PRE-ORDER: ON SALE DATE: December 9, 2025

“[A] rich and lyrical tale of desperation and redemption . . . Throughout, Sainz Borgo applies stark poetry to the terrifying setting, where 'moans and cries attributed to ghosts sometimes masked executions and beatings.' It’s a stunner.” —Publishers Weekly (starred review)

“[A] deeply felt meditation on migration, mourning and the simultaneous entanglement and estrangement of the living and the dead” —Los Angeles Times

Winner of the 2023 Jan Michalski Prize, a searing novel of loss and resilience that illuminates the often-overlooked human dimension of the migrant crisis, re-imagining the border as a dreamlike purgatory bridging life and death.

In an unnamed Latin American country, a mysterious plague quickly spreads, erasing the memory of anyone infected. Angustias Romero flees with her family, but their flight is tragically cut short when she loses both her children. Consumed by grief, she finds herself within the hallucinatory expanse of Mezquite––a town corrupted by greed and populated by storytellers, refugees, and violent, predatory gangs.

Here, Angustias is finally able to lay her children to rest at the Third Country, a cemetery run by the larger-than-life Visitación Salazar and a refuge beyond suffering and fear. While Visitación remains defiant in her mission to care for the dead, the cemetery she oversees is the focal point of a bitter land dispute with Alcides Abundio, the most feared landowner of the border. Caught in this power struggle, Angustias and Visitación–friends and sometimes rivals– stand their ground on a frontier where the law is dictated by violence; a surreal territory whose very nature blurs the boundaries between life and death.

Exploring what we are capable of and how far we will go when we have nothing to lose, No Place to Bury the Dead confirms Karina Sainz Borgo’s importance amongst the voices of modern Latin American literature, merging thriller, western, and classic tragedy in an unforgettable and urgent novel that won the 2023 Jan Michalski Prize.

Translated from the Spanish by Elizabeth Bryer

PRE-ORDER: ON SALE DATE: October 28, 2025

A haunting, unforgettable novel of obsession, pride, and forgiveness, exploring the friendship and rivalry between two gifted boys in harrowing circumstances, from the acclaimed writer of The Removed

Milton Muleborn has envied Matthew Echota, a talented Cherokee artist, ever since they were locked up together in a dangerous juvenile detention center in the late 1980s. Until Matthew escaped, that is.

A novel within a novel, we read here Milton’s dark, sometimes comic, and possibly unreliable account of the story of their childhood even as, years later, he remains jealous of Matthew’s extraordinary abilities and unlikely success. Milton reveals secrets about their friendship, their families, and their nightmarish, surreal, experience of imprisonment. In revisiting the past, he explores the echoing traumas of incarceration and pride.

Filled with Brandon Hobson’s swirling yet visceral writing, and punctuated with original artwork, The Devil Is a Southpaw is an ambitious, elegant, and propulsive novel in the spirit of Vladimir Nabokov and Gabriel García Márquez.

The author of the critically acclaimed A Cupboard Full of Coats makes her hardcover debut with a provocative and timely novel about an emotionally devastated mother’s struggle to understand her teenage son’s death, and her search for meaning and hope in the wake of incomprehensible loss.

The unimaginable has happened to Marcia Williams. Her bright and beautiful sixteen-year-old son, Ryan, has been brutally murdered. Consumed by grief and rage, she must bridle her dark feelings and endure something no mother should ever have to experience: she must go to court for the trial of the killer—another teenage boy—accused of taking her son’s life.

How could her son be dead? Ryan should have been safe—he wasn’t the kind of boy to find himself on the wrong end of a knife carried by a dangerous young man like Tyson Manley. But as the trial proceeds, Marcia finds her beliefs and assumptions challenged as she learns more about Ryan’s death and Tyson’s life, including his dysfunctional family. She also discovers troubling truths about her own. As the strain of Ryan’s death tests their marriage, Lloydie, her husband, pulls farther away, hiding behind a wall of secrets that masks his grief, while Marcia draws closer to her sister, who is becoming her prime confidant.

One person seems to hold the answers—and the hope—Marcia needs: Tyson’s scared young girlfriend, Sweetie. But as this anguished mother has learned, nothing in life is certain. Not anymore.

A beautiful, engrossing novel that illuminates some of the most important and troubling issues of our time, The Motheris a moving portrait of love, tragedy, and survival—and the aftershocks from a momentary act of cruel violence that transforms the lives of everyone it touches.

"The Girl Who Fell from the Sky can actually fly." —The New York Times Book Review
 
Rachel, the daughter of a Danish mother and a black G.I., becomes the sole survivor of a family tragedy after a fateful morning on their Chicago rooftop.

Forced to move to a new city, with her strict African American grandmother as her guardian, Rachel is thrust for the first time into a mostly black community, where her light brown skin, blue eyes, and beauty bring a constant stream of attention her way. It’s there, as she grows up and tries to swallow her grief, that she comes to understand how the mystery and tragedy of her mother might be connected to her own uncertain identity.

This searing and heart-wrenching portrait of a young biracial girl dealing with society’s ideas of race and class is the winner of the Bellwether Prize for best fiction manuscript addressing issues of social justice.

A speculative middle grade novel about three generations of Black girls connected across time and space through a wormhole in their school locker.

What if your locker was a wormhole to the past?

On the first day of eighth grade, Candace Wells opens her locker and is astonished when an unusual bird flies out. Soon after, a notebook mysteriously appears on the top shelf, labeled Tracey Auburn, 1988. Stranger still, as Candace reads the notebook, new messages start to appear.

Professor Tracey Auburn only vaguely remembers a bird flying into her locker in eighth grade, way back in 1988, and losing a notebook she could have sworn she put on the top shelf. Until Candace shows up at her office with the missing notebook forty years later.

Quantum physicist Loretta Spencer will never forget the bird flying out of her locker in eighth grade in 1948. Her life’s work has been to study the portal and others like it, and now she needs Tracey’s and Candace’s help to complete her research.

So begins an unlikely friendship and a hunt around Chicago and the state of Illinois to uncover the secrets of the locker, the universe, and everything. One thing’s for sure: Eighth grade will never be the same again.

PRE-ORDER: ON SALE DATE: September 9, 2025

From the author of the #1 New York Times bestseller Just Ask! comes a sweet and powerful story about being true to yourself and shining your brightest. How will you help people shine?

There once was a little girl who grew up in Puerto Rico with an incredible ability—she was able to make everyone around her shine. She listened, she understood, she worked hard, and she brought out the beauty in each person she met.

In a story inspired by her mother’s ability to help people see their own brilliance, Supreme Court Justice Sonia Sotomayor shows readers how helping others shine makes the whole world brighter.

With art by award-winning illustrator Jacqueline Alcántara, Just Shine will help readers find their own inner glow—and recognize that glow in those around them.

The highly anticipated new novel. When a young single woman in Tokyo decides she’s ready to sell anything—even her womb—to escape the precarity of her life, an agency pairs her with a wealthy couple desperate to have a child. The match seems made in heaven. She even looks a little like the wife. But is anything ever that simple?

Nothing has ever gone right for Riki. She left her boring hometown in Hokkaido, where she worked at a nursing home, for a better life in Tokyo. But as a temp in the big city she has no job security, and barely scrapes by. She eats the same old discount boiled egg for lunch every day, sometimes for dinner, too. Many of her peers have to take on a side hustle just to make ends meet. So when her friend discovers an agency offering a hefty sum for egg donation, both leap at the chance for an interview.

Meanwhile, former ballet star Motoi Kusaoke and his wife, Yuko, have been trying to conceive for years. After trying what feels like every available option, it seems futile—until Motoi dives deep into his research and learns that, while surrogacy is technically illegal in Japan, there is a company that’s found a loophole.

Before long, everyone has an opinion on the matter: from Yuko’s sex-obsessed, asexual best friend, to Motoi’s controlling prima ballerina mother, and even the affable sex-worker-slash-therapist that Riki has been to a couple of times, after she accepted a down payment to be a surrogate.

Acutely funny and addictively page-turning, Swallows pulls at the seams of society, reassessing our understanding of motherhood, self-worth, bodily autonomy, and class. What does it mean to be “in control”? And can money really buy happiness?

The Instant NYT Bestselling Bunheads by Misty Copeland gets a second act.

Misty and her bunhead crew are back! And this time, they’re excited to learn the ballet Don Quixote—a wondrous tale about a brave knight search-ing for his Dulcinea, his one true love.

Misty’s best friend, Cat, loves this ballet most of all. She thinks Don Quixote’s quest to find love is romantic, but she also knows the story’s real hero is Kitri, the daughter of an innkeeper, who boldly defies her father to marry for love instead of money.

The class is spellbound as Cat tells them the story, and their teacher agrees Don Quixote is the perfect next ballet for their class to perform.

The bunheads get right to work learn-ing the ballet. Misty hopes to land the role of Cupid, and she knows the role of the strong-willed Kitri could only be played by Cat. But when Cat is injured and unable to perform, she weathers her disappointment with courage and a dose of girl power that would make Kitri proud.

Bunheads, Act 2: The Dance of Courage is an inspiring tale for anyone who’s ever suffered a setback or had a dream deferred.

Setor Fiadzigbey returns to bring Misty Copeland’s bunhead crew to vibrant life with illustrations that will enthrall.

PRE-ORDER: ON SALE DATE: December 2, 2025

A late bloomer thought a visit to a sex club might jump start her love life, but instead makes an instant connection that turns her whole world upside down, in this adult debut from author Zakiya N. Jamal.

When Stella Renee Johnson's roommate invites her to a sex club party but bails at the last minute, Stella decides to use the opportunity to finally cash in her V-card. But just when things are heating up between Stella and a sexy stranger, they realize they don’t have protection and Stella, taking it as a sign this wasn't meant to be, flees.

Frustrated in more ways than one, Stella is shocked to learn that the digital media website where she works is partnering with an AI company. She's even more shocked when the alluring man from the previous night walks in. Max Williams is the CEO's brother and the creator of the AI program now threatening her job.

Despite the conflict of interest, Stella and Max can't resist their magnetic attraction toward each other, and agree to keep their personal lives separate from what’s happening at work. But the more similarities they discover at home—both Black, book smart, and bisexual—the more they butt heads at work. Stella and Max must decide whether to think with their heads and walk away from their budding relationship, or follow their hearts and take a chance on love, no matter the cost.

From the award-winning, bestselling “literary pied piper” (The New York Times) who brought us Boy, Snow, Bird comes a masterful story that asks: What if the different sides of your personality had trust issues with each other?

New Day, New You!

Kinga is a woman who is just trying to make it through the week. There’s a Kinga for every day: On Mondays, you can catch Kinga-A deleting food delivery apps. By Friday, Kinga-E is happy to spend the days soaking, wine-drunk, in the bath.

Kingas A–G, perhaps unsurprisingly, live a varied life—between them is a professional matchmaker, a scent-crazed perfumer, and a window cleaner, all with varying degrees of apathy, anger, introversion, and bossiness. At least three of them are Team Toxic.

It’s an arrangement that’s not without its fair share of admin, grudges, and half-truths. But when Kinga-A discovers a man tied up in their apartment, the Kingas have to reckon with the possibility that one of them might be planning to destroy them all.

How many versions of oneself can one self safely contain?

PRE-ORDER: ON SALE DATE: August 12, 2025

Catch-22 on speed and set in the Middle East, Vulture is a fast-paced, brilliant satire of the war news industry and its moral blind spots. 

An ambitious young journalist, Sara is sent to cover a war from the Beach Hotel in Gaza. The four-star hotel is a global media hub, promising safety and generator-powered internet, with hotel staff catering tirelessly to the needs of the world’s media, even as their homes and families are under threat. 

Sara is determined to launch herself as a star correspondent. So, when her fixer Nasser refuses to set up the dangerous story she thinks will win her a front page, she turns instead to Fadi, the youngest member of a powerful militant family. Driven by demons and disappointments, Sara will stop at nothing to prove herself in this war, even if it means bringing disaster upon those around her. 

Greenwood’s debut novel brings readers into the heart of the maelstrom, and with audacity and humor depicts the media’s complicity in the ongoing tragedy.

Family trauma, race, and the destiny of a nation corrupted by slavery, cast in the light of epic myth: “More than a saga of Black revitalization . . . Part vision, part parable, it is a story for all America.” (The New York Times Book Review)

The Snowdon family stands as a pinnacle of Black excellence in Washington, D.C.: educated, affluent, and influential. John Christopher, the patriarch, saves lives as a heart surgeon and is revered by his students at Howard University. His wife, Camille, governs an elegant house overlooking Rock Creek Park and devotes herself to reading, gardening, and raising their three daughters—Cynthia, Patricia, and Eva—to attend the very best schools and roam the world on a whim.

Theirs ought to be a story of success and empowerment, but something is rotten in the house of Snowdon. Years later, when John Christopher’s granddaughter Johnnie comes to seek the truth about her own parentage, she unveils a legacy of unspeakable family secrets tangled up in America’s original sin. What begins as a quest for identity spirals into an apocalyptic vision of a nation on the brink of ruin.

By turns a poetic epic, a ghost story, a historical saga, and a chilling dystopian fable, Thereafter Johnnie is a unique and uniquely American fusion of myth and hard-bitten reality: an erotic, horrifying, and even hopeful reckoning with centuries of injustice.

Dreaming is a luxury that few can afford. And yet, however inadvisedly, Iman dreams.

In an unnamed African country devoured by rampant urbanization and haunted by the mirages of Western prosperity, where for a few CFA francs a child can be bought and sold into slavery, Toumani's earliest education is in the tolerance of suffering. He endures one master then the next, holding his survival―his very self―with open hands.

For Iman, a black and white biracial boy with an elusive presence, the only viable option appears to be an escape to bountiful Europe, where everything must be easier. Obsessed with this idyllic elsewhere to the point of losing himself completely, he remains, for those close to him, an object of fascination difficult to define.

When Iman reaches out his hand to rescue Toumani from certain death, he sets in motion a friendship that may satisfy their need for connection but cannot fundamentally change their circumstances. What is the point of survival without hope for a more livable future? And what happens to them when they both love the same girl?

In this stunning translation of Ryad Assani-Razaki's award-winning debut novel, dreaming is a luxury that few can afford. And yet, however inadvisedly, Iman dreams.

With previous work hailed by the New York Times as “unflinching” and “piercing”, Ashley M. Jones’s Lullaby for the Grieving is her most personal collection to date.

In her fourth poetry collection, Jones studies the multifaceted nature of grief: the personal grief of losing her father, and the political grief tied to Black Southern identity. How does one find a path through the deep sorrow of losing a parent? What wonders of Blackness have to be suppressed to make way for "progress"?

Journeying through landscapes of Alabama, the Middle Passage and Underground Railroad, interior spaces of loss and love, and her father’s garden, Jones constructs both an elegy for her father and a celebration of the sacred exuberance and audacity of life. Featuring poems from her tenure as Alabama’s first Black and youngest Poet Laureate, Lullaby for the Grieving finds calm in unimaginable storms and attempts to listen for the sounds of healing.

Five female Afghan poets wield language to combat the loneliness, absurdity, and claustrophobia of life in a war-torn country and its diaspora. There are “hypnotic, long beards” tangled with mass extinctions; hateful men burning grapevines; black blindfolds; jinn in chadors; and condoms advertised every eight minutes on TV. Interspersing these are tender moments: one poet describes brushing her daughter’s hair, while another imagines a tree growing at the center of a room, undisturbed by the bombs outside. In the wake of the Taliban’s escalating war on Afghan women’s rights, Hair on Fire is a blazing tribute to a group of exceptional poetesses and a reminder of what we lose when voices are silenced.

“A restless collection of incredible breadth, whose ability to meld applied science, faith, history, racial myth, and personal archive gives us poems whose power is unmistakable. A game-changing book.”—Rosalie Moffett, judge of the 2024 National Poetry Series

Radiant with a tenderness that is only achieved through close attention, these poems offer witnessing and formalistic exploration as well as a unique cosmology that is made ever more expansive by blurred lines between the instructional and the improvisational. For Keith Wilson, no image, thought, stanza, or diagram is sufficient in the practice of illumination, so he combines them. The Uncanny Valley diagram is repurposed to imagine a future Emmett Till never saw; visual instructions for line dancing stand in tension with the memory of Wilson’s grandfather picking cotton; prayer is input as equation; a poem gerrymanders a sentence diagram. In these and other gestures, Wilson expands the possibility of what poetry can hold.

Thematically expansive and materially ambidextrous, Games for Children demonstrates how play is one of the highest forms of freedom, and in reclaiming it, our most tender truths are exposed.

A ground-breaking anthology of haunting speculative stories by contemporary Black Canadian writers that explore growth, futurity, and joy.

Edited by esteemed poet Terese Mason Pierre, this bold and innovative anthology of speculative short fiction reveals and uplifts the spectacular imaginings, reveries, reflections, experiments, and hopes of Black writers in Canada. A masseuse attends her mother’s fourth funeral, only to encounter family she’s never met. A postdoc instructor navigates an almost-life in an Elsewhere realm of safety and comfort. After societal collapse, an immigrant leaves her precarious station, and her memories, behind. A woman isolating from a new virus starts hallucinating. A young nanny accepts a job with a peculiar employer in search of immortality. A medium is tasked with summoning a spirit that hits too close to home. And two teenagers test a friendship over magic carpet flying practice.

These ten breathtaking stories explore natural and urban landscapes, living and dead relationships, economic catastrophe, love, and desire―all while celebrating the persistent and ever-changing self, and envisioning beautiful Black futures.

Featuring stories by:
Trynne Delaney
francesca ekwuyasi
Whitney French
Aline-Mwezi Niyonsenga
Chimedum Ohaegbu
Suyi Davies Okungbowa
Chinelo Onwualu
Lue Palmer
Terese Mason Pierre
Zalika Reid-Benta

PRE-ORDER: ON SALE DATE: October 28, 2025

Finalist for the 2025 Aspen Words Literary Prize

Set against the backdrop of 1970s Nigeria teetering between post-colonial dependency and self-rule, Before the Mango Ripens examines the enduring themes of faith, disillusionment, and the search for belonging. Both epic and intimate, Afabwaje Kurian's debut announces a brilliant new talent for readers of Imbolo Mbue and Chimamanda Ngozi Adichie.

In Rabata, everyone has secrets—especially since the arrival of the white American missionaries.

Twenty-year-old Jummai is a beautiful and unassuming house girl whose dreams of escaping her home life are disrupted when an unexpected pregnancy forces her to hide her lover's identity. Tebeya, an ambitious Dublin-educated doctor, has left prestigious opportunities abroad to return to the small town of her birth, and discovers a painful betrayal when she strives to take control of the mission clinic. Zanya is a young translator, enticed by promises of progress, who comes to Rabata to escape a bitter past and finds himself embroiled in a fight against the American reverend for the heart of the church and town.

United by their yearning for change, all three must make difficult decisions that threaten the fragile relationships of the Rabata they know. As tensions mount and hypocrisies are unveiled, the people of Rabata are faced with a question that will transform their town forever: Let the Americans stay, or make them go?

“A profound poetic talent.”―Ada Limón

Blue Opening, Chet’la Sebree’s brilliant, illuminating poetry collection, grapples with origins―of illness, of language, of the universe―as the speaker contemplates whether she, too, can be a site of origin through motherhood. Navigating chronic health challenges alongside grief and questions about the nature of knowledge and religion, she searches personal history and the cosmos for answers to the unknowable.

With startling clarity and vivid tenderness, Blue Opening calls into question not only where to begin, but how to create, across thirty-two poems that press the fluid boundaries of form through sonnets, prose poems, odes, and two unforgettable poetic sequences. As the speaker traverses loss, possibility, and the choice, or often the lack of choice, in the direction of her future, she determines to press forward even as she is “unsure of what shape this language should take / and hulling, from blue rock, faith.”

Perfect for kids aged 4-8 comes a stunning picture book about persistence, being creative in the garden, and adapting to a new place.

When Amina moves from the Caribbean to a new snowy home, she misses growing her favorite foods. There are no coconut trees to climb, no gardens full of sweet potatoes and callaloo—only ice and snow. As Amina looks out her frosted window, she sings a traditional children’s song from back home, adding her own twist: “There’s a brown girl in the snow, tra la la la la, where none of her plants will grow.”

Determined to find a way to make her favorite plants grow in a new climate, she comes across a possible solution after discovering a library book about gardening and greenhouses. Perhaps there is a way to grow sweet potatoes, after all!

This stunning picture book written by a Guyanese-born author features:

* An introduction to gardening and greenhouses
* A note from the author about the inspiration behind the story

With gorgeous images by Marianne Ferrer, and moving text by Yolanda T. Marshall, Brown Girl in the Snow is inspired by a traditional Caribbean children’s song and captures a child’s unwavering persistence and passion, as she grows into her new home.

In this fearless novel from the award-winning author of Girls Burn Brighter, a couple from India—so different from generations of white colonialists who came before them—move to Montana, only to discover how brutal and unforgiving hubris can be.

Janavi and Sagar were never meant to end up married. Janavi is a wonderfully independent, young modern Indian woman. She works for an organization that helps street children, often lost to the world of poverty and human trafficking. Sagar is a trained hydraulic engineer, an expert in dam construction. He is the least favorite son, his parents never able to forgive him for an unspeakable act from his past. Sagar seeks refuge in his daydreams of one day finding hidden treasures in the fabled Indian river, the Ganges.

Yet the two are forced together into an arranged marriage which neither of them wants. Even worse, Sagar has already accepted a job in America, in a strange place called Montana, where he will be in charge of dismantling a dam.

Montana upends all their expectations. Sagar's white colleagues do not welcome him with open arms, and Janavi finds herself unable to forgive her sister back in India, whose betrayal led her to this marriage and this strange place.

When a colleague of Sagar's is found drowned, Sagar is the obvious scapegoat. But is this death one in a long history of people of color paying the price for the white man's arrogance and expansionism?

Just like the Ganges river that dominates Sagar's dreams, throughout the novel run short historical stories of settlers who conquered both the west and India, and who form the foundation upon which Sagar and Janavi stand.

A bold, ambitious, stunningly beautiful yet brutal novel about colonialism, westward expansion, and the ramifications of both still rippling out today, Indian Country is a tour de force modern-day classic.

PRE-ORDER.  WILL SHIP ON December 16, 2025

At the darkly glamorous height of the Roaring 20s, an independent Black intellectual and her bi-racial foster child are immersed in the vibrant world of the Harlem Renaissance – and a shocking murder on Striver’s Row – in this thrilling Jazz Age mystery for reader of Nekesia Afia, Jacqueline Winspear, Avery Cunningham’s The Mayor of Maxwell Street.

1926: Harriet Stone, a liberated, educated Black woman, and Lovey, the orphaned, biracial 12-year-old she is bound to protect, are Harlem-bound, embarking on a new, hopefully less traumatic chapter in their lives. They have been invited to move from Connecticut by Harriet’s cousin, Junetta Plum, who runs a boardinghouse for independent-minded single women.

It’s a bold move, since Harriet has never met Junetta, but the fatalities of the Spanish flu and other tragedies have already forced her and Lovey to face their worst fears. Alone but for each other, they have little left to lose—or so it seems as they arrive at sophisticated Junetta’s impressive brownstone.

Her cousin has a sharp edge, which makes Harriett slightly uncomfortable. Still, after retiring to her room for the night, she finally falls asleep—only to awaken to Junetta arguing with someone downstairs. In the morning, she makes a shocking discovery at the foot of the stairs.

What ensues will lead Harriet to question Junetta’s very identity—and to wonder if she and Lovey are in danger, as well. It will also tie Harriet to five strangers. Among them, Harriet is sure someone knows something. What she doesn’t yet know is that one will play a crucial role in helping her investigate her cousin’s murder . . . that she will be tied to the others in ways she could never imagine . . . and that her life will take off in a startling new direction. . . .

PRE-ORDER.  WILL SHIP ON November 25, 2025

Love is in the air for the citizens of Shady Palms, but Cupid’s arrow isn’t the only thing striking the town—not with another killer on the loose.

Things are looking up for the Brew-ha Cafe, and Lila Macapagal can’t think of anything that could break the spell, especially with Valentine’s Day coming up—she can’t wait to celebrate with her boyfriend, Jae Park. Adding to the lovey-dovey atmosphere is Hana Lee, Shady Palms’s newest resident. She’s also Jae’s beloved cousin and chocolatier at Choco Noir, the latest addition to the town’s culinary offerings. Everything is coming into place for Hana, who left her old life in Minnesota behind to work at Choco Noir, owned by her best friend.

Unfortunately, beneath the sweet surface of Shady Palms runs a bitter undercurrent, as a series of attacks against women-owned businesses in the area escalates from petty theft to assault and murder when Hana is found knocked unconscious inside Choco Noir, and the chocolate shop owner is put out of business—for good.

With Hana left in a coma, a murderer hiding amongst them, and the safety of the women entrepreneurs of Shady Palms at risk, the Park brothers team up with the Brew-ha crew to put a stop to the villain before they strike again.

From USA Today bestselling author K.C. Mills comes a scorching romance about a ruthless crime boss who discovers his greatest weakness may be the woman he vowed to protect—a gripping tale of power, protection, and the kind of love that breaks all the rules.

“You Could Do Damage Too weaves a delicious tale of romance, arranged marriage, and family secrets. The character development, storytelling, and romance showcase K.C. Mills’s talent and the power of her stories. This is a must read!” —DANIELLE ALLEN, USA Today bestselling author of Curvy Girl Summer

In a world where power and survival intertwine, Nari—a resilient former foster child—finds herself unexpectedly married to Kincaid Akel, a ruthless businessman with a complicated past.

What begins as a calculated arrangement transforms into a passionate and dangerous journey of love, loyalty, and survival. Kincaid’s fierce devotion to Nari is matched only by his willingness to eliminate anyone threatening her safety. But when the shadows of their past—including Nari’s criminal father, Eli Manchester—begin to close in, their marriage is tested in ways neither could have imagined.

Pregnant and caught between her husband’s dark world and her own search for identity, Nari must decide how much she’s willing to sacrifice to protect the life they’re building together. With enemies lurking and secrets threatening to destroy everything, Kincaid and Nari must trust each other completely . . . or risk losing everything they’ve fought so hard to create.

When a young girl goes missing, the ghosts of the past collide with her family’s secrets in a mesmerizing Native American Southern Gothic

When six-year-old Laurel Taylor vanishes without a trace, her family is left shattered, struggling to navigate the darkness of grief and unanswered questions. As their search turns to despair, Laurel’s older sister, Nadine, begins experiencing nightmares that blur the line between dream and reality, and she becomes convinced that Laurel’s disappearance could be connected to other family tragedies. Guided by her elders, Nadine sets out to uncover whether laying the ghosts to rest is the key to finding her sister and healing her fractured family.

Carson Faust captivates in this chilling literary debut that confronts the specter of colonization and the generational scars it leaves on Native American families. Steeped in Indigenous folklore and drawing from the author’s own family history, If the Dead Belong Here examines what it means to be haunted—both by the supernatural and by terrors of our own making. Faust crafts a powerful, kaleidoscopic tale about the complicated legacies of violence that shape our present, the importance of honoring our past, and the resilience of a family—and a people—determined to heal from old wounds.

PRE-ORDER.  WILL SHIP ON November 11, 2025

A young girl growing up in an Afro-descendant community of Ecuador in the 1990s confronts familial secrets and the ever-present specter of male violence, set against the vibrant background of Carnaval

"In this wondrous novel, both life's potential for beauty and harshness sing together. Ortiz has written a story you will not forget." —Nana Kwame Adjei-Brenyah, author of Chain Gang All-Stars

Ainhoa lives a protected life within the walls of her grandmother’s house in the neighborhood of Esmeraldas in Ecuador. Surrounded by a gaggle of aunts who love and teach her, Ainhoa narrates moments that evoke the powerful presence of music and dance in her daily life. Seen through Ainhoa’s innocent eyes, the difficult themes that have defined the South American country’s recent history, including economic hardship, migration, and upheaval, are but one side of an enormous cultural richness steeped in the joy, music, and vibrancy of this singular community of women.

Following the contours of the Carnaval season and sublimely translated by Madeleine Arenivar, Yuliana Ortiz Ruano’s sensorial and viscerally alive novel brims with poetry and exuberance, as well as the pain of an existence lived in the forgotten corners of the world. Carnaval Fever is the introduction of an important new voice in Latin American letters, available in English for the first time.

From the award-winning author of We Ride Upon Sticks and When I’m Gone, Look for Me in the East, a genre-bending novel of literary horror set in Antarctica that explores abandonment, guilt, and survival in the shadow of America’s racial legacy

Striker isn’t entirely sure she should be on this luxury Antarctic cruise. A Black film scout, her mission is to photograph potential locations for a big-budget movie about Ernest Shackleton’s doomed expedition. Along the way, she finds private if cautious amusement in the behavior of both the native wildlife and the group of wealthy, mostly white tourists who have chosen to spend Christmas on the Weddell Sea.

But when a kayaking excursion goes horribly wrong, Striker and a group of survivors become stranded on a remote island along the Antarctic Peninsula, a desolate setting complete with boiling geothermal vents and vicious birds. Soon the hostile environment will show each survivor their true face, and as the polar ice thaws in the unseasonable warmth, the group’s secrets, prejudices, and inner demons will also emerge, including revelations from Striker’s past that could irrevocably shatter her world.

With her signature lyricism and humor, Quan Barry offers neither comfort nor closure as she questions the limits of the human bonds that connect us to one another, affirming there are no such things as haunted places, only haunted people. Gripping, lucid, and imaginative, The Unveiling is an astonishing ghost story about the masks we wear and the truths we hide even from ourselves.

PRE-ORDER: ON SALE DATE: November 11, 2025

A brilliant and compelling debut, Ravishing shines a light on the dark enticements of the beauty industry and how it capitalizes on our desire to be someone we are not

A provocative, darkly surreal novel of two Indian American siblings caught in the clutches of a beauty tech company, Ravishing is a searing portrait of the beauty industry’s dangerous ability to change people’s relationship to their bodies and the cult-like grip it has on youth.

For teenage Kashmira, it’s painful to look in the mirror; she has her father’s face, and every feature is a reminder of his abandonment. When a friend introduces her to Evolvoir, a beauty product that changes users’ features, Kashmira is quickly hooked on how it allows her to erase the triggers of her grief. Meanwhile, at Evolvoir’s corporate offices, Kashmira’s estranged brother Nikhil first sees the product as an opportunity to make a difference and a name for himself, but is quickly mired in corporate complicity as reports surface of the product causing severe pain and persistent symptoms in some users. As chaos ensues, Kashmira is hospitalized and must negotiate the constraints of her new reality, while Nikhil uncovers a vicious truth that will force him to decide where his loyalties lie.

Perfect for readers of Gold Diggers and You Too Can Have a Body Like Mine, Ravishing is a visceral, yet immensely tender, coming-of-age story of two Indian American siblings caught in the clutches of a predatory beauty tech company, providing an illuminating portrait of the complexities of growing up brown, chronic illness, and our relationship to ourselves.

PRE-ORDER: ON SALE DATE: November 18, 2025

The Pulitzer Prize–winning poet reveals how poetry is a powerful tool of connection and understanding in a fractured world.

Drawing on deep passion and personal experience, former US Poet Laureate Tracy K. Smith demystifies the art form that has too often been mischaracterized as “inaccessible,” “irrelevant,” or “intimidating.” She argues that poetry is rooted in fundamentally human qualities innate to our capacities to love, dream, question, and engage across diverse cultures and backgrounds. Lifting the veil on her own creative process, Smith shows us how reading and writing poetry allows us to confront life’s many uncertainties and losses, to build camaraderie with strangers, and to understand ourselves. She grounds readers in the technical elements of the craft and provides close readings of the works of contemporary poets such as Joy Harjo, Danez Smith, and Francisco Márquez, alongside classic poems by Dickinson, Keats, Millay, and others. By reimaging and reexamining the age-old art form, Fear Less is a warm invitation to find meaning, consolation, and hope through poetry.

At the center of this dazzling novel is Angela, a twenty-year-old beauty who leaves the stifling conformity of Oklahoma to search for fame during the rise of blaxploitation cinema in Los Angeles. But for her mother, Mildred, a strait-laced survivor of the 1921 Tulsa race riots, Angela's acting career is unforgivable, and the distance between them grows into a silence that lasts for years. It is only when Angela's daughter, Tamara, a filmmaker, sets out to close the rift between them that the women are forced to confront all that has been left unspoken in their lives.

Bold and beautifully written, Third Girl from the Left deftly explores the bonds of family and the inextricable pull of the movies.

A RECOMMENDED BOOK OF 2019 FROM
Vanity Fair * Vogue * The Huffington Post

A stunning collection of fiction, diary entries, screenplays, and scripts by the brilliant African-American artist and filmmaker

Relatively unknown during her life, the artist, filmmaker, and writer Kathleen Collins emerged on the literary scene in 2016 with the posthumous publication of the short story collection Whatever Happened to Interracial Love? Said Zadie Smith, “To be this good and yet to be ignored is shameful, but her rediscovery is a great piece of luck for us.”

That rediscovery continues in Notes from a Black Woman’s Diary, which spans genres to reveal the breadth and depth of the late author’s talent. The compilation is anchored by more of Collins’s short stories, which, striking and powerful in their brevity, reveal the ways in which relationships are both formed and come undone. Also collected here is the work Collins wrote for the screen and stage: the screenplay of her film Losing Ground, in which a professor discovers that the student film she’s agreed to act in has uncomfortable parallels to her own life; and the script for The Brothers, a play about the potent effects of sexism and racism on a midcentury middle-class black family. And finally, it is in Collins’s raw and prescient diaries that her nascent ideas about race, gender, marriage, and motherhood first play out on the page.

Kathleen Collins’s writing brings to life vibrant characters whose quotidian concerns powerfully illuminate the particular joys, challenges, and heartbreaks rendered by the African-American experience. By turns empowering, exuberant, sexy, and poignant, Notes from a Black Woman’s Diary is a brilliant compendium of an inimitable talent, and a rich portrait of a writer hard at work.

Featuring a new original introduction by Opal Palmer Adisa

Avey Johnson--a Black, middle-aged, middle-class widow given to hats, gloves, and pearls--has long since put behind her the Harlem of her childhood. Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel--and in a panic packs her bag in the middle of the night and abandons her friends at the next port of call. The unexpected and beautiful adventure that follows provides Avey with the links to the culture and history she has so long disavowed. Originally published in 1983, Praisesong for the Widow was a recipient of the Before Columbus Foundation American Book Award, and is presented here in a beautiful new hardcover edition as the second title in McSweeney's Of the Diaspora series.

"Astonishingly moving."
-Anne Tyler, The New York Times Book Review

About Of the Diaspora
McSweeney's Of the Diaspora is a series of previously published works in Black literature whose themes, settings, characterizations, and conflicts evoke an experience, language, imagery and power born of the Middle Passage and the particular aesthetic which connects African-derived peoples to a shared artistic and ancestral past. Wesley Brown's Tragic Magic, the first novel in the series, was originally published in 1978 and championed by Toni Morrison during her tenure as an editor at Random House. This Of the Diaspora edition features a new introduction written by Brown for the series. Tragic Magic will be followed by Paule Marshall's novel of a Harlem widow claiming new life. Praisesong for the Widow was originally published in 1983 and was a recipient of the Before Columbus Foundation American Book Award. The series is edited by writer Erica Vital-Lazare, a professor of creative writing and Marginalized Voices in literature at the College of Southern Nevada. Published in collectible hardcover editions with original cover art by Sunra Thompson, the first three works hail from Black American voices defined by what Amiri Baraka described as strong feeling "getting into new blues, from the old ones." Of the Diaspora-North America will be followed by series from the diasporic communities of Europe, the Caribbean and Brazil.