Until now, you've only heard one side of the story: how Abraham Lincoln defeated the Confederacy to end slavery, but the truth involves a vast network of abolitionists who would keep fighting for freedom long after the end of the war. Here's the true story of the Civil War and Reconstruction, from the African American perspective.

By 1850, Africans had already been in the United States for nearly 300 years. Their labor created a strong economy and defined American society in profound ways, but their rights nearly tore the country apart, a century after its founding.

The beginning of the Civil War marked a turning point: the beginning of a public fight to recognize African Americans as Americans. Though much of this played out on the battlefield, the real fight was going on in every corner of the country: North and South, free households and enslaved, in the halls of government and secret meetings. That fight didn't end when the South surrendered, and young people were central to the way abolitionists envisioned the future. From soldiers to public speakers to the Underground Railroad, this is the true story of the African American experience of the Civil War and Reconstruction.

Palestinian women are an essential—often silenced—part of global struggles for freedom. They are at the forefront of the anti-colonial struggle against Israel’s occupation of their lands, as well as being comrades in intersecting movements worldwide.

This series of interviews with Palestinian women living across Palestine and in the diaspora include a journalist on the front line of resistance against settlers and the Israeli army in the West Bank, a BDS activist, a doctor exposing Israel’s deliberate targeting of medical infrastructure as part of its genocidal assault on Gaza, an organiser who critiques the Palestinian Authority’s repression of social media and those making their voices heard in the diaspora, and others.

Everything We Thought Was Beautiful: Interviews with Radical Palestinian Women broadcasts these women’s struggles in their own words and on all fronts—against colonialism, white supremacy, conservatism, patriarchy, state control—and Israel’s occupation. They discuss their politics, the fight for freedom, and their hope for the future.

Complied by Shoal Collective, a co-operative of independent writers and researchers writing for social justice and a world beyond capitalism, the voices include Ayah Al-Ghazzawi, Lina Nabulsy, Samah Fadil, Diana Khwaelid, Shahd Abusalama, Sireen Khudairy, Lama Suleiman, Shrouq Aila, Rana Abu Rahmah, Shatha Abu Srour, Ghada Hamdan, Mona Al-Farra, and Faiza Abu Shamsiyah with a Foreword by Huwaida Arraf.

TWENTY-FIFTH ANNIVERSARY EDITION

The acclaimed collection of Black photography, now featuring more than one hundred photographs from twenty-first-century artists, fundamentally redefines our understanding of American history.

“If a picture truly is worth a thousand words, then Deborah Willis has given us nothing less than an epic history of Homeric proportions. Taken together, Willis’s magnificent gathering of images accompanied by her powerful narrative overturns many common ideas about black life during the last century and a half, and in so doing rewrites American history.”―Robin D. G. Kelley, from the Foreword

Originally published in 2000, Reflections in Black was the first single-volume work to collect the images of leading African American photographers―from the daguerreotype to the digital age. Through its sheer power and inherent beauty, Deborah Willis’s groundbreaking assemblage of photographs of African American life from 1840 to the present triumphantly celebrated family, endurance, and spirituality over the last two centuries as it upended stereotypes and rewrote American history. Aware that so much has changed since 2000, Willis―a world-renowned photographer, curator, and author―has now created a breathtaking twenty-fifth anniversary edition, juxtaposing hundreds of images that appeared in the original edition with 130 new ones.

As the photographic panorama unfolds, we are immersed in hugely moving glimpses of African American life, from the last generation of enslaved people to the urban pioneers of the great migrations of the 1920s, from the rare antebellum daguerreotypes of freemen to the courtly celebrants of the Harlem Renaissance, and from civil rights activists to the postmodern photographic artists of the digital age. Each photograph suggests an astonishing, often spellbinding story. Augustus Washington’s mid-nineteenth-century portraits of key abolitionist figures, for example, offer a seemingly calm window into an era known for its violence. A startling suite of J. P. Ball photographs depicts the life, death, and burial of a Black man hanged for murder in the Montana Territory. Documenting a vibrant family life and a nascent Black middle class as well as Black tenant farmers and educators, the book features James VanDerZee’s famous shot of Marcus Garvey in a Universal Negro Improvement Association parade; Addison N. Scurlock’s dignified portraits of Black intellectuals, artists, and musicians; and John W. Mosley’s World War II–era image of a young drum majorette in an Elks parade in Philadelphia. Reflections in Black also includes a stunning array of celebrity images, among them Booker T. Washington, Langston Hughes, Gladys Bentley, W. E. B. Du Bois, James Baldwin, Martin Luther King Jr., Malcolm X, John Coltrane, Billie Holiday, and a veiled Coretta Scott King, now accompanied in this edition by Michelle Obama, the Roots, and Angela Davis.

This enhanced volume, with a new foreword from Robin D. G. Kelley and a coda from Kalia Brooks, once again affirms the power of photography to reconfigure our conception of Black life in the African diaspora and American history. Featuring the works of photographers such as Albert Chong, LaToya Ruby Frazier, Lorna Simpson, Allison Janae Hamilton, Renee Cox, Carrie Mae Weems, Andre D. Wagner, and Hank Willis Thomas, this new edition is dedicated to the artists who stretch the definition of photography, creating pieces more akin to multimedia and conceptual art. Written and curated during the COVID-19 pandemic and in the aftermath of the brutal killings of George Floyd, Breonna Taylor, Ahmaud Arbery, and Tony McDade, the images that follow serve as a visual response to these unthinkable experiences as well as to the beauty of life.

Exceptionally handsome and historically consequential, Reflections in Black is not only the rare volume that can be given as a gift on any occasion but a work so significant that it has the power to reconfigure the imagination. This anniversary edition demands to be included in every American’s library as an essential part of our country’s heritage.

544 photographs

A moving portrait of a grim period in American immigration history, when approximately one million ethnic Mexicans―mostly women and children who were US citizens―were forced to relocate across the southern border.

From 1921 to 1944, approximately one million ethnic Mexicans living in the United States were removed across the border to Mexico. What officials called “repatriation” was in fact banishment: 60 percent of those expelled were US citizens, mainly working-class women and children whose husbands and fathers were Mexican immigrants. Drawing on oral histories, transnational archival sources, and private collections, Marla A. Ramírez illuminates the lasting effects of coerced mass removal on three generations of ethnic Mexicans.

Ramírez argues that banishment served interests on both sides of the border. In the United States, the government accused ethnic Mexicans of dependence on social services in order to justify removal, thereby scapegoating them for post–World War I and Depression-era economic woes. In Mexico, meanwhile, officials welcomed returnees for their potential to bolster the labor force. In the process, all Mexicans in the United States―citizens and undocumented immigrants alike―were cast as financially burdensome and culturally foreign. Shedding particular light on the experiences of banished women, Ramírez depicts the courage and resilience of their efforts to reclaim US citizenship and return home. Nevertheless, banishment often interrupted their ability to pass on US citizenship to their children, robbed their families of generational wealth, and drastically slowed upward mobility. Today, their descendants continue to confront and resist the impact of these injustices―and are breaking the silence to ensure that this history is not forgotten.

A wrenching account of expulsion and its afterlives, Banished Citizens illuminates the continuing social, legal, and economic consequences of a removal campaign still barely acknowledged in either Mexico or the United States.

The Romare Bearden Reader brings together a collection of new essays and canonical writings by novelists, poets, historians, critics, and playwrights. The contributors, who include Toni Morrison, Ralph Ellison, August Wilson, Farah Jasmine Griffin, and Kobena Mercer, contextualize Bearden's life and career within the history of modern art, examine the influence of jazz and literature on his work, trace his impact on twentieth-century African American culture, and outline his art's political dimensions. Others focus on specific pieces, such as A Black Odyssey, or the ways in which Bearden used collage to understand African American identity. The Reader also includes Bearden's most important writings, which grant readers insight into his aesthetic values and practices and share his desire to tell what it means to be black in America. Put simply, The Romare Bearden Reader is an indispensable volume on one of the giants of twentieth-century American art.

Contributors. Elizabeth Alexander, Romare Bearden, Mary Lee Corlett, Rachel DeLue, David C. Driskell, Brent Hayes Edwards, Ralph Ellison, Henri Ghent, Farah Jasmine Griffin, Harry Henderson, Kobena Mercer, Toni Morrison, Albert Murray, Robert G. O’Meally, Richard Powell, Richard Price, Sally Price, Myron Schwartzman, Robert Burns Stepto, Calvin Tomkins, John Edgar Wideman, August Wilson

A classic collection of essays calling for decolonization through self-liberation

“For us,” said Amilcar Cabral, “freedom is an act of culture”―and these were not just words. Guided by the concrete realities of his people, Cabral called for a process of “re-Africanization,” a Return to the Source. As a new imperialism has taken hold the world over, many have hearkened back to Return to the Source, but this time, our source of inspiration is Cabral himself. With a system of thought rooted in an African reading of Marx, Cabral was a deep-thinking revolutionary who applied the principles of decolonization as a dialectic task, and in so doing became one of the world’s most profoundly influential and effective theoreticians of anti–imperialist struggle. Cabral and his fellow Pan-African movement leaders catalyzed and fortified a militant wave of liberation struggles beginning in Angola, moving through Cabral’s homelands of Guinea Bissau and Cape Verde, and culminating in Mozambique and beyond. He translated abstract theories into agile praxis and in under just ten years steered the liberation of three–quarters of the countryside of Guinea Bissau from Portuguese colonial domination.

In this new, expanded edition of Return to the Source: Selected Texts of Amilcar Cabral we have access to Cabral’s warm and humorous informal address to the Africa Information Service, and we revisit several of the principal speeches Cabral delivered during visits to the United States in the final years before his assassination in 1973, including his last written address to his people on New Year’s Eve. Return to the Source is essential reading for all who understand that the erasure of historical continuity between social movements has disrupted our ability to make the revolutionary transformation we all desperately require.

This book provides a narrative historical, postcolonial account of African American religions. It examines the intersection of Black religion and colonialism over several centuries to explain the relationship between empire and democratic freedom. Rather than treating freedom and its others (colonialism, slavery, and racism) as opposites, Sylvester A. Johnson interprets multiple periods of Black religious history to discern how Atlantic empires (particularly that of the United States) simultaneously enabled the emergence of particular forms of religious experience and freedom movements as well as disturbing patterns of violent domination. Johnson explains theories of matter and spirit that shaped early indigenous religious movements in Africa, Black political religion responding to the American racial state, the creation of Liberia, and FBI repression of Black religious movements in the twentieth century. By combining historical methods with theoretical analysis, Johnson explains the seeming contradictions that have shaped Black religions in the modern era.

An acclaimed historian narrates the stories of newly emancipated children who were re-enslaved by white masters through apprenticeships and their parents fights to free them

While the Thirteenth Amendment abolished slavery, white southerners established a system of apprenticeship after the Civil War that entrapped Black children and their families, leading to undue hardships for generations to come. In Slavery After Slavery, historian Mary Frances Berry traces the stories behind individual cases from southern supreme courts to demonstrate how formerly enslaved families and their descendants were systemically injured through white supremacist practices, perpetuated by the legal system.

By filling in the family trees of formerly enslaved people to their descendants, Berry documents the intergenerational harm they experienced. The resulting damage of trafficking Black children through apprenticeship laws has been a largely overlooked source of inequality, yet these cases provide specific examples of the kind of economic and physical harm Black families have endured.

Slavery After Slavery tells individual stories, but the fates of their descendants tell our collective American story—contributing powerfully to a case for reparations and restorative justice.

From TikTok star and creator of Fast Black History Taylor Cassidy comes a witty, lightly illustrated nonfiction debut that blends history and memoir in a joyful celebration of Black American historical figures.

Meet Taylor Cassidy, Black history enthusiast and creator of the viral TikTok series Fast Black History. In her debut book, Taylor takes readers on a journey through the Black history she wishes she was taught in school. With sparkling wit and humor—and lots of fun pop culture references—she paints a vibrant picture of twelve figures from Black history whose groundbreaking contributions shaped America as we know it today. Introducing icons from activists to literary giants, movie stars to Olympic gold medalists, fashion designers to astronauts, and more, this one-of-a-kind collection makes Black history relatable, relevant, and utterly irresistible.

Using Black history as inspiration, Taylor weaves together research and personal anecdotes that illuminate each trailblazer’s impact on her own life—as well as sharing plenty of triumphant, funny, and embarrassing moments from her past. From navigating friend breakups and unrequited crushes to setting boundaries and fighting self-doubt, Taylor’s been there…and she’s learned some valuable life lessons along the way.

This book is a joyful celebration of Black historymakers, and you’re invited to the party. Come on in and let these twelve true stories inspire you to make history of your own!

By the late 1810s, a global revolution in cotton had remade the U.S.-Mexico border, bringing wealth and waves of Americans to the Gulf Coast while also devastating the lives and villages of Mexicans in Texas. In response, Mexico threw open its northern territories to American farmers in hopes that cotton could bring prosperity to the region. Thousands of Anglo-Americans poured into Texas, but their insistence that slavery accompany them sparked pitched battles across Mexico. An extraordinary alliance of Anglos and Mexicans in Texas came together to defend slavery against abolitionists in the Mexican government, beginning a series of fights that culminated in the Texas Revolution. In the aftermath, Anglo-Americans rebuilt the Texas borderlands into the most unlikely the first fully committed slaveholders' republic in North America.

Seeds of Empire tells the remarkable story of how the cotton revolution of the early nineteenth century transformed northeastern Mexico into the western edge of the United States, and how the rise and spectacular collapse of the Republic of Texas as a nation built on cotton and slavery proved to be a blueprint for the Confederacy of the 1860s.

What was it like to be a kid during the March on Washington?

In 1963, the United States was at the peak of the Civil Rights Movement. This was the year when activists from around the country joined forces to organize one of the most important protests in US history: the March on Washington for Jobs and Freedom. Some of the marchers who protested for equal rights were kids!

Join Eugene and Lori as they march with thousands of other people for a day of unity and celebration that changed the course of history.

ABOUT THIS SERIES:

Step back in time to the most relevant historical moments with the best-selling series, “If You Were a Kid”! In an exciting blend of fiction and nonfiction, a fictionalized narrative teaches history through the eyes of kids, while informational text introduces readers to key factual information. With engaging text, illustrations, and photos on every page, “If You Were a Kid” will spark readers’ curiosity and imagination, making learning about our past an accessible and unforgettable experience.

A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans.

When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space.

Greene-Hayes shows how, while enclosed within an anti-black world, these outcasts embraced Africana esotericisms—ancestral veneration, faith healing, spiritualized sex work, and more—to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions.

A landmark collection documenting the social, political, and artistic lives of African American women throughout the tumultuous nineteenth century. Named one of NPR's Best Books of 2017.
 
The Portable Nineteenth-Century African American Women Writers is the most comprehensive anthology of its kind: an extraordinary range of voices offering the expressions of African American women in print before, during, and after the Civil War. Edited by Hollis Robbins and Henry Louis Gates, Jr., this collection comprises work from forty-nine writers arranged into sections of memoir, poetry, and essays on feminism, education, and the legacy of African American women writers. Many of these pieces engage with social movements like abolition, women’s suffrage, temperance, and civil rights, but the thematic center is the intellect and personal ambition of African American women. The diverse selection includes well-known writers like Sojourner Truth, Hannah Crafts, and Harriet Jacobs, as well as lesser-known writers like Ella Sheppard, who offers a firsthand account of life in the world-famous Fisk Jubilee Singers. Taken together, these incredible works insist that the writing of African American women writers be read, remembered, and addressed.
 
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Stunning poetry and illustrations introduce a new generation to the beloved literary icon Toni Morrison, by New York Times bestselling author Andrea Davis Pinkney and Caldecott Honor winner Daniel Minter.

From imaginative child to visionary storyteller, Toni Morrison was a fiercely inspiring writer that helped change the world. This poetic picture book is part love letter and part biography, praising the power of this Nobel Prize winner. With its tender refrain, readers will know how much Morrison's stories -- and their own -- mean to the world. She was loved -- and so are they!

""Negro Legislators Of Texas And Their Descendants"" is a historical account of the role of African Americans in Texas politics during the period of Reconstruction to Disfranchisement. The book is written by John Mason Brewer and provides an in-depth look at the lives of prominent black legislators and their descendants who played a significant role in shaping Texas politics during this tumultuous period.The book begins by exploring the political landscape of Texas after the Civil War, where African Americans were granted the right to vote and hold public office for the first time. It then delves into the lives of notable black legislators, including Richard Allen, Norris Wright Cuney, and Matthew Gaines, who fought for civil rights and equality in a state that was still deeply divided by racial tensions.The book also examines the challenges faced by black legislators and their descendants, including the rise of Jim Crow laws and the eventual disenfranchisement of African American voters. Despite these obstacles, the book highlights the resilience and determination of black Texans who continued to fight for their rights and make significant contributions to Texas politics.Overall, ""Negro Legislators Of Texas And Their Descendants"" is a comprehensive and insightful account of the role of African Americans in Texas politics during a pivotal moment in the state's history.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

People of African descent were some of Galveston's earliest residents, and although they came to the island enslaved, they retained mastery of their culinary traditions. As Galveston's port prospered and became the "Wall Street of the South,'? better job opportunities were available for African Americans who lived in Galveston and for those who migrated to the island city after emancipation, with owner-operated restaurants being one of the most popular enterprises. Staples like Fease's Jambalaya Café, Rose's Confectionery and the Squeeze Inn anchored the island community and elevated its cuisine. From Gus Allen's business savvy to Eliza Gipson's oxtail artistry, the Galveston Historical Foundation's African American Heritage Committee has gathered together the stories and recipes that preserve this culinary history for the enjoyment and enrichment of generations, and kitchens, to come.

This groundbreaking body of comics journalism collects Anderson's entire biography of the renowned civil rights leader Rev. Martin Luther King, Jr. Over a decade in the making, the saga has been praised for its vivid recreation of one of the most tumultuous periods in U.S. history and for its accuracy in depicting the personal and public lives of King, from his birth to his assassination. King probes the life story of one of America's greatest public figures with an unflinchingly critical eye, casting King as an ambitious, dichotomous figure deserving of his place in history but not above moral sacrifice to get there. Anderson's expressionistic visual style is wrought with dramatic energy; panels evoke a painterly attention to detail but juxtapose with one another in such a way as to propel King's story with cinematic momentum. Anderson's successful use of the graphic novel to tell a major work of nonfiction has drawn favorable comparisons to Art Spiegelman's Maus: A Survivor's Tale, Joe Sacco's Palestine, and Osamu Tezuka's Adolph.

King not only recreates the major events in King's public life, but chronicles the daily, rough-and-tumble, behind-the-scenes political maneuverings and strategic compromises that were required to mobilize millions of people toward a common goal. His internal debates with Ralph Abernathy and Jesse Jackson and his hardball negotiations with John F. Kennedy and Lyndon Johnson are dramatized. Anderson's achievement is not merely a political biography filled with names and dates, but a fully rounded portrait of a fallible human engaged in a superhuman effort his fears, his doubts, his relationship with his wife Coretta King, and his children are compassionately and truthfully rendered.

Anderson's visual approach includes the use of photographs, realistic portraiture, and expressionistic imagery alternating between stark black and white chiaroscuro and painterly full color. The dialogue is unflinchingly naturalistic and accurately reflects the moral urgency and labyrinthine political and practical complexities that King was navigating, from his deeply felt, personal commitment to a public cause to the wider political eruptions the country was experiencing. This is a respectful, unsparing, truthful biography of a man and his times that captures the moral and political gravitas of the cause as well as its human dimension. A major work of comics, depicting a major work of history.

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A paradigm-shifting investigation of Jim Crow–era violence, the legal apparatus that sustained it, and its enduring legacy, from a renowned legal scholar.

If the law cannot protect a person from a lynching, then isn’t lynching the law?

In By Hands Now Known, Margaret A. Burnham, director of Northeastern University’s Civil Rights and Restorative Justice Project, challenges our understanding of the Jim Crow era by exploring the relationship between formal law and background legal norms in a series of harrowing cases from 1920 to 1960. From rendition, the legal process by which states make claims to other states for the return of their citizens, to battles over state and federal jurisdiction and the outsize role of local sheriffs in enforcing racial hierarchy, Burnham maps the criminal legal system in the mid-twentieth-century South, and traces the unremitting line from slavery to the legal structures of this period?and through to today.

Drawing on an extensive database, collected over more than a decade and exceeding 1,000 cases of racial violence, she reveals the true legal system of Jim Crow, and captures the memories of those whose stories have not yet been heard.

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ETAN THOMAS, an eleven-year NBA veteran and lifelong advocate for social justice, weaves together his personal experiences with police violence and white supremacy with multiple interviews of family members of victims of police brutality like exonerated Central Park Five survivor Raymond Santana and Rodney King’s daughter Lora Dene King; as well as activist athletes and other public figures such as Steph Curry, Chuck D, Isiah Thomas, Sue Bird, Jake Tapper, Jemele Hill, Stan Van Gundy, Kyle Korver, Mark Cuban, Rick Strom, and many more.

Thomas speaks with retired police officers about their efforts to change policing, and white allies about their experiences with privilege and their ability to influence other white people. Thomas also examines the history of racism, white supremacy, and the prevalence of both in the current moment. He looks at the origins of white supremacy in the US, dating back to the country’s inception, and explores how it was interwoven into Christianity--interviewing leading voices both in and outside of the church. Finally, with prominent voices in the media and education, Thomas discusses the continued cultivation of these injustices in American society.

Police Brutality and White Supremacy demands accountability and justice for those responsible for and impacted by police violence and terror. It offers practical solutions to work against the promotion of white supremacy in law enforcement, Christianity, early education, and across the public sphere.

Featuring original interviews with: Steph Curry, Chuck D, Yamiche Alcindor, Isiah Thomas, Jemele Hill, Craig Hodges, Stan Van Gundy, Mark Cuban, Jake Tapper, Mahmoud Abdul-Rauf, Sue Bird, Kyle Korver, Rick Strom, Cenk Uygur, Tim Wise, Chris Broussard, Breanna Stewart, Rex Chapman, Stephen Jackson, Kori Mccoy, Lora Dene King, Chikesia Clemons, Raymond Santana, Alissa Findley, Amber And Ashley Carr, Michelle And Ashley Monterrosa, Chairman Fred Hampton Jr., Abiodun Oyewole, Marc Lamont Hill, Officer Carlton Berkley, Pastor John K. Jenkins Sr., Officer Joe Ested, Captain Sonia Pruitt, and Bishop Talbert Swan.

Celebrate the life of the extraordinary civil and human rights activist Coretta Scott King with this picture book adaptation of her critically acclaimed adult memoir.

This is the autobiography of Coretta Scott King—the founder of the Martin Luther King Jr. Center for Nonviolent Social Change (The King Center), the wife of Martin Luther King Jr., and a singular twentieth-century American civil and human rights activist. Learn about how a girl born in the segregated Deep South became a global leader at the forefront of the peace movement and an unforgettable champion of social change. Resilience, bravery, and joy lie at the center of this timeless story about fighting for justice against all odds.

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In this joyous collection of essays about historically Black colleges and universities, alumni both famous and up-and-coming write testimonials about the schools and experiences that shaped their lives and made them who they are today.

Edited by the host of NPR’s Weekend Edition Sunday, Ayesha Rascoe—with a distinguished and diverse set of contributors including Oprah Winfrey, Stacey Abrams, and Branford Marsalis, HBCU Made illuminates and celebrates the experience of going to a historically Black college or university. This book is for proud alumni, their loved ones, current students, and anyone considering an HBCU.

The first book featuring famous alumni sharing personal accounts of the Black college experience, HBCU Made offers a series of warm, moving, and candid personal essays about the schools that nurtured and educated them. The contributors write about how they chose their HBCU, their first days on campus, the dynamic atmosphere of classes where students were constantly challenged to do their best, the professors who devoted themselves to the students, the marching bands and majorettes and their rigorous training.

For some, the choice to attend an HBCU was an easy one, as they followed in the footsteps of their parents or siblings. For others, it was a carefully considered step away from a predominantly white institution to be educated in a place where they would never have to justify their presence. And for some authors here, it was an HBCU that took them in and cared for them like family, often helping them to overcome a rough patch.

For all, the pride in their choice is abundantly clear. HBCU Made is a perfect gift for each generation of prospective students and brand new alumni to come.

In this expansive collection of history, meet ten real-life kings, queens, inventors, scholars, and visionaries who lived in Africa thousands of years ago and changed the world.

Black history begins thousands of years ago with the many cultures and people of the African continent. Through portraits of ten heroic figures, bestselling author Tracey Baptiste takes readers on an empowering, energetic journey through time to meet some of the great leaders and thinkers whose vision built nations and shaped the course of history:

• Menes: Creator of Dynasties
• Merneith: A Queen Erased
• Imhotep: From Peasant to God
• Aesop: The Wisest Man in the Ancient World
• Hannibal Barca: Unparalleled Military Strategist
• Terence: North African Playwright
• Amanirenas: Warrior, Diplomat, Queen
• Tin Hinan: Founder of a City on the Dunes
• Mansa Musa: The Richest Man of All Time
• Queen Idia: Kingmaker

Illustrator Hillary D. Wilson's brilliant portraits accompany each profile, along with vivid, information-filled landscapes, maps, and graphics for readers to pore over and return to again and again. This rich and thrilling work, which celebrates Black excellence and provides an essential correction to Eurocentric tellings of history, will enthrall readers of all ages.

“In African Icons, Baptiste engages in the hard work of unveiling the myths about the African continent to young readers . . . This is a great beginner’s guide to pre-colonial Africa.” —Ibram X. Kendi, National Book Award-winning author of Stamped from the Beginning and How to Be an Antiracist  

Acclaimed historian Mary Frances Berry resurrects the remarkable story of ex-slave Callie House who, seventy years before the civil-rights movement, demanded reparations for ex-slaves. A widowed Nashville washerwoman and mother of five, House (1861-1928) went on to fight for African American pensions based on those offered to Union soldiers, brilliantly targeting $68 million in taxes on seized rebel cotton and demanding it as repayment for centuries of unpaid labor. Here is the fascinating story of a forgotten civil rights crusader: a woman who emerges as a courageous pioneering activist, a forerunner of Malcolm X and Martin Luther King, Jr.

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Michael Eric Dyson dives deep into the true meaning of Barack Obama’s historic presidency and its effects on the changing landscape of race and blackness in America. How has race shaped Obama’s identity, career, and presidency? What can we learn from his major race speeches about his approach to racial conflict and the black criticism it provokes?

Dyson was granted an exclusive interview with the president for this book, and Obama’s own voice shines through. Along with interviews with Eric Holder, Al Sharpton, Maxine Waters, and others, this intimate access provides a unique depth to this engrossing analysis of the nation’s first black president, and how race shapes and will shape our understanding of his achievements and failures alike.

Award-winning author and journalist Wil Haygood explores how the Vietnam War became a mirror for the struggle of Black Americans—fighting for freedom abroad while demanding equality at home—and a powerful lens through which to understand the racial and political divides that continue to shape American life.

"With this book, Wil Haygood has become the preeminent chronicler of the Black experience in America.” —Richard Rhodes, Pulitzer Laureate for The Making of the Atomic Bomb

"In these masterful pages, Haygood reframes both the Vietnam War and the United States’ unfinished struggle for equality."—Mitchell Zuckoff, New York Times bestselling author of 13 Hours and Lost in Shangri-La

Drawing on the lives of soldiers and officers, doctors and nurses, journalists and activists, artists and politicians, Haygood illuminates a generation caught between two battles: one on the front lines in Vietnam and another for justice and dignity in America.

Among those at the heart of the story are Air Force pilot Fred Cherry, the first Black officer captured by the North Vietnamese and a hero to millions back home; Dr. Elbert Nelson, a doctor who came to Vietnam after watching TV footage of the Watts riots in Los Angeles and soon found himself amid rising Black soldier protests overseas; Wallace Terry, a groundbreaking Black reporter determined to expose the dynamics of race and war to the American public and Philippa Schuyler, a biracial concert pianist who traveled to Vietnam to rescue mixed-race orphans, many fathered by Black soldiers, and died trying to bring them to safety.

Surrounding their experiences are the cultural and political forces of the era, including Martin Luther King Jr., Marvin Gaye, Berry Gordy, and Lyndon Johnson, whose voices and actions shaped a decade of turbulence and transformation.

The War Within a War is both sweeping history and intimate revelation, capturing the tragedies and triumphs, the honor and hypocrisies, the courage and cowardice that shaped an era and whose repercussions resonate today.

A deluxe hardcover edition of the pioneering classic that explores the contexts in which history is produced—now part of the HBO docuseries Exterminate All the Brutes, written and directed by Raoul Peck

A Beacon Classics edition, featuring a spot gloss cover and retro, classic palette

Placing the West’s failure to acknowledge the Haitian Revolution—the most successful slave revolt in history—alongside denials of the Holocaust and the debate over the Alamo, Michel-Rolph Trouillot offers a stunning meditation on how power operates in the making and recording of history.

This modern classic resides at the intersection of history, anthropology, Caribbean, African-American, and post-colonial studies, and has become a staple in college classrooms around the country. Trouillot analyzes the silences in our historical narratives, what is left out and what is recorded, what is remembered and what is forgotten, and what these silences reveal about inequalities of power. With exacting precision, he exposes forces less visible—but no less powerful—than gunfire, property, and political crusades in shaping the production of history.

Award-winning creator Kadir Nelson delivers the perfect gift for basketball fans of any age-a beautifully illustrated history of the game and its key players over the years-in this companion to his bestselling We Are the Ship: The Story of Negro League Baseball.

Basketball has evolved by leaps and bounds since its origin over 125 years ago, but what remains is the passion of the players, the heat of competition, and supreme strategy and athleticism on the court. In this visual tour de force, celebrated artist Kadir Nelson weds his love for the game with showstopping paintings that bring its heart-pounding history to life.

The sage voice of an elder player narrates the journey from the early days of the slow game of "basket ball" to today's dazzlingly athletic and fast-paced sport. Engaging profiles of revolutionary players-including Wilt Chamberlain, Magic Johnson, Michael Jordan, LeBron James, and Stephen Curry-are featured, along with notable quotes from major figures of the game. With each breathtaking page turn, fans young and old will learn the gripping story of the all-American game and meet its iconic, indomitable heroes.

A young boy learns that he is walking in the footsteps of greatness through a vibrant, lyrical retelling of Black history—both a love letter to Black children and an anthem empowering them to know their God-given worth.

“A reminder to Black children that they are capable of greatness.”—Kirkus Reviews

You came bustling into the world,
a mighty bundle of energy, ready to do great things.
And no wonder.
You stand on the shoulders of those who came before,
and you, too, were born to shine.

Starting with his birth, the boy’s father lays out the history of his son’s ancestry: from the love and warmth of a big family, to the change makers and status shakers, the inventors and engineers, the astronomers, philosophers, and storytellers, the leaders and the doctors. The father details the legacy and impact of Black ancestors whose determination, strength, dedication, creativity, and leadership contributed to making the world better.

Throughout the story, the boy discovers the rich heritage of those that have gone before him and learns how he embodies that same greatness. He, too, has the power to change the world by embracing exactly who God made him to be.

You Come from Greatness includes illustrations of Black historical figures such as Wangari Muta Maathai, Ellie Mannette, Rebecca Lee Crumpler, and more, with twenty short biographies at the end of the book.

On Sale Date: April 7, 2026

A Publishers Weekly Best Nonfiction Book of 2024

A leading historian exposes how the rise and tragic failure of the Freedman’s Bank has shaped economic inequality in America.

In the years immediately after the Civil War, tens of thousands of former slaves deposited millions of dollars into the Freedman’s Bank. African Americans envisioned this new bank as a launching pad for economic growth and self-determination. But only nine years after it opened, their trust was betrayed and the Freedman’s Bank collapsed.

Fully informed by new archival findings, historian Justene Hill Edwards unearths a major turning point in American history in this comprehensive account of the Freedman’s Bank and its depositors. She illuminates the hope with which the bank was first envisioned and demonstrates the significant setback that the sabotage of the bank caused in the fight for economic autonomy. Hill Edwards argues for a new interpretation of its tragic failure: the bank’s white financiers drove the bank into the ground, not Fredrick Douglass, its final president, or its Black depositors and cashiers. A page-turning story filled with both well-known figures like Abraham Lincoln, Frederick Douglass, Jay and Henry Cooke, and General O. O. Howard, and less well-known figures like Dr. Charles B. Purvis, John Mercer Langston, Congressman Robert Smalls, and Ellen Baptiste Lubin. Savings and Trust is necessary reading for those seeking to understand the roots of racial economic inequality in America.

10 illustrations

On its one-hundredth anniversary, a powerful and essential meditation on the origins, evolution, and future of Black History Month from one of America’s leading historians of Black education and the author of American Grammar.

In I’ll Make Me a World, acclaimed Harvard scholar Jarvis R. Givens takes us on a personal and political journey through the 100-year history of Black History Month—from its radical beginnings in 1926 as “Negro History Week” to its role today as a celebration and flashpoint in America’s cultural battles. Drawing on archival research, personal stories involving family and students, and especially the wisdom of Black educators, Givens recovers the legacy of Carter G. Woodson and many others who envisioned Black history as a liberatory force—knowledge that shapes who we are, how we resist, and what we dream.

With striking clarity, Givens challenges today’s myopic commemorations of iconic figures and urges us to expand our understanding of Black history to include the everyday lives of ordinary people—the “workadays” whose stories have long gone untold but form critical parts of Black history. Indeed, people who played important roles in passing on Black memories that helped disrupt oppressively narrow perspectives on human life. Givens also attends to the labor involved in preserving Black history, especially in intellectual environments where it is constantly denigrated and undervalued, and he insists that more transparency about such processes is necessary to ensure this worthy tradition is passed on to future generations.

I’ll Make Me A World is a call to remember, reimagine, and reclaim an intellectual tradition built by communities well before our time, and to take seriously what is politically at stake in its preservation. At a time when Black history is under attack, this book offers an inspiring vision for how it can still be a source of power, truth, and possibility.