"A must for all who would more knowledgeably appreciate and better comprehend America's most popular music." — Langston Hughes

"The path the slave took to 'citizenship' is what I want to look at. And I make my analogy through the slave citizen's music—through the music that is most closely associated with him: blues and a later, but parallel development, jazz... [If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music."

So says Amiri Baraka (previously known as LeRoi Jones) in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America—not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history.

The broadest and most comprehensive collection of writings available by an early civil and women’s rights pioneer

Seventy-one years before Rosa Parks’s courageous act of resistance, police dragged a young black journalist named Ida B. Wells off a train for refusing to give up her seat. The experience shaped Wells’s career, and—when hate crimes touched her life personally—she mounted what was to become her life’s work: an anti-lynching crusade that captured international attention.

This volume covers the entire scope of Wells’s remarkable career, collecting her early writings, articles exposing the horrors of lynching, essays from her travels abroad, and her later journalism. The Light of Truth is both an invaluable resource for study and a testament to Wells’s long career as a civil rights activist.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

While Africans and their descendants have lived in Mexico for centuries, many Afro-Mexicans do not consider themselves to be either black or African. For almost a century, Mexico has promoted an ideal of its citizens as having a combination of indigenous and European ancestry. This obscures the presence of African, Asian, and other populations that have contributed to the growth of the nation. However, performance studies—of dance, music, and theatrical events—reveal the influence of African people and their cultural productions on Mexican society.

In this work, Anita González articulates African ethnicity and artistry within the broader panorama of Mexican culture by featuring dance events that are performed either by Afro-Mexicans or by other ethnic Mexican groups about Afro-Mexicans. She illustrates how dance reflects upon social histories and relationships and documents how residents of some sectors of Mexico construct their histories through performance. Festival dances and, sometimes, professional staged dances point to a continuing negotiation among Native American, Spanish, African, and other ethnic identities within the evolving nation of Mexico. These performances embody the mobile histories of ethnic encounters because each dance includes a spectrum of characters based upon local situations and historical memories.

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With iconic imagery and engrossing text, Black TV is the first book of its kind to celebrate the groundbreaking, influential, and often under-appreciated shows centered on Black people and their experiences from the last fifty years.
 
Over the past decade, television has seen an explosion of acclaimed and influential debut storytellers including Issa Rae (Insecure), Donald Glover (Atlanta), and Michaela Coel (I May Destroy You). This golden age of Black television would not be possible without the actors, showrunners, and writers that worked for decades to give voice to the Black experience in America.
 
Written by veteran TV reporter Bethonie Butler, Black TV tells the stories behind the pioneering series that led to this moment, celebrating the laughs, the drama, and the performances we’ve loved over the last fifty years. Beginning with Julia, the groundbreaking sitcom that made Diahann Carroll the first Black woman to lead a prime-time network series as something other than a servant, she explores the 1960s and 1970s as an era of unprecedented representation, with shows like Soul Train, Roots, and The Jeffersons. She unpacks the increasingly nuanced comedies of the 1980s from 227 to A Different World, and how they paved the way for the ’90s Black-sitcom boom that gave us The Fresh Prince of Bel-Air and Living Single. Butler also looks at the visionary comedians—from Flip Wilson to the Wayans siblings to Dave Chappelle—and connects all these achievements to the latest breakthroughs in television with showrunners like Shonda Rhimes, Ava DuVernay, and Quinta Brunson leading the charge.
 
With dozens of photographs reminding readers of memorable moments and scenes, Butler revisits breakout performances and important guest appearances, delivering some overdue accolades along the way. So, put on your Hillman sweatshirt, make some popcorn, and get ready for a dyn-o-mite retrospective of the most groundbreaking and entertaining shows in television history.

Black Magic looks at the origins, meaning, and uses of Conjure―the African American tradition of healing and harming that evolved from African, European, and American elements―from the slavery period to well into the twentieth century. Illuminating a world that is dimly understood by both scholars and the general public, Yvonne P. Chireau describes Conjure and other related traditions, such as Hoodoo and Rootworking, in a beautifully written, richly detailed history that presents the voices and experiences of African Americans and shows how magic has informed their culture. Focusing on the relationship between Conjure and Christianity, Chireau shows how these seemingly contradictory traditions have worked together in a complex and complementary fashion to provide spiritual empowerment for African Americans, both slave and free, living in white America.

As she explores the role of Conjure for African Americans and looks at the transformations of Conjure over time, Chireau also rewrites the dichotomy between magic and religion. With its groundbreaking analysis of an often misunderstood tradition, this book adds an important perspective to our understanding of the myriad dimensions of human spirituality.

The FBI has made possible a reassembling of the history of Malcolm X that goes beyond any previous research. From the opening of his file in March of 1953 to his assassination in 1965, the story of Malcolm X’s political life is a gripping one.

Shortly after he was released from a Boston prison in 1953, the FBI watched every move Malcolm X made. Their files on him totaled more than 3,600 pages, covering every facet of his life. Viewing the file as a source of information about the ideological development and political significance of Malcolm X, historian Clayborne Carson examines Malcolm’s relationship to other African-American leaders and institutions in order to define more clearly Malcolm’s place in modern history.

With its sobering scrutiny of the FBI and the national policing strategies of the 1950s and 1960s, Malcolm X: The FBI File is one of a kind: never before has there been so much material on the assassination of Malcolm X in one conclusive volume.

Talking to the Dead is an ethnography of seven Gullah/Geechee women from the South Carolina lowcountry. These women communicate with their ancestors through dreams, prayer, and visions and traditional crafts and customs, such as storytelling, basket making, and ecstatic singing in their churches. Like other Gullah/Geechee women of the South Carolina and Georgia coasts, these women, through their active communication with the deceased, make choices and receive guidance about how to live out their faith and engage with the living. LeRhonda S. Manigault-Bryant emphasizes that this communication affirms the women's spiritual faith-which seamlessly integrates Christian and folk traditions-and reinforces their position as powerful culture keepers within Gullah/Geechee society. By looking in depth at this long-standing spiritual practice, Manigault-Bryant highlights the subversive ingenuity that lowcountry inhabitants use to thrive spiritually and to maintain a sense of continuity with the past.

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This epic work―named a best book of the year by the Washington Post, Time, the Los Angeles Times, Amazon, the San Francisco Chronicle, and a notable book by the New York Times―tells the story of the Hemingses, whose close blood ties to our third president had been systematically expunged from American history until very recently. Now, historian and legal scholar Annette Gordon-Reed traces the Hemings family from its origins in Virginia in the 1700s to the family’s dispersal after Jefferson’s death in 1826.

In March 2017, Bob Lee—freelance writer, community organizer, social worker, social justice warrior, child of Houston’s Fifth Ward and its advocate, former Chicago Black Panther—died at the age of 74. Alongside his larger legacy, he left behind this collection of fourteen stories published in the Houston Chronicle’s Sunday Texas Magazine between 1989 and 2000.

Framed by journalist and scholar Michael Berryhill, these youthful recollections and tales of his East Texas relatives reveal Lee’s shock at learning that his elderly aunt and uncle, who lived in Jasper, Texas, were lifelong Republicans; recount his discovery at the age of 19 that white people, too, could be poor; recall integrating a small-town restaurant with the help of the white rancher who hired him; explore the world of Black longshoremen and offer meditations on the mysteries of death. 

As he lay suffering from cancer, Lee told Berryhill that he wasn’t thinking about dying, but focusing on love. Berryhill, who was Lee’s first editor at the Houston Chronicle, has lovingly collected and edited Lee’s stories, which are complemented by an introduction and biographical essay. Treasured storyteller Bob Lee’s essays offer to readers the experience of Black history in both urban and rural settings by invoking the simple details and events of everyday life.

Powerful self-transformation practices for navigating an increasingly uncertain world inspired by Malcolm X’s final years, written by his daughter, Ilyasah Shabazz.

When Malcolm X left the Nation of Islam and set out on a pilgrimage to Mecca in 1964, he did more than cross geographic borders–he transformed his vision of faith, justice, and freedom. In Malcolm in the Desert, his daughter Ilyasah Shabazz invites us to walk beside him on that journey of spiritual transformation. In retracing his steps, she helps us see how the work of changing the world so often begins within. 

In Malcolm in the Desert, Shabazz reframes pilgrimage as a modern practice. She extracts keen lessons from her father’s life and legacy that show us the value of slowing down, listening deeply, and remembering who we truly are. Shabazz calls us to respond to crisis with courage, to meet grief with love, to rediscover faith as a creative force for change, and to dream in more revolutionary colors. These pages paint a new picture of Malcolm X through compassionate prose and galvanizing historical insight that shine alongside Jungian, Buddhist, and Islamic principles and wisdom from leading poets and scholars. Shabazz ties it all together  with simple practices to help us answer three central questions: Who are you? What do you care about? What is yours to do?

Malcolm in the Desert reveals the human heart of a legend. It is a reminder of the outer challenges we all face and the inner work it takes to be a light in an unstable world.  It is both a daughter’s offering to her father’s legacy and a compassionate guide for anyone seeking direction through the deserts of their own becoming.

Texas is a Southern state, and in many ways, Houston is a typical Southern city. While Houston did not experience the types or degrees of racial violence found in other Southern cities during the Jim Crow era, black Houstonians nonetheless found themselv

Award-winning creator Kadir Nelson delivers the perfect gift for basketball fans of any age-a beautifully illustrated history of the game and its key players over the years-in this companion to his bestselling We Are the Ship: The Story of Negro League Baseball.

Basketball has evolved by leaps and bounds since its origin over 125 years ago, but what remains is the passion of the players, the heat of competition, and supreme strategy and athleticism on the court. In this visual tour de force, celebrated artist Kadir Nelson weds his love for the game with showstopping paintings that bring its heart-pounding history to life.

The sage voice of an elder player narrates the journey from the early days of the slow game of "basket ball" to today's dazzlingly athletic and fast-paced sport. Engaging profiles of revolutionary players-including Wilt Chamberlain, Magic Johnson, Michael Jordan, LeBron James, and Stephen Curry-are featured, along with notable quotes from major figures of the game. With each breathtaking page turn, fans young and old will learn the gripping story of the all-American game and meet its iconic, indomitable heroes.

A leading historian exposes how the rise and tragic failure of the Freedman’s Bank has shaped economic inequality in America.

In the years immediately after the Civil War, tens of thousands of former slaves deposited millions of dollars into the Freedman’s Bank. African Americans envisioned this new bank as a launching pad for economic growth and self-determination. But only nine years after it opened, their trust was betrayed and the Freedman’s Bank collapsed.

Fully informed by new archival findings, historian Justene Hill Edwards unearths a major turning point in American history in this comprehensive account of the Freedman’s Bank and its depositors. She illuminates the hope with which the bank was first envisioned and demonstrates the significant setback that the sabotage of the bank caused in the fight for economic autonomy. Hill Edwards argues for a new interpretation of its tragic failure: the bank’s white financiers drove the bank into the ground, not Fredrick Douglass, its final president, or its Black depositors and cashiers. A page-turning story filled with both well-known figures like Abraham Lincoln, Frederick Douglass, Jay and Henry Cooke, and General O. O. Howard, and less well-known figures like Dr. Charles B. Purvis, John Mercer Langston, Congressman Robert Smalls, and Ellen Baptiste Lubin. Savings and Trust is necessary reading for those seeking to understand the roots of racial economic inequality in America.

10 illustrations

Winner of a 2005 Gustavus Myers Outstanding Book Award (Honorable Mention)The Mexican Revolution was a defining moment in the history of race relations, impacting both Mexican and African Americans. For black Westerners, 1910-1920 did not represent the clear-cut promise of populist power, but a reordering of the complex social hierarchy which had, since the nineteenth century, granted them greater freedom in the borderlands than in the rest of the United States. Despite its lasting significance, the story of black Americans along the Mexican border has been sorely underreported in the annals of U.S. history. Gerald Horne brings the tale to life in Black and Brown. Drawing on archives on both sides of the border, a host of cutting-edge studies and oral histories, Horne chronicles the political currents which created and then undermined the Mexican border as a relative safe haven for African Americans. His account addresses blacks' role as 'Indian fighters' the relationship between African Americans and immigrants, and the U.S. government's growing fear of black disloyalty, among other essential concerns of the period: the heavy reliance of the U.S. on black soldiers along the border placed white supremacy and national security on a collision course that was ultimately resolved in favor of the latter. Mining a forgotten chapter in American history, Black and Brown offers tremendous insight into the past and future of race relations along the Mexican border.

The Responsibility of Intellectuals in the Age of Fascism and Genocide is Boston Review’s 50th anniversary issue. This milestone issue features many of our longtime contributors, including Robin D. G. Kelley, Vivian Gornick, and Elaine Scarry, and celebrates classics from our archive.  In this issue, historian and Boston Review contributing editor Robin D. G. Kelley revisits Noam Chomsky’s landmark 1967 essay, “The Responsibility of Intellectuals,” published near the height of the Vietnam War. The essay’s dissident injunction―that those in privileged positions have a duty to “speak the truth and expose lies”―remains a powerful call to conscience, Kelley argues, but the anti-fascist and anti-colonial struggles of even earlier decades reveal its limits, and they show how to refuse and resist complicity in our own age of fascism and genocide. Political philosopher Martin O’Neill, Palestinian human rights lawyer Jennifer Zacharia, and historian David Waldstreicher expand on what this moment requires―of intellectuals, of journalists, and of us all.

Also in the issue, Vivian Gornick reviews Shulamith Firestone’s Airless Spaces, Elaine Scarry challenges the wisdom that Plato banished the poets, Brandon M. Terry interviews political scientist Cathy Cohen about social movements and the future of Black politics, Joelle M. Abi-Rached exposes the contradictions of the liberal international order over Gaza, Samuel Hayim Brody reviews three memoirs on the Arab Jewish world destroyed by colonialism, David Austin Walsh explains what Zohran Mamdani’s triumph means for the future of the Democratic Party, and Sandeep Vaheesan looks to the New Deal to assess the “abundance” agenda.

Plus, seven writers reflect on notable essays from our archive in a special anniversary feature:

* Susan Faludi on Vivian Gornick and anti-feminism
* Naomi Klein on William Callison + Quinn Slobodian and the global right
* Jay Caspian Kang on Olúfẹ́mi O. Táíwò and identity politics
* Ryu Spaeth on Merve Emre and the personal essay
* Lea Ypi on Joseph Carens and amnesty
* Nathan J. Robinson on Noam Chomsky and U.S. foreign policy
* Rick Perlstein on Elaine Scarry and democracy after 9/11

The instant New York Times bestseller and companion book to the PBS series.

“Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again

“Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review

From the New York Times bestselling author of Stony the Road and The Black Box,and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America.

For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues.

In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion.

But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.

Adapted from Clint Smith's #1 New York Times bestselling and universally acclaimed How the Word Is Passed, this must-read narrative takes readers to historical sites across America, exploring the legacy of slavery to help readers make sense of our nation's past and present, and be better stewards of their own future.

Beginning in his own hometown of New Orleans, Clint Smith leads young readers through an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—offering an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.

How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view—whether in places we might drive by on our way to school, holidays such as Juneteenth, or entire neighborhoods (like downtown Manhattan) on which the brutal history of the trade in enslaved people has been deeply imprinted.

Informed by scholarship and brought alive by the story of people living today, this adaptation of Clint Smith’s #1 bestselling, award-winning work of nonfiction offers kids a new understanding of the hopeful role that memory and history can play in making sense of our country, and shows how they can reckon with the past and present to become better stewards of their future.

Mic check! Learn how to rhyme with beloved rap duo Kid ‘n Play in the Legends of Hip-Hop board book series.

In this accessible series perfectly crafted for babies (and adult fans), music producer Pen Ken and three-time Emmy Award–nominated animation director Saxton Moore introduce mini emcees to some of hip-hop’s biggest and brightest luminaries with fun facts about each rapper, organized by a teachable concept.

In this book, children will meet iconic duo Kid ‘n Play and learn all about rhymes!

Check out other books in the series, including Legends of Hip-Hop: 2Pac, Legends of Hip-Hop: Queen Latifah, and Legends of Hip-Hop: Biggie Smalls.

Philosopher Kwame Anthony Appiah explores how early social scientists developed our modern understandings of society through their theories of religion
 
The foundations of modern social science were built on the study of religion, the acclaimed thinker Kwame Anthony Appiah argues. Delving into the intellectual currents of the nineteenth and early twentieth centuries, he investigates how formative thinkers—notably Edward Burnett Tylor, Émile Durkheim, Georg Simmel, and Max Weber—grappled with the concepts of society and religion as interdependent categories. Appiah shows how their efforts to define religion, or evade the task, mark the power and limitations of social thought in ways that persist among theorists today. Religion was not merely an object of study but a framework through which early social scientists established sociology as a discipline.
 
Appiah also examines more recent work in both interpretive sociology and evolutionary and cognitive psychology about the mechanisms through which communities form beliefs and values—while underscoring the enduring significance of these earlier debates for contemporary social thought. Throughout, he intertwines storytelling, historical analysis, and philosophical reflection to show how our ideas about society and culture have been, and continue to be, forged in dialogue with religious questions.

In the tradition of Michelle Alexander, an unflinching reckoning with the impact of 40 years of racist public school policy on generations of Black lives

In Punished for Dreaming, Dr. Bettina Love argues that Reagan’s presidency ushered in a War on Black Children. New policies punished schools with policing, closure, and loss of funding in the name of reform, as white-savior egalitarian efforts increasingly allowed private interests to infiltrate the system. These changes implicated children of color, and Black children in particular, as low performing, making it all too easy to turn a blind eye to their disproportionate conviction and incarceration. This book examines how decades of racist education policies have paved the way for the current structural overhaul of American schools. In this prequel to Michelle Alexander’s The New Jim Crow, Dr. Love serves up a blistering account of four decades of educational reform through the lens of the people who lived it. Then with input from leading U.S. economists, Dr. Love offers a road map for repair, arguing for reparations with transformation for all children at its core.

Booker T. Washington’s famous 1901 memoir, Up From Slavery, charts Washington’s rise from an enslaved child with a passion for learning to the nation’s most prominent Black educator and first president of Tuskegee University. A tireless advocate for Black economic independence, Washington attempted to balance his public acceptance of segregation with behind-the-scenes lobbying against voter disenfranchisement and financing anti–Jim Crow court cases. His memoir is both a crucial American document and an exercise in understanding the “double consciousness” coined by W.E.B. DuBois, himself one of Washington’s most vocal critics.

Tracing five centuries of exploitation in Latin America, a classic in the field, now in its twenty fifth year

Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx.

Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe.

Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably.
This classic is now further honored by Isabel Allende’s inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.

This powerful collection of articles, essays, and letters spans the period between Black Skin, White Masks (1952) and The Wretched of the Earth (1961), Fanon’s landmark manifesto on the psychology of the colonized and the means of empowerment necessary for their liberation. These pieces display the genesis of some of Fanon’s greatest ideas — ideas that became so vital to the leaders of the American civil rights movement.

Texas Southern University is often said to have been “conceived in sin.” Located in Houston, the school was established in 1947 as an “emergency” state-supported university for African Americans, to prevent the integration of the University of Texas. Born to Serve is the first book to tell the full history of TSU, from its founding, through the many varied and defining challenges it faced, to its emergence as a first-rate university that counts Barbara Jordon, Mickey Leland, and Michael Strahan among its graduates.

Merline Pitre frames TSU’s history within that of higher education for African Americans in Texas, from Reconstruction to the lawsuit that gave the school its start. The case, Sweatt v. Painter, involved student Heman Marion Sweatt, who was denied entry to the University of Texas Law School because he was black. Pitre traces the tortuous measures by which Texas legislators tried to meet a provision of the state’s constitution that called for the establishment and maintenance of a “branch university for the instruction of colored youths of the State.” When the U.S. Supreme Court ruled in 1950 that the UT Law School’s efforts to remain segregated violated the U.S. Constitution, the future of the institution that would become Texas Southern University in 1951 looked doubtful.

In its early years the university persevered in the face of state neglect and underfunding and the threat of merger. Born to Serve describes the efforts, both humble and heroic, that faculty and staff undertook to educate students and turn TSU into the thriving institution it is today: a major metropolitan university serving students of all races and ethnicities from across the country and throughout the world.

Launched during the early civil rights movement, TSU has a history unique among historically black colleges and universities, most of which were established immediately after the Civil War. Born to Serve adds a critical chapter to the history of education and integration in the United States.

In the 19th century, Galveston shores were a gateway for immigrants to Texas and destinations beyond. Slaves, the forced immigrants, were brought to Galveston as property for sale. The largest slave trade operation in Galveston was implemented by Jean Laffite, a pirate. His slave trade business began around 1818. However, for the most part, slaves entering the port of Galveston were destined for other Texas cities and other states. Images of America: African Americans of Galveston presents the community life and accomplishments of Galveston slaves, the descendants of slaves, and descendants of those who migrated to Galveston after the Civil War. The book celebrates Galveston's African American culture from the 1840s to the 1960s.

People of African descent were some of Galveston's earliest residents, and although they came to the island enslaved, they retained mastery of their culinary traditions. As Galveston's port prospered and became the "Wall Street of the South,'? better job opportunities were available for African Americans who lived in Galveston and for those who migrated to the island city after emancipation, with owner-operated restaurants being one of the most popular enterprises. Staples like Fease's Jambalaya Café, Rose's Confectionery and the Squeeze Inn anchored the island community and elevated its cuisine. From Gus Allen's business savvy to Eliza Gipson's oxtail artistry, the Galveston Historical Foundation's African American Heritage Committee has gathered together the stories and recipes that preserve this culinary history for the enjoyment and enrichment of generations, and kitchens, to come.

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With exclusive backstage stories from its legendary dancers and staff, and unprecedented access to its archives, Dance Theatre of Harlem is a striking chronicle of the company's amazing history, its fascinating daily workings, and the visionaries who made its legacy. Here you’ll discover how the company’s founders—African-American maestro Arthur Mitchell of George Balanchine’s New York City Ballet, and Nordic-American Karel Shook of The Dutch National Ballet--created timeless works that challenged Eurocentric mainstream ballet head-on—and used new techniques to examine ongoing issues of power, beauty, myth, and the ever-changing definition of art itself.
 
Gaining prominence in the 1970s and 80s with a succession of triumphs—including its spectacular season at the Metropolitan Opera House—the company also gained fans and supporters that included Nelson Mandela, Stevie Wonder, Cicely Tyson, Misty Copeland, Jessye Norman, and six American presidents. Dance Theatre of Harlem details this momentous era as well as the company's difficult years, its impressive recovery as it partnered with new media's most brilliant creators—and, in the wake of its 50th anniversary, amid a global pandemic, its evolution into a worldwide virtual performance space.
 
Alive with stunning photographs, including many from the legendary Marbeth, this incomparable book is a must-have for any lover of dance, art, culture, or history. 

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We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A young boy learns that he is walking in the footsteps of greatness through a vibrant, lyrical retelling of Black history—both a love letter to Black children and an anthem empowering them to know their God-given worth.

“A reminder to Black children that they are capable of greatness.”—Kirkus Reviews

You came bustling into the world,
a mighty bundle of energy, ready to do great things.
And no wonder.
You stand on the shoulders of those who came before,
and you, too, were born to shine.

Starting with his birth, the boy’s father lays out the history of his son’s ancestry: from the love and warmth of a big family, to the change makers and status shakers, the inventors and engineers, the astronomers, philosophers, and storytellers, the leaders and the doctors. The father details the legacy and impact of Black ancestors whose determination, strength, dedication, creativity, and leadership contributed to making the world better.

Throughout the story, the boy discovers the rich heritage of those that have gone before him and learns how he embodies that same greatness. He, too, has the power to change the world by embracing exactly who God made him to be.

You Come from Greatness includes illustrations of Black historical figures such as Wangari Muta Maathai, Ellie Mannette, Rebecca Lee Crumpler, and more, with twenty short biographies at the end of the book.

A centennial celebration of the Schomburg Center for Research in Black Culture and its vital role in the development of Black Studies

In 1926, the Afro-Puerto Rican bibliophile Arturo Schomburg's collection of four thousand books, pamphlets, papers, and prints arrived at the 135th Street branch of the New York Public Library. The collection contained works in many languages and formats, offering an unparalleled look into the richness and global reach of Black history. One hundred years later, Schomburg's collection remains a central feature of the Schomburg Center for Research in Black Culture, now the world's premier archive for study of the African diaspora, housing more than 11 million items, and a vibrant site of Black intellectual life.

This volume not only contextualizes the life and work of Schomburg and chronicles the history of the institution that bears his name but also includes a list of books and pamphlets in Schomburg's initial "seed collection," the fruit of a multiyear research effort to reconstruct this early Black Studies archive. Framing this list are essays and reflections written by an interdisciplinary group of scholars on the development of the Black intellectual tradition, both in Schomburg's time and today.