A startling new dream-like vision of Jamaica―a work of surreal poetic fiction, lavishly studded with ecological prayers, drawings, and footnotes about healing herbs, disappearing flora-fauna, and buried herstories―by Whiting Award winner Marcia Douglas

Zooming into tight focus on present-day life and dashing deep into the past in turns, the pace is fast and fierce in The Jamaica Kollection of the Shante Dream Arkive, which continues Marcia Douglas’ “speculative ancestral project” (The Whiting Foundation) begun with The Marvellous Equations of the Dread. Her new poetic and eco-spiritual book carries further the cultural preservation so central to Douglas’ vision. TheShante Dream Arkive brings alive a mosaic of characters―all searching through history for something or someone lost to the island: a mother searches for her missing child through time and space; an undocumented migrant’s struggles with loss while living in the US; a youth wanders through dream-gates seeking liberation and the lost parts of himself. And one key to the whole is Zora Neale Hurston’s left-behind camera. Each chapter/poem opens like an aperture onto another aspect of the dream story. And, each and every potent dream story contains the spirit, beauty, and riddim of Jamaica:

For after three hundred years of slaughter, monk seals know better than to reveal themselves to humans. These days, they stay low, adapting to below surface conditions and establishing habitat with the underwater spirits of drowned horses and slaves disappeared overboard. For things happen below sea that have never been told. There is wheelin there and turnin; and far-far down past brochure azure, cerulean and indigo, there is a vast dark ink and vortices of voices caught up in such a trumpet of rah- &-glory bottomsea sound as to move earth’s axis. And after that, more ink blue, and cobalt and sapphire and a calm-calm wata― velvet and kin to the moon brand new. The monk seals dare not go this far. But the spirits do.

The country is changing, and her own world is being turned upside down. Nothing—and no one—will ever be the same.

Georgia, 1962. Rose Perkins Bourdon returns home to Parsons, GA, without her husband and pregnant with another man’s baby. After tragedy strikes her husband in the war overseas, a numb Rose is left with pieces of who she used to be and is forced to figure out what she is going to do with the rest of her life. Her sister introduces her to members of the Student Nonviolent Coordinating Committee—young people are taking risks and fighting battles Rose has only seen on television. Feeling emotions for the first time in what feels like forever, the excited and frightened Rose finds herself becoming increasingly involved in the resistance efforts. And of course, there is also the young man, Isaac Weinberg, whose passion for activism stirs something in her she didn’t think she would ever feel again.

Homeward follows Rose’s path toward self-discovery and growth as she becomes involved in the Civil Rights Movement, finally becoming the woman she has always dreamed of being.

Praise for Homeward:

"This is a harrowing novel about the push and pull of fidelity, family, and faith under the crush of history. Angela Jackson-Brown has written a deeply emotional novel that feels timeless while also speaking to the particularly troubled times in which we live."

—Wiley Cash, New York Times bestselling author of When Ghosts Come Home

* A stirring tale of one woman’s experience in the Civil Rights movement that changed a nation, written from Angela Jackson-Brown’s experience of being born and raised in the rural South.
* Stand-alone novel
* Includes Discussion Questions for book clubs

Nobel Prize-winner Wole Soyinka's debut novel tells the story of a group of friends facing political corruption and cultural uncertainty in post-independence Nigeria.

Friends since high school, Egbo, Bandele, Sagoe, Sekoni and Kola have returned to Lagos after studying abroad. As they navigate wild parties, affairs of the heart, philosophical debates, and professional dilemmas, they struggle to reconcile the cultural traditions and Western influences that have shaped them – and that still divide their country.

In The Interpreters, Soyinka deftly weaves memories of the past through scenes of the present as the friends move toward an uncertain future. The result is a vividly realised fictional world rendered in prose that pivots easily from satire to tragedy.

'No other writer has Soyinka's unique positioning in the political and cultural life of his nation.' Ben Okri
'Wole Soyinka is a Nigerian icon.' Guardian
'Elaborately, strikingly and indeed often beautifully written.' The Times

Two estranged sisters with a past as complicated as their present acrimoniously reunite in 1990s Cuba to confront the riddle of family amidst the scars of political upheaval

In the summer of 1993, Yuri, a teenage orphan, lives with her strict, religious Aunt Ruth in a Havana suburb when Mariela, a thirty-four-year-old artist, arrives from the U.S. with a shocking revelation. She claims to be Yuri's sister, insisting that she and Yuri share a mother and that Ruth is nothing more than Mariela's "kidnapper." Mariela has spent the past three decades in American orphanages and has returned to Cuba to reclaim her roots and culture, make art, and perhaps seek vengeance on Ruth for sending her to America through Operation Pedro Pan. Yuri is both fascinated and repulsed by the young, glamourous, and aggrieved Mariela. When Ruth is jailed for unknown charges, Yuri falls further into Mariela's mercurial orbit.

Through Yuri's reminiscent narration (from Havana, to NYC, to Miami, and back to Havana), The Tilting House explores the riddles of identity and family loyalty, the effects of losing one's mother and motherland, the scars of political and historical upheaval, and an immigrant's complex quest both to return "home" and to be free from the past. Through her long journey, Yuri comes to understand that the past cannot be fully recovered, or fully escaped, and she approaches the possibility of compassion for Mariela, for Ruth, for others, and for herself.

A charming and touching romantic comedy about two best friends, a marriage-of-convenience, and taking a leap of faith to land exactly where you’re meant to be.

Miz is not the marrying kind. She's more of the no-strings-attached kind. No labels, only fun. So, when she finds a diamond ring in her casual-but-very-hot hook-up’s gym bag, she immediately ends things and runs.

Kal is one of Miz's best friends, an aspiring actor who moved to Toronto from Ethiopia and is on the brink of his big break. But when he's suddenly at risk of losing his work visa—which would mean leaving Toronto forever—Miz panics. What will she do without him? What if she never sees him again?

There's only one solution: Miz will marry Kal to become his spousal sponsor. He'll get to keep pursuing his acting career, and she'll get to keep her best friend in the city. It'll be a quick, short only-on-paper marriage between friends, followed by a quick, easy divorce. What could possibly go wrong?

One of the Gardin women must navigate a season rich with unexpected challenges in the follow-up to The Gardins of Edin, a heartwarming story about love, forgiveness, new beginnings, and what it takes to get there.

Martha Gardin is a mess. And everyone in the Gardin family knows it. A successful physician, Martha is usually the source of the Gardin family drama, but her heart is in the right place… sometimes. So, the Gardins are pleasantly surprised when Martha mellows out after she begins dating Oji Greenwald, one of the most eligible bachelors in town.

As Martha’s relationship with Oji deepens, she thinks she’s finally about to have the life she’s always wanted. But when Martha attempts to intervene in a health crisis in Oji’s family, she draws the ire of Oji’s mother, Eve Greenwald, which jeopardizes everything. Suddenly, Martha finds herself on a journey full of challenges that force her to deal with her previous mistakes, reconcile her past, and forge a path forward.

Will she be able to look beyond the superficial to find what she’s really needed all along?

From the Pulitzer Prize-winning author of Liliana's Invincible Summer, a dreamlike, genre-defying novel about a professor and detective seeking justice in a world suffused with gendered violence.

A city is always a cemetery.

A professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and reports it to the police. When shown a crime scene photo, she finds a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.”

The professor becomes the first informant on the case, which is led by a detective newly obsessed with poetry and trailed by a long list of failures. But what has the professor really seen? As the bodies of more castrated men are found alongside lines of verse, the detective tries to decipher the meaning of the poems to put a stop to the violence spreading throughout the city.

Originally written in Spanish, where the word “victim” is always feminine, Death Takes Me is a thrilling masterpiece of literary fiction that flips the traditional crime narrative of gendered violence on its head. As sharp as the cuts on the bodies of the victims, it unfolds with the charged logic of a dream, moving from the police station to the professor’s classroom and through the slippery worlds of Latin American poetry and art in an imaginative exploration of the unstable terrains of desire and sexuality.

For fans of Behold the Dreamers, comes a compelling novel about a tightly bound Nigerian family living in Florida and the wounds that get passed down from generation to generation, from the author of the acclaimed Mr. and Mrs. Doctor.

When 276 schoolgirls are abducted from their school in Nigeria, Fidelis Ewerike, a Florida-based barrister, poet, and former POW of the Nigerian Civil War, begins to go mad, consumed by memories of his younger sister Ugochi, who went missing during that conflict. Consumed by survivor’s guilt and fearful that the same fate awaits Amara, his sixteen-year-old daughter who bears an uncanny resemblance to Ugochi, Fidelis locks her in her bedroom, offering no words of explanation, only lovingly—if poorly—made meals and sweets.

Amid that singular action, the Ewerike family spirals into chaos: After unsuccessful attempts to free her daughter from her room, his wife Adaobi seeks the counsel of a preacher, praying for spiritual liberation from the curse she is certain has plagued her family since leaving Nigeria. Fourteen-year-old Chuk, beset by his own war with the neighborhood boys, receives a painful education on force, masculinity, and his tenuous position within his family. And rebellious, resentful Amara is hungry for her life to be hers, so the moment she is able to escape her imprisonment, she falls in love—not with the Aba-born engineer-in-training her mother envisages, but with Maksym Kostyk, the son of the town drunk. Before long, the two have concocted a plan to run away from the trappings of their familial traumas.

Perfect for readers of Sing, Unburied, Sing, Julie Iromuanya's A Season of Light is an all-consuming masterpiece. To peer into the window of the Ewerike family’s lives is a gift.

Sex, vengeance, and betrayal in modern day Tehran—Navid Sinaki’s bold and cinematic debut is a queer literary noir following Anjir, a morbid romantic and petty thief whose boyfriend disappears just as they’re planning to leave their hometown for good

Anjir and Zal are childhood best friends turned adults in love. The only problem is they live in Iran, where being openly gay is criminalized, and the government’s apparent acceptance of trans people requires them to surgically transition and pass as cis straight people. When Zal is brutally attacked after being seen with another man in public, despite the betrayal, Anjir becomes even more determined to carry out their longstanding plan for the future: Anjir, who’s always identified with the mythical gender-changing Tiresias, will become a woman, and they’ll move to a new town for a fresh start as husband and wife.

Then Zal vanishes, leaving a cryptic note behind that sets Anjir on a quest to find the other man, hoping he will lead to Zal. Stalking and stealing his way through the streets, clubs, library stacks, hotel rooms, and museum halls of Tehran—where he encounters his troubled mother, addict brother, and the dynamic Leyli, a new friend who is undergoing a transition of her own—Anjir soon realizes that someone is tailing him too. It quickly becomes clear that more violence may be the fastest route to freedom, as Anjir’s morals and gender identity are pushed to new places in the pursuit of love, peace, and self-determination.

Steeped in ancient Persian and Greek myths, and brimming with poetic vulnerability, subversive bite, and noirish grit, Medusa of the Roses is a page-turning wallop of a story from a bright new literary talent.

On the heels of Scattered All Over the Earth, Yoko Tawada’s new and irresistible Suggested in the Stars carries on her band of friends’ astonishing and intrepid adventures

It’s hard to believe there could be a more enjoyable novel than Scattered All Over the Earth―Yoko Tawada’s rollicking, touching, cheerfully dystopian novel about friendship and climate change―but surprising her readers is what Tawada does best: its sequel, Suggested in the Stars, delivers exploits even more poignant and shambolic.

As Hiruko―whose Land of Sushi has vanished into the sea and who is still searching for someone who speaks her mother tongue―and her new friends travel onward, they begin opening up to one another in new and extraordinary ways. They try to help their friend Susanoo regain his voice, both for his own good and so he can speak with Hiruko―and amid many often hilarious misunderstandings (some linguistic in nature)―they empower each other against despair.  Coping with carbon footprint worries but looping singly and in pairs, they hitchhike, take late-night motorcycle rides, and hop on the train (learning about railway strikes but also packed-train-yoga) to convene in Copenhagen. There they find Susanoo in a strange hospital working with a scary speech-loss doctor.  In the half-basement of this weird medical center (with strong echoes of Lars von Trier’s 1990s TV series The Kingdom), they also find two special kids washing dishes. They discover magic radios, personality swaps, ship tickets delivered by a robot, and other gifts. But friendship―loaning one another the nerve and heart to keep going―sets them all (and the reader) to dreaming of something more... Suggested in the Stars delivers new delights, and Yoko Tawada’s famed new trilogy will conclude in 2025 with Archipelago of the Sun, even if nobody will ever want this “strange, exquisite” (The New Yorker) trip to end.

From the New York Times Notable author of The Old Woman with the Knife comes a bracingly original story of family, marriage and the cultural expectations of motherhood, about four women whose lives intersect in dramatic and unexpected ways at a government-run apartment complex outside Seoul

When Yojin moves with her husband and daughter into the Dream Future Pilot Communal Apartments, she’s ready for a fresh start. Located on the outskirts of Seoul, the experimental community is a government initiative designed to boost the national birth rate. Like her neighbors, Yojin has agreed to have at least two more children over the next ten years.

Yet, from the day she arrives, Yojin feels uneasy about the community spirit thrust upon her. Her concerns grow as communal child care begins and the other parents show their true colors. Apartment Women traces the lives of four women in the apartments, all with different aspirations and beliefs. Will they find a way to live peacefully? Or are the cultural expectations around parenthood stacked against them from the start?

A trenchant social novel from an award-winning author, Apartment Women incisively illuminates the unspoken imbalance of women’s parenting labor, challenging the age-old assumption that “it takes a village” to raise a child.

A riveting story about the Black Panther Party and the high cost that can come with revolution

Raised in Haiti by a father deeply embedded in activism, Nettie Boileau joins the Black Panthers’ Free Health Clinics in Oakland in 1968. She quickly becomes devoted to the cause and its dedication to helping people in a racially divided America—and gets swept up in an all-consuming love affair with Melvin Mosley, a defense captain of the Black Panther Party. But when Nettie and Melvin head to Chicago to help launch the Illinois chapter of the Panthers, they find themselves targets of J. Edgar Hoover’s famous covert campaigns against civil rights leaders. As she learns more about the inner workings of the Panthers—and her relationship with Melvin reveals its own fault lines—Nettie discovers that fighting for social justice may not always mean equal justice for women. She must figure out what is left for her within the movement, what she stands for, and whom she can count on.

For fans of Honorée Fanonne Jeffers’s The Love Songs of W. E. B. Du Bois and Dolen Perkins-Valdez’s Take My Hand, Fabienne Josaphat’s Kingdom of No Tomorrow takes readers inside the Black Panther movement in this timely story of self-determination and the importance of revolution amid injustice.

After reconnecting on a road trip, two friends must decide if love is the ultimate risk worth taking in this funny, emotional sapphic romance.

Nia and Jade had been inseparable ever since their best friend, Michal, introduced them at her tenth birthday party. But now it’s been three years since Michal died of cancer― since the brutal fight Nia and Jade had in the weeks after― and they're barely on speaking terms.

Until Nia reads a letter Michal wrote for her 29th birthday, asking her and Jade to go on the southern Jewish history road trip they'd planned before she died. To add to the complications, Michal's then-boyfriend and Jade's twin brother, Jonah, joins the trip. Despite the years apart and Jade and Jonah’s strained relationship, any awkwardness quickly disappears as it becomes clear how much Nia and Jade have missed each other.

Unfortunately, old issues soon arise. Nia has been in love with Jade since they were teenagers, and Jade has been so committed to their friendship that she never let herself consider something more. As the stops pass, tensions mount, running high until Nia and Jade are forced to confront what happened three years ago, their feelings for one another, and even their respective relationships with Jonah.

Rachel Runya Katz’s Whenever You’re Ready is about family, friendship, and the kind of first love that could last a lifetime―if only you are willing to take a chance.

"Poignant, tender, and swoony, Whenever You're Ready is an instant favorite from an auto-buy author." - Alison Cochrun, Lambda award-winning author of Kiss Her Once for Me and Here We Go Again

A classic and influential story centered on the cultural and political stakes of life in Marcos-era Philippines

One of The Atlantic’s Great American Novels of the Past 100 Years

Welcome to Manila in the turbulent period of the Philippines’ late dictator. It is a world in which American pop culture and local Filipino tradition mix flamboyantly, and gossip, storytelling, and extravagant behavior thrive.

A wildly disparate group of characters—including movie stars and waiters, a young junkie and the richest man in the Philippines—becomes ensnared in a spiral of events culminating in a beauty pageant, a film festival, and an assassination. At the center of this maelstrom is Rio, a feisty schoolgirl who will grow up to live in America and look back with longing on the land of her youth.

Born in 1933, the oldest of twelve children in a family of sharecroppers in Oscar, Louisiana, Ernest J. Gaines wrote novels and stories, set on and around the former slave plantation he called home, that are modern classics—nuanced, compassionate portraits of women and men, both Black and white, caught in the vortex of race in America. He joins the Library of America with this volume gathering his four greatest novels.

* The Autobiography of Miss Jane Pittman (1971), the story of an elderly woman born into slavery who witnesses Reconstruction, Jim Crow, and the Civil Rights Movement. A living testament to the history, hopes, courage, and survival of her people, Miss Jane is one of the most indelible and unforgettable characters in American fiction.
* In My Father’s House(1978) finds an activist minister organizing a civil rights protest in his town when his estranged son suddenly appears on the scene, threatening to expose his family's secret past.
* A Gathering of Old Men (1983) sees a group of elderly Black men with nothing left to lose decide to make a last stand against the racism that has defined and delimited their lives.
* A Lesson Before Dying(1993, winner of the National Book Critics Circle Award for fiction and an Oprah Book Club selection), in which a local schoolteacher attempts to help a young man falsely convicted of the murder of a white man face execution with dignity.

A fitting tribute to a still underappreciated American genius, this volume also includes a chronology of Gaines’s life and career written by his authorized biographer, John Wharton Lowe, and helpful notes.

Issa Rae’s Insecure with a magical realist spin: River Mumma is an exhilarating contemporary fantasy novel about a young Black woman who navigates her quarter-life-crisis while embarking on a mythical quest through the streets of Toronto.

Alicia has been out of grad school for months. She has no career prospects and lives with her mom, who won’t stop texting her macabre news stories and reminders to pick up items from the grocery store.

Then, one evening, the Jamaican water deity, River Mumma, appears to Alicia, telling her that she has twenty-four hours to scour the city for her missing comb.

Alicia doesn’t understand why River Mumma would choose her. She can’t remember all the legends her relatives told her, unlike her retail co-worker Heaven, who can reel off Jamaican folklore by heart. She doesn’t know if her childhood visions have returned, or why she feels a strange connection to her other co-worker Mars. But when the trio are chased down by malevolent spirits called duppies, they realize their tenuous bonds to each other may be their only lifelines. With the clock ticking, Alicia’s quest through the city broadens into a journey through time—to find herself and what the river carries.

Energetic and invigorating, River Mumma is a vibrant exploration of diasporic community and ancestral ties, and a homage to Jamaican storytelling by one of the most invigorating voices in today’s literature.

“This quirky, fizzy, charming debut surprises and amuses. Reid-Benta writes beautifully, drawing on Caribbean mythologies to create a fast paced and entertaining tale. It's rare to find a novel written with such humour and heart.” —T. L. Huchu, USA Today Bestselling author of The Library of the Dead

From the prizewinning international literary star: the searing and powerful story of one man's search for redemption.

Dinaw Mengestu's first novel, The Beautiful Things That Heaven Bears, earned the young writer comparisons to Bellow, Fitzgerald, and Naipaul, and garnered ecstatic critical praise and awards around the world for its haunting depiction of the immigrant experience. Now Mengestu enriches the themes that defined his debut with a heartbreaking literary masterwork about love, family, and the power of imagination, which confirms his reputation as one of the brightest talents of his generation.

One early September afternoon, Yosef and Mariam, young Ethiopian immigrants who have spent all but their first year of marriage apart, set off on a road trip from their new home in Peoria, Illinois, to Nashville, Tennessee, in search of a new identity as an American couple. Soon, their son, Jonas, will be born in Illinois. Thirty years later, Yosef has died, and Jonas needs to make sense of the volatile generational and cultural ties that have forged him. How can he envision his future without knowing what has come before? Leaving behind his marriage and job in New York, Jonas sets out to retrace his mother and father's trip and weave together a family history that will take him from the war-torn Ethiopia of his parents' youth to his life in the America of today, a story—real or invented—that holds the possibility of reconciliation and redemption.

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Home is not a place—it’s a feeling.

Casey Black needs an escape. When her picture-perfect vow renewal ceremony ends in her being left at the altar, the former model turned social media influencer has new fame—the kind she never wanted. An embarrassing viral video has cost her millions of followers, and her seven-year marriage is over. With her personal and business lives in shambles, Casey runs from New York City to South Carolina’s Lowcountry hoping to find long-lost family. Family who can give her more answers about her past than her controlling mom-slash-manager has ever been willing to share.

What Casey doesn’t expect is a postcard-worthy property on a three-hundred-acre farm, history, culture, and a love of sweet tea. She spends her days caring for the land and her nights cooking much needed Southern comfort foods. She also meets Nigel, the handsome farm manager whose friendship has become everything she’s never had. And then there are the secrets her mother can no longer hide.

Through the pages of her great-grandmother’s journals, Casey discovers her roots run deeper than the Lowcountry soil. She learns that she has people. A home. A legacy to uphold. And a great new love story—if only she is brave enough to leave her old life behind.

“. . . a beautifully written story about family, self-discovery, secrets, and forgiveness.” —Kimberla Lawson Roby, New York Times bestselling author

* Inspiring contemporary fiction
* Stand-alone novel
* Book length: approximately 100,000 words
* Includes discussion questions for book clubs

Old secrets are brought to light when a family matriarch returns to Brazil after years away in this “original and highly immersive” (Good Morning America) debut that explores the heartbreak and hope of what it means to be from two homes, two peoples, and two worlds.

Daniel Cunha has a lot on his mind.

He got dumped by his pregnant girlfriend, his grandfather just dropped dead, and on the anniversary of the raid that doomed his drug-dealing aunt and uncle, his mother makes her unwanted return, years after she fled to marry another American fool like his father.

Misfortune, however, is a Cunha family affair, and no generation is spared. Not Daniel’s grandfather João—poor João—born to a prostitute and forced to raise his siblings while still a child himself. Not João’s wife, Marta, branded as a bruxa, reviled by her mother, and dragged from her Ilha paradise by her scheming daughter, Maria. And certainly not Maria, so envious of her younger sister’s beauty and benevolence that she took her vicious revenge and fled to the States, abandoning her children: Daniel and Lucia, both tainted now by their half-Americanness and their mother’s greedy absence.

There’s poison in the Cunha blood. They are a family cursed, condemned to the pain of deprivation, betrayal, violence, and, worst of all, love. But now Maria has returned to grieve her father and finally make peace with Daniel and Lucia, or so she says. As New Year’s Eve nears, the Cunha family hurtles toward an irrevocable breaking point: a fire, a knife, and a death on the sands of Copacabana Beach.

Amid the cacophony of Rio’s tumult—rampant poverty, political unrest, the ever-present threat of violence—a fierce chorus of voices rises above the din to ask whether we can ever truly repair the damage we do to those we love in this “fiery debut novel” (The Washington Post).

A sweeping family saga about the complicated bond between mothers and daughters, the disappearance of a father, and the long-hidden history of a declining New England mill town.

“A powerful novel about how our family history shapes us. Swift River broke my heart, and then offered me hope.” —Ann Napolitano, New York Times bestselling author of Hello Beautiful

It’s the summer of 1987 in Swift River, and Diamond Newberry is learning how to drive. Ever since her Pop disappeared seven years ago, she and her mother hitchhike everywhere they go. But that’s not the only reason Diamond stands out: she’s teased relentlessly about her weight, and since Pop’s been gone, she is the only Black person in all of Swift River. This summer, Ma is determined to declare Pop legally dead so that they can collect his life insurance money, get their house back from the bank, and finally move on.

But when Diamond receives a letter from a relative she’s never met, key elements of Pop’s life are uncovered, and she is introduced to two generations of African American Newberry women, whose lives span the 20th century and reveal a much larger picture of prejudice and abandonment, of love and devotion. As pieces of their shared past become clearer, Diamond gains a sense of her place in the world and in her family. But how will what she’s learned of the past change her future?

A story of first friendships, family secrets, and finding the courage to let go, Swift River is a sensational debut about how history shapes us and heralds the arrival of a major new literary talent.

A major literary event-nothing short of a "tour de force" (New York Times) by the acclaimed and beloved author.
Marooned in an apartment that overflows with mementos from the past, 91-year-old Ptolemy Grey is all but forgotten by his family and the world. But when an unexpected opportunity arrives, everything changes for Ptolemy in ways as shocking and unanticipated as they are poignant and profound.

Marking a dramatic new direction for Jones, a riveting tale set in the Post WWII South, narrated by a Black soldier who returns to Jim Crow and searches for a mythical ideal

Set in the early 1950s, this latest novel from Pulitzer Prize and National Book Award finalist Gayl Jones follows the witty but perplexing army veteran Buddy Ray Guy as he embodies the fate of Black soldiers who return, not in glory, but into their Jim Crow communities.

A cook and tractor repairman, Buddy was known as Budweiser to his army pals because he’s a wise guy. But underneath that surface, he is a true self-educated intellectual and a classic seeker: looking for religion, looking for meaning, looking for love.

As he moves around the south, from his hometown of Lexington, Kentucky, primarily, to his second home of Memphis, Tennessee, he recalls his love affairs in post-war France and encounters with a variety of colorful characters and mythical prototypes: circus barkers, topiary trimmers, landladies who provide shelter and plenty of advice for their all-Black clientele, proto feminists, and bigots. The lead among these characters is, of course, The Unicorn Woman, who exists, but mostly lives in Bud’s private mythology.

Jones offers a rich, intriguing exploration of Black (and Indigenous) people in a time and place of frustration, disappointment, and spiritual hope.

*Ships/ready for pick-up in 7-10 business days*

The son of Ethiopian immigrants seeks to understand a hidden family history and uncovers a past colored by unexpected loss, addiction, and the enduring emotional pull toward home.

After abandoning his once-promising career as a journalist in search of a new life in Paris, Mamush meets Hannah—a photographer whose way of seeing the world shows him the possibility of finding not only love but family. Now, five years later, with his marriage to Hannah on the verge of collapse, he returns to the close-knit immigrant Ethiopian community of Washington, DC, that defined his childhood. At its center is Mamush’s stoic, implacable mother, and Samuel, the larger-than-life father figure whose ceaseless charm and humor have always served as a cover for a harder, more troubling truth. But on the same day that Mamush arrives home in Washington, Samuel is found dead in his garage.

With Hannah and their two-year-old son back in Paris, Mamush sets out on an unexpected journey across America in search of answers to questions he'd been told never to ask. As he does so, he begins to understand that perhaps the only chance he has of saving his family and making it back home is to confront not only the unresolved mystery around Samuel’s life and death, but his own troubled memories, and the years spent masking them. Breathtaking, commanding, unforgettable work from one of America’s most prodigiously gifted novelists.

In this action-packed thriller from a New York Times bestselling and award-winning author, two parents facing catastrophe must find their lost children before the unthinkable can happen.
 

In London, the police storm Heathrow Airport to bring in a father for questioning about his missing daughter.
 
In Florida, a mother makes a connection between her son and the bomber, fearing he has been radicalized.
 
And in Oregon, an unknown organization’s conspiracy to bring America to its knees unfolds…
 
On the run from the authorities, the two parents are thrown together in a race against time to stop a catastrophe that will derail the country’s future forever.

But can they find their kids before it’s too late?

 
For fans of The Chain and I Am Pilgrim, this ground-breaking, blockbuster thriller is unlike any other thriller you will read this year.

*Ships/ready for pick up in 5-8 business days*

An electrifying debut story collection about Central American identity that spans past, present, and future worlds to reveal what happens when your life is no longer your own.

An ordinary man wakes one morning to discover he’s a famous reggaetón star. An aging abuela slowly morphs into a marionette puppet. A struggling academic discovers the horrifying cost of becoming a Self-Made Man.

In There Is a Rio Grande in Heaven, Ruben Reyes Jr. conjures strange dreamlike worlds to explore what we would do if we woke up one morning and our lives were unrecognizable. Boundaries between the past, present, and future are blurred. Menacing technology and unchecked bureaucracy cut through everyday life with uncanny dread. The characters, from mango farmers to popstars to ex-guerilla fighters to cyborgs, are forced to make uncomfortable choices—choices that not only mean life or death, but might also allow them to be heard in a world set on silencing the voices of Central Americans.

Blazing with heart, humor, and inimitable style, There Is a Rio Grande in Heaven subverts everything we think we know about migration and its consequences, capturing what it means to take up a new life—whether willfully or forced—with piercing and brilliant clarity. A gifted new storyteller and trailblazing stylist, Reyes not only transports to other worlds but alerts us to the heartache and injustice of our own.

From prize-winning Korean author Kim Hye-jin comes the contemplative, superbly-crafted story of a woman scapegoated by sudden tragedy, and the unexpected paths she must wander in search of redemption.

Haesoo is a successful therapist and regular guest on a popular TV program. But when she makes a scripted negative comment about a public figure who later commits suicide, she finds herself ostracized by friends, fired from her job, and her marriage begins to unravel. These details come to the reader gradually, in meditative prose, through bits and pieces of letters that Haesoo writes and finally abandons as she walks alone through her city.

One day she has an unexpected encounter with Sei, a 10-year-old girl attempting to feed an orange cat. Stray cats seem to be everywhere; they have the concern of one other neighborhood woman and the ire of everyone else. Like Haesoo and Sei, the cats endure various insults and recover slowly. Haesoo, who would not otherwise care about animals or form relationships with children, now finds herself pulled back by degrees into the larger world.

“Having been Jane Eyre, Anna Karenina and Esther Greenwood all my life, my writing was an opportunity for the reader to have to be me…” 

Shortly after flight MAS370 goes missing, scholarship student Girl boards her own mysterious flight from Australia to London to work on a dissertation on Sylvia Plath. Though she is ambivalent toward academia and harbors ideas about writing a post-colonial novel, if only she could work out just what that means, Girl relishes the freedom that has come with distance from the expectations and judgements of her very tight-knit Malaysian-Australian family. At last Girl has an opportunity to live on her own terms. 

Unfolding across Girl’s time at an artist residency in Scotland as she makes friends and enemies alike in a world far removed from any she’s ever known, But the Girl is a wry and playfully philosophical coming of age novel that reveals the joys, embarrassments, pleasures, and agonies of trying to discover and understand who you are. Girl grapples with the long shadow of colonialism, the pressure of expectations in immigrant families, and the sometimes difficult fact that those closest to us remain the most unknowable.

The year is 1954. A white woman’s body, stuffed in a coconut bag, has washed ashore in Otatiti, Trinidad, and the British colony is rife with rumors. In two homes, one in a distant shantytown, the other on the outskirts of a former sugar cane estate, two women hear the news and their blood runs cold. Rosa, the white daughter of a landowner, and Zuela, the adopted “daughter” of a Chinese shop owner used to play together as girls—and witnessed something terrible behind a hibiscus bush many years ago.

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A writing companion, inspirational guide to the craft, and anthology featuring interactive multi-genre work from the acclaimed organization on its twenty-fifth anniversary.

We all have stories to tell, but not everyone gets the mentoring and training or encouragement to become a great storyteller. Founded a quarter century ago, Girls Write Now has empowered young women and gender-expansive youth to harness their creative talents, gaining confidence, skills, and a community supporting them in sharing stories the world needs to hear.

This hands-on guide—conceived of and written and edited by the young people of Girls Write Now—draws from the organization’s dynamic curriculum and the writers’ own personal experiences spanning decades. It offers aspiring writers the tools they need to develop their craft—including tips, insight, and advice on the writing and publishing process as well as critical thinking about the future of storytelling.

With this handbook, readers everywhere can equip themselves to shape their life stories, and become the writers and leaders they dream of being.

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“A dark and heady dream of a book” (Alix E. Harrow) about a ruined mansion by the sea, the djinn that haunts it, and a curious girl who unearths the tragedy that happened there a hundred years previous

Akbar Manzil was once a grand estate off the coast of South Africa. Nearly a century later, it stands in ruins: an isolated boardinghouse for eclectic misfits, seeking solely to disappear into the mansion’s dark corridors. Except for Sana. Unlike the others, she is curious and questioning and finds herself irresistibly drawn to the history of the mansion: To the eerie and forgotten East Wing, home to a clutter of broken and abandoned objects—and to the door at its end, locked for decades.

Behind the door is a bedroom frozen in time and a worn diary that whispers of a dark past: the long-forgotten story of a young woman named Meena, who died there tragically a hundred years ago. Watching Sana from the room’s shadows is a besotted, grieving djinn, an invisible spirit who has haunted the mansion since her mysterious death. Obsessed with Meena’s story, and unaware of the creature that follows her, Sana digs into the past like fingers into a wound, dredging up old and terrible secrets that will change the lives of everyone living and dead at Akbar Manzil. Sublime, heart-wrenching, and lyrically stunning, The Djinn Waits a Hundred Years is a haunting, a love story, and a mystery, all twined beautifully into one young girl’s search for belonging.

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Tracy Brown crafts a tale about a master manipulator and serial survivor, who will scorch earth to get what she wants. The question isn’t who murdered her; the question is who wouldn’t? Brooklyn Melody James has finally gotten the punishment she deserves after leaving a web of lies, heartache, and betrayal behind her. As her life slips away, Brooklyn remembers the events that shaped her into the cold, calculating creature she became. Brooklyn learned the art of hustling from her parents who used the church to get money. Idolizing her father and despising her mother, Brooklyn’s determined to be the type of woman who makes her own rules. When her back’s up against the wall, she sacrifices her family, takes the burnt offering that remains, and runs away. In NYC, young Brooklyn charms her way into the inner circle of hustlers and stick-up kids, learning tricks along the way. She catches the eye of a major player in the drug game, Hassan, and they have a breathless love affair. Brooklyn becomes integrated into his operation, earning the trust of Hassan and his associates. But when she gets the keys to the kingdom, driven by unfettered ambition and a ruthless desire to survive, Brooklyn snatches the pot of gold, leaving bitter retribution promises behind her. From DC to Maryland, Brooklyn burns bridges and breaks hearts. What she doesn't realize is that someone is prepared to end her reign of terror. As she faces her killer and her fate, Brooklyn’s stunned that justice comes from the least likely place.

A searingly honest and resonant debut from a Nigerian writer and queer liberation activist, exploring what love and freedom cost in a society steeped in homophobia

The inaugural title from the most buzzed-about new imprint in years, And Then He Sang a Lullaby is a powerful, luminous debut that establishes its young author as a masterful talent.

August is a God-fearing track star who leaves Enugu City to attend university and escape his overbearing sisters. He carries the weight of their lofty expectations, the shame of facing himself, and the haunting memory of a mother he never knew. It’s his first semester and pressures aside, August is making friends and doing well in his classes. He even almost has a girlfriend. There’s only one problem: he can’t stop thinking about Segun, an openly gay student who works at a local cybercafé. Segun carries his own burdens and has been wounded in too many ways. When he meets August, their connection is undeniable, but Segun is reluctant to open himself up to August. He wants to love and be loved by a man who is comfortable in his own skin, who will see and hold and love Segun, exactly as he is.

Despite their differences, August and Segun forge a tender intimacy that defies the violence around them. But there is only so long Segun can stand being loved behind closed doors, while August lives a life beyond the world they’ve created together. 

And when a new, sweeping anti-gay law is passed, August and Segun must find a way for their love to survive in a Nigeria that was always determined to eradicate them. A tale of rare bravery and profound beauty, And Then He Sang a Lullaby is an extraordinary debut that marks Ani Kayode Somtochukwu as a voice to watch.