Martha’s Daughter is the brilliant and influential author David Haynes’s first short story collection and the first time that Haynes’s stories have ever been assembled in one volume. Steeped in everyday gossip and lives, this collection ranges from the magically real life of a city’s crumbling superhero to a rundown motel whose long-term guests are lucky to call home. In the titular novella the first hours are chronicled after Cynthia finds out her mother has died. What we learn is that Cynthia is a woman who has been bullied by her mother’s overbearing opinions, her disdain for difference, her respectability politics, and her outdated beliefs about how men and women should relate to one another. Martha’s death is less a catalyst for Cynthia’s grief than an opportunity to free herself of a burden too long endured.

The sixth in McSweeney’s Of the Diaspora series, Martha’s Daughter is another record in David’s oeuvre, of the people and places he’s been recording since the beginning of his career, some thirty years ago. With its full-circle connection to Haynes’s previous novels, Martha’s Daughter is guaranteed to enthrall longtime fans and new readers alike.

An original middle-grade graphic novel starring breakout character (and New Jersey's own) Ms. Marvel!

Kamala Khan (a.k.a Ms. Marvel) is stretched too thin-literally. She's having a hard time balancing schoolwork with being a good friend, being there for her family, becoming the best fanfic writer this side of the Hudson River ... and, you know, becoming a Super Hero. She's tired and just barely keeping control, BUT she's handling it. Totally.

But when a mysterious robot tries to infiltrate Avengers Tower, it'll be up to Ms. Marvel to (again, literally) pull herself together, learn to ask for help, and fix the mess she's made before anyone gets hurt!

Leon struggles with a super ego -- and a super secret! -- in the second graphic novel in Jamar Nicholas's action-packed, heartfelt, and joyously funny series.

After saving his classmates from The Monocle, and now that he has access to tons of cool crime-fighting gadgets, Leon is the superhero his school needs. Or at least... he thinks he is. Leon's vigil-antics make Mom and Principal Principle angry, but even worse, they cause a conflict with his best friend, Carlos, who starts to draw mean comics about Leon. Meanwhile, Leon struggles to keep his mom's superhero identity a secret.

Can Leon dig deep and rediscover his heart and common sense? Or will his bad behavior reach a point of no return?

Layla and the Bots are building a SWEET new invention!

Pick a book. Grow a Reader!This series is part of Scholastic's early chapter book line Branches, aimed at newly independent readers. With easy-to-read text, high-interest content, fast-paced plots, and illustrations on every page, these books will boost reading confidence and stamina. Branches books help readers grow!Blossom Valley is opening a new community center! But they need to generate buzz for the grand opening. Layla and the Bots know how to help: they will build a cupcake machine for the party! But will their invention be a piece of cake... or a recipe for disaster? With full-color artwork on every page, speech bubbles throughout, and a fun DIY activity that readers can try at home, this early chapter book series brings kid-friendly STEAM topics to young readers!

Rising star Shauna J. Grant makes her Graphix Chapters debut with this humorous and wholesome series.

Get drawn into reading with Graphix Chapters!

Graphix Chapters are ideal books for beginning and newly independent readers aged 6-8. With approachable page counts, easy-to-follow paneling, and artwork that supports text comprehension, these engaging stories with unforgettable characters help children become lifelong readers.

Meet Mimi. She's charming! She's cheerful! She's cute!

But that's not all! She's also a loyal friend and fun playmate, who has the best adventures with Penelope, her magical toy dog. But when Mimi notices people treating her like she's too cute, can she show them that she's much more than meets the eye? Or will she be stuck in this cute-astrophe?

Mimi returns for another misadventure in this sweet, funny Graphix Chapters series by Shauna J. Grant.

Get drawn into reading with Graphix Chapters!

Graphix Chapters are ideal books for beginning and newly independent readers aged 6-8. With approachable page counts, easy-to-follow paneling, and artwork that supports text comprehension, these engaging stories with unforgettable characters help children become lifelong readers.

Boo-hoo! Mimi is not having a good day. She can't get her pigtails to sit right, she's not in the mood for her favorite breakfast, and she's far from feeling like her usual self. Mimi has a case of the Blahs, where nothing feels quite right. With the help of Penelope, her magical toy dog and best friend, she sets out to find a way to get rid of this icky feeling. Will Mimi reclaim her spark, or will the Blahs get the best of her?

The highly anticipated new novel. When a young single woman in Tokyo decides she’s ready to sell anything—even her womb—to escape the precarity of her life, an agency pairs her with a wealthy couple desperate to have a child. The match seems made in heaven. She even looks a little like the wife. But is anything ever that simple?

Nothing has ever gone right for Riki. She left her boring hometown in Hokkaido, where she worked at a nursing home, for a better life in Tokyo. But as a temp in the big city she has no job security, and barely scrapes by. She eats the same old discount boiled egg for lunch every day, sometimes for dinner, too. Many of her peers have to take on a side hustle just to make ends meet. So when her friend discovers an agency offering a hefty sum for egg donation, both leap at the chance for an interview.

Meanwhile, former ballet star Motoi Kusaoke and his wife, Yuko, have been trying to conceive for years. After trying what feels like every available option, it seems futile—until Motoi dives deep into his research and learns that, while surrogacy is technically illegal in Japan, there is a company that’s found a loophole.

Before long, everyone has an opinion on the matter: from Yuko’s sex-obsessed, asexual best friend, to Motoi’s controlling prima ballerina mother, and even the affable sex-worker-slash-therapist that Riki has been to a couple of times, after she accepted a down payment to be a surrogate.

Acutely funny and addictively page-turning, Swallows pulls at the seams of society, reassessing our understanding of motherhood, self-worth, bodily autonomy, and class. What does it mean to be “in control”? And can money really buy happiness?

Jordan Peele’s Us meets The School For Good Mothers in this horror-tinged intergenerational saga, as a single mother’s doppelganger forces her to confront the legacy of violence that has shaped every woman in their family.

Single mother Alice Chow is drowning. With a booming online cloth diaper shop, her resentful teenage daughter Luna, and her screen-obsessed son Luca, Alice can never get everything done in a day. It’s all she can do to just collapse on the couch with a bottle of wine every night.

It’s a relief when Alice wakes up one morning and everything has been done. The counters are clear, the kids’ rooms are tidy, orders are neatly packed and labeled. But no one confesses they’ve helped, and Alice doesn’t remember staying up late. Someone–or something–has been doing her chores for her.
Alice should be uneasy, but the extra time lets her connect with her children and with her hard-edged mother, who begins to share their haunted family history from Alice’s great-grandmother, a comfort woman during WWII, through to Alice herself. But the family demons, both real and subconscious, are about to become impossible to ignore.

Sharp and incisive, The Hunger We Pass Down traces the ways intergenerational trauma transforms from mother to daughter, and asks what it might take to break that cycle.

Part historical fiction, part horror mystery, this thrilling novel is perfect for fans ofBlack Leopard, Red Wolf and Black Sun.

A leader of the Jamaican Maroons crosses paths with an enigmatic sorceress in thisspine-tingling tale of ancient enemies, based on real Jamaican history and legend

Deep in the heart of Jamaica, the stories of insatiable bloodthirsty creatures and dark rituals brought over from the old country have been the stuff of legends for centuries. Queen Nanny, the leader of a community of Maroons, is well versed in military leadership
and spiritual wisdom. But how do you beat an enemy that possesses the power over life and death?

One such figure is the enigmatic White Witch, shrouded in mystery and
superstition—some say she was once a wealthy woman who murdered her husbands while others believe she was a powerful sorceress who used dark magic. As the White Witch threatens the safety of Queen Nanny’s home, she must use every weapon at her disposal to protect her people.

With action and mystery that brings to life a legendary urban myth, this thrilling novel provides a fresh perspective on Jamaica's rich cultural history and is a must-read for horror and thriller enthusiasts.

A picture book that celebrates the community built at the hair salon and the dynamic variety of natural hairstyles!

Today is the day!

A little girl’s first trip to the salon is a rite of passage, but choosing a new hairstyle is feeling like an impossible task! There are so many styles to choose from—bobs, buns, coils, fros, and more. And according to Grandma, Momma, and Sissy, choosing the best one means thinking about ease, lifestyle, and personality…It’s A LOT to think about!

When the options seem overwhelming, the young girl decides to search for what feels right today, and that there’s always a future salon visit to try something new. While admiring the three loving women who have guided her through this big day, she finally sees it…her own kind of beautiful!

From coils and long locs to waves and braids, Salon Saturday offers a vibrant portrayal of Black hairstyles, cherishing them as both a ritual and an ever-evolving journey of self-expression.

The Instant NYT Bestselling Bunheads by Misty Copeland gets a second act.

Misty and her bunhead crew are back! And this time, they’re excited to learn the ballet Don Quixote—a wondrous tale about a brave knight search-ing for his Dulcinea, his one true love.

Misty’s best friend, Cat, loves this ballet most of all. She thinks Don Quixote’s quest to find love is romantic, but she also knows the story’s real hero is Kitri, the daughter of an innkeeper, who boldly defies her father to marry for love instead of money.

The class is spellbound as Cat tells them the story, and their teacher agrees Don Quixote is the perfect next ballet for their class to perform.

The bunheads get right to work learn-ing the ballet. Misty hopes to land the role of Cupid, and she knows the role of the strong-willed Kitri could only be played by Cat. But when Cat is injured and unable to perform, she weathers her disappointment with courage and a dose of girl power that would make Kitri proud.

Bunheads, Act 2: The Dance of Courage is an inspiring tale for anyone who’s ever suffered a setback or had a dream deferred.

Setor Fiadzigbey returns to bring Misty Copeland’s bunhead crew to vibrant life with illustrations that will enthrall.

A “haunting and fresh” (Los Angeles Times) novel about doubt, faith, and the monsters we carry within us that “[draws] comparisons to the work of Ralph Ellison and Thomas Pynchon” (The Wall Street Journal)

“Big Machine is like nothing I’ve ever read, incredibly human and alien at the same time. Victor LaValle writes like Gabriel García Márquez mixed with Edgar Allan Poe.”—Mos Def

ONE OF THE BEST BOOKS OF THE YEAR: Los Angeles Times, The Washington Post, Chicago Tribune, Publishers Weekly

Ricky Rice is a middling hustler with a lingering junk habit, a bum knee, and a haunted mind. A survivor of a suicide cult, he scrapes by as a porter at a bus depot in Utica, New York, until one day a mysterious letter arrives, summoning him to enlist in a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard what may have been the voice of God.

Infused with the wonder of a disquieting dream and laced with Victor LaValle’s fiendish comic sensibility, Big Machine is a mind-rattling mystery about doubt, faith, and the monsters we carry within us.

Winner of the American Book Award and the Shirley Jackson Award

PRE-ORDER: ON SALE DATE: January 13, 2026

A gripping and genre-defying novel by a rediscovered great of twentieth-century Black American writing, about what it means to be a writer at the dawn of a new era

First published in 1965, The Catacombs is a metafictional account set in early 1960s Rome, where the author had returned to study art history after serving on the Italian front during World War II.

African-American expatriate Bill Demby narrates his attempts to write a novel about his friend Doris, who is living in Rome and employed as one of Elizabeth Taylor's handmaidens in the filming of Cleopatra. Utterly dependent upon Doris for the development of his novel, he is both a participant in and observer of her life as she enters into an affair with an Italian count. Bill Demby's growing emotional and artistic involvement in the tumultuous affair of his character-friend leads him on an existential quest for the meaning of truth and fiction, both lived and created, in a world torn by the social upheaval of the early sixties.

Interrupted constantly by headlines from television and newspapers, slipping in and out of fiction and metafiction, The Catacombs is a time capsule from an era on the brink and a novel unlike any other.

PRE-ORDER: ON SALE DATE: January 13, 2026

After several years of silence and seclusion in Beetlecreek's black quarter, a carnival worker named Bill Trapp befriends Johnny Johnson, a Pittsburgh teenager living with relatives in Beetlecreek. Bill is white. Johnny is black. Both are searching for acceptance, something that will give meaning to their lives. Bill tries to find it through good will in the community. Johnny finds it in the Nightriders, a local gang. David Diggs, the boy's dispirited uncle, aspires to be an artist but has to settle for sign painting. David and Johnny's new friendship with Bill kindles hope that their lives will get better. David's marriage has failed; his wife's shallow faith serves as her outlet from racial and financial oppression. David's unhappy routine is broken by Edith Johnson's return to Beetlecreek, but this relationship will be no better than his loveless marriage. Bill's attempts to unify black and white children with a community picnic is a disaster. A rumor scapegoats him as a child molester, and Beetlecreek is titillated by the imagined crimes.

This novel portraying race relations in a remote West Virginia town has been termed an existential classic. It would be hard, said The New Yorker, to give Mr. Demby too much praise for the skill with which he has maneuvered the relationships in this book. During the 1960s Arna Bontemps wrote, "Demby's troubled townsfolk of the West Virginia mining region foreshadow present dilemmas. The pressing and resisting social forces in this season of our discontent and the fatal paralysis of those of us unable or unwilling to act are clearly anticipated with the dependable second sight of a true artist."

First published in 1950, Beetlecreek stands as a moving condemnation of provincialism and fundamentalism. Both a critique of racial hypocrisy and a new direction for the African-American novel, it occupies fresh territory that is neither the ghetto realism of Richard Wright nor the ironic modernism of Ralph Ellison. Even after fifty years, more or less, William Demby said in 1998, "It still seems to me that Beetlecreek is about the absence of symmetry in human affairs, the imperfectibility of justice the tragic inevitability of mankind's inhumanity to mankind."

William Demby is the author of The Catacombs and Love Black. He lives in Sag Harbor, N. Y. James C. Hall, a professor of African-American Studies and English at the University of Illinois, Chicago, is the author of the forthcoming book, Mercy, Mercy, African-American Culture and the American Sixties, and editor of Langston A Collection of Poems.

From the award-winning, bestselling “literary pied piper” (The New York Times) who brought us Boy, Snow, Bird comes a masterful story that asks: What if the different sides of your personality had trust issues with each other?

New Day, New You!

Kinga is a woman who is just trying to make it through the week. There’s a Kinga for every day: On Mondays, you can catch Kinga-A deleting food delivery apps. By Friday, Kinga-E is happy to spend the days soaking, wine-drunk, in the bath.

Kingas A–G, perhaps unsurprisingly, live a varied life—between them is a professional matchmaker, a scent-crazed perfumer, and a window cleaner, all with varying degrees of apathy, anger, introversion, and bossiness. At least three of them are Team Toxic.

It’s an arrangement that’s not without its fair share of admin, grudges, and half-truths. But when Kinga-A discovers a man tied up in their apartment, the Kingas have to reckon with the possibility that one of them might be planning to destroy them all.

How many versions of oneself can one self safely contain?

Finalist for the 2025 Aspen Words Literary Prize

Set against the backdrop of 1970s Nigeria teetering between post-colonial dependency and self-rule, Before the Mango Ripens examines the enduring themes of faith, disillusionment, and the search for belonging. Both epic and intimate, Afabwaje Kurian's debut announces a brilliant new talent for readers of Imbolo Mbue and Chimamanda Ngozi Adichie.

In Rabata, everyone has secrets—especially since the arrival of the white American missionaries.

Twenty-year-old Jummai is a beautiful and unassuming house girl whose dreams of escaping her home life are disrupted when an unexpected pregnancy forces her to hide her lover's identity. Tebeya, an ambitious Dublin-educated doctor, has left prestigious opportunities abroad to return to the small town of her birth, and discovers a painful betrayal when she strives to take control of the mission clinic. Zanya is a young translator, enticed by promises of progress, who comes to Rabata to escape a bitter past and finds himself embroiled in a fight against the American reverend for the heart of the church and town.

United by their yearning for change, all three must make difficult decisions that threaten the fragile relationships of the Rabata they know. As tensions mount and hypocrisies are unveiled, the people of Rabata are faced with a question that will transform their town forever: Let the Americans stay, or make them go?

Now with a brilliant new package, a re-issue of the sophomore novel  by Percival Everett, New York Times bestselling author of National Book Award winner James.

Haunting, provocative and bleakly funny, Walk Me to the Distance is Percival Everett’s brilliant reexamination of the Western, and a laconic tragicomedy about what it takes to survive in the last days of a bygone big-sky country.

In self-imposed exile after returning home from the war in Vietnam, David Larson meanders into the barren town of Slut’s Hole, Wyoming, where a local widow takes him under her wing. After making a sort of home among the town’s hardscrabble locals, David grudgingly adopts a young Vietnamese girl abandoned along the highway. This sets in motion a set of tragic turns as Western mythos and frontier justice clash against the tides of a changing world.

First published in 1985 by Clarion Books, Walk Me to the Distance was the sophomore novel of an iconic American voice. Over the course of his five decade career, Everett has written over twenty five books and been shortlisted for the Pulitzer Prize (for 2020’s Telephone), twice longlisted for the Booker Prize, and the recipient of the 2024 National Book Award for the “genius” (The Atlantic) James, a brilliantly imagined retelling of The Adventures of Huckleberry Finn told from the enslaved Jim’s point of view. James was a #1 New York Times bestseller and is being developed into film by Stephen Spielberg.

A haunting, powerful collection of stories spanning modern-day Pakistan and the diaspora in the United States, from a sparkling new literary talent.

In eight unflinching and stunningly crafted stories, Kanza Javed unspools the lives of characters desperately trying to forge a path for themselves on the margins of society. An addict teaches his young son to shoot feral dogs on the streets of Lahore. A Christian nurse gets drawn into a plan to trap the ghost of her patient’s former lover. A Pakistani student in a small Appalachian town grapples with a startling act of violence that shatters her illusions of safety and freedom. A lonely wife, trapped indoors by a harsh winter, becomes increasingly obsessed with a cloth worry doll left behind by a previous tenant.

Written with keen psychological insight and remarkable empathy, these stories reach across divides of class, gender, and religion as Javed deftly examines questions of identity and agency, belonging and loss. What Remains After a Fire is a moving portrayal of fiercely resilient characters who desire more than what their circumstances can offer them―and what these desires ultimately cost them.

From the award-winning author of We Ride Upon Sticks and When I’m Gone, Look for Me in the East, a genre-bending novel of literary horror set in Antarctica that explores abandonment, guilt, and survival in the shadow of America’s racial legacy

Striker isn’t entirely sure she should be on this luxury Antarctic cruise. A Black film scout, her mission is to photograph potential locations for a big-budget movie about Ernest Shackleton’s doomed expedition. Along the way, she finds private if cautious amusement in the behavior of both the native wildlife and the group of wealthy, mostly white tourists who have chosen to spend Christmas on the Weddell Sea.

But when a kayaking excursion goes horribly wrong, Striker and a group of survivors become stranded on a remote island along the Antarctic Peninsula, a desolate setting complete with boiling geothermal vents and vicious birds. Soon the hostile environment will show each survivor their true face, and as the polar ice thaws in the unseasonable warmth, the group’s secrets, prejudices, and inner demons will also emerge, including revelations from Striker’s past that could irrevocably shatter her world.

With her signature lyricism and humor, Quan Barry offers neither comfort nor closure as she questions the limits of the human bonds that connect us to one another, affirming there are no such things as haunted places, only haunted people. Gripping, lucid, and imaginative, The Unveiling is an astonishing ghost story about the masks we wear and the truths we hide even from ourselves.

The Pulitzer Prize–winning poet reveals how poetry is a powerful tool of connection and understanding in a fractured world.

Drawing on deep passion and personal experience, former US Poet Laureate Tracy K. Smith demystifies the art form that has too often been mischaracterized as “inaccessible,” “irrelevant,” or “intimidating.” She argues that poetry is rooted in fundamentally human qualities innate to our capacities to love, dream, question, and engage across diverse cultures and backgrounds. Lifting the veil on her own creative process, Smith shows us how reading and writing poetry allows us to confront life’s many uncertainties and losses, to build camaraderie with strangers, and to understand ourselves. She grounds readers in the technical elements of the craft and provides close readings of the works of contemporary poets such as Joy Harjo, Danez Smith, and Francisco Márquez, alongside classic poems by Dickinson, Keats, Millay, and others. By reimaging and reexamining the age-old art form, Fear Less is a warm invitation to find meaning, consolation, and hope through poetry.

A RECOMMENDED BOOK OF 2019 FROM
Vanity Fair * Vogue * The Huffington Post

A stunning collection of fiction, diary entries, screenplays, and scripts by the brilliant African-American artist and filmmaker

Relatively unknown during her life, the artist, filmmaker, and writer Kathleen Collins emerged on the literary scene in 2016 with the posthumous publication of the short story collection Whatever Happened to Interracial Love? Said Zadie Smith, “To be this good and yet to be ignored is shameful, but her rediscovery is a great piece of luck for us.”

That rediscovery continues in Notes from a Black Woman’s Diary, which spans genres to reveal the breadth and depth of the late author’s talent. The compilation is anchored by more of Collins’s short stories, which, striking and powerful in their brevity, reveal the ways in which relationships are both formed and come undone. Also collected here is the work Collins wrote for the screen and stage: the screenplay of her film Losing Ground, in which a professor discovers that the student film she’s agreed to act in has uncomfortable parallels to her own life; and the script for The Brothers, a play about the potent effects of sexism and racism on a midcentury middle-class black family. And finally, it is in Collins’s raw and prescient diaries that her nascent ideas about race, gender, marriage, and motherhood first play out on the page.

Kathleen Collins’s writing brings to life vibrant characters whose quotidian concerns powerfully illuminate the particular joys, challenges, and heartbreaks rendered by the African-American experience. By turns empowering, exuberant, sexy, and poignant, Notes from a Black Woman’s Diary is a brilliant compendium of an inimitable talent, and a rich portrait of a writer hard at work.

In her debut poetry collection, What Had Happened Was, Therí Alyce Pickens investigates the complex structures of Black storytelling. Addressing topics ranging from Black life, popular culture, and history to individual encounters with emotion, love, and chronic disability, Pickens crafts and questions the stories we tell ourselves about who we are and who we want to be. Throughout, Pickens mines the formal structures and the play of Black English within the lives and afterlives of Harriet Tubman, Mary J. Blige, Lil' Kim, Breonna Taylor, and figments of our collective imagination. Her singular poetic voice effortlessly flows between what she knows and what she’s heard and between everyday Black conversation and her work in cultural criticism and disability studies. Traveling at the speed of thought, Pickens explores a praxis of storytelling governed by the places where truths and fables kiss.

A radical landmark in Caribbean literature, reissued with a new foreword by Jamaica Kincaid to mark Wilson Harris' centenary: a visionary masterpiece tracing the dreamlike voyage of a riverboat crew through the jungle.

I dreamt I awoke with one dead seeing eye and one living closed eye ...

A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Their domineering leader, Donne, is the spirit of a conquistador, obsessed with hunting for a mysterious woman and exploiting indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior - their own hearts of darkness - deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock ...

A modernist fever dream; prose poem; modern myth; elegy to victims of colonial conquest: Wilson Harris' masterpiece has defied definition for over sixty years, and is reissued for a new generation of readers.

"The Guyanese William Blake … [Such] poetic intensity." ― Angela Carter

MAN BOOKER PRIZE FINALIST • ONE OF THE NEW YORK TIMES BOOK REVIEW'S TEN BEST BOOKS OF THE YEAR • “A gripping historical narrative exploring both the bounds of slavery and what it means to be truly free.” —Vanity Fair

Eleven-year-old George Washington Black—or Wash—a field slave on a Barbados sugar plantation, is initially terrified when he is chosen as the manservant of his master’s brother. To his surprise, however, the eccentric Christopher Wilde turns out to be a naturalist, explorer, inventor, and abolitionist. Soon Wash is initiated into a world where a flying machine can carry a man across the sky, where even a boy born in chains may embrace a life of dignity and meaning, and where two people, separated by an impossible divide, can begin to see each other as human.
 
But when a man is killed and a bounty is placed on Wash’s head, they must abandon everything and flee together. Over the course of their travels, what brings Wash and Christopher together will tear them apart, propelling Wash ever farther across the globe in search of his true self. Spanning the Caribbean to the frozen Far North, London to Morocco, Washington Black is a story of self-invention and betrayal, of love and redemption, and of a world destroyed and made whole again.

A walk through their bustling city neighborhood brings a girl and her grandfather closer together in this gentle, contemplative picture book that’s “a reminder of the importance of being in the world with unhurried attention and open hearts” (Publishers Weekly, starred review).

A child and her grandfather step out of their brownstone and take a walk around their lively city. Together, they practice looking closely. They delight in the world that they see, taste, touch, feel, and hear. Whether learning a yellow bird’s song, tasting a street vendor’s mango slices, or listening to the thumping music from passing cars, they find small wonders in every moment they share—and together, always, they go slow.

Simple yet poetic, We Go Slow is a breathtaking invitation to everyday wonder from acclaimed picture book creators Mariahadessa Ekere Tallie and Aaron Becker.

Award-winning author ReShonda Tate Billingsley delivers a poignant, page-turning novel about the power—and fragility—of family, personal identity, and the choices we are called on to make . . .
 
Raised by a widowed mother, Jill Reed has come a long way from her difficult youth. But while she may not have had money, Jill never doubted she was rich in love. Her mother, Connie, made Jill the center of her world. Now, even though she has a young family of her own, it’s Jill’s turn to care for her ailing mother.
 
When early dementia begins to set in, Connie starts talking about Jill’s “other life.” Jill assumes it’s just rambling confusion. Still, Connie’s stories about Jill’s childhood, and her father’s early death, never quite added up. And when a strange man shows up to Jill’s job bearing news that turns Jill’s life upside down, there’s no denying Connie’s devastating secret.
 
As Jill sets out to learn more about her past, she’s stunned by what she learns and what it will mean for her future. Now, she must decide what price she’s willing to pay to claim the life that’s rightfully hers.

In this stunning sequel to her acclaimed debut My Brother’s Keeper, #1 national bestselling author ReShonda Tate Billingsley brings her real-deal insight to a heartfelt new novel about a wife and mother on a daring rescue mission—to save herself.
 
Freshly forty-five, Aja James knows that her life is good, complete with a loving, wealthy husband, well-adjusted children, and a beautiful home. Yet the truth is, she feels painfully unfulfilled, stuck in the present, haunted by a painful past. When a friend suggests a girls’ trip to a tropical paradise, Aja hopes a change of scene will also change her perspective.
 
On vacation, filled with fun and freedom, Aja is relieved to find her spirits lifting. But her good time also shines a light on what’s troubling her: from her siblings to her husband and kids, she’s spent nearly her whole life taking care of everyone—except herself. She’s lost her spark. She’s lost her identity.
 
Desperate to turn things around, Aja makes an impulsive decision—one that outrages her family and stuns her friends. But it may also be her wisest choice. Because it’s only through learning what she could lose—and what’s truly worth keeping—that Aja can transform this temporary fix into real, lasting happiness.
 
 
“Billingsley puts a spin on the question every woman will ask at some point—who am I outside of the people I love? More to Life answers that timeless question with grace, resilience, and a fresh voice.”
—Jessica Pack, author of Whatever It Takes

After a devastating breakup leaves her questioning everything, Farrah Darby trades her flailing life in San Francisco for a fresh start in Hollywood as a movie set stylist. Her fashion expertise should be her ticket to success, but there's one problem: Director Errol Davis seems determined to make her life hell. Every costume choice becomes a battle, every interaction a test of wills.

Farrah gives as good as she gets - if Davis wants war, she'll show him exactly what she's made of. But between their heated arguments, she can't help noticing other things too: his intense focus when he's directing, the rare smile that transforms his face, and yes, that irritatingly perfect ass. When a crisis on set forces them to work closely together, Farrah glimpses a different man beneath the harsh exterior - one who might be worth the risk of letting her guards down again.

Now she's facing a dilemma bigger than any wardrobe decision: trust her head, which warns her to keep her distance, or her heart, which whispers that their rivalry might be disguising something much more intriguing.

This road to love may have a few speed bumps.

Former hot mess Jolene Baxter is committed to doing better. It’s why she offered to help her sister and brother-in-law move across the country. However, her goodwill is tested when last minute changes—mainly her father ditching her for an all-expenses paid vacation—forces her to make the journey with a man who is the human version of a pebble in her shoe.

Jason Akana operates on lists and bitter coffee, but none of those things will help him on a sixteen-hour trip with the most infuriating woman. Maybe they can get along and forget their heated confrontation five years ago at his best friend’s wedding…when pigs fly.

But the addition of vehicle problems, an unplanned pit stop in a small town, and chemistry that inconveniently tags along, shifts their perspectives. And once the dust settles after their trip, a tentative friendship emerges. Will these two stubborn people successfully navigate the unexpected feelings that follow close behind? Or will they hit a roadblock before reaching happily ever after?

For readers of Oyinkan Braithwaite’s My Sister the Serial Killer and Bella Mackie’s How to Kill Your Family, this is a monstrous, gleeful, bitingly funny tale of murder, body-swapping and bloody vengeance from the recipient of the Bram Stoker Award® for Lifetime Achievement and ‘Queen of African Horror’.

Betrayed by the men in their lives, two women seethe with rage and bitterness. When a trickster spirit offers them the gift of revenge, they cannot resist.

Chia runs one of the best restaurants in Abuja, Nigeria, and is renowned among the male clientele for her captivating beauty and delicious hot pepper soup. But her hot pepper soup has a secret ingredient, and her beauty is not what it seems.

Claire is a 50 year-old British woman living in Abuja with her young Nigerian boyfriend and his beautiful cousin, Shadé. Consumed by jealousy and resentment, Claire’s carefully organised life spirals into chaos after a night out at Chia’s infamous restaurant.

Crackling with wit, this is a blood-soaked, expletive-laden, vengeance-filled horror story. Satirical, twisty and murderous, this is bloody, deadly fun from a writer at the top of her game.

PRE-ORDER.  WILL SHIP ON January 20 2026.

A bold, inventive, and fiercely original debut novel that begins with an uncle dead and his tween niece’s private confession to the reader—she and her sister killed him, and they blame the British.

Summer, 1986. The Creel sisters, Georgie Ayyar and Agatha Krishna, welcome their aunt, uncle and young cousin—newly arrived from India—into their house in rural Wyoming where they’ll all live together. Because this is what families do. That is, until the sisters decide that it’s time for their uncle to die.

According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West. Her account is, at every turn, cheeky, unflinching, and infectiously inflected with the trappings of teendom, including the magazine quizzes that help her make sense of her life. At its heart, the tale she weaves is:
a) a vivid portrait of an extended family
b) a moving story of sisterhood
c) a playful ode to the 80s
d) a murder mystery (of sorts)
e) an unexpected and unwaveringly powerful meditation on history and language,
trauma and healing, and the meaning of independence

Or maybe it’s really:

f) all of the above.

With all the aspirational elements of Eloise and the heart and emotional intelligence of Ways to Make Sunshine, Cruise Life by Reese Eschmann is sure to set sail for success!

All aboard!

Caitlin always has the best time with her dad and big brother, Dylan, on The Wandering Princess, the fanciest, most fun, family-friendly cruise ship, where her dad has a job as the ship's doctor. And this cruise is going to be easy! The passengers are small groups of scrapbookers, family reunion-ers, and magic enthusiasts. Plus Caitlin is now a cruise expert!

What she and Dylan aren’t counting on is a staffing shortage that suddenly finds Caitlin front and center as the substitute magician’s apprentice in the evening shows and Dylan racing around and attending to some increasingly demanding fellow passengers.

Can Caitlin turn the tides and save this cruise?