The author of the critically acclaimed The Viral Underclass (one of Kirkus Reviews best books of 2022) is back with The Overseer Class, which explores what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—but under the conditions of a kind of Faustian bargain.

Our society places so much weight and attention on those who become the first or only of their identifying group that we miss one of the inherent issues in that model. This book is about the kinds of compromises made by a small but influential group of people from minoritized groups in the United States as they have entered segregated institutions in highly visible positions. People in the overseer class wield enormous institutional power, even necropolitical power over who lives and who dies; it’s just that their power is predicated upon repressing other people who look (or speak/have sex/come from places) like them.
The most obvious contemporary overseer is the Black police officer. The Overseer Class begins with this quote from James Baldwin from 1967:
“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,’ we said in those days, ‘for God's sake, make sure it's a white one.’ We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder--on your head--to prove to himself and his colleagues that he was not like all the other n******.”
But this dynamic does not only exist within law enforcement, it exists in many different spheres and The Overseer Class explores what it looks like in mass media, universities, corporate America, the military, and government. A powerful current and local example of this quandary can be seen right here in the ongoing saga of New York's Mayor Adams. At the end of the day, The Overseer Class aims not only to educate us and start this discussion but to provide a framework for challenging that dynamic. It is a weighty topic but one that Dr. Thrasher is well-equipped to handle.

"This heartfelt sapphic romance is loaded with laugh-out-loud humor and the high-drama hijinks of a splashy telenovela." —Camille Perri, author of When Katie Met Cassidy

One wedding, two rivals and a whole lot of secrets…

As the daughter of Cuban immigrants, Isabella Valdes knows three things for certain:
* her late father’s restaurant is thriving
* she owns lots of designer things
* both of those statements are absolute lies to make her mother happy

Isabella would do anything to keep her father’s legacy alive, including attending her estranged cousin’s weeklong wedding extravaganza. Because once Sofia’s wealthy fiancé tastes the recipes Isa prepares from her father’s cherished journal, he’s sure to invest.

To Isa’s annoyance, she’ll be sharing a cabin with Valentina, the former friend turned rival who ruined her quinceañera. But Val is offering an unexpected deal—she’ll help Isa unravel an old family secret found in her father’s journal in return for help sabotaging the wedding and winning the heart of the bride.

Saying yes is a bad idea. Isa’s perfectionism meets its match in Val’s carefree demeanor, but as they work together, the usually responsible Isa can’t seem to say no to Val’s shenanigans. There’s no hiding from Val, no ignoring this complicated but undeniable connection that’s changing Isa’s beliefs about love, loyalty and just how much she owes to her family—and to herself…

“A culturally layered and gripping collection of stories that are also a testament to their resilience.”—Vanessa Walters, the author of The Lagos Wife

?In this stunning collection, nine Nigerian women discover what it means to confront traditional expectations that have held them hostage for too long.

Meet Ifeoma.She’s been ready to leave her violent husband for some time, but her plans for a quiet departure take an unexpectedly gruesome turn...

Nkechi a housemaid for a rich Lagos family, bears the weight of her Madam's wrath when she discovers her husband's dark secret.

In London,Riliwa meets Mary, a guardian angel full of advice, wisdom and practical support as she navigates her unfamiliar new home. But it soon becomes clear that Mary’s kindness comes at a price.

Passionate, raw and full of heart, Fetto brings to life the rich diversity of Nigerian women’s experiences in these wide-ranging stories.

A picture book celebration of girl dads everywhere by The Dad Gang CEO, Sean Williams--now in a lower-price format!

A fun read-aloud written in upbeat rhyming verse, Girl Dad is a picture book that honors the loving men who raise, love, and uplift strong girls.

Share Girl Dad with the dads in your life, on Father's Day or any day.

Plus: Don't forget to check out Sean Williams's Boy Dad!

A Bank Street College of Education's Children's Book Committee's Best Children's Books of the Year pick!

In the fifth installment of the Ashe Cayne series the smooth Chicago private eye stumbles into the city's internecine (and deadly) world of politics.

The death of immigrant Juaquin Escobar has been ruled an accidental drowning in Lake Michigan. The only problem is he never drinks and never swims. When the CPD informs his nephew Ivan Ramirez and closes the case he refuses to believe it’s true.

Convinced of foul play Ivan is referred to Ashe Cayne by his friend and socialite Penny Packer. After agreeing to take the case on pro bono he quickly discovers that things are not always what they seem. As Ashe investigates, he learns that Juaquin was last seen getting into a white van belonging to a heating and cooling company before he disappeared.

Retracing Juaquin’s steps leads Ashe straight into a web of secrets and lies that anyone would do anything to escape—even murder.

From The Unexpected Diva author Tiffany Warren—a dishy and dramatic novel of the Harlem Renaissance and its most famous Black debutante, Yolande Du Bois, daughter of W.E.B. Du Bois, whose spectacular wedding to poet Countee Cullen was the society event of the year...even though the bride and groom were not-so-secretly in love with other people.

A century ago, Harlem’s glittering social scene had a single princess: Yolande Du Bois, the only child of N.A.A.C.P. icon W.E.B. Du Bois. Yolande was bold, vivacious, and beloved of every gossip columnist. A true daddy’s girl, Yolande followed her father’s advice on everything: from where she went to college (Fisk—Papa’s alma mater) to which sorority she joined (Delta Sigma Theta). But in matters of the heart, Yolande and her father did not agree. Dr. Du Bois himself curated a string of handsome suitors from the “Talented Tenth” for her, but Yolande’s true love was jazz musician Jimmie Lunceford, son of a working-class family from far-off Denver, Colorado. Their romance was an open secret, and more than a little scandalous.

Despite it all, Yolande wound up marrying her father’s choice: famed poet Countee Cullen. Their lavish uptown wedding was the hottest social ticket of 1928. With three thousand attendees, sixteen bridesmaids, and Langston Hughes as a groomsman, it was truly a sight to behold.

But, immediately after the wedding, Yolande’s carefully constructed fairy tale begins to crumble. Torn between the expectations of her father and society and her heart’s true desire, Yolande is forced to decide whether she must leave Harlem to create a more authentic life on her own terms.

A Harlem Wedding is a heady read about love, notoriety, Black excellence, deception, and the très chic lifestyles of the Black elite, from speakeasies of Harlem and the green fields of Fisk University, all the way to Le Grand Duc in Paris.

Banned shortly after publication for its depiction of female freedom, Women Without Men creates an evocative and powerfully drawn allegory of life in contemporary Iran.

"Using the techniques of both the fabulist and the polemicist, Parsipur continues her protest against traditional Persian gender relations in this charming, powerful novella." —Publishers Weekly

This modern literary masterpiece follows the interwoven destinies of five women—including a wealthy middle-aged housewife, a prostitute, and a schoolteacher—as they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society, and imagines their future living in a world without men.

NEW YORK TIMES BESTSELLER

A Good Morning America Book Club Pick

"A thrilling, delectable look at wealth, privilege, and desire." —People

Acclaimed author Kiley Reid’s fresh and provocative story about desire, consumption, and bad behavior.

It's 2017 at the University of Arkansas, and Millie Cousins—a super-senior resident assistant at Belgrade Dormitory—just wants to graduate, get a job, and buy a house. So when Agatha Paul, a writer and visiting professor itching for her next big topic, offers Millie an easy yet unusual opportunity for them to help each other further their own interests, Millie naturally jumps at the chance.

But Millie's starry-eyed hustle quickly becomes jeopardized by a lonely transfer student, unruly residents, and illicit intrigue. Both Millie and Agatha are forced to question just how much of themselves they are willing to trade to get what they want.

Sharp and intimate, Come and Get It, the new thought-provoking, singular novel by the bestselling and critically acclaimed author Kiley Reid, explores the choices we make, particularly for the things that can and cannot be paid for.

A pioneering, dazzling satire about a biracial black girl from Philadelphia searching for her Jewish father in New York City

Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering a mythic journey of self-discovery like no other.

A queer Palestinian refugee plans to come out at his elaborate birthday dinner party in this tragicomic modern reimagining of Virginia Woolf’s Mrs. Dalloway.

Firas Dareer wakes up on his twenty-third birthday with a sense of purpose: today he’ll jump from a Stage 3 to a Stage 6 in his self-determined Coming Out Scale, professing his sexuality to a captive audience of immediate and extended family, friends, acquaintances, coworkers, and neighbours. But despite the meticulously designed invitations, carefully chosen place settings and floral centerpieces, painstakingly curated playlist, and agonizingly fretted-over menu, factors begin to spin out of his control.

Threatening to thwart his big moment are his younger brother, whose mental fragility requires him to be monitored at all times; his cantankerous grandfather, who’s just completed his third escape from the retirement home; the Dareers’ embittered housekeeper (and Firas’s arch nemesis), who could scoop the story before he gets the chance; his harried boss, who on this of all days calls him into work at the architecture firm, where his colleagues share a talent for butchering his name; and his mother, whose accidental text message may have blown the cover of an illicit extra-marital affair. There’s also the fact that Firas too has found himself in a love triangle of sorts, choosing between soft and steady Tyrese and fiery Kashif, who makes a sport out of demonstrating how Palestinian he is.

As the future Firas has precisely architected for himself slips further out of his grasp, the past comes crashing in like a wrecking ball. Sharp, darkly funny, and full of surprises, Three Parties pays twisted homage to a literary classic, gleefully upends the western coming-out narrative, and sensitively explores the traumas and pressures faced by Palestinian immigrants—all in the span of a single life-changing day.

Winner of the Barbara DiBernard Prize in Fiction

Daddy Issues is a collection of moving and complex—yet simply and directly told—stories of queer Asian American experiences in Los Angeles. In many of these stories, the protagonists are artists and writers and other creative thinkers living on the fringe of survival, attempting to align a life of the imagination with the practical considerations of career, income, and family: a gay father who hasn’t come out to his young son; a social worker, numbed by the destitution of his clients, who finds himself lost in self-destruction; a trans man who returns home to a father with dementia to help his family pack as they are pushed out by gentrification; a husband who can only stand aside as his wife heals from a miscarriage; and a broke writer who learns to love his stories again.

The stories in Daddy Issues offer different contemplations on solitude—the good and the bad of it. Ultimately, this collection by Eric C. Wat is full of hope, and it shows how we can find the connections we need once we allow ourselves to become vulnerable.

Martha’s Daughter is the brilliant and influential author David Haynes’s first short story collection and the first time that Haynes’s stories have ever been assembled in one volume. Steeped in everyday gossip and lives, this collection ranges from the magically real life of a city’s crumbling superhero to a rundown motel whose long-term guests are lucky to call home. In the titular novella the first hours are chronicled after Cynthia finds out her mother has died. What we learn is that Cynthia is a woman who has been bullied by her mother’s overbearing opinions, her disdain for difference, her respectability politics, and her outdated beliefs about how men and women should relate to one another. Martha’s death is less a catalyst for Cynthia’s grief than an opportunity to free herself of a burden too long endured.

The sixth in McSweeney’s Of the Diaspora series, Martha’s Daughter is another record in David’s oeuvre, of the people and places he’s been recording since the beginning of his career, some thirty years ago. With its full-circle connection to Haynes’s previous novels, Martha’s Daughter is guaranteed to enthrall longtime fans and new readers alike.

“A profound poetic talent.”―Ada Limón

Blue Opening, Chet’la Sebree’s brilliant, illuminating poetry collection, grapples with origins―of illness, of language, of the universe―as the speaker contemplates whether she, too, can be a site of origin through motherhood. Navigating chronic health challenges alongside grief and questions about the nature of knowledge and religion, she searches personal history and the cosmos for answers to the unknowable.

With startling clarity and vivid tenderness, Blue Opening calls into question not only where to begin, but how to create, across thirty-two poems that press the fluid boundaries of form through sonnets, prose poems, odes, and two unforgettable poetic sequences. As the speaker traverses loss, possibility, and the choice, or often the lack of choice, in the direction of her future, she determines to press forward even as she is “unsure of what shape this language should take / and hulling, from blue rock, faith.”

A young girl growing up in an Afro-descendant community of Ecuador in the 1990s confronts familial secrets and the ever-present specter of male violence, set against the vibrant background of Carnaval

"In this wondrous novel, both life's potential for beauty and harshness sing together. Ortiz has written a story you will not forget." —Nana Kwame Adjei-Brenyah, author of Chain Gang All-Stars

Ainhoa lives a protected life within the walls of her grandmother’s house in the neighborhood of Esmeraldas in Ecuador. Surrounded by a gaggle of aunts who love and teach her, Ainhoa narrates moments that evoke the powerful presence of music and dance in her daily life. Seen through Ainhoa’s innocent eyes, the difficult themes that have defined the South American country’s recent history, including economic hardship, migration, and upheaval, are but one side of an enormous cultural richness steeped in the joy, music, and vibrancy of this singular community of women.

Following the contours of the Carnaval season and sublimely translated by Madeleine Arenivar, Yuliana Ortiz Ruano’s sensorial and viscerally alive novel brims with poetry and exuberance, as well as the pain of an existence lived in the forgotten corners of the world. Carnaval Fever is the introduction of an important new voice in Latin American letters, available in English for the first time.

A haunting, powerful collection of stories spanning modern-day Pakistan and the diaspora in the United States, from a sparkling new literary talent.

In eight unflinching and stunningly crafted stories, Kanza Javed unspools the lives of characters desperately trying to forge a path for themselves on the margins of society. An addict teaches his young son to shoot feral dogs on the streets of Lahore. A Christian nurse gets drawn into a plan to trap the ghost of her patient’s former lover. A Pakistani student in a small Appalachian town grapples with a startling act of violence that shatters her illusions of safety and freedom. A lonely wife, trapped indoors by a harsh winter, becomes increasingly obsessed with a cloth worry doll left behind by a previous tenant.

Written with keen psychological insight and remarkable empathy, these stories reach across divides of class, gender, and religion as Javed deftly examines questions of identity and agency, belonging and loss. What Remains After a Fire is a moving portrayal of fiercely resilient characters who desire more than what their circumstances can offer them―and what these desires ultimately cost them.

A new retrospective of a titan of LGBTQ literature, activism, and Black feminism

Award-winning poet and essayist Cheryl Clarke’s illustrious career has spanned more than four decades and culminates in Archive of Style: New and Selected Poems, a long-awaited retrospective of the indelible work of a Black feminist, community and LGBTQ activist, and educator. This collection features carefully curated poems from Narratives: Poems in the Tradition of Black Women (1982), Living as a Lesbian (1986), The Days of Good Looks: Prose and Poetry 1980-2005 (2006), By My Precise Haircut (2016), and Targets (2019). Together these works show a brilliant thinker who has profoundly impacted generations of writers and activists.

Clarke’s poetry and essays, centered around the Black, lesbian, feminist experience, have attracted an audience around the world. Her essays, “Lesbianism: an Act of Resistance” and “The Failure to Transform: Homophobia in the Black Community” revolutionized the thinking about lesbians of color and the struggle against homophobia. Her poetry and non-fiction have been reprinted in numerous anthologies and assigned in women and sexuality courses globally. Having published since 1977, Clarke and her work have become a foundational part of LGBTQ literature and activism. Archive of Style is a celebration and homage to one of American literature’s Black Women literary warriors.

A new novel about the enduring trauma of police brutality by the award-winning author of Mother Country

She’d gotten no trigger warning. And her entire life, she wanted to scream now, had deserved a trigger warning.

Early in life, Ruth survived a series of devastating events: Her little brother died from a childhood illness, her mother died of grief, and then her father was shot by the police right in front of their home. In the years following her father’s murder, Ruth pushes her past underground. She changes her name and moves to Kentucky, marries a man named Myron, and together they raise a kid. It’s been two decades, and she is, by outside measures, living a good life―but why doesn’t it feel good? When her marriage comes to a sudden end, their house burns down in the middle of the night, and she learns that her estranged sister has been diagnosed with multiple sclerosis, Ruth is jolted back into action. She flees again, this time back to her home state of California, with her nonbinary teenager in tow, perhaps ready at last to face her pain and retrieve her former self.

Searing, surprisingly witty, and deeply human, Trigger Warning is a novel about the durational aftermath of anti-Black police violence. Through the perspectives of Ruth and Myron, and those of their friends and their child, Townsend explores divorce and desire, the heartbreaking brevity of parenting, the push and pull of old friendships, and the possibility, after incredible trauma, of reconnecting to what makes us feel alive.

Winner of the 2004 Pulitzer Prize Award and recognized as the best book of fiction in the 21st century by the New York Times, Edward P. Jones's The Known World is a debut novel of stunning emotional depth and unequaled literary power and continues to show its importance to the American literary canon.

Henry Townsend, a farmer, boot maker, and former slave, through the surprising twists and unforeseen turns of life in antebellum Virginia, becomes proprietor of his own plantation—as well his own slaves. When he dies, his widow Caldonia succumbs to profound grief, and things begin to fall apart at their plantation: slaves take to escaping under the cover of night, and families who had once found love under the weight of slavery begin to betray one another. Beyond the Townsend household, the known world also unravels: low-paid white patrollers stand watch as slave “speculators” sell free black people into slavery, and rumors of slave rebellions set white families against slaves who have served them for years.

An ambitious, courageous, luminously written masterwork, The Known World seamlessly weaves the lives of the freed and the enslaved—and allows all of us a deeper understanding of the enduring multidimensional world created by the institution of slavery. The Known World not only marks the return of an extraordinarily gifted writer, it heralds the publication of a remarkable contribution to the canon of American classic literature.

If you knew the world was ending, who would you save? And would they let you?

Sixteen-year-old Winnie Bray is a liar. As the resident psychic at an oddities shop, Winnie truly can see the future. But her customers only want reassurance, and Winnie only wants their money. Favorable fortunes are a fast track to funding her way out of Buffalo, New York for good, after all.

But all of that changes when a vision sends her stalking in the remains of her family home that burned down in a fire 10 years ago. Among the ash and rubble, Winnie finds a box made of bone, untouched by flames and…whispering. At the touch of her finger, the box shows her a vision of death, chaos, and apocalypse, with her and rich kids Apollo and Cyrus Rathbun at the center.

Apollo knows their cousin is up to no good, and with the Rathbun family scattered to the wind, they know Cyrus is aiming to present himself as the new patriarch. Despite an initial attraction, Apollo is reluctant to believe Winnie. But soon it becomes clear that their family histories are intertwined, with the whispering, hungry box at the very center, and more than their lives are on the line. Together, they must discover the origins of the box and stop unforeseen forces from fulfilling the apocalyptic prophecy, or die trying.

From the author of I Feed Her to the Beast and the Beast is Me comes a speculative thriller about the ties that bind us to places and people, perfect for fans of Andrew Joseph White and Tochi Onyebuchi.

In this endearing picture book by superstar chef and beloved TV host Carla Hall, Carla’s grandmother helps her turn things around when a game of dress-up leads to a fancy tea party gone wrong.

Carla and her sister Kim love visiting their grandparents’ home, where they can always count on having something fun to get into, like Granny’s old chest full of treasures! Dressed up in mounds of beautiful dresses, sparkling jewels, and fancy gloves, Carla decides the day wouldn’t be complete without a tea party for the girls’ special guests, Granny and Doc.

But when Carla accidentally ruins her grandmother’s favorite quilt and famous pound cake, she fears that all the fun is spoiled. How can Carla and her family have a proper tea party without an elegant set up and delicious food? Then Carla’s grandmother steps in, sharing her recipe for a special cake. Will the secret ingredient help Carla save the day?

The murder of a police recruit pins a black LAPD detective in a deadly web where race, corruption, violence, and cover-ups intersect in this relevant, razor-sharp novel of suspense.

Black rookie cop Trevor “Finn” Finnegan aspires to become a top-ranking officer in the Los Angeles Police Department and fix a broken department. A fast-track promotion to detective in the coveted Robbery-Homicide Division puts him closer to achieving his goal.

Four years later, calls for police accountability rule the headlines. The city is teeming with protests for racial justice. When the body of a murdered black academy recruit is found in the Angeles National Forest, Finn is tasked to investigate.

As pressure mounts to solve the crime and avoid a PR nightmare, Finn scours the underbelly of a volatile city where power, violence, and race intersect. But it’s Finn’s past experience as a beat cop that may hold the key to solving the recruit’s murder. The price? The end of Finn’s career…or his life.

From island life in the Caribbean to a new beginning in France, a young man comes of age in a sweeping and lyrical novel about family, loss, secrets, and finding freedom from the past.

Eighteen-year-old Salomon Destin graduates high school and anxiously trades life on Guadeloupe in the Caribbean for France to continue his studies.

Strasbourg is his new home. He’s carving out a promising new path for himself. And most of all, he’s left behind the disorder of so much family drama, including that of a dissolute father, a mother who turns a blind eye to the chaos, his troubled and aimless brother Junior, and Salomon’s inherited obligations as peacekeeper. Although one year away, in love for the first time, and an ocean safely separating his old life and new, Salomon is pulled back to the island by the news of a tragedy. As unexpectedly comforting as Guadeloupe is―the food, music, ocean, and sun stirring up beautiful island memories―the traumas of the past remain.

Years later, while facing the echoes of family demons in his own marriage and confronting the stunning secrets and revelations to come, Salomon, and everyone he loves, must find the strength to move forward once and for all. But will freedom come with a price?

From Amina Akhtar comes a viciously funny thriller about wellness―the smoothies, the secrets, and the deliciously deadly impulses.

Lifelong New Yorker Ronnie Khan never thought she’d leave Queens. She’s not an “aim high, dream big” person―until she meets socialite wellness guru Marley Dewhurst.

Marley isn’t just a visionary; she’s a revelation. Seduced by the fever dream of finding her best self, Ronnie makes for the desert mountains of Sedona, Arizona.

Healing yoga, transcendent hikes, epic juice cleanses…Ronnie consumes her new bougie existence like a fine wine. But is it, really? Or is this whole self-care business a little sour?

When the glam gurus around town start turning up gruesomely murdered, Ronnie has her answer: all is not well in wellness town. As Marley’s blind ambition veers into madness, Ronnie fears for her life.

In this gripping thriller from the bestselling authors of Spare Room and Say Her Name, one woman’s mysterious death has led to a lifetime of pain. Can her daughter find out why?

“A compelling psychological mystery that will keep you guessing.” ―Woman’s Weekly

Lawyer Gabby Lewis always knew she would die young. Since her mother’s death twenty-five years ago, she’s dreaded her upcoming fortieth birthday, the same age her mother died.

When she discovers a connection between her mother and a suspicious mansion house, Ocean Haven, Gabby begins to suspect that her mother’s death wasn’t an accident, it was murder.

Returning home Gabby sets out to uncover the truth despite her family, friends and the local police all telling her to stop. When she starts to develop the same mysterious symptoms that led to her mother’s death, she is certain she’s on the right track. But will she be able to catch the killer in time? Or will she become another victim of a murderer desperate to keep the past buried?

Praise for Say Her Name

“My book of the year so far.” ―Lee Child

PRE-ORDER:ON SALE DATE: Oct 6, 2025

A gripping tale of education, violence, and hope, in which one man's dream for a better future collides with a community on the edge of transformation.

Set in 1842, this novel foregrounds a Haiti that is grappling with the weight of an onerous debt imposed by France, forcing its citizens to pay reparations to French colonists in exchange for diplomatic recognition of the first Black republic of the Americas. In the town of Boën, a prosperous notary, Ludovic Possible, decides to take a bold step to secure the future of his community. He opens a schoolhouse where local children can learn both artisanal skills and the essential ability to read and write. For Ludovic, education represents the best chance for the people of Boën to rise above their hardships and build a prosperous future—especially for Aïda, a quiet and enigmatic girl whose mother’s marvelous stories captivate him.

The tranquility of Boën is soon shattered, however, by a series of duels that pit families, neighbors, and even animals against each other. As tensions rise, Ludovic’s vision for a better future is threatened by the escalating violence. In Duels, Néhémy Pierre-Dahomey introduces readers to a rich and unforgettable cast of characters—Aïda, Ludovic, Balthazar Possible, Pépé the Tempest, and many others—who find themselves at the crossroads of a nation on the brink of transformative change.

With the same intellectual incisiveness and supple, stylish prose he brought to his classic novel Invisible Man, Ralph Ellison examines his antecedents and in so doing illuminates the literature, music, and culture of both black and white America. His range is virtuosic, encompassing Mark Twain and Richard Wright, Mahalia Jackson and Charlie Parker, The Birth of a Nation and the Dante-esque landscape of Harlem—“the scene and symbol of the Negro’s perpetual alienation in the land of his birth.” Throughout, he gives us what amounts to an episodic autobiography that traces his formation as a writer as well as the genesis of Invisible Man.

On every page, Ellison reveals his idiosyncratic and often contrarian brilliance, his insistence on refuting both black and white stereotypes of what an African American writer should say or be. The result is a book that continues to instruct, delight, and occasionally outrage readers.

A powerful depiction of racial tensions arising over the death of a Cajun farmer at the hands of a black man--set on a Louisiana sugarcane plantation in the 1970s.

The Village Voice called A Gathering of Old Men "the best-written novel on Southern race relations in over a decade."

This Library of America volume, with its companion, brings together for the first time all of the best writing of Zora Neale Hurston, one of the most significant twentieth-century American writers, in one authoritative set.

“Folklore is the arts of the people,” Hurston wrote, “before they find out that there is any such thing as art.” A pioneer of African-American ethnography who did graduate study in anthropology with the renowned Franz Boas, Hurston devoted herself to preserving the black folk heritage. In Mules and Men (1935), the first book of African-American folklore written by an African American, she returned to her native Florida and to New Orleans to record stories and sermons, blues and work songs, children’s games, courtship rituals, and formulas of voodoo doctors. This classic work is presented here with the original illustrations by the great Mexican artist Miguel Covarrubias.

Tell My Horse (1938), part ethnography, part travel book, vividly recounts the survival of African religion in Jamaican obeah and Haitian voodoo in the 1930s. Keenly alert to political and intellectual currents, Hurston went beyond superficial exoticism to explore the role of these religious systems in their societies. The text is illustrated by twenty-six photographs, many of them taken by Hurston. Her extensive transcriptions of Creole songs are here accompanied by new translations.

A special feature of this volume is Hurston’s controversial 1942 autobiography, Dust Tracks on a Road. With consultation by Henry Louis Gates, Jr., it is presented here for the first time as she intended, restoring passages omitted by the original because of political controversy, sexual candor, or fear of libel. Included in an appendix are four additional chapters, one never published, which represent earlier stages of Hurston’s conception of the book.

Twenty-two essays, from “The Eatonville Anthology” (1926) to “Court Order Can’t Make Races Mix” (1955), demonstrate the range of Hurston’s concerns as they cover subjects from religion, music, and Harlem slang to Jim Crow and American democracy.

The chronology of Hurston’s life prepared for this edition sheds fresh light on many aspects of her career. In addition, this volume contains detailed notes and a brief essay on the texts.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Includes If Beale Street Could Talk, now a major motion picture directed by Barry Jenkins.

The Library of America completes its edition of the collected fiction of the literary voice of the Civil Rights era with this volume gathering three revealing later works of the 1960s and ’70s.

With such landmark novels as Go Tell It on the Mountain, Giovanni’s Room, and the essay collections Notes of a Native Son and The Fire Next Time, James Baldwin established himself as the indispensable voice of the Civil Rights era, a figure whose prophetic exploration of the racial and sexual fissures in American society raised the consciousness of American readers. But by the late 1960s and ’70s many regarded Baldwin as being out of sync with the political and social currents transforming America: too integrationist for Black Arts Movement writers and others on the Left, yet too “pessimistic” for many white readers, and as a result his later novels have never received the consideration given his earlier fiction. Sober in outlook but ambitious in scope, these works show Baldwin responding with his signature passion—for music, for justice, for life—and searching intelligence to the new realities of a rapidly changing cultural landscape, as the Movement era gives way to the age of identity politics that we still live in today. This culminating volume in the Library of America edition of his fiction illustrates how Baldwin continues to be relevant in twenty-first-century America, especially in his dramatizing of the unequal treatment of black men by the police and the justice system, his nuanced depictions of the black family, and his explorations of sexuality.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The 20th anniversary edition of Edwidge Danticat's groundbreaking debut, now an established classic--revised and with a new introduction by the author, and including extensive bonus materials

At the age of twelve, Sophie Caco is sent from her impoverished Haitian village to New York to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti—to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence. In her stunning literary debut, Danticat evokes the wonder, terror, and heartache of her native Haiti—and the enduring strength of Haiti’s women—with vibrant imagery and narrative grace that bear witness to her people’s suffering and courage.

In his debut collection Fantasia for the Man in Blue, Tommye Blount orchestrates a chorus of distinct, unforgettable voices that speak to the experience of the black, queer body as a site of desire and violence. A black man’s late-night encounter with a police officer—the titular “man in blue”—becomes an extended meditation on a dangerous erotic fantasy. The late Luther Vandross, resurrected here in a suite of poems, addresses the contradiction between his public persona and a life spent largely in the closet: “It’s a calling, this hunger / to sing for a love I’m too ashamed to want for myself.” In “Aaron McKinney Cleans His Magnum,” the convicted killer imagines the barrel of the gun he used to bludgeon Matthew Shepard as an “infant’s small mouth” as well as the “sad calculator” that was “built to subtract from and divide a town.” In these and other poems, Blount viscerally captures the experience of the “other” and locates us squarely within these personae.