One weekend.

The elite underbelly of a Nigerian city.

A party that goes awry.

A tangled web of sex and lies and corruption that leaves no one unscathed.

Aima and Kalu are a longtime couple who have just split. When Kalu, reeling from the breakup, visits an exclusive sex party hosted by his best friend, Ahmed, he makes a decision that will plunge them all into chaos, brutally and suddenly upending their lives. Ola and Souraya, two Nigerian sex workers visiting from Kuala Lumpur, collide into the scene just as everything goes to hell. Sucked into the city’s corrupt and glittering underworld, they’re all looking for a way out, fueled by a desperate need to escape the dangerous threat that looms over them.

In the tradition of Isabel Allende’s career-launching debut, The House of the Spirits, a multigenerational, Latin American saga of love and revolution in which a young man abandons his family for the cause—and receives a late-life chance at redemption: “a tour de force” from “the new master” (Luis Alberto Urrea, New York Times bestselling author of Good Night, Irene).

In 1964, Stanislavo, a zealous young man devoted to his ideals, turns his back on his privilege to join the leftist movement in the jungles of Venezuela. There, as he trains, he meets Emiliana, a nurse and fellow revolutionary. Though their intense connection seems to be love at first sight, their romance is upended by a decision with consequences that will echo down through the generations.
 
Forty years later, the country’s political landscape has drastically changed, as have the trajectories that Stanislavo and Emiliana followed in the intervening decades. When a young boy is accidentally shot on the eve of the attempted coup against President Chávez, Stanislavo’s chance encounter with the boy’s mother forces a reckoning with past missteps and the ways his actions have reverberated into the present.
 
With its epic scope, gripping narrative, and unflinching intimacy, Freedom Is a Feast announces a major new talent. Alejandro Puyana has delivered an extraordinarily wise and moving debut about sticking to one’s beliefs at the expense of pain and chaos, about the way others can suffer for our misdeeds even when we have the best of intentions, and about the possibility for redemption when love persists across time.

From the acclaimed #1 New York Times bestselling author comes a soulful and lyrical novel exploring sisterhood, motherhood, faith, love, and ultimately what gets passed down from one generation to the next
 
At 40, Lena Baker is at a steady and stable moment in life—between wine nights with her two best friends and her wedding just weeks away, she’s happy in love and in friendship until a confession on her wedding day shifts her world.

Unmoored and grieving a major loss, Lena finds herself trying to teach her daughter self-love while struggling to do so herself. Lena questions everything she’s learned about dating, friendship, and motherhood, and through it all, she works tirelessly to bring the oft-forgotten Black history of Oregon to the masses, sidestepping her well-meaning co-workers that don’t understand that their good intentions are often offensive and hurtful.

Through Watson’s poetic voice, skin & bones is a stirring exploration of who society makes space for and is ultimately a story of heartbreak and healing.

In this action-packed thriller from a New York Times bestselling and award-winning author, two parents facing catastrophe must find their lost children before the unthinkable can happen.
 

In London, the police storm Heathrow Airport to bring in a father for questioning about his missing daughter.
 
In Florida, a mother makes a connection between her son and the bomber, fearing he has been radicalized.
 
And in Oregon, an unknown organization’s conspiracy to bring America to its knees unfolds…
 
On the run from the authorities, the two parents are thrown together in a race against time to stop a catastrophe that will derail the country’s future forever.

But can they find their kids before it’s too late?

 
For fans of The Chain and I Am Pilgrim, this ground-breaking, blockbuster thriller is unlike any other thriller you will read this year.

An electrifying debut story collection about Central American identity that spans past, present, and future worlds to reveal what happens when your life is no longer your own.

An ordinary man wakes one morning to discover he’s a famous reggaetón star. An aging abuela slowly morphs into a marionette puppet. A struggling academic discovers the horrifying cost of becoming a Self-Made Man.

In There Is a Rio Grande in Heaven, Ruben Reyes Jr. conjures strange dreamlike worlds to explore what we would do if we woke up one morning and our lives were unrecognizable. Boundaries between the past, present, and future are blurred. Menacing technology and unchecked bureaucracy cut through everyday life with uncanny dread. The characters, from mango farmers to popstars to ex-guerilla fighters to cyborgs, are forced to make uncomfortable choices—choices that not only mean life or death, but might also allow them to be heard in a world set on silencing the voices of Central Americans.

Blazing with heart, humor, and inimitable style, There Is a Rio Grande in Heaven subverts everything we think we know about migration and its consequences, capturing what it means to take up a new life—whether willfully or forced—with piercing and brilliant clarity. A gifted new storyteller and trailblazing stylist, Reyes not only transports to other worlds but alerts us to the heartache and injustice of our own.

Acclaimed children’s author Nana Brew-Hammond makes her highly anticipated return with this soaring and profound story about love and understanding told through three generations of one Ghanian family.

Determined to avoid the pain and instability of her parents’ turbulent, confusing marriage, Kokui marries a man far different from her loving, philandering, self-made father—and tries to be a different kind of wife from her mother.

But when Kokui and her husband leave Ghana to make a new life for themselves in America, she finds history repeating itself. Her marriage failing, she is called home to Ghana when her father dies. Back in her childhood home, which feels both familiar and discomforting, she comes to realize that to exorcize the ghosts of her parents’ marriage she must confront them to enable her healing.

Tender and illuminating, warm and bittersweet My Parents’ Marriage is a compelling story of family, community, class, and self-identity from an author with deep empathy and a generous heart.

When life rewrites the story, only friendship will see them through.

After years of hard work, four best friends—Celeste, Yasmeen, Toni and Leslie—are finally on the verge of opening the bookstore of their dreams. A place where their community can find solace with an intriguing new read, a comforting beverage and book-loving friends.

But before they can cut the ribbon, their worlds are upended.

Toni receives devastating news just months before her wedding, while Celeste’s struggling marriage threatens to collapse completely. Leslie learns a shocking secret about her family, and a lotto ticket changes Yasmeen’s life—but not for the better.

As the bookstore’s grand opening fast approaches, the four women must lean on each other now more than ever to navigate their grief and uncertainty. And together, they’ll learn that sometimes, even life’s most unexpected plot twists can lead to beautiful new beginnings.

Euphoria meets Girl in Pieces in this coming-of-age story of a girl trying to put a grief-stricken past behind her, only to be startled by the discovery of a long-lost sister who puts into question everything she thought she knew.

Amélie Cœur has never known what it truly means to be happy.

She thought she’d found happiness once, in a love that ended in tragedy and nearly sent her over the edge. Now, at seventeen, Mel is beginning to piece her life back together. Under the supervision of Laurelle Child Services, the exclusive foster care agency that raised her, Mel is sober and living with a new family among Manhattan’s elite. It’s her last chance at adoption before she ages out of the system, and she promised, this time, she’ll try.

But a casual relationship with a boy is turning into something she never intended for it to be, causing small cracks in her carefully constructed walls. Then the sister she has no memory of contacts Mel, unearthing complicated feelings about the past and what could have been.

As the anniversary of the worst day of her life approaches, Mel must weather the rising tides of grief and depression before she loses herself, and those close to her, all over again.

Award-winning author Wanda Morris returns with a powerful, haunting thriller following a lawyer who after the mysterious disappearance of a local landowner and the death of his sister just months before, uncovers a conspiracy that dates back to Reconstruction and persists in half the United States today.

Deena Wood’s life has fallen apart in the aftermath of losing her beloved mother, her marriage, and her prestigious job at an Atlanta law firm. She needs what the Geechee people of coastal Georgia call a “dayclean,” a fresh start.

She returns to her childhood home in Brunswick, Georgia, to heal. But her return is anything but the respite she thought it might be. To make peace with all her loss, she often drives through the city. One day, she unwittingly finds herself on the oceanfront property of a loner widower who is fighting to keep land that has been in his family since the end of the Civil War. He threatens her and warns her to never return. But shortly after, he disappears, and his very expensive property is quickly put up for sale. Curious about what has happened to the man, Deena digs into his disappearance and finds a family legacy at risk. What starts out as a bit of curious snooping, turns into a deadly game of illegal land grabs and property redevelopment in poor and rural communities with dark and powerful forces at work.

Without realizing it, Deena finds herself caught up in a nightmarish scheme that threatens her community and her family. She’ll need help and finds it in a close but unlikely source because she knows she must do whatever it takes to stop the sinister forces at play before she becomes their next target.

*ships in 7- 10 business days*

Her life. Her rules. Finally.

Anuri Chinasa has had enough. And really, who can blame her? She was the unwilling star of her stepmother’s social media empire before “momfluencers” were even a thing. For years, Ophelia documented every birthday, every skinned knee, every milestone and meltdown for millions of strangers to fawn over and pick apart.

Now, at twenty-five, Anuri is desperate to put her way-too-public past behind her and start living on her own terms. But it’s not going so great. She can barely walk down the street without someone recognizing her, and the fraught relationship with her father has fallen apart. Then there’s her PhD application (still unfinished) and her drinking problem (still going strong). When every detail of her childhood was so intensely scrutinized, how can she tell what she really wants?

Still, Ophelia is never far away and has made it clear she won’t go down without a fight. With Noelle, Anuri’s five-year-old half sister now being forced down the same path, Anuri discovers she has a new mission in life…

To take back control of the family narrative.

Through biting wit and heartfelt introspection, this darkly humorous story dives deep into the deceptive allure of a picture-perfect existence, the overexposure of children in social media and the excitement of self-discovery.

The View cohost and three-time Emmy Award winner Sunny Hostin transports readers to Highland Beach in the captivating third novel of her New York Times bestselling Summer Beach series.

In this awakening, spirited novel, Sunny Hostin celebrates family, friendship, and community and reminds us of the importance of the legacies of our collective past and finding one’s way in the world.

Founded in the late 1800s by the son of Frederick Douglass, Highland Beach along the Chesapeake Bay is the oldest Black resort community in America. Inside this proud and secluded beach community of about 100 private homes is Olivia Jones’s legacy.

But Oliva’s legacy comes with thorns—intertwined are secrets of her aunt’s death; a controlling grandmother who is determined to crush anyone or anything that will interfere with her son’s political career; and a father who wants to rebuild the family he rejected decades ago.

In the midst of tense family drama, Olivia must decide if she wants to return to the beautiful life she’s created in Sag Harbor—with the neighbors and wonderful man who’ve become central to her happiness—or finally achieve her dream of having a family and home to call her own in Highland Beach.

"A pitch-perfect small-town romance focused on forgiveness, second chances, and new beginnings." —Publishers Weekly on The Secret to a Southern Wedding

Friday nights in Peachtree Cove are all about football. But this season, the drama isn’t just on the field…

In the wake of losing both of her parents, Halle Parker was certain of one thing: she wanted a family of her own. And she wasn’t going to let a little thing like being single stand in her way. So, she used an anonymous donor and kept every last detail a secret—from everyone. But now, fourteen years later, Halle’s daughter, Shania, is determined to unravel the identity of her biological dad. And what she learns blindsides everyone…

When Quinton Evans’s pro-football days came to an end, he was eager to begin coaching and teaching, and he’s never looked back. But when Shania, a wide receiver on his team, reveals that she’s his daughter, he’s blown away. The one thing he refuses to do is walk away, even if Shania’s strong-willed and gorgeous mother wants nothing to do with him.

Halle knows that once you let the cat out of the bag in a small town like Peachtree Cove, you’re gonna have to do some damage control. But with Quinton suddenly popping up everywhere she turns, it’s all Halle can do to fight for the future she envisioned and the family she created. If only fate—and the undeniable heat sparking between her and Quinton—didn’t have other plans…

Peachtree Cove

Book 1: The Secret to a Southern Wedding
Book 2: Waiting for Friday Night

(Peachtree Cove, 2)

Four years ago, Bryan Hicks left behind a lucrative corporate job to open a bakery with his trans girlfriend, Nadia Brooks.

In conservative Houston, Texas, they had to sue a transphobic landlord just to lease a space. Even so, the shop was

humming along until the Covid-19 pandemic slowed their business to a trickle. Cash-strapped and desperate, Bryan turns

to an unsavory character for a loan; when he's unable to pay it back, he's forced to rent out the bakery to an illegal trans

strip show to make some extra cash. The dancers and customers trash the place, and one night it gets so rowdy Bryan

fires a gun just to clear the store. How did his dream become such a nightmare? The novel moves back in time to tell the

history of the bakery, from the first "love cake" Bryan made for Nadia to Nadia's Hail Mary effort to win cash in a TV baking

competition. All the while, Bryan strives to be a supportive father to his queer son and his increasingly right-wing daughter.

Can Bryan save his bakery and his relationship with Nadia, or is he about to lose his love and livelihood in one fell swoop?

Bell's workmanlike prose captures both the tranquil atmosphere of the bakery and the wild energy of the trans party scene,

as here, when Bryan and Nadia visit a strip club: "Now that they were inside, Nadia looked overwhelmed, standing very

stiff. She looked scared to touch anything. Bryan grabbed her and led her through the mesh of bodies to the middle bar.

He handed Nadia a beer, and they both turned around to check out the raw scene."

“Your eyes aren't playing tricks on you. Yes, I gave this book a six-star rating out of a possible five. Where to even begin with how much I loved this book.” Goodreads Reviewer, Transgender Bookworm

Die-hard traditional Texas is the backdrop where success and nonconformity cannot coexist for Bryan Hicks, an African-American divorced father of two kids, Lindsey, the athletic golden child, and Lance, the unorthodox queer thespian.

Bryan's mother loves bragging to her high-society girlfriends about Bryan's accomplishments and promotion to VP at a large multinational oil/gas company. Bryan vigorously steers clear of conversations with his mother about who he is dating because Bryan has been secretly dating Nadia, a transgender woman.

Cakewalk is contemporary fiction based on Douglas Bell's past experiences. Bell speaks from an African-American heteronormative (privileged) cisgender voice to candidly expose the trauma of transphobia and homophobia. Bell wants to humanize the struggle of trans women to live on their terms. Bell asks us to believe in ourselves, trust in ourselves, and don’t let society define who you are. There is enough courage within you to be the person you want to be.

Editorial Reviews
Goodreads Reviewer, Erikka
I must say this book absolutely had me by the first chapter. Each character represented someone i have have met or known and truly had me hooked. The fact that as I dove deeper into each page it was as if I was watching a movie of so many lives play out right before me. This up and coming author has truly snatched my attention and made me reflect on the perspectives of others as well as the symbolism throughout this read. If you want to laugh, cry, feel anger, empathy, and reflection on how and who you are as well as get a little hot and heavy this is definitely the right book for you. Step into a world you may have never known existed and watch the similarities of what all humans long for no matter the pronoun.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

 fans of Ashley Herring Blake’s Delilah Green Doesn’t Care and Chencia C. Higgins' D'Vaughn and Kris Plan a Wedding comes an utterly charming and queerly irresistible romantic comedy…where all’s fair in love and bowling.
This is how love rolls…

For teacher Ava Williams, some subjects are not up for debate. Like history—specifically, the one she has with Grace Jones, bowling pro and local celeb. Who is now, for no identifiable reason, teaching at the same small-town Georgia high school as Ava. Once upon a time, they were thick as thieves, best friends, rivals who pushed each other, and total bowling nerds. Then they shared a kiss, sweet and confusing…and after that, they split and nothing was ever the same.

Ava is pretty sure she has every reason to hate Grace. Especially when the school’s soggy potato of a principal announces—finally—that the students can have the bowling team Ava has been pushing for, for years…only to hand it to Grace.

Now they’re expected to be partners and lead their new bowling team to victory in six months. And with that, their rivalry is back. Fierce, ultracompetitive…and with an undeniable attraction that pushes, pulls and crashes together. It’s history. It’s chemistry. And it’s just a matter of time before it explodes…one way or the other.

The New York Times bestselling multitalented artist makes his fiction debut with this electrifying novel—The Accomplice combines the imaginative page-turning suspense of S. A. Cosby’s novels with the high-tension thrills of the Netflix blockbuster series Money Heist.

In The Accomplice, Curtis "50 Cent" Jackson and award-winning mystery writer Aaron Philip Clark introduces readers to New York-born and Texas-bred Nia Turner, who always dreamt of becoming a Texas Ranger. She knows the dangers of the job, and as the first Black female ranger, she knows the politics, but she’s never encountered a criminal like Desmond Bell. A Vietnam vet turned thief, Desmond steals more than money; he steals the secrets of the rich and powerful and blackmails them for millions. When Desmond steals from the Duchamps, the wealthiest family in the country, Nia’s investigation into the robbery threatens to expose him and the criminal enterprise he works for. As the bodies pile up, Nia digs deeper for the truth, putting her life and career in danger. It’s a deadly cat-and-mouse game between ranger and thief, but to protect their family’s secrets, the Duchamps won’t hesitate to kill them both.

*ships in 7 - 10 business days*

From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age

Jamaica Kincaid's The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman's inexorable evolution, evoked in startling and magical poetry.

Powerful, disturbing, stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own.

Kincaid takes us from Xuela's childhood in a home where she can hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack LaBatte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela's is an intensely physical world, redolent of overripe fruit, gentian violet, sulfur, and rain on the road, and it seethes with her sorrow, her deep sympathy for those who share her history, her fear of her father, her desperate loneliness. But underlying all is "the black room of the world" that is Xuela's barrenness and motherlessness.

From prize-winning Korean author Kim Hye-jin comes the contemplative, superbly-crafted story of a woman scapegoated by sudden tragedy, and the unexpected paths she must wander in search of redemption.

Haesoo is a successful therapist and regular guest on a popular TV program. But when she makes a scripted negative comment about a public figure who later commits suicide, she finds herself ostracized by friends, fired from her job, and her marriage begins to unravel. These details come to the reader gradually, in meditative prose, through bits and pieces of letters that Haesoo writes and finally abandons as she walks alone through her city.

One day she has an unexpected encounter with Sei, a 10-year-old girl attempting to feed an orange cat. Stray cats seem to be everywhere; they have the concern of one other neighborhood woman and the ire of everyone else. Like Haesoo and Sei, the cats endure various insults and recover slowly. Haesoo, who would not otherwise care about animals or form relationships with children, now finds herself pulled back by degrees into the larger world.

“Having been Jane Eyre, Anna Karenina and Esther Greenwood all my life, my writing was an opportunity for the reader to have to be me…” 

Shortly after flight MAS370 goes missing, scholarship student Girl boards her own mysterious flight from Australia to London to work on a dissertation on Sylvia Plath. Though she is ambivalent toward academia and harbors ideas about writing a post-colonial novel, if only she could work out just what that means, Girl relishes the freedom that has come with distance from the expectations and judgements of her very tight-knit Malaysian-Australian family. At last Girl has an opportunity to live on her own terms. 

Unfolding across Girl’s time at an artist residency in Scotland as she makes friends and enemies alike in a world far removed from any she’s ever known, But the Girl is a wry and playfully philosophical coming of age novel that reveals the joys, embarrassments, pleasures, and agonies of trying to discover and understand who you are. Girl grapples with the long shadow of colonialism, the pressure of expectations in immigrant families, and the sometimes difficult fact that those closest to us remain the most unknowable.

Percival Everett's blistering satire about race and publishing, now adapted for the screen as AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

NAMED A MOST ANTICIPATED BOOK OF THE YEAR BY THE WASHINGTON POST, TIME, USA TODAY, & MORE

“You will burn through Victim and find your hands scalded when you are done…Pitch perfect.” —Xochitl Gonzalez, New York Times bestselling author of Olga Dies Dreaming

There’s a fine line between bending the truth and telling bold-faced lies, and Javier Perez is willing to cross it. Victim is a fearless satire about a hustler from the Bronx who sees through the veneer of diversity initiatives and decides to cash in on the odd currency of identity.

Javier Perez is a hustler from a family of hustlers. He learns from an early age how to play the game to his own advantage, how his background—murdered drug dealer dad, single cash-strapped mom, best friend serving time for gang activity—can be a key to doors he didn’t even know existed. This kind of story, molded in the right way, is just what college admissions committees are looking for, and a full academic scholarship to a prestigious university brings Javi one step closer to his dream of becoming a famous writer.

As a college student, Javi embellishes his life story until there’s not even a kernel of truth left. The only real connection to his past is the occasional letter he trades with his childhood best friend, Gio, who doesn’t seem to care about Javi’s newfound awareness of white privilege or the school-to-prison pipeline. Soon after Javi graduates, a viral essay transforms him from a writer on the rise to a journalist at a legendary magazine where the editors applaud his “unique perspective.” But Gio more than anyone knows who Javi really is, and sees through his game. Once Gio’s released from prison and Javi offers to cut him in on the deal, will he play along with Javi’s charade, or will it all come crumbling down?

A sendup of virtue signaling and tear-jerking trauma plots written with the bite of Paul Beatty, Victim asks what real diversity looks like and how far one man is willing to go to make his story hit the right notes.

Two strong-willed sisters fight their way to forgiveness in this feel-good Southern fiction, for fans of Terry McMillan and KJ Dell'Antonia's The Chicken Sisters.

Rose Tillman and her sister Marvina Nash haven't spoken in decades―not since Rose sent Marvina $40 to register their business, and Marvina used that money for her own personal purposes. Now retired, Rose wants to open the restaurant they'd once dreamed of. But, to her horror, Rose realizes she's forgotten their mother's secret spice mix recipe, known to only one other person in the world. With no other option, Rose embarks on a two-hour drive to Marvina's house back in Fork City, TX. Marvina has her own version of what caused their falling out, and it's a far cry from what Rose recalls. Marvina, skeptical and still indignant, but incurably polite, figures she'll give Rose a chance to speak her piece, before closing the door in her face. 

As the sisters fight their way to forgiveness, they unpack their complicated past, form an unexpected alliance with a young mother-to-be, and reconnect through the tantalizing aroma of chicken dinners that hold the power to heal―or divide―a community.

In a tale rich with Southern charm, Rose and Marvina discover, through fussing, laughter, and tears, that the secret ingredient to a bright future might just be found in facing who they are today―and in forgiving the past to embrace a second chance at sisterhood.

"Full of heart, generosity, and charm, Sisters with a Side of Greens is the kind of story that invites everyone to be a part of something bigger." ―Lucy Gilmore, author of The Lonely Hearts Book Club

"Chef's kiss! A captivating tale of sisterhood, forgiveness and what it means to live fully in the present. Stimpson delivers raw, complex characters and a delicious storyline that will stay with the reader long after the last page." ―Kim Michele Richardson, New York Times bestselling author

Winner of the 2016 Man Booker Prize

Winner of the 2015 National Book Critics Circle Award in Fiction

Named one of the best books of 2015 by The New York Times Book Review and the Wall Street Journal

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality―the black Chinese restaurant.

Born in the "agrarian ghetto" of Dickens―on the southern outskirts of Los Angeles―the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.

Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident―the last surviving Little Rascal, Hominy Jenkins―he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

“You can be beautiful, even more beautiful than before.” This is the seductive promise of Dr. Nzinga’s clinic, where anyone can get their lips thinned, their skin bleached, and their nose narrowed. A complete demelanization will liberate you from the confines of being born in a black body—if you can afford it.

In this near-future Southern city plagued by fenced-in ghettos and police violence, more and more residents are turning to this experimental medical procedure. Like any father, our narrator just wants the best for his son, Nigel, a biracial boy whose black birthmark is getting bigger by the day. The darker Nigel becomes, the more frightened his father feels. But how far will he go to protect his son? And will he destroy his family in the process?

This electrifying, hallucinatory novel is at once a keen satire of surviving racism in America and a profoundly moving family story. At its center is a father who just wants his son to thrive in a broken world. Maurice Carlos Ruffin’s work evokes the clear vision of Ralph Ellison, the dizzying menace of Franz Kafka, and the crackling prose of Vladimir Nabokov. We Cast a Shadow fearlessly shines a light on the violence we inherit, and on the desperate things we do for the ones we love.

A bold and haunting debut story collection that follows various characters as they navigate the day-to-day perils of Jim Crow racism from Diane Oliver, a missing figure in the canon of twentieth-century African American literature, with an introduction by Tayari Jones

A remarkable talent far ahead of her time, Diane Oliver died in 1966 at the age of 22, leaving behind these crisply told and often chilling tales that explore race and racism in 1950s and 60s America. In this first and only collection by a masterful storyteller finally taking her rightful place in the canon, Oliver’s insightful stories reverberate into the present day.

There’s the nightmarish “The Closet on the Top Floor” in which Winifred, the first Black student at her newly integrated college, starts to physically disappear; “Mint Juleps not Served Here” where a couple living deep in a forest with their son go to bloody lengths to protect him; “Spiders Cry without Tears,” in which a couple, Meg and Walt, are confronted by prejudices and strains of interracial and extramarital love; and the high tension titular story that follows a nervous older sister the night before her little brother is set to desegregate his school.

These are incisive and intimate portraits of African American families in everyday moments of anxiety and crisis that look at how they use agency to navigate their predicaments. As much a social and historical document as it is a taut, engrossing collection, Neighbors is an exceptional literary feat from a crucial once-lost figure of letters.

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From Jas Hammonds, award-winning author of We Deserve Monuments, comes an unflinching novel about addiction that Courtney Summers, New York Times bestselling author of Sadie and I’m the Girl, called “sensitively wrought and gorgeously written.”

It’s the summer before college and eighteen-year-old Blake Brenner and her girlfriend, Ella, have one goal: join the mysterious and exclusive Serena Society. The sorority promises status and lifelong connections to a network of powerful, trailblazing women of color. Ella’s acceptance is a sure thing―she’s the daughter of a Serena alum. Blake, however, has a lot more to prove.

As a former loner from a working-class background, Blake lacks Ella’s pedigree and confidence. Luckily, she finds courage at the bottom of a liquor bottle. When she drinks, she’s bold, funny, and unstoppable―and the Serenas love it. But as pledging intensifies, so does Blake’s drinking, until it’s seeping into every corner of her life. Ella assures Blake that she’s fine; partying hard is what it takes to make the cut . . .

But success has never felt so much like drowning. With her future hanging in the balance and her past dragging her down, Blake must decide how far she’s willing to go to achieve her glittering dreams of success―and how much of herself she’s willing to lose in the process.

In one of the best-loved volumes of her work, J. California Cooper tells exuberant tales full of wonder at the mystery of life and the hardness of fate. Awed, bedeviled, bemused, all of Cooper's characters are borne up by the sheer power of life itself.

Set in a wonderfully reimagined 15th century West Africa, Masquerade is a dazzling, lyrical tale exploring the true cost of one woman’s fight for freedom and self-discovery, and the lengths she’ll go to secure her future.

“Sangoyomi delivers an incisive examination of gender, temptation, and the lengths people will go to hold power―a magnificent debut!” ―Vaishnavi Patel, New York Times bestselling author of Kaikeyi

Òdòdó’s hometown of Timbuktu has been conquered by the warrior king of Yorùbáland. Already shunned as social pariahs, living conditions for Òdòdó and the other women in her blacksmith guild grow even worse under Yorùbá rule.

Then Òdòdó is abducted. She is whisked across the Sahara to the capital city of Ṣàngótẹ̀, where she is shocked to discover that her kidnapper is none other than the vagrant who had visited her guild just days prior. But now that he is swathed in riches rather than rags, Òdòdó realizes he is not a vagrant at all; he is the warrior king, and he has chosen her to be his wife.

In a sudden change of fortune, Òdòdó soars to the very heights of society. But after a lifetime of subjugation, the power that saturates this world of battle and political savvy becomes too enticing to resist. As tensions with rival states grow, revealing elaborate schemes and enemies hidden in plain sight, Òdòdó must defy the cruel king she has been forced to wed by re-forging the shaky loyalties of the court in her favor, or risk losing everything―including her life.

Loosely based on the myth of Persephone, O.O. Sangoyomi’s Masquerade takes you on a journey of epic power struggles and political intrigue which turn an entire region on its head.

From acclaimed novelist John Vercher, a profoundly moving novel of what it means to be a father, a son, a writer, and a biracial American fighting to reconcile the past

Reeling from the sudden death of his teenage son, our narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged grandfather. He travels to a beach town several hours south of his home with the intention of immediately selling the land. But upon inspection, what lies beneath the dirt is much more than he can process in the throes of grief. As a biracial Black man struggling with the many facets of his identity, he’s now the owner of a former plantation passed down by the men on his white mother’s side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovery―and a fight for reclamation―of a painful past. With the wit of Paul Beatty’s The Sellout and the nuance of Zadie Smith’s On Beauty, Devil Is Fine is a darkly funny and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

Exuberant and heart-warming, J. California Cooper is the embodiment of the simple folk tradition in black writing associated most often with Zora Neale Hurston and Langston Hughes. The author of seventeen plays and two novels, it is her stories of black family life in rural and small town America that have achieved the most acclaim and the broadest audience. SOME SOUL TO KEEP is amongst the finest and most enduring of her work.

Cooper writes with a transparent clarity and such high-spirited energy that her characters leap off the page, bursting with the stories they've got to tell--stories of simple people, stories of families and fate, of love and marriage, of death and the triumph of the human spirit. Cooper is that most rare and wondrous thing: a true storyteller whose tales trace the energies of life itself.