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A gripping tale of education, violence, and hope, in which one man's dream for a better future collides with a community on the edge of transformation.

Set in 1842, this novel foregrounds a Haiti that is grappling with the weight of an onerous debt imposed by France, forcing its citizens to pay reparations to French colonists in exchange for diplomatic recognition of the first Black republic of the Americas. In the town of Boën, a prosperous notary, Ludovic Possible, decides to take a bold step to secure the future of his community. He opens a schoolhouse where local children can learn both artisanal skills and the essential ability to read and write. For Ludovic, education represents the best chance for the people of Boën to rise above their hardships and build a prosperous future—especially for Aïda, a quiet and enigmatic girl whose mother’s marvelous stories captivate him.

The tranquility of Boën is soon shattered, however, by a series of duels that pit families, neighbors, and even animals against each other. As tensions rise, Ludovic’s vision for a better future is threatened by the escalating violence. In Duels, Néhémy Pierre-Dahomey introduces readers to a rich and unforgettable cast of characters—Aïda, Ludovic, Balthazar Possible, Pépé the Tempest, and many others—who find themselves at the crossroads of a nation on the brink of transformative change.

"The Chaneysville Incident rivals Toni Morrison's Song of Solomon as the best novel about the black experience in America since Ellison's Invisible Man." — Christian Science Monitor

Updated with a new foreword by the author in celebration of its fortieth anniversary, the classic PEN/Faulkner Award-winning novel about a man’s obsessive quest to uncover the circumstances of his father’s death and his town’s murky history.

Legend has it something happened in Chaneysville . . . 

John Washington is coming home to Chaneysville. Old Jack Crawley, his father's closest friend and John’s guardian, is dying, and the young man will care for him in his final days. 

For the brilliant and embittered black historian, it is a return that will plunge him deep into the past, into the dark secrets of this town and the buried evil of his heritage. Investigating the death of his father, Moses, a moonshiner with a difficult past, John must come to terms with his family’s proud and tragic history and the terrible truth of this white rural town close to the Mason Dixon line— a waystation for slaves traveling along the Underground Railroad—that he once called home. 

The Chaneysville Incident is the story of John's relationship with his family, his hometown, and the woman he loves—and the indelible bonds between past and present, oppression and bondage, history and myth, faith and guilt, love and acceptance.

"I found these stories both heartening. . . and terrifying as the expression of a racial hatred that has never ceased to grow and gets no chance to die." —Malcolm Cowley, The New Republic

Richard Wright's powerful collection of novellas set in the American Deep South

Each of the poignant and devastating stories in Uncle Tom's Children concerns an aspect of the lives of Black people in the post-slavery era, exploring their resistance to white racism and oppression. This extraordinary collection also includes a personal essay by Wright titled "The Ethics of Living Jim Crow."

Originally published in 1938, Uncle Tom's Children was the first book from Wright, who would go on to win international renown for his powerful and visceral depiction of the Black experience. The author of numerous works, most notably the acclaimed novel Native Son and his stunning autobiography, Black Boy, Wright stands today as one of the greatest American writers of the twentieth century.

The only collaboration between the two brightest lights of the Harlem Renaissance—Zora Neale Hurston and Langston Hughes

In 1930, two giants of African American literature joined forces to create a lively, insightful, often wildly farcical look inside a rural Southern black community—the three-act play Mule Bone. In this hilarious story, Jim and Dave are a struggling song-and-dance team, and when a woman comes between them, chaos ensues in their tiny Florida hometown. This extraordinary theatrical work broke new ground while triggering a bitter controversy between the collaborators that kept it out of the public eye for sixty years.

This edition of the rarely seen stage classic features Hurston's original short story, "The Bone of Contention," as well as the complete recounting of the acrimonious literary dispute that prevented Mule Bone from being produced or published until decades after the authors' deaths.

From Richard Wright, one of the most powerful, acclaimed, and essential American authors of the twentieth century, comes a compelling story of one man's attempt to escape his past and start anew in Harlem.

Cross Damon is a man at odds with society and with himself--a man of superior intellect who hungers for peace but who brings terror and destruction wherever he goes. The Outsider is an important work of fiction that depicts American racism and its devastating consequences in raw and unflinching terms. Brilliantly imagined and frighteningly prescient, it is an epic exploration of the tragic roots of criminal behavior.

"A bombastic coming-of-age novel....The White Boy Shuffle has the uncanny ability to make readers want to laugh and cry at the same time."--Los Angeles Times

The first novel from National Book Critics Circle Award and Man Booker Prize-winning author of The Sellout

Paul Beatty's hilarious and scathing debut novel is about Gunnar Kaufman, an awkward, black surfer bum who is moved by his mother from Santa Monica to urban West Los Angeles. There, he begins to undergo a startling transformation from neighborhood outcast to basketball superstar, and eventually to reluctant messiah of a "divided, downtrodden people."

The widely praised New York Times bestseller, and Mosley's first new series since his acclaimed Easy Rawlins novels...

Leonid McGill is an ex-boxer and a hard drinker looking to clean up his act. He's an old-school P.I. working a New York City that's gotten a little too fancy all around him. But it's still full of dirty secrets, and as McGill unearths them, his commitment to the straight and narrow is going to be tested to the limit...

At the beginning of this masterpiece of African literature, Clarence, a white man, has been shipwrecked on the coast of Africa. Flush with self-importance, he demands to see the king, but the king has just left for the south of his realm. Traveling through an increasingly phantasmagoric landscape in the company of a beggar and two roguish boys, Clarence is gradually stripped of his pretensions, until he is sold to the royal harem as a slave. But in the end Clarence’s bewildering journey is the occasion of a revelation, as he discovers the image, both shameful and beautiful, of his own humanity in the alien splendor of the king.

From Paul Beatty, the author of the Man Booker Prize winner The Sellout, comes Tuff, a novel as fast-paced and hard-edged as the Harlem streets it portrays.

Age nineteen and weighing in at 320 pounds, Winston “Tuffy” Foshay is an East Harlem denizen who breaks jaws and shoots dogs and dreams of earning millions from his idea for Cap’n Crunch: The Movie, starring Danny DeVito. His best friend is a disabled Muslim who wants to rob banks, his guiding light is an ex-hippie Asian woman who worked for Malcolm X, and he married his wife, Yolanda, over the phone from jail.

He’s funny and fierce, frustrated and feared. And when Tuff decides to run for City Council, this dazzling novel goes from astoundingly funny to acerbically sublime. By turns profound and irreverent, and populated with a hilarious supporting cast, Paul Beatty's Tuff is satire at its razor-sharp best.

“An extravagant, satirical cri de couer...Beatty’s blunt, impious, streetwise eloquence has a kind of transfixing power.” ―The New York Times Book Review

“Masterfully conceived and highly entertaining...Richly textured and unforgettable.”―The Boston Globe

With the same intellectual incisiveness and supple, stylish prose he brought to his classic novel Invisible Man, Ralph Ellison examines his antecedents and in so doing illuminates the literature, music, and culture of both black and white America. His range is virtuosic, encompassing Mark Twain and Richard Wright, Mahalia Jackson and Charlie Parker, The Birth of a Nation and the Dante-esque landscape of Harlem—“the scene and symbol of the Negro’s perpetual alienation in the land of his birth.” Throughout, he gives us what amounts to an episodic autobiography that traces his formation as a writer as well as the genesis of Invisible Man.

On every page, Ellison reveals his idiosyncratic and often contrarian brilliance, his insistence on refuting both black and white stereotypes of what an African American writer should say or be. The result is a book that continues to instruct, delight, and occasionally outrage readers.

“Grand, robust, a rich and big novel.”—Alice Walker, The New York Times Book Review

“In [Jane Pittman], Ernest Gaines has created a legendary figure. . . . Gaines’s novel brings to mind other great works: The Odyssey, for the way his heroine’s travels manage to summarize the American history of her race, and Huckleberry Finn, for the clarity of [Pittman’s] voice, for her rare capacity to sort through the mess of years and things to find the one true story of it all.”—Newsweek

Miss Jane Pittman. She is one of the most unforgettable heroines in American fiction, a woman whose life has come to symbolize the struggle for freedom, dignity, and justice. Ernest J. Gaines’s now-classic novel—written as an autobiography—spans one hundred years of Miss Jane’s remarkable life, from her childhood as a slave on a Louisiana plantation to the Civil Rights era of the 1960s. It is a story of courage and survival, history, bigotry, and hope—as seen through the eyes of a woman who lived through it all. 
 
A historical tour de force, a triumph of fiction, Miss Jane’s eloquent narrative brings to life an important story of race in America—and stands as a landmark work for our time.

How Stella Got Her Groove Back is full of Terry McMillan's signature humor, heart, and insight. More than a love story, it is ultimately a novel about how a woman saves her own life—and what she must risk to do it.

Stella Payne is forty-two, divorced, a high-powered investment analyst, mother of eleven-year-old Quincy- and she does it all. In fact, if she doesn't do it, it doesn't get done, from Little League carpool duty to analyzing portfolios to folding the laundry and bringing home the bacon. She does it all well, too, if her chic house, personal trainer, BMW, and her loving son are any indication. So what if there's been no one to share her bed with lately, let alone rock her world? Stella doesn't mind it too much; she probably wouldn't have the energy for love—and all of love's nasty fallout—anyway.

But when Stella takes a spur-of-the-moment vacation to Jamaica, her world gets rocked to the core—not just by the relaxing effects of the sun and sea and an island full of attractive men, but by one man in particular. He's tall, lean, soft-spoken, Jamaican, smells of citrus and the ocean—and is half her age. The tropics have cast their spell and Stella soon realizes she has come to a cataclysmic juncture: not only must she confront her hopes and fears about love, she must question all of her expectations, passions, and ideas about life and the way she has lived it.

A finalist for the 2015 National Book Award and the National Book Critics Circle Award

In How to Be Drawn, his daring fifth collection, Terrance Hayes explores how we see and are seen. While many of these poems bear the clearest imprint yet of Hayes’s background as a visual artist, they do not strive to describe art so much as inhabit it. Thus, one poem contemplates the principle of blind contour drawing while others are inspired by maps, graphs, and assorted artists. The formal and emotional versatilities that distinguish Hayes’s award-winning poetry are unified by existential focus. Simultaneously complex and transparent, urgent and composed, How to Be Drawn is a mesmerizing achievement.

A compelling novel of a man brought to reckon with his buried past...

In St. Adrienne, a small black community in Louisiana, Reverend Phillip Martin—a respected minister and civil rights leader—comes face to face with the sins of his youth in the person of Robert X, a young, unkempt stranger who arrives in town for a mysterious "meeting" with the Reverend.  

In the confrontation between the two, the young man's secret burden explodes into the open, and Phillip Martin begins a long-neglected journey into his youth to discover how destructive his former life was, for himself and for those around him.

“…on every page there's an authentic moment, or a dead-right knot of conversation, or a truer-than-true turn of phrase…”—Kirkus Reviews

A powerful depiction of racial tensions arising over the death of a Cajun farmer at the hands of a black man--set on a Louisiana sugarcane plantation in the 1970s.

The Village Voice called A Gathering of Old Men "the best-written novel on Southern race relations in over a decade."

Readers and critics alike can’t resist New York Times bestselling author Kimberla Lawson Roby’s beloved Reverend Curtis Black series. Now the classic novel that introduced the trials and triumphs of a church family and their congregation is available in a beautiful new edition—and includes a letter from the author.
 
Tanya Black has everything a woman could want: a fulfilling career, a beautiful daughter, an elegant home, and a handsome, charismatic husband who is pastor of a prominent Baptist church. And yet, none of it can hide the growing turbulence in her marriage.
 
Her husband, Reverend Curtis Black, once a loving, devoted, and passionate partner, has grown remote, and Tanya is thrown into doubt about what she once cherished. When she uncovers disturbing truths, confirming scandalous rumors about Curtis, she questions all that she’s ever believed in.
 
But it is when Tanya is dealt the worst kind of betrayal a woman can face that her life is changed forever. Plunged into a bittersweet journey of discovery, she finds herself learning painful new lessons about love, loyalty—and sensual temptation—and is forced to make some very hard decisions for her daughter, herself, and her future.
 
 
 “Roby writes with high-octane levels of emotion.” —USA Today
 
“Roby is the queen of redemption.” —RT Book Reviews

Toni Morrison, ganadora del Premio Nobel de Literatura 1993, parte de la realidad de una chiquilla desgraciada para tratar temas como el concepto de belleza impuesto, la voz femenina o la infancia truncada, y lo consigue con una historia dura y deliciosa al mismo tiempo.

Pecola es una niña pequeña que vive con sus padres y tiene una prima que se llama Claudia. Le gustan las muñecas y las caléndulas, que no le gustan a nadie excepto a ella. Pecola es negra y cree que es fea porque no se parece a Shirley Temple. Y tiene un truco para desaparecer cuando sus padres se pelean o su padre la molesta por las noches: piensa que tiene unos preciosos ojos azules, que todo el mundo admira su belleza y que las otras niñas la envidian. Pero ese sueño nunca se convertirá en realidad y Pecola seguirá atrapada en la triste vida que le ha tocado en suerte.

Reseñas:
«Una exploración de la raza y el género de la ganadora del Nobel, todo un clásico estadounidense. Con su exploración de las dinámicas entre el racismo interiorizado y la autoestima, [...] Morrison reflexiona sobre cómo la sociedad ensalza todo lo relacionado con los blancos #asociados con la belleza, la pureza y la inocencia#, algo que puede hacer mella en la autoestima de una persona y llevarla por la senda de la destrucción.»
Freddie Braun, Vogue ("6 novelas fundamentales de autores negros que deberías añadir a tu lista de lecturas"

«Toni Morrison se ha convertido en la D. H. Lawrence de la psique negra, transformando individuos en fuerzas, idiosincrasias en inevitabilidad.»
New York Magazine

NATIONAL BESTSELLER • A New York Times Notable Book • From the acclaimed Nobel Prize winner: an emotional powerhouse of a novel about a modern Odysseus returning to a 1950s America mined with lethal pitfalls for an unwary Black man

When Frank Money joined the army to escape his too-small world, he left behind his cherished and fragile little sister, Cee. After the war, he journeys to his native Georgia with a renewed sense of purpose in search of his sister, but it becomes clear that their troubles began well before their wartime separation. Together, they return to their rural hometown of Lotus, where buried secrets are unearthed and where Frank learns at last what it means to be a man, what it takes to heal, and—above all—what it means to come home.

La obra maestra de la premio Nobel de Literatura Toni Morrison, «la mejor novela norteamericana de los últimos cincuenta años» según The New York Times, ganadora del Premio Pulitzer y del American Book Award

«No puedo imaginar la literatura norteamericana sin esta novela.»
John Leonard, Los Angeles Times

Para escribir esta magnífica historia, merecedora del Premio Pulitzer, Toni Morrison se inspiró en la vida real de una esclava afroamericana, Margaret Garner, que en 1856 escapó de una plantación en Kentucky y consiguió llegar al estado libre de Ohio. A punto de ser recapturada, Margaret tomó la trágica decisión de sacrificar a su hija para salvarla de una vida en cautiverio.

En estas páginas, Sethe es la esclava prófuga que vendió su cuerpo para grabar el nombre de su hija muerta en la lápida: diez minutos por «Beloved», veinte por «Querida Beloved». Muchos años después, Sethe vive en Ohio con Denver, su hija adolescente, y Paul D., un viejo amigo que también fue esclavo. Todos intentan prosperar y olvidar el pasado, hasta que un día aparece una joven que dice llamarse Beloved. Tiene la edad que tendría su hija si viviese y sabe ciertas cosas que sugieren que podría serlo.

Beloved se convirtió de inmediato en un clásico cuando se publicó en 1987. El crítico John Leonard escribió en Los Angeles Times: «No concibo la literatura norteamericana sin esta novela». Casi dos décadas después, The New York Times la eligió como la mejor novela norteamericana de los últimos cincuenta años.

Reseñas:
«Uno de los libros por lo que vale la pena volver a la biblioteca (aunque sea virtual). Obra esencial de la Premio Nobel de Literatura.»
Begoña Alonso, Elle

«Imbricando un realismo desabrido con una poderosa imaginación fantástica, [...] Beloved se convirtió de inmediato en un clásico».
Zenda

«Toni Morrison fue un gigante de su época y de la nuestra. Todo el mundo debería

leer Beloved.»
Margaret Atwood, The New York Times

«Beloved es la gran novela norteamericana no escrita del siglo XIX, trata de cosas sobre las que jamás se escribió y que laten sin embargo en el fondo de novelas sí escritas, por Melville, por Poe.»
A. S. Byatt

«Una maravillosa artesana a la que la gente tiende a pasar por alto. Es tan genial e innovadora como Faulkner, García Márquez y Woolf.»
The New York Times

«La mejor obra de Toni Morrison. [...] Muestra su prodigioso talento.»
Chicago Sun-Times

«Si hay una novela con la que empezar a leer a Toni Morrison, es Beloved. [...] Morrison es un tesoro norteamericano.»
Biblioteca Pública de Nueva York

«He terminado una segunda vuelta de Beloved, la misteriosa y tan fascinante novela de Toni Morrison, donde el mundo de los esclavos negros se vuelve un asunto íntimo y a la vez mágico. [...] Y las protagonistas son las mujeres, que todo lo desafían, y son ellas mismas la libertad.»
Sergio Ramírez, Babelia

«Su obra es un bello y significativo desafío a nuestras conciencias y nuestra imaginación moral.»
Barack Obama

«Beloved te hace sentir que todo lo que has escrito es aburrido y sin vida. El nivel de destreza, la perfección y la belleza de las oraciones, el alcance de la imaginación, el orden del lenguaje en torno al dolor indescriptible. Es buenísimo. Además, es nuestra historia de terror más estadounidense. [...] Sé que Morrison no escribía para mí, pero moldeó mi escritura y le estoy eternamente agradecida.»
Carmen María Machado

An award-winning play from one of America’s most brilliant writers about a murder in a small Southern town, loosely based on the 1955 killing of Emmett Till. • "A play with fires of fury in its belly, tears of anguish in its eyes, a roar of protest in its throat." —The New York Times

James Baldwin turns a murder and its aftermath into an inquest in which even the most well-intentioned whites are implicated—and in which even a killer receives his share of compassion. 

In a small Southern town, a white man murders a black man, then throws his body in the weeds. With this act of violence, James Baldwin launches an unsparing and at times agonizing probe of the wounds of race.

For where once a white storekeeper could have shot a "boy" like Richard Henry with impunity, times have changed. And centuries of brutality and fear, patronage and contempt, are about to erupt in a moment of truth as devastating as a shotgun blast.

NATIONAL BESTSELLER • In “one of Morrison’s most haunting works” (The New York Times),the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.

One of the New York Times’s 100 Best Books of the 21st Century

In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.

"Supremely humane.... Kay leaves us with a broad landscape of sweet tolerance and familial love." —The New York Times Book Review

In her starkly beautiful and wholly unexpected tale, Jackie Kay delves into the most intimate workings of the human heart and mind and offers a triumphant tale of loving deception and lasting devotion.

The death of legendary jazz trumpeter Joss Moody exposes an extraordinary secret, one that enrages his adopted son, Colman, leading him to collude with a tabloid journalist. Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories of their marriage. The reminiscences of those who knew Joss Moody render a moving portrait of a shared life founded on an intricate lie, one that preserved a rare, unconditional love.

On the heels of the bestseller success of her  novel The Wedding, Dorothy West,  the last surviving member of the Harlem  Renaissance, presents a collection of essays and stories that  explore both the realism of everyday life, and the  fantastical, extraordinary circumstances of one  woman's life in a mythic time. Traversing the  universal themes and conflicts between poverty and  prosperity, men and women, and young and old, and  compiling writing that spans almost seventy years,  The Richer, The Poorer not only  affords an unparalleled window into the  African-American middle class, but also delves into the  richness of experience of "one of the finest writers  produced in this country during the Roaring  Twenties"(Book Page).

A collection from one of our most influential African American writers

An icon of nineteenth-century American fiction, Charles W. Chesnutt, an incisive storyteller of the aftermath of slavery in the South, is widely credited with almost single-handedly inaugurating the African American short story tradition and was the first African American novelist to achieve national critical acclaim. This major addition to Penguin Classics features an ideal sampling of his work: twelve short stories (including conjure tales and protest fiction), three essays, and the novel The Marrow of Tradition. Published here for the 150th anniversary of Chesnutt's birth, The Portable Charles W. Chesnutt will bring to a new audience the genius of a man whose legacy underlies key trends in modern Black fiction.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Iola Leroy was originally published in 1892, during a time of black disenfranchisement, lynching, and Jim Crow laws. It is the story of a "refined mulatto" raised to believe she's white until she and her mother are sold into slavery. Iola becomes an outspoken advocate for her people and a critic of race-mixing. Her story offers an important portrait of black life during the Civil War and Reconstruction.

Praised by both Richard Wright and Ralph Ellison, this classic of Black literature is a brutal depiction of the Great Migration from the Jim Crow South
 
This brutally gripping novel about the African-American Great Migration follows the three Moss brothers, who flee the rural South to work in industries up North. Delivered by day into the searing inferno of the steel mills, by night they encounter a world of surreal devastation, crowded with dogfighters, whores, cripples, strikers, and scabs. Keenly sensitive to character, prophetic in its depiction of environmental degradation and globalized labor, Attaway's novel is an unprecedented confrontation with the realities of American life, offering an apocalyptic vision of the melting pot not as an icon of hope but as an instrument of destruction.
 
Blood on the Forge was first published in 1941, when it attracted the admiring attention of Richard Wright and Ralph Ellison. It is an indispensable account of a major turning point in black history, as well as a triumph of individual style, charged with the concentrated power and poignance of the blues.

A beautiful hardcover edition of the Nobel Prize–winning author’s haunting masterpiece of postcolonial literature • "Brilliant." —The New York Times

Widely hailed as V. S. Naipaul’s greatest work, this novel takes us into the life of a young Indian man who moves to an isolated town at the bend of a great river in a newly independent African nation.

Salim is doubly an outsider in his new home—an unnamed country that resembles the Congo—by virtue of his origins in a community of Indian merchants on the coast of East Africa. Uncertain of his future, he has come to take possession of a local trading post he has naively purchased sight unseen. But what Salim discovers on his arrival is a ghost town, reduced to ruins in the wake of the recently departed European colonizers and in the process of being reclaimed by the surrounding forest. Salim struggles to build his business against a backdrop of growing chaos, conflict, ignorance, and poverty.

His is a journey into the heart of Africa, into the same territory explored by Joseph Conrad’s Heart of Darkness nearly eighty years earlier—but witnessed this time from the other side of the tragedy of colonization. Salim discovers that the nation’s violent legacy persists, through the rise of a dictator who calls himself the people’s savior but whose regime is built on fear and lies. In A Bend in the River, short-listed for the Booker Prize in 1979, in Naipaul gives us a convincing and disturbing vision of a place caught between the dangerously alluring modern world and its own tenacious past.

Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

In his debut collection Fantasia for the Man in Blue, Tommye Blount orchestrates a chorus of distinct, unforgettable voices that speak to the experience of the black, queer body as a site of desire and violence. A black man’s late-night encounter with a police officer—the titular “man in blue”—becomes an extended meditation on a dangerous erotic fantasy. The late Luther Vandross, resurrected here in a suite of poems, addresses the contradiction between his public persona and a life spent largely in the closet: “It’s a calling, this hunger / to sing for a love I’m too ashamed to want for myself.” In “Aaron McKinney Cleans His Magnum,” the convicted killer imagines the barrel of the gun he used to bludgeon Matthew Shepard as an “infant’s small mouth” as well as the “sad calculator” that was “built to subtract from and divide a town.” In these and other poems, Blount viscerally captures the experience of the “other” and locates us squarely within these personae.

A Coretta Scott King Honor Book

Three-time Newbery Honor author Jacqueline Woodson explores race and sexuality through the eyes of a compelling narrator

Melanin Sun has a lot to say. But sometimes it's hard to speak his mind, so he fills up notebooks with his thoughts instead. He writes about his mom a lot--they're about as close as they can be, because they have no other family. So when she suddenly tells him she's gay, his world is turned upside down. And if that weren't hard enough for him to accept, her girlfriend is white. Melanin Sun is angry and scared. How can his mom do this to him-- is this the end of their closeness? What will his friends think? And can he let her girlfriend be part of their family?

A feminist literary classic by one of Africa’s greatest women writers, re-issued with a new introduction by Stéphane Robolin.

First published in 1979, The Joys of Motherhood is the story of Nnu Ego, a Nigerian woman struggling in a patriarchal society. Unable to conceive in her first marriage, Nnu is banished to Lagos where she succeeds in becoming a mother. Then, against the backdrop of World War II, Nnu must fiercely protect herself and her children when she is abandoned by her husband and her people. Emecheta “writes with subtlety, power, and abundant compassion” (New York Times).

The classic tale of a Nigerian woman who overcomes strict tribal domination only to encounter the hardships of immigration. Available again.

In the late 1960’s, Adah, a spirited and resourceful woman manages to move her family to London. Seeking an independent life for herself and her children she encounters racism and hard truths about being a new citizen. “Second Class Citizen pales a lot of academic feminist writing into insignificance.” –The Guardian

“Emecheta’s prose has a shimmer of originality, of English being reinvented....Issues of survival lie inherent in her material and give her tales weight.” --John Updike