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A kaleidoscopic account of the crack cocaine era and a community’s ultimate resilience—told through a cast of characters whose lives illuminate the dramatic rise and fall of the epidemic

The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan's war on drugs, journalist Donovan X. Ramsey's exacting work exposes the undeniable links between the last triumphs of the Civil Rights Movement and the consequences we live with today—a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality.

When Crack Was King follows four individuals to give us a startling portrait of crack’s destruction and devastating legacy. Elgin Swift, an archetype of American industry and ambition and son of a crack-addicted father who turned their home into a “crack house”; Lennie Woodley, a former crack addict and a sex worker; Kurt Schmoke, former mayor of Baltimore and an early advocate of decriminalization; and lastly, Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark's most legendary group of drug traffickers. 

Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial re-evaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve.

Noteworthy Discoveries

• How the crack epidemic really began
• How both Democrats and Republicans failed urban America during the crack epidemic
• How Dr. Dre's The Chronic helped turn the page on the crack epidemic
• How young people of color ended the crack epidemic
• Why Joe Biden owes urban Americans an explanation for the crack epidemic
• Lessons from the crack epidemic for the opioid epidemic

Explore. Discover. Empower!
 
This beautifully illustrated set of 31 flash cards introduces visionary Black Americans who have made a lasting impact on our world. Discover creative scientists and inventors, brilliant artists and musicians, brave activists, game-changing athletes, and so much more.
 
On each card, you’ll find memorable facts and amazing true stories.  A bonus booklet offers fun ideas about how to use the cards, like history heroes activities and games—everything kids need to become young historians.

The remarkable story of Edward McCabe, a Black man who tried to establish a Black state within the United States.

In this paradigm-shattering work of American history, Caleb Gayle recounts the extraordinary tale of Edward McCabe, a Black man who championed the audacious idea to create a state within the Union governed by and for Black people — and the racism, politics, and greed that thwarted him.
 
As the sweeping changes and brief glimpses of hope brought by the Civil War and Reconstruction began to wither, anger at the opportunities available to newly freed Black people were on the rise. As a result, both Blacks and whites searched for new places to settle. That was when Edward McCabe, a Black businessman and a rising political star in the American West, set in motion his plans to found a state within the Union for Black people to live in and govern. His chosen site: Oklahoma, a place that the U.S. government had deeded to Indigenous people in the 1830s when it forced thousands of them to leave their homes under Indian Removal, which became known as the Trail of Tears.
 
McCabe lobbied politicians in Washington, D.C., Kansas, and elsewhere as he exhorted Black people to move to Oklahoma to achieve their dreams of self-determination and land ownership. His rising profile as a leader and spokesman for Black people as well as his willingness to confront white politicians led him to become known as Black Moses. And like his biblical counterpart, McCabe nearly made it to the promised land but was ultimately foiled by politics, business interests, and the growing ambitions of white settlers who also wanted the land.
 
In Black Moses, Gayle brings to vivid life the world of Edward McCabe: the Black people who believed in his dream of a Black state, the white politicians who didn't, and the larger challenges of confronting the racism and exclusion that bedeviled Black people's attempts to carve a place in America for themselves. Gayle draws from extraordinary research and reporting to reveal an America that almost was.

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With iconic imagery and engrossing text, Black TV is the first book of its kind to celebrate the groundbreaking, influential, and often under-appreciated shows centered on Black people and their experiences from the last fifty years.
 
Over the past decade, television has seen an explosion of acclaimed and influential debut storytellers including Issa Rae (Insecure), Donald Glover (Atlanta), and Michaela Coel (I May Destroy You). This golden age of Black television would not be possible without the actors, showrunners, and writers that worked for decades to give voice to the Black experience in America.
 
Written by veteran TV reporter Bethonie Butler, Black TV tells the stories behind the pioneering series that led to this moment, celebrating the laughs, the drama, and the performances we’ve loved over the last fifty years. Beginning with Julia, the groundbreaking sitcom that made Diahann Carroll the first Black woman to lead a prime-time network series as something other than a servant, she explores the 1960s and 1970s as an era of unprecedented representation, with shows like Soul Train, Roots, and The Jeffersons. She unpacks the increasingly nuanced comedies of the 1980s from 227 to A Different World, and how they paved the way for the ’90s Black-sitcom boom that gave us The Fresh Prince of Bel-Air and Living Single. Butler also looks at the visionary comedians—from Flip Wilson to the Wayans siblings to Dave Chappelle—and connects all these achievements to the latest breakthroughs in television with showrunners like Shonda Rhimes, Ava DuVernay, and Quinta Brunson leading the charge.
 
With dozens of photographs reminding readers of memorable moments and scenes, Butler revisits breakout performances and important guest appearances, delivering some overdue accolades along the way. So, put on your Hillman sweatshirt, make some popcorn, and get ready for a dyn-o-mite retrospective of the most groundbreaking and entertaining shows in television history.

Reissued for the first time in over thirty years, Black New Orleans explores the twenty-year period in which the city's black population more than doubled. Meticulously researched and replete with archival illustrations from newspapers and rare periodicals, John W. Blassingame's groundbreaking history offers a unique look at the economic and social life of black people in New Orleans during Reconstruction. Not a conventional political treatment, Blassingame's history instead emphasizes the educational, religious, cultural, and economic activities of African Americans during the late nineteenth century.

"Blending historical and sociological perspectives, and drawing with skill and imagination upon a variety of sources, [Blassingame] offers fresh insights into an oft-studied period of Southern history. . . . In both time and place the author has chosen an extraordinarily revealing vantage point from which to view his subject. "-Neil R. McMillen, American Historical Review

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This epic work―named a best book of the year by the Washington Post, Time, the Los Angeles Times, Amazon, the San Francisco Chronicle, and a notable book by the New York Times―tells the story of the Hemingses, whose close blood ties to our third president had been systematically expunged from American history until very recently. Now, historian and legal scholar Annette Gordon-Reed traces the Hemings family from its origins in Virginia in the 1700s to the family’s dispersal after Jefferson’s death in 1826.

Nigeria is Africa's most populous country and the world's eighth largest oil producer, but its success has been undermined in recent decades by ethnic and religious conflict, political instability, rampant official corruption and an ailing economy. Toyin Falola, a leading historian intimately acquainted with the region, and Matthew Heaton, who has worked extensively on African science and culture, combine their expertise to explain the context to Nigeria's recent troubles through an exploration of its pre-colonial and colonial past, and its journey from independence to statehood. By examining key themes such as colonialism, religion, slavery, nationalism and the economy, the authors show how Nigeria's history has been swayed by the vicissitudes of the world around it, and how Nigerians have adapted to meet these challenges. This book offers a unique portrayal of a resilient people living in a country with immense, but unrealized, potential.

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With exclusive backstage stories from its legendary dancers and staff, and unprecedented access to its archives, Dance Theatre of Harlem is a striking chronicle of the company's amazing history, its fascinating daily workings, and the visionaries who made its legacy. Here you’ll discover how the company’s founders—African-American maestro Arthur Mitchell of George Balanchine’s New York City Ballet, and Nordic-American Karel Shook of The Dutch National Ballet--created timeless works that challenged Eurocentric mainstream ballet head-on—and used new techniques to examine ongoing issues of power, beauty, myth, and the ever-changing definition of art itself.
 
Gaining prominence in the 1970s and 80s with a succession of triumphs—including its spectacular season at the Metropolitan Opera House—the company also gained fans and supporters that included Nelson Mandela, Stevie Wonder, Cicely Tyson, Misty Copeland, Jessye Norman, and six American presidents. Dance Theatre of Harlem details this momentous era as well as the company's difficult years, its impressive recovery as it partnered with new media's most brilliant creators—and, in the wake of its 50th anniversary, amid a global pandemic, its evolution into a worldwide virtual performance space.
 
Alive with stunning photographs, including many from the legendary Marbeth, this incomparable book is a must-have for any lover of dance, art, culture, or history. 

Winner of the John Boswell Prize from the American Historical Association 2018
Winner of the William Sanders Scarborough Prize from the Modern Language Association 2018
Winner of an American Library Association Stonewall Honor 2018
Winner of Lambda Literary Award for Transgender Nonfiction 2018
Winner of the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies

The story of Christine Jorgensen, America’s first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.

Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the “father of American gynecology,” to the negation of blackness that makes transnormativity possible.

Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of “cross dressing” and canonical black literary works that express black men’s access to the “female within,” Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don’t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

The Conjuring of America tells the epic story of conjure women, who, through a mix of spiritual beliefs, herbal rituals, and therapeutic remedies gave rise to the rich tapestry of American culture we see today. Feminist philosopher, Lindsey Stewart, tells the stories of Negro Mammies of slavery; the Voodoo Queens and Blues Women of Reconstruction; and the Granny Midwives and textile weavers of the Jim Crow era. These women, in secrecy and subterfuge, courageously and devotedly continued their practices and worship for centuries and passed down their traditions. 
 
Emerging first in the American South during slavery, these women were thrust into the heart of national conflicts over generations of African American life. They combined ancestral magic and hyperlocal resources to respond to Black struggles in real time, forging a secret well of health and power hidden to their oppressors. As a result, conjure informs our lives in ways remarkable and ordinary—from traditional medicines that informed the creation of Vicks VapoRub and the rise of Aunt Jemima’s Pancake Mix, to the original magic of Disney’s The Little Mermaid (2023), and the true origins of the all-American classic blue jean.
 
From the moment enslaved Africans first arrived on these shores, conjure was heavily regulated and even outlawed. Now, Stewart uncovers new contours of American history, sourcing letters from the enslaved, dispatches from the lore of Oshun and other African mystics. The Conjuring of America is a love letter to the real magic Black women used, their magic Black women, their herbs, food, textiles, song, and dance, used to sow rebellion, freedom, and hope.

Tracing five centuries of exploitation in Latin America, a classic in the field, now in its twenty fifth year

Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx.

Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe.

Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably.
This classic is now further honored by Isabel Allende’s inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.

The first biography of Ericka Huggins, a queer Black woman who brought spiritual self-care practices to the Black Panther Party.

In this groundbreaking biography, Mary Frances Phillips immerses readers in the life and legacy of Ericka Huggins, a revered Black Panther Party member, as well as a mother, widow, educator, poet, and former political prisoner. In 1969, the police arrested Ericka Huggins along with Bobby Seale and fellow Black Panther Party members, who were accused of murdering Alex Rackley. This marked the beginning of her ordeal, as she became the subject of political persecution and a well-planned FBI COINTELPRO plot.

Drawing on never-before-seen archival sources, including prison records, unpublished letters, photographs, FBI records, and oral histories, Phillips foregrounds the paramount role of self-care and community care in Huggins’s political journey, shedding light on Ericka’s use of spiritual wellness practices she developed during her incarceration. In prison, Huggins was able to survive the repression and terror she faced while navigating motherhood through her unwavering commitment to spiritual practices. In showcasing this history, Phillips reveals the significance of spiritual wellness in the Black Panther Party and Black Power movement.

Transcending the traditional male-centric study of the Black Panther Party, Black Panther Woman offers an innovative analysis of Black political life at the intersections of gender, motherhood, and mass incarceration. This book serves as an invaluable toolkit for contemporary activists, underscoring the power of radical acts of care as well as vital strategies to thrive in the world.

While Africans and their descendants have lived in Mexico for centuries, many Afro-Mexicans do not consider themselves to be either black or African. For almost a century, Mexico has promoted an ideal of its citizens as having a combination of indigenous and European ancestry. This obscures the presence of African, Asian, and other populations that have contributed to the growth of the nation. However, performance studies—of dance, music, and theatrical events—reveal the influence of African people and their cultural productions on Mexican society.

In this work, Anita González articulates African ethnicity and artistry within the broader panorama of Mexican culture by featuring dance events that are performed either by Afro-Mexicans or by other ethnic Mexican groups about Afro-Mexicans. She illustrates how dance reflects upon social histories and relationships and documents how residents of some sectors of Mexico construct their histories through performance. Festival dances and, sometimes, professional staged dances point to a continuing negotiation among Native American, Spanish, African, and other ethnic identities within the evolving nation of Mexico. These performances embody the mobile histories of ethnic encounters because each dance includes a spectrum of characters based upon local situations and historical memories.

A chorus of Black student voices that renders a new story of US education—one where racial barriers and violence are confronted by freedom dreaming and resistance

Black students were forced to live and learn on the Black side of the color line for centuries, through the time of slavery, Emancipation, and the Jim Crow era. And for just as long—even through to today—Black students have been seen as a problem and a seemingly troubled population in America’s public imagination.

Through over one hundred firsthand accounts from the nineteenth and twentieth centuries, Professor Jarvis Givens offers a powerful counter-narrative in School Clothes to challenge such dated and prejudiced storylines. He details the educational lives of writers such as Zora Neale Hurston and Ralph Ellison; political leaders like Mary McLeod Bethune, Malcolm X, and Angela Davis; and Black students whose names are largely unknown but who left their marks nonetheless. Givens blends this multitude of individual voices into a single narrative, a collective memoir, to reveal a through line shared across time and circumstance: a story of African American youth learning to battle the violent condemnation of Black life and imposed miseducation meant to quell their resistance.

School Clothes elevates a legacy in which Black students are more than the sum of their suffering. By peeling back the layers of history, Givens unveils in high relief a distinct student body: Black learners shaped not only by their shared vulnerability but also their triumphs, fortitude, and collective strivings.

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One of our preeminent historians of race and democracy argues that the period since 2008 has marked nothing less than America’s Third Reconstruction

In The Third Reconstruction, distinguished historian Peniel E. Joseph offers a powerful and personal new interpretation of recent history. The racial reckoning that unfolded in 2020, he argues, marked the climax of a Third Reconstruction: a new struggle for citizenship and dignity for Black Americans, just as momentous as the movements that arose after the Civil War and during the civil rights era. Joseph draws revealing connections and insights across centuries as he traces this Third Reconstruction from the election of Barack Obama to the rise of Black Lives Matter to the failed assault on the Capitol.

America’s first and second Reconstructions fell tragically short of their grand aims. Our Third Reconstruction offers a new chance to achieve Black dignity and citizenship at last—an opportunity to choose hope over fear.

A kaleidoscopic narrative history of 1963, the pivotal moment in America’s long civil rights movement—the year of the March on Washington, Martin Luther King Jr.’s “Letter from Birmingham Jail,” and the assassinations of Medgar Evers and John F. Kennedy

In Freedom Season, acclaimed historian Peniel E. Joseph offers a stirring narrative history of 1963, marking it as the defining year of the Black freedom struggle—a year when America faced a deluge of political strife and violence and emerged transformed.

Nineteen sixty-three opened with the centenary of the Emancipation Proclamation and ended with America in a state of mourning. The months in between brought waves of racial terror, mass protest, and police repression that shocked the world, inspired radicals and reformers, and forced the hands of moderate legislators. By year’s end the murders of John F. Kennedy, Medgar Evers, and four Black girls at a church in Alabama left the nation determined to imagine a new way forward. Alongside the stories of historical giants like James Baldwin and Martin Luther King Jr., Joseph uplifts the perspectives of less celebrated leaders like playwright Lorraine Hansberry and activist Gloria Richardson.

Over one heartbreakingly tumultuous year, America unraveled and remade itself as the world looked on. Freedom Season shows how the upheavals of 1963 planted the seeds for watershed civil rights legislation and renewed hope in the promise and possibility of freedom.

From its humble origins at house parties in the Bronx, where DJs mixed old records to create new sounds, charismatic MCs let their clever lyrics flow, and B-boys and B-girls pioneered inventive dance moves, hip-hop quickly became a musical and cultural revolution.

In this volume of History Comics, we follow Aaliyah, a hip-hop superfan who is about to get a lesson in all things “old school” courtesy of her dad. The pair take a day trip to the Bronx, where Aaliyah discovers the many unsung
heroes who helped create the foundations of hip-hop. So get ready to drop the beat, bust a move, and get down with some fresh rap knowledge!

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Florida native Zora Neale Hurston's early twentieth-century ethnographic research and writing emphasizes the essentials of food in Florida through simple dishes and recipes.

It considers foods prepared for everyday meals as well as special occasions and looks at what shaped people's eating traditions in early twentieth-century Florida. Hurston did for Florida what William Faulkner did for Mississippi - provided insight into a state's history and culture through various styles of writing. Her collected food stories, folklore and remedies, and the related recipes food professor Fred Opie pairs with them, are essential reading for those who love to cook and eat.

Named one of the Most Anticipated Books of 2025 by Foreign Policy

“Howard French’s The Second Emancipation stands the second half of the last century on its geopolitical head.” ―David Levering Lewis, winner of the Pulitzer Prize

From the acclaimed author of Born in Blackness comes an extraordinary account of Africa’s liberation from colonial oppression, a work that fundamentally reshapes our understanding of modern history.

A work of epic dimension that recasts the liberation of twentieth-century Africa through the lens of revolutionary leader Kwame Nkrumah.

The Second Emancipation, the second work in a trilogy from best-selling author Howard W. French about Africa’s pivotal role in shaping world history, underscores Adam Hochschild’s contention that French is a “modern-day Copernicus.” The title―referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom―positions this liberation at the center of a “movement of global Blackness,” with one charismatic leader, Kwame Nkrumah (1909–1972), at its head.

That so few people today know about Nkrumah is an omission that French demonstrates is “typical of our deliberate neglect of Africa’s enormous role in the birth of the modern world.” Determined to re-create Nkrumah’s life as “an epic twentieth-century story,” The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana’s Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French’s consummate style more vivid than in Nkrumah’s early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu―including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him “one of the greatest political leaders of our century”―and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.

Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana’s first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah’s radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.

In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history.

16 pages of illustrations; 3 maps

How creativity makes its way through feeling—and what we can know and feel through the artistic work of Black women
 
Feeling is not feelin. As the poet, artist, and scholar Bettina Judd argues, feelin, in African American Vernacular English, is how Black women artists approach and produce knowledge as sensation: internal and complex, entangled with pleasure, pain, anger, and joy, and manifesting artistic production itself as the meaning of the work. Through interviews, close readings, and archival research, Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women—from poet Lucille Clifton and musician Avery*Sunshine to visual artists Betye Saar, Joyce J. Scott, and Deana Lawson.
 
Feelin: Creative Practice, Pleasure, and Black Feminist Thought makes a bold and vital intervention in critical theory’s trend toward disembodying feeling as knowledge. Instead, Judd revitalizes current debates in Black studies about the concept of the human and about Black life by considering how discourses on emotion as they are explored by Black women artists offer alternatives to the concept of the human. Judd expands the notions of Black women’s pleasure politics in Black feminist studies that include the erotic, the sexual, the painful, the joyful, the shameful, and the sensations and emotions that yet have no name. In its richly multidisciplinary approach, Feelin calls for the development of research methods that acknowledge creative and emotionally rigorous work as productive by incorporating visual art, narrative, and poetry.

Journalist Omar Mouallem uncovers the surprising history of Muslim communities thriving in the west, challenging assumptions about belonging and identity, in this beautifully written, award-winning book.

Omar Mouallem grew up in a Muslim household, but always questioned the role of Islam in his life. As an adult, he used his voice to criticize what he saw as the harms of organized religion. But none of that changed the way others saw him. Now, as a father, he fears the challenges his children will no doubt face as Western nations become increasingly nativist and hostile toward their heritage.

In How Muslims Shaped the Americas, Mouallem explores the unknown history of Islam across the Americas, traveling to thirteen unique mosques in search of an answer to how this religion has survived and thrived so far from the place of its origin. From California to Quebec, and from Brazil to Canada’s icy north, he meets the members of fascinating communities, all of whom provide different perspectives on what it means to be Muslim. Along this journey he comes to understand that Islam has played a fascinating role in how the Americas were shaped—from industrialization to the changing winds of politics. And he also discovers that there may be a place for Islam in his own life, even if he will never be a true believer.

Original, insightful, and beautifully told, How Muslims Shaped the Americas reveals a secret history of home and the struggle for belonging taking place in towns and cities across the Americas, and points to a better, more inclusive future for everyone.

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A guidebook to the institutional transformation of design theory and practice by restoring the long-excluded cultures of Indigenous, Black, and People of Color communities.

From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. Decolonizing Design first asks how modernist design has encompassed and advanced the harmful project of colonization—then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories.

A leading figure in the movement to decolonize design, Dori Tunstall uses hard-hitting real-life examples and case studies drawn from over fifteen years of working to transform institutions to better reflect the lived experiences of Indigenous, Black, and People of Color communities. Her book is at once enlightening, inspiring, and practical, interweaving her lived experiences with extensive research to show what decolonizing design means, how it heals, and how to practice it in our institutions today.

For leaders and practitioners in design institutions and communities, Tunstall’s work demonstrates how we can transform the way we imagine and remake the world, replacing pain and repression with equity, inclusion, and diversity—in short, she shows us how to realize the infinite possibilities that decolonized design represents.

In this ambitious work, first published in 1983, Cedric Robinson demonstrates that efforts to understand Black people's history of resistance solely through the prism of Marxist theory are incomplete and inaccurate. Marxist analyses tend to presuppose European models of history and experience that downplay the significance of Black people and Black communities as agents of change and resistance. Black radicalism, Robinson argues, must be linked to the traditions of Africa and the unique experiences of Blacks on Western continents, and any analyses of African American history need to acknowledge this.

To illustrate his argument, Robinson traces the emergence of Marxist ideology in Europe, the resistance by Blacks in historically oppressive environments, and the influence of both of these traditions on such important twentieth-century Black radical thinkers as W. E. B. Du Bois, C. L. R. James, and Richard Wright. This revised and updated third edition includes a new preface by Tiffany Willoughby-Herard, and a new foreword by Robin D. G. Kelley.

Turn the traditional generational groupings on their head through this examination of Black life, culture, and the struggle for racial justice in the United States.

The Shaping of Black Identities explores the generations of African Americans who have lived in the twentieth and early twenty-first centuries and the impact that living in the United States has had on them. Jimmie R. Hawkins examines how identity is formed and shaped by internal and external forces. He investigates collective memory and the stories told to each succeeding generation about the lives of the preceding generations. But most of all, this book is about belonging.

Using the generational time frames established by the Pew Research Center, Hawkins proposes six new generational categories rooted in the Black experience: the New Negro, Motown, Black Power, Hip-Hop, #BlackLivesMatter, and Obama generations. He emphasizes the need for reexamination in distinguishing generational uniqueness with attention to disparate, nondominant groups. Given the history of racial and cultural discrimination against Blacks in the United States, such an examination of the ways in which Black life has taken its own unique shape among generations offers new ways to understand the transition in identity adopted by Blacks. Hawkins examines the historical contexts that shaped each generation and the general attitudes and perceptions of each generation as influenced by the cultural, political, and racial environment of the nation. Throughout, there is a unique focus on Black protest. With its attention to each generation of Blacks, The Shaping of Black Identities speaks to this active, liberative, and distinct historical attempt to define the self in the pivotal and ongoing search for meaning.

The bestselling, definitive study of African Americans throughout American history, now with a new introduction by noted scholar V. P. Franklin.

In The Negro in the Making of America, eminent historian Benjamin Quarles provides one of the most comprehensive and readable accounts ever gathered in one volume of the role that African Americans have played in shaping the destiny of America. Starting with the arrival of the slave ships in the early 1600s and moving through the Colonial period, the Revolutionary and Civil Wars, and into the last half of the twentieth century, Quarles chronicles the sweep of events that have brought blacks and their struggle for social and economic equality to the forefront of American life.

Through compelling portraits of central political, historical, and artistic figures such as Nat Turner, Frederick Douglass, Duke Ellington, Malcolm X, and the Reverend Martin Luther King, Jr., Quarles illuminates the African American contributions that have enriched the cultural heritage of America. This classic history also covers black participation in politics, the rise of a black business class, and the forms of discrimination experienced by blacks in housing, employment, and the media.

Quarles's groundbreaking work not only surveys the role of black Americans as they engaged in the dual, simultaneous processes of assimilating into and transforming the culture of their country, but also, in a portrait of the white response to blacks, holds a mirror up to the deeper moral complexion of our nation's history. The restoration of this history holds a redemptive quality—one that can be used, in the author's words, as a "vehicle for present enlightenment, guidance, and enrichment."