In 1971, Eddie Conway, Lieutenant of Security for the Baltimore chapter of the Black Panther Party, was convicted of murdering a police officer and sentenced to life plus thirty years behind bars. Paul Coates was a community worker at the time and didn't know Eddie well -- the little he knew, he didn't much like. But Paul was dead certain that Eddie's charges were bogus. He vowed never to leave Eddie -- and in so doing, changed the course of both their lives. For over forty-three years, as he raised a family and started a business, Paul visited Eddie in prison, often taking his kids with him. He and Eddie shared their lives and worked together on dozens of legal campaigns in hopes of gaining Eddie's release. Paul's founding of the Black Classic Press in 1978 was originally a way to get books to Eddie in prison. When, in 2014, Eddie finally walked out onto the streets of Baltimore, Paul Coates was there to greet him. Today, these two men remain rock-solid comrades and friends -- each, the other's chosen brother.

When Eddie and Paul met in the Baltimore Panther Party, they were in their early twenties. They are now into their seventies. This book is a record of their lives and their relationship, told in their own voices. Paul and Eddie talk about their individual stories, their work, their politics, and their immeasurable bond.

Bourgeois Radicals explores the NAACP's key role in the liberation of Africans and Asians across the globe even as it fought Jim Crow on the home front during the long civil rights movement. In the eyes of the NAACP's leaders, the way to create a stable international system, stave off communism in Africa and Asia, and prevent capitalist exploitation was to embed human rights, with its economic and cultural protections, in the transformation of colonies into nations. Indeed, the NAACP aided in the liberation struggles of multiple African and Asian countries within the limited ideological space of the Second Red Scare. However, its vision of a “third way” to democracy and nationhood for the hundreds of millions in Asia and Africa was only partially realized due to a toxic combination of the Cold War, Jim Crow, and die-hard imperialism. Bourgeois Radicals examines the toll that internationalism took on the organization and illuminates the linkages between the struggle for human rights and the fight for colonial independence.

This study uses the participation of free colored men, whether mulatos, pardos, or morenos (i.e., Afro-Spaniards, Afro-Indians, or "pure blacks"), in New Spain's militias as a prism for examining race relations, racial identity, racial categorization, and issues of social mobility for racially stigmatized groups in colonial Mexico. By 1793, nearly 10 percent of New Spain's population was made up of people who could trace some African ancestry―people subject to more legal disabilities and social discrimination than mestizos, who in turn fell below white creoles, who in turn fell below the Spanish-born, in the stratified and caste-like society of colonial Spanish America.

The originality of this study lies in approaching race via a single, important institution, the military, rather than via abstractions or examples taken from particular regions or single runs of legal documents. By exploring the lives of tens of thousands of part-time and full-time free colored soldiers, who served the colony as volunteers or conscripts, and by adopting a multi-regional approach, the author is able not only to show how military institutions evolved with reference to race and vice versa, but to do so in a manner that reveals discontinuities and regional differences as well as historical trends. He also is able to examine black lives beyond the institution of slavery and to achieve a more nuanced impression of the meaning of freedom in colonial times.

From the 1550s on, free colored forces figured prominently in the colony's military forces, and units of free colored soldiers evolved with increasing autonomy in the seventeenth and eighteenth centuries. The author concludes, however, that the Bourbon reforms of the 1760s―which clearly expanded the military establishment and the role of Spanish soldiers born in the New World―came at the expense of free colored companies, which experienced a reduction in both numbers and institutional privileges.

Examines John Coltrane's "late period" and Miles Davis's "Lost Quintet" through the prisms of digital architecture and experimental photography

Living Space: John Coltrane, Miles Davis, and Free Jazz, from Analog to Digital fuses biography and style history in order to illuminate the music of two jazz icons, while drawing on the discourses of photography and digital architecture to fashion musical insights that may not be available through the traditional language of jazz analysis. The book follows the controversial trajectories of two jazz legends, emerging from the 1959 album Kind of Blue. Coltrane's odyssey through what became known as "free jazz" brought stylistic (r)evolution and chaos in equal measure. Davis's spearheading of "jazz-rock fusion" opened a door through which jazz's ongoing dialogue with the popular tradition could be regenerated, engaging both high and low ideas of creativity, community, and commerce. Includes 42 illustrations.

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An acclaimed historian narrates the stories of newly emancipated children who were re-enslaved by white masters through apprenticeships and their parents fights to free them

While the Thirteenth Amendment abolished slavery, white southerners established a system of apprenticeship after the Civil War that entrapped Black children and their families, leading to undue hardships for generations to come. In Slavery After Slavery, historian Mary Frances Berry traces the stories behind individual cases from southern supreme courts to demonstrate how formerly enslaved families and their descendants were systemically injured through white supremacist practices, perpetuated by the legal system.

By filling in the family trees of formerly enslaved people to their descendants, Berry documents the intergenerational harm they experienced. The resulting damage of trafficking Black children through apprenticeship laws has been a largely overlooked source of inequality, yet these cases provide specific examples of the kind of economic and physical harm Black families have endured.

Slavery After Slavery tells individual stories, but the fates of their descendants tell our collective American story—contributing powerfully to a case for reparations and restorative justice.

PRE-ORDER: ON SALE DATE: January 20, 2026

A gorgeous illustrated meditation on the homes of iconic Southern women, from Nina Simone to Carson McCullers

In These Long Shadows, writer Monica Nelson excavates the domestic narratives and mythologies contained within the publicly preserved homes of some of the American South's leading cultural figures.
In Virginia, readers are drawn into the garden and home of Harlem Renaissance poet Anne Spencer and encounter modernist architect Amaza Lee Meredith's International Style residence, Azurest South. Journeying south, they encounter the North Carolinian childhood homes of both influential civil rights activist Anna "Pauli" Murray, and revolutionary singer-songwriter Nina Simone. In Atlanta, readers wander into the apartment of incendiary Southern author Margaret Mitchell. In Louisiana, they gaze upon the quietly profound folk art paintings of Clementine Hunter at Melrose Plantation, and take a pilgrimage to writers' homes from the Southern Renaissance, including Flannery O'Connor, William Faulkner, Zora Neale Hurston and Carson McCullers.
These Long Shadows assembles a constellation of new visions, narratives and readings with which to examine the nation's ever-metamorphosing historical landscape. Nelson's book constitutes the third volume of The Illustrated America, Atelier Editions' ongoing anthropological survey of eclectic chapters drawn from 20th-century America's cultural past.
Monica Nelson is a writer and graphic designer based in New York and Savannah. She has developed strategic visual narratives for publications, cultural institutions and brands, working with over 100 photographers. She was the founding creative and photo director of Wilder Quarterly, which fostered a floral-drenched view of the natural world, and the author of Edible Flowers (Monacelli Press, 2021).

Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon.
The essays in this collection—many of which are not widely available today—either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism.
A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience.

Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright

NOW A NEW YORK TIMES AND A USA TODAY BESTSELLER

WINNER, 2024 GODDARD RIVERSIDE STEPHAN RUSSO BOOK PRIZE FOR SOCIAL JUSTICE

FINALIST, LOS ANGELES TIMES BOOK PRIZE

“I am an eighties baby who grew to hate school. I never fully understood why. Until now. Until Bettina Love unapologetically and painstakingly chronicled the last forty years of education ‘reform’ in this landmark book. I hated school because it warred on me. I hated school because I loved to dream.”
―Ibram X. Kendi, New York Times bestselling author of How to be an Antiracist

In the tradition of Michelle Alexander, an unflinching reckoning with the impact of 40 years of racist public school policy on generations of Black lives

In Punished for Dreaming, Dr. Bettina Love argues that Reagan’s presidency ushered in a War on Black Children. New policies punished schools with policing, closure, and loss of funding in the name of reform, as white-savior egalitarian efforts increasingly allowed private interests to infiltrate the system. These changes implicated children of color, and Black children in particular, as low performing, making it all too easy to turn a blind eye to their disproportionate conviction and incarceration. This book examines how decades of racist education policies have paved the way for the current structural overhaul of American schools. In this prequel to Michelle Alexander’s The New Jim Crow, Dr. Love serves up a blistering account of four decades of educational reform through the lens of the people who lived it. Then with input from leading U.S. economists, Dr. Love offers a road map for repair, arguing for reparations with transformation for all children at its core.

Sam Cooke's legendary and beloved civil rights anthem is brought to life for the first time with stunning illustrations by Nikkolas Smith.

I was born by the river in a little tent.
Oh, and just like the river, I've been a-runnin' ever since.
It's been a long, a long time coming,
but I know a change gonna come. Oh yes, it will.

The immortal lyrics of Sam Cooke's inspiring civil rights anthem are among the most powerful in music history. Written as an ode to the struggles and joy of Black Americans living under the oppression of Jim Crow, "A Change Is Gonna Come" became a rallying cry for justice and equality when it was shared in 1964. Now, more than sixty years later, the fight for freedom continues, and these sweeping lyrics remain as important and soul stirring as ever.

Alongside Sam Cooke's inspiring words, Nikkolas Smith's breathtaking art guides young readers through pivotal moments in American history. The award-winning illustrator of The 1619 Project: Born on the Water, powerfully references civil rights milestones and Black freedom fighters, empowering all of us to continue the mission of change.

Includes a QR code link to Sam Cooke's iconic recording.

From TikTok star and creator of Fast Black History Taylor Cassidy comes a witty, lightly illustrated nonfiction debut that blends history and memoir in a joyful celebration of Black American historical figures.

Meet Taylor Cassidy, Black history enthusiast and creator of the viral TikTok series Fast Black History. In her debut book, Taylor takes readers on a journey through the Black history she wishes she was taught in school. With sparkling wit and humor—and lots of fun pop culture references—she paints a vibrant picture of twelve figures from Black history whose groundbreaking contributions shaped America as we know it today. Introducing icons from activists to literary giants, movie stars to Olympic gold medalists, fashion designers to astronauts, and more, this one-of-a-kind collection makes Black history relatable, relevant, and utterly irresistible.

Using Black history as inspiration, Taylor weaves together research and personal anecdotes that illuminate each trailblazer’s impact on her own life—as well as sharing plenty of triumphant, funny, and embarrassing moments from her past. From navigating friend breakups and unrequited crushes to setting boundaries and fighting self-doubt, Taylor’s been there…and she’s learned some valuable life lessons along the way.

This book is a joyful celebration of Black historymakers, and you’re invited to the party. Come on in and let these twelve true stories inspire you to make history of your own!

The definitive history of the slave trade in the Islamic world—a story that has been overshadowed by its notorious, but shorter-lived, Atlantic counterpart.

Slavery in the Islamic world has a long, complex, and controversial history. In the earliest days of Islam, Arab Muslims enslaved men, women and children as the spoils of war. In the following centuries, young boys were imported to imperial Islamic courts in enormous numbers. Some were castrated to serve as eunuch guardians of sacred spaces, from the imperial harem of Istanbul to the Prophet’s Mosque in Medina. Others were "harvested" by the Ottomans to serve as Janissaries, the sultan’s elite infantry unit. Some even rose to the highest levels of political and military command, making a mockery of their slave status. For wom leading concubines became powerful figures in their own right. In the ninth-century Golden Age of Baghdad, the most beautiful and accomplished courtesans were among the richest, most celebrated figures of their day. In the twentieth century, more than a thousand years later, their cosmopolitan counterparts were still entertaining Ottoman sultans.

Yet it was Africa which bore the brunt of the Islamic world’s insatiable demand for slave labour. Slavers plied its Mediterranean, Atlantic and Indian Ocean coasts, traders raided inland for human cargo, and millions of enslaved Africans trudged across the Sahara into captivity. Meanwhile, North African corsairs turned the Mediterranean into a slaving free-for-all between Muslims, Christians and Jews.

The sheer longevity of slavery was no less surprising. Arab Muslims adapted and regulated this practice within an Islamic context. Sanctioned by the Prophet Mohammed, legitimated by the Quran and holy law, slavery endured for fifteen centuries. Abolition had few champions and came late in the day—hereditary slavery continues even today in Mali and Mauritania. Captives and Companions takes the reader on an extraordinary historical journey across deserts, continents and oceans, from Baghdad to Bamako, Tripoli to Timbuktu, Istanbul to the Black Sea, and reveals a hidden but vital chapter in our understanding of world civilization.

By the late 1810s, a global revolution in cotton had remade the U.S.-Mexico border, bringing wealth and waves of Americans to the Gulf Coast while also devastating the lives and villages of Mexicans in Texas. In response, Mexico threw open its northern territories to American farmers in hopes that cotton could bring prosperity to the region. Thousands of Anglo-Americans poured into Texas, but their insistence that slavery accompany them sparked pitched battles across Mexico. An extraordinary alliance of Anglos and Mexicans in Texas came together to defend slavery against abolitionists in the Mexican government, beginning a series of fights that culminated in the Texas Revolution. In the aftermath, Anglo-Americans rebuilt the Texas borderlands into the most unlikely the first fully committed slaveholders' republic in North America.

Seeds of Empire tells the remarkable story of how the cotton revolution of the early nineteenth century transformed northeastern Mexico into the western edge of the United States, and how the rise and spectacular collapse of the Republic of Texas as a nation built on cotton and slavery proved to be a blueprint for the Confederacy of the 1860s.

A perfect book for young readers to discover lesser-known works of art and culture that have shaped Black history in the United States.

The Banjo Lesson. The Brownies Book. "Rapper's Delight." Throughout history, Black people have performed, created art, and broken barriers that helped propel the fight for equality forward. Celebrate little-known groundbreaking contributions to art and culture like these and learn about their social impact on American history in Overlooked Creations of Black Art and Culture.

ABOUT THIS SERIES:

This brand-new series is rooted in a profound commitment to shedding light on some of the important -- and often lesser-known -- aspects of Black history. From the Archives features landmarks, events, people, and artistic endeavors that have played a significant role in the Black experience in America and offers a chance to celebrate them. Written in a vivid, engaging style and featuring a colorful combination of photos and illustrations, each title serves as a powerful vehicle for education, inspiration, and empowerment for young readers.

A perfect book for young readers to discover lesser-known places that have shaped Black history in the United States.

The square in New Orleans where enslaved people met to sing, dance, and play music together. The oldest Black church still standing in the United States. The first Freedmen's colony in the country. Throughout history, Black people have founded communities, churches, and more to fight for equality. Celebrate little-known historic sites like these and learn about their social impact on American history in Hidden Landmarks of Black History.

ABOUT THIS SERIES:

This brand-new series is rooted in a profound commitment to shedding light on some of the important -- and often lesser-known -- aspects of Black history. From the Archives features landmarks, events, people, and artistic endeavors that have played a significant role in the Black experience in America and offers a chance to celebrate them. Written in a vivid, engaging style and featuring a colorful combination of photos and illustrations, each title serves as a powerful vehicle for education, inspiration, and empowerment for young readers.

Winner of the Frederick Jackson Turner Award
Winner of the John Hope Franklin Prize
Winner of the Avery O. Craven Award

Soul by Soul tells the story of slavery in antebellum America by moving away from the cotton plantations and into the slave market itself, the heart of the domestic slave trade. Taking us inside the New Orleans slave market, the largest in the nation, where 100,000 men, women, and children were packaged, priced, and sold, Walter Johnson transforms the statistics of this chilling trade into the human drama of traders, buyers, and slaves, negotiating sales that would alter the life of each. What emerges is not only the brutal economics of trading but the vast and surprising interdependencies among the actors involved.

Using recently discovered court records, slaveholders’ letters, nineteenth-century narratives of former slaves, and the financial documentation of the trade itself, Johnson reveals the tenuous shifts of power that occurred in the market’s slave coffles and showrooms. Traders packaged their slaves by “feeding them up,” dressing them well, and oiling their bodies, but they ultimately relied on the slaves to play their part as valuable commodities. Slave buyers stripped the slaves and questioned their pasts, seeking more honest answers than they could get from the traders. In turn, these examinations provided information that the slaves could utilize, sometimes even shaping a sale to their own advantage.

Johnson depicts the subtle interrelation of capitalism, paternalism, class consciousness, racism, and resistance in the slave market, to help us understand the centrality of the “peculiar institution” in the lives of slaves and slaveholders alike. His pioneering history is in no small measure the story of antebellum slavery.

This bold, innovative book promises to radically alter our understanding of the Atlantic slave trade, and the depths of its horrors. Stephanie E. Smallwood offers a penetrating look at the process of enslavement from its African origins through the Middle Passage and into the American slave market.

Smallwood's story is animated by deep research and gives us a startlingly graphic experience of the slave trade from the vantage point of the slaves themselves. Ultimately, Saltwater Slavery details how African people were transformed into Atlantic commodities in the process. She begins her narrative on the shores of seventeenth-century Africa, tracing how the trade in human bodies came to define the life of the Gold Coast. Smallwood takes us into the ports and stone fortresses where African captives were held and prepared, and then through the Middle Passage itself. In extraordinary detail, we witness these men and women cramped in the holds of ships, gasping for air, and trying to make sense of an unfamiliar sea and an unimaginable destination. Arriving in America, we see how these new migrants enter the market for laboring bodies, and struggle to reconstruct their social identities in the New World.

Throughout, Smallwood examines how the people at the center of her story-merchant capitalists, sailors, and slaves-made sense of the bloody process in which they were joined. The result is both a remarkable transatlantic view of the culture of enslavement, and a painful, intimate vision of the bloody, daily business of the slave trade.

With its radical ideology and effective tactics, the Student Nonviolent Coordinating Committee (SNCC) was the cutting edge of the civil rights movement during the 1960s. This sympathetic yet even-handed book records for the first time the complete story of SNCC's evolution, of its successes and its difficulties in the ongoing struggle to end white repression. At its birth, SNCC was composed of black college students who shared an ideology of moral radicalism. This ideology, with its emphasis on nonviolence, challenged Southern segregation. SNCC students were the earliest civil rights fighters of the Second Reconstruction. They conducted sit-ins at lunch counters, spearheaded the freedom rides, and organized voter registration, which shook white complacency and awakened black political consciousness. In the process, Carson shows, SNCC changed from a group that endorsed white middle-class values to one that questioned the basic assumptions of liberal ideology and raised the fist for black power. Indeed, SNCC's radical and penetrating analysis of the American power structure reached beyond the black community to help spark wider social protests of the 1960s, such as the anti-Vietnam War movement. Carson's history of SNCC goes behind the scene to determine why the group's ideological evolution was accompanied by bitter power struggles within the organization. Using interviews, transcripts of meetings, unpublished position papers, and recently released FBI documents, he reveals how a radical group is subject to enormous, often divisive pressures as it fights the difficult battle for social change.

“Twitty makes the case that Blackness and Judaism coexist in beautiful harmony, and this is manifested in the foods and traditions from both cultures that Black Jews incorporate into their daily lives…Twitty wishes to start a conversation where people celebrate their differences and embrace commonalities. By drawing on personal narratives, his own and others’, and exploring different cultures, Twitty’s book offers important insight into the journeys of Black Jews.”—Library Journal

“A fascinating, cross-cultural smorgasbord grounded in the deep emotional role food plays in two influential American communities.”—Booklist

The James Beard award-winning author of the acclaimed The Cooking Gene explores the cultural crossroads of Jewish and African diaspora cuisine and issues of memory, identity, and food.

In Koshersoul, Michael W. Twitty considers the marriage of two of the most distinctive culinary cultures in the world today: the foods and traditions of the African Atlantic and the global Jewish diaspora. To Twitty, the creation of African-Jewish cooking is a conversation of migrations and a dialogue of diasporas offering a rich background for inventive recipes and the people who create them. 

The question that most intrigues him is not just who makes the food, but how the food makes the people. Jews of Color are not outliers, Twitty contends, but significant and meaningful cultural creators in both Black and Jewish civilizations. Koshersoul also explores how food has shaped the journeys of numerous cooks, including Twitty’s own passage to and within Judaism.

As intimate, thought-provoking, and profound as The Cooking Gene, this remarkable book teases the senses as it offers sustenance for the soul.

Koshersoul includes 48-50 recipes.

A new collection of the seminal writings and speeches of a legendary writer, orator, and civil rights leader
 
This compact volume offers a full course on the remarkable, diverse career of Frederick Douglass, letting us hear once more a necessary historical figure whose guiding voice is needed now as urgently as ever. Edited by renowned scholar Henry Louis Gates, Jr., and Pulitzer Prize–nominated historian John Stauffer, The Portable Frederick Douglass includes the full range of Douglass’s works: the complete Narrative of the Life of Frederick Douglass, as well as extracts from My Bondage and My Freedom and Life and Times of Frederick Douglass; The Heroic Slave, one of the first works of African American fiction; the brilliant speeches that launched his political career and that constitute the greatest oratory of the Civil War era; and his journalism, which ranges from cultural and political critique (including his early support for women’s equality) to law, history, philosophy, literature, art, and international affairs, including a never-before-published essay on Haitian revolutionary Toussaint L’Ouverture.
 
The Portable Frederick Douglass is the latest addition in a series of African American classics curated by Henry Louis Gates, Jr. First published in 2008, the series reflects a selection of great works of fiction, nonfiction, and poetry by African and African American authors introduced and annotated by leading scholars and acclaimed writers in new or updated editions for Penguin Classics. In his series essay, “What Is an African American Classic?” Gates provides a broader view of the canon of classics of African American literature available from Penguin Classics and beyond. Gates writes, “These texts reveal the human universal through the African American particular: all true art, all classics do this; this is what ‘art’ is, a revelation of that which makes each of us sublimely human, rendered in the minute details of the actions and thoughts and feelings of a compelling character embedded in a time and place.”
 
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Based off of the bestselling author's family history, this novel tells the story of Kunta Kinte, who is sold into slavery in the United States where he and his descendants live through major historic events.

When Roots was first published forty years ago, the book electrified the nation: it received a Pulitzer Prize and was a #1 New York Times bestseller for 22 weeks. The celebrated miniseries that followed a year later was a coast-to-coast event-over 130 million Americans watched some or all of the broadcast. In the four decades since then, the story of the young African slave Kunta Kinte and his descendants has lost none of its power to enthrall and provoke.

Now, Roots once again bursts onto the national scene, and at a time when the race conversation has never been more charged. It is a book for the legions of earlier readers to revisit and for a new generation to discover.

To quote from the introduction by Michael Eric Dyson: "Alex Haley's Roots is unquestionably one of the nation's seminal texts. It affected events far beyond its pages and was a literary North Star.... Each generation must make up its own mind about how it will navigate the treacherous waters of our nation's racial sin. And each generation must overcome our social ills through greater knowledge and decisive action. Roots is a stirring reminder that we can achieve these goals only if we look history squarely in the face."

The star- studded cast in this new event series includes Academy Award-winners Forest Whitaker and Anna Paquin, Laurence Fishburne, Jonathan Rhys Meyers, Derek Luke, Grammy Award-winner Tip "T.I." Harris, and Mekhi Phifer. Questlove of The Roots is the executive music producer for the miniseries's stirring soundtrack.

Tucked in a bend of the Trinity River a few minutes from downtown Fort Worth, the Garden of Eden neighborhood has endured for well over a century as a homeplace for freed African American slaves and their descendants.

Among the earliest inhabitants in the Garden, Major and Malinda Cheney assembled over 200 acres of productive farmland on which they raised crops and cattle, built a substantial home for their children, and weathered a series of family crises that ranged from a false accusation of rape and attempted lynching to the murder of their eldest son.

Major and Malinda Cheney’s great-great-grandson, Drew Sanders, recounts engaging tales of the family’s life against the backdrop of Fort Worth and Tarrant County history—among them stories about the famous family Sunday dinners (recipes included).

Though some family members, including writer Bob Ray Sanders and transplant specialist Dollie Gentry, no longer live in this special place, life in the Garden of Eden still shapes the family’s character and binds them to the homeplace.

Claudia Jones stood at many crossroads. Her world was one of heated battles for Black liberation, of anti-fascism in the build-up to World War II, of national liberation struggles across the Global South, of the US government persecuting her and her comrades for their activism and membership in the Communist Party. And as a Black woman, she was also determined to bring to light how race and gender are embedded in and essential to the struggles of the working class.

At a time when the hegemony of imperialism and capitalism remain strong while new contradictions and signs of struggle arise, Jones' political writings are a lesson in identifying the most urgent tasks for moving socialism, the political project of the working class, forward. From her poetry, to newspaper articles, to pamphlets, to speeches, A Fighting Dream: The Political Writings of Claudia Jones brings her to us as she was: unrelenting, fearless, and a Communist.

Claudia Jones challenges us all to stand with our principles, to build organization, and to clearly see how understanding the intersectional aspects of our struggle is crucial for the liberation of humanity and the planet.

A shocking and revelatory account of the murder of Emmett Till that lays bare how forces from around the world converged on the Mississippi Delta in the long lead-up to the crime, and how the truth was erased for so long

Wright Thompson’s family farm in Mississippi is 23 miles from the site of one of the most notorious and consequential killings in American history, yet he had to leave the state for college before he learned the first thing about it. To this day, fundamental truths about the crime are widely unknown, including where it took place and how many people were involved. This is no accident: the cover-up began at once, and it is ongoing. 

In August 1955, two men, Roy Bryant and J.W. Milam, were charged with the torture and murder of the 14-year-old Emmett Till in Money, Mississippi. After their inevitable acquittal in a mockery of justice, they gave a false confession to a journalist, which was misleading about where the long night of hell took place and who was involved. In fact, Wright Thompson reveals, at least eight people can be placed at the scene, which was inside the barn of one of the killers, on a plot of land within the six-square-mile grid whose official name is Township 22 North, Range 4 West, Section 2, West Half, fabled in the Delta of myth as the birthplace of the blues on nearby Dockery Plantation.

Even in the context of the racist caste regime of the time, the four-hour torture and murder of a Black boy barely in his teens for whistling at a young white woman was acutely depraved; Till’s mother Mamie Till-Mobley’s decision to keep the casket open seared the crime indelibly into American consciousness. Wright Thompson has a deep understanding of this story—the world of the families of both Emmett Till and his killers, and all the forces that aligned to place them together on that spot on the map. As he shows, the full horror of the crime was its inevitability, and how much about it we still need to understand. Ultimately this is a story about property, and money, and power, and white supremacy. It implicates all of us. In The Barn, Thompson brings to life the small group of dedicated people who have been engaged in the hard, fearful business of bringing the truth to light. Putting the killing floor of the barn on the map of Township 22 North, Range 4 West, Section 2, West Half, and the Delta, and America, is a way of mapping the road this country must travel if we are to heal our oldest, deepest wound.

Kofi Dᴐnkᴐ was a blacksmith and farmer, as well as an important healer, intellectual, spiritual leader, settler of disputes, and custodian of shared values for his Ghanaian community. In Our Own Way in This Part of the World Kwasi Konadu centers Dᴐnkᴐ's life story and experiences in a communography of Dᴐnkᴐ's community and nation from the late nineteenth century through the end of the twentieth, which were shaped by historical forces from colonial Ghana's cocoa boom to decolonization and political and religious parochialism. Although Dᴐnkᴐ touched the lives of thousands of citizens and patients, neither he nor they appear in national or international archives covering the region. Yet his memory persists in his intellectual and healing legacy, and the story of his community offers a non-national, decolonized example of social organization structured around spiritual forces that serves as a powerful reminder of the importance for scholars to take their cues from the lived experiences and ideas of the people they study.

In the 19th century, Galveston shores were a gateway for immigrants to Texas and destinations beyond. Slaves, the forced immigrants, were brought to Galveston as property for sale. The largest slave trade operation in Galveston was implemented by Jean Laffite, a pirate. His slave trade business began around 1818. However, for the most part, slaves entering the port of Galveston were destined for other Texas cities and other states. Images of America: African Americans of Galveston presents the community life and accomplishments of Galveston slaves, the descendants of slaves, and descendants of those who migrated to Galveston after the Civil War. The book celebrates Galveston's African American culture from the 1840s to the 1960s.

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In stunning full color and accessible text, a graphic adaptation of the American Book Award winning history of the United States as told from the perspective of Indigenous peoples—perfect for readers of all ages

Roxanne Dunbar-Ortiz’s influential New York Times bestseller exposed the brutality of this nation’s founding and its legacy of settler-colonialism and genocide. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them.

Recognized for his adaptation of W.E.B. DuBois’ The Souls of Black Folk and his extensive expertise in the comics industry, Peart-Smith collaborates with experienced graphic novel editor Paul Buhle to provide an accessible introduction to a complex history that will attract new generations of readers of all ages. This striking graphic adaptation will rekindle crucial conversations about the centuries-long genocidal program of the US settler-colonial regime that has largely been omitted from history.

An exceptional resource, this comprehensive reader brings together primary and secondary documents related to efforts to redress historical wrongs against African Americans. These varied efforts are often grouped together under the rubric “reparations movement,” and they are united in their goal of “repairing” the injustices that have followed from the long history of slavery and Jim Crow. Yet, as this collection reveals, there is a broad range of opinions as to the form that repair might take. Some advocates of redress call for apologies; others for official acknowledgment of wrongdoing; and still others for more tangible reparations: monetary compensation, government investment in disenfranchised communities, the restitution of lost property and rights, and repatriation.

Written by activists and scholars of law, political science, African American studies, philosophy, economics, and history, the twenty-six essays include both previously published articles and pieces written specifically for this volume. Essays theorize the historical and legal bases of claims for redress; examine the history, strengths, and limitations of the reparations movement; and explore its relation to human rights and social justice movements in the United States and abroad. Other essays evaluate the movement’s primary strategies: legislation, litigation, and mobilization. While all of the contributors support the campaign for redress in one way or another, some of them engage with arguments against reparations.

Among the fifty-three primary documents included in the volume are federal, state, and municipal acts and resolutions; declarations and statements from organizations including the Black Panther Party and the NAACP; legal briefs and opinions; and findings and directives related to the provision of redress, from the Oklahoma Commission to Study the Tulsa Race Riot of 1921 to the mandate for the Greensboro Truth and Reconciliation Commission. Redress for Historical Injustices in the United States is a thorough assessment of the past, present, and future of the modern reparations movement.

Contributors. Richard F. America, Sam Anderson, Martha Biondi, Boris L. Bittker, James Bolner, Roy L. Brooks, Michael K. Brown, Robert S. Browne, Martin Carnoy, Chiquita Collins, J. Angelo Corlett, Elliott Currie, William A. Darity, Jr., Adrienne Davis, Michael C. Dawson, Troy Duster, Dania Frank, Robert Fullinwider, Charles P. Henry, Gerald C. Horne, Robert Johnson, Jr., Robin D. G. Kelley, Jeffrey R. Kerr-Ritchie, Theodore Kornweibel, Jr., David Lyons, Michael T. Martin, Douglas S. Massey , Muntu Matsimela , C. J. Munford, Yusuf Nuruddin, Charles J. Ogletree Jr., Melvin L. Oliver, David B. Oppenheimer, Rovana Popoff, Thomas M. Shapiro, Marjorie M. Shultz, Alan Singer, David Wellman, David R. Williams, Eric K. Yamamoto, Marilyn Yaquinto

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New York Times Book Review Editors’ Choice • An award-winning author charts the poignant global journeys of African Americans as she explores her own transatlantic family odyssey in Beyond the Shores, a powerful history of living abroad while Black.
 
“By exploring the life of Black expats, creatives, and activists, Beyond the Shores enhances the stories of migration to reveal how race is lived in the United States and abroad.”—Marcia Chatelain, Pulitzer Prize–winning author of South Side Girls

Part historical exploration, part travel memoir, Beyond the Shores reveals poignant histories of a diverse group of African Americans who have left the United States over the course of the past century. Together, the interwoven stories highlight African Americans’ complicated relationship to the United States and the world at large.
 
Beyond the Shores is not just about where African Americans stayed or where they ate when they traveled but also about why they left in the first place and how they were treated once they reached their destinations. Drawing on years of research, Dr. Tamara J. Walker chronicles their experiences in atmospheric detail, taking readers from well-known capital cities to more unusual destinations like Yangiyul, Uzbekistan, and Kabondo, Kenya. She follows Florence Mills, the would-be Josephine Baker of her day, in Paris, and Richard Wright, the author turned actor and filmmaker, in Buenos Aires. Throughout Beyond the Shores, she relays tender stories of adventurous travelers, including a group of gifted Black crop scientists in the 1930s, a housewife searching for purpose in the 1950s, a Peace Corps volunteer discovering his identity in the 1970s, and her own grandfather, who, after losing his eye fighting in World War II and returning to a country that showed no signs of honoring his sacrifice, set out with his wife and children on a circuitous journey that sent them back and forth across the Atlantic. Tying these tales together is Walker’s personal account of her family’s, and her own, experiences abroad—in France, Brazil, Argentina, Austria, and beyond.
 
By sharing the accounts of those who escaped the racism of the United States to try their hands at life abroad, Beyond the Shores shines a light on the meaning of home and the search for a better life.

The perfect primer for kids ages 8-12, A Child's Introduction to Asian American and Pacific Islander History is packed with remarkable stories, groundbreaking events, and inspirational people, that have made a lasting impact on the history and culture of the United States.

The latest entry in the award-winning Child’s Introduction series is an inspirational and essential look at the impact and influence that AAPI peoples have made to the culture of the United States. The book is packed with profiles of dozens of AAPI trailblazers from from all walks of life, including political activist Grace Lee Boggs, Vice President Kamala Harris, actor Dwayne “The Rock” Johnson, and dozens of others who have made contributions to music, food, sciences, technology, and more. Kids will learn key terms like "Asian American" and "Pacific Islander," how to pronounce common Asian names,  and the discrimination members of the community have faced (and continue to face). They will be introduced to a wide variety of traditions, from Diwali to Lunar New Year and signature dishes, like poi and pho, all giving greater visibility to Asian Americans for young learners. 
 
Featuring charming illustrations and a lively design, as well as a pull-out poster, A Child's Introduction to Asian American and Pacific Islander History is much-needed addition every home library and classroom.

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With new forewords and an afterword by Martin Luther King III, Dr. Bernice A. King, and Dexter Scott King

A beautiful collectible edition celebrating the 60th anniversary of Dr. Martin Luther King Jr’s legendary speech at the March on Washington, part of Dr. King’s archives published exclusively by HarperCollins.

On August 28, 1963, Dr. Martin Luther King Jr. stood before thousands of Americans who had gathered at the Lincoln Memorial in Washington, D.C. in the name of civil rights. Including the immortal words, “I have a dream,” Dr. King’s keynote speech would energize a movement and change the course of history.

With references to the Gettysburg Address, the Emancipation Proclamation, the Declaration of Independence, the U.S. Constitution, Shakespeare, and the Bible, Dr. King’s March on Washington address has long been hailed as one of the greatest pieces of writing and oration in history. Profound and deeply moving, it is as relevant today as it was sixty years earlier.

This beautifully designed edition presents Dr. King’s speech in its entirety, paying tribute to this extraordinary leader and his immeasurable contribution, and inspiring a new generation of activists dedicated to carrying on the fight for justice and equality. 

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An “enthralling” (Michael Kazin, Washington Post) account of America’s shift from a rural and agrarian society to an urban and industrial society.

In the late nineteenth and early twentieth centuries, technological innovation made possible dramatic increases in industrial and agricultural productivity; by 1919, per-capita gross national product had soared. But this new wealth and new power were not distributed evenly. In this landmark work—with continued resonance for our times—acclaimed historian Nell Irvin Painter illuminates the class, economic, and political conflicts that defined the Progressive era. Demonstrating the ways in which racial and social hierarchies were interwoven with reform movements, she offers a lively and comprehensive view of Americans, rich and working-class, at the precipice of change.

PRE-ORDER. On Sale: December 2, 2025

A Spanish-language edition of a concise, engaging, and thoroughly revised overview of Cuba written by Cubans for anyone interested in quickly understanding the island country’s turbulent history.

Un conciso, ameno resumen de Cuba para cualquiera interesado en comprender rápidamente la turbulenta historia de este país insular.

Cuba: A Brief History covers the pre-Hispanic period, through Cuba’s struggle to maintain the revolution in the years following the collapse of the Soviet Union, to the period after Fidel Castro’s decision to step down from office, to the 2014 opening to Cuba by the Obama Administration, the retirement of Raul Castro and his replacement as president in 2018 by Miguel Diaz Canal, and finally to the reversal of Washington’s engagement with Cuba under President Trump. This slim volume provides the reader with an overview of the history and politics of the tiny Caribbean island that continues to appear at the center of world events.

Featuring a presentation and analysis of US intervention on the island, Cuba: A Brief History also includes footnotes and a bibliography for further reading. This is an essential introduction to Cuba for students, visitors, and others looking for a bird’s eye view of the turbulent history of the island that has captivated and enthralled its northern neighbors for decades.

Cuba: Una Breve Historia abarca el período prehispánico, la lucha de Cuba por mantener viva la revolución en los años siguientes al colapso de la Unión Soviética, el período luego de la decisión de Fidel Castro de ceder su puesto, la apertura de Cuba en el 2014 a la Administración de Obama, la jubilación de Raúl Castro y su reemplazo por Miguel Díaz-Canel como presidente en el 2018, y la revocación de parte del presidente Trump del compromiso de Washington con Cuba. Este corto volumen provee al lector con un pantallazo de la historia y la política de la pequeña isla caribeña que continúa siendo el foco de sucesos mundiales.

Incluye una presentación y análisis de la intervención estadounidense en la isla, Cuba: Una Breve Historia también incluye notas al pie y una bibliografía de lecturas complementarias. Esta es una introducción esencial a Cuba para estudiantes, turistas y todo aquel que desea un vistazo de pájaro de la turbulenta historia de la isla que ha cautivado y fascinado a sus vecinos del norte hace décadas.