Four years ago, Bryan Hicks left behind a lucrative corporate job to open a bakery with his trans girlfriend, Nadia Brooks.

In conservative Houston, Texas, they had to sue a transphobic landlord just to lease a space. Even so, the shop was

humming along until the Covid-19 pandemic slowed their business to a trickle. Cash-strapped and desperate, Bryan turns

to an unsavory character for a loan; when he's unable to pay it back, he's forced to rent out the bakery to an illegal trans

strip show to make some extra cash. The dancers and customers trash the place, and one night it gets so rowdy Bryan

fires a gun just to clear the store. How did his dream become such a nightmare? The novel moves back in time to tell the

history of the bakery, from the first "love cake" Bryan made for Nadia to Nadia's Hail Mary effort to win cash in a TV baking

competition. All the while, Bryan strives to be a supportive father to his queer son and his increasingly right-wing daughter.

Can Bryan save his bakery and his relationship with Nadia, or is he about to lose his love and livelihood in one fell swoop?

Bell's workmanlike prose captures both the tranquil atmosphere of the bakery and the wild energy of the trans party scene,

as here, when Bryan and Nadia visit a strip club: "Now that they were inside, Nadia looked overwhelmed, standing very

stiff. She looked scared to touch anything. Bryan grabbed her and led her through the mesh of bodies to the middle bar.

He handed Nadia a beer, and they both turned around to check out the raw scene."

“Your eyes aren't playing tricks on you. Yes, I gave this book a six-star rating out of a possible five. Where to even begin with how much I loved this book.” Goodreads Reviewer, Transgender Bookworm

Die-hard traditional Texas is the backdrop where success and nonconformity cannot coexist for Bryan Hicks, an African-American divorced father of two kids, Lindsey, the athletic golden child, and Lance, the unorthodox queer thespian.

Bryan's mother loves bragging to her high-society girlfriends about Bryan's accomplishments and promotion to VP at a large multinational oil/gas company. Bryan vigorously steers clear of conversations with his mother about who he is dating because Bryan has been secretly dating Nadia, a transgender woman.

Cakewalk is contemporary fiction based on Douglas Bell's past experiences. Bell speaks from an African-American heteronormative (privileged) cisgender voice to candidly expose the trauma of transphobia and homophobia. Bell wants to humanize the struggle of trans women to live on their terms. Bell asks us to believe in ourselves, trust in ourselves, and don’t let society define who you are. There is enough courage within you to be the person you want to be.

Editorial Reviews
Goodreads Reviewer, Erikka
I must say this book absolutely had me by the first chapter. Each character represented someone i have have met or known and truly had me hooked. The fact that as I dove deeper into each page it was as if I was watching a movie of so many lives play out right before me. This up and coming author has truly snatched my attention and made me reflect on the perspectives of others as well as the symbolism throughout this read. If you want to laugh, cry, feel anger, empathy, and reflection on how and who you are as well as get a little hot and heavy this is definitely the right book for you. Step into a world you may have never known existed and watch the similarities of what all humans long for no matter the pronoun.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

 fans of Ashley Herring Blake’s Delilah Green Doesn’t Care and Chencia C. Higgins' D'Vaughn and Kris Plan a Wedding comes an utterly charming and queerly irresistible romantic comedy…where all’s fair in love and bowling.
This is how love rolls…

For teacher Ava Williams, some subjects are not up for debate. Like history—specifically, the one she has with Grace Jones, bowling pro and local celeb. Who is now, for no identifiable reason, teaching at the same small-town Georgia high school as Ava. Once upon a time, they were thick as thieves, best friends, rivals who pushed each other, and total bowling nerds. Then they shared a kiss, sweet and confusing…and after that, they split and nothing was ever the same.

Ava is pretty sure she has every reason to hate Grace. Especially when the school’s soggy potato of a principal announces—finally—that the students can have the bowling team Ava has been pushing for, for years…only to hand it to Grace.

Now they’re expected to be partners and lead their new bowling team to victory in six months. And with that, their rivalry is back. Fierce, ultracompetitive…and with an undeniable attraction that pushes, pulls and crashes together. It’s history. It’s chemistry. And it’s just a matter of time before it explodes…one way or the other.

The New York Times bestselling multitalented artist makes his fiction debut with this electrifying novel—The Accomplice combines the imaginative page-turning suspense of S. A. Cosby’s novels with the high-tension thrills of the Netflix blockbuster series Money Heist.

In The Accomplice, Curtis "50 Cent" Jackson and award-winning mystery writer Aaron Philip Clark introduces readers to New York-born and Texas-bred Nia Turner, who always dreamt of becoming a Texas Ranger. She knows the dangers of the job, and as the first Black female ranger, she knows the politics, but she’s never encountered a criminal like Desmond Bell. A Vietnam vet turned thief, Desmond steals more than money; he steals the secrets of the rich and powerful and blackmails them for millions. When Desmond steals from the Duchamps, the wealthiest family in the country, Nia’s investigation into the robbery threatens to expose him and the criminal enterprise he works for. As the bodies pile up, Nia digs deeper for the truth, putting her life and career in danger. It’s a deadly cat-and-mouse game between ranger and thief, but to protect their family’s secrets, the Duchamps won’t hesitate to kill them both.

*ships in 7 - 10 business days*

From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age

Jamaica Kincaid's The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman's inexorable evolution, evoked in startling and magical poetry.

Powerful, disturbing, stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own.

Kincaid takes us from Xuela's childhood in a home where she can hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack LaBatte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela's is an intensely physical world, redolent of overripe fruit, gentian violet, sulfur, and rain on the road, and it seethes with her sorrow, her deep sympathy for those who share her history, her fear of her father, her desperate loneliness. But underlying all is "the black room of the world" that is Xuela's barrenness and motherlessness.

From prize-winning Korean author Kim Hye-jin comes the contemplative, superbly-crafted story of a woman scapegoated by sudden tragedy, and the unexpected paths she must wander in search of redemption.

Haesoo is a successful therapist and regular guest on a popular TV program. But when she makes a scripted negative comment about a public figure who later commits suicide, she finds herself ostracized by friends, fired from her job, and her marriage begins to unravel. These details come to the reader gradually, in meditative prose, through bits and pieces of letters that Haesoo writes and finally abandons as she walks alone through her city.

One day she has an unexpected encounter with Sei, a 10-year-old girl attempting to feed an orange cat. Stray cats seem to be everywhere; they have the concern of one other neighborhood woman and the ire of everyone else. Like Haesoo and Sei, the cats endure various insults and recover slowly. Haesoo, who would not otherwise care about animals or form relationships with children, now finds herself pulled back by degrees into the larger world.

“Having been Jane Eyre, Anna Karenina and Esther Greenwood all my life, my writing was an opportunity for the reader to have to be me…” 

Shortly after flight MAS370 goes missing, scholarship student Girl boards her own mysterious flight from Australia to London to work on a dissertation on Sylvia Plath. Though she is ambivalent toward academia and harbors ideas about writing a post-colonial novel, if only she could work out just what that means, Girl relishes the freedom that has come with distance from the expectations and judgements of her very tight-knit Malaysian-Australian family. At last Girl has an opportunity to live on her own terms. 

Unfolding across Girl’s time at an artist residency in Scotland as she makes friends and enemies alike in a world far removed from any she’s ever known, But the Girl is a wry and playfully philosophical coming of age novel that reveals the joys, embarrassments, pleasures, and agonies of trying to discover and understand who you are. Girl grapples with the long shadow of colonialism, the pressure of expectations in immigrant families, and the sometimes difficult fact that those closest to us remain the most unknowable.

Percival Everett's blistering satire about race and publishing, now adapted for the screen as AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

NAMED A MOST ANTICIPATED BOOK OF THE YEAR BY THE WASHINGTON POST, TIME, USA TODAY, & MORE

“You will burn through Victim and find your hands scalded when you are done…Pitch perfect.” —Xochitl Gonzalez, New York Times bestselling author of Olga Dies Dreaming

There’s a fine line between bending the truth and telling bold-faced lies, and Javier Perez is willing to cross it. Victim is a fearless satire about a hustler from the Bronx who sees through the veneer of diversity initiatives and decides to cash in on the odd currency of identity.

Javier Perez is a hustler from a family of hustlers. He learns from an early age how to play the game to his own advantage, how his background—murdered drug dealer dad, single cash-strapped mom, best friend serving time for gang activity—can be a key to doors he didn’t even know existed. This kind of story, molded in the right way, is just what college admissions committees are looking for, and a full academic scholarship to a prestigious university brings Javi one step closer to his dream of becoming a famous writer.

As a college student, Javi embellishes his life story until there’s not even a kernel of truth left. The only real connection to his past is the occasional letter he trades with his childhood best friend, Gio, who doesn’t seem to care about Javi’s newfound awareness of white privilege or the school-to-prison pipeline. Soon after Javi graduates, a viral essay transforms him from a writer on the rise to a journalist at a legendary magazine where the editors applaud his “unique perspective.” But Gio more than anyone knows who Javi really is, and sees through his game. Once Gio’s released from prison and Javi offers to cut him in on the deal, will he play along with Javi’s charade, or will it all come crumbling down?

A sendup of virtue signaling and tear-jerking trauma plots written with the bite of Paul Beatty, Victim asks what real diversity looks like and how far one man is willing to go to make his story hit the right notes.

Two strong-willed sisters fight their way to forgiveness in this feel-good Southern fiction, for fans of Terry McMillan and KJ Dell'Antonia's The Chicken Sisters.

Rose Tillman and her sister Marvina Nash haven't spoken in decades―not since Rose sent Marvina $40 to register their business, and Marvina used that money for her own personal purposes. Now retired, Rose wants to open the restaurant they'd once dreamed of. But, to her horror, Rose realizes she's forgotten their mother's secret spice mix recipe, known to only one other person in the world. With no other option, Rose embarks on a two-hour drive to Marvina's house back in Fork City, TX. Marvina has her own version of what caused their falling out, and it's a far cry from what Rose recalls. Marvina, skeptical and still indignant, but incurably polite, figures she'll give Rose a chance to speak her piece, before closing the door in her face. 

As the sisters fight their way to forgiveness, they unpack their complicated past, form an unexpected alliance with a young mother-to-be, and reconnect through the tantalizing aroma of chicken dinners that hold the power to heal―or divide―a community.

In a tale rich with Southern charm, Rose and Marvina discover, through fussing, laughter, and tears, that the secret ingredient to a bright future might just be found in facing who they are today―and in forgiving the past to embrace a second chance at sisterhood.

"Full of heart, generosity, and charm, Sisters with a Side of Greens is the kind of story that invites everyone to be a part of something bigger." ―Lucy Gilmore, author of The Lonely Hearts Book Club

"Chef's kiss! A captivating tale of sisterhood, forgiveness and what it means to live fully in the present. Stimpson delivers raw, complex characters and a delicious storyline that will stay with the reader long after the last page." ―Kim Michele Richardson, New York Times bestselling author

Winner of the 2016 Man Booker Prize

Winner of the 2015 National Book Critics Circle Award in Fiction

Named one of the best books of 2015 by The New York Times Book Review and the Wall Street Journal

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality―the black Chinese restaurant.

Born in the "agrarian ghetto" of Dickens―on the southern outskirts of Los Angeles―the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.

Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident―the last surviving Little Rascal, Hominy Jenkins―he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

“You can be beautiful, even more beautiful than before.” This is the seductive promise of Dr. Nzinga’s clinic, where anyone can get their lips thinned, their skin bleached, and their nose narrowed. A complete demelanization will liberate you from the confines of being born in a black body—if you can afford it.

In this near-future Southern city plagued by fenced-in ghettos and police violence, more and more residents are turning to this experimental medical procedure. Like any father, our narrator just wants the best for his son, Nigel, a biracial boy whose black birthmark is getting bigger by the day. The darker Nigel becomes, the more frightened his father feels. But how far will he go to protect his son? And will he destroy his family in the process?

This electrifying, hallucinatory novel is at once a keen satire of surviving racism in America and a profoundly moving family story. At its center is a father who just wants his son to thrive in a broken world. Maurice Carlos Ruffin’s work evokes the clear vision of Ralph Ellison, the dizzying menace of Franz Kafka, and the crackling prose of Vladimir Nabokov. We Cast a Shadow fearlessly shines a light on the violence we inherit, and on the desperate things we do for the ones we love.

A bold and haunting debut story collection that follows various characters as they navigate the day-to-day perils of Jim Crow racism from Diane Oliver, a missing figure in the canon of twentieth-century African American literature, with an introduction by Tayari Jones

A remarkable talent far ahead of her time, Diane Oliver died in 1966 at the age of 22, leaving behind these crisply told and often chilling tales that explore race and racism in 1950s and 60s America. In this first and only collection by a masterful storyteller finally taking her rightful place in the canon, Oliver’s insightful stories reverberate into the present day.

There’s the nightmarish “The Closet on the Top Floor” in which Winifred, the first Black student at her newly integrated college, starts to physically disappear; “Mint Juleps not Served Here” where a couple living deep in a forest with their son go to bloody lengths to protect him; “Spiders Cry without Tears,” in which a couple, Meg and Walt, are confronted by prejudices and strains of interracial and extramarital love; and the high tension titular story that follows a nervous older sister the night before her little brother is set to desegregate his school.

These are incisive and intimate portraits of African American families in everyday moments of anxiety and crisis that look at how they use agency to navigate their predicaments. As much a social and historical document as it is a taut, engrossing collection, Neighbors is an exceptional literary feat from a crucial once-lost figure of letters.

*ships in 7 - 10 business days*

From Jas Hammonds, award-winning author of We Deserve Monuments, comes an unflinching novel about addiction that Courtney Summers, New York Times bestselling author of Sadie and I’m the Girl, called “sensitively wrought and gorgeously written.”

It’s the summer before college and eighteen-year-old Blake Brenner and her girlfriend, Ella, have one goal: join the mysterious and exclusive Serena Society. The sorority promises status and lifelong connections to a network of powerful, trailblazing women of color. Ella’s acceptance is a sure thing―she’s the daughter of a Serena alum. Blake, however, has a lot more to prove.

As a former loner from a working-class background, Blake lacks Ella’s pedigree and confidence. Luckily, she finds courage at the bottom of a liquor bottle. When she drinks, she’s bold, funny, and unstoppable―and the Serenas love it. But as pledging intensifies, so does Blake’s drinking, until it’s seeping into every corner of her life. Ella assures Blake that she’s fine; partying hard is what it takes to make the cut . . .

But success has never felt so much like drowning. With her future hanging in the balance and her past dragging her down, Blake must decide how far she’s willing to go to achieve her glittering dreams of success―and how much of herself she’s willing to lose in the process.

In one of the best-loved volumes of her work, J. California Cooper tells exuberant tales full of wonder at the mystery of life and the hardness of fate. Awed, bedeviled, bemused, all of Cooper's characters are borne up by the sheer power of life itself.

Paperback Release : July 29, 2025

Set in a wonderfully reimagined 15th century West Africa, Masquerade is a dazzling, lyrical tale exploring the true cost of one woman’s fight for freedom and self-discovery, and the lengths she’ll go to secure her future.

“Sangoyomi delivers an incisive examination of gender, temptation, and the lengths people will go to hold power―a magnificent debut!” ―Vaishnavi Patel, New York Times bestselling author of Kaikeyi

Òdòdó’s hometown of Timbuktu has been conquered by the warrior king of Yorùbáland. Already shunned as social pariahs, living conditions for Òdòdó and the other women in her blacksmith guild grow even worse under Yorùbá rule.

Then Òdòdó is abducted. She is whisked across the Sahara to the capital city of Ṣàngótẹ̀, where she is shocked to discover that her kidnapper is none other than the vagrant who had visited her guild just days prior. But now that he is swathed in riches rather than rags, Òdòdó realizes he is not a vagrant at all; he is the warrior king, and he has chosen her to be his wife.

In a sudden change of fortune, Òdòdó soars to the very heights of society. But after a lifetime of subjugation, the power that saturates this world of battle and political savvy becomes too enticing to resist. As tensions with rival states grow, revealing elaborate schemes and enemies hidden in plain sight, Òdòdó must defy the cruel king she has been forced to wed by re-forging the shaky loyalties of the court in her favor, or risk losing everything―including her life.

Loosely based on the myth of Persephone, O.O. Sangoyomi’s Masquerade takes you on a journey of epic power struggles and political intrigue which turn an entire region on its head.

From acclaimed novelist John Vercher, a profoundly moving novel of what it means to be a father, a son, a writer, and a biracial American fighting to reconcile the past

Reeling from the sudden death of his teenage son, our narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged grandfather. He travels to a beach town several hours south of his home with the intention of immediately selling the land. But upon inspection, what lies beneath the dirt is much more than he can process in the throes of grief. As a biracial Black man struggling with the many facets of his identity, he’s now the owner of a former plantation passed down by the men on his white mother’s side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovery―and a fight for reclamation―of a painful past. With the wit of Paul Beatty’s The Sellout and the nuance of Zadie Smith’s On Beauty, Devil Is Fine is a darkly funny and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

Exuberant and heart-warming, J. California Cooper is the embodiment of the simple folk tradition in black writing associated most often with Zora Neale Hurston and Langston Hughes. The author of seventeen plays and two novels, it is her stories of black family life in rural and small town America that have achieved the most acclaim and the broadest audience. SOME SOUL TO KEEP is amongst the finest and most enduring of her work.

Cooper writes with a transparent clarity and such high-spirited energy that her characters leap off the page, bursting with the stories they've got to tell--stories of simple people, stories of families and fate, of love and marriage, of death and the triumph of the human spirit. Cooper is that most rare and wondrous thing: a true storyteller whose tales trace the energies of life itself.

Bridget Jones’s Diary meets Survival of the Thickest in Danielle Allen’s CURVY GIRL SUMMER, a smoking-hot, hilarious novel about the perils of online dating.

“There’s got to be an easier way than dating. I want the shortcut. I just want to find my person and start our lives together.”
After a one-night stand with her clingy ex, Aaliyah James has an epiphany: this ain’t it. She knows what she wants, and she’s ready to move past casual hookups, flings, and situationships.

But for her family, the clock is ticking―after all, she’s almost thirty. And when they imply that her personality (and her body) might be too big to land a man, she lets them know they’ve gone too far―and her (nonexistent) man loves her curves, thank you very much. Now, she has seven weeks to find the perfect boyfriend to rub in their faces at the big, fancy birthday celebration she’s been planning.

After her first blind date goes wrong, charming local bartender Ahmad Williamson consoles her with a drink and some playful banter. Aaliyah takes him up on his suggestion to use a dating app―but the more she sees of his warm, funny, and easygoing nature, the less she wants to check her DMs. Will her next swipe bring her closer to true love―or is her real match closer than she thinks?

*ships in 7 - 10 business days*

The “revelatory” (The New York Review of Books) story of an ordinary man, his century, and his home.

Jamaica Kincaid’s first obsession, the island of Antigua, comes vibrantly to life under the gaze of Mr. Potter, an illiterate chauffeur who makes his living along the wide, open roads that pass the only towns he has ever seen. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air.

As Mr. Potter’s narrative unfolds in linked vignettes, his story becomes the story of a vital, damaged community. Amid his surroundings, he struggles to live at ease: to purchase a car, to have girlfriends, and to shake off the encumbrance of his daughters―one of whom will return to Antigua after he dies and tell his story with equal measures of distance and sympathy.

In Mr. Potter, Kincaid breathes life into a figure unlike any other in contemporary fiction, an individual consciousness emerging gloriously out of an unexamined life.

The year is 1954. A white woman’s body, stuffed in a coconut bag, has washed ashore in Otatiti, Trinidad, and the British colony is rife with rumors. In two homes, one in a distant shantytown, the other on the outskirts of a former sugar cane estate, two women hear the news and their blood runs cold. Rosa, the white daughter of a landowner, and Zuela, the adopted “daughter” of a Chinese shop owner used to play together as girls—and witnessed something terrible behind a hibiscus bush many years ago.

Tali Saunders had one goal: to leave Union City and never look back. Going off to college with her sister Shandea was a perfect way to escape becoming a product of the street. She never imagined on her last night in Union City that she would meet someone who made her question everything she thought she knew about herself. Meeting Henny wasn’t in her plans, but after one night of pleasure and demands, a connection was made.

Will Tali keep her to vow leave? Or will she stay?

Hendrix ‘Henny’ Pharma had one plan that didn’t include meeting Tali Saunders. In an instant, he knew things would have to change to include his new addiction. One night wasn’t enough, but life had other plans. Will Henny get the chance to be with Tali? Or will he be left a fiend, craving the high she gave him without her to satiate him?

Lennox ‘Oz’ Anderson met what would become his obsession the night Shandea ‘Dea’ Saunders sat down to play a game of poker.The only problem was that Dea belonged to someone else. Or at least she thought she did. Oz knew what he wanted, and it was Dea. He planned to make sure she understood that it meant forever once he made her his.
Dea counted down the days until her sister Tali would graduate so they could leave Union City behind. Nothing and no one in Union City could keep her there, even her so-called boyfriend, Rodney.
Dea always seemed to have a problem choosing the right man. But what happens when the right man chooses her?

In a single night, soul ties were created that bonded these two couples in ways they’d never planned or imagined. But will betrayal, jealousy, and death make them second guess their connections being destiny or tear them apart?

***This book contains explicit language, graphic violence, and strong sexual content. It is intended for adults.***

Lennox ‘Oz’ Anderson met what would become his obsession the night Shandea ‘Dea’ Saunders sat down to play a game of poker. Now that he had his obsession in his possession, he had to ensure that he could keep her. Oz never expected his own flesh and blood to betray him. And he definitely wasn’t going to let his twin go as far as kidnapping Dea for his own twisted pleasure, a right that was only Oz’s, without having to pay for it... with his life. Dea belonged to him and him alone. Family or not, Lennox planned to ensure that everyone, including Shandea, understood that he would do anything to protect what was his.
Will Oz find Dea in time, or will he be too late to stop his brother?
Shandea ‘Dea’ Saunders had always known how crazy Lennox was, but she never thought the craziness in his life would get so close to her. Dea didn’t know if she could look into Lennox’s face without seeing his twin... if she even made it out alive.
How will Dea ever be able to face the love of her life when he has the face of her kidnapper?

Hendrix ‘Henny’ Pharma knew things would have to change once he had another taste of his addiction. Henny refused to make the same mistake twice, but life always interfered with his desires. This time, Hendrix planned to have it all with Tali by his side and avenge the death of his brother.
Can Hendrix manage to keep his addiction and both his legal and illegal empires? Or will the ghosts of his past take it all?
Tali Saunders had one goal: to leave Union City and never look back. She successfully stuck to that commitment until her mother fell ill, and she had to return home. She never imagined her last night in Union City would be one she would never forget. Six years later, Henny was still on her mind. Tali never expected to run into the very man she’d compared every encounter she’d had to that one night with him. Now Tali had entered into a deal with the very man she couldn’t keep off her mind. Tali believed she could walk away from Henny when it was all said and done. But Henny has other ideas, like keeping Tali exactly where she belonged…in his bed.
Will Tali walk away again? Or will she stay?

Soul ties were created in one night, bonding two couples in ways they’d never planned or imagined. Now that betrayal, jealousy, and death have appeared, will it make them second guess their connections being destiny, or will it rip them apart?

***This book contains explicit language, graphic violence, and strong sexual content. It is intended for adults.***

The critically acclaimed debut from the National Book Award-winning author of Blackouts.

In this award-winning, groundbreaking novel, Justin Torres plunges us into the chaotic heart of one family, the intense bonds of three brothers, and the mythic effects of this fierce love on the people we must become.

“A tremendously gifted writer whose highly personal voice should excite us in much the same way that Raymond Carver’s or Jeffrey Eugenides’s voice did when we first heard it."—The Washington Post

Three brothers tear their way through childhood— smashing tomatoes all over each other, building kites from trash, hiding out when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn—he’s Puerto Rican, she’s white—and their love is a serious, dangerous thing that makes and unmakes a family many times. Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another.

From the intense familial unity felt by a child to the profound alienation he endures as he begins to see the world, this beautiful novel reinvents the coming-of-age story in a way that is sly and punch-in-the-stomach powerful.

"We the Animals is a dark jewel of a book. It’s heartbreaking. It’s beautiful. It resembles no other book I’ve read.”—Michael Cunningham

"A fiery ode to boyhood . . . A welterweight champ of a book."—NPR, Weekend Edition

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A writing companion, inspirational guide to the craft, and anthology featuring interactive multi-genre work from the acclaimed organization on its twenty-fifth anniversary.

We all have stories to tell, but not everyone gets the mentoring and training or encouragement to become a great storyteller. Founded a quarter century ago, Girls Write Now has empowered young women and gender-expansive youth to harness their creative talents, gaining confidence, skills, and a community supporting them in sharing stories the world needs to hear.

This hands-on guide—conceived of and written and edited by the young people of Girls Write Now—draws from the organization’s dynamic curriculum and the writers’ own personal experiences spanning decades. It offers aspiring writers the tools they need to develop their craft—including tips, insight, and advice on the writing and publishing process as well as critical thinking about the future of storytelling.

With this handbook, readers everywhere can equip themselves to shape their life stories, and become the writers and leaders they dream of being.

From the critically acclaimed and New York Times bestselling author of When No One Is Watching comes a riveting thriller about the new caretaker of a historic estate who finds herself trapped on an island with a murderer—and the ghosts of her past. 

Years after a breakdown and a diagnosis of dissociative identity disorder derailed her historical preservationist career, Kenetria Nash and her alters have been given a second chance they can’t refuse: a position as resident caretaker of a historic home. Having been dormant for years, Ken has no idea what led them to this isolated Hudson River island, but she’s determined not to ruin their opportunity.

Then a surprise visit from the home’s conservation trust just as a Nor’easter bears down on the island disrupts her newfound life, leaving Ken trapped with a group of possibly dangerous strangers—including the man who brought her life tumbling down years earlier. When he turns up dead, Ken is the prime suspect.

Caught in a web of secrets and in a race against time, Ken and her alters must band together to prove their innocence and discover the truth of Kavanaugh Island—and their own past—or they risk losing not only their future, but their life.

A powerful novel about the construction of the Panama Canal, casting light on the unsung people who lived, loved, and labored there

It is said that the canal will be the greatest feat of engineering in history. But first, it must be built. For Francisco, a local fisherman who resents the foreign powers clamoring for a slice of his country, nothing is more upsetting than the decision of his son, Omar, to work as a digger in the excavation zone. But for Omar, whose upbringing was quiet and lonely, this job offers a chance to finally find connection.

Ada Bunting is a bold sixteen-year-old from Barbados who arrives in Panama as a stowaway alongside thousands of other West Indians seeking work. Alone and with no resources, she is determined to find a job that will earn enough money for her ailing sister’s surgery. When she sees a young man—Omar—who has collapsed after a grueling shift, she is the only one who rushes to his aid.

John Oswald has dedicated his life to scientific research and has journeyed to Panama in single-minded pursuit of one goal: eliminating malaria. But now, his wife, Marian, has fallen ill herself, and when he witnesses Ada’s bravery and compassion, he hires her on the spot as a caregiver. This fateful decision sets in motion a sweeping tale of ambition, loyalty, and sacrifice. 

Searing and empathetic,The Great Divide explores the intersecting lives of activists, fishmongers, laborers, journalists, neighbors, doctors, and soothsayers—those rarely acknowledged by history even as they carved out its course.

In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies… a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.

Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach is her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life.

But these are human concerns. These are the concerns of those confined to land, those with legs. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Creatures that called sailors to their doom. That dragged them down and drowned them. That feasted on their flesh. The creature that she’s always longed to become: the mermaid.

Ren aches to be in the water. She dreams of the scent of chlorine, the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.

“Gripping and passionate . . . keenly recounted . . . full of poetry.”—New York Times

Now in a beautiful new edition, the spellbinding classic tale of man and nature, honor, and adventure, in which the peaceful life of an aging, book-loving widower in the Ecuadorean jungle is upended when an ignorant tourist provokes a mother ocelot.

Antonio José Bolivar Proaño lives quietly in a river town in the rain-soaked jungle of Ecuador that is slowly being overrun by tourists and opportunists. Having lost his wife decades earlier, he takes refuge in books—paperback novels of faraway places and bittersweet love, delivered to him by the dentist who visits the village twice a year.

One day, a greedy trader pushes nature too far, setting an enraged mother ocelot on a bloody rampage through the village. The old man, a hunter who once lived among the Shuar Indians and knows the jungle better than anyone, is pressured by the village's detested mayor to join the expedition to kill the animal. Reluctantly. the old man is forced into the middle of a raging conflict between man and nature that will end in a powerfully climactic confrontation.