But as scholar Kyle T. Mays insists in When We Are Kin, we can and should demand a kind of repair that goes beyond a white supremacist idea of what justice can be. 

In a series of short essays, Mays traces the history of alliances between Black and Indigenous movements; outlines the limitations of certain demands for reparations, including cash payments, that do not fundamentally critique racial-settler capitalism; and interrogates contemporary land back initiatives that fail to fully address decolonization. Along the way, he asks, What does solidarity look like between Black and Indigenous peoples in the United States? Can we find ways to co-belong and co-resist on Turtle Island?

Drawing on the Anishinaabe philosophy of mino-bimaadiziwin (the good life), Mays argues that we can resist as kin only when we center the land in building our collective futures.

The inaugural issue of the movement-focused and future-forward Abolition Journal quarterly after it was relaunched by the Philadelphia-based Abolition School.

This pilot issue of the revived Abolition Journal is produced by the Philadelphia-based W.E.B. Du Bois Movement School for Abolition & Reconstruction. It brings together two dozen urgent and timely interventions in political debates around abolition and aims to show how this abstract idea manifests itself in our daily lives.

These interventions, authored by a diverse cast of contributors, including academics and attorneys, so-called felons and physicians, artists and educators, and parents, playwrights and poets, explore the everyday experiences that come with trying to live out an abolitionist politics. In the words of the editors, these experiences include “the daily victories and errands, reflections and runarounds, gestures and drama, habits and heartbreaks, setbacks and surrenders, excuses and evasions, breakdowns and breakthroughs.”

The issue curates a variety of content, including political essays, short stories, poetry, interviews, and speeches, each resonating and reflecting in their own unique way on the central theme “Everyday Sh!t.” They offer thoughts and reflections on structure, practice, care, and direction to deepen existing movement knowledge and invite new audiences to see themselves mirrored within this work.
Without exception, these are stories of sincere experience mixed with radical poetic visions culled from the issue contributors’ plurality of pasts, presents, and prefigurative futures. Grounded in Philadelphia, yet looking out onto the whole wide world, Abolition Journal aims to reflect the lived complexity that can be messy and self-defeating, but equally authentic and inspiring.

A profound and poetic memoir, tracing the wounds that racism and colonialism have left on Black people across borders. 

With astute insight and immersive prose, Bonhomme outlines a personal and political history of life in the United States, Haiti, and Germany, discovering what it means to be Black at home and abroad. She unlearns the lies that she was told about slavery and colonialism and explores how communities are resisting the weight of centuries of history.

Whether examining debt, medical racism, art, or reparations, Tending to Our Wounds cuts a breathtaking course between the past and the present, the individual and the collective―identifying the tendrils of history in the everyday and outlining a path to real freedom.

This “vivid, moving, funny, and heartfelt” memoir tells the story of Curtis Chin’s time growing up as a gay Chinese American kid in 1980’s Detroit (Lisa Ko, author of The Leavers).

Nineteen eighties Detroit was a volatile place to live, but above the fray stood a safe haven: Chung’s Cantonese Cuisine, where anyone—from the city’s first Black mayor to the local drag queens, from a big-time Hollywood star to elderly Jewish couples—could sit down for a warm, home-cooked meal. Here was where, beneath a bright-red awning and surrounded by his multigenerational family, filmmaker and activist Curtis Chin came of age; where he learned to embrace his identity as a gay ABC, or American-born Chinese; where he navigated the divided city’s spiraling misfortunes; and where—between helpings of almond boneless chicken, sweet-and-sour pork, and some of his own, less-savory culinary concoctions—he realized just how much he had to offer to the world, to his beloved family, and to himself.

Served up by the cofounder of the Asian American Writers’ Workshop and structured around the very menu that graced the tables of Chung’s, Everything I Learned, I Learned in a Chinese Restaurant is both a memoir and an invitation: to step inside one boy’s childhood oasis, scoot into a vinyl booth, and grow up with him—and perhaps even share something off the secret menu.

An American Library Association Stonewall Honor Book—Israel Fishman Nonfiction Award
A 2024 Michigan Notable Book
Best Nonfiction Books of the Year—Kirkus Reviews
Best Books of the Year—Apple Books
 
TIME’s Most Anticipated Books of Fall 2023 • San Francisco Chronicle’s Highly Anticipated Books to Put on Your Radar This Fall 2023 • Washington Post’s Books to Read This Fall 2023 • Eater’s Best Food Books to Read 2023 • Lambda Literary Review’s October’s Most Anticipated LGBTQIA+ Literature

A career retrospective of a singular voice in contemporary American art, featuring six decades of artwork that chronicles his vision of the Black American experience
 
New Orleans–based artist, community organizer, and cultural provocateur Willie Birch (b. 1942) has dedicated his career to storytelling. His incisive work across a wide variety of media―including paintings, large-scale drawings, wood and papier-mâché sculpture, and public works―explores his unique vision of Black America and draws on sources as diverse as Egyptian numerology, American folk art, and jazz music.
 
This book showcases more than one hundred of Birch’s artworks alongside essays by eminent scholars and curators. Russell Lord provides an introduction to the artist’s life and work; Lowery Stokes Sims writes about Birch’s use of papier-mâché, for which he garnered acclaim during his time in New York City, and situates Birch within the New York art scene of the 1980s and ’90s; Grace Deveney considers the ways Birch gives visual form to the complex relationship between Black Americans and mass media; and Leslie King Hammond discusses how the city of New Orleans―its history and its communities―has shaped Birch’s work.
 
Published in association with the American Federation of Arts
 
Exhibition Schedule:
 
California African American Museum, Los Angeles
May 5–October 4, 2026
 
New Orleans Museum of Art
March 20–September 5, 2027
 
Museum of Contemporary Art Jacksonville, University of North Florida
October 28, 2027–May 14, 2028
 
Hudson River Museum
September 22, 2028–January 14, 2029

“Mahalia Jackson was the greatest gospel singer of her time and an overlooked leader in the Civil Rights Movement. Her voice seemed born of heaven.” ?Henry Louis Gates Jr.

If Americans today still recognize the name Mahalia Jackson, they might recall that she was perhaps the greatest gospel singer who ever lived. But for many people, there is no awareness at all, not even for an entertainer whose “Move On Up a Little Higher” sold eight million copies, who headlined two Newport Jazz Festivals and performed before four United States presidents.

While this rich musical legacy is admired by those in the know, virtually no one recognizes Jackson’s astonishing role in American civil rights history. In this startling new depiction of the renowned gospel singer, New York Times best-selling author Timothy B. Tyson and Mary D. Williams, an acclaimed gospel singer herself, bring Jackson back to soaring life by positioning her as the major civil rights figure she, in fact, was.

Mahlia Jackson, Moving On Up a Little Higher then traces Jackson’s career from abject poverty in New Orleans to global superstardom, revealing how even after meteoric success, Jackson maintained an unwavering devotion to Black freedom. In the 1930s in Chicago, even before the Civil Rights Movement took its modern shape, she used her rapturous voice to support independent Black political power. Her work only intensified in the 1940s and beyond when she campaigned first for Franklin D. Roosevelt, and later for Harry Truman, John F. Kennedy, and Lyndon B. Johnson; headlined in Montgomery for the 1955–56 bus boycott; sang for the Birmingham campaign and on the Selma March; and performed at the iconic 1963 March on Washington, where she urged Martin Luther King Jr. to “Tell ’em about the dream.” In retrospect what becomes historically significant is that Mahalia Jackson was present at so many civil rights events, even singing a divine rendition of “Precious Lord, Take My Hand,” at Dr. King’s funeral in 1968. Weakened and worn, she succumbed to heart failure four years later at the age of sixty.

Weaving together Mahalia Jackson’s inspiring life journey with her soulful music into a transcendent text, this biography ultimately casts Mahalia Jackson as we’ve never seen her before, as a guiding light for the Civil Rights Movement, whose message still speaks to our struggles today.

5 illustrations

An ode to Black joy and creativity with 100 wildly inventive ice cream, sorbet, and nondairy recipes.

Back in the 1840s, a free Black woman ran a successful ice cream saloon in Nashville. Her name was Sarah Estell, and she became known as “the Ice Cream Queen.” Now taking up her crown is Lokelani Alabanza, a trained pastry chef and avid collector of all things Black Americana. Her love of ice cream and appreciation for those who preceded her come together in this joyful cookbook.

Ice Cream Queen features Alabanza’s original creations and revamped classics such as Malted Vanilla, Roasted Strawberry, and Mint Chip. Building on simple bases, standout flavors range from boozy and fruity to adventurous and decadent. Recipes include Nashville Hot Chicken, an ode to her adoptive city’s iconic dish; Juneteenth Sorbet, with summer-ripe raspberries and hibiscus flowers; PB&J, a vanilla swirled with peanut butter, strawberry jam, and slices of white bread; Chocolate-Covered Kettle Chip, a crunchy mix of sweet and salty . . . and many more.

A love letter to generations of Black ice cream makers, this cookbook offers something entirely new: ice cream as an act of memory, identity, and Black excellence.

65 color photographs

NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE NATIONAL BOOK AWARD • One of today’s most insightful and influential thinkers offers a powerful exploration of inequality and the lesson that generations of Americans have failed to learn: Racism has a cost for everyone—not just for people of color.

WINNER OF THE PORCHLIGHT BUSINESS BOOK AWARD • ONE OF THE BEST BOOKS OF THE YEAR: Time, The Washington Post, St. Louis Post-Dispatch, Ms. magazine, BookRiot, Library Journal

“This is the book I’ve been waiting for.”—Ibram X. Kendi, #1 New York Times bestselling author of How to Be an Antiracist

Look for the author’s podcast, The Sum of Us, based on this book!

Heather McGhee’s specialty is the American economy—and the mystery of why it so often fails the American public. From the financial crisis of 2008 to rising student debt to collapsing public infrastructure, she found a root problem: racism in our politics and policymaking. But not just in the most obvious indignities for people of color. Racism has costs for white people, too. It is the common denominator of our most vexing public problems, the core dysfunction of our democracy and constitutive of the spiritual and moral crises that grip us all. But how did this happen? And is there a way out?

McGhee embarks on a deeply personal journey across the country from Maine to Mississippi to California, tallying what we lose when we buy into the zero-sum paradigm—the idea that progress for some of us must come at the expense of others. Along the way, she meets white people who confide in her about losing their homes, their dreams, and their shot at better jobs to the toxic mix of American racism and greed. This is the story of how public goods in this country—from parks and pools to functioning schools—have become private luxuries; of how unions collapsed, wages stagnated, and inequality increased; and of how this country, unique among the world’s advanced economies, has thwarted universal healthcare.

But in unlikely places of worship and work, McGhee finds proof of what she calls the Solidarity Dividend: the benefits we gain when people come together across race to accomplish what we simply can’t do on our own. The Sum of Us is not only a brilliant analysis of how we arrived here but also a heartfelt message, delivered with startling empathy, from a black woman to a multiracial America. It leaves us with a new vision for a future in which we finally realize that life can be more than a zero-sum game.

LONGLISTED FOR THE ANDREW CARNEGIE MEDAL

A groundbreaking history of elite black New Yorkers in the nineteenth century, seen through the lens of the author's ancestors

Part detective tale, part social and cultural narrative, Black Gotham is Carla Peterson's riveting account of her quest to reconstruct the lives of her nineteenth-century ancestors. As she shares their stories and those of their friends, neighbors, and business associates, she illuminates the greater history of African-American elites in New York City.

Black Gotham challenges many of the accepted "truths" about African-American history, including the assumption that the phrase "nineteenth-century black Americans" means enslaved people, that "New York state before the Civil War" refers to a place of freedom, and that a black elite did not exist until the twentieth century. Beginning her story in the 1820s, Peterson focuses on the pupils of the Mulberry Street School, the graduates of which went on to become eminent African-American leaders. She traces their political activities as well as their many achievements in trade, business, and the professions against the backdrop of the expansion of scientific racism, the trauma of the Civil War draft riots, and the rise of Jim Crow.

Told in a vivid, fast-paced style, Black Gotham is an important account of the rarely acknowledged achievements of nineteenth-century African Americans and brings to the forefront a vital yet forgotten part of American history and culture.

WINNER OF THE 2022 NATIONAL BOOK AWARD FOR NONFICTION

“An elegant meditation on the complexities of the American South—and thus of America—by an esteemed daughter of the South and one of the great intellectuals of our time. An inspiration.” —Isabel Wilkerson

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. South to America is an essential, surprising journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand America

We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole.

This is the story of a Black woman and native Alabaman returning to the region she has always called home and considering it with fresh eyes. Her journey is full of detours, deep dives, and surprising encounters with places and people. She renders Southerners from all walks of life with sensitivity and honesty, sharing her thoughts about a troubling history and the ritual humiliations and joys that characterize so much of Southern life.

Weaving together stories of immigrant communities, contemporary artists, exploitative opportunists, enslaved peoples, unsung heroes, her own ancestors, and her lived experiences, Imani Perry crafts a tapestry unlike any other. With uncommon insight and breathtaking clarity, South to America offers an assertion that if we want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line.

"I have been waiting for a book like this, and I’m so glad it's here." — Clint Smith, author of How the Word is Passed

Since the nation’s founding, Black Americans have had a unique perspective on the U.S. experience—a “second sight”—that reveals the truth about the nation to itself. As renowned media scholar Sarah J. Jackson charts in this bold and daring masterwork, at the center of this effort has been an extraordinary cast of Black journalists, photographers, filmmakers, radio hosts, podcasters and other mediamakers who have drawn on the visionary tradition of second sight to advance democracy and broaden our most fundamental American values.

When Black mediamakers raise their voices and speak uncomfortable truths about America, they shape memories of the nation and push us toward a future more closely aligned with our espoused values. For two centuries, this “second sight” has been an overlooked engine of American democracy.

Drawing from W.E.B. Du Bois’s philosophical work, along with deep historical analysis and dozens of interviews with today’s most active Black mediamakers, A Second Sight shows these visionaries positioned at the margins of their industries and navigating fraught relationships to power. They’ve warned of the greatest dangers to democracy—from slavery to Nazism, and mass incarceration to misinformation. Their work is central to our culture and politics. Yet it is devalued, met with violent censure, or achieved only via ingenious work-arounds. This tension has sharpened their commitments to truth.

Now one of our nation’s foremost scholars of American media, Sarah J. Jackson, presents an appraisal that situates Black mediamakers at the vanguard of telling the American story. Brilliant, urgent and illuminating, A Second Sight is an authentic and candid grappling with a discordant thread in the American fabric and, in tracing a bolder vision for the nation, presents a way forward.

From a preeminent King scholar, the origin story of the man, minister, and civil rights hero who would lead the nation and change the world.

We know who Martin Luther King, Jr. became, but who was he at the beginning of his life? How did his youth inform his outlook and activism?

Before Martin Luther King, Jr. was a civil rights leader, a Nobel Laureate, and a global hero, he was an emotional boy, a middling high school student devoted to fashion, dancing, and dating. Lerone A. Martin, Faculty Director of the Martin Luther King Institute at Stanford University, traces these roots to develop a fuller understanding of the influential preacher’s emotional life, his youthful confusion about his future and career direction, his teenage missteps, and his inspiration to fight for justice.

Revelatory, humanizing, and compassionate, Young King unearths:

* MLK's Childhood on Auburn Avenue: his days as “Little Mike"—the ever-eager middle child and a precocious prankster—spent at Ebenezer Baptist Church and the Auburn Avenue Library in Atlanta
* Early Encounters with Racism: his early experiences of segregation and the summers he spent on a Connecticut tobacco farm, his first trip outside the Jim Crow South
* College Life at Morehouse: his transformative time at Morehouse, playing basketball, hosting parties, studying sociology, and joining the Ministers’ Union
* Path to Seminary and Activism: his winding path to seminary and the co-development of his activist consciousness, his spiritual devotion, and his relationship with Coretta, his wife-to-be

As America undergoes another era of turmoil and change, this powerful biography provides a vital roadmap for how greatness comes to light. This essential work is a testament to how history shapes a leader.

Young King includes rarely seen black-and-white photographs of an adolescent MLK from his high school days and college years.

From the preeminent scholar on Black masculinity in America, Save a Seat for Me is Mark Anthony Neal's attempt to bring his scholarship on fatherhood to a broader audience.

Save a Seat for Me embraces the nuances of how contemporary frameworks of masculinity informed by unprecedented advances in women and LGBTQ communities have necessitated a reimagining of the societal expectations a father plays in the public and private sectors of their homes.

The soul of this book centers on Neal's confrontation of the various political, cultural, historical narratives and messages that inform the role of Black fatherhood, and fatherhood at large, which has put him at odds with the way he fathers his own children.

Raised by a working class father, during a time when American society conceived of the role of father as protector, provider, and disciplinarian, Neal struggles with these expectations as his education (a doctorate's degree), profession (tenured professor at one of the best colleges in the country), and financial position (making more money than his father ever did) are drastically different than that of his father. Linking his father to his own fathering of his two daughters, Neal grounds his intellectual arguments about Black fatherhood in experience and emotion makes for a vulnerable read, as well as a transformative one.

In our culture, the public performance of fatherhood keeps us from wondering what the practice of being a father looks like in private. Neal is opening a long overdue door to the interiority that Black men particularly--and men living in a patriarchal society generally--have only learned existed in the last twenty years.

The autobiography of the godfather of urban streetwear, American fashion designer and hip-hop cultural icon, Karl Kani whose clothes were worn by everyone from Michael Jackson to Tupac, Aaliyah to Biggie, and Nas to Jay-Z.

Karl Kani tells the story of how Karl Kani created the first quintessential fashion brand of the hip-hop generation. Like the genre that became a soundtrack to the clothes Kani designed, Karl’s brand went from local mom and pop stores in Brooklyn to national recognition and international renown.

Following Kani’s ascension as a Costa Rican immigrant striving to make a name for himself, Karl Kani also tracks parallels between how the fashion, like the music of Black and Brown kids living in the inner cities, went from marginalized subculture to the mainstream. And while there is always a price for gaining mainstream recognition and the material success that invariably follows, there’s an even heftier expense for those who refuse to compromise one’s own brand and principles to gain that entry.

Once hip-hop became a billion-dollar industry and one of America’s most lauded and coveted cultural exports, many of the fashion brands that would’ve never approached rap artists before began granting access to the upper echelons of luxury fashion. As a result, many of hip-hop’s flagship brands cashed in big payouts—Rocawear, Sean John, FUBU, Mecca, Enyce, Phat Farm, G-Unit. Karl Kani was one of the few, if not only, designers who saw that his name, the culture it represented, and the business he built was worth keeping.

Karl Kani is both a cautionary tale and an inspirational one about the price to keep one’s name in an industry looking to cash out, and how Kani continues to find an international audience for his clothes as he’s being pushed out of the American market in favor of European brands that illustrate the shift in the fashion world. Karl Kani refused to sell out, paid a price for ownership, and weathered to storm to be one of the few legacy hip-hop clothing brands to have contemporary cultural relevance.

America’s favorite astrophysicist has written the most entertaining and universally appealing book of his stellar career: a practical guide for dealing with Alien visitors, an exploration of how it might happen, and a cultural history of our fascination with extraterrestrials.

“Ever since childhood,” writes Neil deGrasse Tyson, “I’ve wanted to be abducted by Aliens.”

Take Me to Your Leader is the culmination of a lifetime of fascination, speculation, and the amassing of scientific data about the possibility of Aliens visiting Earth. Drawing on a wealth of depictions from history, literature, pop culture, and film, Tyson applies the universal laws of physics to make the case for what Aliens might look like, act like, how they might travel through the universe to reach us, and what they might think of us upon arrival. Should such an event occur, Tyson further offers useful etiquette tips for your first close encounter.

If you’ve ever wondered why there are so many UFO sightings, or whether Aliens might already be among us, Tyson offers an informed perspective that is both factual and fun. Take Me to Your Leader is a tantalizing exploration of what would be the most mind-blowing experience of your life—the book for anyone who has ever wondered: Are we alone?

Four-time Emmy-nominated actress Laverne Cox shares her journey as a transgender woman in Hollywood, confronting childhood trauma, shame, gender identity, her transition, body image issues, her search for romantic love, deep-seated feelings of unworthiness, and ultimately, healing.

Laverne Cox is a powerhouse in the fight for transgender rights and representation—but her path from a struggling trans actress to a cultural movement was anything but easy.

Surviving a childhood full of trauma, dealing with depression, and working at a drag restaurant in New York City for seven years, Laverne was turning forty and felt it was time to throw in the towel when it came to being a Hollywood star—then she booked the character of Sophia Burset in Orange is the New Black. Her world changed overnight.

She made history as the first openly transgender person nominated for a Primetime Emmy, starred in a range of high-profile shows, and became the first transgender person to win a Daytime Emmy as executive producer on Laverne Cox Presents: The T Word. A red-carpet fashion icon, podcast host, and fearless advocate, she uses her stardom to champion LGBTQ+ rights, whether on Hollywood’s biggest stages, her personal channels, or at Supreme Court hearings. And she’s only getting started.

In Transcendent, you will experience life in Laverne’s shoes, from her childhood abuse to making her big break, dealing with Hollywood bureaucracy, feeling lonely in a world that is unaccepting, and finding her voice through the chaos of it all. With behind-the-scenes stories and personal reflection, we can heal and fight for equality, right alongside Laverne.

An exploration of how African American innovators and artists—whose impact and financial value in American music, movies, and TV is disproportionately greater than their numbers—have fought for and often won the rights to own and benefit from their own work.

When we think about the things that have barred success for African Americans, intellectual property law is hardly the first thing that comes to mind, if we even think of it all. We certainly don’t think of it as the launching pad for building generational wealth in the Black community, so it follows that we don’t see our favorite pop stars as revolutionary race warriors.

African American artists have finally, belatedly, come to be the owners of their art and beneficiaries of the money their art makes, after centuries of producing life-changing art. There were hundreds and thousands of Bessie Smiths before we ever got Beyoncé or Kendrick Lamar.

Lisa E. Davis, one of the foremost entertainment attorneys in the country, traces the epic journey Black Americans have been on, from being claimed as property to claiming the benefits of intellectual property. As she notes, “Under slavery, our minds were always free, but there was no profit from what our minds created.”

Beginning in the 18th century with the drafting of the Constitution and ending in the 21st century with a warning about the role technology will play in creative industries, Our Minds Were Always Free tells the story of the indelible legacy of Black American genius and the struggle to receive the credit and the profit that they deserved.

Part memoir by the daughter of the iconic comedian Richard Pryor, part exploration of the historical and contemporary use of the N-word, this hybrid book peels back the curtain on the life of Pryor and interrogates the most perplexing word in the American lexicon, a word he helped popularize.

The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It’s a word that Elizabeth Pryor has not only contemplated, it’s one that she has taught and observed up close.

When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor’s worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.

As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn’t thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.

A braided narrative that seamlessly integrates the history of the N-word with Elizabeth’s own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map.

Embrace and learn to love your natural hair with this eye-opening guide from “hair whisperer” to the stars, Felicia Leatherwood.

As a child there was nothing Felicia Leatherwood wanted more than long, flowy hair. But Felicia’s short afro grew up and out, not down. Her father who styled Felicia’s hair in her mother’s place, often didn’t know his own strength, and would rip Felicia’s delicate strands as he combed through her hair. At a young age, Felicia internalizes her hair as something to be managed, tamed, instead of a source of pride.

As hair trends come and go, Felicia’s beloved Jherri curl is replaced by every braided style in the book. She even tries her hand at weaves and relaxers. Felicia finds she loves doing hair so much she leaves her high-paying corporate job to enroll in beauty school and lands a hot new job at a salon where celebrities breeze through to freshen up their look. It isn’t long until Felicia is styling her first celebrity client. Felicia’s love of hair takes her around the world, to movie sets and several red carpets.

In Root Therapy, Felicia shares her journey of hair positivity, which opens the door to a beautiful spiritual journey of self-love. As a celebrity stylist and natural hair educator, Felicia has made it her life’s mission to share the message of hair acceptance. Complete with exercises that show you the merits of owning one’s complete self, Felicia encourages you to embrace your natural hair.

An incantation of strength and solace for persisting in twenty-first-century America

“History doesn’t repeat, it rhymes.” In his sweeping third collection, Charleston brings a poet’s ear for echo and rhythm to bear on American history and life after 2016. For Charleston, these rhymes cut two ways: the long tradition of American racism and fascism, and the steady pulse of Black persistence. The collection’s titular invocation frames each poem, at times an oratory to rally a crowd, in other moments a private prayer whispered as the speaker gathers himself to face another day. Charleston insists that should we cede memory of our national biography―whether to repression or indifference―we will witness the country’s dissolution into something unrecognizable to many, yet all too familiar to its most marginalized people. But with each reiteration and riff, he also invokes a tenuous hope―that if we summon an American history of Black resistance, we might still make a more perfect union.

From Diaspora Spice Co., the progressive spice company rooted in flavor and equity, comes a cookbook celebrating beautiful, simple, and seasonal cooking with 85 recipes adapted from India and Sri Lanka’s best family spice farms.

Diaspora Spice Co. sources the most flavorful, fresh spices in the world from 150 regenerative farms across South Asia—from elders, indigenous communities, young changemakers, and brilliant multi-generational farming families across India and Sri Lanka who are leading the way in sustainable and climate change–resistant agriculture. Filled with culinary storytelling, The Diaspora Spice Co. Cookbook highlights these farmers and their spices with profiles and evocative photography, plus 85 recipes for simple, seasonal, and powerfully delicious meals.

CEO and founder Sana Javeri Kadri and recipe writer Asha Loupy realized that eating with the people who grow our spices unveils a whole new dimension in our cooking. For instance, the Mir family, who works all year to grow and harvest their saffron, shared not only their technique for blooming the vibrant spice and how to make sure every thread is fully utilized, but their unforgettably delicious dishes. Adapted for a global pantry, these recipes share the warmth of true South Asian home cooking at its truest and tastiest, starting with chutneys & pickles, snacks, and veggies, traveling through to mains from the sea and from the land, rice and breads, and ending with drinks and desserts.

Sana and Asha also note which recipes are the most beginner friendly, freezer friendly, good for a dinner party menu (like a Diwali feast!), and which lend themselves to be pantry building blocks, all for a super easy-to-navigate cookbook.

* Burst Tomato Chutney
* Perfect Pakora
* Spiced Maple-Roasted Carrots with Carrot-Top Sambol
* Aloo Masala
* Jammy Egg Curry
* Coconut Lamb Biryani
* Fennel Tom Collins
* Turmeric-Banana Snacking Cake
* Apricot-Saffron Frangipane Galette

This incredibly fresh, beautifully photographed, powerful collection is a celebration of these farming families, their precious harvests, and how they season recipes with big flavor.

In 90+ soul-satisfying recipes, Emmy Award–winning Taste the Culture host, beloved Top Chef star, chef, and restaurateur Justin Sutherland offers his take on easy Southern-inspired home cooking…with a Northern Twist.
 
Justin owns multiple restaurants in the Twin Cities, though his reputation is national. You may know him from television, where he won an Iron Chef episode, competed on Season 16 of Top Chef, and is one of the chefs featured on Fast Foodies and is producer and host of Taste the Culture, both airing on TruTV/TBS.
 
In his highly anticipated first cookbook, Justin shares the inspiration and foundation behind his approach to his signature Southern cooking, which includes his upbringing in the Northern Midwest and the South, as well as his African-American and Asian heritage.
 
Northern Soul features his signature recipes for lunch, brunch, dinner, snacks, late-night meals, and cocktail recipes. Justin shares how you can make easy, traditional Southern recipes with a Northern flair, in your own kitchen. From recipes like Chicken and Waffles and Creole Jambalaya to Bourbon Pecan Pie with Maple Whip and Hot Mac and Cheese, plus spice blends, sauces, rubs and pickles, you’ll learn just how deliciously southern soul and northern heart blend.
 
Praise for Northern Soul:
 
“I am covered in chills reading Justin Sutherland’s book. It’s mindful, soulful, important, and truly American—because it is a global story. We are one. We are all connected if we choose to be. With Justin’s cookbook, we all come one step closer, and one meal closer, to one another.”
  ―Rachael Ray, host of “30 Minute Meals” and “The Rachael Ray Show”

“In Northern Soul, Justin Sutherland elevates southern comfort dishes in a unique way that speaks to the power of how food fuels us as individuals, connects to us spiritually, and forges the bonds of community.”
   ―Marcus Samuelsson, chef and author of The Red Rooster Cookbook
 
“This book is a deep dive into soul food from a clear and fresh perspective, one that feels familiar and approachable, creative and craveable. Justin Sutherland beautifully demonstrates how food connects us all, but also is an integral part of how we can seamlessly celebrate our individuality together. I cannot wait to cook my way through this book!”
  ―Brooke Williamson, chef and winner of Food Network’s “Tournament of Champions”

From one of the most electric and consequential figures to emerge from the contemporary American labor movement, the remarkable story of his battle to create the first Amazon union in the U.S. and a powerful call to arms on behalf of the working class

In the early days of the Covid pandemic, warehouse worker Chris Smalls and his colleagues continued showing up as the rest of the world was shutting down. A dedicated and experienced Amazon employee, increasingly frustrated by the inner workings of the retail giant, Smalls had already felt himself reaching a breaking point. So, when coworkers around him began falling ill, and with no transparency or assurances of safety coming from those in charge, he made the only choice left available to him. He staged a walkout with friend Derrick Palmer, eventually finding himself on the picket line without a job. But what began as a demand to keep essential employees safe in a crisis would grow into a movement devoted to achieving dignity and security for the American wage worker, sparking a groundswell of organizers at the most notable companies across the nation—including Starbucks, Trader Joe's, and Apple—and leading to lasting change for labor.

When the Revolution Comes is the riveting inside story of how a young Black man from Hackensack, NJ with little-to-no resources led a scrappy band of Staten Island warehouse workers in an improbable fight against Amazon, the second largest private employer in the U.S., and won. This epic David-and-Goliath tale traces Smalls’ dramatic story, from a childhood spent navigating his dad’s stints in and out of prison to his early pursuits of a career in music; from his years of sacrifice and economic uncertainty as a father of three, fighting a miasma of warehouse managerial politics in an effort to make ends meet, to his ascension as the leader of a new generation’s labor movement. Along the way, he details lessons learned from a life spent working paycheck-to-paycheck, advocating for those around him, and persevering in the face of adversity, and shares how those lessons helped him build the coalition that became the first-ever union of American Amazon workers.

A deeply personal and eye-opening account of the creation of the Amazon Labor Union, When the Revolution Comes is both a searing exposé of what it’s like to be working class in America today as well as the empowering story of what is possible when the overworked, underpaid, and disempowered join together, a movement born in community.

Sip and savor the rich culinary history and culture of the Afro-Latino diaspora with over 40 drink recipes and 20 food recipes from Top Chef and restauranteur Nelson German.

Sip and savor the bold flavors and vibrant culture of the Afro-Latino diaspora with over 40 drink recipes and 20 food recipes from Top Chef alum and acclaimed chef-restaurateur Nelson German, the culinary visionary behind Meski, Sobre Mesa, and alaMar Kitchen and Bar.

For Afro-Dominican chef Nelson German, drinks and food are about connection-whether it's sharing stories over cocktails on a stoop in Washington Heights or gathering with friends under the warm, buzzy lights of his restaurants. In Caribbean Cocktails, he brings the rich culinary history of the Afro-Latino diaspora straight to your home bar and kitchen, blending tradition, personal storytelling, and modern mixology. Inside, you'll find cocktail recipes easy enough for home bartenders yet inventive enough for seasoned mixologists, along with an ingredient index to help you make the most of every bottle on your bar cart, tips for batching drinks, plus low-ABV and alcohol-free variations for every kind of celebration.

Reflecting the vibrant drinking and food culture of the Afro-Latino diaspora, Caribbean Cocktails presents a rich selection of recipes from celebrated bartenders and chefs, spanning refreshing spritzes and bold island classics to tasty small plates. Each chapter highlights a distinct flavor profile, including concoctions for-

* Warm and sweet flavors like The Heights Mamajuana, Gingerbread Holiday Milk Punch, and Coconut Rum Caramelized Sweet Plantains
* Floral, fruity, and herbal flavors like Coconut Daiquiri, Zombie Revier No. 2, and Dominican Chorizo "Kipe" Bites
* Sour and bitter flavors like Cafecito de la Mesa, La Cultura Old-Fashioned, and Coffee Cake with Guavaberry Caramel Sauce
* Spicy flavors like Spice Me Down, Dominican Date Sour, and Afro-Cuban Mojo Olives with Peanuts
* Salty and smoky flavors like El Premio, Mayaimi Swizzle, and Dungeness Stuffed Piquillo Peppers

With the unique, culturally rooted, flavorful recipes in Caribbean Cocktails, you'll soon be entertaining impressively at home.

Legendary baseball player and manager Dusty Baker reflects on his extraordinary career—filled with invaluable lessons on perseverance, leadership, and living life meaningfully on the field and off.

Dusty Baker walked with baseball legends and became one himself. After he signed with the Braves in 1968 at the age of nineteen against his father’s wishes, no less than the great Hank Aaron promised to take Baker under his wing. Mentored by Aaron, Orlando Cepeda, and Willie Mays, Baker became a premier hitter, helping take the Dodgers to a World Series victory in 1981. He would bookend this with another championship in 2022, this time as a manager helping guide and redeem a Houston Astros team humbled by a cheating scandal. Respected by generations across the game, Baker has come to embody the spirit of the sport—and yet, to discuss his baseball career is only to scratch the surface of a remarkable life.

Crossroads will bring readers into the mind of one of baseball’s mavericks: a curious, inquisitive thinker whose deep interest in the worlds of music, wine, and the simpler joys of life charts a journey of success, struggle, faith, and perseverance. Baker's memoir is filled with hard-earned wisdom and a love for life so plentiful, it seems to radiate from every sentence.

A true American original, counting among his friends presidents and dignitaries, bluesmen and artists, Baker weaves a spell of life at the crossroads, where fate turns on our decisions and the unexpected answers that sometimes seek us out when we least expect it.

ONE OF LIT HUB'S MOST ANTICIPATED BOOKS OF 2026

A radically vulnerable and virtuosic inquiry into the pursuit of freedom and the interminable nature of struggle, from the award-winning author of What We Lose

Weaving personal reflections with piercing insight and expansive vision across nine brilliant essays, Zinzi Clemmons explores the complexities of the elusive concept of freedom. As the daughter of a South African mother and a Trinidadian America father, she recounts growing up in the largely white, affluent town of Swarthmore, Pennsylvania—and her frequent travels to Johannesburg, where the lofty promise of freedom was all around her. Coming of age amidst the euphoria of South Africa's first all-race elections, she grapples with the legacy of Nelson Mandela and the shattered hope in the wake of the Obama era. Clemmons critiques the entrenched inequalities that haunt both countries, from the tragic loss of a childhood friend to the violence that often befalls women who have the audacity to be free.

In a deft mix of memoir, family history, criticism, and reportage, drawing on a vast range of material from Joan Didion to James Baldwin, political analysis and history to Clemmons’s own experiences across the globe, Freedom is an incendiary exploration of race, sex, class, and inheritance. In elegiac prose, Clemmons trains her discerning eye on American institutions and mythologies, probing the bounds of liberation and autonomy to interrogate our most enduring quest—the relentless pursuit of freedom for all.