Set in a foreboding Gothic mansion and infused with the heightened paranoia and creeping horror, a spine-chilling debut historical thriller from a fresh voice in the genre that will leave you questioning who, or what, you can trust . . . including your own sanity.

A mysterious suitor. A secluded manor. And a heroine’s quest to uncover the mysteries hidden within its haunted halls.

England, 1840. The orphaned daughter of a white man and a Black woman—an outsider with no fortune or connections—Orabella Mumthrope never expected to marry, until Elias Blakersby, the scion of a fabulously wealthy family, arrives at her uncle’s home, declaring a deep desire to make Orabella his wife. 

The new bride is quickly whisked away to Korringhill Manor, the Blakersby family estate where she is shocked to find decay, skittish servants, and curt elders. Despite Elias’s assurances, Orabella becomes increasingly unsettled. There is a darkness deep within this house. Rooms are kept locked or hidden away, and the walls seem to thrum with secrets. Orabella has little freedom, and soon, the darkness begins to engulf her, too. She suffers fitful sleep filled with macabre dreams, is awakened by blood-curdling screams, and rises from her bed covered in mysterious bruises. 

Confused and terrified, she begins to question where her dreams end and reality begins. The longer Orabella stays in this place, the more she loses parts of herself. . . . How long until she no longer exists?

“[A] delicious literary Gothic debut.” –THE NEW YORK TIMES BOOK REVIEW, EDITORS' CHOICE

“Moody and evocative as a fever dream, Catherine House is the sort of book that wraps itself around your brain, drawing you closer with each hypnotic step.” – THE WASHINGTON POST

A Most Anticipated Novel by Entertainment Weekly • New York magazine • Cosmopolitan • The Atlantic • Forbes • Good Housekeeping • Parade • Better Homes and Gardens • HuffPost • Buzzfeed • Newsweek • Harper’s Bazaar • Ms. Magazine • Woman's Day • PopSugar • and more!

A gothic-infused debut of literary suspense, set within a secluded, elite university and following a dangerously curious, rebellious undergraduate who uncovers a shocking secret about an exclusive circle of students . . . and the dark truth beneath her school’s promise of prestige.

Trust us, you belong here.

Catherine House is a school of higher learning like no other. Hidden deep in the woods of rural Pennsylvania, this crucible of reformist liberal arts study with its experimental curriculum, wildly selective admissions policy, and formidable endowment, has produced some of the world’s best minds: prize-winning authors, artists, inventors, Supreme Court justices, presidents. For those lucky few selected, tuition, room, and board are free. But acceptance comes with a price. Students are required to give the House three years—summers included—completely removed from the outside world. Family, friends, television, music, even their clothing must be left behind. In return, the school promises a future of sublime power and prestige, and that its graduates can become anything or anyone they desire.

Among this year’s incoming class is Ines Murillo, who expects to trade blurry nights of parties, cruel friends, and dangerous men for rigorous intellectual discipline—only to discover an environment of sanctioned revelry. Even the school’s enigmatic director, Viktória, encourages the students to explore, to expand their minds, to find themselves within the formidable iron gates of Catherine. For Ines, it is the closest thing to a home she’s ever had. But the House’s strange protocols soon make this refuge, with its worn velvet and weathered leather, feel increasingly like a gilded prison. And when tragedy strikes, Ines begins to suspect that the school—in all its shabby splendor, hallowed history, advanced theories, and controlled decadence—might be hiding a dangerous agenda within the secretive, tightly knit group of students selected to study its most promising and mysterious curriculum.

Combining the haunting sophistication and dusky, atmospheric style of Sarah Waters with the unsettling isolation of Kazuo Ishiguro’s Never Let Me Go, Catherine House is a devious, deliciously steamy, and suspenseful page-turner with shocking twists and sharp edges that is sure to leave readers breathless.

In the vein of America’s First Daughter, Piper Huguley’s historical novel delves into the remarkable friendship of Portia Washington and Alice Roosevelt, the daughters of educator Booker T. Washington and President Teddy Roosevelt.

At the turn of the twentieth century, in a time of great change, two women—separated by societal status and culture but bound by their expected roles as the daughters of famed statesmen—forged a lifelong friendship. 

Portia Washington’s father Booker T. Washington was formerly enslaved and spent his life championing the empowerment of Black Americans through his school, known popularly as Tuskegee Institute, as well as his political connections. Dedicated to her father’s values, Portia contributed by teaching and performing spirituals and classical music. But a marriage to a controlling and jealous husband made fulfilling her dreams much more difficult. 

When Theodore Roosevelt assumed the presidency, his eldest daughter Alice Roosevelt joined him in the White House. To try to win her father’s approval, she eagerly jumped in to help him succeed, but Alice’s political savvy and nonconformist behavior alienated as well as intrigued his opponents and allies. When she married a congressman, she carved out her own agendas and continued espousing women’s rights and progressive causes. 

Brought together in the wake of their fathers’ friendship, these bright and fascinating women helped each other struggle through marriages, pregnancies, and political upheaval, supporting each other throughout their lives.  

A provocative historical novel and revealing portrait, Piper Huguley’sAmerican Daughters vividly brings to life two passionate and vital women who nurtured a friendship that transcended politics and race over a century ago.

From the author of New People and Colored Television, the extraordinary national bestseller that launched Danzy Senna’s literary career

“Superbly illustrates the emotional toll that politics and race take … Haunting.” —The New York Times Book Review

Birdie and Cole are the daughters of a black father and a white mother, intellectuals and activists in the Civil Rights Movement in 1970s Boston. The sisters are so close that they speak their own language, yet Birdie, with her light skin and straight hair, is often mistaken for white, while Cole is dark enough to fit in with the other kids at school. Despite their differences, Cole is Birdie’s confidant, her protector, the mirror by which she understands herself. Then their parents’ marriage collapses. One night Birdie watches her father and his new girlfriend drive away with Cole. Soon Birdie and her mother are on the road as well, drifting across the country in search of a new home. But for Birdie, home will always be Cole. Haunted by the loss of her sister, she sets out a desperate search for the family that left her behind.

A modern classic, Caucasia is at once a powerful coming of age story and a groundbreaking work on identity and race in America.

The stunning, thought-provoking first novel by a "lost giant of American literature" (The New Yorker)

June, 1957. One hot afternoon in the backwaters of the Deep South, a young black farmer named Tucker Caliban salts his fields, shoots his horse, burns his house, and heads north with his wife and child. His departure sets off an exodus of the state’s entire black population, throwing the established order into brilliant disarray. Told from the points of view of the white residents who remained, A Different Drummer stands, decades after its first publication in 1962, as an extraordinary and prescient triumph of satire and spirit.

A debut novel by the 1987 winner of the Pulitzer Prize for poetry, about an artist on a journey of self-discovery—navigating a family secret, racism, and the conflict between marriage and career.

“Skillfully evokes the mood of a decade when social change seemed not only possible but imminent.” —Washington Post Book World

When a woman returns to her Midwestern hometown as an artist-in-residence to teach puppetry to schoolchildren, her homecoming also means grappling with artistic ambition, memories of rejected love, and shocking truths about her family.

A young Black girl finds herself trapped between desperation and her family’s dark history in The Keeper, a horror graphic novel written by New York Times bestselling, award-winning masters of horror Tananarive Due (The Reformatory) and Steven Barnes, illustrated by Marco Finnegan.

NAMED A BEST GRAPHIC NOVEL OF THE YEAR BY THE WASHINGTON POST
NAMED A BOOK WE LOVED BY NPR

Aisha has suffered a devastating loss. Her parents were killed in a car crash, and now she must move to decrepit and derelict Detroit to live with her ailing grandmother. However, shortly after moving in, Aisha’s grandmother’s health rapidly deteriorates. With her dying breath, she summons the dark spirit that has protected their family for generations to watch over Aisha.

At first it seems that this spirit, whom Aisha refers to as the Keeper, is truly doing as her grandmother asked, caring for Aisha and keeping her safe; however, it soon becomes clear that this being can only sustain itself by stealing life from others. As the Keeper begins to prey on the apartment building’s other residents, Aisha and her friends must come together to destroy it . . . or die trying.

From acclaimed writer Diane McKinney-Whetstone, a richly spun tale of love and passion, betrayal, redemption, and faith, set in contemporary Philadelphia.

My aunt says if you smell butter on a foggy night you're getting ready to fall in love.

For the last twenty years, the beautiful Verdi Mae has led a comfortable life with Rowe, the conservative professor who rescued her from addiction when she was an undergrad. But her world is about to shift when the smell of butter lingers in the air and Johnson—the boy from the back streets of Philadelphia who pulled her into the fire of passion and all the shadows cast from it—returns to town.

In "this story of self-discovery that moves seamlessly between the early 1970s and early 1990s" (Publishers Weekly, starred review), McKinney-Whetstone takes readers into a world of erotic love, drugs, and political activism, and beautifully illustrates the struggle to reconcile passion with accountability and the redemptive powers of love's rediscovery.

This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

She's never been so far from home. And never so close to a killer.

Private investigator Olivia Knightley has finally pressed pause on her busy schedule and regained some work-life balance - for the next three weeks. The ink on her divorce papers is barely dry, so she promises to take her sixteen-year-old daughter Amy travelling across the US. But no sooner than they arrive at a campground populated with other 'van lifers' and nomads, they discover a violent murder scene that shakes the community.

Enter special agent Jack Tyler, head of the Investigative Services Branch - known to some as the FBI of the National Park Service. He leads the bare-bones taskforce handling the most complex crimes committed on National Park land. Jack has been tracking this killer for months to no avail. 

Olivia knows she might just be the silver bullet he's been looking for. She's used to running things her way, however, not pausing to explain herself to anyone, as her ex-husband is always keen to remind her. But when Amy falls in with the wrong crowd, and Olivia realises the danger she's placed her in, she is forced to choose between protecting her daughter and stopping a killer in their tracks.

Rosewater is the start of an award-winning trilogy set in Nigeria, by one of science fiction's most engaging voices.

*Arthur C. Clarke Award for Best Science Fiction Novel, winner
*Nommo Award for Best Speculative Fiction Novel, winner

Rosewater is a town on the edge. A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry, and the helpless -- people eager for a glimpse inside the dome or a taste of its rumored healing powers.

Kaaro is a government agent with a criminal past. He has seen inside the biodome, and doesn't care to again -- but when something begins killing off others like himself, Kaaro must defy his masters to search for an answer, facing his dark history and coming to a realization about a horrifying future.

Tade Thompson's innovative, genre-bending, Afrofuturist series, the Wormwood Trilogy, is perfect for fans of Jeff Vandermeer, N. K. Jemisin, and Ann Leckie.

Praise for Rosewater:

"Smart. Gripping. Fabulous!" —Ann Leckie, award winning-author of Ancillary Justice 

"Mesmerising. There are echoes of Neuromancer and Arrival in here, but this astonishing debut is beholden to no one." —M. R. Carey, bestselling author of The Girl with All the Gifts 

"A magnificent tour de force, skillfully written and full of original and disturbing ideas." —Adrian Tchaikovsky, Arthur C. Clarke Award-winning author of Children of Time 

The Wormwood Trilogy
Rosewater
Rosewater Insurrection
Rosewater Redemption

Dawn is breaking over the Guilleries, a rugged mountain range in Catalonia frequented by wolf hunters, brigands, deserters, race-car drivers, ghosts, and demons. In a remote farmhouse called Mas Clavell, an impossibly old woman lies on her deathbed. Family and caretakers drift in and out. Meanwhile, all the women who have lived and died in that house are waiting for her to join them. They are preparing to throw her a party.

As day turns to night, four hundred years’ worth of stories unspool, and the house reverberates with raucous laughter, pungent feasts, and piercing cries of pleasure and pain. It all begins with Joana, Mas Clavell’s matriarch, who once longed for a husband―“a full man,” perhaps even “an heir with a patch of land and a roof over his head.” She summoned the devil to fulfill her wish and struck a deal: a man in exchange for her soul. But when, on her wedding day, Joana discovered that her husband was missing a toe (eaten by wolves), she exploited a loophole in her agreement, heedless of what consequences might follow.

I Gave You Eyes and You Looked Toward Darkness is an audacious and entrancing novel in which the lines between the dead and the living, past and present, story and history are blurred. In it, Irene Solà draws on oral tradition as well as art, literature, and fairy tales to tell a completely new kind of story.

A near-future fable about love, life, and friendship in a world that’s coming apart.

Chilco is the name of Pascale’s home island. It is also the Mapudungun word for fuchsia: a word that evokes tropical lushness, wetness, the deep greenness of the forest. Pascale's partner, Marina, grew up in the vertical slums of Capital City, a place scarred by centuries of colonialism and now the ravages of feckless developers. Every day the couple fear a sinkhole will open up and take with it another poor neighborhood, another raft of desperate refugees from the hinterlands: the indigenous, the poor, who are toiling for an all-consuming machine that is devouring the earth from beneath their feet.

When they finally flee the collapsing city to live in Chilco, are they escaping from the crushing weight of centuries of colonial repression that have eroded indigenous memories, language, and culture, or are they merely stepping into a twisted, lush new version of it? From her first days in this place where she’s supposed to feel safe and at home, Marina can’t avoid the feeling that everything is decaying around her―there is a smell of putrefaction in the air that no one except her can detect; there are seismic rifts that the political cruelties of the times have opened up in her own relationship with Pascale; and she is haunted by insistent memories of her past.

In Chilco, Daniela Catrileo’s baroque, tropical jeremiad, the wounds of capitalism and empire inflict themselves on the person and on the land, but linger most devastatingly in language and memory. Indigenous Mapudungun and Quechua words, history, and cosmology form the chorus to this tropical fever dream of life, love, death, and friendship.

Far Away from Here is a novel about three young Black American Muslims on the cusp of adulthood confronting faith, tradition, and the impact of their personal decisions in five years post-Hurricane Katrina New Orleans.

In New Orleans, it’s been five years since Hurricane Katrina ravaged the heart and soul of both the city and its residents. Three young Black Muslim friends have reconnected after drifting apart as teenagers: Fatima left with the floodwaters of Katrina following the murder of her childhood love and fiancé, Wakeel, and has now returned to reluctantly care for Wakeel’s mother. Tahani rebelled against a strict Muslim upbringing and feels stifled in her life as a single mother, trying to make ends meet while craving a creative outlet. And Saif, the cousin of Wakeel, must reconcile with Fatima over how his illicit past played a role in his cousin’s death.

All three struggle to envision a future for themselves that they can actively shape. A testament to the stories we tell ourselves and each other, Far Away From Here is a coming-of-age novel threaded with themes of community, tradition, faith, and the courage to own one’s narrative.

A real-life Latin American haunted mansion. A murky labyrinth of family secrets. A young, aristocratic woman desperate to escape her past. This haunting debut gothic horror novel is perfect for fans of Mexican Gothic and The Shining.

In 1923 Soacha, Colombia, La Casona—an opulent mansion perched above the legendary Salto del Tequendama waterfall—was once home to Antonia and her family, who settle in despite their constant nightmares and the house’s malevolent spirit. But tragedy strikes when Antonia’s mother takes a fatal fall into El Salto and her father, consumed by grief, attempts to burn the house down with Antonia still inside.

Three years later, haunted by disturbing dreams and cryptic journal entries from her late mother, Antonia is drawn back to her childhood home when it is converted into a luxurious hotel. As Antonia confronts her fragmented memories and the dark history of the estate, she wrestles with unsettling questions she can no longer ignore: Was her mother’s death by her own hands, or was it by someone else’s?

In a riveting quest for answers, Antonia must navigate the shadows of La Casona, unearthing its darkest secrets and confronting a legacy that threatens to swallow her whole.

The riveting new novel by the author of the 2021 National Book Award winner and bestseller Hell of a Book

People Like Us is Jason Mott’s electric new novel. It is not memoir, yet it has deeply personal connections to Jason’s life. And while rooted in reality, it explodes with dreamlike experiences that pull a reader in and don’t let go, from the ability to time travel to sightings of sea monsters and peacocks, and feelings of love and memory so real they hurt.

In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

People Like Us is wickedly funny and achingly sad all at once. It is an utter triumph bursting with larger-than-life characters who deliver a very real take on our world. This book contains characters experiencing deep loss and longing; it also is buoyed by riotous humor and characters who share the deepest love. It is the newest creation of a writer whose work amazes, delivering something utterly new yet instantly recognizable as a Jason Mott novel. 

Finishing the novel will leave you absolutely breathless and, at the same time, utterly filled with joy for life, changed forever by characters who are people like us.

“[Loved One] is special . . . full of wildly astute, delectably thorny questions about love and loss and possession.” —Maggie Shipstead, New York Times bestselling author of Great Circle

“Shimmers with wit even as it explores deep loss.” —Rachel Khong, New York Times bestselling author of Real Americans

Julia is eighteen when she meets her first-love-turned-close-friend, Gabe, at a party in Barcelona. Twelve years later, Julia meets Elizabeth, Gabe’s most recent ex-girlfriend, at Gabe’s funeral—an interaction that leaves Julia with more questions than answers about Gabe and their shared history.

When Gabe’s mother asks Julia to retrieve the sentimental objects her late son left in the London home he shared with Elizabeth, Julia leaps at the chance to track down her ex’s ex and make sense of their brief encounter. Soon, the two women find themselves in a complex dance of withholding and revelation. Both, it turns out, have something to hide.

An emotional mystery spanning years, continents, and relationship statuses, Loved One introduces Aisha Muharrar as a novelist intimately attuned to the intricacies of love, memory, and ambiguous loss. What happens when we admit that the deepest feelings never die? How do we reconcile various—and sometimes contradictory—truths about those closest to us? An engrossing, transformative coming-of-age story with a powerful love at its heart, Loved One is poised to become an instant classic.

A riveting, emotionally-charged tale of forbidden love, centered on an estranged couple who are brought together to reckon with the events that tore their family apart decades ago.

In 1960s Lagos, a city enlivened with its newfound independence, headstrong Margaret meets British-born Benjamin, a man seeking his roots after the death of his half-Nigerian father. Their connection is immediate, but as the two begin to fall in love, they discover their pasts are more interwoven than they imagined. The shadow of events which unfolded almost a century ago, combined with Margaret’s deteriorating mental health, eventually tear them apart.

By 2005, Margaret has retired to an upscale gated community in Lagos, and seemingly happy Benjamin lives alone in Atlanta, managing his heart problems with no options when asked to name as his next of kin. But their attempt at a settled life is shattered when their grandson begins to show ominous signs echoing the struggles Margaret once faced. The long estranged couple are forced to reunite to confront the buried secrets they had dismissed in the passion of their youth—secrets that continue to ripple through their family.

A startling and propulsive tale of forbidden love, This Kind of Trouble traces the intertwined legacies of one family’s history, exploring the complex relationship between tradition, modernity, and the ways we seek healing in a changing world. With this debut novel, Tochi Eze announces herself as a dazzling new literary voice in world literature.

A collectible hardcover edition of our greatest African American poet's award-winning first novel, about a black boy's coming-of-age in a largely white Kansas town, featuring an introduction by National Book Award finalist Angela Flournoy

A Penguin Vitae Edition

When first published in 1930, Not Without Laughter established Langston Hughes as not only a brilliant poet and leading light of the Harlem Renaissance but also a gifted novelist. In telling the story of Sandy Rogers, a young African American boy in small-town Kansas, and of his family--his mother, Annjee, a housekeeper for a wealthy white family; his irresponsible father, Jimboy, who plays the guitar and travels the country in search of employment; his strong-willed grandmother Hager, who clings to her faith; his Aunt Tempy, who marries a rich man; and his Aunt Harriet, who struggles to make it as a blues singer--Hughes gives the longings and lineaments of black life in the early twentieth century an important place in the history of racially divided America.

Penguin Vitae--loosely translated as “Penguin of one’s life”--is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

A techno-horror portrait of the fears and desires of six young artists whose lives are upended by a controversial video game, from National Book Award finalist Mónica Ojeda.

Six young artists share an apartment in Barcelona: Kiki Ortega, a researcher writing a pornographic novel; Iván Herrera, a writer whose prose reveals a deeply conflicted relationship with his body; three siblings, Irene, Emilio, and Cecilia, who quietly search for ways to transcend their abuse as children; and El Cuco Martínez, a video-game designer whose creations push beneath the substrate of the digital world. All of them are connected in different ways to Nefando, a controversial cult video game whose purpose remains a mystery. In the parallel reality of the game, players found relief from the pain of past trauma and present shame, but also a frighteningly elastic sense of self and ethics. Is Nefando a game for horror enthusiasts, a challenge to players' morals, or a poetic exercise? What happens in a virtual world that admits every taboo?

Unsparing, addictive, and perverse, Nefando takes us to the darkest corners of the web, revealing the inevitable entanglement of digital and physical worlds, and of technology and horror.

A startling new dream-like vision of Jamaica―a work of surreal poetic fiction, lavishly studded with ecological prayers, drawings, and footnotes about healing herbs, disappearing flora-fauna, and buried herstories―by Whiting Award winner Marcia Douglas

Zooming into tight focus on present-day life and dashing deep into the past in turns, the pace is fast and fierce in The Jamaica Kollection of the Shante Dream Arkive, which continues Marcia Douglas’ “speculative ancestral project” (The Whiting Foundation) begun with The Marvellous Equations of the Dread. Her new poetic and eco-spiritual book carries further the cultural preservation so central to Douglas’ vision. TheShante Dream Arkive brings alive a mosaic of characters―all searching through history for something or someone lost to the island: a mother searches for her missing child through time and space; an undocumented migrant’s struggles with loss while living in the US; a youth wanders through dream-gates seeking liberation and the lost parts of himself. And one key to the whole is Zora Neale Hurston’s left-behind camera. Each chapter/poem opens like an aperture onto another aspect of the dream story. And, each and every potent dream story contains the spirit, beauty, and riddim of Jamaica:

For after three hundred years of slaughter, monk seals know better than to reveal themselves to humans. These days, they stay low, adapting to below surface conditions and establishing habitat with the underwater spirits of drowned horses and slaves disappeared overboard. For things happen below sea that have never been told. There is wheelin there and turnin; and far-far down past brochure azure, cerulean and indigo, there is a vast dark ink and vortices of voices caught up in such a trumpet of rah- &-glory bottomsea sound as to move earth’s axis. And after that, more ink blue, and cobalt and sapphire and a calm-calm wata― velvet and kin to the moon brand new. The monk seals dare not go this far. But the spirits do.

Sometimes family is found in the most unlikely of places . . .

In the small college town of Troy, Alabama, amidst the backdrop of 1967, Katia Daniels lives a life steeped in responsibility. At the Pike County Group Home for Negro Boys, she pours her heart into nurturing the young lives under her care, harboring a longing for children of her own. Katia's romantic entanglement with an older man brings comfort but also stirs questions about the path she's chosen.

The weight of her family's history bears down on her; a twin brother is missing in action in the heart of the Vietnam War. Having lost her father to cancer, Katia took up the mantle of caretaker, ensuring her mother and brothers were looked after. Her sense of duty extends to the boys at the group home, creating a web of obligations that stretches her emotional bandwidth thin.

Amidst a power struggle at work with the board, Katia finds solace in the pages of romance novels and the soothing melodies of Nina Simone. When Seth Taylor, a familiar face from her high school days, reenters Katia's life, he brings with him a breeze of nostalgia and a reminder of a time when her dreams felt less tethered. As their friendship rekindles, Katia grapples with the idea of making choices for herself, even as the realization that she can no longer have children weighs heavily on her.

This novel is a poignant tale of a woman torn between the demands of her heart and the responsibilities she's shouldered for so long. Set against the backdrop of a changing South, this novel delves into the complexities of love, family, and self-discovery in a time of transformation and upheaval.

"Jackson-Brown (THE LIGHT ALWAYS BREAKS) delivers a touching story of a middle-aged Black woman and the burdens she shoulders during the Vietnam War . . . Jackson-Brown ably captures Katia's indomitable spirit and devotion to her family. This is worth a look." --Publishers Weekly

The country is changing, and her own world is being turned upside down. Nothing—and no one—will ever be the same.

Georgia, 1962. Rose Perkins Bourdon returns home to Parsons, GA, without her husband and pregnant with another man’s baby. After tragedy strikes her husband in the war overseas, a numb Rose is left with pieces of who she used to be and is forced to figure out what she is going to do with the rest of her life. Her sister introduces her to members of the Student Nonviolent Coordinating Committee—young people are taking risks and fighting battles Rose has only seen on television. Feeling emotions for the first time in what feels like forever, the excited and frightened Rose finds herself becoming increasingly involved in the resistance efforts. And of course, there is also the young man, Isaac Weinberg, whose passion for activism stirs something in her she didn’t think she would ever feel again.

Homeward follows Rose’s path toward self-discovery and growth as she becomes involved in the Civil Rights Movement, finally becoming the woman she has always dreamed of being.

Praise for Homeward:

"This is a harrowing novel about the push and pull of fidelity, family, and faith under the crush of history. Angela Jackson-Brown has written a deeply emotional novel that feels timeless while also speaking to the particularly troubled times in which we live."

—Wiley Cash, New York Times bestselling author of When Ghosts Come Home

* A stirring tale of one woman’s experience in the Civil Rights movement that changed a nation, written from Angela Jackson-Brown’s experience of being born and raised in the rural South.
* Stand-alone novel
* Includes Discussion Questions for book clubs

If Junot Diaz’s critically acclaimed collection Drown and Janet Mock’s Emmy-winning series Pose produced offspring, Alejandro Heredia’s Loca would be their firstborn.

It’s 1999, and best friends Sal and Charo are striving to hold on to their dreams in a New York determined to grind them down. Sal is a book-loving science nerd trying to grow beyond his dead-end job in a new city, but he’s held back by tragic memories from his past in Santo Domingo. Free-spirited Charo is surprised to find herself a mother at twenty-five, partnered with a controlling man, working at the same supermarket for years, her world shrunk to the very domesticity she thought she’d escaped in her old country. When Sal finds love at a gay club one night, both his and Charo’s worlds unexpectedly open up to a vibrant social circle that pushes them to reckon with what they owe to their own selves, pasts, futures, and, always, each other.

Loca follows one daring year in the lives of young people living at the edge of their own patience and desires. With expansive grace, it reveals both the grueling conditions that force people to migrate and the possibility of friendship as home when family, nations, and identity groups fall short.

Nobel Prize-winner Wole Soyinka's debut novel tells the story of a group of friends facing political corruption and cultural uncertainty in post-independence Nigeria.

Friends since high school, Egbo, Bandele, Sagoe, Sekoni and Kola have returned to Lagos after studying abroad. As they navigate wild parties, affairs of the heart, philosophical debates, and professional dilemmas, they struggle to reconcile the cultural traditions and Western influences that have shaped them – and that still divide their country.

In The Interpreters, Soyinka deftly weaves memories of the past through scenes of the present as the friends move toward an uncertain future. The result is a vividly realised fictional world rendered in prose that pivots easily from satire to tragedy.

'No other writer has Soyinka's unique positioning in the political and cultural life of his nation.' Ben Okri
'Wole Soyinka is a Nigerian icon.' Guardian
'Elaborately, strikingly and indeed often beautifully written.' The Times

Two estranged sisters with a past as complicated as their present acrimoniously reunite in 1990s Cuba to confront the riddle of family amidst the scars of political upheaval

In the summer of 1993, Yuri, a teenage orphan, lives with her strict, religious Aunt Ruth in a Havana suburb when Mariela, a thirty-four-year-old artist, arrives from the U.S. with a shocking revelation. She claims to be Yuri's sister, insisting that she and Yuri share a mother and that Ruth is nothing more than Mariela's "kidnapper." Mariela has spent the past three decades in American orphanages and has returned to Cuba to reclaim her roots and culture, make art, and perhaps seek vengeance on Ruth for sending her to America through Operation Pedro Pan. Yuri is both fascinated and repulsed by the young, glamourous, and aggrieved Mariela. When Ruth is jailed for unknown charges, Yuri falls further into Mariela's mercurial orbit.

Through Yuri's reminiscent narration (from Havana, to NYC, to Miami, and back to Havana), The Tilting House explores the riddles of identity and family loyalty, the effects of losing one's mother and motherland, the scars of political and historical upheaval, and an immigrant's complex quest both to return "home" and to be free from the past. Through her long journey, Yuri comes to understand that the past cannot be fully recovered, or fully escaped, and she approaches the possibility of compassion for Mariela, for Ruth, for others, and for herself.

A charming and touching romantic comedy about two best friends, a marriage-of-convenience, and taking a leap of faith to land exactly where you’re meant to be.

Miz is not the marrying kind. She's more of the no-strings-attached kind. No labels, only fun. So, when she finds a diamond ring in her casual-but-very-hot hook-up’s gym bag, she immediately ends things and runs.

Kal is one of Miz's best friends, an aspiring actor who moved to Toronto from Ethiopia and is on the brink of his big break. But when he's suddenly at risk of losing his work visa—which would mean leaving Toronto forever—Miz panics. What will she do without him? What if she never sees him again?

There's only one solution: Miz will marry Kal to become his spousal sponsor. He'll get to keep pursuing his acting career, and she'll get to keep her best friend in the city. It'll be a quick, short only-on-paper marriage between friends, followed by a quick, easy divorce. What could possibly go wrong?

One of the Gardin women must navigate a season rich with unexpected challenges in the follow-up to The Gardins of Edin, a heartwarming story about love, forgiveness, new beginnings, and what it takes to get there.

Martha Gardin is a mess. And everyone in the Gardin family knows it. A successful physician, Martha is usually the source of the Gardin family drama, but her heart is in the right place… sometimes. So, the Gardins are pleasantly surprised when Martha mellows out after she begins dating Oji Greenwald, one of the most eligible bachelors in town.

As Martha’s relationship with Oji deepens, she thinks she’s finally about to have the life she’s always wanted. But when Martha attempts to intervene in a health crisis in Oji’s family, she draws the ire of Oji’s mother, Eve Greenwald, which jeopardizes everything. Suddenly, Martha finds herself on a journey full of challenges that force her to deal with her previous mistakes, reconcile her past, and forge a path forward.

Will she be able to look beyond the superficial to find what she’s really needed all along?

From the Pulitzer Prize-winning author of Liliana's Invincible Summer, a dreamlike, genre-defying novel about a professor and detective seeking justice in a world suffused with gendered violence.

A city is always a cemetery.

A professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and reports it to the police. When shown a crime scene photo, she finds a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.”

The professor becomes the first informant on the case, which is led by a detective newly obsessed with poetry and trailed by a long list of failures. But what has the professor really seen? As the bodies of more castrated men are found alongside lines of verse, the detective tries to decipher the meaning of the poems to put a stop to the violence spreading throughout the city.

Originally written in Spanish, where the word “victim” is always feminine, Death Takes Me is a thrilling masterpiece of literary fiction that flips the traditional crime narrative of gendered violence on its head. As sharp as the cuts on the bodies of the victims, it unfolds with the charged logic of a dream, moving from the police station to the professor’s classroom and through the slippery worlds of Latin American poetry and art in an imaginative exploration of the unstable terrains of desire and sexuality.

For fans of Behold the Dreamers, comes a compelling novel about a tightly bound Nigerian family living in Florida and the wounds that get passed down from generation to generation, from the author of the acclaimed Mr. and Mrs. Doctor.

When 276 schoolgirls are abducted from their school in Nigeria, Fidelis Ewerike, a Florida-based barrister, poet, and former POW of the Nigerian Civil War, begins to go mad, consumed by memories of his younger sister Ugochi, who went missing during that conflict. Consumed by survivor’s guilt and fearful that the same fate awaits Amara, his sixteen-year-old daughter who bears an uncanny resemblance to Ugochi, Fidelis locks her in her bedroom, offering no words of explanation, only lovingly—if poorly—made meals and sweets.

Amid that singular action, the Ewerike family spirals into chaos: After unsuccessful attempts to free her daughter from her room, his wife Adaobi seeks the counsel of a preacher, praying for spiritual liberation from the curse she is certain has plagued her family since leaving Nigeria. Fourteen-year-old Chuk, beset by his own war with the neighborhood boys, receives a painful education on force, masculinity, and his tenuous position within his family. And rebellious, resentful Amara is hungry for her life to be hers, so the moment she is able to escape her imprisonment, she falls in love—not with the Aba-born engineer-in-training her mother envisages, but with Maksym Kostyk, the son of the town drunk. Before long, the two have concocted a plan to run away from the trappings of their familial traumas.

Perfect for readers of Sing, Unburied, Sing, Julie Iromuanya's A Season of Light is an all-consuming masterpiece. To peer into the window of the Ewerike family’s lives is a gift.

Sex, vengeance, and betrayal in modern day Tehran—Navid Sinaki’s bold and cinematic debut is a queer literary noir following Anjir, a morbid romantic and petty thief whose boyfriend disappears just as they’re planning to leave their hometown for good

Anjir and Zal are childhood best friends turned adults in love. The only problem is they live in Iran, where being openly gay is criminalized, and the government’s apparent acceptance of trans people requires them to surgically transition and pass as cis straight people. When Zal is brutally attacked after being seen with another man in public, despite the betrayal, Anjir becomes even more determined to carry out their longstanding plan for the future: Anjir, who’s always identified with the mythical gender-changing Tiresias, will become a woman, and they’ll move to a new town for a fresh start as husband and wife.

Then Zal vanishes, leaving a cryptic note behind that sets Anjir on a quest to find the other man, hoping he will lead to Zal. Stalking and stealing his way through the streets, clubs, library stacks, hotel rooms, and museum halls of Tehran—where he encounters his troubled mother, addict brother, and the dynamic Leyli, a new friend who is undergoing a transition of her own—Anjir soon realizes that someone is tailing him too. It quickly becomes clear that more violence may be the fastest route to freedom, as Anjir’s morals and gender identity are pushed to new places in the pursuit of love, peace, and self-determination.

Steeped in ancient Persian and Greek myths, and brimming with poetic vulnerability, subversive bite, and noirish grit, Medusa of the Roses is a page-turning wallop of a story from a bright new literary talent.

On the heels of Scattered All Over the Earth, Yoko Tawada’s new and irresistible Suggested in the Stars carries on her band of friends’ astonishing and intrepid adventures

It’s hard to believe there could be a more enjoyable novel than Scattered All Over the Earth―Yoko Tawada’s rollicking, touching, cheerfully dystopian novel about friendship and climate change―but surprising her readers is what Tawada does best: its sequel, Suggested in the Stars, delivers exploits even more poignant and shambolic.

As Hiruko―whose Land of Sushi has vanished into the sea and who is still searching for someone who speaks her mother tongue―and her new friends travel onward, they begin opening up to one another in new and extraordinary ways. They try to help their friend Susanoo regain his voice, both for his own good and so he can speak with Hiruko―and amid many often hilarious misunderstandings (some linguistic in nature)―they empower each other against despair.  Coping with carbon footprint worries but looping singly and in pairs, they hitchhike, take late-night motorcycle rides, and hop on the train (learning about railway strikes but also packed-train-yoga) to convene in Copenhagen. There they find Susanoo in a strange hospital working with a scary speech-loss doctor.  In the half-basement of this weird medical center (with strong echoes of Lars von Trier’s 1990s TV series The Kingdom), they also find two special kids washing dishes. They discover magic radios, personality swaps, ship tickets delivered by a robot, and other gifts. But friendship―loaning one another the nerve and heart to keep going―sets them all (and the reader) to dreaming of something more... Suggested in the Stars delivers new delights, and Yoko Tawada’s famed new trilogy will conclude in 2025 with Archipelago of the Sun, even if nobody will ever want this “strange, exquisite” (The New Yorker) trip to end.