The award-winning author of The Resisters returns with an engrossing, blisteringly funny-sad autobiographical novel tracing a tumultuous mother-daughter relationship.

My mother had died, but still I heard her voice. . .

Gish’s mother—Loo Shu-hsin—is born in 1925 to a wealthy Shanghai family where girls are expected to behave and be quiet. Every act of disobedience prompts the same reprimand: “Bad bad girl! You don’t know how to talk!” She gets sent to Catholic school, where she is baptized, re-named for St. Agnes, and, unusually for a girl, given an internationally minded education. Still, her father would say, "Too bad. If you were a boy, you could accomplish a lot." Aggie finds solace in books, reading every night with a flashlight and an English-Chinese dictionary, before announcing her intention to pursue a Ph.D. in America. It is 1947, and with the forces of Communist revolution on the horizon, she leaves—never to return.

Lonely and adrift in Manhattan, Aggie begins dating Chao-Pei, an engineering student also from Shanghai. While news of their country and their families grows increasingly dire, they set out to make a new life together: marriage, a number one son, a small house in the suburbs. By the time Gish is born, her parents’ marriage is unraveling, and her mother, struggling to understand her strong-willed American daughter, is repeating the refrain that punctuated her own childhood: “Bad bad girl! You don’t know how to talk!”

Bad Bad Girl is a novel about a mother and a daughter forced to reckon with each other across decades of curiosity and ambition, elation and disappointment, intense intimacy and misunderstanding. Spanning continents and generations, this is a rich, heartbreaking portrait of two fierce women locked in a complicated lifelong embrace.

Part history, part legend, this is the story of Sundiata Keita: the heroic figure who founded the empire of Mali. A thirteenth-century oral epic, Sundiata sees the full-length tale captured in print for the first time.

This is Sundiata, the epic tale of a man 'great among kings' who, through his legendary deeds and exploits, came to father an empire. For over 800 years, this story has been passed down to generations of listeners through spoken word.

D.T. Niane's novelisation captures all the mystery and majesty of medieval African kingship. This ambitious story ranks alongside the Ancient Greek and Roman classics as one of the world's great adventure stories.

**Now a feature film starring Paul Nnadiekwe and Blossom Chukwujekwu, which debuted at the Toronto International Film Festival (tiff) in September 2023.** 

This deeply moving novel set amid the perilous world of Nigerian email scams tells the story of one young man and the family who loves him.

Being the opara of the family, Kingsley Ibe is entitled to certain privileges -- a piece of meat in his egusi soup, a party to celebrate his graduation from university. As first son, he has responsibilities, too. But times are bad in Nigeria, and life is hard. Unable to find work, Kingsley cannot take on the duty of training his younger siblings, nor can he provide his parents with financial peace in their retirement. And then there is Ola. Dear, sweet Ola, the sugar in Kingsley's tea. It does not seem to matter that he loves her deeply; he cannot afford her bride price.

It hasn't always been like this. For much of his young life, Kingsley believed that education was everything, that through wisdom, all things were possible. Now he worries that without a "long-leg" -- someone who knows someone who can help him--his degrees will do nothing but adorn the walls of his parents' low-rent house. And when a tragedy befalls his family, Kingsley learns the hardest lesson of all: education may be the language of success in Nigeria, but it's money that does the talking.

Unconditional family support may be the way in Nigeria, but when Kingsley turns to his Uncle Boniface for help, he learns that charity may come with strings attached. Boniface--aka Cash Daddy--is an exuberant character who suffers from elephantiasis of the pocket. He's also rumored to run a successful empire of email scams. But he can help. With Cash Daddy's intervention, Kingsley and his family can be as safe as a tortoise in its shell. It's up to Kingsley now to reconcile his passion for knowledge with his hunger for money, and to fully assume his role of first son. But can he do it without being drawn into this outlandish milieu?

Paperback Release Date: May 26, 2026

Long-listed for the Booker Prize

A radiant, intimate novel of the longing that blooms between two boys over the course of one summer―about family, desire, and what we inherit.

When his grandfather dies, Jay travels south with his family to the property they’ve inherited, a once-flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought.

Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the son of the farm’s manager, different from him in every way except for one.

Out in the fields, and on the streets into town, the charge between the boys intensifies. Inside the house, the other family members begin to confront their own secrets and regrets. Jack is a professor at a struggling local college whose failures might have begun when he married his student, Sui Ching. Sui Ching does her best to keep the family together, though she too wonders what her life could have been. And Fong, the manager, refuses to look at what is: at Chuan, at the land, at the global forces that threaten to render his whole life obsolete.

At once sweeping and compressed, Tash Aw’s The South is a family novel of change and desire―a story of what happens when public and private lives collide, told with uncommon grace and beauty.

One woman, the performance of a lifetime. Or two. An exhilarating, destabilizing Möbius strip of a novel that asks whether we ever really know the people we love.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. 

Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.

The death of a Jamaican man’s father raises questions about the father’s political endeavors, and about the plight of 1980s Jamaica.

“Few other novels encapsulate Jamaica’s political upheavals so well. Protagonist Ferron Morgan agonizes over his father’s death, maybe from a doctor’s mistake, maybe from a radical rival’s hands. Meanwhile, he’s running from everything, including his own emotions about his fiancée―with sad results. Bivouac is not an easy or light book, but the immediacy Dawes creates is worth it.” ―Literary Hub, included in 5 Books You May Have Missed in April

“An examination of grief and politics in a deftly written novel set in 1980s Jamaica . . . Astonishing prose.” ―Kirkus Reviews

When Ferron Morgan’s father dies in suspicious circumstances, his trauma is exacerbated by the conflict within his family and among his father’s friends over whether the death was the result of medical negligence or if it was a political assassination. Ferron grew up in awe of his father’s radical political endeavors, but in later years he watched as the resurgence of the political right in the Caribbean in the 1980s robbed the man of his faith.

Ferron’s response to the death is further complicated by guilt, particularly over his failure to protect his fiancée from a brutal assault. He begins to investigate the direction of his life with great intensity, in particular his instinct to keep moving on and running from trouble.

This is a sharply focused portrayal of Jamaica at a tipping point in its recent past, in which the private grief and trauma condenses a whole society’s scarcely understood sense of temporariness and dislocation.

A queer Palestinian refugee plans to come out at his elaborate birthday dinner party in this tragicomic modern reimagining of Virginia Woolf’s Mrs. Dalloway.

Firas Dareer wakes up on his twenty-third birthday with a sense of purpose: today he’ll jump from a Stage 3 to a Stage 6 in his self-determined Coming Out Scale, professing his sexuality to a captive audience of immediate and extended family, friends, acquaintances, coworkers, and neighbours. But despite the meticulously designed invitations, carefully chosen place settings and floral centerpieces, painstakingly curated playlist, and agonizingly fretted-over menu, factors begin to spin out of his control.

Threatening to thwart his big moment are his younger brother, whose mental fragility requires him to be monitored at all times; his cantankerous grandfather, who’s just completed his third escape from the retirement home; the Dareers’ embittered housekeeper (and Firas’s arch nemesis), who could scoop the story before he gets the chance; his harried boss, who on this of all days calls him into work at the architecture firm, where his colleagues share a talent for butchering his name; and his mother, whose accidental text message may have blown the cover of an illicit extra-marital affair. There’s also the fact that Firas too has found himself in a love triangle of sorts, choosing between soft and steady Tyrese and fiery Kashif, who makes a sport out of demonstrating how Palestinian he is.

As the future Firas has precisely architected for himself slips further out of his grasp, the past comes crashing in like a wrecking ball. Sharp, darkly funny, and full of surprises, Three Parties pays twisted homage to a literary classic, gleefully upends the western coming-out narrative, and sensitively explores the traumas and pressures faced by Palestinian immigrants—all in the span of a single life-changing day.

Camille has worked her way up from the Guadeluopean lakou where she was born and raised to the heights of Orlando, where she is a successful motivational speaker. Her assistant, Evelyn, is struggling as a single mother, especially since she has been keeping the existence of her son a secret from her family in Jamaica. As Camille relates the story of her life to Evelyn, she urges Evelyn to see her difficult life as one of great fortune—“My girl, a woman falls, but she never despairs”—and to fully share her joys and successes with her loved ones.

Camille’s Lakou tells the story of Camille, a young Caribbean girl living with her single‑parent mother in a 1960s urbanized zone at the edge of Pointe‑à‑Pitre, Guadeloupe, following her through her adult life as a Caribbean migrant in Florida. Author Marie Léticée explores neocolonial culture clash and identity conflict themes that will be familiar to readers of the Francophone Caribbean coming‑of‑age novel and its revisions by women writers such as Capécia, Lacrosil, Manicom, Schwarz‑Bart, Condé, Pineau, and others. Léticée makes it her own by fleshing out a time and place not well‑represented in Guadeloupean literature. While previous bildungsromane from the writers mentioned here typically focus on rural peasant or urban bourgeois settings, Camille’s Lakou shifts location to an impoverished urban environment. “Lakou” is translated as “courtyard” or, more colloquially, “yard.” The author explores the culture and politics of lakou society while raising the issue of how this social dynamic is transformed through the impact of globalization and dispersal into a diasporic experience outside the island milieu of Camille’s childhood.

In a collaborative translation effort between the author and Kevin Meehan, Camille’s Lakou will bring the realities and joys of Léticée’s Guadeloupe to an English audience for the first time.

The Grand Paloma Resort is a lush paradise in the Dominican Republic where guests enjoy incredible luxury, and the staff is always eager to please—that is, until they are pushed to the brink.

Laura is a manager at the Grand Paloma Resort, a Dominican woman who has risen this far through sheer hard work. Her idea to pair “platinum” guests with a resort employee to attend to their every need has been wildly successful. She’s mere weeks away from a promotion that will blaze a path off the resort, to a life of opportunity. If only her younger sister, Elena—who she’s looked after since the death of their mother – could get with the program.

Elena has tried her best to live up to her sister’s expectations. To escape the drudgery of waiting on rich tourists, she’s become increasingly dependent on pills and partying. As a babysitter at the resort, she’s at the mercy of guests who travel to indulge their worst impulses and need someone else to watch their kids while they do so. Now, after an accident, a child in her charge is believed dead, and Elena knows she'll be held responsible.

At a local beachfront watering hole, Elena runs into the child’s father. He offers her an obscene amount of money to give him private time with two young local girls. Elena pockets the cash to fund her escape and prays she’s gotten the girls out of harm’s way.

Set over the course of seven days, The Grand Paloma Resort offers an unforgettable story of class, family, and community, building to an intense climax in which the true costs of luxury are laid bare, forcing Laura and Elena to reckon with long-held secrets and true acts of love.

* "Villanueva's debut is a beautiful #ownvoices middle-grade novel. Tough topics are addressed, but warmth and humor... bring lightness to Sab's story. This immersive novel bursts with life." –Kirkus Reviews, starred review

When superstitious Sab sees a giant black butterfly, an omen of death, she knows that she's doomed! According to legend, she has one week before her fate catches up with her―on her 11th birthday. With her time running out, all she wants is to celebrate her birthday with her entire family. But her sister, Ate Nadine, stopped speaking to their father one year ago, and Sab doesn't even know why.

If Sab's going to get Ate Nadine and their father to reconcile, she'll have to overcome her fears―of her sister's anger, of leaving the bubble of her sheltered community, of her upcoming doom―and figure out the cause of their rift.

So Sab and her best friend Pepper start spying on Nadine and digging into their family's past to determine why, exactly, Nadine won't speak to their father. But Sab's adventures across Manila reveal truths about her family more difficult―and dangerous―than she ever anticipated.

Was the Butterfly right? Perhaps Sab is doomed after all!

A haunting, unforgettable novel of obsession, pride, and forgiveness, exploring the friendship and rivalry between two gifted boys in harrowing circumstances, from the acclaimed writer of The Removed

Milton Muleborn has envied Matthew Echota, a talented Cherokee artist, ever since they were locked up together in a dangerous juvenile detention center in the late 1980s. Until Matthew escaped, that is.

A novel within a novel, we read here Milton’s dark, sometimes comic, and possibly unreliable account of the story of their childhood even as, years later, he remains jealous of Matthew’s extraordinary abilities and unlikely success. Milton reveals secrets about their friendship, their families, and their nightmarish, surreal, experience of imprisonment. In revisiting the past, he explores the echoing traumas of incarceration and pride.

Filled with Brandon Hobson’s swirling yet visceral writing, and punctuated with original artwork, The Devil Is a Southpaw is an ambitious, elegant, and propulsive novel in the spirit of Vladimir Nabokov and Gabriel García Márquez.

Five female Afghan poets wield language to combat the loneliness, absurdity, and claustrophobia of life in a war-torn country and its diaspora. There are “hypnotic, long beards” tangled with mass extinctions; hateful men burning grapevines; black blindfolds; jinn in chadors; and condoms advertised every eight minutes on TV. Interspersing these are tender moments: one poet describes brushing her daughter’s hair, while another imagines a tree growing at the center of a room, undisturbed by the bombs outside. In the wake of the Taliban’s escalating war on Afghan women’s rights, Hair on Fire is a blazing tribute to a group of exceptional poetesses and a reminder of what we lose when voices are silenced.

Perfect for kids aged 4-8 comes a stunning picture book about persistence, being creative in the garden, and adapting to a new place.

When Amina moves from the Caribbean to a new snowy home, she misses growing her favorite foods. There are no coconut trees to climb, no gardens full of sweet potatoes and callaloo—only ice and snow. As Amina looks out her frosted window, she sings a traditional children’s song from back home, adding her own twist: “There’s a brown girl in the snow, tra la la la la, where none of her plants will grow.”

Determined to find a way to make her favorite plants grow in a new climate, she comes across a possible solution after discovering a library book about gardening and greenhouses. Perhaps there is a way to grow sweet potatoes, after all!

This stunning picture book written by a Guyanese-born author features:

* An introduction to gardening and greenhouses
* A note from the author about the inspiration behind the story

With gorgeous images by Marianne Ferrer, and moving text by Yolanda T. Marshall, Brown Girl in the Snow is inspired by a traditional Caribbean children’s song and captures a child’s unwavering persistence and passion, as she grows into her new home.

A brilliant and compelling debut, Ravishing shines a light on the dark enticements of the beauty industry and how it capitalizes on our desire to be someone we are not

A provocative, darkly surreal novel of two Indian American siblings caught in the clutches of a beauty tech company, Ravishing is a searing portrait of the beauty industry’s dangerous ability to change people’s relationship to their bodies and the cult-like grip it has on youth.

For teenage Kashmira, it’s painful to look in the mirror; she has her father’s face, and every feature is a reminder of his abandonment. When a friend introduces her to Evolvoir, a beauty product that changes users’ features, Kashmira is quickly hooked on how it allows her to erase the triggers of her grief. Meanwhile, at Evolvoir’s corporate offices, Kashmira’s estranged brother Nikhil first sees the product as an opportunity to make a difference and a name for himself, but is quickly mired in corporate complicity as reports surface of the product causing severe pain and persistent symptoms in some users. As chaos ensues, Kashmira is hospitalized and must negotiate the constraints of her new reality, while Nikhil uncovers a vicious truth that will force him to decide where his loyalties lie.

Perfect for readers of Gold Diggers and You Too Can Have a Body Like Mine, Ravishing is a visceral, yet immensely tender, coming-of-age story of two Indian American siblings caught in the clutches of a predatory beauty tech company, providing an illuminating portrait of the complexities of growing up brown, chronic illness, and our relationship to ourselves.

At the center of this dazzling novel is Angela, a twenty-year-old beauty who leaves the stifling conformity of Oklahoma to search for fame during the rise of blaxploitation cinema in Los Angeles. But for her mother, Mildred, a strait-laced survivor of the 1921 Tulsa race riots, Angela's acting career is unforgivable, and the distance between them grows into a silence that lasts for years. It is only when Angela's daughter, Tamara, a filmmaker, sets out to close the rift between them that the women are forced to confront all that has been left unspoken in their lives.

Bold and beautifully written, Third Girl from the Left deftly explores the bonds of family and the inextricable pull of the movies.

Featuring a new original introduction by Opal Palmer Adisa

Avey Johnson--a Black, middle-aged, middle-class widow given to hats, gloves, and pearls--has long since put behind her the Harlem of her childhood. Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel--and in a panic packs her bag in the middle of the night and abandons her friends at the next port of call. The unexpected and beautiful adventure that follows provides Avey with the links to the culture and history she has so long disavowed. Originally published in 1983, Praisesong for the Widow was a recipient of the Before Columbus Foundation American Book Award, and is presented here in a beautiful new hardcover edition as the second title in McSweeney's Of the Diaspora series.

"Astonishingly moving."
-Anne Tyler, The New York Times Book Review

About Of the Diaspora
McSweeney's Of the Diaspora is a series of previously published works in Black literature whose themes, settings, characterizations, and conflicts evoke an experience, language, imagery and power born of the Middle Passage and the particular aesthetic which connects African-derived peoples to a shared artistic and ancestral past. Wesley Brown's Tragic Magic, the first novel in the series, was originally published in 1978 and championed by Toni Morrison during her tenure as an editor at Random House. This Of the Diaspora edition features a new introduction written by Brown for the series. Tragic Magic will be followed by Paule Marshall's novel of a Harlem widow claiming new life. Praisesong for the Widow was originally published in 1983 and was a recipient of the Before Columbus Foundation American Book Award. The series is edited by writer Erica Vital-Lazare, a professor of creative writing and Marginalized Voices in literature at the College of Southern Nevada. Published in collectible hardcover editions with original cover art by Sunra Thompson, the first three works hail from Black American voices defined by what Amiri Baraka described as strong feeling "getting into new blues, from the old ones." Of the Diaspora-North America will be followed by series from the diasporic communities of Europe, the Caribbean and Brazil.

Voodoo Libretto is in many ways a book of memories, a chronicle of both the personal and the political sensibility of a black baby-boomer. Driven by a restless and wide-ranging imagination, the poems are sometimes humorous, sometimes deadly serious, sometimes erotic, sometimes mystical, and occasionally all of these things at once.

A new retrospective of a titan of LGBTQ literature, activism, and Black feminism

Award-winning poet and essayist Cheryl Clarke’s illustrious career has spanned more than four decades and culminates in Archive of Style: New and Selected Poems, a long-awaited retrospective of the indelible work of a Black feminist, community and LGBTQ activist, and educator. This collection features carefully curated poems from Narratives: Poems in the Tradition of Black Women (1982), Living as a Lesbian (1986), The Days of Good Looks: Prose and Poetry 1980-2005 (2006), By My Precise Haircut (2016), and Targets (2019). Together these works show a brilliant thinker who has profoundly impacted generations of writers and activists.

Clarke’s poetry and essays, centered around the Black, lesbian, feminist experience, have attracted an audience around the world. Her essays, “Lesbianism: an Act of Resistance” and “The Failure to Transform: Homophobia in the Black Community” revolutionized the thinking about lesbians of color and the struggle against homophobia. Her poetry and non-fiction have been reprinted in numerous anthologies and assigned in women and sexuality courses globally. Having published since 1977, Clarke and her work have become a foundational part of LGBTQ literature and activism. Archive of Style is a celebration and homage to one of American literature’s Black Women literary warriors.

From the acclaimed author of The Stardust Grail comes the epic tale of two sisters who sail across oceans to find their missing third sister―and Earth’s environmental salvation.

In Earth's not too distant future, seas consume coastal cities, highways disintegrate underwater, and mutant fish lurk in pirate-controlled depths. Skipper, a skilled sailor and the youngest of three sisters, earns money skimming and reselling plastic from the ocean to care for her ailing grandmother.

But then her eldest sister, Nora, goes missing. Nora left home a decade ago in pursuit of a cure for failing crops all over the world. When Skipper and her other sister, Carmen, receive a cryptic plea for help, they must put aside their differences and set out across the sea to find―and save―her. As they voyage through a dying world both beautiful and strange, encountering other travelers along the way, they learn more about their sister's work and the corporations that want what she discovered.

But the farther they go, the more uncertain their mission becomes: What dangerous attention did Nora attract, and how well do they really know their sister―or each other? Thus begins an epic journey spanning oceans and continents and a wistful rumination on sisterhood, friendship, and ecological disaster.

A haunting novel about a father and son in the waning days of colonial Mozambique by the winner of the 2025 PEN/Nabokov Award

Diogo Santiago is a celebrated Mozambican poet and intellectual, a well-known professor at the university in his country’s capital. In 2019, on the eve of a cyclone that will devastate the East African coast, he returns to his hometown of Beira to receive a tribute from his fellow citizens. As he travels across Mozambique, his mind returns to the past―to his own upbringing, and to the history of his country when it was still a Portuguese colony.

Diogo’s father, himself a poet and a journalist, observed a terrible massacre committed during the waning days of the Estado Novo and was persecuted by the PIDE, the Portuguese secret police. Diogo’s reflections on his father’s life are interspersed with found documents―letters, stories, entries in the journal kept by the PIDE agent who oversaw the case. As Cyclone Idai approaches Beira, threatening to wipe away the physical traces of the world in which he grew up, Diogo is forced to confront the impermanence of his own memories, too.

A haunting novel of historical witness, The Cartographer of Absences is one of Mia Couto’s finest works. Drawing on the author’s own life in colonial Mozambique, this book is a significant new entry in the world literature canon.

Afro Samurai meets The Boondocks in this anime-inspired novel

I've wanted nothing more than to become a Sistah Samurai. When I was expelled from the training academy for sneaking in my stupid ex-boyfriend, I still had hope that I could cry enough to convince them to take me back. Then, demons invaded the capital and decimated the clan, and there went my dreams of ever naming my own pair of pink swords.

Until I heard a rumor of one last Sistah Samurai. I packed my favorite outfits and my trusty teddy bear, and recruited my forever bestie to help me find her. If we could manage not to interrupt her lunch, maybe we could convince her to train us? We were ready to do whatever she asked, even if that meant confronting old flames and taking down the patriarchy.

As long as we looked good while doing it.

The sequel of Sistah Samurai is an Action Fantasy novella that is an homage to the anime, Afro Samurai. Both works feature a feudal Japan-inspired setting that is rife with anachronisms. In the words of Samuel L. Jackson, “Is that a motherf—ing RPG?”

PRE-ORDER: ON SALE DATE: February 10, 2025

This gorgeous debut follows a young transsexual’s feverish passage through the envies and dreams that lace her initiation into New York City’s underground nightlife as she attempts to reconcile its predatory yet deeply salvational euphorias.

She moves to New York for whatever reasons. Then she starts hormones and steps out at night. Everything else falls away. How had it never not been this?

Quickly, Io—freshly feminized and hardly clothed—is yanked into the glamor and vagaries of her times by her obsessive parasocial relationship with a fellow trans woman and renowned DJ. In nightlife she quickly discovers the stakes of living so close to cultural production—fashion, art, literature, it all flashes and dies as her bank account stays empty and her health waxes and wanes.

The lines between transition and cultural capital begin to blur and the currency of femininity demands to sell or be sold. Io must decide how far she will go to attain the dreams of upward mobility free-wheeling through the cloaca of the City.

Community ideals and magic clash in this follow-up to Grievers and Maroons by adrienne maree brown.

Ancestors is the powerful conclusion to adrienne maree brown's Grievers trilogy—a story of how life blooms amid tragedy and hate. In the wake of a mysterious pandemic known as Syndrome H-8, the survivors of a ravaged and isolated Detroit are building a future inside the network of deserted skyscrapers that define the city’s skyline. Dune’s magic keeps a lush green wall encircling the community, and while some settle inside its safety, others grow desperate to get out, fueling the tension between shelter and confinement. As Dune’s power blossoms and her connection to the spirits of the departed deepens, she must learn how to balance the needs of her people, both living and dead.

An exciting, eye-catching repackage of acclaimed author Walter Dean Myers' bestselling paperbacks!

With an Introduction by National Ambassador of Young People's Literature Jason Reynolds and bonus material by Coretta Scott King Award winner Christopher Myers.

A coming-of-age tale for young adults set in the trenches of the Vietnam War in the late 1960s, this is the story of Perry, a Harlem teenager who volunteers for the service when his dream of attending college falls through. Sent to the front lines, Perry and his platoon come face-to-face with the Vietcong and the real horror of warfare. But violence and death aren't the only hardships. As Perry struggles to find virtue in himself and his comrades, he questions why Black troops are given the most dangerous assignments, and why the US is even there at all.

"I found these stories both heartening. . . and terrifying as the expression of a racial hatred that has never ceased to grow and gets no chance to die." —Malcolm Cowley, The New Republic

Richard Wright's powerful collection of novellas set in the American Deep South

Each of the poignant and devastating stories in Uncle Tom's Children concerns an aspect of the lives of Black people in the post-slavery era, exploring their resistance to white racism and oppression. This extraordinary collection also includes a personal essay by Wright titled "The Ethics of Living Jim Crow."

Originally published in 1938, Uncle Tom's Children was the first book from Wright, who would go on to win international renown for his powerful and visceral depiction of the Black experience. The author of numerous works, most notably the acclaimed novel Native Son and his stunning autobiography, Black Boy, Wright stands today as one of the greatest American writers of the twentieth century.

“Grand, robust, a rich and big novel.”—Alice Walker, The New York Times Book Review

“In [Jane Pittman], Ernest Gaines has created a legendary figure. . . . Gaines’s novel brings to mind other great works: The Odyssey, for the way his heroine’s travels manage to summarize the American history of her race, and Huckleberry Finn, for the clarity of [Pittman’s] voice, for her rare capacity to sort through the mess of years and things to find the one true story of it all.”—Newsweek

Miss Jane Pittman. She is one of the most unforgettable heroines in American fiction, a woman whose life has come to symbolize the struggle for freedom, dignity, and justice. Ernest J. Gaines’s now-classic novel—written as an autobiography—spans one hundred years of Miss Jane’s remarkable life, from her childhood as a slave on a Louisiana plantation to the Civil Rights era of the 1960s. It is a story of courage and survival, history, bigotry, and hope—as seen through the eyes of a woman who lived through it all. 
 
A historical tour de force, a triumph of fiction, Miss Jane’s eloquent narrative brings to life an important story of race in America—and stands as a landmark work for our time.

A powerful depiction of racial tensions arising over the death of a Cajun farmer at the hands of a black man--set on a Louisiana sugarcane plantation in the 1970s.

The Village Voice called A Gathering of Old Men "the best-written novel on Southern race relations in over a decade."

Toni Morrison, ganadora del Premio Nobel de Literatura 1993, parte de la realidad de una chiquilla desgraciada para tratar temas como el concepto de belleza impuesto, la voz femenina o la infancia truncada, y lo consigue con una historia dura y deliciosa al mismo tiempo.

Pecola es una niña pequeña que vive con sus padres y tiene una prima que se llama Claudia. Le gustan las muñecas y las caléndulas, que no le gustan a nadie excepto a ella. Pecola es negra y cree que es fea porque no se parece a Shirley Temple. Y tiene un truco para desaparecer cuando sus padres se pelean o su padre la molesta por las noches: piensa que tiene unos preciosos ojos azules, que todo el mundo admira su belleza y que las otras niñas la envidian. Pero ese sueño nunca se convertirá en realidad y Pecola seguirá atrapada en la triste vida que le ha tocado en suerte.

Reseñas:
«Una exploración de la raza y el género de la ganadora del Nobel, todo un clásico estadounidense. Con su exploración de las dinámicas entre el racismo interiorizado y la autoestima, [...] Morrison reflexiona sobre cómo la sociedad ensalza todo lo relacionado con los blancos #asociados con la belleza, la pureza y la inocencia#, algo que puede hacer mella en la autoestima de una persona y llevarla por la senda de la destrucción.»
Freddie Braun, Vogue ("6 novelas fundamentales de autores negros que deberías añadir a tu lista de lecturas"

«Toni Morrison se ha convertido en la D. H. Lawrence de la psique negra, transformando individuos en fuerzas, idiosincrasias en inevitabilidad.»
New York Magazine

La obra maestra de la premio Nobel de Literatura Toni Morrison, «la mejor novela norteamericana de los últimos cincuenta años» según The New York Times, ganadora del Premio Pulitzer y del American Book Award

«No puedo imaginar la literatura norteamericana sin esta novela.»
John Leonard, Los Angeles Times

Para escribir esta magnífica historia, merecedora del Premio Pulitzer, Toni Morrison se inspiró en la vida real de una esclava afroamericana, Margaret Garner, que en 1856 escapó de una plantación en Kentucky y consiguió llegar al estado libre de Ohio. A punto de ser recapturada, Margaret tomó la trágica decisión de sacrificar a su hija para salvarla de una vida en cautiverio.

En estas páginas, Sethe es la esclava prófuga que vendió su cuerpo para grabar el nombre de su hija muerta en la lápida: diez minutos por «Beloved», veinte por «Querida Beloved». Muchos años después, Sethe vive en Ohio con Denver, su hija adolescente, y Paul D., un viejo amigo que también fue esclavo. Todos intentan prosperar y olvidar el pasado, hasta que un día aparece una joven que dice llamarse Beloved. Tiene la edad que tendría su hija si viviese y sabe ciertas cosas que sugieren que podría serlo.

Beloved se convirtió de inmediato en un clásico cuando se publicó en 1987. El crítico John Leonard escribió en Los Angeles Times: «No concibo la literatura norteamericana sin esta novela». Casi dos décadas después, The New York Times la eligió como la mejor novela norteamericana de los últimos cincuenta años.

Reseñas:
«Uno de los libros por lo que vale la pena volver a la biblioteca (aunque sea virtual). Obra esencial de la Premio Nobel de Literatura.»
Begoña Alonso, Elle

«Imbricando un realismo desabrido con una poderosa imaginación fantástica, [...] Beloved se convirtió de inmediato en un clásico».
Zenda

«Toni Morrison fue un gigante de su época y de la nuestra. Todo el mundo debería

leer Beloved.»
Margaret Atwood, The New York Times

«Beloved es la gran novela norteamericana no escrita del siglo XIX, trata de cosas sobre las que jamás se escribió y que laten sin embargo en el fondo de novelas sí escritas, por Melville, por Poe.»
A. S. Byatt

«Una maravillosa artesana a la que la gente tiende a pasar por alto. Es tan genial e innovadora como Faulkner, García Márquez y Woolf.»
The New York Times

«La mejor obra de Toni Morrison. [...] Muestra su prodigioso talento.»
Chicago Sun-Times

«Si hay una novela con la que empezar a leer a Toni Morrison, es Beloved. [...] Morrison es un tesoro norteamericano.»
Biblioteca Pública de Nueva York

«He terminado una segunda vuelta de Beloved, la misteriosa y tan fascinante novela de Toni Morrison, donde el mundo de los esclavos negros se vuelve un asunto íntimo y a la vez mágico. [...] Y las protagonistas son las mujeres, que todo lo desafían, y son ellas mismas la libertad.»
Sergio Ramírez, Babelia

«Su obra es un bello y significativo desafío a nuestras conciencias y nuestra imaginación moral.»
Barack Obama

«Beloved te hace sentir que todo lo que has escrito es aburrido y sin vida. El nivel de destreza, la perfección y la belleza de las oraciones, el alcance de la imaginación, el orden del lenguaje en torno al dolor indescriptible. Es buenísimo. Además, es nuestra historia de terror más estadounidense. [...] Sé que Morrison no escribía para mí, pero moldeó mi escritura y le estoy eternamente agradecida.»
Carmen María Machado

"Supremely humane.... Kay leaves us with a broad landscape of sweet tolerance and familial love." —The New York Times Book Review

In her starkly beautiful and wholly unexpected tale, Jackie Kay delves into the most intimate workings of the human heart and mind and offers a triumphant tale of loving deception and lasting devotion.

The death of legendary jazz trumpeter Joss Moody exposes an extraordinary secret, one that enrages his adopted son, Colman, leading him to collude with a tabloid journalist. Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories of their marriage. The reminiscences of those who knew Joss Moody render a moving portrait of a shared life founded on an intricate lie, one that preserved a rare, unconditional love.

A collection from one of our most influential African American writers

An icon of nineteenth-century American fiction, Charles W. Chesnutt, an incisive storyteller of the aftermath of slavery in the South, is widely credited with almost single-handedly inaugurating the African American short story tradition and was the first African American novelist to achieve national critical acclaim. This major addition to Penguin Classics features an ideal sampling of his work: twelve short stories (including conjure tales and protest fiction), three essays, and the novel The Marrow of Tradition. Published here for the 150th anniversary of Chesnutt's birth, The Portable Charles W. Chesnutt will bring to a new audience the genius of a man whose legacy underlies key trends in modern Black fiction.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Iola Leroy was originally published in 1892, during a time of black disenfranchisement, lynching, and Jim Crow laws. It is the story of a "refined mulatto" raised to believe she's white until she and her mother are sold into slavery. Iola becomes an outspoken advocate for her people and a critic of race-mixing. Her story offers an important portrait of black life during the Civil War and Reconstruction.