Bridget Jones’s Diary meets Survival of the Thickest in Danielle Allen’s CURVY GIRL SUMMER, a smoking-hot, hilarious novel about the perils of online dating.

“There’s got to be an easier way than dating. I want the shortcut. I just want to find my person and start our lives together.”
After a one-night stand with her clingy ex, Aaliyah James has an epiphany: this ain’t it. She knows what she wants, and she’s ready to move past casual hookups, flings, and situationships.

But for her family, the clock is ticking―after all, she’s almost thirty. And when they imply that her personality (and her body) might be too big to land a man, she lets them know they’ve gone too far―and her (nonexistent) man loves her curves, thank you very much. Now, she has seven weeks to find the perfect boyfriend to rub in their faces at the big, fancy birthday celebration she’s been planning.

After her first blind date goes wrong, charming local bartender Ahmad Williamson consoles her with a drink and some playful banter. Aaliyah takes him up on his suggestion to use a dating app―but the more she sees of his warm, funny, and easygoing nature, the less she wants to check her DMs. Will her next swipe bring her closer to true love―or is her real match closer than she thinks?

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The “revelatory” (The New York Review of Books) story of an ordinary man, his century, and his home.

Jamaica Kincaid’s first obsession, the island of Antigua, comes vibrantly to life under the gaze of Mr. Potter, an illiterate chauffeur who makes his living along the wide, open roads that pass the only towns he has ever seen. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air.

As Mr. Potter’s narrative unfolds in linked vignettes, his story becomes the story of a vital, damaged community. Amid his surroundings, he struggles to live at ease: to purchase a car, to have girlfriends, and to shake off the encumbrance of his daughters―one of whom will return to Antigua after he dies and tell his story with equal measures of distance and sympathy.

In Mr. Potter, Kincaid breathes life into a figure unlike any other in contemporary fiction, an individual consciousness emerging gloriously out of an unexamined life.

The year is 1954. A white woman’s body, stuffed in a coconut bag, has washed ashore in Otatiti, Trinidad, and the British colony is rife with rumors. In two homes, one in a distant shantytown, the other on the outskirts of a former sugar cane estate, two women hear the news and their blood runs cold. Rosa, the white daughter of a landowner, and Zuela, the adopted “daughter” of a Chinese shop owner used to play together as girls—and witnessed something terrible behind a hibiscus bush many years ago.

Tali Saunders had one goal: to leave Union City and never look back. Going off to college with her sister Shandea was a perfect way to escape becoming a product of the street. She never imagined on her last night in Union City that she would meet someone who made her question everything she thought she knew about herself. Meeting Henny wasn’t in her plans, but after one night of pleasure and demands, a connection was made.

Will Tali keep her to vow leave? Or will she stay?

Hendrix ‘Henny’ Pharma had one plan that didn’t include meeting Tali Saunders. In an instant, he knew things would have to change to include his new addiction. One night wasn’t enough, but life had other plans. Will Henny get the chance to be with Tali? Or will he be left a fiend, craving the high she gave him without her to satiate him?

Lennox ‘Oz’ Anderson met what would become his obsession the night Shandea ‘Dea’ Saunders sat down to play a game of poker.The only problem was that Dea belonged to someone else. Or at least she thought she did. Oz knew what he wanted, and it was Dea. He planned to make sure she understood that it meant forever once he made her his.
Dea counted down the days until her sister Tali would graduate so they could leave Union City behind. Nothing and no one in Union City could keep her there, even her so-called boyfriend, Rodney.
Dea always seemed to have a problem choosing the right man. But what happens when the right man chooses her?

In a single night, soul ties were created that bonded these two couples in ways they’d never planned or imagined. But will betrayal, jealousy, and death make them second guess their connections being destiny or tear them apart?

***This book contains explicit language, graphic violence, and strong sexual content. It is intended for adults.***

Lennox ‘Oz’ Anderson met what would become his obsession the night Shandea ‘Dea’ Saunders sat down to play a game of poker. Now that he had his obsession in his possession, he had to ensure that he could keep her. Oz never expected his own flesh and blood to betray him. And he definitely wasn’t going to let his twin go as far as kidnapping Dea for his own twisted pleasure, a right that was only Oz’s, without having to pay for it... with his life. Dea belonged to him and him alone. Family or not, Lennox planned to ensure that everyone, including Shandea, understood that he would do anything to protect what was his.
Will Oz find Dea in time, or will he be too late to stop his brother?
Shandea ‘Dea’ Saunders had always known how crazy Lennox was, but she never thought the craziness in his life would get so close to her. Dea didn’t know if she could look into Lennox’s face without seeing his twin... if she even made it out alive.
How will Dea ever be able to face the love of her life when he has the face of her kidnapper?

Hendrix ‘Henny’ Pharma knew things would have to change once he had another taste of his addiction. Henny refused to make the same mistake twice, but life always interfered with his desires. This time, Hendrix planned to have it all with Tali by his side and avenge the death of his brother.
Can Hendrix manage to keep his addiction and both his legal and illegal empires? Or will the ghosts of his past take it all?
Tali Saunders had one goal: to leave Union City and never look back. She successfully stuck to that commitment until her mother fell ill, and she had to return home. She never imagined her last night in Union City would be one she would never forget. Six years later, Henny was still on her mind. Tali never expected to run into the very man she’d compared every encounter she’d had to that one night with him. Now Tali had entered into a deal with the very man she couldn’t keep off her mind. Tali believed she could walk away from Henny when it was all said and done. But Henny has other ideas, like keeping Tali exactly where she belonged…in his bed.
Will Tali walk away again? Or will she stay?

Soul ties were created in one night, bonding two couples in ways they’d never planned or imagined. Now that betrayal, jealousy, and death have appeared, will it make them second guess their connections being destiny, or will it rip them apart?

***This book contains explicit language, graphic violence, and strong sexual content. It is intended for adults.***

The critically acclaimed debut from the National Book Award-winning author of Blackouts.

In this award-winning, groundbreaking novel, Justin Torres plunges us into the chaotic heart of one family, the intense bonds of three brothers, and the mythic effects of this fierce love on the people we must become.

“A tremendously gifted writer whose highly personal voice should excite us in much the same way that Raymond Carver’s or Jeffrey Eugenides’s voice did when we first heard it."—The Washington Post

Three brothers tear their way through childhood— smashing tomatoes all over each other, building kites from trash, hiding out when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn—he’s Puerto Rican, she’s white—and their love is a serious, dangerous thing that makes and unmakes a family many times. Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another.

From the intense familial unity felt by a child to the profound alienation he endures as he begins to see the world, this beautiful novel reinvents the coming-of-age story in a way that is sly and punch-in-the-stomach powerful.

"We the Animals is a dark jewel of a book. It’s heartbreaking. It’s beautiful. It resembles no other book I’ve read.”—Michael Cunningham

"A fiery ode to boyhood . . . A welterweight champ of a book."—NPR, Weekend Edition

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A writing companion, inspirational guide to the craft, and anthology featuring interactive multi-genre work from the acclaimed organization on its twenty-fifth anniversary.

We all have stories to tell, but not everyone gets the mentoring and training or encouragement to become a great storyteller. Founded a quarter century ago, Girls Write Now has empowered young women and gender-expansive youth to harness their creative talents, gaining confidence, skills, and a community supporting them in sharing stories the world needs to hear.

This hands-on guide—conceived of and written and edited by the young people of Girls Write Now—draws from the organization’s dynamic curriculum and the writers’ own personal experiences spanning decades. It offers aspiring writers the tools they need to develop their craft—including tips, insight, and advice on the writing and publishing process as well as critical thinking about the future of storytelling.

With this handbook, readers everywhere can equip themselves to shape their life stories, and become the writers and leaders they dream of being.

From the critically acclaimed and New York Times bestselling author of When No One Is Watching comes a riveting thriller about the new caretaker of a historic estate who finds herself trapped on an island with a murderer—and the ghosts of her past. 

Years after a breakdown and a diagnosis of dissociative identity disorder derailed her historical preservationist career, Kenetria Nash and her alters have been given a second chance they can’t refuse: a position as resident caretaker of a historic home. Having been dormant for years, Ken has no idea what led them to this isolated Hudson River island, but she’s determined not to ruin their opportunity.

Then a surprise visit from the home’s conservation trust just as a Nor’easter bears down on the island disrupts her newfound life, leaving Ken trapped with a group of possibly dangerous strangers—including the man who brought her life tumbling down years earlier. When he turns up dead, Ken is the prime suspect.

Caught in a web of secrets and in a race against time, Ken and her alters must band together to prove their innocence and discover the truth of Kavanaugh Island—and their own past—or they risk losing not only their future, but their life.

A powerful novel about the construction of the Panama Canal, casting light on the unsung people who lived, loved, and labored there

It is said that the canal will be the greatest feat of engineering in history. But first, it must be built. For Francisco, a local fisherman who resents the foreign powers clamoring for a slice of his country, nothing is more upsetting than the decision of his son, Omar, to work as a digger in the excavation zone. But for Omar, whose upbringing was quiet and lonely, this job offers a chance to finally find connection.

Ada Bunting is a bold sixteen-year-old from Barbados who arrives in Panama as a stowaway alongside thousands of other West Indians seeking work. Alone and with no resources, she is determined to find a job that will earn enough money for her ailing sister’s surgery. When she sees a young man—Omar—who has collapsed after a grueling shift, she is the only one who rushes to his aid.

John Oswald has dedicated his life to scientific research and has journeyed to Panama in single-minded pursuit of one goal: eliminating malaria. But now, his wife, Marian, has fallen ill herself, and when he witnesses Ada’s bravery and compassion, he hires her on the spot as a caregiver. This fateful decision sets in motion a sweeping tale of ambition, loyalty, and sacrifice. 

Searing and empathetic,The Great Divide explores the intersecting lives of activists, fishmongers, laborers, journalists, neighbors, doctors, and soothsayers—those rarely acknowledged by history even as they carved out its course.

In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies… a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.

Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach is her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life.

But these are human concerns. These are the concerns of those confined to land, those with legs. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Creatures that called sailors to their doom. That dragged them down and drowned them. That feasted on their flesh. The creature that she’s always longed to become: the mermaid.

Ren aches to be in the water. She dreams of the scent of chlorine, the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.

“Gripping and passionate . . . keenly recounted . . . full of poetry.”—New York Times

Now in a beautiful new edition, the spellbinding classic tale of man and nature, honor, and adventure, in which the peaceful life of an aging, book-loving widower in the Ecuadorean jungle is upended when an ignorant tourist provokes a mother ocelot.

Antonio José Bolivar Proaño lives quietly in a river town in the rain-soaked jungle of Ecuador that is slowly being overrun by tourists and opportunists. Having lost his wife decades earlier, he takes refuge in books—paperback novels of faraway places and bittersweet love, delivered to him by the dentist who visits the village twice a year.

One day, a greedy trader pushes nature too far, setting an enraged mother ocelot on a bloody rampage through the village. The old man, a hunter who once lived among the Shuar Indians and knows the jungle better than anyone, is pressured by the village's detested mayor to join the expedition to kill the animal. Reluctantly. the old man is forced into the middle of a raging conflict between man and nature that will end in a powerfully climactic confrontation.

Paperback Release: March 18. 2025

One night, you will calmly put a knife to your husband's private part and promise to cut it off. It will scare him so much that the next day, he will call his family members for a meeting in the house. He will not call your family members, but you will not care. You won’t need them.

 In this remarkable short story collection, Damilare Kuku takes us deep into the heart of modern Lagos, Nigeria’s largest city, and the lives of a collection of audacious women who cope with romantic difficulties by brilliantly turning the tables on the men who wrong them.

One hardworking married woman calmly threatens sharp-edged revenge on her lazy, hypocritical husband. Another skillfully protects her own business interests by shielding her pastor-husband from allegations of cheating that may or may not be true. A group of wealthy wives deceived by their husbands join forces in a WhatsApp support group called the Virtuous Wives Guild. And a discerning dater fed up with Nigerian men makes a vow to date only oyibos before discovering that white men can act just as badly.

A bestseller in Damilare Kuku’s native Nigeria, Nearly All the Men in Lagos Are Mad is a raunchy, satisfying, and outrageous read steeped in the chaos and allure of sub-Saharan Africa’s largest city. It’s also a love letter to Nigerian women: the women in these stories may be confronted at every turn with liars, scammers, and cheaters in their quests for love, but they always figure out how to come out victorious.

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In this bold hybrid collection of poetry, flash fiction, and Afrofuturism sci-fi, the award-winning interdisciplinary writer and author of Side Notes from the Archivist explores what happens when god is a Black woman in a town. What happens when there are multiple universes in the middle of nowhere?

And what if in each universe there reigned other Black woman gods? One million versions of god, and one million saints to watch over us? And what if this Black woman god were placed here on earth?

These are just a few of the questions Anastacia-Reneé asks in this daring and mind-bending hybrid collection. Hers is a universe of striking variety—monsters, nontraditional saints, witches, zombies, the couple in the apartment next door, the wise elders from down the block, and gods watching over us all—as well as community and connectedness.

With a prose storyline and characters that connect through family, time, and place, Anastacia-Reneé paints world(s) rich with wonder and the paranormal as she peers into the lives of everyday people and spectacular creatures inhabiting not just our neighborhoods, but other dimensions. Here in the (Middle) of Nowhere is about interstellar ancestry, community and spirituality. It is about the things we invoke, conjure, and rely on to maintain joy as we keep it moving through difficult eras. Anastacia-Reneé’s power imbues her spellbinding storytelling with lovingly rendered characters brought to life in lyrical poetry. She builds worlds within worlds and dares us to fully see and love ourselves in all our complexity.

In the vein of Octavia E. Butler and Margaret Atwood, a harrowing novel set in an alternate United States—a world of injustice and bondage in which a young Black woman becomes the concubine of a powerful white government official and must face the dangerous consequences.

Solenne Bonet lives in Texas where choice no longer exists. An algorithm determines a Black woman’s occupation, spouse, and residence. Solenne finds solace in penning the biography of Henriette, an ancestor who’d been an enslaved concubine to a wealthy planter in 1800s Louisiana. But history repeats itself when Solenne, lonely and naïve, finds herself entangled with Bastien Martin, a high-ranking government official. Solenne finds the psychological bond unbearable, so she considers alternatives. With Henriette as her guide, she must decide whether and how to leave behind all she knows.  

Inspired by the lives of enslaved concubines to U.S. politicians and planters, The Blueprint unfolds over dual timelines to explore bodily autonomy, hypocrisy, and power imbalances through the lens of the nation’s most unprotected: a Black girl.

Bestselling author ReShonda Tate presents a fascinating fictional portrait of Hattie McDaniel, one of Hollywood’s most prolific but woefully underappreciated stars—and the first Black person ever to win an Oscar for her role as Mammy in the critically acclaimed film classic Gone With the Wind.

It was supposed to be the highlight of her career, the pinnacle for which she’d worked all her life. And as Hattie McDaniel took the stage in 1940 to claim an honor that would make her the first African-American woman to win an Academy Award, she tearfully took her place in history. Between personal triumphs and tragedies, heartbreaking losses, and severe setbacks, this historic night of winning best supporting actress for her role as the sassy Mammy in the controversial movie Gone With the Wind was going to be life-changing. Or so she thought.

Months after winning the award, not only did the Oscar curse set in where Hattie couldn’t find work, but she found herself thrust in the middle of two worlds—Black and White—and not being welcomed in either. Whites only saw her as Mammy and Blacks detested the demeaning portrayal. As the NAACP waged an all-out war against Hattie and actors like her, the emotionally conflicted actor found herself struggling daily.

Through it all, Hattie continued her fight to pave a path for other Negro actors, while focusing on war efforts, fighting housing discrimination, and navigating four failed marriages. Luckily, she had a core group of friends to help her out—from Clark Gable to Louise Beavers to Ruby Berkley Goodwin and Dorothy Dandridge.

The Queen of Sugar Hill brings to life the powerful story of one woman who was driven by many passions—ambition, love, sex, family, friendship, and equality. In re-creating Hattie’s story, ReShonda Tate delivers an unforgettable novel of resilience, dedication, and determination—about what it takes to achieve your dreams—even when everything—and everyone—is against you.

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“A dark and heady dream of a book” (Alix E. Harrow) about a ruined mansion by the sea, the djinn that haunts it, and a curious girl who unearths the tragedy that happened there a hundred years previous

Akbar Manzil was once a grand estate off the coast of South Africa. Nearly a century later, it stands in ruins: an isolated boardinghouse for eclectic misfits, seeking solely to disappear into the mansion’s dark corridors. Except for Sana. Unlike the others, she is curious and questioning and finds herself irresistibly drawn to the history of the mansion: To the eerie and forgotten East Wing, home to a clutter of broken and abandoned objects—and to the door at its end, locked for decades.

Behind the door is a bedroom frozen in time and a worn diary that whispers of a dark past: the long-forgotten story of a young woman named Meena, who died there tragically a hundred years ago. Watching Sana from the room’s shadows is a besotted, grieving djinn, an invisible spirit who has haunted the mansion since her mysterious death. Obsessed with Meena’s story, and unaware of the creature that follows her, Sana digs into the past like fingers into a wound, dredging up old and terrible secrets that will change the lives of everyone living and dead at Akbar Manzil. Sublime, heart-wrenching, and lyrically stunning, The Djinn Waits a Hundred Years is a haunting, a love story, and a mystery, all twined beautifully into one young girl’s search for belonging.

The NYT-lauded author of D’VAUGHN AND KRIS PLAN A WEDDING is back with another witty and heartfelt novel celebrating unapologetic Black joy in all its forms. This body-positive, friends-to-lovers, lesbian romance tackles weighty topics while never losing that Chencia C. Higgins spark.

 Music producer and DJ Cyn Tha Starr likes her women femme, fun, and smart enough to know when it's over. Her ever-rotating roster has never been a problem until her latest girl clashes with Jucee, Cyn’s best friend and the most popular dancer at strip club Sanity.

It makes Cyn see Jucee in a different light. One with far fewer boundaries and a lot more kissing.

Juleesa Jones makes great money dancing the early shift at Sanity and spends most evenings with her son, her Sanity family or at Cyn's house. Relationships are not high on the priority list--until she's forced to admit that maybe friendship isn't the only thing she wants from her bestie.

But Cyn Tha Starr has a type, and despite how things look on the surface, Jucee doesn’t quite fit the bill. While the facts don't matter that much when it comes to feelings, one thing the two can agree on is that their history trumps everything. How difficult could it be to preserve a friendship when emotions—and hormones—are raging out of control?

By Xi Xi, part of the first generation of writers raised in Hong Kong, a wise and amiably written book of autobiographical fiction on the author’s experience with breast cancer—from diagnosis to treatment to recovery—and her passage from a life lived through the mind into a life lived through the body. In 1989, the Hong Kong cult classic writer Xi Xi was diagnosed with breast cancer and began writing in order to make sense of her diagnosis and treatment. Mourning a Breast, published two and a half years later, is a disarmingly honest and deeply personal account of the author’s experience of a mastectomy and of her subsequent recovery. The book opens with her gently rolling up a swimsuit. A beginning swimmer, she loves going to the pool, eavesdropping on conversations in the changing room, shopping for swimsuits. As this routine pleasure is revoked, the small loss stands in for the greater one. But Xi Xi’s mourning begins to take shape as a form of activism. In a conversational, even humorous, manner, she describes her previous blinkered life of the mind before she came into her body and learned its language. Addressing her reader as frankly and unashamedly as an old friend, she coaxes and confesses, confronts society’s failings, and advocates for a universal literacy of the body. Mourning a Breast was heralded as the first Chinese language book to cast off the stigma of writing about illness and to expose the myths associated with breast cancer. A radical and generous book about creating in the midst of mourning.

Paperback Release: July 15, 2025

A bold and unabashed novel about a young Palestinian woman's unraveling as she teaches at a New York City middle school, gets caught up in a scheme reselling Birkin bags, and strives to gain control over her body and mind The Coin’s narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in a pyramid scheme reselling Birkin bags. But America is stifling her—her willfulness, her sexuality, her principles. In an attempt to regain control, she becomes preoccupied with purity, cleanliness, and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her material and existential statelessness, and the narrator unravels spectacularly. In enthralling, sensory prose, The Coin explores nature and civilization, beauty and justice, class and belonging—all while resisting easy moralizing. Provocative, wry, and inviting, The Coin marks the arrival of a major new literary voice.

Gritty and unflinching, yet also tender, fantastical, and funny, a trans woman’s tale about finding a community on the margins. In Sarmiento Park, the green heart of Córdoba, a group of trans sex workers make their nightly rounds. When a cry comes from the dark, their leader, the 178-year-old Auntie Encarna, wades into the brambles to investigate and discovers a baby half dead from the cold. She quickly rallies the pack to save him, and they adopt the child into their fascinating surrogate family as they have so many other outcasts, including Camila. Sheltered in Auntie Encarna’s fabled pink house, they find a partial escape from the everyday threats of disease and violence, at the hands of clients, cops, and boyfriends. Telling their stories—of a mute young woman who transforms into a bird, of a Headless Man who fled his country’s wars—as well as her own journey from a toxic home in a small, poor town, Camila traces the life of this vibrant community throughout the 90s. Imbuing reality with the magic of a dark fairy tale, Bad Girls offers an intimate, nuanced portrait of trans coming-of-age that captures a universal sense of the strangeness of our bodies. It grips and entertains us while also challenging ideas about love, sexuality, gender, and identity.

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The paths of three young Black women in pre–Civil War Philadelphia unexpectedly—and dangerously—collide in this debut novel inspired by the explosive history of a divided city. “A beguiling story of friendship, deception, and women crossing boundaries in the name of freedom.”—Lisa Wingate, #1 New York Times bestselling author of The Book of Lost Friends Philadelphia, 1837. After Charlotte escaped from the crumbling White Oaks plantation down South, she’d expected freedom to feel different from her former life as an enslaved housemaid. After all, Philadelphia is supposed to be the birthplace of American liberty. Instead, she’s locked away playing servant to her white-passing father, as they both attempt to hide their identities from slavecatchers who would destroy their new lives. Longing to break away, Charlotte befriends Nell, a budding abolitionist from one of Philadelphia’s wealthiest Black families. Just as Charlotte starts to envision a future, a familiar face from her past reappears: Evie, her friend from White Oaks, has been brought to the city by the plantation mistress, and she’s desperate to escape. But as Charlotte and Nell conspire to rescue her, in a city engulfed by race riots and attacks on abolitionists, they soon discover that fighting for Evie’s freedom may cost them their own. All We Were Promised is the story of three women in vastly different circumstances—the rebel, the socialite, and the fugitive—risking everything for one another in an American city straining to live up to its loftiest ideals.

The unlikely narrator through this tale of misadventures is one Curt Marder: gambler, drinker, cheat, and would-be womanizer. It's 1871, and he's lost his farm, his wife, and his dog to a band of marauding hooligans. With nothing to live on but a desire to recover what is rightfully his, Marder is forced to enlist the help of the best tracker in the West: a black man named Bubba.

A classic of politics, murder, and espionage "Watershed has all the makings of a social thriller...In this novel about water and the struggle for a life free of injustice, the mix doesn't just work, it flows." — Alan Cheuse, National Public Radio "It’s hard . . . to imagine a novelist today with fresher eyes than Percival Everett."―Christopher Borrelli, Chicago Tribune On a windswept landscape somewhere north of Denver, Robert Hawks, a feisty and dangerously curious hydrologist, finds himself enmeshed in a fight over Native American treaty rights. What begins for Robert as a peaceful fishing interlude ends in murder and the disclosure of government secrets. Everett mines history for this one, focusing on the relationship between Native American activists and Black Panther groups who bonded over their shared enemies in the 1960s Civil Rights movement. Watershed is an excellent example of Percival Everett’s famed bitingly political narrative style.

In the vein of Get Out and Razorblade Tears, a feast of noir fiction and probing social commentary that asks us to consider what would happen if reparations were finally charged and exacted. Nate Evers, a young black political activist, struggles with rage as his people are still being killed in the streets 62 years after Emmett Till. When his little cousin is murdered, Nate shuns the graffiti murals, candlelight vigils, and Twitter hashtags that are commonplace after these senseless deaths. Instead, he leads 3 grief-stricken friends on a mission of retribution, kidnapping the descendants of long-ago perpetrators of hate crimes, confronting the targets with their racist lineages, and forcing them to pay reparations to a community fund. For 3 of the group members, the results mean justice; for Nate – pure revenge. Not all targets go quietly into the night, though, and Nate and his friends' world spirals out of control when they confront the wrong man. Now the leader of a white supremacist group is hot on their tail as is a jaded lawman with some disturbingly racist views of his own. As the 4 vigilantes fight to thwart their ruthless pursuers, they’re forced to accept an age-old truth: "Before you embark on a journey of revenge, dig two graves." Smoke Kings is a powerful and propulsive novel with a diverse and unforgettable cast of characters. Like Steph Cha’s Your House Will Pay it explores decades of racial tensions through a fictional landscape where the line between justice and revenge is blurred.

Featuring A Rage in Harlem, The Real Cool Killers, The Crazy Kill, & Cotton Comes To Harlem

A one-volume selection of four novels in a legendary detective series—blistering, groundbreaking capers set in Harlem's criminal underworld—by master crime writer Chester Himes A friend and contemporary of Richard Wright and James Baldwin—and every bit their equal—Chester Himes is the acclaimed author of literary novels, stories, and essays, as well as the classic crime fiction series for which he is best known, featuring detectives Coffin Ed Johnson and Grave Digger Jones. Himes authored nine novels in the Harlem Detectives series, and in these four popular, accomplished installments, his cold, wisecracking sleuths are thrown into a brutal, murderous world, full of conniving con men, gun-toting gangsters, and opium-smoking preachers. Himes's vision of Harlem's criminal underground is both riotous entertainment, enriched by his deftly plotted mysteries and scintillating dialogue, and a penetrating look into the fraught tensions of race in postwar America. Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

An unflinching, honest novel in verse about a teenager's journey into the slam poetry scene and the dangerous new relationship that could threaten all her dreams. From the award-winning poet and author of HOME IS NOT A COUNTRY. Bad girl. No matter how hard Samira tries, she can’t shake her reputation. She’s never gotten the benefit of the doubt—not from her mother or the aunties who watch her like a hawk. Samira is determined to have a perfect summer filled with fun parties, exploring DC, and growing as a poet—until a scandalous rumor has her grounded and unable to leave her house. When Samira turns to a poetry forum for solace, she catches the eye of an older, charismatic poet named Horus. For the first time, Samira feels wanted. But soon she’s keeping a bigger secret than ever before—one that that could prove her reputation and jeopardize her place in her community. In this gripping coming-of-age novel from the critically acclaimed author Safia Elhillo, a young woman searches to find the balance between honoring her family, her artistry, and her authentic self.

Paperback Release: February 18, 2025

Chosen as a Most Anticipated Book of 2024 by Oprah’s Book Club, Reader's Digest, The Rumpus, Kirkus Reviews, The Millions, Lit Hub, and more. “Fans of The Underground Railroad, The Water Dancer, and Let Us Descend will devour this lyrical and surreal saga.” – Oprah Daily From a writer of singular voice and vision, a mesmerizing epic that reimagines the past to explore the true nature of freedom In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjuror who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours. It is in this miraculous place that Saint’s grand experiment—a truly secluded community where her people may flourish—takes root. But although Saint does her best to protect the inhabitants of Ours, over time, her conjuring and memories begin to betray her, leaving the town vulnerable to intrusions by newcomers with powers of their own. As the cracks in Saint’s creation are exposed, some begin to wonder whether the community’s safety might be yet another form of bondage. Set over the course of four decades and steeped in a rich tradition of American literature informed by Black surrealism, mythology, and spirituality, Ours is a stunning exploration of the possibilities and limitations of love and freedom by a writer of capacious vision and talent.

A Harlem Detectives Novel

In this gripping installment of the maverick Harlem Detectives series, Coffin Ed Johnson and Gravedigger Jones investigate a series of seemingly unrelated, brutal crimes. A gold Cadillac, about as large as an ocean liner, rocks a woman to the pavement in the cold streets of Harlem. Three goons in cop uniforms heist a small fortune and leave an important politician dead. All told eight bodies stack up over the long, bloody weekend, but they won't spoil in this weather. And Grave Digger Jones and Coffin Ed Johnson have to follow the trail of brutal violence, perversion, and cold murder—and avoid getting caught in the fray.

A Harlem Detectives Novel

In this page-turning installment of the classic Harlem Detectives series, a woman dies at a con man's religious street revival, and her elusive pile of cash vanishes Alberta Wright drops dead on the street during a sermon by the charismatic con man Sweet Prophet. Her partner rushes home to avoid the cops, only to find her apartment looted by someone looking for her stash of cash. But soon it becomes apparent that there are number of players in the race for Alberta's dough when a furniture salesman who bought much of her belongings is murdered at his shop. Coffin Ed Johnson and Grave Digger Jones are called in to investigate, but they know full well the bodies haven't stopped dropping yet.

A classic novel of identity, sexuality, religion, and race by the author of Passing, hailed as “an original and hugely insightful writer” by The New York Times—with an introduction by Asali Solomon, author of The Days of Afrekete “Quicksand . . . open[s] up a whole world of experience and struggle that seemed to me, when I first read [it] years ago, absolutely absorbing, fascinating, and indispensable.”—Alice Walker Born to a white Danish mother and a Black American father, Helga Crane has long struggled to carve a path for herself amid the racial segregation of the early twentieth century. As a teacher at an all-Black boarding school in the South, Helga quickly becomes unsettled by the way the school measures excellence based on proximity to whiteness. Journeying to Chicago, Harlem, and Copenhagen, she attempts to thrive free from the constraints of category—mother or wife, promiscuous or chaste, white or Black, American or Danish. But these categories, though slippery and unstable, are constantly reinforced. Helga finally settles into a life that feels secure yet completely at odds with her previous ambitions—married to a preacher in the Deep South, hoping to find peace under the wings of the Church. Landing back where she started, in social and existential oblivion, Helga forces us to consider: In a society marred by injustice, is it even possible to find a true, authentic self? With intriguing parallels to Larsen’s own life, Quicksand is an engrossing page-turner that is as relevant now as ever before. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

A TIME MOST ANTICIPATED BOOK • A newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a remarkable search for a family secret that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Electrifying, funny, and wholly original, Martyr! heralds the arrival of an essential new voice in contemporary fiction. “Kaveh Akbar is one of my favorite writers. Ever.” —Tommy Orange, Pulitzer Prize–nominated author of There There “The best novel you'll ever read about the joy of language, addiction, displacement, martyrdom, belonging, homesickness.” —Lauren Groff, best-selling author of Matrix and Fates and Furies Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others.