A thrilling graphic novel reimagining of Adventures of Huckleberry Finn that follows Jim, an enslaved man on a journey towards freedom, and his sidekick, Huck, in the antebellum South—from the team behind the Eisner Award–winning The Black Panther Party.

WINNER OF THE AMERICAN LIBRARY ASSOCIATION’S ALEX AWARD • A BEST GRAPHIC NOVEL OF THE YEAR: The Washington Post, School Library Journal, Library Journal

“A brilliant remix of history, politics, satire, and passion filtered through the comics medium by two masters of storytelling.”—John Jennings, Hugo Award–winning comics creator

Commonly regarded as one of the great American novels, Adventures of Huckleberry Finn has captured the hearts and imaginations of readers since 1885. But since its publication, critics have rightfully condemned Mark Twain’s troubling portrayal of Black Americans as stereotypes and caricatures, with contemporary fans searching for a modern update to this iconic tale.

Big Jim and the White Boy is a radical retelling of this American classic, centering the experiences of Jim, an enslaved Black man in search of his kidnapped wife and children, along with his cheeky sidekick, Huckleberry Finn. Jim and Huck’s high-stakes adventures take them on an epic voyage across the antebellum South and Midwest, through Confederate war camps and runaway safe houses, into Old West standoffs, and on the road as covert Underground Railroad agents. Intertwined into the story of Jim and Huck are the stories of Jim’s descendants in the 1930s, 1980s, and 2020s, making this a multigenerational family epic as well as an adventure story. Big Jim and the White Boy takes readers on a journey through Jim and Huck’s past, present, and future, delving into their incredible friendship and years of adventures—a bond that transcends the gruesome racism of the Civil War era.

With compelling artwork and riveting storytelling, David F. Walker and Marcus Kwame Anderson push the boundaries of The Adventures of Huckleberry Finn in this incredible graphic novel, exploring the triumphs and tribulations of Jim and his family, and finally giving his due as a hero of American literature.

In this YA fantasy novel perfect for fans of Heartless Hunter, a girl who has always served others decides to take power for herself.

Her magic feeds on lies.
His magic could destroy her.

Mira Kyler runs the court of Virdei from the shadows. Ever since she helped her half-brother Luc cheat his way into the role of Virdei's leader, she's used her lie-powered magic to collect secrets from members of court, then used them as blackmail to keep her brother in power.

But when newcomer Kaidren Vale shows up and challenges Luc's leadership, he threatens the stability Mira has worked so hard for. Kaidren also has magic-magic that can detect the precise nature of someone else's power with a single touch. If Kaidren so much as brushes against her, everyone will discover that Mira is the one who's been manipulating the court for years.

As Kaidren and Luc compete in three deadly challenges called The Trials, Mira realizes that no matter who wins, she'll be stuck serving a mediocre man who doesn't deserve to be in charge. She's done hiding in the shadows. She wants power of her own.

To get it, she'll have to betray both her own brother and Kaidren-but the fiercer the competition gets, the more Mira realizes that the one boy who could destroy everything is the one boy she might not be able to resist.

“Susan Abulhawa possesses the heart of a warrior . . . A major writer of our time, to read [her] is to begin to understand not simply the misinformation we have received for decades about what has gone on in Palestine and the Middle East, but to come to terms with our own resistance to feeling the terror of our own fear of Truth.”-Alice Walker, Pulitzer Prize–winning author of Taking the Arrow Out of the Heart

In the refugee camp of Jenin, Amal is born into a world of loss-of home, country, and heritage. Her Palestinian family was driven from their ancestral village by the newly formed state of Israel in 1948. As the villagers fled that day, Amal's older brother, just a baby, was stolen away by an Israeli soldier. In Jenin, the adults subsist on memories, waiting to return to the homes they love. Amal's mother has walled away her heart with grief, and her father labors all day. But in the fleeting peacefulness of dawn, he reads to his young daughter daily, and she can feel his love for her, "as big as the ocean and all its fishes." On those quiet mornings, they dream together of a brighter future.

This is Amal's story, the story of one family's struggle and survival through over sixty years of the Palestinian-Israeli conflict, carrying us from Jenin to Jerusalem, to Lebanon and the anonymity of America. It is a story shaped by scars and fear, but also by the transformative intimacy of marriage and the fierce protectiveness of motherhood. It is a story of faith, forgiveness, and life-sustaining love.

Mornings in Jenin is haunting and heart-wrenching, a novel of vital contemporary importance. Lending human voices to the headlines, it forces us to take a fresh look at one of the defining political conflicts of our lifetimes.

A gripping and incisive psychological gameshow drama from one of the biggest stars in Korean fiction, author of million-copy bestseller The Dallergut Dream Department Store.

Eight unsuspecting people receive an invitation to participate in a new reality show called Break Room. But what starts as an opportunity for fame is quickly revealed to be something far more unsettling when they learn how they were chosen--voted in by their respective coworkers as "the office villain."

Among them is an imposter--a mole planted by the show's producers. The only way to win the prize money is to uncover the saboteur before time runs out.

As alliances shift and paranoia festers, the contestants begin to realize that the true challenge isn't surviving the show--it's facing their own selves.

Welcome . . . Step into the world of the reality show, Break Room, where every smile hides suspicion, and every word could be a clue.

In 1934, a young José Revueltas traveled to Tamaulipas to support the cotton workers’ strike in Estación Camarón, which became the basis of his landmark novel Human Mourning. In her own groundbreaking novel, Autobiography of Cotton, Cristina Rivera Garza recounts her grandparents’ journey from mining towns to those same cotton fields as it intersects with Revueltas’s life in a vivid and evocative history of cotton cultivation along the Mexico-US border.

Through archival research and personal narrative, Rivera Garza chronicles the way cotton transformed the borderlands by reconstructing the cotton workers’ strike and reveals how cycles of deprivation and ecocide persist across generations. Deeply personal and politically acute, Rivera Garza crafts a new kind of border novel that tells how a brittle land radically altered her grandparents’ lives and the territories they helped develop. An intimate fictionalization, Autobiography of Cotton reveals a rich social history of agricultural colonization, labor activism, environmental degradation, and cross-border migration.

"A bold and moving novel . . . marks the arrival of a radiant new voice." - Megha Majumdar, author of A Guardian and a Thief

Every Happiness is a dazzling debut that explores the ties that bind two women across decades and continents despite rivalry, class difference, and the conflicting needs of family and self.

Deepa and Ruchi are 12 years old when they meet at their Catholic school in India, but their connection is swift and lasting. As the two girls grow up and face their families' expectations and the limits of their ambitions, their friendship is marked by intimacy, jealousy, and suppressed desire.

When, in their twenties, Deepa marries a doctor and moves from India to the suburbs of Connecticut, Ruchi quickly finds an engineer bound for the same state and follows her friend across the world. But life in the United States is different than either woman expects. Deepa's daughter seeks affection Deepa refuses to give, and Ruchi's son resists her smothering care. At the same time, Deepa and Ruchi find their closeness tested by a growing class disparity, competing family needs, and the differences in their desires. Ultimately, when Ruchi discovers a dangerous secret about Deepa's husband's wealth, both women are forced to weigh the tangled bonds of their friendship with their lives, and their families', in the burgeoning Indian American community.

"Moving and unforgettable" (Kimberly King Parsons), Every Happiness explores the slippery edges of a lifelong relationship, and the invisible threads that bind us, sometimes painfully, to those we love most.

A reinvention of visual poetry and personal history charting exile’s impact on memory, identity, and futurity

Intellectual and intimate, Carolina Ebeid's Hide gathers shreds of memory, dream, and the ordinary artifacts of diaspora, as the poet casts a sounding line into her patrilineal and matrilineal histories in Palestine and Cuba. With the hum of cassettes and the glow of projectors, these poems superimpose voice upon voice, image upon image, a here upon a there, to disclose the choral noise inside postmemory.

Hide is a restless innovation of form and multimodal expression breaking open words across Arabic, English, and Spanish to release hidden meanings. Poems trace the letter M back to the Phoenician pictograph of waves, while technological “glitches” are portals that summon oracular voices across the family archive. In swirling “spell” poems, Ebeid conjures Cuban American artist Ana Mendieta, whose Siluetas write the human shape upon the earth.

Ebeid’s title is prismatic: Hide as in concealment, as in animal skin, as in to secret oneself away. Hide commands attention like a whispering voice, prompting readers to lean in, to listen for transmissions from ancestors and futurity both.

From the beloved longest-tenured cast member of Saturday Night Live, Kenan Thompson, comes a hilarious new picture book perfect for fans of Jory John and Grumpy Monkey.

Tomorrow is Bunny's first day of school, and everything is going to be perfect. All he wants is to be the funniest kid in class and make everyone else laugh. But when Bunny gets there, his jokes fall flat. What's an UNfunny bunny to do?

This laugh-out-loud tale about unexpected friendship and pursuing your dreams is a silly, lighthearted read-aloud stuffed with 30 "unfunny" jokes that are sure to send readers of all ages into fits of giggles.

The Body is a pulse-pounding supernatural horror story from bestselling author Bethany C. Morrow, where one woman must survive a series of bizarre and escalating attacks on her marriage.

Mavis broke from her parents’ congregation years ago, but she still hasn’t recovered. Their impossible expectations and soul-shredding critiques have dug deep into her mind, and she’s taunted by the knowledge that even when she’s done nothing wrong, she’ll never be right.

Now Mavis is afraid she’s about to lose the only thing she has: her husband, Jerrod. The man she’s always known was too good to be true. No one thinks she deserves him―not even after surviving the serial cheater they wanted her to stick by―and soon they’ll all find out they were right.

Mavis is already unraveling when a brush with death shows her what real fear looks like. Soon, she’s under constant attack from all directions. As the assaults turn increasingly vicious and bizarre, Mavis realizes that Hell isn’t reserved for the afterlife.

And sinner or not, no one is coming to save her.

The Subtle Art of Folding Space, is the exhilarating debut science fiction novel from Nebula and Hugo Award-winning author John Chu channels unhinged physics, generational trauma, and the comfort of really good dim sum. This isn't your usual jaunt through quantum physics.

Ellie’s universe, and this one, is falling apart. Her ailing mother is in a coma; her sister, Chris, accuses her of being insufficiently Chinese between assassination attempts; and a shadowy cabal of engineers is trying to hijack the skunkworks, the machinery that keeps the physics of each universe working the way it’s supposed to.

Daniel, Ellie's cousin, has found an illicit device in the skunkworks―one that keeps Ellie's comatose mother alive while also creating destabilizing bugs in the physics of this universe. It's not a good day.

If she can confront her mother’s legacy and overcome her family’s generational trauma, she just might find a way to preserve the skunkworks and reconcile with her sister…but digging into her family’s past is thornier than it seems, and the secrets she uncovers will force Ellie to choose between her family and the universe itself.

The first book in a new middle-grade mystery series by Kalynn Bayron.

Friendship is the love story you can count on.

Remy is lucky. Her debut novel, based on her three best friends, became an instant bestseller when it was released, and her agent and publisher are clamoring for a follow-up. But just as Remy’s creative inspiration seems to leave her, so too do her friends: one moves to New York, one gets pregnant, and one gets back together with her (awful) boyfriend. After an ill-advised one-night stand complicates matters further, Remy is left deeply alone―and unable to find her next book idea.

Simone is successful. A Kindergarten teacher with a passion for kids, and a well-paying side hustle that affords her all the material comforts she desires, Simone doesn't have time for a robust social life. All she needs is her close-knit family―but after the true nature of her work is revealed, they cut her off, and she realizes for the first time just how isolated she is.

When Simone and Remy bump into each other (literally) in a bookstore, it isn’t exactly soulmates at first sight. Simone is guarded and prickly, Remy is insecure and heartbroken, and each woman is harboring a secret. And yet they might just be the missing piece the other has been searching for―if only they can let each other in.

Can Simone help Remy make one of the most important decisions of her life―and can Remy help Simone recover all that she’s lost? In Jessica George’s heartwarming, funny, and soulful second novel, she explores the restorative nature of female friendship and the life-changing power of platonic love.

From the author of Oshún and Me and the artist of Homegrown comes a joyful picture book that celebrates community and individuality, inspired by real people with disabilities everywhere.

Today is the best day of the year: PARADE DAY! It’s the day that Hazel’s city is a little bit shinier, everyone’s a little bit happier, and she gets to wear her sparkliest, coolest gear to celebrate and attend the disability pride parade.

As Hazel takes readers on an eye-opening journey through her city on her way to the parade, along the way they will see the various ways in which communities can evolve to be more accessible and safe for everyone. Whether it's putting dips in the curb for people using mobility aids, facilitating the use of service animals, or installing wheelchair accessible playground equipment, there are a lot of ways our communities can be made safer and more accessible for everyone.

Also by Adiba Nelson
Oshún and Me: A Story of Love and Braids (also available in Spanish!)

Also by DeAnn Wiley
Homegrown
Double Dutch Queen

The Princess Diaries meets From the Desk of Zoey Washington in this story about a girl who is reconnected with her birth family, only to discover that she is an African princess and the key to unlocking an ancient curse.

For her twelfth birthday, the only thing Zahara-Grace wants is to figure out who she is. She knows she has the best mom and grandpa around, she knows she loves her friends, and she knows she likes to make a difference in her community. But she also knows she's adopted, and she wants to learn more about that side of herself. Zahara-Grace is thrilled when her mom let's her take a DNA test, but she never could have imagined that her biological grandfather would find her. And she definitely never imagined he'd be the king of a small African country!

Now torn between two worlds, Zahara-Grace is even less sure of who she is. Her worlds collide when a mummy exhibit opens at the local museum, showcasing the history and legends of her biological family's country-including an ancient cult who believes with the help of a living heir, they can awaken the mummified remains of a powerful king and conquer the world. Learning she's a princess may have turned Zahara-Grace's life upside down, but now her life is in actual danger. And in order to survive, she must find a way to embrace both sides of herself.

A Bank Street College Best Children's Book of the Year | A Book Page Best Book of the Year, Middle Grade | An NCTE Best Poetry Book of the Year | A School Library Journal Best Book of the Year, Poetry | A Kirkus Prize Finalist, Young Readers' Literature

At a time of rapid change in the early 20th century, women writers carved out their space as artists and intellectuals. During the Harlem Renaissance, African-American writers made some of the most lasting contributions to American literature. However, a century later, the gifted women poets of this time period are little known compared to their male counterparts.

In this poetry collection, bestselling author Nikki Grimes uses “The Golden Shovel” method to create wholly original poems based on the works of these groundbreaking women--and to introduce readers to their work.

Each poem is paired with one-of-a-kind art from today's most exciting female African-American illustrators, alongside a foreword, an introduction to the history of the Harlem Renaissance, author's note, and poet biographies.

A new edition of the first book of poems from the Pulitzer Prize winner Carl Phillips, with a new afterword.

I am no mystic. I know
nothing rises that doesn’t
know how to already.
In my ears, only the clubbed
foot of routine, no voices, no

clatter of dreams: but I saw
what I saw

Even in his first book of poems, the deep contradictions in Carl Phillips’s work are already pronounced. Here is a subtle poet, attuned to the simple honesty of everyday speech, and yet steeped in classical allusion. Life here is quiet, yet burning with anger and unavoidable desire. Offering intimate statements of passion and yet retaining a private withholding, these poems take as their primary subject the body―growing, aging, loving―and spirit that fills the flesh.

When In the Blood was selected for the 1992 Morse Poetry Prize, Carl Phillips was a high-school Latin teacher. Thirty years later, he has written seventeen books of poetry, has received the Pulitzer Prize, and is one of the most prominent voices in contemporary poetry.

A ticking bomb of teenage savagery that blows the hypocrisies and prejudice of society to smithereens.

Bullied at school with near-hellish doggedness by cold-hearted classmates and fattened at home with increasingly extravagant feasts by an overindulgent father, the voracious narrator of All Flesh trudges through her teen years certain that her heft is because she has absorbed her twin sister in utero and is now eating, and living, for two.

As those around her look down on her corpulence, she struggles to see who she might be beyond such narrow-mindedness. When a near-fatal incident unexpectedly brings a man and a heady experience of the body’s other pleasures into her life, she gets a decadent taste of a future she had never dared to imagine. But she is beset once more by sharp tongues and beady eyes until, finally, she devises a drastic way to turn the tables on her tormentors and the whole unjust world. But will her coup de grâce prove self-possessed, or self-destructive?

In All Flesh, Ananda Devi’s keenly lyrical prose presents a darkly humorous mirror that bitingly reflects and shatters the double standards around how we talk about bodies, women, beauty, and food, and how society consumes, obsesses over, and vilifies humanity’s excesses.

The voice that speaks to us in Lithium is that of a woman in her late twenties, compulsively determined to understand everything that's happening around her: a miscarriage, an absent lover, a bad drug trip, friends who come and go, horoscopes, life-as-a-trap, and hopes of an escape…

Malén Denis’s Lithium is a novel about what cannot be fully named or pinned down. “Language in this book,” the author notes, “acts as a pharmakon―both poison and remedy―inviting the reader to navigate its ambivalence. I wrote it by following the golden thread of poetry and the echoes of psychoanalysis, letting the images lead rather than the plot.” Lithium employs an especially potent, poetic language to convey love found and love lost (I’m waiting for news from you). It is a book blazing with bruised perceptions of the precarity of a life lived between jobs and between homes; it’s a feverish work swinging from hope to despair, about trying drugs both prescribed and not, about migration, about cat-sitting, and about isolation, about the search for meaning and for happiness when both prove so elusive, and it is about summoning the strength to wrench oneself from indecision to action.

An arrestingly beautiful, award-winning novel about separation, migration, and love left behind.

Alone and adrift in Barcelona, an unnamed narrator is haunted by the death of her teenage brother, Diego. Diego, the little boy she helped raise in Mexico while their mother struggled to make a living in Spain. Diego, who loved Vampire Weekend and dreamed of becoming a pilot. Diego, who hated Madrid as much as she did.

Now, his ashes in hand, she must return to Mexico. Plagued by memories, she recounts their young lives leading up to tragedy in blistering detail: the acute loneliness that accompanied their emigration; the siblings’ first separation, when she left for Barcelona to make her own way in the world; her activism against labor abuses, which is threatened by her tumultuous relationship with an entitled lover; and the final, heavyhearted confrontation with her brother. Caught between rage and heartbreak over the loss of Diego, she pieces together a story of alienation, but also of surprising courage and hope.

Masterfully translated by Megan McDowell, and shot through with flashes of dark humor, Eating Ashes boldly confronts both the intimate and systemic struggles faced by migrants striving to build a life worth living. Already an international sensation across Europe, this novel cements Brenda Navarro as a breathtakingly unique and vital voice in literature.

A celebration of the beguiling power of literature, from one of the world’s greatest storytellers
 
At the Pigeon Book Club, a circle of readers gathers for exhilarating meetings to discuss literature. The only requirements for entry are an all-encompassing love of books and the intuition that to read is to love and to love is to read. Xiao Sang, a department store clerk, wonders if life can ever be as captivating as a novel. Newlyweds Fei and Han Ma struggle to build a marriage as Han Ma discovers a surprising gift for storytelling. Xiao Ma, a hopeful dreamer, explores the possibility of romance with an older man. Bound by a shared passion for fiction, each book club member seeks to understand the relationship between the stories they read and the lives they lead, reveling in both the quotidian details and the ecstasy of aesthetics.

This is the most accessible work yet from the celebrated writer Can Xue: a utopian comedy and a work of profound joy, a love song to literary inspiration and the remarkable beauty of the ordinary. The Enchanting Lives of Others explores what it means to know and be known to others through the transformative power of reading.

Set in what may be the future, and centered on six women sharing a space in some sort of crumbling apartment tower, Ruins, Child is remarkable for its irresistible sweep, wit, and prickly splintered truth. Like a precious old mirror that's been dropped, it's a book that is looking up at you, flashing light and bits of the undeniable. With the pulsating sway of its liquid mosaic narrative, the novel may recall Virginia Woolf's The Waves, but is entirely its own animal: kaleidoscopic, pointedly disorienting in its looseness, and powered along by snatches of speech from its compelling ensemble cast, often vernacular, often overheard: "The woman is old, I hear children saying nearby, not in the way we consider all adults to be old, but really old, ancient, she is endless." It's a book seemingly drawn from deep wells of Black American reality: her female protagonists push back against authority in the very vivacity of their telling, setting afoot a freeing-up and a mysterious inversion of marginalization. "Looseness, that is the thing people fear in a person (in women) and in objects." A surreal musing, Ruins, Child uses the lens of urban infrastructure, botany, social commentary, folklore, choreography, and collective listening to create an ethnography of place and an ode to communal ruins.

From the #1 New York Times bestselling author of Babel and Yellowface comes an all-new, fully illustrated, hardcover Deluxe Collector’s Edition of R. F. Kuang’s The Dragon Republic, with a full-wrap illustrated jacket and black-and-white interior art by JungShan Chang throughout, plus embossed case, designed endpapers, and stenciled edges!

Considered one of Time Magazine’s 100 Best Fantasy Books of All Time, the second book in the beloved Poppy War Trilogy continues Rin’s epic struggle to defend her homeland at any cost.

The war is over.

The war has just begun.

Three times throughout its history, Nikan has fought for its survival in the bloody Poppy Wars. Though the third battle has ended, the war still rages for Rin. Haunted by the atrocity she committed to save her people, the shaman and warrior is on the run from her guilt, the opium addiction that holds her like a vise, and the murderous commands of the fiery Phoenix—the vengeful god who has blessed Rin with fearsome power.

While the young warrior welcomes death, she must remain alive until she avenges the traitorous Empress who betrayed her homeland. Rin’s only hope is to join forces with the enemy of her enemy—the powerful Dragon Warlord, who plots to destroy the Empress.

But Rin soon learns that the Empress and the Dragon Warlord are not what they seem, leading her to contemplate the unthinkable: using the Phoenix’s deadly power once more. Because there is nothing Rin won’t sacrifice to save her country . . . and exact her vengeance.

Demons clash with inheritance claims as secrets unfold and violence is unleashed over twelve harrowing hours trapped in a house with the worst thing imaginable: family.

When Papi Ramon, the patriarch of the wealthy Abreu family dies, he gives the family one last message in the will: “One of you is el bacà, the demon that I made a deal with. Get rid of them or you will be damned.” Xiomara, the uncontested favorite of Papi Ramon (and therefore the least liked in the family), watches as everyone dismisses this as the joke of a senile old man and demands the lawyer obtain the previous will Papi wrote.

While the lawyer drives back to his office, a storm breaks out, forcing the entire family—Xiomara’s aunts and uncles and cousins—to remain in the house. And the words of Papi’s will hangs over their heads even heavier than the rain clouds. Over the course of the night, scandal after scandal is revealed to the public about the family. Suddenly a tense few hours of surviving her family turns into a vicious night of recrimination, violence, accusations…and murder.

Xiomara is faced with an impossible task: uproot a demon and somehow kill it or excise the ghosts that linger within her own family.

And the clock is ticking...

A gripping, richly imagined fantasy set in an alternate ancient African world in which a Black girl finds her power and saves her people from evil, by the Coretta Scott King/John Steptoe New Talent Award-winning author of Black Panther: The Young Prince. 

In the land of Alkebulan, twelve-year-old Asha is an orphan, raised by Madame S, the proprietor of a traveling carnival. When Madame S is attacked by ghoulish creatures, she manages to tell Asha before she dies, “Seek the Underground Kingdom, where the black flowers bloom.”

Asha doesn’t understand the mysterious words, but they launch her onto a page-turning quest to protect her people and stop an ancient evil. Along the way, she uncovers shocking secrets about the family she never knew and begins to find her place in the world as she discovers her own untapped powers.

Award-winning creators Anne Wynter and Micha Archer share a mother-daughter tale about delighting in small pleasures throughout the city. Perfect for fans of Oge Mora and Sophie Blackall. 

Anne Wynter perfectly captures the hurry and hustle of a busy day. But when plans change and a girl and her mother slow down to savor small pleasures, the real celebration begins. 

Dazzling, kaleidoscopic cut paper artwork from Caldecott Honor artist Micha Archer highlights each special moment in this sweet tribute to time spent together.

"A love story spanning multiple millenniums, life-forms and variations on immortality, the book posits Victorian poetry as a weapon of empire, insists on nature's resilience in the face of genocide, and manipulates prose into something like a new language....Toward Eternity recognizes both the building and burning of bridges." -New York Times

*A PARADE, LITHUB, and CHICAGO REVIEW OF BOOKS Best New Book. *An AUDIOFILE EARPHONES AWARD WINNER.

Negotiating the terrain of Kazuo Ishiguro’s Klara and the Sun and Emily St. John Mandel’s Sea of Tranquility, a brilliant, haunting speculative novel from a #1 New York Times bestselling translator that sets out to answer the question: What does it mean to be human in a world where technology is quickly catching up to biology?

In a near-future world, a new technological therapy is quickly eradicating cancer. The body’s cells are entirely replaced with nanites—robot or android cells which not only cure those afflicted but leaves them virtually immortal.

Literary researcher Yonghun teaches an AI how to understand poetry and creates a living, thinking machine he names Panit, meaning Beloved, in honor of his husband. When Yonghun—himself a recipient of nanotherapy—mysteriously vanishes into thin air and then just as suddenly reappears, the event raises disturbing questions. What happened to Yonghun, and though he’s returned, is he really himself anymore?

When Dr. Beeko, the scientist who holds the patent to the nanotherapy technology, learns of Panit, he transfers its consciousness from the machine into an android body, giving it freedom and life. As Yonghun, Panit, and other nano humans thrive—and begin to replicate—their development will lead them to a crossroads and a choice with existential consequences.

Exploring the nature of intelligence and the unexpected consequences of progress, the meaning of personhood and life, and what we really have to fear from technology and the future, Toward Eternity is a gorgeous, thought-provoking novel that challenges the notion of what makes us human—and how love survives even the end of that humanity.

The author of the critically acclaimed The Viral Underclass (one of Kirkus Reviews best books of 2022) is back with The Overseer Class, which explores what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—but under the conditions of a kind of Faustian bargain.

Our society places so much weight and attention on those who become the first or only of their identifying group that we miss one of the inherent issues in that model. This book is about the kinds of compromises made by a small but influential group of people from minoritized groups in the United States as they have entered segregated institutions in highly visible positions. People in the overseer class wield enormous institutional power, even necropolitical power over who lives and who dies; it’s just that their power is predicated upon repressing other people who look (or speak/have sex/come from places) like them.
The most obvious contemporary overseer is the Black police officer. The Overseer Class begins with this quote from James Baldwin from 1967:
“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,’ we said in those days, ‘for God's sake, make sure it's a white one.’ We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder--on your head--to prove to himself and his colleagues that he was not like all the other n******.”
But this dynamic does not only exist within law enforcement, it exists in many different spheres and The Overseer Class explores what it looks like in mass media, universities, corporate America, the military, and government. A powerful current and local example of this quandary can be seen right here in the ongoing saga of New York's Mayor Adams. At the end of the day, The Overseer Class aims not only to educate us and start this discussion but to provide a framework for challenging that dynamic. It is a weighty topic but one that Dr. Thrasher is well-equipped to handle.

DI Henley faces her darkest challenge yet...

When a string of grisly murders begins painting the city in terror, DI Henley soon realise a vigilante killer is scalping their victims before leaving them for dead. Henley is thrust into a web of secrets, unravelling connections between the victims while battling demons from her own past. As the killer raises the stakes, the line between predator and prey begins to blur. With time slipping away and her own life in jeopardy, Henley must outwit a psychopath who views murder as an art form. Can she hunt them down before the final stroke of the scalpel closes the case forever?

From the author of the acclaimed The World Wasn’t Ready for You comes a thrilling first novel, set in a near future where artificial intelligence runs the world, involving a young medical student who must unravel family secrets to uncover the truth of his father’s mysterious death.

In a time not so far from our own, society is run by a global AI system controlled by an all powerful corporation. The Shepherd Organization oversees every medical school in the country save one in New Orleans, the renegade Hippocrates which still insists on human-led medicine. It is the last choice school for an ambitious young New Yorker named Pok. But after his father—himself a physician—dies under mysterious circumstance that seems connected to “the shepherds” and their megalomaniacal young CEO, Pok finds himself on a quest for answers that leads right to Hippocrates. Once enrolled, he stumbles upon a further mystery: a strange illness is plaguing newcomers to New Orleans who grew up under shepherd rule. What is causing this fatal anomaly?  And how does it relate to the mystery of Pok’s father’s death and his own mysterious past?

From New York Times bestselling author Ryan Douglass comes a gripping and tender reimagining of The Great Gatsby about the pursuit of happiness—and love—in a society built on cruelty and secrets. 

Seventeen-year-old Nick Carrington wants nothing more than to leave Greenwood, Oklahoma, behind and make a name for himself in the papers. But when tragedy strikes, dreams turn into a twisted reality. Forced to start anew in Harlem, only a letter of acceptance from the prestigious West Egg Academy is able to pull him back into the world.

But the supposedly integrated private boys’ school is more of a catchy headline than a fact, with the same prejudices Nick left behind back home. And his secret but growing feelings for the founder’s wickedly charismatic son, Jay Gatsby Jr.— who dances past society’s conventions with practiced ease—only add more complications.

When Nick’s cutting pen exposes dangerous truths about West Egg and leads to perilous consequences, he and Jay must decide whether to spend a lifetime outrunning trouble or be the ones to light the match. Can they not only fight back but triumph? Or will the powers that be win yet again?

PRE-ORDER: On Sale: February 3, 2026

When life lassoes Josie and Shawn back together three years after their dreamy first date, their second chance at love is anything but easy. A big-hearted rodeo romance set in Houston, Texas, by the critically acclaimed Liara Tamani, author of What She Missed, All The Things We Never Knew, and Calling My Name. This bold first-love story is for fans of Nothing Like the Movies and Highly Suspicious and Unfairly Cute.

This ain’t Josie’s first rodeo. Her parents own several fancy restaurants in Houston, and they just opened a new one right outside the stadium. Josie is expected to stay inside the restaurant and help, and maybe take over their growing empire one day, but that isn’t what Josie wants. She’d rather be at the rodeo itself than in a high-end restaurant next to it. Or eating funnel cakes and Texas-sized corn dogs at the carnival on the grounds. Or better yet, riding her horse at her grandparents’ ranch, the very place her mom wants to sell.

It ain’t Shawn’s first rodeo either. He’s been riding bulls since his mom died, doing everything he can to live up to his rodeo-champion stepfather’s sky-high expectations. But as Shawn’s stardom rises, so do tensions in their relationship. His stepfather’s drinking and gambling problems sure don’t help.

After one unforgettable night leaves Josie and Shawn wanting nothing but each other, their lives become entwined in increasingly complex ways. Can they save Josie’s family land? Or will Shawn’s stepfather and his shady plan be the ranch’s ruin? Will one wrong move cost them everything? Rodeo after rodeo, year after year, can Josie and Shawn keep their hearts open through the secrets, twists, and turns?

This Ain’t Our First Rodeo is a contemporary western love story full of bulls, brawls, and horses. It’s a tender second chance cowboy romance about family, friendship, mistakes, and the blessings of choosing to love anyway. Black cowboys and cowgirls like Josie and Shawn have long helped shape the American West—a legacy that shines in Liara Tamani’s storytelling. Her writing is quick-witted, swoony, and authentic, with characters who are easy to love and hard to forget.

"This heartfelt sapphic romance is loaded with laugh-out-loud humor and the high-drama hijinks of a splashy telenovela." —Camille Perri, author of When Katie Met Cassidy

One wedding, two rivals and a whole lot of secrets…

As the daughter of Cuban immigrants, Isabella Valdes knows three things for certain:
* her late father’s restaurant is thriving
* she owns lots of designer things
* both of those statements are absolute lies to make her mother happy

Isabella would do anything to keep her father’s legacy alive, including attending her estranged cousin’s weeklong wedding extravaganza. Because once Sofia’s wealthy fiancé tastes the recipes Isa prepares from her father’s cherished journal, he’s sure to invest.

To Isa’s annoyance, she’ll be sharing a cabin with Valentina, the former friend turned rival who ruined her quinceañera. But Val is offering an unexpected deal—she’ll help Isa unravel an old family secret found in her father’s journal in return for help sabotaging the wedding and winning the heart of the bride.

Saying yes is a bad idea. Isa’s perfectionism meets its match in Val’s carefree demeanor, but as they work together, the usually responsible Isa can’t seem to say no to Val’s shenanigans. There’s no hiding from Val, no ignoring this complicated but undeniable connection that’s changing Isa’s beliefs about love, loyalty and just how much she owes to her family—and to herself…