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New York Times Book Review Editors’ Choice • An award-winning author charts the poignant global journeys of African Americans as she explores her own transatlantic family odyssey in Beyond the Shores, a powerful history of living abroad while Black.
 
“By exploring the life of Black expats, creatives, and activists, Beyond the Shores enhances the stories of migration to reveal how race is lived in the United States and abroad.”—Marcia Chatelain, Pulitzer Prize–winning author of South Side Girls

Part historical exploration, part travel memoir, Beyond the Shores reveals poignant histories of a diverse group of African Americans who have left the United States over the course of the past century. Together, the interwoven stories highlight African Americans’ complicated relationship to the United States and the world at large.
 
Beyond the Shores is not just about where African Americans stayed or where they ate when they traveled but also about why they left in the first place and how they were treated once they reached their destinations. Drawing on years of research, Dr. Tamara J. Walker chronicles their experiences in atmospheric detail, taking readers from well-known capital cities to more unusual destinations like Yangiyul, Uzbekistan, and Kabondo, Kenya. She follows Florence Mills, the would-be Josephine Baker of her day, in Paris, and Richard Wright, the author turned actor and filmmaker, in Buenos Aires. Throughout Beyond the Shores, she relays tender stories of adventurous travelers, including a group of gifted Black crop scientists in the 1930s, a housewife searching for purpose in the 1950s, a Peace Corps volunteer discovering his identity in the 1970s, and her own grandfather, who, after losing his eye fighting in World War II and returning to a country that showed no signs of honoring his sacrifice, set out with his wife and children on a circuitous journey that sent them back and forth across the Atlantic. Tying these tales together is Walker’s personal account of her family’s, and her own, experiences abroad—in France, Brazil, Argentina, Austria, and beyond.
 
By sharing the accounts of those who escaped the racism of the United States to try their hands at life abroad, Beyond the Shores shines a light on the meaning of home and the search for a better life.

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With new forewords and an afterword by Martin Luther King III, Dr. Bernice A. King, and Dexter Scott King

A beautiful collectible edition celebrating the 60th anniversary of Dr. Martin Luther King Jr’s legendary speech at the March on Washington, part of Dr. King’s archives published exclusively by HarperCollins.

On August 28, 1963, Dr. Martin Luther King Jr. stood before thousands of Americans who had gathered at the Lincoln Memorial in Washington, D.C. in the name of civil rights. Including the immortal words, “I have a dream,” Dr. King’s keynote speech would energize a movement and change the course of history.

With references to the Gettysburg Address, the Emancipation Proclamation, the Declaration of Independence, the U.S. Constitution, Shakespeare, and the Bible, Dr. King’s March on Washington address has long been hailed as one of the greatest pieces of writing and oration in history. Profound and deeply moving, it is as relevant today as it was sixty years earlier.

This beautifully designed edition presents Dr. King’s speech in its entirety, paying tribute to this extraordinary leader and his immeasurable contribution, and inspiring a new generation of activists dedicated to carrying on the fight for justice and equality. 

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An “enthralling” (Michael Kazin, Washington Post) account of America’s shift from a rural and agrarian society to an urban and industrial society.

In the late nineteenth and early twentieth centuries, technological innovation made possible dramatic increases in industrial and agricultural productivity; by 1919, per-capita gross national product had soared. But this new wealth and new power were not distributed evenly. In this landmark work—with continued resonance for our times—acclaimed historian Nell Irvin Painter illuminates the class, economic, and political conflicts that defined the Progressive era. Demonstrating the ways in which racial and social hierarchies were interwoven with reform movements, she offers a lively and comprehensive view of Americans, rich and working-class, at the precipice of change.

A Spanish-language edition of a concise, engaging, and thoroughly revised overview of Cuba written by Cubans for anyone interested in quickly understanding the island country’s turbulent history.

Un conciso, ameno resumen de Cuba para cualquiera interesado en comprender rápidamente la turbulenta historia de este país insular.

Cuba: A Brief History covers the pre-Hispanic period, through Cuba’s struggle to maintain the revolution in the years following the collapse of the Soviet Union, to the period after Fidel Castro’s decision to step down from office, to the 2014 opening to Cuba by the Obama Administration, the retirement of Raul Castro and his replacement as president in 2018 by Miguel Diaz Canal, and finally to the reversal of Washington’s engagement with Cuba under President Trump. This slim volume provides the reader with an overview of the history and politics of the tiny Caribbean island that continues to appear at the center of world events.

Featuring a presentation and analysis of US intervention on the island, Cuba: A Brief History also includes footnotes and a bibliography for further reading. This is an essential introduction to Cuba for students, visitors, and others looking for a bird’s eye view of the turbulent history of the island that has captivated and enthralled its northern neighbors for decades.

Cuba: Una Breve Historia abarca el período prehispánico, la lucha de Cuba por mantener viva la revolución en los años siguientes al colapso de la Unión Soviética, el período luego de la decisión de Fidel Castro de ceder su puesto, la apertura de Cuba en el 2014 a la Administración de Obama, la jubilación de Raúl Castro y su reemplazo por Miguel Díaz-Canel como presidente en el 2018, y la revocación de parte del presidente Trump del compromiso de Washington con Cuba. Este corto volumen provee al lector con un pantallazo de la historia y la política de la pequeña isla caribeña que continúa siendo el foco de sucesos mundiales.

Incluye una presentación y análisis de la intervención estadounidense en la isla, Cuba: Una Breve Historia también incluye notas al pie y una bibliografía de lecturas complementarias. Esta es una introducción esencial a Cuba para estudiantes, turistas y todo aquel que desea un vistazo de pájaro de la turbulenta historia de la isla que ha cautivado y fascinado a sus vecinos del norte hace décadas.

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Feminism is a powerful new interpretation of British art from an intersectional feminist perspective, penned by one of Britain’s greatest writers

“Art museums have long drawn me into their spaces. The infinite possibilities of the language of art opens me up to methods of communication quite unlike my own. I am fascinated by the most interesting and adventurous artists, who are surely among the most innovative thinkers on the planet. I am in awe of their talent and endless inventiveness, and my imagination is nourished by theirs. I am challenged to think differently about how we might understand, recreate, reshape, reimagine life itself—animate, inanimate, spirit. My senses are stimulated, my emotions stirred, my brain whirs away in the background and I feel very much alive. When I was invited to write this book, my first time writing about art, I immediately knew that I would turn my attention on women and womxn (to include non-binary people) of color in British art because, similar to the story throughout the arts, either as creator or curator, we haven’t been very visible. This book is personal—about the art I’ve seen, and the art I’ve loved—and my interpretation of the art in the national collection and beyond, from an intersectional feminist perspective.”

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In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. 

Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall.

Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological marker but something that could be learned, performed, and mastered. While Germans and Austrians located their national identity in music, championing composers such as Bach, Beethoven, and Brahms as national heroes, the performance of their works by Black musicians complicated the public's understanding of who had the right to play them. Audiences wavered between seeing these musicians as the rightful heirs of Austro-German musical culture and dangerous outsiders to it.

Thurman explores the tension between the supposedly transcendental powers of classical music and the global conversations that developed about who could perform it. An interdisciplinary and transatlantic history, Singing Like Germans suggests that listening to music is not a passive experience, but an active process where racial and gendered categories are constantly made and unmade.