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Mystery bookstore owner Samantha Washington is trying to keep her grandmother from spending her golden years in an orange jumpsuit . . .
 
The small town of North Harbor, Michigan, is just not big enough for the two of them: flamboyant phony Maria Romanov and feisty Nana Jo. The insufferable Maria claims she's descended from Russian royalty and even had a fling with King Edward VIII back in the day. She’s not just a lousy liar, she's a bad actress, so when she nabs the lead in the Shady Acres Senior Follies—a part Nana Jo plays every year in their retirement village production—Nana Jo blows a gasket and reads her the riot act in front of everyone.
 
Of course, when Maria is silenced with a bullet to the head, Nana Jo lands the leading role on the suspects list. Sam’s been writing her newest mystery, set in England between the wars, with her intrepid heroine Lady Daphne drawn into murder and scandal in the household of Winston Churchill. But now she has to prove that Nana Jo’s been framed. With help from her grandmother's posse of rambunctious retirees, Sam shines a spotlight on Maria’s secrets, hoping to draw the real killer out of the shadows . . .
 

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The author of the award-winning Sally Hemings now brings to life Hannah Elias, one of the richest black women in America in the early 1900s, in this mesmerizing novel swirling with atmosphere and steeped in history.

A murder and a case of mistaken identity brings the police to Hannah Elias’ glitzy, five-story, twenty-room mansion on Central Park West. This is the beginning of an odyssey that moves back and forth in time and reveals the dangerous secrets of a mysterious woman, the fortune she built, and her precipitous fall.

Born in Philadelphia in the late 1800s, Hannah Elias has done things she’s not proud of to survive. Shedding her past, Hannah slips on a new identity before relocating to New York City to become as rich as a robber baron. Hannah quietly invests in the stock market, growing her fortune with the help of businessmen. As the money pours in, Hannah hides her millions across 29 banks. Finally attaining the life she’s always dreamed, she buys a mansion on the Upper West Side and decorates it in gold and first-rate décor, inspired by her idol Cleopatra.

The unsolved murder turns Hannah’s world upside-down and threatens to destroy everything she’s built. When the truth of her identity is uncovered, thousands of protestors gather in front of her stately home. Hounded by the salacious press, the very private Mrs. Elias finds herself alone, ensnared in a scandalous trial, and accused of stealing her fortune from whites.

Packed with glamour, suspense, and drama, populated with real-life luminaries from the period, The Great Mrs. Elias brings a fascinating woman and the age she embodied to glorious, tragic life.

Du Bois' foundational investigation of social justice and civil rights by means of essay, poetry, prayer and short science fiction.

A new edition with a new introduction, Du Bois' radical text is a rare statement of values formed around the vision of a collective life, where the humanity of black women and men is treated with dignity and equality. He expresses his themes through a series of literary forms: polemic essay, spirituals, poetry and short science fiction, each of which forms a pulse of social justice from a time when a true understanding of intersections between poverty, work, racism and feminism was rare. A new title in the Foundations of Black Science Fiction series.

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Obi Ifeanyi's life is moving at a fast pace. He is now a husband and father. So while President Obama is contending with a tough reelection campaign, Obi Ifeanyi is dealing with the day to day pressures of married life and raising a son. When his former love interest, Sade Olufemi, comes back into his life and decides to run her political campaign with the help of his wife, Nkechi, Obi's problems are compounded because Sade is a secret Nkechi is better not knowing about. While he struggles with the torment of Sade's return, the upcoming wedding of his best friend from law school, will lead to the unveiling of a secret that will change the dynamics of the Ifeanyi family forever.

Karen Lord’s debut novel won the prestigious Frank Collymore Literary Prize in Barbados, the Mythopeic, Carl Brandon Parallax, and Crawford Awards. It is an intricately woven tale of adventure, magic, and the power of the human spirit.

Paama’s husband is a fool and a glutton. Bad enough that he followed her to her parents’ home in the village of Makende, now he’s disgraced himself by murdering livestock and stealing corn. When Paama leaves him for good, she attracts the attention of the undying ones—the djombi—who present her with a gift: the Chaos Stick, which allows her to manipulate the subtle forces of the world. Unfortunately, a wrathful djombi with indigo skin believes this power should be his and his alone.

Bursting with humor and rich in fantastic detail, Redemption in Indigo is a clever, contemporary fairy tale that introduces readers to a dynamic new voice in Caribbean literature. Lord’s world of spider tricksters and indigo immortals, inspired in part by a Senegalese folk tale, will feel instantly familiar—but Paama’s adventures are fresh, surprising, and utterly original.

"Fantasy as a genre does not have boundaries," writes Lord. "It has roots. You may call it fantasy. I call it life.”

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The stunning debut novel from the award-winning author of Dark Corner and Within the Shadows, now back in print . . .

Days after a devastating gale rips through his town and nearly takes his life, young Jason Brooks wakes up to a whole new world. His mother--once a neglectful, angry drunk--has given up the bottle to spend more time with him. His father--largely absent for most of Jason's life--is making an honest effort to mend his troubled marriage. And shy, self-conscious Jason has made friends--at last. The whole family is well on the way to recovery--and to finding the happiness that in the past has proved so elusive.

But then the nightmares start . . .

The stalker creeps into the bedroom. He bends down, slowly lifting the bedspread. He lifts it higher . . . and Jason wakes up screaming, his heart thudding in his chest.

And strange things begin to happen . . .

Cryptic messages appear on the bathroom mirror. Clothing flies about the room. The bed rises in the air . . . and thumps back to the ground. And always, in the distance, thunder roars . . .

Because someone--or something--is coming.

For Jason . . .

“Jones’s great achievement is to reckon with both history and interiority, and to collapse the boundary between them.”—Anna Wiener, The New Yorker

From the highly acclaimed author of Palmares, Corregidora, and The Healing—a rare and unforgettable journey set along the US-Mexico border about identity, immigration, and “the new underground railroad.”

First discovered and edited by Toni Morrison, Gayl Jones has been described as one of the great literary writers of the 20th century. In Mosquito, she examines the US-Mexico border crisis through the eyes of Sojourner Nadine Jane Johnson, an African American truck driver known as Mosquito. Her journey begins after she discovers a stowaway who nearly gives birth in the back of her truck, sparking Mosquito’s accidental yet growing involvement in “the new underground railroad,” a sanctuary movement for Mexican immigrants.

As Mosquito’s understanding of the immigrants’ need to forge new lives and identities deepens, so too does Mosquito’s romance with Ray, a gentle revolutionary, a philosopher, and, perhaps, a priest. Along the road, Mosquito introduces us to Delgadina, a Chicana bartender who fries cactus, writes haunting stories, and studies to become a detective; Monkey Bread, a childhood pal who is, improbably, assistant to a blonde star in Hollywood; Maria, the stowaway who names her baby Journal, a misspelled tribute to her unwitting benefactor Sojourner; and many more.

Longlisted:
2017 OCM Bocas Prize for Caribbean Literature

When the infant Jordan Sant is taken to the St Asteria Home for Children after the murder of his parents, he sets out on a journey that is a constant struggle between his best and worst selves. One relationship, with the young nun the children call Mouse, awakens the possibilities of love and hope, but when Mouse abandons her calling and leaves the home, the world thereafter becomes a darker place. When, barely a teenager, he runs away from the home to scuffle for a living in the frightening underbelly of Port of Spain, Jordan reaches the lower depths of both Trinidadian society and himself.

A landmark survey of African American literature about Black experiences of the maritime environment.

The ocean is foundational to the story of Africans in America, beginning with the searing Middle Passage. Initially evoking terror, pain, and death, the ocean also became associated with escape, empowerment, freedom, and home, as over time, African Americans in seaport towns found work, built communities, and gained knowledge from travelers. David R. Anderson shows in this groundbreaking collection of memoir, fiction, poetry, and more that African American maritime literature summons many of the traditional themes―survival in the face of overwhelming natural force, sublimity, demonstration of skill and merit, and self-discovery―but often with an eye on legacies of imperialism, slavery, discrimination, and cultural erasure.

Divided thematically across ten sections that address peril, labor, recreation, and more, the book gathers work by influential writers and intellectuals from the eighteenth century to the present, including: Lucille Clifton, Edwidge Danticat, Frederick Douglass, Alice Dunbar-Nelson, W. E. B. DuBois, Camille T. Dungy, Marcus Garvey, Robert Hayden, Zora Neale Hurston, Major Jackson, Harriet Jacobs, John S. Jacobs, Nella Larsen, Claude McKay, Toni Morrison, Walter Mosley, Natasha Trethewey, Phillis Wheatley, Colson Whitehead, and Kevin Young.

This unique volume provides each writers reflection on her work, an evaluation of that writer by two perceptive critics, and detailed biographical and bibliographical data.  Included are Maya Angelou, Toni Cade Bambara, Nikki Giovanni, Toni Morrison, Alice Walker, and ten other outstanding writers.

*As featured as an editor's pick on Radio Four's OPEN BOOK*

*One of the Guardian's books to look out for in 2024*

"An immersive feminist novel that meshes the personal and political to moving effect" Preti Taneja, Financial Times

"A brilliant novel of the Palestinian diaspora. Funny and gritty, and bursting with life and humour" Ahdaf Soueif, Guardian

Born a girl to parents who expected a boy, Jihad grows up treated like the eldest son, wearing boy's clothing and sharing the financial burden of head of the household with her father.

Now middle-aged, each night Jihad tells her daughter a story from her life. As Maleka prepares to leave home to attend university abroad, her mother revisits the past of their Palestinian family, tenderly describing their life in exile in Kuwait and her own experiences of love and loss as she grows up.

Huzama Habayeb weaves a richly observed and affectionate portrait of a Palestinian family displaced from their homeland, exploring with humour and poise the love and betrayal that pursues Jihad and her family from Kuwait to Jordan to Dubai. This is a novel whose words will resound long after you finish the final page.

Translated from the Arabic by Kay Heikkinen

This debut novel from a former NFL player is a hard-hitting, heart wrenching crime novel that brilliantly blends elements of jazz, football, and a gritty portrait of a city divided―perfect for fans of S.A. Cosby and Walter Mosley.

Coltrane Davis is at once a knight and a hustler. He has risen to wealth and success, graduating from San Diego's back alleys to the halls of power through his partnership with Saul Sollman, a crooked kingmaker among the city's elite. Running multimillion dollar scams with Saul, he has been Saul's fixer, but now he wants out of the hustle so that he can focus on his teenage daughter's burgeoning tennis career and finally be the dad he has always wanted to be.

But when the Los Angeles Chargers' star running back vanishes one evening before a big game, Coltrane is drawn into an investigation of what happened by Saul and his protégé, the player's agent; the stakes escalate with a gut-punch when the trail leads into San Diego’s underworld of drugs and prostitution and reveals clues to the disappearance of his daughter's best friend, whose loss has haunted him.

Torn by the unreconcilable demands of the life he can't seem to quit and the fierce desire he has to protect his own, Coltrane brings himself and his loved ones to the brink of destruction in his quest to free himself once and for all of Saul's control―and focus on what really matters: family.

A dying gangster's plea sends Joe King Oliver on a quest for a missing woman across America's coasts―unraveling a dark and violent family history along the way―in this engrossing new novel from one of the most celebrated and acclaimed crime writers at work today.

Joe King Oliver is the big man you call to solve the most delicate and dangerous of problems. Fresh off unraveling the mystery of his own parents’ fates, King finds himself accepting (again at his grandmother’s request) a case from Arman Babylon, a powerful Los Angeles gangster now dying from cancer.

Babylon’s granddaughter, Twyla Mann, has been missing for years, and he’s desperate to find her before he passes. The search pulls King into the Babylons’ stained past and the cold case of Dalia Shorts, a torch singer who vanished without a trace and whom Arman was once suspected of killing.

As King follows her trail from L.A. to New York and back, he’ll realize nothing is what it seems as he uncovers a pattern of violence that has targeted the women around Babylon for decades. How much will King be willing to risk to finally set things right?

An unexplained tragedy. A handsome stranger. A house of ghosts and memories. In this fresh take on the Gothic tale, a young Nigerian woman returns to the family mansion where her brother died—only to find the past ready to consume her.

1967, Nigeria. Celia has been estranged from her family since they banished her to St. Agnes’s reform school after her brother’s death. When the school closes down, she has nowhere to go and no one to write for help.

She secures a job as a typist, marking the beginning of a new chapter; she hopes to leave behind the demons of her past and become a normal, happier person. And when a charismatic yet secretive aspiring politician hires her to be his fiancé, Celia begins to dream of a possible new future. But everything falls apart and Celia, in desperation, returns to her childhood home, the Water House.

There, Celia is confronted by her hostile mother, a past love, and the horrors that the house holds deep in its walls. As a civil war brews in the outside world, Celia begins to suspect that the truth behind her brother’s death might be more sinister than she imagined. In a twist on Jane Eyre and Rebecca, Nneoma Ife-Njoku weaves a mesmerizing story of a woman confronting a home where the past refuses to stay buried.

Bestselling authors Christine Pride and Jo Piazza return with a gripping and thought-provoking new novel about a Black woman whose interracial marriage is tested when a journalist investigates a decades-old murder tied to her wealthy husband’s family.

Simone Hartwell has made trade-offs to build a life she loves, including giving up her once promising career as a journalist. But as her husband, Alex, stands to finally take the reins of the family business—a chain of high-end grocery stores his grandfather started—Simone vows to settle contently into her role supporting him and raising their son Langston.

But when her college ex and first love, Kwame, resurfaces in her life, her carefully constructed domestic bliss threatens to crumble under the weight of old feelings and new dramas. Kwame, who built the journalism career Simone once dreamed of, is investigating a decade’s old mystery of a young Black man who disappeared from The Tate School—the same elite prep school that Alex’s family has attended for generations. When he discovers a startling connection to the Hartwells, it sets everyone on a collision course that will unearth long-held secrets, test loyalties, and force a major reckoning between the past and the future.

Thorny, urgent, and nuanced, I Never Knew You at All is a story of love, forgiveness, and redemption that asks provocative questions: Who deserves forgiveness? Can people really change? And ultimately—what does it take to hold a marriage together…or break it apart?

A sizzling yet sweet festive rom-com about a small-town theatre director forced to put her faith in the woman who once shattered her heart, so they can save not only the show, but their whole community, too.

In Cedar Creek, Christmas is no joke, and the annual seasonal play is the centerpiece of the festivities. As director, Bo Amaratunga is not only filling the boots of her mother, but fulfilling her role as community organizer—bringing people together for a night of queer joy and merriment.

When a local landmark goes up for sale, and the town looks to Bo to save it, she does exactly what her mother would do: draws up plans to produce the loudest, most magical play to save the day—or at least bring in enough ticket sales to fend off any prospective buyers. To pull it all off, Bo needs a set builder who can bring her vision to life, but the only option seems to be the newly returned Val Morales, Bo’s long lost high school sweetheart. Sure, Val’s incredibly talented, more than willing to help, and still makes Bo’s pulse race, but how can she trust the girl who ghosted her and left her devastated ten years ago? And why did Val come back after all these years, anyway?

Val Morales didn’t think she’d ever find herself back in Cedar Creek. Freshly divorced, unemployed, and floundering, she was glad to take the lifeline when her demanding parents offered her a job helping out with their realtor business. When they ask her to find a buyer for their lucrative property in Cedar Creek, she jumps at the opportunity to escape their disappointment at her life’s recent downturn and hopefully even impress them. She wasn’t expecting to run into Bo, her first, most pivotal love, or for Bo to ask for her help designing the set for the annual holiday play. When Val realizes the property she’s trying to sell is the same one the play is trying to save, she is forced into an impossible place—will she break Bo’s heart all over again?

As the past and their longing for one another creeps up on them, Bo and Val must figure out a way to maneuver around their conflicting goals and pressures.

At once an utterly delightful holiday romcom and a tender exploration of past, present, and future selves, Tanya Boteju’s adult debut Setting the Stage For Christmas will warm hearts in any season.

Dive into the chilling depths of Latiné horror with Something Followed Us Home, edited by Bram Stoker Award–winner Cynthia Pelayo, a groundbreaking anthology where each story reimagines immigration, colonization, faith, and folklore as the fears we inherit and carry across borders and generations.

Something followed us home. It crawled in with our prayers, slipped into our beds, watched from mirrors, waited in water, and learned our names. In these stories, horror does not announce itself. It possesses, feeds, whispers, and waits.

Gathering chilling work from some of today’s most acclaimed Latiné voices, this anthology moves through haunted households, brutal landscapes, sacred spaces turned dangerous, and bodies claimed by forces both ancient and intimate. The dead murmur behind locked doors. Bones rebuild themselves under merciless suns. Love becomes a doorway for demonic hunger. Prayers summon answers that arrive too late…or too fully. Blood, devotion, and memory intertwine as the past presses back with teeth.

Something Followed Us Home is a landmark anthology of Latiné horror. These stories remind us that the past is never gone, the dead are never silent, and the places we come from will always find their way back to us.

Featuring stories by: Agustina Bazterrica, Ann Dávila Cardinal, Cynthia Pelayo, Isabel Cañas, Gerardo Sámano Córdova, Zoraida Córdova, Mariana Enriquez, Carolina Flórez-Cerchiaro, Ananda Lima, Xochitl Gonzalez, Leopoldo Goût, Juan Martinez, Mónica Ojeda, Daniel Jóse Older, Lilliam Rivera, Alex Segura, Diana Rodriguez Wallach

Candice Carty-Williams, internationally bestselling author of Queenie (now a television series on Hulu), reunites us with the iconic character nearly ten years on, facing new chaotic choices in life and love with cherished old friends and family in this highly anticipated sequel.

Queenie Jenkins is moving on up.

She’s thirty-three, the editorial director for The Good Sis, a thriving media network amplifying the voices of Black women, a far cry from her former toxic workplace. With a great platform and a renewed sense of purpose, she’s fighting the good fight.

So when an appointment for research goes haywire and reveals startling truths about her own fertility, Queenie is confronted with a racing biological clock when she’s not even sure she wants kids in the first place. She’s sort of seeing someone, but it’s not that serious (according to him), and her mom, grandma, and aunt Maggie all mean well, but they keep asking when she’s going to settle down.

Surrounded by loyal friends who seem to fall in love with their person and get pregnant at the drop of a hat, Queenie feels they just don’t get her. After a series of confusing “situationships” that prove more trouble than they’re worth, an old flame that she’s now second-guessing why she ended it with, and her beloved grandfather’s failing health, Queenie feels as though time is running out in all the parts in her life. And she’s going to do what she thinks is best to get back on track, no matter how inadvisable.

Bigger. Not better. Older. Not wiser. The beloved and flawed Queenie Jenkins is scared, she is frustrated, she is confused…but…she is working on it.

From the author of the multi-award-winning, National Book Award–longlisted, “vivid, fast, funny, way-smart, and verbally inventive” (George Saunders) story collection Heads of the Colored People, comes a sly, spry, literary debut novel about the murder of an infamous moonshiner and the cacophony of true stories a small town can tell about itself.

Rich Milford is dead. At last.

We find ourselves in 1920’s Oklahoma, just far enough out of Tulsa, just long enough after the Race Massacre of 1921. For as long as anyone can remember, the Milfords have led plentiful lives on the backs of the townspeople of Newville. Now, on the ominous brink of the Great Depression and at the height of Prohibition, Richard Milford was an infamous moonshiner and womanizer who, it seems, finally crossed the wrong person at the wrong time. He’s dead and buried with only his women to mourn him, but a question remains: Who killed him, and why?

Top suspects are his four “wives,” Lally, Sophronia, Georgette, and Vivianne. But as their stories burst to light, the very idea of a true story comes apart before our eyes.

In an electric follow-up to her acclaimed debut collection, Nafissa Thompson-Spires once again serves up a brilliant distillation of front-of-mind happenings—think, cults of personality, capitalism run amok in politics, and rampant societal distrust—structured like a stupefying line dance. In her uniquely powerful, humorous manner, Thompson-Spires takes on the interdependent clash of the traditional and the newfangled in this gobsmackingly excellent novel.

Who Among You Is Ready to Know More?

Chimera Skin is a new apocalypitic sci-fi short novel from Johnny Compton, Bram Stoker Award-nominated author of The Spite House, Devils Kill Devils, and Dead First.

Swanson, a mutated man struggling to maintain his sanity, is civilization's last hope. Our world has been decimated after a messianic alien unleashes hell on Earth during its failed attempt to “uplift” humanity. But Swanson may have figured out how to fight back, even if his plan forces him to leave the only planet he's ever known.

Chimera Skin is a short science-fiction horror novel in the vein of The Fly, The Thing, and I am Legend.

From the creator of Slumdog Millionaire—the highly-anticipated kaleidoscopic thrill ride through contemporary Delhi where a young woman has to survive her own kidnapping

Devi is a fighter. Growing up in the slums of Delhi, she has learnt that survival comes at a cost—and naturally, that means she’s made a few enemies along the way.

Now she’s being held captive, her life up for sale in an online auction, where the highest bidder will determine her fate.

With her existence hanging in the balance, Devi proceeds to give her captor ‘a confession to beat all confessions’ – as over the course of a single night, Devi unveils the secrets of her seven extraordinary lives.

Devi is the ultimate survivor – a girl from the gutters who dares to rewrite her own destiny. But, like Sheherazade in the Arabian Nights, will she survive the longest night of her life?

Equal parts heartrending and hopeful, Uprising is an “extraordinary” (Salman Rushdie), “powerful and uncompromising” (Kamila Shamsie) portrait of women’s lives told from the collective voice of their children.

On a desolate, sinking island off the coast of Bangladesh, a group of children witness their mothers living lives of cruelty and servitude.

Bought and sold by Amma, the ruthless madam who was once herself sold into slavery, the women have accepted their fates as sex workers. Yet their children weave fantastic tales, imagining that someday they will escape the island and enjoy a life of freedom.

When Kusum Khan, a young, educated woman from the city, is brought to the island, she too is subjected to Amma’s violent induction. Yet Kusum refuses to yield, and soon the complacency of her fellow prisoners turns into ferocity and defiance. Together, they begin a rebellion that will upend their island and the very order of things.

A blazing drama of resistance and female power by an author who “deftly weaves the personal and the political” (The New Yorker), Uprising gives voice to the silenced through the story of a revolution no one saw coming.

This stunning hardback collection showcases myths and legends that have been told and treasured by the African peoples for generations.

Featuring stories from across the continent and rooted in the diverse cultures from which they originate, the tales within include valuable life lessons that are sure to have a lasting impact. With wise animals, cunning tricksters, and unexpected adventures that will thrill readers young and old, there is much to discover.

This ornate hardback edition features gold embossing on the font and back cover, full-colour endpaper designs, ivory pages and stencilled page-edges, making a wonderful collectible edition for any mythology lover.

ABOUT THE SERIES: The Collectable Myth and Legends series contains luxurious gold embossed gift editions of classic myth and legends from around the world, featuring full-colour endpaper designs, ivory pages and striking stencilled page edges.

A stunning collection of Black American horror short stories curated by the prolific author-editor-scholar team of Maurice Broaddus and Dr. Chesya Burke.

Edited by award-winning writer, community organizer and educator Maurice Broaddus and scholar, professor and award-winning author Dr. Chesya Burke, with an introduction by Dr. Burke, Black Horror: Canonical Voices from Then to Now is a landmark anthology offering the evolution of Black American literary horror while boldly imagining its future. The stories within recognize the legacy of Black horror, its literary milestones, cultural roots, and innovative voices, while pushing the genre into new, daring territory. Authors featured in the anthology include: Tananarive Due, P. Djeli Clark, Linda D. Addison, Brandon Massey, Justina Ireland, Jewelle Gomez, Sheree Renee Thomas, Wrath James White and Victor Lavalle. It also includes a small selection of stories chosen from open submissions. This book revels in the power of horror to unsettle, illuminate, or transform, while drawing from Black American cultural histories, mythologies, and lived experiences; it will surprise you with fresh nightmares, folklore, and futures, honoring the past while writing fearlessly toward tomorrow.

The Flame Tree Beyond and Within short story collections bring together tales of myth and imagination by modern and contemporary writers, carefully selected by anthologists, and sometimes featuring short stories from a single author. Overall, the series presents a wide range of diverse and inclusive voices with myth, folkloric-inflected short fiction, and an emphasis on the supernatural, science fiction, the mysterious and the speculative. The books themselves are gorgeous, with foiled covers, printed edges and published only in hardcover editions, offering a lifetime of reading pleasure.

A ragtag group of activists plan a mission to repatriate the bones of a Blackfeet boy who was sent to the infamous Carlisle Indian Industrial School in author Stephen Graham Jones's return to the Blackfeet reservation of his award-winning New York Times bestsellers The Only Good Indians and The Buffalo Hunter Hunter.

Nate Yellow Tail is one of the survivors of the deadly revenge murders of Stephen Graham Jones's breakout bestseller The Only Good Indians. Five years after the massacre on the Blackfeet reservation, Nate finds himself in the hospital after a terrible accident that should’ve killed him and that nearly killed his best friend Sebby, who is hanging onto life in a room a few doors down.

Nate’s life is out of balance, so when he is given the chance to reset his life, and maybe save Sebby in the process, Nate steps up, again. This time it’s into a camper van that is almost as run down as his broken body, filled with three older Blackfeet, to find the bones of the lone Blackfeet boy who died at the Carlisle Indian Industrial School, where many Indigenous children were abused, and repatriate this boy home. The problem is, when they get the bones, something terrible has escaped with them.

Jones has crafted another American Indian novel for our times, shining light on the dark corners of this country’s history while also showing the desperate choices people make when they’re put up against a wall.

A moving and powerful debut novel celebrating and embracing the richness of life, even in the face of death.

Not long after giving birth to her eighth child, Renie—a thirty-nine-year-old wife and mother—is diagnosed with Stage 4 breast cancer with only three months to live. In confronting her own mortality, Renie creates a journal to leave for her children.

While writing and reflecting, Renie realizes that she has spent her life in duty of others—her parents, her family, her husband, and children. With this sudden and momentous revelation, her fear and subsequent preparation for death becomes replaced with an intense desire to live her last days on her terms.

With writing that’s both wise and wistful, Every Goodbye Ain’t Gone is a triumphant celebration of the human spirit from a powerful and imaginative rising literary voice.

A stunning collection of African-Australian short stories from the multi-award-winning author Eugen Bacon.

Black Dingo is a cross-genre miscellany that embraces multi-award-winning author Eugen Bacon’s hybridity as an African Australian who is ‘betwixt’, ‘a sum of parts’ – she is a mother, a daughter, a sister, a woman, a writer, an author, an editor, a scholar and a friend. She is many, and it reflects in this collection that transverses transformative stories of longing and belonging, unlimited futures, a collision of worlds, mythology, and more.

Featuring a black heroine, in each story is a cameo or secondary character of a dingo. Black Dingo is sponsored through Eugen’s Otherwise Fellowship awarded by the Otherwise Motherboard; this speculative fiction cases black people in bold and evocative text, at times deeply flawed but potentially redeemable protagonists in rich hues of blackness and light. The literary strange unravels in these genre-bending Afro-irreal tales of longing and belonging, unlimited futures, a collision of worlds and everything in between: rich hues of shadow and light.

The Flame Tree Beyond and Within short story collections bring together tales of myth and imagination by modern and contemporary writers, carefully selected by anthologists, and sometimes featuring short stories from a single author. Overall, the series presents a wide range of diverse and inclusive voices with myth, folkloric-inflected short fiction, and an emphasis on the supernatural, science fiction, the mysterious and the speculative. The books themselves are gorgeous, with foiled covers, printed edges and published only in hardcover editions, offering a lifetime of reading pleasure.

Here is New York Times bestselling author Eric Jerome Dickey's debut novel, a celebration of Black sisterhood hailed by Essence as one of the “50 Most Impactful Black Books Of The Last 50 Years”.

Valerie, Inda, and Chiquita are three women looking for love in Los Angeles.

Valerie became the perfect wife to please her husband, Walter, whose football career has gone nowhere—along with their marriage. Then she meets Daniel. Valerie's divorced sister, Inda, has Raymond, who has a hot body, smooth moves—and another girlfriend on the side. Now Inda's scheming to get even. After telling her last boyfriend to hit the road, Chiquita takes up with Thaddeus, Inda and Valerie's irresistible brother. Has Chiquita finally found a good man?

Sexy and in-your-face, Sister, Sister depicts a modern world where women may have to alter their dreams, yet never stop embracing tomorrow.

“Brims with humor, outrageousness, and affection.”—Publishers Weekly

Rebellions are like fires—something needs to burn to make a flame. Return to the Wardens’ Empire in this riveting conclusion to the visionary fantasy trilogy inspired by the mythology of Africa and Arabia.

The Wardens’ Empire is falling. A vigilante known only as the Truthsayer is raising an army against the wardens. Sylah and Hassa must navigate the politics of this new world, all the while searching for Anoor.

Across the sea, the Blood Forged prepare for war, requesting aid from other governments. Jond’s role as major general sees him training soldiers for combat, but matters of the heart will prove to be the hardest battlefield.

The Zalaam celebrate the arrival of the Child of Fire, heralding the start of the final battle. Anoor’s doubts are eclipsed by the powers of her new god. Soon the Zalaam will set off on their last voyage—and few expect to return.

Do you feel it? Cresting the horizon? The darkness drawing in, the shadows elongating . . .

The Ending Fire comes.

Book Three of the Ending Fire Trilogy

Don’t miss any of Saara El-Arifi’s searing Ending Fire Trilogy:
THE FINAL STRIFE • THE BATTLE DRUM • THE ENDING FIRE