Founded in 1876, Prairie View A&M University is the second-oldest public institution of higher learning in Texas, one of two Texas land-grant universities, and an “institution of the first class” within the Texas A&M University System. It is also the first public historically Black college or university (HBCU) in Texas. Prairie View A&M has played a pivotal role in the educational and economic experiences of African American Texans. As the university celebrates its sesquicentennial in 2026, editors Will Guzmán and William T. Hoston document and interpret the actions of important individuals, campus institutions, and cultural traditions that made Prairie View A&M what it is today.

The Hill We Climbed: Prairie View A&M University complements former Prairie View professor George R. Woolfolk’s classic 1962 work Prairie View: A Study in Public Conscience, 1878–1946 and Michael Nojeim’s 2011 Down that Road: A Pictorial History of Prairie View A&M University to further contextualize Prairie View A&M’s place among HBCUs, higher education in general, and Texas Black life in particular. Prairie View A&M University has a long and rich history, of which past literature provides only a small sampling. In celebrating the 150–year anniversary of the founding of this historically Black institution, The Hill We Climbed documents how the university continues to fulfill its historic mission, encapsulating PVAMU’s motto: “Prairie View produces productive people.”

In 1962, George Ruble Woolfolk, perhaps the foremost Black historian in Texas at the time, published his most well-known work Prairie View: A Study in Public Conscience, 1878–1946, a history of the state’s first institution of higher education for African Americans. Recording the university’s first six decades of existence, Woolfolk’s book also chronicled the many social and educational challenges faced by Black Texans during what was still the Jim Crow Era in Texas and the American South.

Now, historian and scholar Ronald E. Goodwin has edited and annotated Woolfolk’s influential book, making it available and accessible to current scholars and students, as well as those interested in the early history of not only Prairie View A&M University but also of historically Black colleges and universities. Students and scholars in African American studies or the history of education will find Goodwin’s updated edition a valuable resource for study, research, and a more complete understanding of the historical contexts of higher education for people of color.

Published in coordination with the sesquicentennial of Prairie View A&M University, this new edition of Woolfolk’s classic work reintroduces a new generation of scholars and students to a vital and foundational work.

A groundbreaking history of elite black New Yorkers in the nineteenth century, seen through the lens of the author's ancestors

Part detective tale, part social and cultural narrative, Black Gotham is Carla Peterson's riveting account of her quest to reconstruct the lives of her nineteenth-century ancestors. As she shares their stories and those of their friends, neighbors, and business associates, she illuminates the greater history of African-American elites in New York City.

Black Gotham challenges many of the accepted "truths" about African-American history, including the assumption that the phrase "nineteenth-century black Americans" means enslaved people, that "New York state before the Civil War" refers to a place of freedom, and that a black elite did not exist until the twentieth century. Beginning her story in the 1820s, Peterson focuses on the pupils of the Mulberry Street School, the graduates of which went on to become eminent African-American leaders. She traces their political activities as well as their many achievements in trade, business, and the professions against the backdrop of the expansion of scientific racism, the trauma of the Civil War draft riots, and the rise of Jim Crow.

Told in a vivid, fast-paced style, Black Gotham is an important account of the rarely acknowledged achievements of nineteenth-century African Americans and brings to the forefront a vital yet forgotten part of American history and culture.

WINNER OF THE 2022 NATIONAL BOOK AWARD FOR NONFICTION

“An elegant meditation on the complexities of the American South—and thus of America—by an esteemed daughter of the South and one of the great intellectuals of our time. An inspiration.” —Isabel Wilkerson

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. South to America is an essential, surprising journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand America

We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole.

This is the story of a Black woman and native Alabaman returning to the region she has always called home and considering it with fresh eyes. Her journey is full of detours, deep dives, and surprising encounters with places and people. She renders Southerners from all walks of life with sensitivity and honesty, sharing her thoughts about a troubling history and the ritual humiliations and joys that characterize so much of Southern life.

Weaving together stories of immigrant communities, contemporary artists, exploitative opportunists, enslaved peoples, unsung heroes, her own ancestors, and her lived experiences, Imani Perry crafts a tapestry unlike any other. With uncommon insight and breathtaking clarity, South to America offers an assertion that if we want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line.

A Ms. Magazine "Most Anticipated Feminist Books of 2026" Pick

Gives voice to the Black women whose lives were devastated by the carceral system and sheds powerful light on its slavery-based roots to transform how we think about mass incarceration

Historian Talitha L. LeFlouria centers Black women at the core of a fresh argument: that the system of mass incarceration was established as protection for the institution of slavery and the profits of enslavers and that this legacy continues today.

For centuries, Black women in America have experienced extreme rates of arrest, conviction, and incarceration in the nation’s jails and prisons, yet their experiences have often been overlooked in favor of Black men’s.

Arguing that the merger between profit and punishment continues to keep Black people bound, LeFlouria traces the connection between enslavement and incarceration, revealing how they have always been intertwined—from the domestic slave trade of 1810-1865, when an estimated one million people were incarcerated in privately owned slave jails, to the post-Civil War era when Black people were enslaved through new systems of state-sponsored mass incarceration, and through to today.

Using archival sources and personal testimonies, LeFlouria tells a new origin story of mass incarceration with the stories of numerous Black women throughout history, including:

· Delia Garlic, who was incarcerated in a slave jail and later sold to a sheriff at the height of the domestic slave trade

· Eliza Purdy, who was jailed and sold to the highest bidder a year after the Civil War ended, and

· Susan Burton, who was commodified and trafficked through a 20th-century cell block, much like an enslaved person on the auction block 200 years prior.

An American sports legend offers a sweeping Black history of boxing, celebrating the trailblazing athletes who fought in the ring and against racial injustice.

Features a 16-page photo insert.

Here is Peter Jackson, a free-born Black tradesman and boxer from the island of St. Croix who KO’d the white boxer Tom Leeds in the thirtieth round to win the Australian Heavyweight championship in 1886. Most white fighters refused to get into the ring with Jackson. “Gentleman” Jim Corbett was one of the few who not only fought him, but said of him afterwards that Jackson was the most intelligent fighter he ever faced and could beat any heavyweight that Corbett ever fought or ever saw.

Here too of course are boxing legends Jack Johnson and Joe Louis, but also the dozens of outstanding Black boxers who fought from the late 1800s to the end of the 20th century, overcoming their opponents and facing discrimination in an array of forms, from being disqualified unfairly after winning fights to being mobbed and injured in the ring by white assailants while referees and judges looked on impassively, to having mobster managers who gave them only a minute portion of their winnings.

Here is Joe Gans, the first American-born Black boxer to win a world championship, in 1902, and who dominated the sport throughout the first decade of the 20th century. Here too is Sam Langford, who became heavyweight champ in 1923. But through most of the first half of the twentieth century Black boxers were separated into Black leagues and there were Black champions rather than world champions who were Black. That all began to change in the 1930s with Joe Louis. A new generation of Black boxers would come up after him, standing on Joe Louis’s shoulders, Floyd Patterson, George Foreman, Sonny Liston, Archie Moore, Larry Holmes, Ken Norton, Joe Frazier, and finally the young Cassius Clay, who would rename himself Muhammad Ali and come to dominate the sport for decades, and after him, though not a heavyweight, the great Sugar Ray Leonard.

Scott’s unique perspective brings fresh insight and passion even to well-known stories about the fight game, and every time he adds something new.

A guidebook to the institutional transformation of design theory and practice by restoring the long-excluded cultures of Indigenous, Black, and People of Color communities.

From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. Decolonizing Design first asks how modernist design has encompassed and advanced the harmful project of colonization—then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories.

For leaders and practitioners in design institutions and communities, Dori Tunstall’s work demonstrates how we can transform the way we imagine and remake the world, replacing pain and repression with equity, inclusion, and diversity—in short, she shows us how to realize the infinite possibilities that decolonized design represents.

Information on Black scientists and inventors is becoming more readily available to the general public and this is a welcome development. However, information specifically on the scientific and technological contributions of the Ancient Egyptians is not as readily available as one might think. Great books and essays have been written on the topic but many authors have pitched their works above the level of the ordinary reader. Other papers are in difficult-to-find journals and collections. Some writers, in an attempt to bring greater prestige to twentieth century European and European American science, dismiss all ancient science as superstition and error. They emphasize what the Ancient Egyptians did not know as opposed to what they did know. In this book, Blacks and Science Volume One, I bring the information together in one place. I write positively about what the Ancient Egyptians achieved and do not waste ink on what they did not achieve. Finally I present the information in as straightforward and accessible a way as possible. Should you read this book and learn the information: * You will gain a greater mastery over Black or African History * Your knowledge will be the envy of your friends and family * Learning your historical contributions will skyrocket your confidence and esteem * Your interest in all areas of human culture will dramatically increase * You will have a vast reserve of information to pass on to your children This book is largely a synthesis of my previously published Kindle e-books Ancient Egyptian Contributions to Science and Technology combined with The Mysterious Sciences of the Great Pyramid. The feedback I received from these e-books was positive, but many people asked me if was possible to turn these lecture essays into physical books. After all, not everybody possesses a Kindle! My response was to produce this book Blacks and Science Volume One. Very shortly, other volumes in this series will be issued. The first part of this book is a general introduction to the role played by the Ancient Egyptians in the origin and evolution of Mathematics, Astronomy, Medicine & Surgery, Navigation & Cartography, Architecture, Construction and other areas that are more controversial. The second part of the book focuses on one monument--the Great Pyramid of Giza. In this section, I review the discussions and speculations of what the Ancient Egyptians probably knew about pi, phi, the Dimensions of the Earth, etcetera. Robin Walker

Come for a walk with me, if you would, along the streets of Jerusalem.

My family has walked has walked these streets for more than a thousand years. . .

Come for a walk with me, if you would, along the streets of Jerusalem.

My family has walked has walked these streets for more than a thousand years. . .

Rashid Khalidi invites readers to learn more about Palestine in what is both a deeply personal and yet expansive account of the last hundred years of the country's history. By blending detailed research with firsthand experiences, this book is equal parts compelling and informative―the perfect educational resource for all ages. From the Balfour Declaration to Israel's siege of the Gaza strip, Khalidi delivers a thorough portrait of the intricacies of the geopolitical conflict occurring in the middle east while keeping the text broadly accessible.

By the author of the New York Times Bestseller The Hundred Years' War on Palestine

From British colonization to Israeli occupation, an essential primer on the nearly century-long fight for Palestinian liberation

A Beacon Classics edition, featuring a spot gloss cover and retro, classic palette

After over 75 years of death and dehumanization, the fight for Palestinian statehood has only grown more fervent, the stakes more dire than ever before. Israel’s increasingly violent occupation has culminated in a one-sided war, with Palestinians unable to defend themselves against Israel’s military assault. What led to the longest—and one of the deadliest—ongoing military occupations in the world? In The Iron Cage, Rashid Khalidi, one of the foremost scholars of Middle Eastern history, traces the origins of today’s war through sociopolitical and cultural analysis.

Drawing on a wealth of experience and scholarship, Khalidi offers crucial historical context of Palestinian attempts to achieve statehood. He tracks how settler colonialists—first the British, then the Israelis—ensnared Palestinians behind the bars of an “iron cage.” This cage bred the conditions for ineffective Palestinian leadership that would ultimately strengthen the bars that confined them.

Reflective and well-researched, The Iron Cage is an incisive negotiation with the past. Khalidi examines the internal and external failures of the late 19th and early 20th centuries to ground our understanding of the harrowing realities in the region today. Reading this vital chronicle is the first step in disrupting complicity and thinking about the future of the Middle East.

A deeply moving photographic and narrative history of a southern waterway that the enslaved were forced to build for mercantile shipping—but which they used to escape slavery.

With gorgeously rich tritone photographs and a hard-bound cover with tip-in, perfect for fine art or history lovers.

Some of the earliest canals in colonial America, referred to as the Inner Passage, were constructed by enslaved people living in the Lowcountry of South Carolina in the early 1700s. In a paradox of history, for over a hundred years enslaved Black people used these canals, constructed for white plantation owners, to travel southward to freedom in Spanish Florida.

In this book, Virginia McGee Richards documents the lost narrative of the Inner Passage through 60 extraordinary photographs of landscapes altered by slavery and portraits of Lowcountry descendants, along with an essay describing her discovery of this untold history. In an accompanying essay, Imani Perry writes about her own journey on the Inner Passage, putting Black resistance to enslavement and Southern history into an immediate context. James Estrin brings decades of insight about photography and the power of visual storytelling to his affecting foreword. Together, these words and images offer a powerful living map of history.

How Europe Underdeveloped Africa is an ambitious masterwork of political economy, detailing the impact of slavery and colonialism on the history of international capitalism. In this classic book, Rodney makes the unflinching case that African maldevelopment is not a natural feature of geography, but a direct product of imperial extraction from the continent, a practice that continues up into the present. Meticulously researched, How Europe Underdeveloped Africa remains an unshakably relevant study of the so-called "great divergence" between Africa and Europe, just as it remains a prescient resource for grasping the the multiplication of global inequality today.

In this new edition, Angela Davis offers a striking foreword to the book, exploring its lasting contributions to a revolutionary and feminist practice of anti-imperialism.

The first full and definitive narrative of one of the most shocking and largely unknown events of racial injustice in US history: the execution of nineteen Black soldiers in Texas

On the sweltering, rainy night of August 23, 1917, one of the most consequential events affecting America’s long legacy of racism and injustice began in Houston, Texas. Inflamed by a rumor that a white mob was arming to attack them, and after weeks of police harassment, more than 100 African American soldiers of the 3rd Battalion, 24th Infantry Regiment, took their weapons without authorization and, led by a sergeant, marched into the largely Black San Felipe district of the city. Violent confrontations with police and civilians ensued and nineteen lives were lost.

The Army moved quickly to court-martial 118 soldiers on charges of mutiny and murder, even though a majority of the soldiers involved had never fired their weapons. Inadequately defended en masse by a single officer who was not a lawyer and had no experience in capital cases, in three trials undermined by perjured testimony and clear racial bias, and confronted by an all-white tribunal committed to a rapid judgment, 110 Black soldiers were found guilty—despite the fact that no mutiny had, in fact, taken place. In the predawn darkness of December 11, thirteen of them were hanged at Fort Sam Houston in San Antonio—hastily and in secret, without any chance to appeal. News of the largest mass execution in the Army’s history outraged the country and inspired preventive legislation; and yet six more Black soldiers were executed in early 1918 and the rest were sentenced to life in prison.

The Houston Incident, as it became known, has remained largely untold, a deep stain on the Army’s record and pride. Award-winning historian and Army veteran John A. Haymond has spent six years researching the events surrounding the Incident and leading the efforts that ultimately led, in November 2023, to the largest act of retroactive clemency in the Army’s history when the verdicts were overturned and honorable discharges awarded to all the soldiers involved. His dramatic chronicle of what transpired—situated amongst the rampant racism in Texas and the country—is a crucially important and harrowing reminder of our racially violent past, offering the promise that justice, even posthumously, can prevail.

Landscapes are key to the Black Atlantic. The history of how Africans and their descendants populated and transformed nations, regions, and ecosystems has always been attentive to the multiple meanings embedded in the landscapes of the Atlantic rim. More recently, the study of archival silences, Black geographies, fugitivity, and the connections between environment and identity has refreshed traditional conversations and formulated new perspectives of analysis, a shift that acts as the focus of Black Atlantic Worlds: Landscape Histories of the African Diaspora.

Based on the Dumbarton Oaks 2023 symposium on Black Atlantic landscapes, this volume features the work of scholars from distinct disciplines addressing West African Atlantization processes on both land and water, struggles over voice and agency in landscape representation, Black geographies as a conduit for religion and spirituality, and the unexpected and connective diasporic meanings of urban landscapes. By engaging and building upon the ever-evolving paradigms of Afro-diasporic studies, these contributions illuminate the hidden figures, strategies, and ideas that constitute the Black Atlantic.

This volume is the powerful final book by Dr. Martin Luther King and his reflections after a decade of civil rights struggles—part of Dr. King’s archives published exclusively by HarperCollins.

In 1967 during a turning point in the Civil Rights Movement, Dr. Martin Luther King, Jr., sought new perspectives while on a respite in Jamaica, where he labored over his final manuscript.

Here, in this poetic call to change the world, King addresses internal tensions within the movement and external resistance to racial justice, urging unity through collaboration and a shared vision. He emphasizes the importance of driving change, offers guidance on wielding rage constructively, and calls for a commitment to justice, peace, and humanity.

With a universal message of hope that continues to resonate, King’s words will inspire readers to make the important choice between destruction through chaos or peace through community.

Since the first African American denomination was established in Philadelphia in 1818, churches have gone beyond their role as spiritual guides in African American communities and have served as civic institutions, spaces for education, and sites for the cultivation of individuality and identities in the face of limited or non-existent freedom.

In this Very Short Introduction, Eddie S. Glaude Jr. explores the history and circumstances of African American religion through three examples: conjure, African American Christianity, and African American Islam. He argues that the phrase "African American religion" is meaningful only insofar as it describes how through religion, African Americans have responded to oppressive conditions including slavery, Jim Crow apartheid, and the pervasive and institutionalized discrimination that exists today. This bold claim frames his interpretation of the historical record of the wide diversity of religious experiences in the African American community. He rejects the common tendency to racialize African American religious experiences as an inherent proclivity towards religiousness and instead focuses on how religious communities and experiences have developed in the African American community and the context in which these developments took place.

About the Series: Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. EveryVery Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.

This study uses the participation of free colored men, whether mulatos, pardos, or morenos (i.e., Afro-Spaniards, Afro-Indians, or "pure blacks"), in New Spain's militias as a prism for examining race relations, racial identity, racial categorization, and issues of social mobility for racially stigmatized groups in colonial Mexico. By 1793, nearly 10 percent of New Spain's population was made up of people who could trace some African ancestry―people subject to more legal disabilities and social discrimination than mestizos, who in turn fell below white creoles, who in turn fell below the Spanish-born, in the stratified and caste-like society of colonial Spanish America.

The originality of this study lies in approaching race via a single, important institution, the military, rather than via abstractions or examples taken from particular regions or single runs of legal documents. By exploring the lives of tens of thousands of part-time and full-time free colored soldiers, who served the colony as volunteers or conscripts, and by adopting a multi-regional approach, the author is able not only to show how military institutions evolved with reference to race and vice versa, but to do so in a manner that reveals discontinuities and regional differences as well as historical trends. He also is able to examine black lives beyond the institution of slavery and to achieve a more nuanced impression of the meaning of freedom in colonial times.

From the 1550s on, free colored forces figured prominently in the colony's military forces, and units of free colored soldiers evolved with increasing autonomy in the seventeenth and eighteenth centuries. The author concludes, however, that the Bourbon reforms of the 1760s―which clearly expanded the military establishment and the role of Spanish soldiers born in the New World―came at the expense of free colored companies, which experienced a reduction in both numbers and institutional privileges.

PRE-ORDER: On Sale: May 26, 2026

A gorgeous illustrated meditation on the homes of iconic Southern women, from Nina Simone to Carson McCullers

In These Long Shadows, writer Monica Nelson excavates the domestic narratives and mythologies contained within the publicly preserved homes of some of the American South's leading cultural figures.
In Virginia, readers are drawn into the garden and home of Harlem Renaissance poet Anne Spencer and encounter modernist architect Amaza Lee Meredith's International Style residence, Azurest South. Journeying south, they encounter the North Carolinian childhood homes of both influential civil rights activist Anna "Pauli" Murray, and revolutionary singer-songwriter Nina Simone. In Atlanta, readers wander into the apartment of incendiary Southern author Margaret Mitchell. In Louisiana, they gaze upon the quietly profound folk art paintings of Clementine Hunter at Melrose Plantation, and take a pilgrimage to writers' homes from the Southern Renaissance, including Flannery O'Connor, William Faulkner, Zora Neale Hurston and Carson McCullers.
These Long Shadows assembles a constellation of new visions, narratives and readings with which to examine the nation's ever-metamorphosing historical landscape. Nelson's book constitutes the third volume of The Illustrated America, Atelier Editions' ongoing anthropological survey of eclectic chapters drawn from 20th-century America's cultural past.
Monica Nelson is a writer and graphic designer based in New York and Savannah. She has developed strategic visual narratives for publications, cultural institutions and brands, working with over 100 photographers. She was the founding creative and photo director of Wilder Quarterly, which fostered a floral-drenched view of the natural world, and the author of Edible Flowers (Monacelli Press, 2021).

Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon.
The essays in this collection—many of which are not widely available today—either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism.
A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience.

Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright

“Twitty makes the case that Blackness and Judaism coexist in beautiful harmony, and this is manifested in the foods and traditions from both cultures that Black Jews incorporate into their daily lives…Twitty wishes to start a conversation where people celebrate their differences and embrace commonalities. By drawing on personal narratives, his own and others’, and exploring different cultures, Twitty’s book offers important insight into the journeys of Black Jews.”—Library Journal

“A fascinating, cross-cultural smorgasbord grounded in the deep emotional role food plays in two influential American communities.”—Booklist

The James Beard award-winning author of the acclaimed The Cooking Gene explores the cultural crossroads of Jewish and African diaspora cuisine and issues of memory, identity, and food.

In Koshersoul, Michael W. Twitty considers the marriage of two of the most distinctive culinary cultures in the world today: the foods and traditions of the African Atlantic and the global Jewish diaspora. To Twitty, the creation of African-Jewish cooking is a conversation of migrations and a dialogue of diasporas offering a rich background for inventive recipes and the people who create them. 

The question that most intrigues him is not just who makes the food, but how the food makes the people. Jews of Color are not outliers, Twitty contends, but significant and meaningful cultural creators in both Black and Jewish civilizations. Koshersoul also explores how food has shaped the journeys of numerous cooks, including Twitty’s own passage to and within Judaism.

As intimate, thought-provoking, and profound as The Cooking Gene, this remarkable book teases the senses as it offers sustenance for the soul.

Koshersoul includes 48-50 recipes.

*Ships/ready for pick-up in 7-10 business days*

In stunning full color and accessible text, a graphic adaptation of the American Book Award winning history of the United States as told from the perspective of Indigenous peoples—perfect for readers of all ages

Roxanne Dunbar-Ortiz’s influential New York Times bestseller exposed the brutality of this nation’s founding and its legacy of settler-colonialism and genocide. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them.

Recognized for his adaptation of W.E.B. DuBois’ The Souls of Black Folk and his extensive expertise in the comics industry, Peart-Smith collaborates with experienced graphic novel editor Paul Buhle to provide an accessible introduction to a complex history that will attract new generations of readers of all ages. This striking graphic adaptation will rekindle crucial conversations about the centuries-long genocidal program of the US settler-colonial regime that has largely been omitted from history.

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New York Times Book Review Editors’ Choice • An award-winning author charts the poignant global journeys of African Americans as she explores her own transatlantic family odyssey in Beyond the Shores, a powerful history of living abroad while Black.
 
“By exploring the life of Black expats, creatives, and activists, Beyond the Shores enhances the stories of migration to reveal how race is lived in the United States and abroad.”—Marcia Chatelain, Pulitzer Prize–winning author of South Side Girls

Part historical exploration, part travel memoir, Beyond the Shores reveals poignant histories of a diverse group of African Americans who have left the United States over the course of the past century. Together, the interwoven stories highlight African Americans’ complicated relationship to the United States and the world at large.
 
Beyond the Shores is not just about where African Americans stayed or where they ate when they traveled but also about why they left in the first place and how they were treated once they reached their destinations. Drawing on years of research, Dr. Tamara J. Walker chronicles their experiences in atmospheric detail, taking readers from well-known capital cities to more unusual destinations like Yangiyul, Uzbekistan, and Kabondo, Kenya. She follows Florence Mills, the would-be Josephine Baker of her day, in Paris, and Richard Wright, the author turned actor and filmmaker, in Buenos Aires. Throughout Beyond the Shores, she relays tender stories of adventurous travelers, including a group of gifted Black crop scientists in the 1930s, a housewife searching for purpose in the 1950s, a Peace Corps volunteer discovering his identity in the 1970s, and her own grandfather, who, after losing his eye fighting in World War II and returning to a country that showed no signs of honoring his sacrifice, set out with his wife and children on a circuitous journey that sent them back and forth across the Atlantic. Tying these tales together is Walker’s personal account of her family’s, and her own, experiences abroad—in France, Brazil, Argentina, Austria, and beyond.
 
By sharing the accounts of those who escaped the racism of the United States to try their hands at life abroad, Beyond the Shores shines a light on the meaning of home and the search for a better life.

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With new forewords and an afterword by Martin Luther King III, Dr. Bernice A. King, and Dexter Scott King

A beautiful collectible edition celebrating the 60th anniversary of Dr. Martin Luther King Jr’s legendary speech at the March on Washington, part of Dr. King’s archives published exclusively by HarperCollins.

On August 28, 1963, Dr. Martin Luther King Jr. stood before thousands of Americans who had gathered at the Lincoln Memorial in Washington, D.C. in the name of civil rights. Including the immortal words, “I have a dream,” Dr. King’s keynote speech would energize a movement and change the course of history.

With references to the Gettysburg Address, the Emancipation Proclamation, the Declaration of Independence, the U.S. Constitution, Shakespeare, and the Bible, Dr. King’s March on Washington address has long been hailed as one of the greatest pieces of writing and oration in history. Profound and deeply moving, it is as relevant today as it was sixty years earlier.

This beautifully designed edition presents Dr. King’s speech in its entirety, paying tribute to this extraordinary leader and his immeasurable contribution, and inspiring a new generation of activists dedicated to carrying on the fight for justice and equality. 

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An “enthralling” (Michael Kazin, Washington Post) account of America’s shift from a rural and agrarian society to an urban and industrial society.

In the late nineteenth and early twentieth centuries, technological innovation made possible dramatic increases in industrial and agricultural productivity; by 1919, per-capita gross national product had soared. But this new wealth and new power were not distributed evenly. In this landmark work—with continued resonance for our times—acclaimed historian Nell Irvin Painter illuminates the class, economic, and political conflicts that defined the Progressive era. Demonstrating the ways in which racial and social hierarchies were interwoven with reform movements, she offers a lively and comprehensive view of Americans, rich and working-class, at the precipice of change.

PRE-ORDER. On Sale: June 26, 2026 (English-edition) 

PRE-ORDER. On Sale: July 5, 2026 (Spanish-edition)

A Spanish-language edition of a concise, engaging, and thoroughly revised overview of Cuba written by Cubans for anyone interested in quickly understanding the island country’s turbulent history.

Un conciso, ameno resumen de Cuba para cualquiera interesado en comprender rápidamente la turbulenta historia de este país insular.

Cuba: A Brief History covers the pre-Hispanic period, through Cuba’s struggle to maintain the revolution in the years following the collapse of the Soviet Union, to the period after Fidel Castro’s decision to step down from office, to the 2014 opening to Cuba by the Obama Administration, the retirement of Raul Castro and his replacement as president in 2018 by Miguel Diaz Canal, and finally to the reversal of Washington’s engagement with Cuba under President Trump. This slim volume provides the reader with an overview of the history and politics of the tiny Caribbean island that continues to appear at the center of world events.

Featuring a presentation and analysis of US intervention on the island, Cuba: A Brief History also includes footnotes and a bibliography for further reading. This is an essential introduction to Cuba for students, visitors, and others looking for a bird’s eye view of the turbulent history of the island that has captivated and enthralled its northern neighbors for decades.

Cuba: Una Breve Historia abarca el período prehispánico, la lucha de Cuba por mantener viva la revolución en los años siguientes al colapso de la Unión Soviética, el período luego de la decisión de Fidel Castro de ceder su puesto, la apertura de Cuba en el 2014 a la Administración de Obama, la jubilación de Raúl Castro y su reemplazo por Miguel Díaz-Canel como presidente en el 2018, y la revocación de parte del presidente Trump del compromiso de Washington con Cuba. Este corto volumen provee al lector con un pantallazo de la historia y la política de la pequeña isla caribeña que continúa siendo el foco de sucesos mundiales.

Incluye una presentación y análisis de la intervención estadounidense en la isla, Cuba: Una Breve Historia también incluye notas al pie y una bibliografía de lecturas complementarias. Esta es una introducción esencial a Cuba para estudiantes, turistas y todo aquel que desea un vistazo de pájaro de la turbulenta historia de la isla que ha cautivado y fascinado a sus vecinos del norte hace décadas.

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Feminism is a powerful new interpretation of British art from an intersectional feminist perspective, penned by one of Britain’s greatest writers

“Art museums have long drawn me into their spaces. The infinite possibilities of the language of art opens me up to methods of communication quite unlike my own. I am fascinated by the most interesting and adventurous artists, who are surely among the most innovative thinkers on the planet. I am in awe of their talent and endless inventiveness, and my imagination is nourished by theirs. I am challenged to think differently about how we might understand, recreate, reshape, reimagine life itself—animate, inanimate, spirit. My senses are stimulated, my emotions stirred, my brain whirs away in the background and I feel very much alive. When I was invited to write this book, my first time writing about art, I immediately knew that I would turn my attention on women and womxn (to include non-binary people) of color in British art because, similar to the story throughout the arts, either as creator or curator, we haven’t been very visible. This book is personal—about the art I’ve seen, and the art I’ve loved—and my interpretation of the art in the national collection and beyond, from an intersectional feminist perspective.”

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The emergence of Haiti as a sovereign Black nation lit a beacon of hope for Black people throughout the African diaspora. Leslie M. Alexander’s study reveals the untold story of how free and enslaved Black people in the United States defended the young Caribbean nation from forces intent on maintaining slavery and white supremacy. Concentrating on Haiti’s place in the history of Black internationalism, Alexander illuminates the ways Haitian independence influenced Black thought and action in the United States. As she shows, Haiti embodied what whites feared most: Black revolution and Black victory. Thus inspired, Black activists in the United States embraced a common identity with Haiti’s people, forging the idea of a united struggle that merged the destinies of Haiti with their own striving for freedom.

A bold exploration of Black internationalism’s origins, Fear of a Black Republic links the Haitian revolution to the global Black pursuit of liberation, justice, and social equality.

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In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. 

Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall.

Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological marker but something that could be learned, performed, and mastered. While Germans and Austrians located their national identity in music, championing composers such as Bach, Beethoven, and Brahms as national heroes, the performance of their works by Black musicians complicated the public's understanding of who had the right to play them. Audiences wavered between seeing these musicians as the rightful heirs of Austro-German musical culture and dangerous outsiders to it.

Thurman explores the tension between the supposedly transcendental powers of classical music and the global conversations that developed about who could perform it. An interdisciplinary and transatlantic history, Singing Like Germans suggests that listening to music is not a passive experience, but an active process where racial and gendered categories are constantly made and unmade.