Ever since Bernadine Brown bought the town of Henry Adams, her relationship with diner owner Malachi “Mal” July has had its share of ups and downs. But now they’re finally ready to say “I do.” Or are they? As wedding preparations go into full swing, and families both local and extended begin to gather for the festivities, that long awaited walk down the aisle hits a speed bump that may derail everything. But Mal and Bernadine’s relationship isn’t the only one being tested. Preston Mays, aka Brain, loves his girlfriend as much as he does physics, but when she decides being a couple is no longer a good thing, his heart is broken. Will connecting with his bio dad’s family ease his pain? Reverend Paula Grant has been patiently waiting for God to send her someone to share her life. When the town’s charming new chef arrives in town, she wonders if he could be the one. And then there’s former mayor Riley Curry who throws a parade with his hog Cletus! There’s always a lot going on in Henry Adams, and this will be a Christmas to remember.

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Still reeling from the sudden death of her mother, Jess is about to do the hardest thing she's ever done: empty her childhood home so that it can be sold.  As she sorts through a lifetime of memories, everything comes to a halt when she comes across something she just can’t part with: an old set of encyclopedias.  To the world, the books are outdated and ready to be recycled.  To Jess, they represent love and the future that her mother always wanted her to have. 

In the process of finding the books a new home, Jess discovers an unusual archive of letters, photographs, and curious housed in a warehouse and known as the Museum of Ordinary People.  Irresistibly drawn, she becomes the museum's unofficial custodian, along with the warehouse’s mysterious owner.  As they delve into the history of objects in their care, they not only unravel heart-stirring stories that span generations and continents, but also unearth long-buried secrets that lie closer to home.

Inspired by an abandoned box of mementos, The Museum of Ordinary People is a poignant novel about memory and loss, the things we leave behind, and the future we create for ourselves.  
 

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A tender, humorous, and page-turning debut about a Vietnamese Canadian family in Toronto who will do whatever it takes to protect their no-frills nail salon after a new high end salon opens up—even if it tears the family apart. Perfect for readers of Olga Dies Dreaming and The Fortunes of Jaded Women.

Vietnamese refugees Debbie and Phil Tran have built a comfortable life for themselves in Toronto with their family nail salon. But when an ultra-glam chain salon opens across the street, their world is rocked.

Complicating matters further, their landlord has jacked up the rent and it seems only a matter of time before they lose their business and everything they’ve built. They enlist the help of their daughter, Jessica, who has just returned home after a messy breakup and a messier firing. Together with their son, Dustin, and niece, Thuy, they devise some good old-fashioned sabotage. Relationships are put to the test as the line between right and wrong gets blurred. Debbie and Phil must choose: do they keep their family intact or fight for their salon?

Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean.

The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class.

Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

Her man demanded loyalty, but her body wouldn’t obey.

Have you ever rolled over in the middle of the night and realized you were doing things you swore you’d never do? Sexing brothers you vowed you’d never touch? Bending backwards and stooping lower than you ever thought you’d stoop? Well if you can feel me even a little bit, then let me hit you with a story that just might blow your mind. . . .

Nineteen-year-old Juicy Stanfield is the sexy young girlfriend of Granite “G” McKay, owner of Harlem’s notorious G-Spot Social Club. A drug dealer with a lethal streak, he runs Harlem with an iron fist. But even the cash and the bling can’t keep Juicy from getting restless, and while G fulfills her every material desire, she’s burning up with unrequited sexual energy. To cheat on him would mean a death sentence; so Juicy finds pleasure in secret ways: fantasizing on crowded subways or allowing her eyes to hungrily take in the male dancers on the club’s ladies night.

But as Juicy’s sexual cravings grow stronger, one thing becomes frighteningly clear: She’s a virtual prisoner in G’s dangerous world. As G begins to suspect her of playin’ him, he pulls the reins he keeps on her even tighter. If she’s ever to escape and get a life of her own she must find a way to start stashing away some of G’s cash. But doing that under G’s watchful eye is a challenge she might not live up to–especially when her appetite tempts her with the deadliest desire of all: G’s very own son. . . .

A Contemporary Classics hardcover omnibus of the complete fiction of one of the most gifted writers of the Harlem Renaissance, including her most famous novel, Passing

Throughout her short but brilliant literary career, Nella Larsen wrote piercing dramas about the Black middle class that featured sensitive, spirited heroines struggling to find a place where they belonged. Passing, Larsen’s best-known work, is a disturbing story about the unraveling lives of two childhood friends, one of whom turns her back on her past and marries a white racist. Just as disquieting is the portrait in Quicksand of biracial Helga Crane, who is unable to escape her loneliness no matter where and with whom she lives. Race and marriage offer few securities here or in the other stories in this compulsively readable collection, rich in psychological complexity and imbued with a vibrant sense of place.

Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

Part memoir, part speculative fiction, The Girl I Am, Was, and Never Will Be explores the often surreal experience of growing up as a mixed-Black transracial adoptee.

Dream Country author Shannon Gibney returns with The Girl I Am, Was, and Never Will Be, a book woven from her true story of growing up as a mixed-Black transracial adoptee and fictional story of Erin Powers, the name Shannon was given at birth, a child raised by a white, closeted lesbian. 

At its core, the novel is a tale of two girls on two different timelines occasionally bridged by a mysterious portal and their shared search for a complete picture of their origins. Gibney surrounds that story with reproductions of her own adoption documents, letters, family photographs, interviews, medical records, and brief essays on the surreal absurdities of the adoptee experience.

The end result is a remarkable portrait of an American experience rarely depicted in any form.

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By the Light of My Father's Smile is Alice Walker's first novel in six years--a stunning, original, and important book by "one of the best American writers of today" (The Washington Post).

A family from the United States goes to the remote Sierras in Mexico--the writer-to-be, Susannah; her sister, Magdalena; her father and mother.  And there, amid an endangered band of mixed-race Blacks and Indians called the Mundo, they begin an encounter that will change them more than they could ever dream.  Moving back and forth in time, and among unforgettable characters and their stories, Walker crosses conventional borders of all kinds as she explores in this magical novel the ways in which a woman's denied sexuality leads to the loss of the much prized and necessary original self; and how she regains that self, even as her family's past of lies and love is transformed.

By the Light of My Father's Smile presents, as Alice Walker puts it, "a celebration of sexuality, its absolute usefulness in the accessing of one's mature spirituality, and the father's role in assuring joy or sorrow in this arena for his female children."  It explores the richness and coherence of alternative culture, experience of sexuality as a celebration of life, of trust in Nature and the Spirit, even as it affirms the belief, as Walker says, "that it is the triumphant heart, not the conquered heart, that forgives.  And that love is both timeless and beyond time."

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Mystery bookstore owner Samantha Washington is trying to keep her grandmother from spending her golden years in an orange jumpsuit . . .
 
The small town of North Harbor, Michigan, is just not big enough for the two of them: flamboyant phony Maria Romanov and feisty Nana Jo. The insufferable Maria claims she's descended from Russian royalty and even had a fling with King Edward VIII back in the day. She’s not just a lousy liar, she's a bad actress, so when she nabs the lead in the Shady Acres Senior Follies—a part Nana Jo plays every year in their retirement village production—Nana Jo blows a gasket and reads her the riot act in front of everyone.
 
Of course, when Maria is silenced with a bullet to the head, Nana Jo lands the leading role on the suspects list. Sam’s been writing her newest mystery, set in England between the wars, with her intrepid heroine Lady Daphne drawn into murder and scandal in the household of Winston Churchill. But now she has to prove that Nana Jo’s been framed. With help from her grandmother's posse of rambunctious retirees, Sam shines a spotlight on Maria’s secrets, hoping to draw the real killer out of the shadows . . .
 

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"The Best American Novelist Whose Name You May Not Know"—Calvin Baker, The Atlantic

"A literary giant, and one of my absolute favourite writers" -TAYARI JONES, author of AN AMERICAN MARRIAGE

"An American writer with a powerful sense of vital inheritance, of history in
the blood." -John Updike, The New Yorker

Eva's Man is a gripping psychological portrait of a woman unable to love for fear of pain. Imprisoned for the bizarre murder of her lover, Eva Median Canada weaves together memory and fantasy to reveal a life tormented by the brutality of sexual abuse and emotional silence. Brilliantly experimenting with language, Jones infuses her graphic and powerful narrative of the triple yoke of race, class, and gender with a rich musical and oral idiom.

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The author of the award-winning Sally Hemings now brings to life Hannah Elias, one of the richest black women in America in the early 1900s, in this mesmerizing novel swirling with atmosphere and steeped in history.

A murder and a case of mistaken identity brings the police to Hannah Elias’ glitzy, five-story, twenty-room mansion on Central Park West. This is the beginning of an odyssey that moves back and forth in time and reveals the dangerous secrets of a mysterious woman, the fortune she built, and her precipitous fall.

Born in Philadelphia in the late 1800s, Hannah Elias has done things she’s not proud of to survive. Shedding her past, Hannah slips on a new identity before relocating to New York City to become as rich as a robber baron. Hannah quietly invests in the stock market, growing her fortune with the help of businessmen. As the money pours in, Hannah hides her millions across 29 banks. Finally attaining the life she’s always dreamed, she buys a mansion on the Upper West Side and decorates it in gold and first-rate décor, inspired by her idol Cleopatra.

The unsolved murder turns Hannah’s world upside-down and threatens to destroy everything she’s built. When the truth of her identity is uncovered, thousands of protestors gather in front of her stately home. Hounded by the salacious press, the very private Mrs. Elias finds herself alone, ensnared in a scandalous trial, and accused of stealing her fortune from whites.

Packed with glamour, suspense, and drama, populated with real-life luminaries from the period, The Great Mrs. Elias brings a fascinating woman and the age she embodied to glorious, tragic life.

Du Bois' foundational investigation of social justice and civil rights by means of essay, poetry, prayer and short science fiction.

A new edition with a new introduction, Du Bois' radical text is a rare statement of values formed around the vision of a collective life, where the humanity of black women and men is treated with dignity and equality. He expresses his themes through a series of literary forms: polemic essay, spirituals, poetry and short science fiction, each of which forms a pulse of social justice from a time when a true understanding of intersections between poverty, work, racism and feminism was rare. A new title in the Foundations of Black Science Fiction series.

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Obi Ifeanyi's life is moving at a fast pace. He is now a husband and father. So while President Obama is contending with a tough reelection campaign, Obi Ifeanyi is dealing with the day to day pressures of married life and raising a son. When his former love interest, Sade Olufemi, comes back into his life and decides to run her political campaign with the help of his wife, Nkechi, Obi's problems are compounded because Sade is a secret Nkechi is better not knowing about. While he struggles with the torment of Sade's return, the upcoming wedding of his best friend from law school, will lead to the unveiling of a secret that will change the dynamics of the Ifeanyi family forever.

Karen Lord’s debut novel won the prestigious Frank Collymore Literary Prize in Barbados, the Mythopeic, Carl Brandon Parallax, and Crawford Awards. It is an intricately woven tale of adventure, magic, and the power of the human spirit.

Paama’s husband is a fool and a glutton. Bad enough that he followed her to her parents’ home in the village of Makende, now he’s disgraced himself by murdering livestock and stealing corn. When Paama leaves him for good, she attracts the attention of the undying ones—the djombi—who present her with a gift: the Chaos Stick, which allows her to manipulate the subtle forces of the world. Unfortunately, a wrathful djombi with indigo skin believes this power should be his and his alone.

Bursting with humor and rich in fantastic detail, Redemption in Indigo is a clever, contemporary fairy tale that introduces readers to a dynamic new voice in Caribbean literature. Lord’s world of spider tricksters and indigo immortals, inspired in part by a Senegalese folk tale, will feel instantly familiar—but Paama’s adventures are fresh, surprising, and utterly original.

"Fantasy as a genre does not have boundaries," writes Lord. "It has roots. You may call it fantasy. I call it life.”

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The stunning debut novel from the award-winning author of Dark Corner and Within the Shadows, now back in print . . .

Days after a devastating gale rips through his town and nearly takes his life, young Jason Brooks wakes up to a whole new world. His mother--once a neglectful, angry drunk--has given up the bottle to spend more time with him. His father--largely absent for most of Jason's life--is making an honest effort to mend his troubled marriage. And shy, self-conscious Jason has made friends--at last. The whole family is well on the way to recovery--and to finding the happiness that in the past has proved so elusive.

But then the nightmares start . . .

The stalker creeps into the bedroom. He bends down, slowly lifting the bedspread. He lifts it higher . . . and Jason wakes up screaming, his heart thudding in his chest.

And strange things begin to happen . . .

Cryptic messages appear on the bathroom mirror. Clothing flies about the room. The bed rises in the air . . . and thumps back to the ground. And always, in the distance, thunder roars . . .

Because someone--or something--is coming.

For Jason . . .

“Jones’s great achievement is to reckon with both history and interiority, and to collapse the boundary between them.”—Anna Wiener, The New Yorker

From the highly acclaimed author of Palmares, Corregidora, and The Healing—a rare and unforgettable journey set along the US-Mexico border about identity, immigration, and “the new underground railroad.”

First discovered and edited by Toni Morrison, Gayl Jones has been described as one of the great literary writers of the 20th century. In Mosquito, she examines the US-Mexico border crisis through the eyes of Sojourner Nadine Jane Johnson, an African American truck driver known as Mosquito. Her journey begins after she discovers a stowaway who nearly gives birth in the back of her truck, sparking Mosquito’s accidental yet growing involvement in “the new underground railroad,” a sanctuary movement for Mexican immigrants.

As Mosquito’s understanding of the immigrants’ need to forge new lives and identities deepens, so too does Mosquito’s romance with Ray, a gentle revolutionary, a philosopher, and, perhaps, a priest. Along the road, Mosquito introduces us to Delgadina, a Chicana bartender who fries cactus, writes haunting stories, and studies to become a detective; Monkey Bread, a childhood pal who is, improbably, assistant to a blonde star in Hollywood; Maria, the stowaway who names her baby Journal, a misspelled tribute to her unwitting benefactor Sojourner; and many more.

From acclaimed author Terah Shelton Harris comes a poignant story of survival and redemption that questions what it means to stop existing and start living.

Leigh is the last of the Wildes. She knows this because she watched them all die.

Grief never truly fades and even as the tragedy haunts her, Leigh carries on, because survival is in her blood. So, when the transport bus taking her to prison careens off the road, killing everyone onboard except her, she does what's in her nature. She survives. 

While searching for a place to hide, Leigh stumbles upon an unexpected sanctuary: a flower farm in rural Alabama tucked away from the world. What Leigh doesn't expect is the found family there who have built something from the wreckage of their own lives. Especially Jackson, the farm's owner, who sees through Leigh's defenses, offers her small moments of tenderness, encourages her to face her own tragedies. Slowly, Leigh finds peace with the hard pace and soft nature of the farm, taking comfort in the life blooming around her. Maybe she's not beyond redemption, not too broken for something good. And maybe, just maybe, Leigh starts to heal.

But the past isn't so easily buried.

No matter how far she runs, the truth of who she is and the ghosts of the Wildes follow. And when those secrets catch up to her, threatening everything she's come to love, Leigh will have to truly face what she can survive.

This heart-pounding Southern gothic horror debut from Beatrice Winifred Iker, takes readers to Bricksbury University, the oldest and most storied HBCU in the nation. But as one student is about to find out, a long history comes with a legacy of secrets.
 
Zora Robinson is an ambitious grad student in her dream program, Appalachian Studies, at Bricksbury University. When her thesis advisor hands her a strange diary and suggests she research the local folklore about a beast roaming the woods surrounding campus, Zora finds a community uneager to talk to an outsider.
 
As she delves into the history of the beast, she uncovers a rumored secret society called the Keepers that has tenuous ties to the beast…and Bricksbury itself. Zora soon finds herself plagued by visions of the past, and her grip on reality starts to slip as she struggles to uncover what is real and what is folklore. But when a student goes missing, Zora starts to wonder if the Keepers ever really disbanded.
 
There’s something in the woods and it has its eyes on Zora.

Texas Institute of Letters Award finalist for Best First Book of Poetry

In El Rey of Gold Teeth, Reyes Ramirez explores living in America as a first-generation American of Salvadoran and Mexican descent, living among conflicting histories.

Through the voices of an astronaut, a tennis player, a drag queen, family members, an alternate version of the self, and even a turtle, these propulsive poems embody the many marginalized voices demanding to be remembered in a nation that requires erasure of histories.

Colonizing languages and subverting forms, rerouting histories, and finding the mundane made extraordinary, El Rey of Gold Teeth breaks open notions of destiny, in humorous and devastating ways, to reimagine the past and present a new future where lack transforms to abundance, where there will be many answers to every question. Reyes Ramirez's debut poetry collection plays in spaces of both elegy and joy, and introduces a vibrant new talent.

Bernardo Wade’s A Love Tap—introduced by award-winning poet and essayist Ross Gay—reckons with complexities of racial identity, masculinity, recovery, and spirituality, revealing the narrative and psychic evolution of a poet who has found himself in the language.

Wade’s evocative debut swaggers through time, through family, through love, through the perseverance of growing up in the deep South as a Black son with a white mom. Illustrating the strangeness and cacophony of his native New Orleans, he divines sweet relief in small mercies—a rosary strung with Mardi Gras beads, a Sunday football game, Nigel Hall covering Frankie Beverly in Lafayette Square, bare feet in a stream, a mother kneading dough. In intimate, nuanced portraits of loved ones, in requiems and broken sestinas, he pushes past his trauma, troubling the years he spent in addiction or resenting his father.

As he maps out the parts he played in his life’s most formative moments, he can’t help but “retune the heart / strings of hard men,” teaching us how to become more human, often in the face of inhumanity. Here, he manages to land, not a crushing blow, but a love tap—the softest way to knuckle another’s cheek.

The award-winning author of The Resisters returns with an engrossing, blisteringly funny-sad autobiographical novel tracing a tumultuous mother-daughter relationship.

My mother had died, but still I heard her voice. . .

Gish’s mother—Loo Shu-hsin—is born in 1925 to a wealthy Shanghai family where girls are expected to behave and be quiet. Every act of disobedience prompts the same reprimand: “Bad bad girl! You don’t know how to talk!” She gets sent to Catholic school, where she is baptized, re-named for St. Agnes, and, unusually for a girl, given an internationally minded education. Still, her father would say, "Too bad. If you were a boy, you could accomplish a lot." Aggie finds solace in books, reading every night with a flashlight and an English-Chinese dictionary, before announcing her intention to pursue a Ph.D. in America. It is 1947, and with the forces of Communist revolution on the horizon, she leaves—never to return.

Lonely and adrift in Manhattan, Aggie begins dating Chao-Pei, an engineering student also from Shanghai. While news of their country and their families grows increasingly dire, they set out to make a new life together: marriage, a number one son, a small house in the suburbs. By the time Gish is born, her parents’ marriage is unraveling, and her mother, struggling to understand her strong-willed American daughter, is repeating the refrain that punctuated her own childhood: “Bad bad girl! You don’t know how to talk!”

Bad Bad Girl is a novel about a mother and a daughter forced to reckon with each other across decades of curiosity and ambition, elation and disappointment, intense intimacy and misunderstanding. Spanning continents and generations, this is a rich, heartbreaking portrait of two fierce women locked in a complicated lifelong embrace.

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Date: Sun, 16 Jan 2000 14:27:39 (PST)
From: edgar@cyprus.stanford.edu
To: Alice@cs.stanford.edu
Subject: Hello
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Hello, Alice.

The #1 New York Times bestselling author of While Justice Sleeps returns with another riveting and intricately plotted thriller, in which a blackmailed federal judge, a secret court and a brazen murder may lead to an unprecedented national crisis.

"A thoroughly compelling take on the machinations of Washington and those covetous of power." —New York Magazine

Supreme Court clerk Avery Keene is back, trying to get her feet on solid ground after unraveling an international conspiracy in While Justice Sleeps. But as the sparks of Congressional hearings and political skirmishes swirl around her, Avery is approached at a legal conference by Preston Davies, an unassuming young man and fellow law clerk to a federal judge in Idaho. Davies believes his boss, Judge Francesca Whitner, was being blackmailed in the days before she died. Desperate to understand what happened, he gives Avery a file, a burner phone, and a fearful warning that there are highly dangerous people involved.

Another shocking murder leads Avery to a list of names – all federal judges – and, alarmingly, all judges on the FISA Court (the United States Foreign Intelligence Surveillance Court), also known as America’s "secret court." It is this body which grants permission to the government to wiretap Americans or spy on corporations suspected of terrorism. As Avery digs deeper, she begins to see a frightening pattern – and she worries that something far more sinister may be unfolding inside the nation’s third branch of government. With lives at stake, Avery must race the clock and an unexpected enemy to find the answer.

Drawn from today’s headlines and woven with her unique insider perspective, Stacey Abrams combines twisting plotlines, wry wit, and clever puzzles to create another immensely entertaining suspense novel.

NEW YORK TIMES BESTSELLER

A Good Morning America Book Club Pick

"A thrilling, delectable look at wealth, privilege, and desire." —People

Acclaimed author Kiley Reid’s fresh and provocative story about desire, consumption, and bad behavior.

It's 2017 at the University of Arkansas, and Millie Cousins—a super-senior resident assistant at Belgrade Dormitory—just wants to graduate, get a job, and buy a house. So when Agatha Paul, a writer and visiting professor itching for her next big topic, offers Millie an easy yet unusual opportunity for them to help each other further their own interests, Millie naturally jumps at the chance.

But Millie's starry-eyed hustle quickly becomes jeopardized by a lonely transfer student, unruly residents, and illicit intrigue. Both Millie and Agatha are forced to question just how much of themselves they are willing to trade to get what they want.

Sharp and intimate, Come and Get It, the new thought-provoking, singular novel by the bestselling and critically acclaimed author Kiley Reid, explores the choices we make, particularly for the things that can and cannot be paid for.

A young woman must learn to love and trust again after experiencing the brutality of ritual servitude in West Africa.

Abeo Kata lives a comfortable, happy life in West Africa as the privileged nine-year-old daughter of a government employee and stay-at-home mother. But when the Katas’ idyllic lifestyle takes a turn for the worse, Abeo’s father, following his mother’s advice, places the girl in a religious shrine, hoping that the sacrifice of his daughter will serve as atonement for the crimes of his ancestors. Unspeakable acts befall Abeo for the fifteen years she is held in the shrine. When she is finally rescued, broken and battered, she must struggle to overcome her past, endure the revelation of family secrets, and learn to trust and love again.

In the tradition of Chris Cleave’s Little Bee, this novel is a contemporary story that offers an eye-opening account of the practice of ritual servitude in West Africa. Spanning decades and two continents, Praise Song for the Butterflies will break you heart and then heal it.

A woman searching for her true passion discovers a strong connection with a man who can never be hers in this steamy tale of forbidden romance.

Sienna and Amiri have been together for four years, but ever since he put a three-carat engagement ring on her finger, she’s been having second thoughts. Like, maybe she wants more out of her relationship than an internet-famous boyfriend who’s more concerned with keeping his followers happy than making her happy.

So when Sienna receives the coveted golden envelope―an invitation to Pandora’s annual New Year’s Eve masquerade ball―she decides to attend, hoping to unlock her secret desires. What she discovers there is the kind of intense connection no woman in her right mind would walk away from . . .

Jahad knows exactly what’s missing from his life the moment he lays eyes on Sienna. The woman is fire, and he walks willingly into the flames. Once her sexy curves are under him, he knows they belong together.

Thing is, Jahad already has a woman: a very pregnant wife who wants nothing to do with him. Hopped up on hormones, Leighton sent him out on a hall pass to find someone else to satisfy his needs. And now he’s aching for a woman he can never have again.

Then Sienna turns up on Jahad’s doorstep. She’s the new doula his wife hired to help get her through the rest of a difficult pregnancy. How’s Jahad supposed to do the right thing when everything in his heart and mind tells him his soul is tied to Sienna’s?

This edition features two bonus stories describing how alternate versions of Sienna and Jahad come together in parallel universes.

Winner of the Aspen Words Literary Prize 
Winner of the Royal Society of Literature's Encore Award 

Shortlisted for the Women's Prize for Fiction 

A New York Times and Washington Post Notable Book of the Year

“Assured and formidable.” — Wall Street Journal

After years away from her family’s homeland, and reeling from a disastrous love affair, actress Sonia Nasir returns to Haifa to visit her older sister Haneen. This is her first trip back since the second intifada and the deaths of their grandparents: while Haneen made a life here commuting to Tel Aviv to teach at the university, Sonia remained in London to focus on her acting career and now dissolute marriage. On her return, she finds her relationship to Palestine is fragile, both bone-deep and new.

At Haneen’s, Sonia meets the charismatic and candid Mariam, a local director, and finds herself roped into a production of Hamlet in the West Bank. Sonia is soon rehearsing Gertude’s lines in Classical Arabic and spending more time in Ramallah than Haifa, along with a dedicated group of men from all over historic Palestine who, in spite of competing egos and priorities, each want to bring Shakespeare to that side of the wall. As opening night draws closer it becomes clear just how many violent obstacles stand before a troupe of Palestinian actors. Amidst it all, the life Sonia once knew starts to give way to the daunting, exhilarating possibility of finding a new self in her ancestral home.

A stunning rendering of present-day Palestine, Enter Ghost is a story of diaspora, displacement, and the connection to be found in family and shared resistance. Timely, thoughtful, and passionate, Isabella Hammad’s highly anticipated second novel is an exquisite feat, an unforgettable story of artistry under occupation.

Winner, Edmund White Award for Debut Fiction (Publishing Triangle); Finalist, Rogers Writers Trust of Canada Fiction Prize

In Téa Mutonji’s disarming debut story collection, a woman contemplates her Congolese traditions during a family wedding, a teenage girl looks for happiness inside a pack of cigarettes, a mother reconnects with her daughter through their shared interest in fish, and a young woman decides on shaving her head in the waiting room of an abortion clinic.

These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator’s experience as an involuntary one. Tinged with pathos and humor, they interrogate the moments in which femininity, womanness, and identity are not only questioned but also imposed.

Shut Up You’re Pretty is the first book to be published under VS. Books, a series of books curated and edited by writer-musician Vivek Shraya featuring work by new and emerging Indigenous or Black writers, or writers of color.