Dimitrius Karimi has been head of the Human Resources department for seven years. He's a walking company handbook, knowledgeable about everything Solei, including the employee dating clause. He knows developing feelings for his coworkers is a big no no, but he still can't stop himself from falling head over heels for Brittany Barnes. She's sweet, beautiful, intelligent, funny, and also his boss: One of the few people standing between him and the unemployment line. The logical solution would be to try and move on from his perpetual infatuation, but after seven years of silent suffering, he decides to throw caution and his governing rules to the wind and pursue what he really wants for Christmas.

All the "awwws" of animal adoption stories are combined with sugary sweetness in this new, fun-filled chapter book series about a cat café!

Kira Parker lives above The Purrfect Cup, the cat café that her family owns and runs. And soon, the café will get new kittens! Bubbles’ belly has been growing bigger and bigger, and on Kira’s first day of school, Bubbles’ finally becomes a mama cat. But she has six kittens, which is…too many!

But not to worry, because Kira has a GREAT IDEA. She’s going to find each kitten a perfect family by matching them with her classmates! But matchmaking isn’t quite as easy as it sounds, and her classmates aren’t convinced. Will Kira be able to find each kitten the purrfect home?

A humorous guide to living on the Moon by astrophysicist Joalda Morancy, timed to coincide with the NASA Artemis Moon missions

An illustrated guide to lunar survival for kids from astrophysicist Joalda Morancy, timed to coincide with the NASA Artemis Moon missions.

Humans are heading back to the Moon. But once we get there, how on the Moon will we stay alive? In this practical guide, future astronauts will learn how to dodge meteorites, shield themselves from dangerous radiation, and grow the food they’ll need to survive life away from our home planet.

As well as practical tips, Morancy lifts a lid on some of the coolest developments in lunar science—including the possibility of building underground cities in lava tubes and the giant catapult that could be used to get stuff back to Earth.

Like Andy Weir’s The Martian everything in this space book is based on real, groundbreaking science. And no one is better placed to write it: when they’re not writing kids’ books, Joalda Morancy is building the lunar lander the Artemis missions will use to take astronauts—including the first woman and first person of color —to the surface!

Hilarious illustrations by award-winning artist Aaron Cushley, including graphic novel elements, convey the wonder and excitement of future space travel and give this book a key point of difference from other solar system books.

Don’t leave Earth without it!

Given that the suns of Draco stretch almost sixteen light years from end to end, it stands to reason that the cost of transportation is the most important factor of the 32nd century. And since Illyrion is the element most needed for space travel, Lorq von Ray is plenty willing to fly through the core of a recently imploded sun in order to obtain seven tons of it. The potential for profit is so great that Lorq has little difficulty cobbling together an alluring crew that includes a gypsy musician and a moon-obsessed scholar interested in the ancient art of writing a novel. What the crew doesn’t know, though, is that Lorq’s quest is actually fueled by a private revenge so consuming that he’ll stop at nothing to achieve it. In the grandest manner of speculative fiction, Nova is a wise and witty classic that casts a fascinating new light on some of humanity’s oldest truths and enduring myths.

A gripping and incisive psychological gameshow drama from one of the biggest stars in Korean fiction, author of million-copy bestseller The Dallergut Dream Department Store.

Eight unsuspecting people receive an invitation to participate in a new reality show called Break Room. But what starts as an opportunity for fame is quickly revealed to be something far more unsettling when they learn how they were chosen--voted in by their respective coworkers as "the office villain."

Among them is an imposter--a mole planted by the show's producers. The only way to win the prize money is to uncover the saboteur before time runs out.

As alliances shift and paranoia festers, the contestants begin to realize that the true challenge isn't surviving the show--it's facing their own selves.

Welcome . . . Step into the world of the reality show, Break Room, where every smile hides suspicion, and every word could be a clue.

A reinvention of visual poetry and personal history charting exile’s impact on memory, identity, and futurity

Intellectual and intimate, Carolina Ebeid's Hide gathers shreds of memory, dream, and the ordinary artifacts of diaspora, as the poet casts a sounding line into her patrilineal and matrilineal histories in Palestine and Cuba. With the hum of cassettes and the glow of projectors, these poems superimpose voice upon voice, image upon image, a here upon a there, to disclose the choral noise inside postmemory.

Hide is a restless innovation of form and multimodal expression breaking open words across Arabic, English, and Spanish to release hidden meanings. Poems trace the letter M back to the Phoenician pictograph of waves, while technological “glitches” are portals that summon oracular voices across the family archive. In swirling “spell” poems, Ebeid conjures Cuban American artist Ana Mendieta, whose Siluetas write the human shape upon the earth.

Ebeid’s title is prismatic: Hide as in concealment, as in animal skin, as in to secret oneself away. Hide commands attention like a whispering voice, prompting readers to lean in, to listen for transmissions from ancestors and futurity both.

The first book in a new middle-grade mystery series by Kalynn Bayron.

Olive Oakes loves a good mystery. She keeps a notebook with her at all times, ready to jot down observations about anything that seems out of the ordinary. Along with her cousin Eli, Olive is always looking for her next chance to sleuth!

When Olive and her family visit a town called Whispering Woods, she uncovers a mystery linked to the traveling circus that comes through the area once a year. With rumors of missing kids and ghost sightings, it’s the perfect opportunity for Olive to investigate! But the people of Whispering Woods are very secretive, and Olive must tread carefully if she hopes to solve the mystery of the haunted carousel.

From the author of Oshún and Me and the artist of Homegrown comes a joyful picture book that celebrates community and individuality, inspired by real people with disabilities everywhere.

Today is the best day of the year: PARADE DAY! It’s the day that Hazel’s city is a little bit shinier, everyone’s a little bit happier, and she gets to wear her sparkliest, coolest gear to celebrate and attend the disability pride parade.

As Hazel takes readers on an eye-opening journey through her city on her way to the parade, along the way they will see the various ways in which communities can evolve to be more accessible and safe for everyone. Whether it's putting dips in the curb for people using mobility aids, facilitating the use of service animals, or installing wheelchair accessible playground equipment, there are a lot of ways our communities can be made safer and more accessible for everyone.

Also by Adiba Nelson
Oshún and Me: A Story of Love and Braids (also available in Spanish!)

Also by DeAnn Wiley
Homegrown
Double Dutch Queen

"This heartfelt sapphic romance is loaded with laugh-out-loud humor and the high-drama hijinks of a splashy telenovela." —Camille Perri, author of When Katie Met Cassidy

One wedding, two rivals and a whole lot of secrets…

As the daughter of Cuban immigrants, Isabella Valdes knows three things for certain:
* her late father’s restaurant is thriving
* she owns lots of designer things
* both of those statements are absolute lies to make her mother happy

Isabella would do anything to keep her father’s legacy alive, including attending her estranged cousin’s weeklong wedding extravaganza. Because once Sofia’s wealthy fiancé tastes the recipes Isa prepares from her father’s cherished journal, he’s sure to invest.

To Isa’s annoyance, she’ll be sharing a cabin with Valentina, the former friend turned rival who ruined her quinceañera. But Val is offering an unexpected deal—she’ll help Isa unravel an old family secret found in her father’s journal in return for help sabotaging the wedding and winning the heart of the bride.

Saying yes is a bad idea. Isa’s perfectionism meets its match in Val’s carefree demeanor, but as they work together, the usually responsible Isa can’t seem to say no to Val’s shenanigans. There’s no hiding from Val, no ignoring this complicated but undeniable connection that’s changing Isa’s beliefs about love, loyalty and just how much she owes to her family—and to herself…

“A culturally layered and gripping collection of stories that are also a testament to their resilience.”—Vanessa Walters, the author of The Lagos Wife

?In this stunning collection, nine Nigerian women discover what it means to confront traditional expectations that have held them hostage for too long.

Meet Ifeoma.She’s been ready to leave her violent husband for some time, but her plans for a quiet departure take an unexpectedly gruesome turn...

Nkechi a housemaid for a rich Lagos family, bears the weight of her Madam's wrath when she discovers her husband's dark secret.

In London,Riliwa meets Mary, a guardian angel full of advice, wisdom and practical support as she navigates her unfamiliar new home. But it soon becomes clear that Mary’s kindness comes at a price.

Passionate, raw and full of heart, Fetto brings to life the rich diversity of Nigerian women’s experiences in these wide-ranging stories.

In the fifth installment of the Ashe Cayne series the smooth Chicago private eye stumbles into the city's internecine (and deadly) world of politics.

The death of immigrant Juaquin Escobar has been ruled an accidental drowning in Lake Michigan. The only problem is he never drinks and never swims. When the CPD informs his nephew Ivan Ramirez and closes the case he refuses to believe it’s true.

Convinced of foul play Ivan is referred to Ashe Cayne by his friend and socialite Penny Packer. After agreeing to take the case on pro bono he quickly discovers that things are not always what they seem. As Ashe investigates, he learns that Juaquin was last seen getting into a white van belonging to a heating and cooling company before he disappeared.

Retracing Juaquin’s steps leads Ashe straight into a web of secrets and lies that anyone would do anything to escape—even murder.

Banned shortly after publication for its depiction of female freedom, Women Without Men creates an evocative and powerfully drawn allegory of life in contemporary Iran.

"Using the techniques of both the fabulist and the polemicist, Parsipur continues her protest against traditional Persian gender relations in this charming, powerful novella." —Publishers Weekly

This modern literary masterpiece follows the interwoven destinies of five women—including a wealthy middle-aged housewife, a prostitute, and a schoolteacher—as they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society, and imagines their future living in a world without men.

Part history, part legend, this is the story of Sundiata Keita: the heroic figure who founded the empire of Mali. A thirteenth-century oral epic, Sundiata sees the full-length tale captured in print for the first time.

This is Sundiata, the epic tale of a man 'great among kings' who, through his legendary deeds and exploits, came to father an empire. For over 800 years, this story has been passed down to generations of listeners through spoken word.

D.T. Niane's novelisation captures all the mystery and majesty of medieval African kingship. This ambitious story ranks alongside the Ancient Greek and Roman classics as one of the world's great adventure stories.

A pioneering, dazzling satire about a biracial black girl from Philadelphia searching for her Jewish father in New York City

Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering a mythic journey of self-discovery like no other.

A queer Palestinian refugee plans to come out at his elaborate birthday dinner party in this tragicomic modern reimagining of Virginia Woolf’s Mrs. Dalloway.

Firas Dareer wakes up on his twenty-third birthday with a sense of purpose: today he’ll jump from a Stage 3 to a Stage 6 in his self-determined Coming Out Scale, professing his sexuality to a captive audience of immediate and extended family, friends, acquaintances, coworkers, and neighbours. But despite the meticulously designed invitations, carefully chosen place settings and floral centerpieces, painstakingly curated playlist, and agonizingly fretted-over menu, factors begin to spin out of his control.

Threatening to thwart his big moment are his younger brother, whose mental fragility requires him to be monitored at all times; his cantankerous grandfather, who’s just completed his third escape from the retirement home; the Dareers’ embittered housekeeper (and Firas’s arch nemesis), who could scoop the story before he gets the chance; his harried boss, who on this of all days calls him into work at the architecture firm, where his colleagues share a talent for butchering his name; and his mother, whose accidental text message may have blown the cover of an illicit extra-marital affair. There’s also the fact that Firas too has found himself in a love triangle of sorts, choosing between soft and steady Tyrese and fiery Kashif, who makes a sport out of demonstrating how Palestinian he is.

As the future Firas has precisely architected for himself slips further out of his grasp, the past comes crashing in like a wrecking ball. Sharp, darkly funny, and full of surprises, Three Parties pays twisted homage to a literary classic, gleefully upends the western coming-out narrative, and sensitively explores the traumas and pressures faced by Palestinian immigrants—all in the span of a single life-changing day.

Winner of the Barbara DiBernard Prize in Fiction

Daddy Issues is a collection of moving and complex—yet simply and directly told—stories of queer Asian American experiences in Los Angeles. In many of these stories, the protagonists are artists and writers and other creative thinkers living on the fringe of survival, attempting to align a life of the imagination with the practical considerations of career, income, and family: a gay father who hasn’t come out to his young son; a social worker, numbed by the destitution of his clients, who finds himself lost in self-destruction; a trans man who returns home to a father with dementia to help his family pack as they are pushed out by gentrification; a husband who can only stand aside as his wife heals from a miscarriage; and a broke writer who learns to love his stories again.

The stories in Daddy Issues offer different contemplations on solitude—the good and the bad of it. Ultimately, this collection by Eric C. Wat is full of hope, and it shows how we can find the connections we need once we allow ourselves to become vulnerable.

Martha’s Daughter is the brilliant and influential author David Haynes’s first short story collection and the first time that Haynes’s stories have ever been assembled in one volume. Steeped in everyday gossip and lives, this collection ranges from the magically real life of a city’s crumbling superhero to a rundown motel whose long-term guests are lucky to call home. In the titular novella the first hours are chronicled after Cynthia finds out her mother has died. What we learn is that Cynthia is a woman who has been bullied by her mother’s overbearing opinions, her disdain for difference, her respectability politics, and her outdated beliefs about how men and women should relate to one another. Martha’s death is less a catalyst for Cynthia’s grief than an opportunity to free herself of a burden too long endured.

The sixth in McSweeney’s Of the Diaspora series, Martha’s Daughter is another record in David’s oeuvre, of the people and places he’s been recording since the beginning of his career, some thirty years ago. With its full-circle connection to Haynes’s previous novels, Martha’s Daughter is guaranteed to enthrall longtime fans and new readers alike.

The Grand Paloma Resort is a lush paradise in the Dominican Republic where guests enjoy incredible luxury, and the staff is always eager to please—that is, until they are pushed to the brink.

Laura is a manager at the Grand Paloma Resort, a Dominican woman who has risen this far through sheer hard work. Her idea to pair “platinum” guests with a resort employee to attend to their every need has been wildly successful. She’s mere weeks away from a promotion that will blaze a path off the resort, to a life of opportunity. If only her younger sister, Elena—who she’s looked after since the death of their mother – could get with the program.

Elena has tried her best to live up to her sister’s expectations. To escape the drudgery of waiting on rich tourists, she’s become increasingly dependent on pills and partying. As a babysitter at the resort, she’s at the mercy of guests who travel to indulge their worst impulses and need someone else to watch their kids while they do so. Now, after an accident, a child in her charge is believed dead, and Elena knows she'll be held responsible.

At a local beachfront watering hole, Elena runs into the child’s father. He offers her an obscene amount of money to give him private time with two young local girls. Elena pockets the cash to fund her escape and prays she’s gotten the girls out of harm’s way.

Set over the course of seven days, The Grand Paloma Resort offers an unforgettable story of class, family, and community, building to an intense climax in which the true costs of luxury are laid bare, forcing Laura and Elena to reckon with long-held secrets and true acts of love.

“A profound poetic talent.”―Ada Limón

Blue Opening, Chet’la Sebree’s brilliant, illuminating poetry collection, grapples with origins―of illness, of language, of the universe―as the speaker contemplates whether she, too, can be a site of origin through motherhood. Navigating chronic health challenges alongside grief and questions about the nature of knowledge and religion, she searches personal history and the cosmos for answers to the unknowable.

With startling clarity and vivid tenderness, Blue Opening calls into question not only where to begin, but how to create, across thirty-two poems that press the fluid boundaries of form through sonnets, prose poems, odes, and two unforgettable poetic sequences. As the speaker traverses loss, possibility, and the choice, or often the lack of choice, in the direction of her future, she determines to press forward even as she is “unsure of what shape this language should take / and hulling, from blue rock, faith.”

Featuring a new original introduction by Opal Palmer Adisa

Avey Johnson--a Black, middle-aged, middle-class widow given to hats, gloves, and pearls--has long since put behind her the Harlem of her childhood. Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel--and in a panic packs her bag in the middle of the night and abandons her friends at the next port of call. The unexpected and beautiful adventure that follows provides Avey with the links to the culture and history she has so long disavowed. Originally published in 1983, Praisesong for the Widow was a recipient of the Before Columbus Foundation American Book Award, and is presented here in a beautiful new hardcover edition as the second title in McSweeney's Of the Diaspora series.

"Astonishingly moving."
-Anne Tyler, The New York Times Book Review

About Of the Diaspora
McSweeney's Of the Diaspora is a series of previously published works in Black literature whose themes, settings, characterizations, and conflicts evoke an experience, language, imagery and power born of the Middle Passage and the particular aesthetic which connects African-derived peoples to a shared artistic and ancestral past. Wesley Brown's Tragic Magic, the first novel in the series, was originally published in 1978 and championed by Toni Morrison during her tenure as an editor at Random House. This Of the Diaspora edition features a new introduction written by Brown for the series. Tragic Magic will be followed by Paule Marshall's novel of a Harlem widow claiming new life. Praisesong for the Widow was originally published in 1983 and was a recipient of the Before Columbus Foundation American Book Award. The series is edited by writer Erica Vital-Lazare, a professor of creative writing and Marginalized Voices in literature at the College of Southern Nevada. Published in collectible hardcover editions with original cover art by Sunra Thompson, the first three works hail from Black American voices defined by what Amiri Baraka described as strong feeling "getting into new blues, from the old ones." Of the Diaspora-North America will be followed by series from the diasporic communities of Europe, the Caribbean and Brazil.

Winner of the 2004 Pulitzer Prize Award and recognized as the best book of fiction in the 21st century by the New York Times, Edward P. Jones's The Known World is a debut novel of stunning emotional depth and unequaled literary power and continues to show its importance to the American literary canon.

Henry Townsend, a farmer, boot maker, and former slave, through the surprising twists and unforeseen turns of life in antebellum Virginia, becomes proprietor of his own plantation—as well his own slaves. When he dies, his widow Caldonia succumbs to profound grief, and things begin to fall apart at their plantation: slaves take to escaping under the cover of night, and families who had once found love under the weight of slavery begin to betray one another. Beyond the Townsend household, the known world also unravels: low-paid white patrollers stand watch as slave “speculators” sell free black people into slavery, and rumors of slave rebellions set white families against slaves who have served them for years.

An ambitious, courageous, luminously written masterwork, The Known World seamlessly weaves the lives of the freed and the enslaved—and allows all of us a deeper understanding of the enduring multidimensional world created by the institution of slavery. The Known World not only marks the return of an extraordinarily gifted writer, it heralds the publication of a remarkable contribution to the canon of American classic literature.

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If you knew the world was ending, who would you save? And would they let you?

Sixteen-year-old Winnie Bray is a liar. As the resident psychic at an oddities shop, Winnie truly can see the future. But her customers only want reassurance, and Winnie only wants their money. Favorable fortunes are a fast track to funding her way out of Buffalo, New York for good, after all.

But all of that changes when a vision sends her stalking in the remains of her family home that burned down in a fire 10 years ago. Among the ash and rubble, Winnie finds a box made of bone, untouched by flames and…whispering. At the touch of her finger, the box shows her a vision of death, chaos, and apocalypse, with her and rich kids Apollo and Cyrus Rathbun at the center.

Apollo knows their cousin is up to no good, and with the Rathbun family scattered to the wind, they know Cyrus is aiming to present himself as the new patriarch. Despite an initial attraction, Apollo is reluctant to believe Winnie. But soon it becomes clear that their family histories are intertwined, with the whispering, hungry box at the very center, and more than their lives are on the line. Together, they must discover the origins of the box and stop unforeseen forces from fulfilling the apocalyptic prophecy, or die trying.

From the author of I Feed Her to the Beast and the Beast is Me comes a speculative thriller about the ties that bind us to places and people, perfect for fans of Andrew Joseph White and Tochi Onyebuchi.

A suspenseful magical realism novel about a mysterious teenage “Go-Between” who arranges meetings between the living and the dead, from multimillion copy Japanese bestselling author Mizuki Tsujimura.

I bring together the living and the departed. I am the Go-Between.

When a young woman from Tokyo contacts the Go-Between to request a meeting with a deceased TV star who once helped her, she doesn’t expect a teenage boy to show up. Dressed in a designer duffel coat and carrying a tattered notebook, Ayumi Shibuya, our mysterious intermediary, offers an extraordinary service: he reunites the living with their dearly departed. Meeting his clients at a luxury hotel, Ayumi lays down the ground rules: each reunion is a one-time arrangement that the dead can refuse; the service is entirely free, and the meeting must take place during a full moon.

As Ayumi arranges these reunions, we encounter a resentful eldest son who wants to ask his mother to unearth the deeds to a plot of land; a teenage girl who blames herself for her best friend’s death; and a weary businessman seeking answers about his fiancée’s disappearance days after he proposed. With each rendezvous, clues begin to surface, leading readers to unravel the mystery of the boy in the duffel coat, whose own story is eventually revealed.

A runaway, multimillion copy bestseller in Japan, Lost Souls Meet Under a Full Moon is storytelling at its finest, from an international sensation whose work has been hailed as “strange and beautiful” (The Guardian). With an artful balance of heart and mystery, Mizuki Tsujimura creates an unforgettable page-turner in which the living and the dead are given one last chance for closure.

In this endearing picture book by superstar chef and beloved TV host Carla Hall, Carla’s grandmother helps her turn things around when a game of dress-up leads to a fancy tea party gone wrong.

Carla and her sister Kim love visiting their grandparents’ home, where they can always count on having something fun to get into, like Granny’s old chest full of treasures! Dressed up in mounds of beautiful dresses, sparkling jewels, and fancy gloves, Carla decides the day wouldn’t be complete without a tea party for the girls’ special guests, Granny and Doc.

But when Carla accidentally ruins her grandmother’s favorite quilt and famous pound cake, she fears that all the fun is spoiled. How can Carla and her family have a proper tea party without an elegant set up and delicious food? Then Carla’s grandmother steps in, sharing her recipe for a special cake. Will the secret ingredient help Carla save the day?

The murder of a police recruit pins a black LAPD detective in a deadly web where race, corruption, violence, and cover-ups intersect in this relevant, razor-sharp novel of suspense.

Black rookie cop Trevor “Finn” Finnegan aspires to become a top-ranking officer in the Los Angeles Police Department and fix a broken department. A fast-track promotion to detective in the coveted Robbery-Homicide Division puts him closer to achieving his goal.

Four years later, calls for police accountability rule the headlines. The city is teeming with protests for racial justice. When the body of a murdered black academy recruit is found in the Angeles National Forest, Finn is tasked to investigate.

As pressure mounts to solve the crime and avoid a PR nightmare, Finn scours the underbelly of a volatile city where power, violence, and race intersect. But it’s Finn’s past experience as a beat cop that may hold the key to solving the recruit’s murder. The price? The end of Finn’s career…or his life.

In this gripping thriller from the bestselling authors of Spare Room and Say Her Name, one woman’s mysterious death has led to a lifetime of pain. Can her daughter find out why?

“A compelling psychological mystery that will keep you guessing.” ―Woman’s Weekly

Lawyer Gabby Lewis always knew she would die young. Since her mother’s death twenty-five years ago, she’s dreaded her upcoming fortieth birthday, the same age her mother died.

When she discovers a connection between her mother and a suspicious mansion house, Ocean Haven, Gabby begins to suspect that her mother’s death wasn’t an accident, it was murder.

Returning home Gabby sets out to uncover the truth despite her family, friends and the local police all telling her to stop. When she starts to develop the same mysterious symptoms that led to her mother’s death, she is certain she’s on the right track. But will she be able to catch the killer in time? Or will she become another victim of a murderer desperate to keep the past buried?

Praise for Say Her Name

“My book of the year so far.” ―Lee Child

With all the aspirational elements of Eloise and the heart and emotional intelligence of Ways to Make Sunshine, Cruise Life by Reese Eschmann is sure to set sail for success!

All aboard!

Caitlin had the best time with her dad and big brother on The Wandering Princess, the fanciest, most fun, family-friendly cruise ship, where her dad has a job as the ship's doctor. And this time is sure to be even more fun! The Feline Society has booked the whole ship for a cat-tastic cruise. But when The Kennel Club shows up, everyone realizes there's been a mistake. And now it's raining cats and dogs!

Will Caitlin be able to help all the animals and their owners have a fun cruise?

PRE-ORDER:ON SALE DATE: Oct 6, 2025

A gripping tale of education, violence, and hope, in which one man's dream for a better future collides with a community on the edge of transformation.

Set in 1842, this novel foregrounds a Haiti that is grappling with the weight of an onerous debt imposed by France, forcing its citizens to pay reparations to French colonists in exchange for diplomatic recognition of the first Black republic of the Americas. In the town of Boën, a prosperous notary, Ludovic Possible, decides to take a bold step to secure the future of his community. He opens a schoolhouse where local children can learn both artisanal skills and the essential ability to read and write. For Ludovic, education represents the best chance for the people of Boën to rise above their hardships and build a prosperous future—especially for Aïda, a quiet and enigmatic girl whose mother’s marvelous stories captivate him.

The tranquility of Boën is soon shattered, however, by a series of duels that pit families, neighbors, and even animals against each other. As tensions rise, Ludovic’s vision for a better future is threatened by the escalating violence. In Duels, Néhémy Pierre-Dahomey introduces readers to a rich and unforgettable cast of characters—Aïda, Ludovic, Balthazar Possible, Pépé the Tempest, and many others—who find themselves at the crossroads of a nation on the brink of transformative change.

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With the same intellectual incisiveness and supple, stylish prose he brought to his classic novel Invisible Man, Ralph Ellison examines his antecedents and in so doing illuminates the literature, music, and culture of both black and white America. His range is virtuosic, encompassing Mark Twain and Richard Wright, Mahalia Jackson and Charlie Parker, The Birth of a Nation and the Dante-esque landscape of Harlem—“the scene and symbol of the Negro’s perpetual alienation in the land of his birth.” Throughout, he gives us what amounts to an episodic autobiography that traces his formation as a writer as well as the genesis of Invisible Man.

On every page, Ellison reveals his idiosyncratic and often contrarian brilliance, his insistence on refuting both black and white stereotypes of what an African American writer should say or be. The result is a book that continues to instruct, delight, and occasionally outrage readers.

This Library of America volume, with its companion, brings together for the first time all of the best writing of Zora Neale Hurston, one of the most significant twentieth-century American writers, in one authoritative set.

“Folklore is the arts of the people,” Hurston wrote, “before they find out that there is any such thing as art.” A pioneer of African-American ethnography who did graduate study in anthropology with the renowned Franz Boas, Hurston devoted herself to preserving the black folk heritage. In Mules and Men (1935), the first book of African-American folklore written by an African American, she returned to her native Florida and to New Orleans to record stories and sermons, blues and work songs, children’s games, courtship rituals, and formulas of voodoo doctors. This classic work is presented here with the original illustrations by the great Mexican artist Miguel Covarrubias.

Tell My Horse (1938), part ethnography, part travel book, vividly recounts the survival of African religion in Jamaican obeah and Haitian voodoo in the 1930s. Keenly alert to political and intellectual currents, Hurston went beyond superficial exoticism to explore the role of these religious systems in their societies. The text is illustrated by twenty-six photographs, many of them taken by Hurston. Her extensive transcriptions of Creole songs are here accompanied by new translations.

A special feature of this volume is Hurston’s controversial 1942 autobiography, Dust Tracks on a Road. With consultation by Henry Louis Gates, Jr., it is presented here for the first time as she intended, restoring passages omitted by the original because of political controversy, sexual candor, or fear of libel. Included in an appendix are four additional chapters, one never published, which represent earlier stages of Hurston’s conception of the book.

Twenty-two essays, from “The Eatonville Anthology” (1926) to “Court Order Can’t Make Races Mix” (1955), demonstrate the range of Hurston’s concerns as they cover subjects from religion, music, and Harlem slang to Jim Crow and American democracy.

The chronology of Hurston’s life prepared for this edition sheds fresh light on many aspects of her career. In addition, this volume contains detailed notes and a brief essay on the texts.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

La obra maestra de la premio Nobel de Literatura Toni Morrison, «la mejor novela norteamericana de los últimos cincuenta años» según The New York Times, ganadora del Premio Pulitzer y del American Book Award

«No puedo imaginar la literatura norteamericana sin esta novela.»
John Leonard, Los Angeles Times

Para escribir esta magnífica historia, merecedora del Premio Pulitzer, Toni Morrison se inspiró en la vida real de una esclava afroamericana, Margaret Garner, que en 1856 escapó de una plantación en Kentucky y consiguió llegar al estado libre de Ohio. A punto de ser recapturada, Margaret tomó la trágica decisión de sacrificar a su hija para salvarla de una vida en cautiverio.

En estas páginas, Sethe es la esclava prófuga que vendió su cuerpo para grabar el nombre de su hija muerta en la lápida: diez minutos por «Beloved», veinte por «Querida Beloved». Muchos años después, Sethe vive en Ohio con Denver, su hija adolescente, y Paul D., un viejo amigo que también fue esclavo. Todos intentan prosperar y olvidar el pasado, hasta que un día aparece una joven que dice llamarse Beloved. Tiene la edad que tendría su hija si viviese y sabe ciertas cosas que sugieren que podría serlo.

Beloved se convirtió de inmediato en un clásico cuando se publicó en 1987. El crítico John Leonard escribió en Los Angeles Times: «No concibo la literatura norteamericana sin esta novela». Casi dos décadas después, The New York Times la eligió como la mejor novela norteamericana de los últimos cincuenta años.

Reseñas:
«Uno de los libros por lo que vale la pena volver a la biblioteca (aunque sea virtual). Obra esencial de la Premio Nobel de Literatura.»
Begoña Alonso, Elle

«Imbricando un realismo desabrido con una poderosa imaginación fantástica, [...] Beloved se convirtió de inmediato en un clásico».
Zenda

«Toni Morrison fue un gigante de su época y de la nuestra. Todo el mundo debería

leer Beloved.»
Margaret Atwood, The New York Times

«Beloved es la gran novela norteamericana no escrita del siglo XIX, trata de cosas sobre las que jamás se escribió y que laten sin embargo en el fondo de novelas sí escritas, por Melville, por Poe.»
A. S. Byatt

«Una maravillosa artesana a la que la gente tiende a pasar por alto. Es tan genial e innovadora como Faulkner, García Márquez y Woolf.»
The New York Times

«La mejor obra de Toni Morrison. [...] Muestra su prodigioso talento.»
Chicago Sun-Times

«Si hay una novela con la que empezar a leer a Toni Morrison, es Beloved. [...] Morrison es un tesoro norteamericano.»
Biblioteca Pública de Nueva York

«He terminado una segunda vuelta de Beloved, la misteriosa y tan fascinante novela de Toni Morrison, donde el mundo de los esclavos negros se vuelve un asunto íntimo y a la vez mágico. [...] Y las protagonistas son las mujeres, que todo lo desafían, y son ellas mismas la libertad.»
Sergio Ramírez, Babelia

«Su obra es un bello y significativo desafío a nuestras conciencias y nuestra imaginación moral.»
Barack Obama

«Beloved te hace sentir que todo lo que has escrito es aburrido y sin vida. El nivel de destreza, la perfección y la belleza de las oraciones, el alcance de la imaginación, el orden del lenguaje en torno al dolor indescriptible. Es buenísimo. Además, es nuestra historia de terror más estadounidense. [...] Sé que Morrison no escribía para mí, pero moldeó mi escritura y le estoy eternamente agradecida.»
Carmen María Machado