Welcome to Curdle Creek, a place just dying to make you feel at home. Osira, a forty-five-year-old widow, is an obedient follower of the strict conventions of Curdle Creek, an all-Black town in rural America stuck in the past and governed by a tradition of ominous rituals. Osira is considered blessed, but her luck changes when her children take off, she comes second to last in the Running of the Widows and her father flees when his name is called in the annual Moving On ceremony. Forced into a test of allegiance, Osira finds herself transported back in time, then into another realm where she must answer for crimes committed by Curdle Creek. Exile forces her to jump realms again, landing Osira even farther away from home, in rural England. Safe as long as she sticks to the rules, she quickly learns there are consequences for every kindness. Each jump could lead Osira anywhere but back home.

Curdle Creek is a unique, inventive novel exploring themes of home, belonging, motherhood and what we inherit from society. This American gothic offers a mash-up of the surreal and literary horror that will appeal to fans of Ring Shout, The Underground Railroad and Lovecraft Country. Yvonne Battle-Felton’s fever dream of a tale is enthralling, layered and quite unlike anything else.

Costa Rica, 1968. When a lethal fire erupts at the American Fruit Company’s most lucrative banana plantation burning all evidence of a massive cover-up, and her husband disappears, the future of Teresa’s family is changed forever.

Now, twenty-seven years later, Teresa and her daughter Lyra are picking up the pieces. Lyra wants nothing to do with Teresa, but is desperate to find out what happened to her family that fateful night. Teresa, haunted by a missing husband and the bitter ghost of her mother, Amarga, is unable to reconcile the past. What unfolds is a story of a mother and daughter trying to forgive what they do not yet understand, and the mystery at the heart of one family’s rupture.

Brimming with ancestral spirits, omens, and the anthropomorphic forces of nature, John Manuel Arias weaves a brilliant tapestry of love, loss, secrets, and redemption in Where There Was Fire.

Ripples in the Pool is a symbolic and powerful novel that delves into the tragedy and spiritual disconnection in rural Africa.

Central characters, like Selina, a former prostitute, and Gikere, a hospital assistant, return to their village with ambitions of wealth and power, neglecting the spiritual significance of the village pool. The pool, guarded by a mysterious old man, symbolizes the land's integrity and spiritual essence. As these characters pursue material gains, they disregard this spiritual core, leading to their downfall.

Selina's journey, marked by a conflict between her rural roots and urban disillusionment, ends in personal and communal tragedy. The novel critiques modernity's moral decay and the loss of spiritual connection, questioning whether the pool's sanctity ultimately prevails over such corruption.

The characters, who span a whole tapestry of rural Africa, are portrayed with a depth and richness that illuminates with shocking clarity aspects of rural society heretofore largely unexplored by African writers.

In this poignant novel, award-winning author, Charles Mungoshi, explores the consequences of colonialism in 1960s Zimbabwe. Waiting for the Rain asks how a nation can look to the future and preserve its traditions while being tied down to the present tyranny of its oppressors.

Told through multiple perspectives of the Mandengu family, Waiting for the Rain eloquently captures the generational effects of colonialism and the slow breaking of family bonds.

Writing during the fiercest years of the Zimbabwe War of Independence, Mungoshi treads a fine line between criticising colonial rule and attempting to avoid British censorship. The result is an astute commentary on the challenges faced in 1960s Zimbabwe.

A NEW MAN ON THE SCENE.

Aspiring comedian Abi has always been told that she’s too much, but never felt like enough. Until she meets Will, who changes everything she’s been made to believe by men, the media and her mum. He loves her just the way she is.

HIS KIDS.

But Will is a package deal and comes with two daughters from a previous relationship. Suddenly Abi finds herself thrown into the spotlight, and not just on the stage…

CAN SHE WIN OVER THIS TOUGH CROWD?

Abi is used to playing to difficult audiences, but step-parenting, and winning over the girls, is going to be her toughest challenge yet. Can she finally prove her critics wrong and triumph at her biggest gig to date?

A fun and feel-good romantic comedy about love, friendship and family for anyone who’s struggled to feel like enough and find their place. Fans of Beth O’Leary and Ruth Jones will love this warm and witty page-turner.

A young woman discovers that dancers at a local discotheque are being driven to acts of insane violence.

“The place was full of swarming, pugnacious, dangerous missellneous reptile’s… Teenager’s everywhere pounded their way on top of each other crazily strangling, biting and slashing each other’s with broken glass, smashed records or sharpened blades… ”

16-year-old Jennifer Gibbons (1963–1993) wrote Discomania in 1980, alongside her twin sister June-Alison, who was also writing her own novel, The Pepsi Cola Addict, in the bedroom that they shared.

Jennifer offered Discomania to the same English vanity press who would publish June-Alison’s book, but Discomania was turned down for being “too violent, too sexual, and too futuristic.”

Long thought to have been lost or destroyed, June-Alison had in fact preserved the typescript of this unique, furious, funny, and strange novel, which we present with her blessing, alongside additional texts from June-Alison, and editors David Tibet and Ania Goszczyńska.

An epic tale of love and political violence set in earthquake-ravaged Darkmotherland, a dystopian reimagining of Nepal, from the Whiting Award–winning author of Arresting God in Kathmandu

In Darkmotherland, Nepali writer Samrat Upadhyay has created a novel of infinite embrace—filled with lovers and widows, dictators and dissidents, paupers, fundamentalists, and a genderqueer power player with her eyes on the throne.

At its heart are two intertwining narratives: one of Kranti, a revolutionary’s daughter, who marries into a plutocratic dynasty and becomes ensnared in the family’s politics. And then there is the tale of Darkmotherland’s new dictator and his mistress, Rozy, who undergoes radical body changes and grows into a figure of immense power.

Darkmotherland is a romp through the vast space of a globalized universe where personal ambitions are inextricably tied to political fortunes, where individual identities are shaped by family pressures and social reins, and where the East connects to and collides with the West in brilliant and unsettling ways.

From the award-winning and bestselling author of Black Buck: A speculative novel about a young woman—invisible by birth and relegated to second-class citizenship—who sets off on a mission to find her older brother, whom she had presumed dead but who is now the primary suspect in a high-profile political murder.

Despite the odds, Sweetmint, a young invisible woman, has done everything right her entire life—school, university, and now a highly sought-after apprenticeship with the Northwestern Hemisphere’s premier inventor, a non-invisible man belonging to the Dominant Population who is as eccentric as he is enigmatic. But the world she has fought so hard to build after the disappearance of her older brother comes crashing down when authorities claim that not only is he well and alive, he’s also the main suspect in the murder of the Chief Executive of the Northwestern Hemisphere. 

A manhunt ensues, and Sweetmint, armed with courage, intellect, and unwavering love for her brother, sets off on a mission to find him before it’s too late. With five days until the hemisphere’s big election, Sweetmint must dodge a relentless law officer who’s determined to maintain order and an ambitious politician with sights set on becoming the next Chief Executive by any means necessary.

With the captivating worldbuilding of N. K. Jemisin’s novels and blazing defiance of Naomi Alderman’s work, This Great Hemisphere is a novel that brilliantly illustrates the degree to which reality can be shaped by non-truths and vicious manipulations, while shining a light on our ability to surprise ourselves when we stop giving in to the narratives others have written for us.

Oscar, the weather-obsessed patriarch of the Alvarado family, desperately wants a little rain. L.A. is parched, dry as a bone, and he’s harboring a costly secret that distracts him from everything else. His wife, Keila, desperate for a life with a little more intimacy and a little less Weather Channel, feels she has no choice but to end their marriage.

Their three daughters―Claudia, a television chef with a hard-hearted attitude; Olivia, a successful architect who suffers from gentrification guilt; and Patricia, a social media wizard who has an uncanny knack for connecting with audiences but not with her lovers―are left questioning everything they know. Each will have to take a critical look at her own relationships and make some tough decisions along the way.

With quick wit and humor, María Amparo Escandón follows the Alvarado family as they wrestle with impending evacuations, secrets, deception, and betrayal, and their toughest decision yet: whether to stick together or burn it all down.

From the prizewinning international literary star: the searing and powerful story of one man's search for redemption.

Dinaw Mengestu's first novel, The Beautiful Things That Heaven Bears, earned the young writer comparisons to Bellow, Fitzgerald, and Naipaul, and garnered ecstatic critical praise and awards around the world for its haunting depiction of the immigrant experience. Now Mengestu enriches the themes that defined his debut with a heartbreaking literary masterwork about love, family, and the power of imagination, which confirms his reputation as one of the brightest talents of his generation.

One early September afternoon, Yosef and Mariam, young Ethiopian immigrants who have spent all but their first year of marriage apart, set off on a road trip from their new home in Peoria, Illinois, to Nashville, Tennessee, in search of a new identity as an American couple. Soon, their son, Jonas, will be born in Illinois. Thirty years later, Yosef has died, and Jonas needs to make sense of the volatile generational and cultural ties that have forged him. How can he envision his future without knowing what has come before? Leaving behind his marriage and job in New York, Jonas sets out to retrace his mother and father's trip and weave together a family history that will take him from the war-torn Ethiopia of his parents' youth to his life in the America of today, a story—real or invented—that holds the possibility of reconciliation and redemption.

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Using interwoven narratives — present-day United States, Trinidad, and the political tumult of Jamaica in the 1980s — Carol Mitchell's debut gives voice to the immigrant woman whose veneer of middle-class stability masks the violent trauma of a prior life.

"An engaging and life-affirming read.” — Booklist

"What start bad a mornin', cyan end good a evenin'." — Jamaican proverb

Amaya Lin has few memories of the years before she turned eighteen. Now in her forties, she has compensated by carefully cultivating a satisfying life as a wife, mother, and business professional. Her husband’s law practice is on the brink of major success; her neurodiverse son has grown into an independent adult; and she has come to terms with her aunt’s dementia. This sense of order is disrupted, however, when she encounters a stranger who claims to have an impossible connection, launching Amaya on a tumultuous journey into the past. 

Using three interwoven narratives spanning the United States, Trinidad, and Jamaica, Carol Mitchell's debut gives voice to an immigrant woman forced to confront her repressed memories of violent trauma. Only then can she discover what she is capable of when it comes to self-preservation and the protection of her family.

"This is a stellar debut.” — Cleyvis Natera, author of Neruda on the Park
"Luminous prose." —Elizabeth Nunez, author of Prospero’s Daughter

Old secrets are brought to light when a family matriarch returns to Brazil after years away in this “original and highly immersive” (Good Morning America) debut that explores the heartbreak and hope of what it means to be from two homes, two peoples, and two worlds.

Daniel Cunha has a lot on his mind.

He got dumped by his pregnant girlfriend, his grandfather just dropped dead, and on the anniversary of the raid that doomed his drug-dealing aunt and uncle, his mother makes her unwanted return, years after she fled to marry another American fool like his father.

Misfortune, however, is a Cunha family affair, and no generation is spared. Not Daniel’s grandfather João—poor João—born to a prostitute and forced to raise his siblings while still a child himself. Not João’s wife, Marta, branded as a bruxa, reviled by her mother, and dragged from her Ilha paradise by her scheming daughter, Maria. And certainly not Maria, so envious of her younger sister’s beauty and benevolence that she took her vicious revenge and fled to the States, abandoning her children: Daniel and Lucia, both tainted now by their half-Americanness and their mother’s greedy absence.

There’s poison in the Cunha blood. They are a family cursed, condemned to the pain of deprivation, betrayal, violence, and, worst of all, love. But now Maria has returned to grieve her father and finally make peace with Daniel and Lucia, or so she says. As New Year’s Eve nears, the Cunha family hurtles toward an irrevocable breaking point: a fire, a knife, and a death on the sands of Copacabana Beach.

Amid the cacophony of Rio’s tumult—rampant poverty, political unrest, the ever-present threat of violence—a fierce chorus of voices rises above the din to ask whether we can ever truly repair the damage we do to those we love in this “fiery debut novel” (The Washington Post).

A sweeping family saga about the complicated bond between mothers and daughters, the disappearance of a father, and the long-hidden history of a declining New England mill town.

“A powerful novel about how our family history shapes us. Swift River broke my heart, and then offered me hope.” —Ann Napolitano, New York Times bestselling author of Hello Beautiful

It’s the summer of 1987 in Swift River, and Diamond Newberry is learning how to drive. Ever since her Pop disappeared seven years ago, she and her mother hitchhike everywhere they go. But that’s not the only reason Diamond stands out: she’s teased relentlessly about her weight, and since Pop’s been gone, she is the only Black person in all of Swift River. This summer, Ma is determined to declare Pop legally dead so that they can collect his life insurance money, get their house back from the bank, and finally move on.

But when Diamond receives a letter from a relative she’s never met, key elements of Pop’s life are uncovered, and she is introduced to two generations of African American Newberry women, whose lives span the 20th century and reveal a much larger picture of prejudice and abandonment, of love and devotion. As pieces of their shared past become clearer, Diamond gains a sense of her place in the world and in her family. But how will what she’s learned of the past change her future?

A story of first friendships, family secrets, and finding the courage to let go, Swift River is a sensational debut about how history shapes us and heralds the arrival of a major new literary talent.

The first novel by the Pulitzer Prize–winning author of Trust, an exquisite and blisteringly intelligent story of a young Swedish boy, separated from his brother, who becomes a legend and an outlaw

A young Swedish immigrant finds himself penniless and alone in California. The boy travels east in search of his brother, moving on foot against the great current of emigrants pushing west. Driven back again and again, he meets criminals, naturalists, religious fanatics, swindlers, American Indians, and lawmen, and his exploits turn him into a legend. Diaz defies the conventions of historical fiction and genre, offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.

FINALIST FOR THE PULITZER PRIZE
FINALIST FOR THE PEN/FAULKNER AWARD
WINNER OF THE WHITING AWARD
WINNER OF THE SAROYAN INTERNATIONAL PRIZE FOR WRITING
WINNTER OF THE VCU CABELL FIRST NOVELIST AWARD
WINNER OF THE NEW AMERICAN VOICES AWARD
A PUBLISHERS WEEKLY TOP 10 BOOK OF THE YEAR

A major literary event-nothing short of a "tour de force" (New York Times) by the acclaimed and beloved author.
Marooned in an apartment that overflows with mementos from the past, 91-year-old Ptolemy Grey is all but forgotten by his family and the world. But when an unexpected opportunity arrives, everything changes for Ptolemy in ways as shocking and unanticipated as they are poignant and profound.

A novel by a brilliant new voice, Hombrecito is a queer coming-of-age story about a young immigrant’s complex relationships with his mother and his motherland

In this groundbreaking novel, Santiago Jose Sanchez plunges us into the heart of one boy’s life. His mother takes him and his brother from Colombia to America, leaving their absent father behind but essentially disappearing herself once they get to Miami.

In America, his mother works as a waitress when she was once a doctor. The boy embraces his queer identity as wholeheartedly as he embraces his new home, but not without a sense of loss. As he grows, his relationship with his mother becomes fraught, tangled, a love so intense that it borders on vivid pain but is also the axis around which his every decision revolves. She may have once forgotten him, disappeared, but she is always on his mind.

He moves to New York, ducking in and out of bed with different men as he seeks out something, someone, to make him whole again. When his mother invites him to visit family in Colombia with her, he returns to the country as a young man, trying to find peace with his father, with his homeland, with who he’s become since he left, and with who his mother is: finally we come to know her and her secrets, her complex ambivalence and fierce love.

Hombrecito—“little man”—is a moving portrait of a young person between cultures, between different ideas of himself. From an extraordinary new talent, this is a story told with startling beauty and intensity, a story for anyone searching for home, searching for a way to love.

Acclaimed children’s author Nana Brew-Hammond makes her highly anticipated return with this soaring and profound story about love and understanding told through three generations of one Ghanian family.

Determined to avoid the pain and instability of her parents’ turbulent, confusing marriage, Kokui marries a man far different from her loving, philandering, self-made father—and tries to be a different kind of wife from her mother.

But when Kokui and her husband leave Ghana to make a new life for themselves in America, she finds history repeating itself. Her marriage failing, she is called home to Ghana when her father dies. Back in her childhood home, which feels both familiar and discomforting, she comes to realize that to exorcize the ghosts of her parents’ marriage she must confront them to enable her healing.

Tender and illuminating, warm and bittersweet My Parents’ Marriage is a compelling story of family, community, class, and self-identity from an author with deep empathy and a generous heart.

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Her life. Her rules. Finally.

Anuri Chinasa has had enough. And really, who can blame her? She was the unwilling star of her stepmother’s social media empire before “momfluencers” were even a thing. For years, Ophelia documented every birthday, every skinned knee, every milestone and meltdown for millions of strangers to fawn over and pick apart.

Now, at twenty-five, Anuri is desperate to put her way-too-public past behind her and start living on her own terms. But it’s not going so great. She can barely walk down the street without someone recognizing her, and the fraught relationship with her father has fallen apart. Then there’s her PhD application (still unfinished) and her drinking problem (still going strong). When every detail of her childhood was so intensely scrutinized, how can she tell what she really wants?

Still, Ophelia is never far away and has made it clear she won’t go down without a fight. With Noelle, Anuri’s five-year-old half sister now being forced down the same path, Anuri discovers she has a new mission in life…

To take back control of the family narrative.

Through biting wit and heartfelt introspection, this darkly humorous story dives deep into the deceptive allure of a picture-perfect existence, the overexposure of children in social media and the excitement of self-discovery.

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From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age

Jamaica Kincaid's The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman's inexorable evolution, evoked in startling and magical poetry.

Powerful, disturbing, stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own.

Kincaid takes us from Xuela's childhood in a home where she can hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack LaBatte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela's is an intensely physical world, redolent of overripe fruit, gentian violet, sulfur, and rain on the road, and it seethes with her sorrow, her deep sympathy for those who share her history, her fear of her father, her desperate loneliness. But underlying all is "the black room of the world" that is Xuela's barrenness and motherlessness.

“You can be beautiful, even more beautiful than before.” This is the seductive promise of Dr. Nzinga’s clinic, where anyone can get their lips thinned, their skin bleached, and their nose narrowed. A complete demelanization will liberate you from the confines of being born in a black body—if you can afford it.

In this near-future Southern city plagued by fenced-in ghettos and police violence, more and more residents are turning to this experimental medical procedure. Like any father, our narrator just wants the best for his son, Nigel, a biracial boy whose black birthmark is getting bigger by the day. The darker Nigel becomes, the more frightened his father feels. But how far will he go to protect his son? And will he destroy his family in the process?

This electrifying, hallucinatory novel is at once a keen satire of surviving racism in America and a profoundly moving family story. At its center is a father who just wants his son to thrive in a broken world. Maurice Carlos Ruffin’s work evokes the clear vision of Ralph Ellison, the dizzying menace of Franz Kafka, and the crackling prose of Vladimir Nabokov. We Cast a Shadow fearlessly shines a light on the violence we inherit, and on the desperate things we do for the ones we love.

In one of the best-loved volumes of her work, J. California Cooper tells exuberant tales full of wonder at the mystery of life and the hardness of fate. Awed, bedeviled, bemused, all of Cooper's characters are borne up by the sheer power of life itself.

From acclaimed novelist John Vercher, a profoundly moving novel of what it means to be a father, a son, a writer, and a biracial American fighting to reconcile the past

Reeling from the sudden death of his teenage son, our narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged grandfather. He travels to a beach town several hours south of his home with the intention of immediately selling the land. But upon inspection, what lies beneath the dirt is much more than he can process in the throes of grief. As a biracial Black man struggling with the many facets of his identity, he’s now the owner of a former plantation passed down by the men on his white mother’s side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovery―and a fight for reclamation―of a painful past. With the wit of Paul Beatty’s The Sellout and the nuance of Zadie Smith’s On Beauty, Devil Is Fine is a darkly funny and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

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The “revelatory” (The New York Review of Books) story of an ordinary man, his century, and his home.

Jamaica Kincaid’s first obsession, the island of Antigua, comes vibrantly to life under the gaze of Mr. Potter, an illiterate chauffeur who makes his living along the wide, open roads that pass the only towns he has ever seen. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air.

As Mr. Potter’s narrative unfolds in linked vignettes, his story becomes the story of a vital, damaged community. Amid his surroundings, he struggles to live at ease: to purchase a car, to have girlfriends, and to shake off the encumbrance of his daughters―one of whom will return to Antigua after he dies and tell his story with equal measures of distance and sympathy.

In Mr. Potter, Kincaid breathes life into a figure unlike any other in contemporary fiction, an individual consciousness emerging gloriously out of an unexamined life.

The year is 1954. A white woman’s body, stuffed in a coconut bag, has washed ashore in Otatiti, Trinidad, and the British colony is rife with rumors. In two homes, one in a distant shantytown, the other on the outskirts of a former sugar cane estate, two women hear the news and their blood runs cold. Rosa, the white daughter of a landowner, and Zuela, the adopted “daughter” of a Chinese shop owner used to play together as girls—and witnessed something terrible behind a hibiscus bush many years ago.

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In this bold hybrid collection of poetry, flash fiction, and Afrofuturism sci-fi, the award-winning interdisciplinary writer and author of Side Notes from the Archivist explores what happens when god is a Black woman in a town. What happens when there are multiple universes in the middle of nowhere?

And what if in each universe there reigned other Black woman gods? One million versions of god, and one million saints to watch over us? And what if this Black woman god were placed here on earth?

These are just a few of the questions Anastacia-Reneé asks in this daring and mind-bending hybrid collection. Hers is a universe of striking variety—monsters, nontraditional saints, witches, zombies, the couple in the apartment next door, the wise elders from down the block, and gods watching over us all—as well as community and connectedness.

With a prose storyline and characters that connect through family, time, and place, Anastacia-Reneé paints world(s) rich with wonder and the paranormal as she peers into the lives of everyday people and spectacular creatures inhabiting not just our neighborhoods, but other dimensions. Here in the (Middle) of Nowhere is about interstellar ancestry, community and spirituality. It is about the things we invoke, conjure, and rely on to maintain joy as we keep it moving through difficult eras. Anastacia-Reneé’s power imbues her spellbinding storytelling with lovingly rendered characters brought to life in lyrical poetry. She builds worlds within worlds and dares us to fully see and love ourselves in all our complexity.

Paperback Release: July 15, 2025

A bold and unabashed novel about a young Palestinian woman's unraveling as she teaches at a New York City middle school, gets caught up in a scheme reselling Birkin bags, and strives to gain control over her body and mind The Coin’s narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in a pyramid scheme reselling Birkin bags. But America is stifling her—her willfulness, her sexuality, her principles. In an attempt to regain control, she becomes preoccupied with purity, cleanliness, and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her material and existential statelessness, and the narrator unravels spectacularly. In enthralling, sensory prose, The Coin explores nature and civilization, beauty and justice, class and belonging—all while resisting easy moralizing. Provocative, wry, and inviting, The Coin marks the arrival of a major new literary voice.

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The paths of three young Black women in pre–Civil War Philadelphia unexpectedly—and dangerously—collide in this debut novel inspired by the explosive history of a divided city. “A beguiling story of friendship, deception, and women crossing boundaries in the name of freedom.”—Lisa Wingate, #1 New York Times bestselling author of The Book of Lost Friends Philadelphia, 1837. After Charlotte escaped from the crumbling White Oaks plantation down South, she’d expected freedom to feel different from her former life as an enslaved housemaid. After all, Philadelphia is supposed to be the birthplace of American liberty. Instead, she’s locked away playing servant to her white-passing father, as they both attempt to hide their identities from slavecatchers who would destroy their new lives. Longing to break away, Charlotte befriends Nell, a budding abolitionist from one of Philadelphia’s wealthiest Black families. Just as Charlotte starts to envision a future, a familiar face from her past reappears: Evie, her friend from White Oaks, has been brought to the city by the plantation mistress, and she’s desperate to escape. But as Charlotte and Nell conspire to rescue her, in a city engulfed by race riots and attacks on abolitionists, they soon discover that fighting for Evie’s freedom may cost them their own. All We Were Promised is the story of three women in vastly different circumstances—the rebel, the socialite, and the fugitive—risking everything for one another in an American city straining to live up to its loftiest ideals.

A Harlem Detectives Novel

In this gripping installment of the maverick Harlem Detectives series, Coffin Ed Johnson and Gravedigger Jones investigate a series of seemingly unrelated, brutal crimes. A gold Cadillac, about as large as an ocean liner, rocks a woman to the pavement in the cold streets of Harlem. Three goons in cop uniforms heist a small fortune and leave an important politician dead. All told eight bodies stack up over the long, bloody weekend, but they won't spoil in this weather. And Grave Digger Jones and Coffin Ed Johnson have to follow the trail of brutal violence, perversion, and cold murder—and avoid getting caught in the fray.

A Harlem Detectives Novel

In this page-turning installment of the classic Harlem Detectives series, a woman dies at a con man's religious street revival, and her elusive pile of cash vanishes Alberta Wright drops dead on the street during a sermon by the charismatic con man Sweet Prophet. Her partner rushes home to avoid the cops, only to find her apartment looted by someone looking for her stash of cash. But soon it becomes apparent that there are number of players in the race for Alberta's dough when a furniture salesman who bought much of her belongings is murdered at his shop. Coffin Ed Johnson and Grave Digger Jones are called in to investigate, but they know full well the bodies haven't stopped dropping yet.

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A first-generation Cuban son comes of age in the debut––and most autobiographical––novel by the Pulitzer Prize-winning author of The Mambo Kings Play Songs of Love.

Winner of the Ingram Merrill Foundation Award and the Rome Prize

Hector Santinio is the younger son of Alejo and Mercedes, who moved to New York from Cuba in the mid-1940s. The family of four shares their modest apartment with extended relatives in Harlem, where homesickness and nostalgia are dispelled by nights of dancing and raucous parties. But life’s realities are nevertheless harsh in the Santinio family’s adoptive land.

When Mercedes takes Hector and his brother to visit Cuba, to better know her culture, Hector contracts a serious illness that leads to a terrifying period of hospitalization back in the United States where, isolated from his family, he loses much of his ability to speak Spanish. And it is this fracturing that sparks a lifelong quest to not only reconcile his Cuban identity with his American one, but to also understand his parents’ ambitions and anxieties within the country at large.

In this profoundly moving account of immigrant life, Oscar Hijuelos displays, once again, his mastery over both character and language—and sets readers on an unforgettable journey of hope, longing, and self-discovery.

Includes a Reading Group Guide.

African futurism, gothic romance, ghost story, parable, psychological thriller, inner-space fiction—Dumas’s stories form a vivid, expansive portrait of Black life in America.

Henry Dumas’s fabulist fiction is a masterful synthesis of myth and religion, culture and nature, mask and identity, the present and the ancestral. From the Deep South to the simmering streets of Harlem, his characters embark on real, magical, and mythic quests. Humming with life, Dumas’s stories create a collage of mid-twentieth-century Black experiences, interweaving religious metaphor, African cosmologies, diasporic folklore, and America’s history of slavery and systemic racism.

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A poignant and powerful story of the American South in the 1960s and of one woman who risks her life for the people she loves from the Pulitzer Prize-winning author of The Color Purple, now available in a new edition featuring an introduction by Tayari Jones, author of An American Marriage.

“A classic novel of both feminism and the Civil Rights movement.”—Ms. Magazine

Meridian Hill, a dedicated and courageous young activist in the 1960s, works to create peace and understanding through her civil rights work, touching the lives of all those she meets even when her health begins to deteriorate. With the old rules of Southern society collapsing around her, her coworkers quitting and moving to comfortable homes and lives, and others turning to more violent means of achieving change, Meridian fights a lonely battle to reaffirm her own humanity—and that of all her people.