The legendary actor behind Roots, Star Trek: The Next Generation, and Reading Rainbow shares never-before-told stories from a life that has shaped generations—told at last on his own terms.

This is my attempt to pull back the curtain. Not just on the roles I’ve played, but on the life I’ve lived. The fears. The fight. The survival. And yes, the joy. All of it.

Tracing the different eras of his life—from Kunta Kinte to Geordi La Forge to Reading Rainbow and far beyond the camera—celebrated actor LeVar Burton fearlessly opens up about growing up during the Civil Rights Movement, being raised by a remarkable mother, and discovering his calling as a storyteller. He explores how acting has served as both a source of transformation and an escape from the most difficult parts of his past, while also confronting the challenges of being a parent, husband, and householder.

As Burton honors the loved ones whose strength and resilience shaped him in this inspiring memoir, he also asks what we owe to our ancestors and to each other, reflecting on the deep necessity he’s always felt advocating for liberation and equity. Generous, deeply moving, and illustrated with personal family photos, Take My Word For It is a courageous self-portrait of an iconic artist.

“Kamau Bobb writes with a piercing clarity about race, history, and technology that does not comfort but confronts. His words do not allow you the luxury of distance. They leave you sharper, more aware, and undeniably changed about the AI crisis we are living through.”—Bettina L. Love, author of Punished for Dreaming: How School Reform Harms Black Children and How We Heal

A meditation on race, technology, and the fight for equitable education

Educated citizens are the lifeforce of democracy. Across all aspects of modern life, and especially in education, AI is raising existential questions. Like any new technology, it is both transformative and problematic.

In this smart exploration of tech, race, and society, Dr. Kamau Bobb meditates on the convergence of American memory and the promises of AI in education. At this critical milestone in American history, this book argues that enthusiasm and clamor for AI are a veil for the vacuous neglect of our nation's racist past. Bobb encourages readers to pause and examine the actual foundation on top of which the grand claims of AI’s potential in education are being built, raising questions like:

* How does AI change the fundamental structure of American education?
* How does the application of AI enabled tools affect educational outcomes in schools that are profoundly segregated?
* When the purveyors of these technologies claim that they will close gaps and improve the educational experience for all students, what does that really mean?

American educational history is overflowing with abuse, segregation, substandard structures, and smoldering scorn. This book grapples with the challenges ahead in achieving equitable education as AI transforms and the nation retracts. At this convergence of technology and racial backlash in education, Bobb provides lessons from America's past to light the path ahead.

Explore the wearable modern art of Art Smith, one of the world’s most celebrated 20th-century jewelers

This striking jewelry coffee table book features 160 photos of more than 60 jewelry pieces

Mid-century modernist jeweler Art Smith (1917-1982) considered the human body to be as integral to his jewelry as the metals, wire, and semiprecious stones he used to make it, calling his necklaces “neck pieces” and his rings “hand decorations.” Bodyworks: The Jewelry of Art Smith presents 160 images, including previously unpublished design sketches and historic photographs alongside newly commissioned photography. Together, they offer a comprehensive visual record of Smith’s bold, fluid, and creative designs, including:

* “Lava” bracelet which evokes volcanic movement through its layers of long, curving, and patinated sheet metal
* “Lil’s Wire” pendant, inspired by the atom, representing Smith’s interest in mid-century scientific discoveries and the space age
* “Minetta” necklace with a carnelian stone, whose name alludes to the historical Little Africa neighborhood in New York City

Art Smith was influenced by jazz, dance, visual art, pan-African regalia, and relationships he formed with New York’s African American arts community. In his Greenwich village studio, he created custom pieces for many high-profile clients, including First Lady Eleanor Roosevelt and jazz pianist Duke Ellington, and had work featured in Vogue. Art Smith was a luminary to his contemporaries and remains one to today's artists. With stunning photography and essays that reflect on his life, influences, and legacy, Bodyworks is the magnificent retrospective Smith's pioneering career deserves.

The first systematic Marxist account of the capitalist character of Atlantic slavery.
 
Karl Marx’s writings on enslavement and labor have fallen out of favor among historians, but David McNally injects new life into them. Slavery and Capitalism gives the first systematic Marxist account of the capitalist character of Atlantic slavery—using colonial travel literature, planter records and diaries, and slave narratives—to support the provocative claim for enslaved labor in the plantation system as capitalist commodity production.
 
Weaving together history, political economy, and radical abolitionism, McNally demonstrates that plantation slaves formed a modern working class. Unlike those scholars who insist that enslaved people were too sensible to set their sights on liberty, he highlights the self-activity of enslaved people fighting for their freedom and reframes their resistance as labor struggles over production and reproduction, with significant implications for US and Atlantic history and for understanding the roots of racial capitalism.

Essential reading on assisted dying, blending ethical debate with practical guidance.
 
Assisted dying is one of contemporary society’s most pressing and divisive social issues. Should terminally ill people in pain be allowed to choose death on their own terms? This timely and accessible book lays out the moral, legal, and practical dimensions of the debate. It draws on real-life experiences, explores opposing viewpoints with sensitivity, and examines the wider social and ethical implications. Designed for readers of all beliefs and backgrounds, it presents the facts with clarity and compassion. A pioneering section also offers the first guide to meaningful ceremonies at the time of an assisted death, helping families honor life and ease grief. Whether you support, oppose, or are unsure about assisted dying, this essential book provides insight and guidance on a deeply personal issue.

An updated and revised biography of Patrice Lumumba, former Prime Minister of the Democratic Republic of the Congo.

Patrice Lumumba (1926-61) is perhaps the most famous leader of the African independence movement. He became an icon of anti-imperialist struggle after his execution in 1961, when he had been the prime minister of the newly liberated Congo for only seven months. As the news came out, his picture was brandished in demonstrations in capitals around the world, along with those of Che Guevara and Mao Zedong. His life and the independence that he sought for the Congo made him a pivotal figure of the twentieth century, exposing ongoing Western colonialism and the problematic nature of the independence granted to huge swathes of the globe after 1945.

In this book, revised and updated to include new thinking on the Congo crisis and incorporating material recently released from British intelligence archives, Leo Zeilig tells the story of the Congo in the dying days of colonialism and of Lumumba’s transition from nationalist to revolutionary to international symbol of African liberation.

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Until now, you've only heard one side of the story: how slavery began, and how America split itself in two to end it. Here's the true story of America from the African American perspective.

From the moment Africans were first brought to the shores of the United States, they had a hand in shaping the country. Their labor created a strong economy, built our halls of government, and defined American society in profound ways. And though the Emancipation Proclamation wasn't signed until 300 years after the first Africans arrived, the fight for freedom started the moment they set foot on American soil. 
This book contains the true narrative of the first 300 years of Africans in America: the struggles, the heroes, and the untold stories that are left out of textbooks. If you want to learn the truth about African American history in this country, start here.

Acclaimed chef, TV host, Top Chef fan-favorite, and author Carla Hall returns to her first culinary love story—baking—with over 80 sweet and savory recipes.

“For years, I have had the pleasure of sitting next to Carla and listening to her explain the science and the art of baking. Now you get to experience her knowledge, wisdom, and humor as well in Carla Bakes.”—Duff Goldman

For Carla Hall, baking is a creative outlet, her source of play, and her first true passion. But her journey from absolute beginner to Top Chef fan-favorite didn't start until she was well into her twenties with two careers— accounting and modeling —already behind her. Away from home and missing the Southern flavors she grew up with, she took to the kitchen and began to experiment, master, and perfect.

Now, as a multi-cookbook author and guest judge on multiple baking competitions, Carla is ready to share all her baking knowledge that will guide you whether you're at novice baker or an expert one. Carla Bakes is filled with over 80 recipes for baking savory and sweet goods rooted in her Southern traditions and inspired by her world travels. Carla brings her joy and playfulness to every recipe, showing you just how much fun it is to bake and bring your own twists to new recipes, including:

• breakfast treats like Sorghum Flour Drop Biscuits, Crisp Sweet Corn Waffles, and Savory Clafoutis with Tomatoes, Goat Cheese, and Smoky Tomato Curd
• cookies like Nut Butter Puffed Cereal Treats, Southern Pecan Crinkle Baklava, and Shortbread Cookie Canvas
• pastries like Giant Frosted Strawberry Pop Tart, Sweet Po-Punkin Pie, and Ham & Cheese Paris-Brest
• cakes like Double Chocolate Oat Flour Snack Cake, Lemon Meringue Cake, and Fairytale Forest Party Cake
• yeasted goods like Hot Cross Milk Buns with Port- and Hibiscus-Soaked Fruit, Butternut Squash Beignets with Spiced Sugar, and Chocolate Focaccia

If you've ever felt intimidated by baking, set those fears aside. Carla's expert guidance and encouragement in Carla Bakes will leave you feeling confident and inspired in your kitchen!

From the Pulitzer Prize-winning author of Franchise comes the little-known story of the pioneering Black women artists and activists who were seen, but barely heard, at the 1963 March on Washington.

"Chatelain lets us see the complexities of these women’s lives, feel their pain, and marvel at their ability to cut through the thicket of racism and sexism."—Carol Anderson, New York Times bestselling author of White Rage

"Chatelain brilliantly reframes one of the most enduring images in American memory through the women erased from its frame."—Alexis Coe, New York Times bestselling author of You Never Forget Your First

There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day's headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its “Tribute to Negro Women Fighters for Freedom.”

In How Bright the Path Grows, Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker; civil rights activist Rosa Parks gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program, and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work.

How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.

Remember frolicking outside during the long, jubilant days of summer? This vibrant collection invites readers to breathe deeply and return to that "carefree" season. From riding bikes with friends through the neighborhood, to hopping the ferry to Boblo Island, catching catfish along the river, dancing on warm nights to Afrobeats and jazz music, and cooling off in the Swimmobile, those sun-drenched memories were often clouded by racism for the Detroiters in this evocative anthology. These emerging and award-winning creators of all ages recount the struggles and triumph of staking their claim to public spaces. Ranging from poetry to essay, creative nonfiction to comics, this collection blends nostalgia with struggle and resilience. Arising from the iconic city of the African American experience comes this exploration of Black joy in the urban outdoors.

Honorable Mention, 2026 Distinguished Book Award, given by the American Sociological Association, Sociology of Religion Section

Charts the changing dynamics of religion and spirituality among African Americans

Recent decades have ushered in a profound transformation within the American religious landscape, characterized by an explosion of religious diversification and individualism as well as a rising number of “nones.” The Contemporary Black Church makes the case that the story of this changing religious landscape needs to be told incorporating more data as it applies specifically to African Americans.

Jason E. Shelton draws from survey data as well as interviews with individuals from a wide variety of religious backgrounds to argue that social reforms and the resulting freedoms have paved the way for a pronounced diversification among African Americans in matters of faith. Many African Americans have switched denominational affiliations within the Black Church, others now adhere to historically White traditions, and a record number of African Americans have left organized religion altogether in recent decades. These changing demographics and affiliations are having a real and measurable effect on American politics, particularly as members of the historic Black Church are much more likely than those of other faiths to vote and to strongly support government policies aimed at bridging the racial divide.

Though not the first work to note that African Americans are not monolithic in their religious affiliation, or to argue that there is a trend toward secularism in Black America, this book is the first to substantiate these claims with extensive empirical data, charting these changing dynamics and their ramifications for American society and politics.

Centers families of color in family law, revealing their pivotal role in shaping justice, equality, and social change and how their perspectives reframe the scope of family law

Centering Families of Color argues for the reframing of how we define “family law.” Centering the voices and perspectives of families of color, it expands and contextualizes how the law functions in relation to families. It exposes the impact of structural inequalities as they differentially and hierarchically impact families. This groundbreaking volume thus reorients how we think of family law, offering the experiences of families of color as critical to both the diagnoses and solutions for structural inequality.

While conventional treatment of families of color marginalizes their role socially and politically as add-ons, this volume centers them as essential. Leading scholars across disciplinary groups unearth and expose the hidden norms of family law, identify the critical history of how the law impacts families of color, and detail their dynamic contributions to social transformation. Families of color offer affirmative, resilient strategies for social justice and reform.

At a time of diversity among families and dramatic changes in the pattern of life, this volume provides a critical examination of the legal structures that impact families from the much-needed perspective of families of color. Centering Families of Color showcases how families of color are central to understanding what family is and how families interact with the law.

What does it mean to be queer and Muslim in a world that insists you cannot be both?

Queer and Muslim is a powerful collection by and for LGBTQ+ Muslims navigating layered identities across lines of faith, family, culture, and community. With contributions spanning essays, poems, letters to past and future selves, and more, the book explores the emotional and spiritual dimensions of queer Muslim life and challenges the perception that faith and queerness are inherently incompatible.

These raw accounts confront the psychological toll of grappling with tensions between religious expectations and queer identity and offer rare insight into the ways mental health is lived, expressed, and supported across diverse cultural and theological landscapes. They tell of building chosen families and reconnecting with birth families, radical healing, cultivating spaces of belonging, and reclaiming faith on your own terms.

In an era of rising Islamophobia and escalating threats to queer and trans lives, the stories contained within Queer and Muslim―stories of resilience, grief, pleasure, rage, and joy―are vital, each of them an affirmation of the multiplicity of queer Muslim identities. Queer and Muslim invites readers to listen deeply, think expansively, and care more courageously.

A major work in the Black Communist tradition by worker-intellectual Harry Haywood, now in a new edition featuring a foreword by Dr. Rebecca Hall and an introduction by Dr. Charisse Burden-Stelly.

In 1948, Harry Haywood, a leading member of the Communist Party USA, published Negro Liberation, a pathbreaking book that lays out his argument that the Black Belt South constitutes a distinct nation and an internal colony of U.S. imperialism. Applying a Marxist-Leninist lens to questions of nationalism, colonialism, and land distribution, Haywood lays out the dire stakes of Jim Crow violence and oppression and critiques the emptiness and insufficiency of liberal solutions. Along the way, he makes a powerful case for Black self-determination.

Framed by Rebecca Hall’s moving meditation on her father’s legacy and Charisse Burden-Stelly’s clear-eyed case for how Haywood reveals the contradiction between ruling-class politics and Black liberation today, this new edition of Negro Liberation is a must-read for anyone fighting against oppression.

Drawn from the American Prison Writing Archive, a pivotal anthology of essays by incarcerated writers about the prison’s role in perpetuating harm

Prison is neither the beginning of the inquiry nor the end. Thus, writers from across carceral institutions in the US unfold the multiple and intersecting ways that violence shapes and informs their lives, prior to, during, and after incarceration. They illuminate violence as a contextual phenomena shaped by historical trauma, cycles of deprivation, and systemic inequities. Harm and Punishment reveals the interconnectedness of personal and structural violence, tracing the way violence often emerges within the fabric of communities profoundly shaped by poverty, racism, sexism, homophobia, and transphobia.

The stories, testimonies, and reflections collected here serve as bridges toward a new imagination. They expose the limitations of punishment and move us closer to a vision of collective care and mutual responsibility. In bearing witness to the experiences of incarcerated writers, readers become part of a profound shared endeavor to dismantle the barriers of misunderstanding and fear, opening pathways to action and change.

Unmothered by Black Mothers gives voice to a rarely spoken reality: the experiences of Black daughters who have emotionally or physically detached from their mothers. Blending psychological research with deeply personal narratives, this book explores the complex and painful journey of Black daughters who choose distance as a means of self-preservation and healing. Grounded in in-depth interviews and informed by family systems theory, cultural analysis, and spiritual reflection, this work reveals that maternal detachment is not a sudden break but a gradual process shaped by various factors that have left Black daughters longing to be seen, cared for, and loved.

More than a study of relational rupture, Unmothered by Black Mothers is a compassionate exploration of grief, resilience, and generational healing that offers language and validation for Black daughters navigating complex maternal relationships. It is written for Black daughters, mental health professionals, faith communities, and anyone seeking to understand the intersection of Black families, culture, and healing.

A completely revised and updated handbook of eye-opening—and frequently myth-busting—facts and figures about the real lives of Black Americans today, called “a gift of knowledge” by Susan Taylor, former editor-in-chief of Essence magazine

There’s no defeating white supremacist myths without real data. Hailed as “an important resource for anyone seeking a better understanding of . . . Black America” (Benjamin Todd Jealous, former NAACP president and CEO), this completely revised and updated edition of Black Stats offers new facts, critical analyses, and information on the current state of Black life in the United States, at the quarter-century mark, unhindered by jargon and assumptions.

Monique Couvson, author of the acclaimed Pushout, has compiled statistics from a broad spectrum of telling categories that illustrate the quality of life and the possibility of (and barriers to) advancement for a group at the heart of American society. With fascinating information on a wide range of topics including education, entertainment, sports, and the arts, the environment, health, justice, military service, money and jobs, science and technology, and more, this “invaluable resource” (International Journal of Communications) will enrich and inform many public debates while challenging commonly held yet often misguided perceptions.

Called a “great tool offering descriptive statistics on the condition of our nation’s promise of freedom, justice, equality and economic opportunity for all” by Marc H. Morial, president and CEO, National Urban League, Black Stats simultaneously highlights measures of incredible progress, conveys the disparate impacts of social policies and practices, and surprises with revelations that span many subjects. It is an essential tool for advocates, educators, and anyone seeking racial justice and to understand the complex state of our nation.

Longlist, National Book Awards 2021 for Nonfiction

A stunning collection of stoic portraits and intimate ephemera from the lives of Black Civil War soldiers

Though both the Union and Confederate armies excluded African American men from their initial calls to arms, many of the men who eventually served were black. Simultaneously, photography culture blossomed―marking the Civil War as the first conflict to be extensively documented through photographs. In The Black Civil War Soldier, Deb Willis explores the crucial role of photography in (re)telling and shaping African American narratives of the Civil War, pulling from a dynamic visual archive that has largely gone unacknowledged.

With over seventy images, The Black Civil War Soldier contains a huge breadth of primary and archival materials, many of which are rarely reproduced. The photographs are supplemented with handwritten captions, letters, and other personal materials; Willis not only dives into the lives of black Union soldiers, but also includes stories of other African Americans involved with the struggle―from left-behind family members to female spies. Willis thus compiles a captivating memoir of photographs and words and examines them together to address themes of love and longing; responsibility and fear; commitment and patriotism; and―most predominantly―African American resilience.

The Black Civil War Soldier offers a kaleidoscopic yet intimate portrait of the African American experience, from the beginning of the Civil War to 1900. Through her multimedia analysis, Willis acutely pinpoints the importance of African American communities in the development and prosecution of the war. The book shows how photography helped construct a national vision of blackness, war, and bondage, while unearthing the hidden histories of these black Civil War soldiers. In combating the erasure of this often overlooked history, Willis asks how these images might offer a more nuanced memory of African-American participation in the Civil War, and in doing so, points to individual and collective struggles for citizenship and remembrance.

The classic, New York Times-bestselling book on the psychology of racism that shows us how to talk about race in America.

Walk into any racially mixed high school and you will see Black, White, and Latino youth clustered in their own groups. Is this self-segregation a problem to address or a coping strategy? How can we get past our reluctance to discuss racial issues?

Beverly Daniel Tatum, a renowned authority on the psychology of racism, argues that straight talk about our racial identities is essential if we are serious about communicating across racial and ethnic divides and pursuing antiracism. These topics have only become more urgent as the national conversation about race is increasingly acrimonious. This fully revised edition is essential reading for anyone seeking to understand dynamics of race and racial inequality in America.

Leading Binnizá and Maya Ch'orti' scientist Jessica Hernandez, PhD, weaves together Indigenous knowledge, environmental science, and personal family stories in her highly anticipated follow-up to the LA Times best-seller Fresh Banana Leaves.

Not every environmental problem is a result of climate change, but every environmental and climate change problem is a result of colonialism.

Dr. Jessica Hernandez offers readers an Indigenous, Global-South lens on the climate crisis, delivering a compelling and urgent exploration of its causes—and its costs. She shares how the impacts of colonial climate catastrophe—from warming oceans to forced displacement of settler ontologies—can only be addressed at the root if we reorient toward Indigenous science and follow the lead of Indigenous peoples and communities.

Growing Papaya Trees explores:

* Energy as a sociopolitical issue
* The interconnectedness of natural disasters, sociopolitical turmoil, and forced migration
* Our oceans, our forests, and our Indigenous futures
* Moving Indigenous science from mere acknowledgement into real action
* How to nourish Indigenous roots when displaced beyond borders

Dr. Hernandez asks: what does it mean to be Indigenous when we’re separated from our lands? How do we nurture future generations knowing they, too, will have to live away from their ancestral places? She illuminates that cultures are not lost, even amid genocide, turmoil, war, and climate displacement—and shows us how to be better kin to each other against the ecological violence, colonial oppression, and distorted status quo of the Global North.

The lasting effects of slavery on contemporary political attitudes in the American South

Despite dramatic social transformations in the United States during the last 150 years, the South has remained staunchly conservative. Southerners are more likely to support Republican candidates, gun rights, and the death penalty, and southern whites harbor higher levels of racial resentment than whites in other parts of the country. Why haven't these sentiments evolved? Deep Roots shows that the entrenched views of white southerners are a direct consequence of the region's slaveholding history. Today, southern whites who live in areas once reliant on slavery―compared to areas that were not―are more racially hostile and less amenable to policies that could promote black progress. A groundbreaking look at the ways institutions of the past continue to sway attitudes of the present, Deep Roots demonstrates how social beliefs persist long after the formal policies that created those beliefs have been eradicated.

Hip Hop Studies and Queer Black Feminism presents a dynamic and much-needed fresh analysis of Black gendering and racialized sexualities in the sphere of Hip Hop. Editors Elaine B. Richardson, Gwendolyn D. Pough, and Treva B. Lindsey bring together established and rising scholars to examine the work of Hip Hop creators and practitioners, using the genre as a lens to address the crises of this historical moment, marked by attacks on bodily autonomy, LGBTQ+ rights, education, and Black studies. Tracing legacies of queer Black feminist activism and expression through Hip Hop culture and music, this timely anthology recenters queer Black feminism and cements its place in (Black) culture, liberation movements, and education.

Nat Turner is the fascinating and action-packed true story of an American freedom fighter, written and illustrated by Kyle Baker as a graphic novel—collecting all four issues of his critically acclaimed miniseries.

“A hauntingly beautiful historical spotlight. A-” —Entertainment Weekly

The story of Nat Turner and his slave rebellion—which began on August 21, 1831, in Southampton County, Virginia—is known among school children and adults. To some he is a hero, a symbol of Black resistance and a precursor to the civil rights movement; to others he is a monster—a murderer whose name is never uttered.

In Nat Turner, acclaimed author and illustrator Kyle Baker depicts the evils of slavery in this moving and historically accurate story of Nat Turner’s slave rebellion. Told nearly wordlessly, every image resonates with the reader as the brutal story unfolds.

“Baker’s storytelling is magnificent.” —Variety

Deep in the Soul of Texas: An Anthology of Black Literature from the Lone Star State presents vivid firsthand accounts of resistance, perseverance, and triumph of the Black experience as the first-ever anthology of African American Texan writers. From Giddings poet Gwendolyn B. Bennett (1902–1981) to Beaumont native and intellectual Amilcar Shabazz, this anthology highlights the most prominent literary figures of each decade and features Texas’ leading African American writers of today.

Edited by Cary Clack, the first Black metro columnist at the San Antonio Express-News, this anthology represents an important attempt at uncovering and celebrating the roots of Black writing and writers from and about Texas. This collection of poetry, fiction, essays, drama, speeches, and memoir join to celebrate story, imagination, and language of the last 150 years of Texas history. Within each chapter, the anthology grows one step closer in addressing a longstanding question that looms over the Lone Star State: what does it mean to be Black in Texas?

Each of the five parts in this anthology features a different facet of Black history from escape and heritage to folklore and injustice. Illuminating the varied Black experience in Texas, this anthology fills a major gap in Texas literature. Deep in the Soul of Texas brings light to all Texans as it helps change conversations―not just about what it means to be Black in Texas but expanding conceptions of what being “a Texan” truly means.

In 1962, George Ruble Woolfolk, perhaps the foremost Black historian in Texas at the time, published his most well-known work Prairie View: A Study in Public Conscience, 1878–1946, a history of the state’s first institution of higher education for African Americans. Recording the university’s first six decades of existence, Woolfolk’s book also chronicled the many social and educational challenges faced by Black Texans during what was still the Jim Crow Era in Texas and the American South.

Now, historian and scholar Ronald E. Goodwin has edited and annotated Woolfolk’s influential book, making it available and accessible to current scholars and students, as well as those interested in the early history of not only Prairie View A&M University but also of historically Black colleges and universities. Students and scholars in African American studies or the history of education will find Goodwin’s updated edition a valuable resource for study, research, and a more complete understanding of the historical contexts of higher education for people of color.

Published in coordination with the sesquicentennial of Prairie View A&M University, this new edition of Woolfolk’s classic work reintroduces a new generation of scholars and students to a vital and foundational work.

In the words of series editor Steven L. Davis, We Are Nature Defending Itself: An Anthology of Women on Bodies, Borders, and Place is “a revelation, a multicultural blend of well-known and emerging writers who come together to give nature a voice in our literature and our lives.” Not least of the many benefits to readers are its contributions from prominent Latina writers, presented here as advocates for the environment. Though this theme has long existed in Chicana literature, it has never been positioned as front and center as it is in this anthology.

Volume editor Cordelia E. Barrera also includes notable Anglo, African American, and Indigenous contributors, crafting a true cultural blend of distinctive writing that will appeal to older generations while inspiring new ones. By incorporating these border voices, this collection effectively challenges long-dominant mythologies of the American West and offers a prominent place for literatures of social justice and the environment.

The mix of poems, stories, and essays are divided into three sections: Bodies, Landscape, and Practices. Part I begins with the idea of experiencing and feeling a history of the body’s contact with landscapes and places as repositories of knowledge. Part II extends beyond particulars of private or public life to consider issues of place as sites and locations of radical action. Part III features ruminations and traditions of remembering, highlighting reciprocal relationships to the natural world that extend outward to the ways “women’s work” in and around the home shapes communal processes that reinforce continuity across time and space.

We Are Nature Defending Itself adds important new work to the growing canon of nature and borderlands writing by women of color. In turn, these new voices deepen and broaden our understanding of humanity and its relationship to the natural environment.

In When Home Is a Photograph, Leigh Raiford asks how Black people use photography to make home in the world. Raiford focuses on a selection of Black American activists and artists, including Marcus Garvey, James Van Der Zee, Eslanda Goode Robeson, and Kathleen Neal Cleaver to explore the complex relationship between racialized subjects and the medium of photography. As they traveled the world for study, for work, for pleasure, or for survival, these artists and activists took and collected photographs to express their political platforms and personal sense of self. Raiford considers the everyday image-making practices that these Black Americans employed to improve the condition of Black lives globally by imagining, identifying, inhabiting, leaving, defending, and destroying “home.” When Home Is a Photograph shows how these figures did not merely utilize photography to emplace themselves in the world—they demonstrated how the use of photography is itself a way to mediate one’s relationship to the world.

An assembly of refusals portraying the radical power of “no” by the renowned scholar and author of The Feminist Killjoy Handbook, Sara Ahmed.

To be heard as complaining is not to be heard, writes Sara Ahmed. In her sweeping exploration of complaint as a means of resistance, Ahmed attunes her “feminist ear” to those who seek to challenge powerful institutions. She shows how complaints can unbury past complaints, getting them out of filing cabinets or from behind closed doors, allowing us to see institutions more clearly—how they work, and for whom they work.

Where complaints live, how complaints are made, who receives them, who buries them and where—Ahmed’s accessible, attentive writing brings to life the lessons learned from people knocking at closed doors, teaching us how to collectively resist the glacial weight of institutional power. This book inspires all of us to persist, to say “No!” and to build new collectivities that break down brick walls together.

You are asking me where I live and it’s making me think all these things about space, where I start and end in space and where space starts and ends in me and when, in space, I am a body and when I’m a book, in space.

So begins Renee Gladman's Theory for Moving Houses, and with these lines we are invited into a liminal space of imagination and investigation, as Gladman guides us through the architectures of her poetics. Foundational here is a sense of fluidity, a slippage of time, a devotion to “non-linear and hyper gestural movement,” a communal spirit. Her inquiry into her intersecting practices of writing and drawing reveals a deep commitment to uncertainty and “fictional knowing.” Yet again, Gladman upends traditional expectations of prose, as she leads us through landscape of her Ravicka series novels, ultimately surprising us with a novel within nonfiction. The latest volume in Wave’s Bagley Wright Lecture Series, Theory for Moving Houses is not only visionary it its contemplations but also is a virtuosic example of the ways in which language can shape utopian sites of possibility.

This “vivid, moving, funny, and heartfelt” memoir tells the story of Curtis Chin’s time growing up as a gay Chinese American kid in 1980’s Detroit (Lisa Ko, author of The Leavers).

Nineteen eighties Detroit was a volatile place to live, but above the fray stood a safe haven: Chung’s Cantonese Cuisine, where anyone—from the city’s first Black mayor to the local drag queens, from a big-time Hollywood star to elderly Jewish couples—could sit down for a warm, home-cooked meal. Here was where, beneath a bright-red awning and surrounded by his multigenerational family, filmmaker and activist Curtis Chin came of age; where he learned to embrace his identity as a gay ABC, or American-born Chinese; where he navigated the divided city’s spiraling misfortunes; and where—between helpings of almond boneless chicken, sweet-and-sour pork, and some of his own, less-savory culinary concoctions—he realized just how much he had to offer to the world, to his beloved family, and to himself.

Served up by the cofounder of the Asian American Writers’ Workshop and structured around the very menu that graced the tables of Chung’s, Everything I Learned, I Learned in a Chinese Restaurant is both a memoir and an invitation: to step inside one boy’s childhood oasis, scoot into a vinyl booth, and grow up with him—and perhaps even share something off the secret menu.

An American Library Association Stonewall Honor Book—Israel Fishman Nonfiction Award
A 2024 Michigan Notable Book
Best Nonfiction Books of the Year—Kirkus Reviews
Best Books of the Year—Apple Books
 
TIME’s Most Anticipated Books of Fall 2023 • San Francisco Chronicle’s Highly Anticipated Books to Put on Your Radar This Fall 2023 • Washington Post’s Books to Read This Fall 2023 • Eater’s Best Food Books to Read 2023 • Lambda Literary Review’s October’s Most Anticipated LGBTQIA+ Literature

A career retrospective of a singular voice in contemporary American art, featuring six decades of artwork that chronicles his vision of the Black American experience
 
New Orleans–based artist, community organizer, and cultural provocateur Willie Birch (b. 1942) has dedicated his career to storytelling. His incisive work across a wide variety of media―including paintings, large-scale drawings, wood and papier-mâché sculpture, and public works―explores his unique vision of Black America and draws on sources as diverse as Egyptian numerology, American folk art, and jazz music.
 
This book showcases more than one hundred of Birch’s artworks alongside essays by eminent scholars and curators. Russell Lord provides an introduction to the artist’s life and work; Lowery Stokes Sims writes about Birch’s use of papier-mâché, for which he garnered acclaim during his time in New York City, and situates Birch within the New York art scene of the 1980s and ’90s; Grace Deveney considers the ways Birch gives visual form to the complex relationship between Black Americans and mass media; and Leslie King Hammond discusses how the city of New Orleans―its history and its communities―has shaped Birch’s work.
 
Published in association with the American Federation of Arts
 
Exhibition Schedule:
 
California African American Museum, Los Angeles
May 5–October 4, 2026
 
New Orleans Museum of Art
March 20–September 5, 2027
 
Museum of Contemporary Art Jacksonville, University of North Florida
October 28, 2027–May 14, 2028
 
Hudson River Museum
September 22, 2028–January 14, 2029

A groundbreaking history of elite black New Yorkers in the nineteenth century, seen through the lens of the author's ancestors

Part detective tale, part social and cultural narrative, Black Gotham is Carla Peterson's riveting account of her quest to reconstruct the lives of her nineteenth-century ancestors. As she shares their stories and those of their friends, neighbors, and business associates, she illuminates the greater history of African-American elites in New York City.

Black Gotham challenges many of the accepted "truths" about African-American history, including the assumption that the phrase "nineteenth-century black Americans" means enslaved people, that "New York state before the Civil War" refers to a place of freedom, and that a black elite did not exist until the twentieth century. Beginning her story in the 1820s, Peterson focuses on the pupils of the Mulberry Street School, the graduates of which went on to become eminent African-American leaders. She traces their political activities as well as their many achievements in trade, business, and the professions against the backdrop of the expansion of scientific racism, the trauma of the Civil War draft riots, and the rise of Jim Crow.

Told in a vivid, fast-paced style, Black Gotham is an important account of the rarely acknowledged achievements of nineteenth-century African Americans and brings to the forefront a vital yet forgotten part of American history and culture.