In this final installment in the acclaimed Black Girls Must Die Exhausted trilogy, Tabitha is juggling work, relationships, and a newborn baby—but will she find the happy ending she’s always wanted?

After a whirlwind year, Tabitha Walker’s carefully organized plan to achieve the life she wanted—perfect job, dream husband, and stylish home—has gone off the rails. Her checklist now consists of diapers changed (infinite), showers taken (zero), tears cried (buckets), and hours of sleep (what’s that?).

Don't get her wrong, Tabby loves her new bundle of joy and motherhood is perhaps the only thing that's consistent for her these days. When the news station announces that they will be hiring outside competitors for the new anchor position, Tabby throws herself into her work. But it’s not just maintaining her position as the station’s weekend anchor that has her worried. All of her relationships seem to be shifting out of their regular orbits. Best friend Alexis can’t manage to strike the right balance in her “refurbished” marriage with Rob, and Laila’s gone from being a consistent ride-or-die to a newly minted entrepreneur trying to raise capital for her growing business. And when Marc presents her with an ultimatum about their relationship, coupled with an extended “visit” from his mother, Tabby is forced to take stock of her life and make a new plan for the future.

Consumed by work, motherhood, and love, Tabby finds herself isolated from her friends and family just when she needs them most. But help is always there when you ask for it, and Tabby’s village will once again rally around her as she comes to terms with her new life and faces her biggest challenge yet—choosing herself.

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The Babadook meets A Headful of Ghosts in Texas Hill Country.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money--it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

When he comes across the strange ad for the Masson House in Degener, Texas, Eric thinks they may have finally caught a lucky break. The Masson property, notorious for being one of the most haunted places in Texas, needs a caretaker of sorts. The owner is looking for proof of paranormal activity. All they need to do is stay in the house and keep a detailed record of everything that happens there. Provided the house’s horrors don’t drive them all mad, like the caretakers before them.

The job calls to Eric, not just because there's a huge payout if they can make it through, but because he wants to explore the secrets of the spite house. If it is indeed haunted, maybe it'll help him understand the uncanny power that clings to his family, driving them from town to town, making them afraid to stop running. A terrifying Gothic thriller about grief and death and the depths of a father's love, Johnny Compton's The Spite House is a stunning debut by a horror master in the making.

"Don't Cry for Me is a perfect song."—Jesmyn Ward

A Black father makes amends with his gay son through letters written on his deathbed in this wise and penetrating novel of empathy and forgiveness, for fans of Ta-Nehisi Coates, Robert Jones Jr. and Alice Walker

As Jacob lies dying, he begins to write a letter to his only son, Isaac. They have not met or spoken in many years, and there are things that Isaac must know. Stories about his ancestral legacy in rural Arkansas that extend back to slavery. Secrets from Jacob's tumultuous relationship with Isaac's mother and the shame he carries from the dissolution of their family. Tragedies that informed Jacob's role as a father and his reaction to Isaac's being gay.

But most of all, Jacob must share with Isaac the unspoken truths that reside in his heart. He must give voice to the trauma that Isaac has inherited. And he must create a space for the two to find peace. 

With piercing insight and profound empathy, acclaimed author Daniel Black illuminates the lived experiences of Black fathers and queer sons, offering an authentic and ultimately hopeful portrait of reckoning and reconciliation. Spare as it is sweeping, poetic as it is compulsively readable, Don't Cry for Me is a monumental novel about one family grappling with love's hard edges and the unexpected places where hope and healing take flight.

A delicious debut rom-com about a plus-size sweetheart who gets a full-life makeover after a brutal breakup.

Savvy Sheldon spends a lot of time tiptoeing around the cracks in her life: her high-stress and low-thanks job, her clueless boyfriend and the falling-apart kitchen she inherited from her beloved grandma—who taught her how to cook and how to love people by feeding them. But when Savvy’s world starts to crash down around her, she knows it’s time for some renovations.

Starting from the outside in, Savvy tackles her crumbling kitchen, her relationship with her body, her work–life balance (or lack thereof) and, last but not least, her love life. The only thing that doesn’t seem to require effort is her ride-or-die squad of friends. But as any home-reno-show junkie can tell you, something always falls apart during renovations. First, Savvy passes out during hot yoga. Then it turns out that the contractor she hires is the same sexy stranger she unintentionally offended by judging based on appearances. Worst of all, Savvy can’t seem to go anywhere without tripping over her ex and his latest "upgrade." Savvy begins to realize that maybe she should’ve started her renovations the other way around: beginning with how she sees herself before building a love that lasts.

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Ronke wants happily ever after and 2.2. kids. She’s dating Kayode and wants him to be “the one” (perfect, like her dead father). Her friends think he’s just another in a long line of dodgy Nigerian boyfriends.

Boo has everything Ronke wants—a kind husband, gorgeous child. But she’s frustrated, unfulfilled, plagued by guilt, and desperate to remember who she used to be.

Simi is the golden one with the perfect lifestyle. No one knows she’s crippled by impostor syndrome and tempted to pack it all in each time her boss mentions her “urban vibe.” Her husband thinks they’re trying for a baby. She’s not.

When the high-flying, charismatic Isobel explodes into the group, it seems at first she’s bringing out the best in each woman. (She gets Simi an interview in Shanghai! Goes jogging with Boo!) But the more Isobel intervenes, the more chaos she sows, and Ronke, Simi, and Boo’s close friendship begins to crack.

A sharp, modern take on friendship, ambition, culture, and betrayal, Wahala (trouble) is an unforgettable novel from a brilliant new voice.

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A spellbinding debut novel tracing three generations of a Southern Black family and one daughter’s discovery that she has the power to change her family’s legacy.

In the summer of 1995, ten-year-old Joan, her mother, and her younger sister flee her father’s violence, seeking refuge at her mother’s ancestral home in Memphis. Half a century ago, Joan’s grandfather built this majestic house in the historic Black neighborhood of Douglass—only to be lynched days after becoming the first Black detective in Memphis. This wasn’t the first time violence altered the course of Joan’s family’s trajectory, and she knows it won’t be the last. Longing to become an artist, Joan pours her rage and grief into sketching portraits of the women of North Memphis—including their enigmatic neighborMiss Dawn, who seems to know something about curses.

Unfolding over seventy years through a chorus of voices, Memphis weaves back and forth in time to show how the past and future are forever intertwined. It is only when Joan comes to see herself as a continuation of a long matrilineal tradition—and the women in her family as her guides to healing—that she understands that her life does not have to be defined by vengeance. That the sole weapon she needs is her paintbrush.

Inspired by the author’s own family history, Memphis—the Black fairy tale she always wanted to read—explores the complexity of what we pass down, not only in our families, but in our country: police brutality and justice, powerlessness and freedom, fate and forgiveness, doubt and faith, sacrifice and love.

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A collection of raucous stories that offer a panoramic view of New Orleans from the author of the “stunning and audacious” (NPR) debut novel We Cast a Shadow.

Maurice Carlos Ruffin has an uncanny ability to reveal the hidden corners of a place we thought we knew. These perspectival, character-driven stories center on the margins and are deeply rooted in New Orleanian culture.

In “Beg Borrow Steal,” a boy relishes time spent helping his father find work after just coming home from prison; in “Ghetto University,” a couple struggling financially turns to crime after hitting rock bottom; in “Before I Let You Go,” a woman who’s been in NOLA for generations fights to keep her home; in “Fast Hands, Fast Feet,” an Army vet and a runaway teen find companionship while sleeping under a bridge; in “Mercury Forges,” a flash fiction piece among several in the collection, a group of men hurriedly make their way to a home where an elderly gentleman lives, trying to reach him before the water from Hurricane Katrina does; and in the title story, a young man works the street corners of the French Quarter, trying to achieve a freedom not meant for him.

These stories are intimate invitations to hear, witness, and imagine lives at once regional but largely universal, and undeniably New Orleanian.

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A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence.

Isaiah was Samuel’s and Samuel was Isaiah’s. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.

With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminates in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

Young Hiram Walker was born into bondage—and lost his mother and all memory of her when he was a child—but he is also gifted with a mysterious power. Hiram almost drowns when he crashes a carriage into a river, but is saved from the depths by a force he doesn’t understand, a blue light that lifts him up and lands him a mile away. This strange brush with death forces a new urgency on Hiram’s private rebellion. Spurred on by his improvised plantation family, Thena, his chosen mother, a woman of few words and many secrets, and Sophia, a young woman fighting her own war even as she and Hiram fall in love, he becomes determined to escape the only home he’s ever known.

So begins an unexpected journey into the covert war on slavery that takes Hiram from the corrupt grandeur of Virginia’s proud plantations to desperate guerrilla cells in the wilderness, from the coffin of the deep South to dangerously utopic movements in the North. Even as he’s enlisted in the underground war between slavers and the enslaved, all Hiram wants is to return to the Walker Plantation to free the family he left behind—but to do so, he must first master his magical gift and reconstruct the story of his greatest loss.

A short story collection in the vein of Danielle Evans and Bryan Washington, about community, home, betrayal, and forgiveness.

HOLLER, CHILD is a short story collection packed with extraordinary and unforgettable writing and scenes, that explores concerns and issues that press at the bruises of guilt, betrayal, and forgiveness.

Set in the same Black community in Texas as PERISH, LaToya's debut novel, each story focuses on unique characters that illuminate life in Texas; they offer briliant, heartbreaking, but ultimately hopeful perspectives from the women and men in the community, and touch on big themes like race, power, inequality, and more.

In one story, the appearance of a horse in a man's suburban backyard places a former horse breeder in trouble with the police, while in another, following the mass suicide of his entire congregation, the mother of a cult leader tries to honor him in a way she couldn't while he was alive.

Fresh and urgently told, HOLLER, CHILD is a wise follow-up to LaToya's debut novel.

On the verge of summer before his senior year, Jay is a soft soul in a world of concrete. While his older brother is everything people expect a man to be—tough, athletic, and in charge—Jay simply blends into the background to everyone, except when it comes to Leroy.

Unsure of what he could have possibly done to catch the eye of the boy who could easily have anyone he wants, Jay isn’t about to ignore the surprising but welcome attention. But as everything in his world begins to heat up, especially with Leroy, whispered rumors over the murder of a young Black journalist and long-brewing territory tensions hang like a dark cloud over his neighborhood. And when Jay and Leroy find themselves caught in the crossfire, Leroy isn’t willing to be the reason Jay’s life is at risk.

Dragged into the world of the Black Diamonds—whose work to protect the Black neighborhoods of Savannah began with his father and now falls to his older brother—Leroy knows that finding out who attacked his brother is not only the key to protecting everyone he loves but also the only way he can ever be with Jay. Wading through a murky history of family mistakes, Leroy soon discovers that there’s no keeping Jay safe when Jay’s own family is in just as deep and fighting the undertow of danger just as hard.

Now Jay and Leroy must puzzle through secrets hiding in plain sight and scramble to uncover who is determined to eliminate the Black Diamonds before someone else gets hurt—even if the cost might be their own electric connection.

Ola Olajide, a celebrated journalist at Womxxxn magazine, is set to marry the love of her life in one month’s time. Young, beautiful, and successful—she and her fiancé Michael are considered the “couple goals” of their social network and seem to have it all. That is, until one morning when they both wake up to the same message: “Oh my god, have you seen The List?” 

It began as a crowdsourced collection of names and somehow morphed into an anonymous account posting allegations on social media. Ola would usually be the first to support such a list—she’d retweet it, call for the men to be fired, write article after article. Except this time, Michael’s name is on it.

Compulsively readable, wildly entertaining, and filled with sharp social insight, The List is a piercing and dazzlingly clear-sighted debut about secrets, lies, and the internet. Perfect for fans of Such a Fun Age, Luster, and My Dark Vanessa, this is a searing portrait of these modern times and our morally complicated online culture.

In this highly anticipated sequel to the Edgar award winner Down the River Unto the Sea, Joe King Oliver is entangled in a dangerous case when he's asked to investigate whether a white nationalist is being unjustly set up.

For fans of Yaa Gyasi, QUEENIE and I MAY DESTROY YOU, a stunning and witty debut novel about a young woman’s emotional journey through unimaginable loss, pulled along by her tight-knit Nigerian family, and the love and laughter she shared with her husband.

 Here are three things you should know about my husband:

1. He was the great love of my life despite his penchant for going incommunicado
2. He was, as far as I and everyone else could tell, perfectly happy. Which is significant because…
3. On New Year’s Eve, he killed himself

And here is one thing you should know about me:

1. I found him.

Bonus fact: No. I am not okay.

This hilarious, touching debut novel by Aaron Foley, author of How to Live in Detroit Without Being a Jackass, follows three Black gay millennial men looking for love, friendship, and professional success in the Motor City. 

Suddenly jobless and single after a devastating layoff and a breakup with his cheating ex, advertising copywriter Dominick Gibson flees his life in Hell's Kitchen to try and get back on track in his hometown of Detroit. He’s got one objective — exit the shallow dating pool ASAP and get married by thirty-five — and the deadline’s approaching fast.

Meanwhile, Dom's best friend, Troy Clements, an idealistic teacher who never left Michigan, finds himself at odds with all the men in his life: a troubled boyfriend he's desperate to hold onto, a perpetually dissatisfied father, and his other friend, Remy Patton. Remy, a rags-to-riches real estate agent known as “Mr. Detroit,” has his own problems — namely choosing between making it work with a long-distance lover or settling for a local Mr. Right Now who’s not quite Mr. Right. And when a high-stakes real estate deal threatens to blow up his friendship with Troy, the three men have to figure out how to navigate the pitfalls of friendship and a city that seems to be changing overnight.

Full of unforgettable characters, Boys Come First is about the trials and tribulations of real friendship, but also about the highlights and hiccups —late nights at the wine bar, awkward Grindr hookups, workplace microaggressions, situationships, frenemies, family drama, and of course, the group chat — that define Black, gay, millennial life in today’s Detroit.

After years away from home, Summer Graves is back in Austin, Texas, to accept a new teaching position. Of all the changes to the old neighborhood, the most dispiriting one is the slated demolition of the high school her grandmother founded. There’s no way she can let developers destroy her memories and her family legacy. But the challenge stirs memories of another kind.

On the architectural team revitalizing the neighborhood, hometown girl Aiko Holt is all about progress. Then she sees Summer again. Some things never change.

Neither can forget the kiss they shared at their senior-year dance. Neither can back down from her unwavering beliefs about what’s right for the neighborhood.

For now, the only thing Summer and Aiko are willing to give in to is a heat that still burns. But can two women with so much passion—for what once was and what could be—agree to disagree long enough to fall in love?

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Two young girls. Two disparate stories. One unlikely friendship....

Dani comes from the richest, most famous Black family in Texas and seems to have everything a girl could want. So why does she keep using and engaging in other self-destructive behavior?

Camila’s Colombian-American family doesn’t have much, but she knows exactly what she wants out of life and works her ass off to get it. So why does she keep failing, and why does she self-harm every time she does?

When Dani and Camila find themselves rooming together at Peach Tree Hills, a treatment facility in beautiful rural Georgia, they initially think they’ll never get along—and they’ll never get better. But then they find a mysterious music box filled with letters from a former resident of PTH, and together they set out to solve the mystery of who this girl was . . . and who she’s become. The investigation will bring them together, and what they find at the end might just bring them hope.

From award-winning author Stephanie Kuehn comes a breathtaking tale of friendship and healing. Both poignant and timely, We Weren’t Looking to Be Found is complex, hopeful, and heartbreaking all at once.

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Isabelle is completely lost. When she first began her career in publishing after college, she did not expect to be twenty-five, still living at home, and one of the few Black employees at her publishing house. Overworked and underpaid, constantly torn between speaking up or stifling herself, Izzy thinks there must be more to this publishing life. So when she overhears her boss complaining about a beastly high-profile author who has failed to deliver his long-awaited manuscript, Isabelle sees an opportunity to finally get the promotion she deserves.

All she has to do is go to the author’s Santa Barbara mansion and give him a pep talk or three. How hard could it be?

But Izzy quickly finds out she is in over her head. Beau Towers is not some celebrity lightweight writing a tell-all memoir. He is jaded and withdrawn and—it turns out—just as lost as Izzy. But despite his standoffishness, Izzy needs Beau to deliver, and with her encouragement, his story begins to spill onto the page. They soon discover they have more in common than either of them expected, and as their deadline nears, Izzy and Beau begin to realize there may be something there that wasn’t there before.

Best-selling author Jasmine Guillory’s achingly romantic reimagining of a classic is a tale as old as time . . . for a new generation.

Newly Reissued

A man risks his soul and his sanity to save his family from malevolent forces in this brilliant novel of horror and the supernatural, now updated with new material, from the award-winning pioneer of speculative fiction and author of the classic My Soul to Keep. 

When Hilton was a boy, his grandmother sacrificed her life to save him from drowning. Thirty years later, he begins to suspect that he was never meant to survive that accident, and that dark forces are working to rectify that mistake. 

When Hilton's wife, the only elected African American judge in Dade County, Florida, begins to receive racist hate mail from a man she once prosecuted, Hilton becomes obsessed with protecting his family. The demons lurking outside are matched by his internal terrors—macabre nightmares, more intense and disturbing than any he has ever experienced. Are these bizarre dreams the dark imaginings of a man losing his hold on sanity—or are they harbingers of terrible events to come? 

As Hilton battles both the sociopath threatening to destroy his family and the even more terrifying enemy stalking his sleep, the line between reality and fantasy dissolves . . . 

Chilling and utterly convincing, The Between is the haunting story of a man desperately trying to hold on to the people and life he loves as he slowly loses himself. 

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Now in paperback, from New York Times bestselling author Eric Jerome Dickey—named one of USA Today’s 100 Black Novelists and Fiction Authors You Should Read—comes his final work: an unflinchingly timely novel about history, hearts, and family.

It’s the summer of 2019, and Professor Pi Suleman is a Black man from Memphis with a lot to endure—not only as a Black man in Trump’s America but in his hard-earned career as an adjunct professor. Pi is constantly forced to bite his tongue in the face of one of his tenured colleague’s prejudices and microaggressions. At the same time, he’s being blackmailed by a powerful professor who threatens to claim he has assaulted her, when in fact the truth is just the opposite, trapping him in a he-said-she-said with a white woman that, in this society, Pi knows he will never win.

When he meets Gemma Buckingham, a sophisticated entrepreneur who has just moved to Memphis from London to escape a deep heartbreak, things begin to look up. Though Gemma and Pi hail from separate cultures, their differences fuel a fiery and passionate connection that just may consume them both.

In the future, nuclear war has destroyed nearly all humankind. An alien race intervenes, saving the small group of survivors from certain death. But their salvation comes at a cost.

The Oankali are able to read and mutate genetic code, and they use these skills for their own survival, interbreeding with new species to constantly adapt and evolve. They value the intelligence they see in humankind but also know that the species -- rigidly bound to destructive social hierarchies -- is destined for failure. They are determined that the only way forward is for the two races to produce a new hybrid species -- and they will not tolerate rebellion.

Akin looks like an ordinary human child. But as the first true human-alien hybrid, he is born understanding language, then starts to form sentences at two months old. He can see at a molecular level and kill with a touch. More powerful than any human or Oankali, he will be the architect of both races' future. But before he can carry this new species into the stars, Akin must reconcile with his own heritage in a world already torn in two.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book—Sex Variants: A Study of Homosexual Patterns—and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?

A book about storytelling—its legacies, dangers, delights, and potential for change—and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made—a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

PRE-ORDER: On sale: June 25, 2024

Brace for the storm of the earth-shaking finale to Tomi Adeyemi’s #1 New York Times-bestselling Legacy of Orïsha series.

New allies rise.
The Blood Moon nears.
Zélie faces her final enemy.
The king who hunts her heart.

When Zelie seized the royal palace that fateful night, she thought her battles had come to an end. The monarchy had finally fallen. The maji had risen again. Zélie never expected to find herself locked in a cage and trapped on a foreign ship. Now warriors with iron skulls traffic her and her people across the seas, far from their homeland.

Then everything changes when Zélie meets King Baldyr, her true captor, the ruler of the Skulls, and the man who has ravaged entire civilizations to find her. Baldyr’s quest to harness Zélie’s strength sends Zélie, Amari, and Tzain searching for allies in unknown lands.

But as Baldyr closes in, catastrophe charges Orïsha’s shores. It will take everything Zélie has to face her final enemy and save her people before the Skulls annihilate them for good.

Award-winning, New York Times bestselling author S. A. Cosby’s debut novel, republished in a new edition, with a new introduction from the author.

“I handle the bodies.”

Whether it's working at his cousin's funeral home or tossing around the local riffraff at his favorite bar, Nathan Waymaker is a man who knows how to handle the bodies. A former marine and sheriff's deputy, Nathan has built a reputation in his small Southern town as a man who can help when all other avenues have been exhausted. When a beloved local minister is found dead, his parishioners ask Nathan to make sure the death isn’t swept under the rug.

What starts out as an easy payday soon descends into a maze of mayhem filled with wannabe gangsters, vicious crime lords, porn stars, crooked police officers, and a particularly treacherous preacher and his mysterious wife. Nathan must use all his varied skills and some of his wit to navigate the murky waters of small town corruption even as dark secrets of his own threaten to come to the surface.

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The author of the Booker Prize finalist Real Life and the bestselling Filthy Animals returns with a deeply involving new novel of young men and women at a crossroads

In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. At the group’s center are Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicates her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.” These three are buffeted by a cast of poets, artists, landlords, meat-packing workers, and mathematicians who populate the cafes, classrooms, and food-service kitchens of Iowa City, sometimes to violent and electrifying consequence. Finally, as each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives—a moment of reckoning that leaves each of them irrevocably altered.

A novel of intimacy and precarity, friendship and chosen family, The Late Americans is Brandon Taylor’s richest and most involving work of fiction to date, confirming his position as one of our most perceptive chroniclers of contemporary life.