Two estranged sisters with a past as complicated as their present acrimoniously reunite in 1990s Cuba to confront the riddle of family amidst the scars of political upheaval

In the summer of 1993, Yuri, a teenage orphan, lives with her strict, religious Aunt Ruth in a Havana suburb when Mariela, a thirty-four-year-old artist, arrives from the U.S. with a shocking revelation. She claims to be Yuri's sister, insisting that she and Yuri share a mother and that Ruth is nothing more than Mariela's "kidnapper." Mariela has spent the past three decades in American orphanages and has returned to Cuba to reclaim her roots and culture, make art, and perhaps seek vengeance on Ruth for sending her to America through Operation Pedro Pan. Yuri is both fascinated and repulsed by the young, glamourous, and aggrieved Mariela. When Ruth is jailed for unknown charges, Yuri falls further into Mariela's mercurial orbit.

Through Yuri's reminiscent narration (from Havana, to NYC, to Miami, and back to Havana), The Tilting House explores the riddles of identity and family loyalty, the effects of losing one's mother and motherland, the scars of political and historical upheaval, and an immigrant's complex quest both to return "home" and to be free from the past. Through her long journey, Yuri comes to understand that the past cannot be fully recovered, or fully escaped, and she approaches the possibility of compassion for Mariela, for Ruth, for others, and for herself.

One of the Gardin women must navigate a season rich with unexpected challenges in the follow-up to The Gardins of Edin, a heartwarming story about love, forgiveness, new beginnings, and what it takes to get there.

Martha Gardin is a mess. And everyone in the Gardin family knows it. A successful physician, Martha is usually the source of the Gardin family drama, but her heart is in the right place… sometimes. So, the Gardins are pleasantly surprised when Martha mellows out after she begins dating Oji Greenwald, one of the most eligible bachelors in town.

As Martha’s relationship with Oji deepens, she thinks she’s finally about to have the life she’s always wanted. But when Martha attempts to intervene in a health crisis in Oji’s family, she draws the ire of Oji’s mother, Eve Greenwald, which jeopardizes everything. Suddenly, Martha finds herself on a journey full of challenges that force her to deal with her previous mistakes, reconcile her past, and forge a path forward.

Will she be able to look beyond the superficial to find what she’s really needed all along?

A sweeping, multicultural family story of keen observation and the supernatural in which one man’s journey to wholeness against the collapse of the West Indies’ banana industry during the 1990s reflects the lasting impacts of colonialism, Catholicism, and immigration.

Before the gadèt-zafè came to warn his mother she would die, six-year-old Fidel knew only the everyday mystery of the Guadeloupe around him. The lush greenery, the dusty roads, the sugar cane growing and the neighbors arguing, the push and pull of love and resentment between people who rely on each other—his world is small but full. Until a few moments of violence change his life forever.

Orphaned, Fidel returns to his mother’s native Dominica and whirls from one relative and reality to another, learning pieces of his own story. His heritage is one of layered secrets and sharp divisions—between the grandmothers who love him and the aunt who wants him dead, the Catholic orthodoxy of his school and the Obeah knowledge of his grandfather, and the indigenous and the colonial. The violence he’s witnessed inhabits not only strangers but himself. The spirits of the dead visit him with advice, threats, and explanations. And when he sees a path toward happiness in Canada, he must reconcile his intense, bittersweet love of his home with the possibility of leaving it.

After reconnecting on a road trip, two friends must decide if love is the ultimate risk worth taking in this funny, emotional sapphic romance.

Nia and Jade had been inseparable ever since their best friend, Michal, introduced them at her tenth birthday party. But now it’s been three years since Michal died of cancer― since the brutal fight Nia and Jade had in the weeks after― and they're barely on speaking terms.

Until Nia reads a letter Michal wrote for her 29th birthday, asking her and Jade to go on the southern Jewish history road trip they'd planned before she died. To add to the complications, Michal's then-boyfriend and Jade's twin brother, Jonah, joins the trip. Despite the years apart and Jade and Jonah’s strained relationship, any awkwardness quickly disappears as it becomes clear how much Nia and Jade have missed each other.

Unfortunately, old issues soon arise. Nia has been in love with Jade since they were teenagers, and Jade has been so committed to their friendship that she never let herself consider something more. As the stops pass, tensions mount, running high until Nia and Jade are forced to confront what happened three years ago, their feelings for one another, and even their respective relationships with Jonah.

Rachel Runya Katz’s Whenever You’re Ready is about family, friendship, and the kind of first love that could last a lifetime―if only you are willing to take a chance.

"Poignant, tender, and swoony, Whenever You're Ready is an instant favorite from an auto-buy author." - Alison Cochrun, Lambda award-winning author of Kiss Her Once for Me and Here We Go Again

Born in 1933, the oldest of twelve children in a family of sharecroppers in Oscar, Louisiana, Ernest J. Gaines wrote novels and stories, set on and around the former slave plantation he called home, that are modern classics—nuanced, compassionate portraits of women and men, both Black and white, caught in the vortex of race in America. He joins the Library of America with this volume gathering his four greatest novels.

* The Autobiography of Miss Jane Pittman (1971), the story of an elderly woman born into slavery who witnesses Reconstruction, Jim Crow, and the Civil Rights Movement. A living testament to the history, hopes, courage, and survival of her people, Miss Jane is one of the most indelible and unforgettable characters in American fiction.
* In My Father’s House(1978) finds an activist minister organizing a civil rights protest in his town when his estranged son suddenly appears on the scene, threatening to expose his family's secret past.
* A Gathering of Old Men (1983) sees a group of elderly Black men with nothing left to lose decide to make a last stand against the racism that has defined and delimited their lives.
* A Lesson Before Dying(1993, winner of the National Book Critics Circle Award for fiction and an Oprah Book Club selection), in which a local schoolteacher attempts to help a young man falsely convicted of the murder of a white man face execution with dignity.

A fitting tribute to a still underappreciated American genius, this volume also includes a chronology of Gaines’s life and career written by his authorized biographer, John Wharton Lowe, and helpful notes.

Issa Rae’s Insecure with a magical realist spin: River Mumma is an exhilarating contemporary fantasy novel about a young Black woman who navigates her quarter-life-crisis while embarking on a mythical quest through the streets of Toronto.

Alicia has been out of grad school for months. She has no career prospects and lives with her mom, who won’t stop texting her macabre news stories and reminders to pick up items from the grocery store.

Then, one evening, the Jamaican water deity, River Mumma, appears to Alicia, telling her that she has twenty-four hours to scour the city for her missing comb.

Alicia doesn’t understand why River Mumma would choose her. She can’t remember all the legends her relatives told her, unlike her retail co-worker Heaven, who can reel off Jamaican folklore by heart. She doesn’t know if her childhood visions have returned, or why she feels a strange connection to her other co-worker Mars. But when the trio are chased down by malevolent spirits called duppies, they realize their tenuous bonds to each other may be their only lifelines. With the clock ticking, Alicia’s quest through the city broadens into a journey through time—to find herself and what the river carries.

Energetic and invigorating, River Mumma is a vibrant exploration of diasporic community and ancestral ties, and a homage to Jamaican storytelling by one of the most invigorating voices in today’s literature.

“This quirky, fizzy, charming debut surprises and amuses. Reid-Benta writes beautifully, drawing on Caribbean mythologies to create a fast paced and entertaining tale. It's rare to find a novel written with such humour and heart.” —T. L. Huchu, USA Today Bestselling author of The Library of the Dead

A major literary event-nothing short of a "tour de force" (New York Times) by the acclaimed and beloved author.
Marooned in an apartment that overflows with mementos from the past, 91-year-old Ptolemy Grey is all but forgotten by his family and the world. But when an unexpected opportunity arrives, everything changes for Ptolemy in ways as shocking and unanticipated as they are poignant and profound.

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The son of Ethiopian immigrants seeks to understand a hidden family history and uncovers a past colored by unexpected loss, addiction, and the enduring emotional pull toward home.

After abandoning his once-promising career as a journalist in search of a new life in Paris, Mamush meets Hannah—a photographer whose way of seeing the world shows him the possibility of finding not only love but family. Now, five years later, with his marriage to Hannah on the verge of collapse, he returns to the close-knit immigrant Ethiopian community of Washington, DC, that defined his childhood. At its center is Mamush’s stoic, implacable mother, and Samuel, the larger-than-life father figure whose ceaseless charm and humor have always served as a cover for a harder, more troubling truth. But on the same day that Mamush arrives home in Washington, Samuel is found dead in his garage.

With Hannah and their two-year-old son back in Paris, Mamush sets out on an unexpected journey across America in search of answers to questions he'd been told never to ask. As he does so, he begins to understand that perhaps the only chance he has of saving his family and making it back home is to confront not only the unresolved mystery around Samuel’s life and death, but his own troubled memories, and the years spent masking them. Breathtaking, commanding, unforgettable work from one of America’s most prodigiously gifted novelists.

The year is 1954. A white woman’s body, stuffed in a coconut bag, has washed ashore in Otatiti, Trinidad, and the British colony is rife with rumors. In two homes, one in a distant shantytown, the other on the outskirts of a former sugar cane estate, two women hear the news and their blood runs cold. Rosa, the white daughter of a landowner, and Zuela, the adopted “daughter” of a Chinese shop owner used to play together as girls—and witnessed something terrible behind a hibiscus bush many years ago.

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A writing companion, inspirational guide to the craft, and anthology featuring interactive multi-genre work from the acclaimed organization on its twenty-fifth anniversary.

We all have stories to tell, but not everyone gets the mentoring and training or encouragement to become a great storyteller. Founded a quarter century ago, Girls Write Now has empowered young women and gender-expansive youth to harness their creative talents, gaining confidence, skills, and a community supporting them in sharing stories the world needs to hear.

This hands-on guide—conceived of and written and edited by the young people of Girls Write Now—draws from the organization’s dynamic curriculum and the writers’ own personal experiences spanning decades. It offers aspiring writers the tools they need to develop their craft—including tips, insight, and advice on the writing and publishing process as well as critical thinking about the future of storytelling.

With this handbook, readers everywhere can equip themselves to shape their life stories, and become the writers and leaders they dream of being.

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“A dark and heady dream of a book” (Alix E. Harrow) about a ruined mansion by the sea, the djinn that haunts it, and a curious girl who unearths the tragedy that happened there a hundred years previous

Akbar Manzil was once a grand estate off the coast of South Africa. Nearly a century later, it stands in ruins: an isolated boardinghouse for eclectic misfits, seeking solely to disappear into the mansion’s dark corridors. Except for Sana. Unlike the others, she is curious and questioning and finds herself irresistibly drawn to the history of the mansion: To the eerie and forgotten East Wing, home to a clutter of broken and abandoned objects—and to the door at its end, locked for decades.

Behind the door is a bedroom frozen in time and a worn diary that whispers of a dark past: the long-forgotten story of a young woman named Meena, who died there tragically a hundred years ago. Watching Sana from the room’s shadows is a besotted, grieving djinn, an invisible spirit who has haunted the mansion since her mysterious death. Obsessed with Meena’s story, and unaware of the creature that follows her, Sana digs into the past like fingers into a wound, dredging up old and terrible secrets that will change the lives of everyone living and dead at Akbar Manzil. Sublime, heart-wrenching, and lyrically stunning, The Djinn Waits a Hundred Years is a haunting, a love story, and a mystery, all twined beautifully into one young girl’s search for belonging.

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Tracy Brown crafts a tale about a master manipulator and serial survivor, who will scorch earth to get what she wants. The question isn’t who murdered her; the question is who wouldn’t? Brooklyn Melody James has finally gotten the punishment she deserves after leaving a web of lies, heartache, and betrayal behind her. As her life slips away, Brooklyn remembers the events that shaped her into the cold, calculating creature she became. Brooklyn learned the art of hustling from her parents who used the church to get money. Idolizing her father and despising her mother, Brooklyn’s determined to be the type of woman who makes her own rules. When her back’s up against the wall, she sacrifices her family, takes the burnt offering that remains, and runs away. In NYC, young Brooklyn charms her way into the inner circle of hustlers and stick-up kids, learning tricks along the way. She catches the eye of a major player in the drug game, Hassan, and they have a breathless love affair. Brooklyn becomes integrated into his operation, earning the trust of Hassan and his associates. But when she gets the keys to the kingdom, driven by unfettered ambition and a ruthless desire to survive, Brooklyn snatches the pot of gold, leaving bitter retribution promises behind her. From DC to Maryland, Brooklyn burns bridges and breaks hearts. What she doesn't realize is that someone is prepared to end her reign of terror. As she faces her killer and her fate, Brooklyn’s stunned that justice comes from the least likely place.

African futurism, gothic romance, ghost story, parable, psychological thriller, inner-space fiction—Dumas’s stories form a vivid, expansive portrait of Black life in America.

Henry Dumas’s fabulist fiction is a masterful synthesis of myth and religion, culture and nature, mask and identity, the present and the ancestral. From the Deep South to the simmering streets of Harlem, his characters embark on real, magical, and mythic quests. Humming with life, Dumas’s stories create a collage of mid-twentieth-century Black experiences, interweaving religious metaphor, African cosmologies, diasporic folklore, and America’s history of slavery and systemic racism.

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"Master of craft and narrative" Walter Mosley returns with this crowning achievement in the Easy Rawlins saga, in which the iconic detective's loyalties are tested on the sun-soaked streets of Southern California (National Book Foundation) 

It is 1969, and flames can be seen on the horizon, protest wafts like smoke though the thick air, and Easy Rawlins, the Black private detective whose small agency finally has its own office, gets a visit from a white Vietnam veteran. The young man comes to Easy with a story that makes little sense. He and his lover, a beautiful young woman, were attacked in a citrus grove at the city’s outskirts. He may have killed a man, and the woman and his dog are now missing. Inclined to turn down what sounds like nothing but trouble, Easy takes the case when he realizes how damaged the young vet is from his war experiences—the bond between veterans superseding all other considerations.
 
The veteran is not Easy’s only unlooked-for trouble. Easy’s adopted daughter Feather’s white uncle shows up uninvited, raising questions and unsettling the life Easy has long forged for the now young woman. Where Feather sees a family reunion, Easy suspects something else, something that will break his heart.
 
Blood Grove is a crackling, moody, and thrilling race through a California of hippies and tycoons, radicals and sociopaths, cops and grifters, both men and women. Easy will need the help of his friends—from the genius Jackson Blue to the dangerous Mouse Alexander, Fearless Jones, and Christmas Black—to make sense of a case that reveals the darkest impulses humans harbor. 
 
Blood Grove is a novel of vast scope and intimate insight, and a soulful call for justice by any means necessary.

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From Printz honoree and National Book Award finalist Candice Iloh, a verse novel about Cerulean Gene, a nonbinary Black teenager searching for a new way to do more than survive in post-pandemic America.

Cerulean and their friends went into senior year—the first year of normal school after the pandemic—with a plan: keep their heads down in class, save money, and get the hell out of the Bronx once they graduate. If teachers are going to force them to read Huckleberry Finn, then they can't blame kids for "lighting out for the territory." Cerulean is convinced that there must be somewhere better than the Bronx and is focused on learning how to grow and make food so they can all be self-sufficient when they finally make their break.

Burned-out teachers and their father's badly timed workplace accident send Cerulean reeling off course, but Bronx babies are resiliant and resourceful, and Salt the Water is ultimately a radically hopeful vision of life beyond mere survival.

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In this “outstanding volume” (Boston Herald) that “ought to be at the top of everyone’s must-read list” (Essence), Black women and men evocatively explore what could make a smart woman ignore doctor’s orders; what could get a hardworking employee fired from her job; what could get a black woman in hot water with her white boyfriend? In a word: hair.

In a society where beauty standards can be difficult if not downright unobtainable for many Black women, the issue of hair is a major one. Now, in this evocative and fascinating collection of essays, poems, excerpts, and more, Tenderheaded speaks to the personal, political, and cultural meaning of Black hair.

From A’​Leila Perry Bundles, the great-granddaughter of hair care pioneer Madam C.J. Walker celebrating her ancestor’s legacy, to an art historian exploring the moving ways in which Black hair has been used to express Yoruba spirituality, to renowned activist Angela Davis questioning how her message of revolution got reduced to a hairstyle, Tenderheaded is as rich and diverse as the children of the African diaspora.

With works from authors including Toni Morrison, Alice Walker, bell hooks, Henry Louis Gates Jr., and more, this “remarkable array of writings and images” (Publishers Weekly) will stay with you long after you turn the final page.

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“Powerful . . . full of impossible hope . . . Jackson’s prose has a spoken-word cadence, the language flying off the page with percussive energy.” —The New York Times Book Review

Finalist for the PEN/Hemingway Award for Debut Fiction

Finalist for the Flaherty-Dunnan First Novel Prize

Nominee for the Hurston/Wright Legacy Award

Honor Book for Fiction for the Black Caucus of the ALA

Mitchell S. Jackson grew up black in a neglected neighborhood in America's whitest city, Portland, Oregon. In the '90s, those streets and beyond had fallen under the shadow of crack cocaine and its familiar mayhem. In his commanding debut autobiographical novel, Mitchell writes what it was to come of age in that time and place, with a breakout voice that's nothing less than extraordinary.

The Residue Years switches between the perspectives of a young man, Champ, and his mother, Grace. Grace is just out of a drug treatment program, trying to stay clean and get her kids back. Champ is trying to do right by his mom and younger brothers, and dreams of reclaiming the only home he and his family have ever shared. But selling crack is the only sure way he knows to achieve his dream. In this world of few options and little opportunity, where love is your strength and your weakness, this family fights for family and against what tears one apart.

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The National Book Award-winning author of Felix Ever After delivers a beautifully tender story of two grumpy/sunshine, fake-dating actors navigating their love story both on and offscreen—perfect for fans of Casey McQuiston and Alexis Hall.

Logan Gray is Hollywood's bad boy—a talented but troubled actor who the public loves to hate. Mattie Cole is an up‑and‑coming golden boy, adored by all but plagued by insecurities.

When Logan and Mattie are cast as leads in a new romantic film, Logan claims that Matt has “zero talent,” sending the film’s publicity into a nosedive. To create positive buzz, the two are persuaded into a fake‑dating scheme—but as the two actors get to know their new characters, real feelings start to develop. 

As public scrutiny intensifies and old wounds resurface, the two must fight for their relationship and their love.
 

Pushing intimacy to its limits in prose of unearthly beauty, Vauhini Vara explores the nature of being a child, parent, friend, sibling, neighbor, or lover, and the relationships between self and others. A young girl reads the encyclopedia to her elderly neighbor, who is descending into dementia. A pair of teenagers seek intimacy as phone-sex operators. A competitive sibling tries to rise above the drunken mess of her own life to become a loving aunt. One sister consumes the ashes of another. And, in the title story, an experimental artist takes on his most ambitious project yet: constructing a life-size ark according to the Bible’s specifications. In a world defined by estrangement, where is communion to be found? The characters in This Is Salvaged, unmoored in turbulence, are searching fervently for meaning, through one another.

It’s never too late to come of age in this compassionate and refreshing novel about friendship, self-discovery, and moving on by the author of The Bennet Women.

Maya Davis is living in paradise until her apartment, her career, and her dreams fall away in a horrible and dramatic fashion. Suddenly she’s packing her life into two suitcases and heading back to her parents’ home in Maryland, scrambling for a plan B. Happy thirty-first birthday, Maya.

Right beside her is Ant, Maya’s best friend. While she’s returning home, Ant’s leaving his for the first time. Even though he moved away to start his own adventure, Ant can’t seem to separate himself from Maya—and he’s not sure he wants to.

Thinking practically for once, Maya makes her top priority finding a career—or at least a job with health insurance. But when she’s drawn into the orbit of Emme Vivant, the influential girlboss decides Maya has potential. Suddenly there are new contacts, new clothes, and the possibility of a shiny new future that could make this move home worthwhile. But is Maya finally in control of her life, or is she losing it?

Just as Ant’s platonic feelings for Maya deepen, his best friend in the world seems to be moving on without him.

In this tender and vibrant novel, Maya learns that finding the right path might not matter as much as finding herself—and who’s beside her on the journey.

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“A significant new voice in fiction, Norris has written what may be one of the defining novels of the era at the intersection between Black Lives Matter and COVID-19.” —BuzzFeed

One of Publishers Weekly's Best Novels of the Summer ∙ One of The Millions' Most Anticipated Books of June ∙ One of ALTA's Recommended Reads for June ∙ One of BuzzFeed's Amazing Small Press Books To Add To Your Summer Reading List

Copeland Cane V, the child who fell outta Colored People Time and into America, is a fugitive…
He is also just a regular teenager coming up in a terrifying world. A slightly eccentric, flip-phone loving kid with analog tendencies and a sideline hustling sneakers, the boundaries of Copeland’s life are demarcated from the jump by urban toxicity, an educational apparatus with confounding intentions, and a police state that has merged with media conglomerates—the highly-rated Insurgency Alert Desk that surveils and harasses his neighborhood in the name of anti-terrorism.

Recruited by the nearby private school even as he and his folks face eviction, Copeland is doing his damnedest to do right by himself, for himself. And yet the forces at play entrap him in a reality that chews up his past and obscures his future. Copeland’s wry awareness of the absurd keeps life passable, as do his friends and their surprising array of survival skills. And yet in the aftermath of a protest rally against police violence, everything changes, and Copeland finds himself caught in the flood of history.

Set in East Oakland, California in a very near future, The Confession of Copeland Cane introduces us to a prescient and contemporary voice, one whose take on coming of age in America becomes a startling reflection of our present moment.

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A multigenerational novel and an epic debut that explores the origins of a south Georgia family’s tradition and how its modern-day sons and daughters struggle the legacies of America’s Civil Rights Movement and the far-reaching impacts of the 1800s slave trade from Senegal to Charleston, S.C.

On a routine day, Fletcher Dukes drives his older sister, Olga, who is losing her sight, to do weekly grocery shopping at the Piggly Wiggly. On the liquor aisle, they pass a tall woman, head bowed reading a wine label. Fletcher smells her perfume first, then sees a strawberry birthmark on the nape of a woman’s neck and knows at once that this is his lost love, Altovise Benson. Fletcher and Altovise risked their lives together in sit-ins and marches, but their plan to marry was interrupted when the police turned a peaceful protest violent. The two were jailed in different towns leading to a separation that would ultimately span 52 years. Before Altovise’s departure, Fletcher carves her a peach seed monkey with diamond eyes. As we learn via harrowing flashbacks to 1800’s Senegal, an undiscovered Dukes ancestor who was sold into slavery carved the first monkey—the Peach Seed Monkey that forms the talismanic tradition, the rite of passage, that each generation of Dukes man gifts to his son on his 13th birthday—along with the tools and knowledge to carve them himself. By giving one to Altovise Fletcher initiates a physical and spiritual break in a tradition that like the Civil Rights Movement irrevocably shapes the lives of future generations including a Fletcher’s daughters, his grandson, Bo-D and a constellation of Dukes in the present.

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In A Quitter’s Paradise, the darkly humorous debut by bold, new voice Elysha Chang, a young woman does everything she can to ignore her mother’s death, even as unearthed family secrets become increasingly inextricable from her own.

Eleanor is doing just fine. Yes, she’s keeping secrets from her husband. Sure, she quit her PhD program and is now conducting unauthorized research on illegitimately procured mice. And, true, her mother is dead, and Eleanor has yet to go through her things. But what else is she supposed to do? What shape can grief take when you didn’t understand the person you’ve lost?

Resisting at every turn, Eleanor tumbles blindly down a path toward confronting her present. As Eleanor’s avoidance of her feelings results in a series of outrageous—often hilarious—choices, her actions begin to threaten all she holds most dear. Meanwhile, glimpses of Eleanor’s childhood and family history in Taiwan unfurl, revealing long-held secrets, and Eleanor starts to realize that she will never be able to escape her grief, or her family, despite her wildest attempts. But will she be brave enough to withstand the reckoning she’s hurtling toward?

At once disarmingly provocative and compulsively readable, A Quitter’s Paradise is an unexpectedly funny study of the beauty and contradictions of grief, family bonds, and self-knowledge, exploring the ways we unwittingly guard the secrets of our loved ones, even from ourselves.

A gritty, intense novel set on Detroit’s mean streets, featuring a much-feared deaf killer known as “The Silent Assassin,” who’s fresh out of prison and on a mission to avenge the murder of the man who taught him to survive. Perfect for readers of K’wan and Ashley & JaQuavis.

The man called Silence never let being deaf stop him from becoming Detroit’s most feared thug. Now he’s tearing up the city’s meanest hood to avenge the murder of his mentor. But there’s a brutal truth even he won't see coming . . .

Deaf since childhood, Silence can read body language like a book. His mentor, Doc, who acted as his voice, taught him to navigate the streets. Silence put those skills together to become the Motor City’s most lethal killer. But now he’s home after twelve years in lockdown—and primed for revenge. His city is crumbling, and Doc has been shot dead, his empire divvied up between Silence’s former friends—and no one is talking. . . Until Silence starts rattling cages, from the town’s hottest strip joints to its icy centers of political power.

Under pressure from a ruthless cop, Silence soon finds that the loyalty and friendship he valued, the truths he lived by—even the man he looked up to—might just be deadly illusions. And when someone goes after his adopted family, Silence is on the clock to unravel a lethal conspiracy—and stake his life on one last impossible play . . .

Lottie Rebecca Lee is spoken into the world in Fayetteville, North Carolina by a Black nurse who declares, “Lord Jesus, if that ain’t the blackest little baby born this side of heaven.” Later, Lottie will prove that she is the ancestors’ promise to unearth the Mississippi and Ghanaian atrocities that have tormented Benjamin Lee, her grandfather who was born during the Great Depression in Mississippi’s red clay tobacco fields, and Benjamin Junior, his son and Lottie Rebecca’s father, born in Fayetteville, North Carolina, where the post Korean War GI Bill promises prosperity. These two generations of men are haunted by the Mother-Spirit who did not survive enslavement’s post-traumatic stress violence. Trinity is the riveting story of the daughter-spirit born to stitch love back into the scattered wombs of her Black mothers and call love back into the fishing blues songs of her Black male kin. Lottie Rebecca Lee is the Divine spirited daughter born to set everything back up right again, in this daringly original novel.

In The Temple of My Familiar, Celie and Shug from The Color Purple subtly shadow the lives of dozens of characters, all dealing in some way with the legacy of the African experience in America. From recent African immigrants to a woman who grew up in the mixed-race rainforest communities of South America to Celie’s own granddaughter living in modern-day San Francisco, all must come to terms with the brutal stories of their ancestors in order to confront their own troubled lives.

As Alice Walker unfolds the experiences of these astonishing characters, she weaves a new mythology from old fables and history, creating a profoundly spiritual explanation for centuries of shared African American experience.

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Still reeling from the sudden death of her mother, Jess is about to do the hardest thing she's ever done: empty her childhood home so that it can be sold.  As she sorts through a lifetime of memories, everything comes to a halt when she comes across something she just can’t part with: an old set of encyclopedias.  To the world, the books are outdated and ready to be recycled.  To Jess, they represent love and the future that her mother always wanted her to have. 

In the process of finding the books a new home, Jess discovers an unusual archive of letters, photographs, and curious housed in a warehouse and known as the Museum of Ordinary People.  Irresistibly drawn, she becomes the museum's unofficial custodian, along with the warehouse’s mysterious owner.  As they delve into the history of objects in their care, they not only unravel heart-stirring stories that span generations and continents, but also unearth long-buried secrets that lie closer to home.

Inspired by an abandoned box of mementos, The Museum of Ordinary People is a poignant novel about memory and loss, the things we leave behind, and the future we create for ourselves.  
 

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A tender, humorous, and page-turning debut about a Vietnamese Canadian family in Toronto who will do whatever it takes to protect their no-frills nail salon after a new high end salon opens up—even if it tears the family apart. Perfect for readers of Olga Dies Dreaming and The Fortunes of Jaded Women.

Vietnamese refugees Debbie and Phil Tran have built a comfortable life for themselves in Toronto with their family nail salon. But when an ultra-glam chain salon opens across the street, their world is rocked.

Complicating matters further, their landlord has jacked up the rent and it seems only a matter of time before they lose their business and everything they’ve built. They enlist the help of their daughter, Jessica, who has just returned home after a messy breakup and a messier firing. Together with their son, Dustin, and niece, Thuy, they devise some good old-fashioned sabotage. Relationships are put to the test as the line between right and wrong gets blurred. Debbie and Phil must choose: do they keep their family intact or fight for their salon?

Her man demanded loyalty, but her body wouldn’t obey.

Have you ever rolled over in the middle of the night and realized you were doing things you swore you’d never do? Sexing brothers you vowed you’d never touch? Bending backwards and stooping lower than you ever thought you’d stoop? Well if you can feel me even a little bit, then let me hit you with a story that just might blow your mind. . . .

Nineteen-year-old Juicy Stanfield is the sexy young girlfriend of Granite “G” McKay, owner of Harlem’s notorious G-Spot Social Club. A drug dealer with a lethal streak, he runs Harlem with an iron fist. But even the cash and the bling can’t keep Juicy from getting restless, and while G fulfills her every material desire, she’s burning up with unrequited sexual energy. To cheat on him would mean a death sentence; so Juicy finds pleasure in secret ways: fantasizing on crowded subways or allowing her eyes to hungrily take in the male dancers on the club’s ladies night.

But as Juicy’s sexual cravings grow stronger, one thing becomes frighteningly clear: She’s a virtual prisoner in G’s dangerous world. As G begins to suspect her of playin’ him, he pulls the reins he keeps on her even tighter. If she’s ever to escape and get a life of her own she must find a way to start stashing away some of G’s cash. But doing that under G’s watchful eye is a challenge she might not live up to–especially when her appetite tempts her with the deadliest desire of all: G’s very own son. . . .

Part memoir, part speculative fiction, The Girl I Am, Was, and Never Will Be explores the often surreal experience of growing up as a mixed-Black transracial adoptee.

Dream Country author Shannon Gibney returns with The Girl I Am, Was, and Never Will Be, a book woven from her true story of growing up as a mixed-Black transracial adoptee and fictional story of Erin Powers, the name Shannon was given at birth, a child raised by a white, closeted lesbian. 

At its core, the novel is a tale of two girls on two different timelines occasionally bridged by a mysterious portal and their shared search for a complete picture of their origins. Gibney surrounds that story with reproductions of her own adoption documents, letters, family photographs, interviews, medical records, and brief essays on the surreal absurdities of the adoptee experience.

The end result is a remarkable portrait of an American experience rarely depicted in any form.

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By the Light of My Father's Smile is Alice Walker's first novel in six years--a stunning, original, and important book by "one of the best American writers of today" (The Washington Post).

A family from the United States goes to the remote Sierras in Mexico--the writer-to-be, Susannah; her sister, Magdalena; her father and mother.  And there, amid an endangered band of mixed-race Blacks and Indians called the Mundo, they begin an encounter that will change them more than they could ever dream.  Moving back and forth in time, and among unforgettable characters and their stories, Walker crosses conventional borders of all kinds as she explores in this magical novel the ways in which a woman's denied sexuality leads to the loss of the much prized and necessary original self; and how she regains that self, even as her family's past of lies and love is transformed.

By the Light of My Father's Smile presents, as Alice Walker puts it, "a celebration of sexuality, its absolute usefulness in the accessing of one's mature spirituality, and the father's role in assuring joy or sorrow in this arena for his female children."  It explores the richness and coherence of alternative culture, experience of sexuality as a celebration of life, of trust in Nature and the Spirit, even as it affirms the belief, as Walker says, "that it is the triumphant heart, not the conquered heart, that forgives.  And that love is both timeless and beyond time."