From the award-winning poet at the height of his career, a book of personal and American experiences, both beautiful and troubling, touching on the generative cycle of loss and renewal

Following on his exquisite Stones, Kevin Young’s new collection, written over the span of sixteen years, shapes stories of loss and legacy, inspired in part by other lives. After starting in the bayous of his family's Louisiana, Young journeys to further states of mind in “All Souls,” evoking “The whale / who finds the shore / & our poor prayers.” Another central sequence, “The Two-Headed Nightingale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into enslavement, stolen, and then displayed by P. T. Barnum and others, the twins later toured the world as free women, their alto and soprano voices harmonizing their own way. Young’s poem explores their evolving philosophical selfhood and pluralities: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”
In “Darkling,” a cycle of poems inspired by Dante’s Divine Comedy, Young expands and embroiders the circles of Hell, drawing a cosmology of both loneliness and accompaniment, where “the dead don’t know / what to do / with themselves.” Young writes of grief and hope as familiar yet surprising states: “It’s like a language, / loss—,” he writes, “learnt only / by living—there—.” Evoking the history of poetry, from the darkling thrush to the darkling plain, Young is defiant and playful on the way through purgatory to a kind of paradise. When he goes, he warns, “don't dare sing Amazing Grace”—that “National / Anthem of Suffering.” Instead, he suggests, “When I Fly Away, / Don't dare hold no vigil . . . Just burn the whole / Town on down.”
This collection will stand as one of Young’s best—his voice shaping sorrow with music, wisdom, heartache, and wit.

A gripping and genre-defying novel by a rediscovered great of twentieth-century Black American writing, about what it means to be a writer at the dawn of a new era

First published in 1965, The Catacombs is a metafictional account set in early 1960s Rome, where the author had returned to study art history after serving on the Italian front during World War II.

African-American expatriate Bill Demby narrates his attempts to write a novel about his friend Doris, who is living in Rome and employed as one of Elizabeth Taylor's handmaidens in the filming of Cleopatra. Utterly dependent upon Doris for the development of his novel, he is both a participant in and observer of her life as she enters into an affair with an Italian count. Bill Demby's growing emotional and artistic involvement in the tumultuous affair of his character-friend leads him on an existential quest for the meaning of truth and fiction, both lived and created, in a world torn by the social upheaval of the early sixties.

Interrupted constantly by headlines from television and newspapers, slipping in and out of fiction and metafiction, The Catacombs is a time capsule from an era on the brink and a novel unlike any other.

With previous work hailed by the New York Times as “unflinching” and “piercing”, Ashley M. Jones’s Lullaby for the Grieving is her most personal collection to date.

In her fourth poetry collection, Jones studies the multifaceted nature of grief: the personal grief of losing her father, and the political grief tied to Black Southern identity. How does one find a path through the deep sorrow of losing a parent? What wonders of Blackness have to be suppressed to make way for "progress"?

Journeying through landscapes of Alabama, the Middle Passage and Underground Railroad, interior spaces of loss and love, and her father’s garden, Jones constructs both an elegy for her father and a celebration of the sacred exuberance and audacity of life. Featuring poems from her tenure as Alabama’s first Black and youngest Poet Laureate, Lullaby for the Grieving finds calm in unimaginable storms and attempts to listen for the sounds of healing.

“A restless collection of incredible breadth, whose ability to meld applied science, faith, history, racial myth, and personal archive gives us poems whose power is unmistakable. A game-changing book.”—Rosalie Moffett, judge of the 2024 National Poetry Series

Radiant with a tenderness that is only achieved through close attention, these poems offer witnessing and formalistic exploration as well as a unique cosmology that is made ever more expansive by blurred lines between the instructional and the improvisational. For Keith Wilson, no image, thought, stanza, or diagram is sufficient in the practice of illumination, so he combines them. The Uncanny Valley diagram is repurposed to imagine a future Emmett Till never saw; visual instructions for line dancing stand in tension with the memory of Wilson’s grandfather picking cotton; prayer is input as equation; a poem gerrymanders a sentence diagram. In these and other gestures, Wilson expands the possibility of what poetry can hold.

Thematically expansive and materially ambidextrous, Games for Children demonstrates how play is one of the highest forms of freedom, and in reclaiming it, our most tender truths are exposed.

In this fearless novel from the award-winning author of Girls Burn Brighter, a couple from India—so different from generations of white colonialists who came before them—move to Montana, only to discover how brutal and unforgiving hubris can be.

Janavi and Sagar were never meant to end up married. Janavi is a wonderfully independent, young modern Indian woman. She works for an organization that helps street children, often lost to the world of poverty and human trafficking. Sagar is a trained hydraulic engineer, an expert in dam construction. He is the least favorite son, his parents never able to forgive him for an unspeakable act from his past. Sagar seeks refuge in his daydreams of one day finding hidden treasures in the fabled Indian river, the Ganges.

Yet the two are forced together into an arranged marriage which neither of them wants. Even worse, Sagar has already accepted a job in America, in a strange place called Montana, where he will be in charge of dismantling a dam.

Montana upends all their expectations. Sagar's white colleagues do not welcome him with open arms, and Janavi finds herself unable to forgive her sister back in India, whose betrayal led her to this marriage and this strange place.

When a colleague of Sagar's is found drowned, Sagar is the obvious scapegoat. But is this death one in a long history of people of color paying the price for the white man's arrogance and expansionism?

Just like the Ganges river that dominates Sagar's dreams, throughout the novel run short historical stories of settlers who conquered both the west and India, and who form the foundation upon which Sagar and Janavi stand.

A bold, ambitious, stunningly beautiful yet brutal novel about colonialism, westward expansion, and the ramifications of both still rippling out today, Indian Country is a tour de force modern-day classic.

A long-awaited, comprehensive collection of renowned poet and performance artist Jayne Cortez’s poetry.

Like the jazz rhythms that inspired and punctuated her practice, Jayne Cortez improvised her way through and across disciplines, bridging poetry and performance with music and the visual arts to create a unique body of work. Consciously rupturing the boundaries between art and politics, Cortez’s practice uneasily fits within literary movements of the 20th century, residing everywhere and nowhere between the Black Arts Movement, Surrealism, feminism, and early performance art. As intersectional as it is interdisciplinary, her work is consistently visceral and fearless, acting as a powerful expression of collective rage on behalf of the disenfranchised and dispossessed. In the words of historian Robin D.G. Kelley, “her poetry was never ‘protest’ but a complete revolt, a clarion call for a new way of life.”

From the Booker Prize finalist and bestselling author: a perceptive novel about a gay Black painter navigating the worlds of art, desire, and creativity

A newcomer to New York, Wyeth is a Black painter who grew up in the South and is trying to find his place in the contemporary Manhattan art scene. It’s challenging. Gallery shows displaying bad art. Pretentious artists jockeying for attention. The gossip and the backstabbing. While his part-time work for an art restorer is engaging, Wyeth suffers from artist’s block with his painting and he is finding it increasingly difficult to spark his creativity. When he meets Keating, a white former seminarian who left the priesthood, Wyeth begins to reconsider how to observe the world, in the process facing questions about the conflicts between Black and white art, the white gaze on the Black body, and the compromises we make – in art and in life.

As he did so adeptly in Booker finalist Real Life and the bestselling The Late Americans, Brandon Taylor brings to life in Minor Black Figures a fascinating set of characters, this time in the competitive art world, and the lives they lead with each and on their own. Minor Black Figures is an involving and tender portrait of friendship, creativity, and the connections between them.

With all the aspirational elements of Eloise and the heart and emotional intelligence of Ways to Make Sunshine, Cruise Life by Reese Eschmann is sure to set sail for success!

All aboard!

Caitlin always has the best time with her dad and big brother, Dylan, on The Wandering Princess, the fanciest, most fun, family-friendly cruise ship, where her dad has a job as the ship's doctor. And this cruise is going to be easy! The passengers are small groups of scrapbookers, family reunion-ers, and magic enthusiasts. Plus Caitlin is now a cruise expert!

What she and Dylan aren’t counting on is a staffing shortage that suddenly finds Caitlin front and center as the substitute magician’s apprentice in the evening shows and Dylan racing around and attending to some increasingly demanding fellow passengers.

Can Caitlin turn the tides and save this cruise?

Sonia Sanchez is a prolific, award-winning poet and one of the most prominent writers in the Black Arts movement. This collection brings her plays together in one volume for the first time. Like her poetry, Sanchez’s plays voice her critique of the racism and sexism that she encountered as a young female writer in the black militant community in the late 1960s and early 1970s, her ongoing concern with the well-being of the black community, and her commitment to social justice. In addition to The Bronx Is Next (1968), Sister Son/ji (1969), Dirty Hearts (1971), Malcolm/Man Don’t Live Here No Mo (1972), and Uh, Uh; But How Do It Free Us? (1974), this collection includes the never-before-published dramas I’m Black When I’m Singing, I’m Blue When I Ain’t (1982) and 2 X 2 (2009), as well as three essays in which Sanchez reflects on her art and activism. Jacqueline Wood’s introduction illuminates Sanchez’s stagecraft in relation to her poetry and advocacy for social change, and the feminist dramatic voice in black revolutionary art.

The second installment in the Healing Verses series from poet r.h. Sin introduces Serenity’s Song, a profound collection of restorative poetry woven together to address the intricate journey of healing from trauma.

Across the volumes of The Healing Verses, r.h. Sin delves deep into the heart of human suffering, offering solace, understanding, and pathways to recovery through the power of words. Each book is a beacon of hope, designed to guide readers through the darkness of their experiences and toward the light of resilience and self-renewal. The carefully selected writings within these pages explore themes of loss, grief, recovery, and the rediscovery of strength within oneself, making the series a compassionate companion for anyone navigating the challenging process of healing.
 
In Serenity’s Song, the second installment of the series, Sin explores the deep and profound desire for harmony that dwells within our collective and individual souls. Throughout his excavation of these feelings, he hopes readers of all backgrounds and lived experiences can find comfort in the knowledge that the peace we seek is already planted within us, we just need the tools to find it. May this series be the shovel on your journey of discovery.

Pachinko meets Beasts of a Little Land in this stunning, evocative tale, set in 1920s Korea, of one seemingly ordinary woman—an uneducated villager living under Japanese occupation—who takes control of her own destiny and rises to become an advocate for women’s literacy as a force for change.

“Women need other women to survive.”

In 1924, Korea is an occupied country. In Seoul’s secret, underground networks and throughout the countryside, rebellion against the Japanese Empire simmers, threatening to boil over. Kim Na-Young lives a simple life in the rural village of Daegeori, where she watches the moon rise and set over the pine-wooded mountains, tends to her household alongside her best friend, Yeon-Soo, and cares for her sick mother.

But the occupation touches every Korean life—even Na-Young’s. In the wake of a tragedy that stuns the village, Na-Young’s father arranges her marriage to a man she’s never met, and Na-Young and Yeon-Soo decide to flee, taking their fate into their own hands. That decision sets them on their own collision course with the occupying forces, resulting in a violent encounter that will alter both of their lives forever—in shockingly different ways.

Taking us from a small village to the bustling corridors of Seoul, where women and girls can learn to read and write in multiple languages and members of the revolution pass coded messages through the back rooms of teahouses, Ann Y. K. Choi weaves a masterful tale of a woman taking command not only of her own identity but her own destiny.

A sweeping journey through historical Korea and an utterly compelling portrait of one woman’s remarkable life, All Things Under the Moon is both a stunning literary achievement and a beautifully written tribute to the sacrifices women make for each other.

A powerful, joyful novel in verse about a Black teen with ADHD who finds self-expression and first love during one epic summer school season, perfect for fans of Jason Reynolds and On the Come Up.

For the third summer in a row, Pernell is back in the classroom, facing the same struggles that have always made school seem more like a battlefield than a place of learning. This summer is different, though: he’s battling to become the Cypher King, leader of the lunchroom’s impromptu rap circles. Here, the rhythm flows and the words fly, creating a space where the wittiest and most rhythmically inclined reign supreme. Here, Pernell’s ADHD gives him an edge.

But life outside the cypher isn’t as forgiving. Pernell’s English teacher has it out for him. His parents are pressuring him to see a doctor for his lack of focus. And Electra, his friend-slash-crush and the only one who truly gets him, is too busy chasing her dream internship to give him the time of day.

If Pernell doesn’t pull himself together, he won’t just lose the title of Cypher King—he’ll lose his chance to graduate high school. In a world where the systems are turned against kids like him, Pernell needs to find a way to succeed with his ADHD, rather than in spite of it.

In this new series from #1 New York Times bestselling author Ian K. Smith, an ex-cop turned private investigator seeks justice on the vibrant, dangerous streets of Chicago.

Former Chicago detective Ashe Cayne is desperate for redemption. After refusing to participate in a police department cover-up involving the death of a young black man, Cayne is pushed out of the force. But he won’t sit quietly on the sidelines: he’s compelled to fight for justice as a private investigator…even if it means putting himself in jeopardy.

When a young woman, Tinsley Gerrigan, goes missing, her wealthy parents from the North Shore hire Cayne to find her. As Cayne looks into her life and past, he uncovers secrets Tinsley’s been hiding from her family. Cayne fears he may never find Tinsley alive.

His worries spike when Tinsley’s boyfriend is found dead―another black man murdered on the tough Chicago streets. Cayne must navigate his complicated relationships within the Chicago PD, leveraging his contacts and police skills to find the missing young woman, see justice done, and earn his redemption.

‘My book of the year so far…’ ―Lee Child, #1 New York Times bestselling author

In this chilling thriller from the bestselling authors of Spare Room, one woman just wants the truth about who she really is. But she’s not the only one looking…

It’s twenty years since Eva, a biracial woman, was adopted as an eight-year-old, and Cherry and Carlton ‘Sugar’ McNeil have always been the only parents she’s wanted or needed. But when she’s dealt the double blow of Cherry’s death and her own suspension from work, Eva decides it’s time to discover who she was before she was theirs.

Against Sugar’s advice, Eva joins a DNA database, desperate for a match that will unlock her identity. And when a positive hit comes, she’s excited to learn there are relations out there who might hold the key. But the closer Eva gets to uncovering her past, the more it appears someone is trying to stop her finally finding the truth…

As she continues to dig, Eva is drawn into a dark and merciless underside to society, where black women disappear without a word. Names erased from history, no search parties, no desperate pleas for their return. Once, someone tried to save Eva from all this. Someone wanted a better life for her. But now that she’s torn down the facade of her life, has she come too far to be spared again?

In this warmly funny romance about finding your way, opposites attract when an ex-heiress and a single dad cross paths, only to find that their separate roads may lead them to the same destination.

Rowan Quinn knows fatherhood is a role he doesn’t want to take on―until he unexpectedly finds himself a single dad. He uproots his perfectly constructed life to move to a tight-knit coastal community in South Africa where, with the help of his grandmother, Rowan has a shot at giving his son the family he never had.

Once footloose and fancy-free, former heiress Delilah Huntington is now a waitress in Sugarbush Bay determined to build a better life and a better self. So when she meets introverted Rowan, she makes it her personal mission to induct him into the town’s circle of single dads to give him the support he needs.

The more Delilah lends her help to an out-of-his-depth Rowan, the more Rowan begins to realize that family is what you make it…and, just maybe, Delilah could be part of his.

A smash debut novel from rising star Yasmin Angoe, Her Name Is Knight features an elite assassin heroine on a mission to topple a human trafficking ring and avenge her family.

Stolen from her Ghanaian village as a child, Nena Knight has plenty of motives to kill. Now an elite assassin for a powerful business syndicate called the Tribe, she gets plenty of chances.

But while on assignment in Miami, Nena ends up saving a life, not taking one. She emerges from the experience a changed woman, finally hopeful for a life beyond rage and revenge. Tasked with killing a man she’s come to respect, Nena struggles to reconcile her loyalty to the Tribe with her new purpose.

Meanwhile, she learns a new Tribe council member is the same man who razed her village, murdered her family, and sold her into captivity. Nena can’t resist the temptation of vengeance―and she doesn’t want to. Before she can reclaim her life, she must leverage everything she was and everything she is to take him down and end the cycle of bloodshed for good.

She’s a new PI in a beautiful seaside town. It’s dirtier than it looks―and more dangerous too―in a twisting novel of suspense by the Anthony Award–nominated author of These Toxic Things.

After ten years on the force, LAPD cop Sonny Rush relocates with her elderly mother to peaceful Haven, California, to join her godfather’s burgeoning PI business. What crimes could possibly happen in a town nicknamed “Mayberry by the Sea”? Sonny’s first case: find Figgy, a missing goldendoodle last seen sporting a Versace collar. At least scouting out a dognapper gives Sonny a chance to get to know her new neighbors.

Forty-eight hours in town and Figgy’s disappearance entangles Sonny in an unwelcome reunion with her ex, one of Haven’s wealthiest citizens. And when the body of a teenage boy is found along a popular hiking trail, Sonny is drawn into a web of strange beyond anything she ever saw in LA.

Then comes a local’s warning: question everything. Haven hides secrets that could destroy its idyllic facade. Or destroy Sonny first.

A brutal homicide sets an ex-cop and his former partner on the hunt for an enigmatic killer in a gripping thriller by the author of Under Color of Law.

When former detective Trevor “Finn” Finnegan became a PI, he adopted a new mandate: catch the LAPD’s worst in the act. While on surveillance in Venice Beach, Finn tails two potentially dirty cops: Detective Martin Riley and Finn’s ex-partner, Detective Sally Munoz. Things take a deadly turn when an unknown assailant executes Riley and wounds Munoz. In an instant, Finn goes from private eye to eyewitness.

Munoz needs Finn to help find Riley’s killer, but doing so could blow his cover. She’s an officer shaded by rumors. Maybe she’s still a good cop―but maybe she’s not. Finn’s reluctance ends when his dear “uncle,” an ex-LAPD detective, is murdered, and it might be connected to Riley’s death.

To prevent more bloodshed and avoid becoming the next targets on the killer’s list, Finn and Munoz will have to bury their complicated past, trust each other, and come face-to-face with painful secrets that could destroy them both.

Grip Trilogy Reading Order: Flow, Grip #1Grip, Grip #2Still, Grip #3 FLOW chronicles the week of magical days and nights that will haunt Grip & Bristol for years to come.In 8 years, Marlon James will be one of the brightest rising stars in the music industry. Bristol Gray will be his tough, no-nonsense manager.But when they first meet, she's a college student finding her way in the world, and he's an artist determined to make his way in it. From completely different worlds, all the things that should separate them only draw them closer. It's a beautiful beginning, but where will the story end?

"A bombastic coming-of-age novel....The White Boy Shuffle has the uncanny ability to make readers want to laugh and cry at the same time."--Los Angeles Times

The first novel from National Book Critics Circle Award and Man Booker Prize-winning author of The Sellout

Paul Beatty's hilarious and scathing debut novel is about Gunnar Kaufman, an awkward, black surfer bum who is moved by his mother from Santa Monica to urban West Los Angeles. There, he begins to undergo a startling transformation from neighborhood outcast to basketball superstar, and eventually to reluctant messiah of a "divided, downtrodden people."

From Paul Beatty, the author of the Man Booker Prize winner The Sellout, comes Tuff, a novel as fast-paced and hard-edged as the Harlem streets it portrays.

Age nineteen and weighing in at 320 pounds, Winston “Tuffy” Foshay is an East Harlem denizen who breaks jaws and shoots dogs and dreams of earning millions from his idea for Cap’n Crunch: The Movie, starring Danny DeVito. His best friend is a disabled Muslim who wants to rob banks, his guiding light is an ex-hippie Asian woman who worked for Malcolm X, and he married his wife, Yolanda, over the phone from jail.

He’s funny and fierce, frustrated and feared. And when Tuff decides to run for City Council, this dazzling novel goes from astoundingly funny to acerbically sublime. By turns profound and irreverent, and populated with a hilarious supporting cast, Paul Beatty's Tuff is satire at its razor-sharp best.

“An extravagant, satirical cri de couer...Beatty’s blunt, impious, streetwise eloquence has a kind of transfixing power.” ―The New York Times Book Review

“Masterfully conceived and highly entertaining...Richly textured and unforgettable.”―The Boston Globe

A finalist for the 2015 National Book Award and the National Book Critics Circle Award

In How to Be Drawn, his daring fifth collection, Terrance Hayes explores how we see and are seen. While many of these poems bear the clearest imprint yet of Hayes’s background as a visual artist, they do not strive to describe art so much as inhabit it. Thus, one poem contemplates the principle of blind contour drawing while others are inspired by maps, graphs, and assorted artists. The formal and emotional versatilities that distinguish Hayes’s award-winning poetry are unified by existential focus. Simultaneously complex and transparent, urgent and composed, How to Be Drawn is a mesmerizing achievement.

An award-winning play from one of America’s most brilliant writers about a murder in a small Southern town, loosely based on the 1955 killing of Emmett Till. • "A play with fires of fury in its belly, tears of anguish in its eyes, a roar of protest in its throat." —The New York Times

James Baldwin turns a murder and its aftermath into an inquest in which even the most well-intentioned whites are implicated—and in which even a killer receives his share of compassion. 

In a small Southern town, a white man murders a black man, then throws his body in the weeds. With this act of violence, James Baldwin launches an unsparing and at times agonizing probe of the wounds of race.

For where once a white storekeeper could have shot a "boy" like Richard Henry with impunity, times have changed. And centuries of brutality and fear, patronage and contempt, are about to erupt in a moment of truth as devastating as a shotgun blast.

A spiky, edgy collection of five sly yet sensitive stories spotlighting clear-eyed and “difficult” women who are navigating their identities as workers and women in contemporary Japan—a feminist, anti-capitalist modern classic published outside Asia and in English for the first time.

The Dilemmas of Working Women is Fumio Yamamoto’s darkly witty look at modern Japanese women who are ambivalent about their lives and jobs. In “Naked,” a woman who’s simultaneously lost her business and her husband finds that it is surprisingly comfortable to stay at home sewing stuffed animals, even if it makes her a “loser” in the eyes of society. In “Planarian,” a young woman recovering from breast cancer tells her friends and boyfriend that she would prefer to be the titular worm to organically regenerate her body. Each of these spiky women—as well as the three other protagonists in this groundbreaking work—chafes against social expectations that equate work with worth and demand women squeeze into the confining and sometimes dehumanizing role of employee in a world built by and for men.

First published in Japan in 2000, The Dilemmas of Working Women struck a nerve with Japanese readers and became a bestselling literary sensation, selling nearly half a million copies and winning the prestigious Naoki Prize in Literature. A quarter of a century later, this brilliant modern classic—available for the first time outside Asia and in English—remains deliciously funny and astonishingly relevant.

Translated from the Japanese by Brian Bergstrom

A collectible hardcover edition of our greatest African American poet's award-winning first novel, about a black boy's coming-of-age in a largely white Kansas town, featuring an introduction by National Book Award finalist Angela Flournoy

A Penguin Vitae Edition

When first published in 1930, Not Without Laughter established Langston Hughes as not only a brilliant poet and leading light of the Harlem Renaissance but also a gifted novelist. In telling the story of Sandy Rogers, a young African American boy in small-town Kansas, and of his family--his mother, Annjee, a housekeeper for a wealthy white family; his irresponsible father, Jimboy, who plays the guitar and travels the country in search of employment; his strong-willed grandmother Hager, who clings to her faith; his Aunt Tempy, who marries a rich man; and his Aunt Harriet, who struggles to make it as a blues singer--Hughes gives the longings and lineaments of black life in the early twentieth century an important place in the history of racially divided America.

Penguin Vitae--loosely translated as “Penguin of one’s life”--is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

The year is 2035, and Los Angeles County is awash in a tangelo haze of wildfire smoke. Xandria Anastasia Brown spends her days deep in the archives of the Huntington Library as the curator of African American Ephemera and associate curator of American Historical Manuscripts, supported by an array of AI personal assistants and health bots. Descended from a family of obsessive collectors who took part in the Great Migration, Xandria grew up immersed in African American ephemera and realia: boots worn by Negro Troopers during the Civil War, Black ATA tennis rackets, bandanas worn by the Crips....

Although Xandria’s work may preserve collective memory, she is losing a grasp on her own. Evren, her new health bot, won’t stop reminding her that her symptoms of long COVID are worsening; not to mention that severe asthma, chronic fatigue, grief, and worrying lapses in reality keep disrupting progress on a new Octavia E. Butler exhibition, cataloging the new Diwata Collection, and organizing the Huntington against a stealth corporate takeover. Then, one morning a colleague Xandria can’t place calls to wish her a happy birthday―and the library goes into an emergency lockdown.

Sequestered in the archive with only her adaptive technology and flickering intuition, Xandria fears that her life’s work is in danger―the Diwata Collection, a radical blueprint for humanity’s survival. Up against a faceless enemy and unsure of who her human or AI allies truly are, she must make a choice.

A lyrical and strikingly original saga, The Ephemera Collector announces Stacy Nathaniel Jackson as a singular new voice in fiction.

32 black-and-white images

A startling new dream-like vision of Jamaica―a work of surreal poetic fiction, lavishly studded with ecological prayers, drawings, and footnotes about healing herbs, disappearing flora-fauna, and buried herstories―by Whiting Award winner Marcia Douglas

Zooming into tight focus on present-day life and dashing deep into the past in turns, the pace is fast and fierce in The Jamaica Kollection of the Shante Dream Arkive, which continues Marcia Douglas’ “speculative ancestral project” (The Whiting Foundation) begun with The Marvellous Equations of the Dread. Her new poetic and eco-spiritual book carries further the cultural preservation so central to Douglas’ vision. TheShante Dream Arkive brings alive a mosaic of characters―all searching through history for something or someone lost to the island: a mother searches for her missing child through time and space; an undocumented migrant’s struggles with loss while living in the US; a youth wanders through dream-gates seeking liberation and the lost parts of himself. And one key to the whole is Zora Neale Hurston’s left-behind camera. Each chapter/poem opens like an aperture onto another aspect of the dream story. And, each and every potent dream story contains the spirit, beauty, and riddim of Jamaica:

For after three hundred years of slaughter, monk seals know better than to reveal themselves to humans. These days, they stay low, adapting to below surface conditions and establishing habitat with the underwater spirits of drowned horses and slaves disappeared overboard. For things happen below sea that have never been told. There is wheelin there and turnin; and far-far down past brochure azure, cerulean and indigo, there is a vast dark ink and vortices of voices caught up in such a trumpet of rah- &-glory bottomsea sound as to move earth’s axis. And after that, more ink blue, and cobalt and sapphire and a calm-calm wata― velvet and kin to the moon brand new. The monk seals dare not go this far. But the spirits do.

Nobel Prize-winner Wole Soyinka's debut novel tells the story of a group of friends facing political corruption and cultural uncertainty in post-independence Nigeria.

Friends since high school, Egbo, Bandele, Sagoe, Sekoni and Kola have returned to Lagos after studying abroad. As they navigate wild parties, affairs of the heart, philosophical debates, and professional dilemmas, they struggle to reconcile the cultural traditions and Western influences that have shaped them – and that still divide their country.

In The Interpreters, Soyinka deftly weaves memories of the past through scenes of the present as the friends move toward an uncertain future. The result is a vividly realised fictional world rendered in prose that pivots easily from satire to tragedy.

'No other writer has Soyinka's unique positioning in the political and cultural life of his nation.' Ben Okri
'Wole Soyinka is a Nigerian icon.' Guardian
'Elaborately, strikingly and indeed often beautifully written.' The Times

A sweeping, multicultural family story of keen observation and the supernatural in which one man’s journey to wholeness against the collapse of the West Indies’ banana industry during the 1990s reflects the lasting impacts of colonialism, Catholicism, and immigration.

Before the gadèt-zafè came to warn his mother she would die, six-year-old Fidel knew only the everyday mystery of the Guadeloupe around him. The lush greenery, the dusty roads, the sugar cane growing and the neighbors arguing, the push and pull of love and resentment between people who rely on each other—his world is small but full. Until a few moments of violence change his life forever.

Orphaned, Fidel returns to his mother’s native Dominica and whirls from one relative and reality to another, learning pieces of his own story. His heritage is one of layered secrets and sharp divisions—between the grandmothers who love him and the aunt who wants him dead, the Catholic orthodoxy of his school and the Obeah knowledge of his grandfather, and the indigenous and the colonial. The violence he’s witnessed inhabits not only strangers but himself. The spirits of the dead visit him with advice, threats, and explanations. And when he sees a path toward happiness in Canada, he must reconcile his intense, bittersweet love of his home with the possibility of leaving it.

*ships in 7- 10 business days*

The New York Times bestselling author of Wench returns to the Civil War era to explore the next chapter of history—the trauma of the War and the end of slavery—in this powerful story of love and healing about three people who struggle to overcome the pain of the past and define their own future.

The Civil War has ended, and Madge, Sadie, and Hemp have each come to Chicago in search of a new life.

Born with magical hands, Madge has the power to discern others’ suffering, but she cannot heal her own damaged heart. To mend herself and help those in need, she must return to Tennessee to face the women healers who rejected her as a child.

Sadie can commune with the dead, but until she makes peace with her father, she, too, cannot fully engage her gift.

Searching for his missing family, Hemp arrives in this northern city that shimmers with possibility. But redemption cannot be possible until he is reunited with those taken from him.

In the bitter aftermath of a terrible, bloody war, as a divided nation tries to come together once again, Madge, Sadie, and Hemp will be caught up in a desperate, unexpected battle for survival in a community desperate to lay the pain of the past to rest.

Beautiful in its historical atmosphere and emotional depth, Balm is a stirring novel of love, loss, hope, and reconciliation set during one of the most critical periods in American history.

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A stunning, heartwrenching new novel from Abi Daré, New York Times bestselling author of The Girl with the Louding Voice

When Tia accidentally overhears a whispered conversation between her mother—terminally ill and lying in a hospital bed in Port Harcourt, Nigeria—and her aunt, the repercussions will send her on a desperate quest to uncover a secret her mother has been hiding for nearly two decades.

Back home in Lagos a few days later, Adunni, a plucky fourteen-year-old runaway, is lying awake in Tia’s guest room. Having escaped from her rural village in a desperate bid to seek a better future, she’s finally found refuge with Tia, who has helped her enroll in school. It’s always been Adunni’s dream to get an education, and she’s bursting with excitement. 
 
Suddenly, there’s a horrible knocking at the front gate. . . .

It’s only the beginning of a harrowing ordeal that will see Tia forced to make a terrible choice between protecting Adunni or finally learning the truth behind the secret her mother has hidden from her. And Adunni will learn that her “louding voice,” as she calls it, is more important than ever, as she must advocate to save not only herself but all the young women of her home village, Ikati. 
 
If she succeeds, she may transform Ikati into a place where girls are allowed to claim the bright futures they deserve—and shout their stories to the world.

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An electrifying debut story collection about Central American identity that spans past, present, and future worlds to reveal what happens when your life is no longer your own.

An ordinary man wakes one morning to discover he’s a famous reggaetón star. An aging abuela slowly morphs into a marionette puppet. A struggling academic discovers the horrifying cost of becoming a Self-Made Man.

In There Is a Rio Grande in Heaven, Ruben Reyes Jr. conjures strange dreamlike worlds to explore what we would do if we woke up one morning and our lives were unrecognizable. Boundaries between the past, present, and future are blurred. Menacing technology and unchecked bureaucracy cut through everyday life with uncanny dread. The characters, from mango farmers to popstars to ex-guerilla fighters to cyborgs, are forced to make uncomfortable choices—choices that not only mean life or death, but might also allow them to be heard in a world set on silencing the voices of Central Americans.

Blazing with heart, humor, and inimitable style, There Is a Rio Grande in Heaven subverts everything we think we know about migration and its consequences, capturing what it means to take up a new life—whether willfully or forced—with piercing and brilliant clarity. A gifted new storyteller and trailblazing stylist, Reyes not only transports to other worlds but alerts us to the heartache and injustice of our own.