A gritty, down-to-earth guide for real-life couples 

Conflict is a natural part of any intimate relationship. Yet most couples either avoid it or try to smooth over their differences. This often results in at least one partner compromising their integrity—and stunting their own growth.

Monsters in Love challenges the idea that conflict between partners is unhealthy or something to avoid. Instead, it encourages both people to stand by what they need and who they are—but to do so with compassion rather than competitiveness or vengefulness. 

This book is about the reality of committed, intimate relationships, which are designed to inspire both people to grow up. It challenges some common misperceptions about what makes for a successful partnership. It also rocks the boat of psychotherapy, calling out therapists who don't bring their best to their clients. 

Instead of comforting fantasies or false promises, Monsters in Love offers you and your partner a chance to make your relationship—and your lives—much bigger and more emergent. 

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On the abstruse nature of machine learning, mathematics, and the deep incursion of racial hierarchy.

To impair the racial ordering of the world, The Black Technical Object introduces the history of statistical analysis and “scientific” racism into research on machine learning. Computer programming designed for taxonomic patterning, machine learning offers useful insights into racism and racist behavior, but its connection to the racial history of science and the Black lived experience has yet to be developed. In this book, Ramon Amaro explores how the history of data and statistical analysis informs the complex relationship between race and machine learning. He juxtaposes a practical analysis of this type of computerized learning with a theory of Black alienation in order to inspire alternative approaches to contemporary algorithmic practice. In doing so, Amaro contemplates the abstruse nature of programming and mathematics, as well as the deep incursion of racial hierarchies.

Series Overview: In the decades that followed the demise of decolonial struggles and the end of the USSR, a great deal of intellectual effort was devoted to conceptualizing political emancipation as freedom from the masses rather than freedom for the masses. Focusing on connectivity rather than on collectivity, these modalities of political action led to depoliticizing effects and to a certain counter-political ethos expressed in terms such as parapolitics, psychopolitics, or micropolitics, all which this series terms “antipolitical.” Rather than counter the arguments that each term puts forth, On the Antipolitical, edited by Ana Teixeira Pinto, suggests historizing this disposition, situating it within the neocolonial continuum that animates the digital frontier as the new locus of settler becoming.

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A revolutionary new educational model that encourages educators to provide spaces for students to display their academic brilliance without sacrificing their identities

Building on the ideas introduced in his New York Times best-selling book, For White Folks Who Teach in the Hood, Christopher Emdin introduces an alternative educational model that will help students (and teachers) celebrate ratchet identity in the classroom. Ratchetdemic advocates for a new kind of student identity—one that bridges the seemingly disparate worlds of the ivory tower and the urban classroom.

Because modern schooling often centers whiteness, Emdin argues, it dismisses ratchet identity (the embodying of “negative” characteristics associated with lowbrow culture, often thought to be possessed by people of a particular ethnic, racial, or socioeconomic status) as anti-intellectual and punishes young people for straying from these alleged “academic norms,” leaving young people in classrooms frustrated and uninspired. These deviations, Emdin explains, include so-called “disruptive behavior” and a celebration of hip-hop music and culture.

Emdin argues that being “ratchetdemic,” or both ratchet and academic (like having rap battles about science, for example), can empower students to embrace themselves, their backgrounds, and their education as parts of a whole, not disparate identities. This means celebrating protest, disrupting the status quo, and reclaiming the genius of youth in the classroom.

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Marquis Bey meditates on the antagonistic relationship between blackness and cisgender, showing that as a category, cisgender cannot capture how people depart from gender alignment and its coding as white.

In Cistem Failure Marquis Bey meditates on the antagonistic relationship between blackness and cisgender. Bey asks, What does it mean to have a gender that “matches” one’s sex---that is, to be cisgender---when decades of feminist theory have destroyed the belief that there is some natural way to be a sex? Moving from the The Powerpuff Girls to the greeting “How ya mama’n’em?” to their own gender identity, Bey finds that cisgender is too flat as a category to hold the myriad ways that people who may or may not have undergone gender-affirmative interventions depart from gender alignment. At the same time, blackness, they contend, strikes at the heart of cisgender’s invariable coding as white: just as transness names a non-cis space, blackness implies a non-cis space. By showing how blackness opens up a way to subvert the hegemonic power of the gender binary, Bey makes a case for an antiracist gender abolition project that rejects cisgender as a regulatory apparatus.

Challenges narrow perceptions of Blackness as both an identity and lived reality to understand the diversity of what it means to be Black in the US and around the world

What exactly is Blackness and what does it mean to be Black?
Is Blackness a matter of biology or consciousness?
Who determines who is Black and who is not?
Who’s Black, who’s not, and who cares?

In the United States, a Black person has come to be defined as any person with any known Black ancestry. Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law in almost all southern states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. Has the social and political landscape changed one hundred years later?

One Drop explores the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They have all had their identity called into question simply because they do not fit neatly into the stereotypical “Black box”—dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we can visualize multiple possibilities for Blackness.

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Why are African Americans so underrepresented when it comes to interest in nature, outdoor recreation, and environmentalism? In this thought-provoking study, Carolyn Finney looks beyond the discourse of the environmental justice movement to examine how the natural environment has been understood, commodified, and represented by both white and black Americans. Bridging the fields of environmental history, cultural studies, critical race studies, and geography, Finney argues that the legacies of slavery, Jim Crow, and racial violence have shaped cultural understandings of the "great outdoors" and determined who should and can have access to natural spaces.
Black Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors

Why are African Americans so underrepresented when it comes to interest in nature, outdoor recreation, and environmentalism? In this thought-provoking study, Carolyn Finney looks beyond the discourse of the environmental justice movement to examine how the natural environment has been understood, commodified, and represented by both white and black Americans. Bridging the fields of environmental history, cultural studies, critical race studies, and geography, Finney argues that the legacies of slavery, Jim Crow, and racial violence have shaped cultural understandings of the "great outdoors" and determined who should and can have access to natural spaces.

Drawing on a variety of sources from film, literature, and popular culture, and analyzing different historical moments, including the establishment of the Wilderness Act in 1964 and the aftermath of Hurricane Katrina, Finney reveals the perceived and real ways in which nature and the environment are racialized in America. Looking toward the future, she also highlights the work of African Americans who are opening doors to greater participation in environmental and conservation concerns.

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ETAN THOMAS, an eleven-year NBA veteran and lifelong advocate for social justice, weaves together his personal experiences with police violence and white supremacy with multiple interviews of family members of victims of police brutality like exonerated Central Park Five survivor Raymond Santana and Rodney King’s daughter Lora Dene King; as well as activist athletes and other public figures such as Steph Curry, Chuck D, Isiah Thomas, Sue Bird, Jake Tapper, Jemele Hill, Stan Van Gundy, Kyle Korver, Mark Cuban, Rick Strom, and many more.

Thomas speaks with retired police officers about their efforts to change policing, and white allies about their experiences with privilege and their ability to influence other white people. Thomas also examines the history of racism, white supremacy, and the prevalence of both in the current moment. He looks at the origins of white supremacy in the US, dating back to the country’s inception, and explores how it was interwoven into Christianity--interviewing leading voices both in and outside of the church. Finally, with prominent voices in the media and education, Thomas discusses the continued cultivation of these injustices in American society.

Police Brutality and White Supremacy demands accountability and justice for those responsible for and impacted by police violence and terror. It offers practical solutions to work against the promotion of white supremacy in law enforcement, Christianity, early education, and across the public sphere.

Featuring original interviews with: Steph Curry, Chuck D, Yamiche Alcindor, Isiah Thomas, Jemele Hill, Craig Hodges, Stan Van Gundy, Mark Cuban, Jake Tapper, Mahmoud Abdul-Rauf, Sue Bird, Kyle Korver, Rick Strom, Cenk Uygur, Tim Wise, Chris Broussard, Breanna Stewart, Rex Chapman, Stephen Jackson, Kori Mccoy, Lora Dene King, Chikesia Clemons, Raymond Santana, Alissa Findley, Amber And Ashley Carr, Michelle And Ashley Monterrosa, Chairman Fred Hampton Jr., Abiodun Oyewole, Marc Lamont Hill, Officer Carlton Berkley, Pastor John K. Jenkins Sr., Officer Joe Ested, Captain Sonia Pruitt, and Bishop Talbert Swan.

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For much of American history, Black people have been conceived and legally defined as nonpersons, a subgenre of the human. In Being Property Once Myself, prize-winning poet Joshua Bennett shows that Blackness has long acted as the caesura between human and nonhuman and delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal―the rat, the cock, the mule, the dog, the shark―in the works of Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the valuation and sale of animals and enslaved people―all place Black and animal life in fraught proximity.

Bennett suggests that animals are deployed to assert a theory of Black sociality and to combat dominant claims about the limits of personhood. And he turns to the Black radical tradition to challenge the pervasiveness of anti-Blackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a groundbreaking articulation of undertheorized notions of dehumanization and the Anthropocene.

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In 2009, Jodie Patterson, mother of five and beauty entrepreneur, has her world turned upside down when her determined toddler, Penelope, reveals, “Mama, I’m not a girl. I am a boy.” The Pattersons are a tribe of unapologetic Black matriarchs, scholars, financiers, Southern activists, artists, musicians, and disruptors, but with Penelope’s revelation, Jodie realizes her existing definition of family isn’t wide enough for her child’s needs.
 
In The Bold World, we witness Patterson reshaping her own attitudes, beliefs, and biases, learning from her children, and a whole new community, how to meet the needs of her transgender son. In doing so, she opens the minds of those who raised and fortified her, all the while challenging cultural norms and gender expectations. Patterson finds that the fight for racial equality in which her ancestors were so prominent helped pave the way for the current gender revolution.
 
From Georgia to South Carolina, Ghana to Brooklyn, Patterson learns to remove the division between me and you, us and them, straight and queer—and she reminds us to celebrate her uncle Gil Scott Heron’s prophecy that the revolution will not be televised. It will happen deeply, unequivocally, inside each and every one of us. Transition, we learn, doesn’t just belong to the transgender person. Transition, for the sake of knowing more and becoming more, is the responsibility of and gift to all.
 
The Bold World is the result, an intimate and exquisite story of authenticity, courage, and love.

Acclaimed historian Mary Frances Berry resurrects the remarkable story of ex-slave Callie House who, seventy years before the civil-rights movement, demanded reparations for ex-slaves. A widowed Nashville washerwoman and mother of five, House (1861-1928) went on to fight for African American pensions based on those offered to Union soldiers, brilliantly targeting $68 million in taxes on seized rebel cotton and demanding it as repayment for centuries of unpaid labor. Here is the fascinating story of a forgotten civil rights crusader: a woman who emerges as a courageous pioneering activist, a forerunner of Malcolm X and Martin Luther King, Jr.

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Michael Eric Dyson dives deep into the true meaning of Barack Obama’s historic presidency and its effects on the changing landscape of race and blackness in America. How has race shaped Obama’s identity, career, and presidency? What can we learn from his major race speeches about his approach to racial conflict and the black criticism it provokes?

Dyson was granted an exclusive interview with the president for this book, and Obama’s own voice shines through. Along with interviews with Eric Holder, Al Sharpton, Maxine Waters, and others, this intimate access provides a unique depth to this engrossing analysis of the nation’s first black president, and how race shapes and will shape our understanding of his achievements and failures alike.

“An elegant and expansive history” (New York Times) of African American women’s pursuit of political power—and how it transformed America   

 
In Vanguard, acclaimed historian Martha S. Jones offers a new history of African American women’s political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons. From the earliest days of the republic to the passage of the 1965 Voting Rights Act and beyond, Jones excavates the lives and work of Black women—Maria Stewart, Frances Ellen Watkins Harper, Fannie Lou Hamer, and more—who were the vanguard of women’s rights, calling on America to realize its best ideals.   
  
Now revised to discuss the election of Vice President Kamala Harris and the vital contributions of Black women in the 2020 elections, Vanguard isessential reading for anyone who cares about the past and future of American democracy. 

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Throughout Africa, artists use hip-hop both to describe their lives and to create shared spaces for uncensored social commentary, feminist challenges to patriarchy, and resistance against state institutions, while at the same time engaging with the global hip-hop community. In Hip-Hop in Africa, Msia Kibona Clark examines some of Africa’s biggest hip-hop scenes and shows how hip-hop helps us understand specifically African narratives of social, political, and economic realities. Clark looks at the use of hip-hop in protest, both as a means of articulating social problems and as a tool for mobilizing listeners around those problems. She also details the spread of hip-hop culture in Africa following its emergence in the United States, assessing the impact of urbanization and demographics on the spread of hip-hop culture.Hip-Hop in Africa is a tribute to a genre and its artists as well as a timely examination that pushes the study of music and diaspora in critical new directions. Accessibly written by one of the foremost experts on African hip-hop, this book will easily find its place in the classroom.

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From one of the world’s foremost experts on the subject, a powerful argument that the greatest damage from drugs flows from their being illegal, and a hopeful reckoning with the possibility of their use as part of a responsible and happy life

Dr. Carl L. Hart, Ziff Professor at Columbia University and former chair of the Department of Psychology, is one of the world’s preeminent experts on the effects of so-called recreational drugs on the human mind and body. Dr. Hart is open about the fact that he uses drugs himself, in a happy balance with the rest of his full and productive life as a colleague, husband, father, and friend. In Drug Use for Grown-Ups, he draws on decades of research and his own personal experience to argue definitively that the criminalization and demonization of drug use—not drugs themselves—have been a tremendous scourge on America, not least in reinforcing this country’s enduring structural racism.

Dr. Hart did not always have this view. He came of age in one of Miami’s most troubled neighborhoods at a time when many ills were being laid at the door of crack cocaine. His initial work as a researcher was aimed at proving that drug use caused bad outcomes. But one problem kept cropping up: the evidence from his research did not support his hypothesis. From inside the massively well-funded research arm of the American war on drugs, he saw how the facts did not support the ideology. The truth was dismissed and distorted in order to keep fear and outrage stoked, the funds rolling in, and black and brown bodies behind bars.

Drug Use for Grown-Ups will be controversial, to be sure: the propaganda war, Dr. Hart argues, has been tremendously effective. Imagine if the only subject of any discussion about driving automobiles was fatal car crashes. Drug Use for Grown-Ups offers a radically different vision: when used responsibly, drugs can enrich and enhance our lives. We have a long way to go, but the vital conversation this book will generate is an extraordinarily important step.

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New York Times bestseller. From one of the country’s most visionary legal thinkers, social justice advocates, and MacArthur “genius,” this is an intimate and unforgettable narrative journey into the broken American criminal justice system.

When Bryan Stevenson graduated from Harvard Law School in 1988, he headed south to Alabama, a state on the verge of a crisis: the state was speeding up executions, but many of the condemned lacked anyone to represent them. On a shoestring budget he started the Equal Justice Initiative, a law practice dedicated to defending some of America’s most rejected and marginalized people. Among the first cases he took on was that of Walter McMillian, a black man from Harper Lee’s hometown of Monroeville who was sentenced to die for a notorious murder he insisted he didn’t commit. The case would change Bryan’s life and transform his understanding of justice and mercy forever. Just Mercy is the story of the education of a young lawyer fighting on the frontlines of a country in thrall to extreme punishments and careless justice. It follows the suspenseful battle to free Walter before the state executed him, while also telling other dramatic and profoundly moving stories of men, women, and children, innocent and guilty, who found themselves at the mercy of a system often incapable of showing it. This is a exquisitely rendered account of a heroic advocate’s fights on behalf of the most powerless people in our society and a powerful indictment of our broken justice system.

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Brave, clear-eyed, and passionate, Stakes Is High is the book we need to guide us past crisis mode and through an uncertain future.

The events of the past decade have forced us to reckon with who we are and who we want to be. We have been invested in a set of beliefs about our American identity: our exceptionalism, the inevitable rightness of our path, the promise that hard work and determination will carry us to freedom. But in Stakes Is High, Mychal Denzel Smith confronts the shortcomings of these stories -- and with the American Dream itself -- and calls on us to live up to the principles we profess but fail to realize.

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Ranging from Ta-Nehisi Coates’s case for reparations to Toni Morrison’s revolutionary humanism to D’Angelo’s simmering blend of R&B and racial justice, Jesse McCarthy’s bracing essays investigate with virtuosic intensity the art, music, literature, and political stances that have defined the twenty-first century. Even as our world has suffered through successive upheavals, McCarthy contends, “something was happening in the world of culture: a surging and unprecedented visibility at every level of black art making.” Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis.

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If you could go anywhere in the world and do one thing you love, what would you choose? When given that opportunity, the acclaimed writer Jamaica Kincaid decided to trek through Nepal collecting seeds to plant in her garden at home in Vermont. Among Flowers is the story of that journey through the Himalayan landscape, as Kincaid and her companions navigate not only the perilous physical terrain but also Maoist guerrillas and fields of leeches that stand in their way. The vertiginous peaks and exotic plants come alive in Kincaid’s masterful prose. She also ruminates on the wonders of the natural world that can only be discovered when one leaves the comfort of home for the disorienting thrill of the unknown, and self-reflects on the limitations of the body and the privileges that come with chartering a trip through the Himalaya. Rich in detail and engrossingly told, Among Flowers is a classic travel memoir.

Perfect Victims is an urgent affirmation of the Palestinian condition of resistance and refusal―an ode to the steadfastness of a nation.

Palestine is a microcosm of the world: on fire, stubborn, fragmented, dignified. While a settler colonial state continues to inflict devastating violence, fundamental truths are deliberately obscured―the perpetrators are coddled while the victims are blamed and placed on trial.

Why must Palestinians prove their humanity? And what are the implications of such an infuriatingly impossible task? With fearless prose and lyrical precision, Mohammed El-Kurd refuses a life spent in cross-examination. Rather than asking the oppressed to perform a perfect victimhood, El-Kurd asks friends and foes alike to look Palestinians in the eye, forgoing both deference and condemnation.

How we see Palestine reveals how we see each other; how we see everything else. Masterfully combining candid testimony, history, and reportage, Perfect Victims presents a powerfully simple demand: dignity for the Palestinian.

Brought to Cuba as slaves, the Yoruba people of West Africa preserved their religion's heritage by disguising their gods as Catholic saints and worshipping them in secret. The resulting religion is known as Santeria, a blend of primitive magic and Catholicism now practiced by an estimated five million Americans.

Santeria: The Religion is an informative and insightful examination of an African religion's survival in the New World. No one could write this book better than Migene Gonzalez-Wippler. Combining her informed study as an anthropologist and personal experience as a Santerian initiate results in a thrilling book that reveals some of Santeria's most spellbinding elements:

* The orishas: the deities of Santeria. Who they are. What they represent. How they may be contacted.
* The santeros: the priests of Santeria. What they are like. What they do. Initiations into the priesthood.
* The diloggun: shells used in divination. How they are used. Methods to consult the gods with the shells.
* Ewe: the magic of Santeria. Includes herbal potions prepared as medicinal cures.

Santeria: The Religion covers every aspect of this religion, including its rites and ceremonies. Some of these ceremonies may be considered bizarre or controversial―but, if you want to know the truth, get this book.

Santeria: The Religion contains over 65 remarkable photographs that will take you right into Santeria traditions. Interviews with practitioners reveal aspects of the religion rarely disclosed to non-believers.

The time has come to reveal the growing spiritual practice that continues to gain ground worldwide, and to remove the fear and distrust from people who do not understand. Here is the truth about the religion.

Hoodoo Medicine is a unique record of nearly lost African-American folk culture. It documents herbal medicines used for centuries, from the 1600s until recent decades, by the slaves and later their freed descendants, in the South Carolina Sea Islands. The Sea Island people, also called the Gullah, were unusually isolated from other slave groups by the creeks and marshes of the Low Country. They maintained strong African influences on their speech, social customs, and beliefs, long after other American blacks had lost this connection. Likewise, their folk medicine mixed medicines that originated in Africa with cures learned from the American Indians and European settlers. Hoodoo Medicine is a window into Gullah traditions, which in recent years have been threatened by the migration of families, the invasion of the Sea Islands by suburban developers, and the gradual death of the elder generation. More than that, it captures folk practices that lasted longer in the Sea Islands than elsewhere, but were once widespread throughout African-American communities of the South.

Haitian Vodou is a fascinating spiritual tradition rich with ceremonies and magic, songs and prayers, dances and fellowship. Yet outside of Haiti, next to no one understands this joyous and profound way of life. ln Haitian Vodou, Mambo Chita Tann explores the historical roots and contemporary practices of this unique tradition, including discussions of:

* Customs, beliefs, sacred spaces, and ritual objects
* Characteristics and behaviors of the Lwa, the spirits served by Vodou practitioners
* Common misconceptions such as "voodoo dolls" and the zombie phenomenon
* Questions and answers for attending ceremonies and getting involved in a sosyete (Vodou house)
* Correspondence tables, Kreyol glossary, supplemental prayer texts, and an extensive list of reference books and online resources

Well-researched, comprehensive, and engaging, Haitian Vodou will be a welcome addition for people new to Haitian spirituality as well as for students, practitioners, and academics.

In early October 2023, Palestinian Plestia Alaqad was a recent university graduate dreaming of a career as a journalist. But by the end of November, her homeland was unrecognizable—and she was broadcasting videos of violence and destruction to millions online, known across the world as "The Eyes of Gaza."

On the morning of October 7, 2023, 21-year-old Plestia Alaqad wakes to a flurry of messages and headlines: Gaza under bombardment. Civilians flee waves of Israeli strikes. In a few short days, she and her family will be at the epicenter of a violence that is all too familiar for Palestinians—but this time, she knows, things will never be the same.

A series of diary extracts from the weeks following October 7, The Eyes of Gaza is a gutting, on-the-ground record of the turmoil and destruction endured by the men, women, and children of Palestine. As Alaqad flees from neighborhood to neighborhood, from hospital to hospital, she documents all she sees—the destruction of beloved homes, the waves of bombs, and most of all, the boundless bravery and generosity of her people—all the while trying to memorize the faces of those around her "so somebody will have known them before the end," wondering if, one day, her own journal will be discovered admist the rubble.

A document of the indomitable Palestinian spirit, told through the voice of one ordinary young woman, The Eyes of Gaza is a tribute to Alaqad's beloved Gaza, a paean to the courage and endurance of Palestine, and a manifesto of hope for its future.

Timely, relevant, and illuminating, this essential book by respected cultural historian, teacher, and author John G. Jackson sheds long overdue light on standard Eurocentric and distorting approaches to the history of Africa from early African civilizations to Africa’s significance in world history.
 
With brilliantly objective scholarship, respected historian and author John G. Jackson reexamines the outdated, racist, and Westernized history of Africa that is still taught in schools, and presents one infinitely more rich, colorful, varied—and truthful. Challenging the standard dehumanizing and exploitive approaches to African history, from the dawn of prehistory to the resurgent Africa of today--including the portrayal of Africans as “savages” who ultimately benefitted from European enslavement with its “blessings of Christian civilization”—Jackson confronts the parochial historian, devastates the theoretical pretensions of white supremacists, and expands intellectual horizons.
 
Accessible and informed, fascinating and candid, Introduction to African Civilizations is an important historical guide that will enhance antiracist teachings for the general reader and the scholar alike.
 
Introduction by John Henrik Clarke, pioneer of African Studies and author of Christopher Columbus and the African Holocaust
 
Foreword by Runoko Rashidi, historian, activist, and author of Introduction to the Study of African Classical Civilizations