From its humble origins at house parties in the Bronx, where DJs mixed old records to create new sounds, charismatic MCs let their clever lyrics flow, and B-boys and B-girls pioneered inventive dance moves, hip-hop quickly became a musical and cultural revolution.

In this volume of History Comics, we follow Aaliyah, a hip-hop superfan who is about to get a lesson in all things “old school” courtesy of her dad. The pair take a day trip to the Bronx, where Aaliyah discovers the many unsung
heroes who helped create the foundations of hip-hop. So get ready to drop the beat, bust a move, and get down with some fresh rap knowledge!

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A riveting examination of racial violence in America that occurred in the late-1800s. The Red Record: Tabulated Statistics and Alleged Causes of Lynching in the United States, by Ida B. Wells, is an exemplary investigative report that details a wave of brutal murders plaguing African Americans, particularly in the South.

The bestselling, definitive study of African Americans throughout American history, now with a new introduction by noted scholar V. P. Franklin.

In The Negro in the Making of America, eminent historian Benjamin Quarles provides one of the most comprehensive and readable accounts ever gathered in one volume of the role that African Americans have played in shaping the destiny of America. Starting with the arrival of the slave ships in the early 1600s and moving through the Colonial period, the Revolutionary and Civil Wars, and into the last half of the twentieth century, Quarles chronicles the sweep of events that have brought blacks and their struggle for social and economic equality to the forefront of American life.

Through compelling portraits of central political, historical, and artistic figures such as Nat Turner, Frederick Douglass, Duke Ellington, Malcolm X, and the Reverend Martin Luther King, Jr., Quarles illuminates the African American contributions that have enriched the cultural heritage of America. This classic history also covers black participation in politics, the rise of a black business class, and the forms of discrimination experienced by blacks in housing, employment, and the media.

Quarles's groundbreaking work not only surveys the role of black Americans as they engaged in the dual, simultaneous processes of assimilating into and transforming the culture of their country, but also, in a portrait of the white response to blacks, holds a mirror up to the deeper moral complexion of our nation's history. The restoration of this history holds a redemptive quality—one that can be used, in the author's words, as a "vehicle for present enlightenment, guidance, and enrichment."

An awe-inspiring picture book about the origin and advancement of humans, from author and #1 New York Times bestselling illustrator Nikkolas Smith.

Fossil records show that the first humans were born in Africa. Meaning, every person on Earth can trace their ancestry back to that continent. The History of We celebrates our shared ancestors' ingenuity and achievements and imagines what these firsts would have looked and felt like.

What was it like for the first person to paint, to make music, to dance, to discover medicine, to travel to unknown lands? It required courage, curiosity, and skill.

The History of We takes what we know about modern human civilization and, through magnificent paintings, creates a tale about our shared beginnings in a way that centers Black people in humankind's origin story.

Much is known about what Europeans did in Africa, yet very little is known about Africa's history before its colonisation. In this surprising exploration, Max Siollun uncovers societies that were not part of a backward 'Dark Continent', but which instead had rich lore to rival the ancient Greeks and Romans.

Pre-colonial West Africa had a mesmerising cast of revolutionaries, intellectuals, innovators, and villainous assassins. These include the family that overthrew three different 1000-year-old empires, the royal court official who engineered the death of four kings, and the young enslaved boy who became the first Black bishop in history, befriending Queen Victoria along the way.

This story of a dynamic and artistic people is a vital read for those who want to discover a forgotten era of West Africa.

Max Siollun is a historian and author. He has written four acclaimed books on Nigeria’s history, most recently What Britain Did to Nigeria: A Short History of Conquest and Rule,
which was shortlisted in BBC History Magazine’s Books of the Year. He has written for the New York Times, Guardian, Independent and Foreign Policy.

From Laura Obuobi, acclaimed author of NAACP Image Award nominee Black Gold and What Love Looks Like, comes a triumphant nonfiction picture book about ballet star Michaela Mabinty DePrince, one of the most celebrated ballerinas of our generation. This lyrical true tale follows her childhood, from Sierra Leone orphan to world famous dancer.

In a Sierra Leone dust storm, ballet swooped into Michaela Mabinty DePrince’s life and never let her go. After her adoption brought her to the United States, ballet continued to be the consoling hand that guided Michaela, filling her with joy and hope. Over time, Michaela’s love for ballet only grew, and with it her dream of becoming a professional dancer.

However, there were peers who told Michaela she didn’t belong in the ballet world, that her skin and vitiligo made her too different. But ballet had stirred in Michaela a faith and determination that would help her turn her dreams into a reality.

From the acclaimed author of NAACP Image Award nominee Black Gold and What Love Looks Like, Laura Obuobi, and artist Olivia Duchess comes a lyrical and heartwarming picture book about one of the most influential ballerinas of our generation, inspiring all of us to never give up on our dreams.

Texas Southern University is often said to have been “conceived in sin.” Located in Houston, the school was established in 1947 as an “emergency” state-supported university for African Americans, to prevent the integration of the University of Texas. Born to Serve is the first book to tell the full history of TSU, from its founding, through the many varied and defining challenges it faced, to its emergence as a first-rate university that counts Barbara Jordon, Mickey Leland, and Michael Strahan among its graduates.

Merline Pitre frames TSU’s history within that of higher education for African Americans in Texas, from Reconstruction to the lawsuit that gave the school its start. The case, Sweatt v. Painter, involved student Heman Marion Sweatt, who was denied entry to the University of Texas Law School because he was black. Pitre traces the tortuous measures by which Texas legislators tried to meet a provision of the state’s constitution that called for the establishment and maintenance of a “branch university for the instruction of colored youths of the State.” When the U.S. Supreme Court ruled in 1950 that the UT Law School’s efforts to remain segregated violated the U.S. Constitution, the future of the institution that would become Texas Southern University in 1951 looked doubtful.

In its early years the university persevered in the face of state neglect and underfunding and the threat of merger. Born to Serve describes the efforts, both humble and heroic, that faculty and staff undertook to educate students and turn TSU into the thriving institution it is today: a major metropolitan university serving students of all races and ethnicities from across the country and throughout the world.

Launched during the early civil rights movement, TSU has a history unique among historically black colleges and universities, most of which were established immediately after the Civil War. Born to Serve adds a critical chapter to the history of education and integration in the United States.

In this new edition of Nkrumah and the Ghana Revolution, C. L. R. James tells the history of the socialist revolution led by Kwame Nkrumah, the first president and prime minister of Ghana. Although James wrote it in the immediate post-independence period around 1958, he did not publish it until nearly twenty years later, when he added a series of his own letters, speeches, and articles from the 1960s. Although Nkrumah led the revolution, James emphasizes that it was a popular mass movement fundamentally realized by the actions of everyday Ghanaians. Moreover, James shows that Ghana’s independence movement was an exceptional moment in global revolutionary history: it moved revolutionary activity to the African continent and employed new tactics not seen in previous revolutions. Featuring a new introduction by Leslie James, an unpublished draft of C. L. R. James's introduction to the 1977 edition, and correspondence, this definitive edition of Nkrumah and the Ghana Revolution offers a revised understanding of Africa’s shaping of freedom movements and insight into the possibilities for decolonial futures.

2022 Best Book Award, Oral History Association

Hundreds of stories of activists at the front lines of the intersecting African American and Mexican American liberation struggle

Not one but two civil rights movements flourished in mid-twentieth-century Texas, and they did so in intimate conversation with one another. Far from the gaze of the national media, African American and Mexican American activists combated the twin caste systems of Jim Crow and Juan Crow. These insurgents worked chiefly within their own racial groups, yet they also looked to each other for guidance and, at times, came together in solidarity. The movements sought more than integration and access: they demanded power and justice.

Civil Rights in Black and Brown draws on more than 500 oral history interviews newly collected across Texas, from the Panhandle to the Piney Woods and everywhere in between. The testimonies speak in detail to the structure of racism in small towns and huge metropolises—both the everyday grind of segregation and the haunting acts of racial violence that upheld Texas’s state-sanctioned systems of white supremacy. Through their memories of resistance and revolution, the activists reveal previously undocumented struggles for equity, as well as the links Black and Chicanx organizers forged in their efforts to achieve self-determination.

A revealing look at the covert and institutionalized racism lurking in the congressional workplace

Racism continues to infuse Congress’s daily practice of lawmaking and shape who obtains congressional employment. In this timely and provocative book, James Jones reveals how and why many who work in Congress call it the “Last Plantation.” He shows that even as the civil rights movement gained momentum in the 1960s and antidiscrimination laws were implemented across the nation, Congress remained exempt from federal workplace protections for decades. These exemptions institutionalized inequality in the congressional workplace well into the twenty-first century.

Combining groundbreaking research and compelling firsthand accounts from scores of congressional staffers, Jones uncovers the hidden dynamics of power, privilege, and resistance in Congress. He reveals how failures of racial representation among congressional staffers reverberate throughout the American political system and demonstrates how the absence of diverse perspectives hampers the creation of just legislation. Centering the experiences of Black workers within this complex landscape, he provides valuable insights into the problems they face, the barriers that hinder their progress, and the ways they contest entrenched inequality.

A must-read for anyone concerned about social justice and the future of our democracy, The Last Plantation exposes the mechanisms that perpetuate racial inequality in the halls of Congress and challenges us to confront and transform this unequal workplace that shapes our politics and society.

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP’s increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s.

An acclaimed poet reclaims her origin story as the queer daughter of a Muslim Nigerian immigrant and a Black American visual artist in this groundbreaking memoir, combining lyrical prose, biting criticism, and haunting visuals.

“Hafizah Augustus Geter is a genuine artist, not bound by genre or form. Her only loyalty is the harrowing beauty of the truth.”—Tayari Jones, author of An American Marriage

“I say, ‘the Black Period,’ and mean ‘home’ in all its shapeshifting ways.” In The Black Period, Hafizah creates a space for the beauty of Blackness, Islam, disability, and queerness to flourish, celebrating the many layers of her existence that America has time and again sought to erase.

At nineteen, she lost her mother to a sudden stroke. Weeks later, her father became so heartsick that he needed a triple bypass. By her thirties, she was constantly in pain, pinballing between physical therapy appointments, her grief, and the grind that is the American Dream. Hafizah realized she'd spent years internalizing the narratives that white supremacy had fed her about herself. Suddenly, she says, I was standing at the cliff of my own life, remembering.

Recalling her parents’ lessons on the art of Black revision, and mixing history, political analysis, and cultural criticism, alongside stunning original artworks created by her father, renowned artist Tyrone Geter, Hafizah maps out her own narrative, weaving between a childhood populated with Southern and Nigerian relatives; her days in a small Catholic school; a loving but tragically short relationship with her mother; and the feelings of joy and community that the Black Lives Matter protests engendered in her as an adult. All throughout, she forms a new personal and collective history, addressing the systems of inequity that make life difficult for non-able-bodied persons, queer people, and communities of color while capturing a world brimming with potential, art, music, hope, and love.

A unique combination of gripping memoir and Afrofuturist thought, in The Black Period, Hafizah manages to sidestep shame, confront disability, embrace forgiveness, and emerge from the erasures

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A landmark work of Black and Native American history that reconfigures our understanding of identity, race, and belonging and the inspiring ways marginalized people have pushed to redefine their world.

In this paradigm-shattering work of American history, Caleb Gayle tells the extraordinary story of the Creek Nation, a Native tribe that two centuries ago both owned slaves and accepted Black people as full members. Thanks to the leadership of a chief named Cow Tom—a former Black slave—a treaty with the U.S. government recognized Creek citizenship for its Black members. Yet this equality was shredded in the 1970s when Creek leadership canceled citizenship to Black Creeks, even those who can trace their tribal history back generations. 
 
Why did this happen? What led to this reversal? How was the U.S. government involved? And how can marginalized people today defend themselves? These are some of the questions that award-winning journalist Caleb Gayle explores in this provocative examination of racial and ethnic identity. By delving deep into the historical record and interviewing Black Creeks suing the Creek Nation to have their citizenship reinstated, he lays bare the racism, ambition, and greed at the heart of this story. The result is an eye-opening account that challenges our preconceptions of identity as it shines new light on the long shadows of marginalization and white supremacy that continue to hamper progress for Black Americans.

A kaleidoscopic narrative history of 1963, the pivotal moment in America’s long civil rights movement—the year of the March on Washington, Martin Luther King Jr.’s “Letter from Birmingham Jail,” and the assassinations of Medgar Evers and John F. Kennedy

In Freedom Season, acclaimed historian Peniel E. Joseph offers a stirring narrative history of 1963, marking it as the defining year of the Black freedom struggle—a year when America faced a deluge of political strife and violence and emerged transformed.

Nineteen sixty-three opened with the centenary of the Emancipation Proclamation and ended with America in a state of mourning. The months in between brought waves of racial terror, mass protest, and police repression that shocked the world, inspired radicals and reformers, and forced the hands of moderate legislators. By year’s end the murders of John F. Kennedy, Medgar Evers, and four Black girls at a church in Alabama left the nation determined to imagine a new way forward. Alongside the stories of historical giants like James Baldwin and Martin Luther King Jr., Joseph uplifts the perspectives of less celebrated leaders like playwright Lorraine Hansberry and activist Gloria Richardson.

Over one heartbreakingly tumultuous year, America unraveled and remade itself as the world looked on. Freedom Season shows how the upheavals of 1963 planted the seeds for watershed civil rights legislation and renewed hope in the promise and possibility of freedom.

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Martin Luther King’s classic exploration of the events and forces behind the Civil Rights Movement—including his Letter from Birmingham Jail, April 16, 1963.

“There comes a time when the cup of endurance runs over, and men are no longer willing to be plunged into the abyss of despair.”

In 1963, Birmingham, Alabama, was perhaps the most racially segregated city in the United States. The campaign launched by Dr. Martin Luther King, Jr., and the Civil Rights movement on the segregated streets of Birmingham demonstrated to the world the power of nonviolent direct action.

In this remarkable book—winner of the Nobel Peace Prize—Dr. King recounts the story of Birmingham in vivid detail, tracing the history of the struggle for civil rights back to its beginnings three centuries ago and looking to the future, assessing the work to be done beyond Birmingham to bring about full equality for African Americans. Above all, Dr. King offers an eloquent and penetrating analysis of the events and pressures that propelled the Civil Rights movement from lunch counter sit-ins and prayer marches to the forefront of American consciousness.

Since its publication in the 1960s, Why We Can’t Wait has become an indisputable classic. Now, more than ever, it is an enduring testament to the wise and courageous vision of Martin Luther King, Jr.

Includes photographs and an Afterword by Reverend Jesse L. Jackson, Sr.

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A window into a child's experience of the Great Migration from the award-winning creators of Before She Was Harriet and Finding Langston.

Climbing aboard the New York bound Silver Meteor train, Ruth Ellen embarks upon a journey toward a new life up North-- one she can't begin to imagine. Stop by stop, the perceptive young narrator tells her journey in poems, leaving behind the cotton fields and distant Blue Ridge mountains.

Each leg of the trip brings new revelations as scenes out the window of folks working in fields give way to the Delaware River, the curtain that separates the colored car is removed, and glimpses of the freedom and opportunity the family hopes to find come into view. As they travel, Ruth Ellen reads from Narrative of the Life of Frederick Douglass, reflecting on how her journey mirrors her own-- until finally the train arrives at its last stop, New York's Penn Station, and the family heads out into a night filled with bright lights, glimmering stars, and new possiblity.

James Ransome's mixed-media illustrations are full of bold color and texture, bringing Ruth Ellen's journey to life, from sprawling cotton fields to cramped train cars, the wary glances of other passengers and the dark forest through which Frederick Douglass traveled towards freedom. Overground Railroad is, as Lesa notes, a story "of people who were running from and running to at the same time," and it's a story that will stay with readers long after the final pages.

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From the Civil War to our combustible present, an acclaimed historian reframes our continuing conversation about race, chronicling the powerful forces opposed to black progress in America.

As Ferguson, Missouri, erupted in August 2014, and media commentators across the ideological spectrum referred to the angry response of African Americans as “black rage,” historian Carol Anderson wrote a remarkable op-ed in the Washington Post showing that this was, instead, “white rage at work. With so much attention on the flames,” she writes, “everyone had ignored the kindling.”

Since 1865 and the passage of the Thirteenth Amendment, every time African Americans have made advances towards full participation in our democracy, white reaction has fueled a deliberate rollback of their gains. The end of the Civil War and Reconstruction was greeted with the Black Codes and Jim Crow; the Supreme Court’s landmark 1954 Brown v. Board of Education decision was met with the shutting down of public schools throughout the South while taxpayer dollars financed segregated white private schools.

Carefully linking these and other historical flashpoints when social progress for African Americans was countered by deliberate and cleverly crafted opposition, Anderson pulls back the veil that has long covered actions made in the name of protecting democracy, fiscal responsibility, or protection against fraud, rendering visible the long lineage of white rage. Compelling and dramatic in the unimpeachable history it relates, White Rage will add an important new dimension to the national conversation about race in America.

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Welcome to the stunning conclusion of the award-winning and best-selling MARCH trilogy. Congressman John Lewis, an American icon and one of the key figures of the civil rights movement, joins co-writer Andrew Aydin and artist Nate Powell to bring the lessons of history to vivid life for a new generation, urgently relevant for today’s world.

By the fall of 1963, the Civil Rights Movement has penetrated deep into the American consciousness, and as chairman of the Student Nonviolent Coordinating Committee, John Lewis is guiding the tip of the spear. Through relentless direct action, SNCC continues to force the nation to confront its own blatant injustice, but for every step forward, the danger grows more intense: Jim Crow strikes back through legal tricks, intimidation, violence, and death. The only hope for lasting change is to give voice to the millions of Americans silenced by voter suppression: “One Man, One Vote.”

To carry out their nonviolent revolution, Lewis and an army of young activists launch a series of innovative campaigns, including the Freedom Vote, Mississippi Freedom Summer, and an all-out battle for the soul of the Democratic Party waged live on national television.

With these new struggles come new allies, new opponents, and an unpredictable new president who might be both at once. But fractures within the movement are deepening…even as 25-year-old John Lewis prepares to risk everything in a historic showdown high above the Alabama river, in a town called Selma.

An authoritative anthology tracing the history of one of the most important concepts Black people drew on to challenge the brutal, totalizing system of Jim Crow racism

This book brings together a wealth of readings on the metaphor of the “New Negro,” charting how generations of thinkers debated its meaning and seized on its potency to stake out an astonishingly broad and sometimes contradictory range of ideological positions. It features dozens of newly unearthed pieces by major figures such as W. E. B. Du Bois, Charles S. Johnson, and Drusilla Dunjee Houston as well as writings from Cuba, the US Virgin Islands, Dominica, France, Sierra Leone, South Africa, colonial Zimbabwe, and the United States. Demonstrating how this evocative and supremely protean concept predates its popularization in Alain Locke’s 1925 anthology of the same name, The New Negro takes readers from its beginnings as a response to Henry Grady’s famous “New South” address in 1886 through the Harlem Renaissance and the New Deal.

Opening a fascinating window into a largely unexplored chapter in African American, Afro-Latin American, and African intellectual history, this groundbreaking anthology includes writings by Gwendolyn Bennett, Marita Bonner, John Edward Bruce (“Bruce Grit”), Nannie Helen Burroughs, Charles W. Chesnutt, James Bertram Clarke (“José Clarana,” “Jaime Gil”), Anna Julia Cooper, Alexander Crummell, Countee Cullen, Alice Dunbar-Nelson, Marcus Garvey, Hubert Harrison, Langston Hughes, Zora Neale Hurston, D. Hamilton Jackson, Fenton Johnson, Claude McKay, Oscar Micheaux, Jeanne “Jane” Nardal, Jean Toomer, Gustavo Urrutia, Booker T. Washington, Dorothy West, Ruth Whitehead Whaley, Fannie Barrier Williams, Carter G. Woodson, and a host of others.

A definitive edition of the landmark book that forever changed our understanding of the Civil War’s aftermath and the legacy of racism in America

Upon publication in 1935, W.E.B. Du Bois’s now classic Black Reconstruction offered a revelatory new assessment of Reconstruction—and of American democracy itself. One of the towering African American thinkers and activists of the twentieth century, Du Bois brought all his intellectual powers to bear on the nation’s post-Civil War era of political reorganization, a time when African American progress was met with a white supremacist backlash and ultimately yielded to the consolidation of the unjust social order of Jim Crow.

Black Reconstruction is a pioneering work of revisionist scholarship that, in the wake of the censorship of Du Bois’s characterization of Reconstruction by the Encyclopedia Britannica, was written to debunk influential historians whose racist ideas and emphases had disfigured the historical record. “The chief witness in Reconstruction, the emancipated slave himself,” Du Bois argued, “has been almost barred from court. His written Reconstruction record has been largely destroyed and nearly always neglected.” In setting the record straight Du Bois produced what co-editor Eric Foner has called an “indispensable book,” a magisterial work of detached scholarship that is also imbued with passionate outrage.

Presented in a handsome and authoritative hardcover edition prepared by Foner and co-editor Henry Louis Gates, Jr., Black Reconstruction is joined here for the first time with important writings that trace Du Bois’s thinking throughout his career about Reconstruction and its centrality in understanding the tortured course of democracy in America.

Winner of the Merle Curti Award
Winner of the James A. Rawley Prize
Winner of the Louis Gottschalk Prize
Longlisted for the Cundill Prize

“Vincent Brown makes the dead talk. With his deep learning and powerful historical imagination, he calls upon the departed to explain the living. The Reaper’s Garden stretches the historical canvas and forces readers to think afresh. It is a major contribution to the history of Atlantic slavery.”―Ira Berlin

From the author of Tacky’s Revolt, a landmark study of life and death in colonial Jamaica at the zenith of the British slave empire.

What did people make of death in the world of Atlantic slavery? In The Reaper’s Garden, Vincent Brown asks this question about Jamaica, the staggeringly profitable hub of the British Empire in America―and a human catastrophe. Popularly known as the grave of the Europeans, it was just as deadly for Africans and their descendants. Yet among the survivors, the dead remained both a vital presence and a social force.

In this compelling and evocative story of a world in flux, Brown shows that death was as generative as it was destructive. From the eighteenth-century zenith of British colonial slavery to its demise in the 1830s, the Grim Reaper cultivated essential aspects of social life in Jamaica―belonging and status, dreams for the future, and commemorations of the past. Surveying a haunted landscape, Brown unfolds the letters of anxious colonists; listens in on wakes, eulogies, and solemn incantations; peers into crypts and coffins, and finds the very spirit of human struggle in slavery. Masters and enslaved, fortune seekers and spiritual healers, rebels and rulers, all summoned the dead to further their desires and ambitions. In this turbulent transatlantic world, Brown argues, “mortuary politics” played a consequential role in determining the course of history.

Insightful and powerfully affecting, The Reaper’s Garden promises to enrich our understanding of the ways that death shaped political life in the world of Atlantic slavery and beyond.

The FBI has made possible a reassembling of the history of Malcolm X that goes beyond any previous research. From the opening of his file in March of 1953 to his assassination in 1965, the story of Malcolm X’s political life is a gripping one.

Shortly after he was released from a Boston prison in 1953, the FBI watched every move Malcolm X made. Their files on him totaled more than 3,600 pages, covering every facet of his life. Viewing the file as a source of information about the ideological development and political significance of Malcolm X, historian Clayborne Carson examines Malcolm’s relationship to other African-American leaders and institutions in order to define more clearly Malcolm’s place in modern history.

With its sobering scrutiny of the FBI and the national policing strategies of the 1950s and 1960s, Malcolm X: The FBI File is one of a kind: never before has there been so much material on the assassination of Malcolm X in one conclusive volume.

The bestselling author, political analyst, and civil rights expert delivers a forceful critique of the Trump administration's ignorant and unprecedented rollback of the civil rights movement.

In this powerful and timely book, civil rights historian and political analyst Juan Williams denounces Donald Trump for intentionally twisting history to fuel racial tensions for his political advantage. In Williams's lifetime, crusaders for civil rights have braved hatred, violence, and imprisonment, and in so doing made life immeasurably better for African Americans and other marginalized groups. Remarkably, all this progress suddenly seems to have been forgotten -- or worse, undone. The stirring history of hard-fought and heroic battles for voting rights, integrated schools, and more is under direct threat from an administration dedicated to restricting these basic freedoms.

Williams pulls the fire alarm on the Trump administration's policies, which pose a threat to civil rights without precedent in modern America. What the Hell Do You Have to Lose? makes a searing case for the enduring value of our historic accomplishments and what happens if they are lost.

A magisterial new history of the role of the Supreme Court as an ally in implementing and preserving a racial caste system in America

Their Accomplices Wore Robes takes readers from the Civil War era to the present and describes how the Supreme Court—even more than the presidency or Congress—aligned with the enemies of Black progress to undermine the promise of the Constitution’s Thirteenth, Fourteenth, and Fifteenth Amendments.

The Reconstruction Amendments—which sought to abolish slavery, establish equal protection under the law, and protect voting rights—converted the Constitution into a potent anti-caste document. But in the years since, the Supreme Court has refused to allow the amendments to fulfill that promise. Time and again, when petitioned to make the nation’s founding conceit—that all men are created equal—real for Black Americans, the nine black robes have chosen white supremacy over racial fairness.

Their Accomplices Wore Robes brings to life dozens of cases and their rich casts of characters—petitioners, attorneys, justices—to explain how America arrived at this point and how society might arrive somewhere better, even as today’s federal courts lurch rightward. In this groundbreaking grand history, Brando Simeo Starkey reveals a troubling and dark aspect of American history.

Tartt Award Co-winner. With aplomb and humor and steady eye, this collection looks at the Black experience in Oakland, from the founding of the Black Panthers to present day.

The broadest and most comprehensive collection of writings available by an early civil and women’s rights pioneer

Seventy-one years before Rosa Parks’s courageous act of resistance, police dragged a young black journalist named Ida B. Wells off a train for refusing to give up her seat. The experience shaped Wells’s career, and—when hate crimes touched her life personally—she mounted what was to become her life’s work: an anti-lynching crusade that captured international attention.

This volume covers the entire scope of Wells’s remarkable career, collecting her early writings, articles exposing the horrors of lynching, essays from her travels abroad, and her later journalism. The Light of Truth is both an invaluable resource for study and a testament to Wells’s long career as a civil rights activist.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A magnificently illustrated picture book biography of Barack Obama : a tireless organizer, a brilliant orator, a Nobel Peace Prize winner, and the first Black president of the United States of America.

Before he became the president, Barack Obama was a little boy called Barry. Amid a happy childhood in Hawaii and Indonesia, he also yearned for a better understanding of Black history and culture, and a better sense of his own identity as a Black American. Spurred by conversations around race, injustice, and inequality, he became a community organizer, practiced civil rights law, and was elected to the US Senate. “Yes we can!” became a rallying cry for his message of hope and change throughout the 2008 presidential election—which resulted in Barack Obama becoming the first Black president of the United States.

This addition to the highly acclaimed Big Words series celebrates one of the most inspiring American leaders of our time. With evocative illustrations by award-winning artist Tonya Engel, Doreen Rappaport’s richly detailed narrative employs rousing quotes from Obama himself and encourages young readers to investigate who they are and who they might one day become.

Don’t miss these other titles in the Big Words series!
Ellen Takes Flight: The Life of Astronaut Ellen Ochoa
Ruth Objects: The Life of Ruth Bader Ginsburg
Helen’s Big World: The Life of Helen Keller
Abe’s Honest Words: The Life of Abraham Lincoln
Martin’s Big Words: The Life of Dr. Martin Luther King, Jr.

Talking to the Dead is an ethnography of seven Gullah/Geechee women from the South Carolina lowcountry. These women communicate with their ancestors through dreams, prayer, and visions and traditional crafts and customs, such as storytelling, basket making, and ecstatic singing in their churches. Like other Gullah/Geechee women of the South Carolina and Georgia coasts, these women, through their active communication with the deceased, make choices and receive guidance about how to live out their faith and engage with the living. LeRhonda S. Manigault-Bryant emphasizes that this communication affirms the women's spiritual faith-which seamlessly integrates Christian and folk traditions-and reinforces their position as powerful culture keepers within Gullah/Geechee society. By looking in depth at this long-standing spiritual practice, Manigault-Bryant highlights the subversive ingenuity that lowcountry inhabitants use to thrive spiritually and to maintain a sense of continuity with the past.