New York Times bestselling and LA Times Book Prize-winning author S. A. Cosby is back with a new novel about the first Black sheriff in a small Southern town , and his hunt for a killer.

After years of working as an FBI agent, Titus Crown returns home to Charon County, land of moonshine and corn bread, fistfights and honeysuckle. Seeing his hometown struggling with a bigoted police force inspires Titus to run for sheriff. He wins and becomes the first Black sheriff in the history of the county.

Then, a year to the day after his election, a young Black man is fatally shot by Titus’s deputies.

Titus pledges to follow the truth wherever it leads. But no one expected he would unearth a serial killer who has been hiding in plain sight, haunting the dirt lanes and woodland clearings of Charon.

Now Titus must pull off the impossible: stay true to his instincts, prevent outright panic, and investigate a shocking crime in a small town where everyone knows everyone yet secrets flourish—all while breaking up backroad bar fights and being forced to protect racist Confederate pride marchers.

For a Black man wearing a police uniform in the American South, that’s no easy feat. But Charon is Titus’s home and his heart, and he won’t let the darkness overtake it. Even as it threatens to consume him.

A glance was all it took. That kind of connection, the immediate understanding of another person, just doesn’t come along very often. And as rising stars on their Texas high schools’ respective basketball teams, destined for futures in professional leagues, it seems like a match made in heaven. But Carli and Rex both have secrets.

Pachinko meets Beasts of a Little Land in this stunning, evocative tale, set in 1920s Korea, of one seemingly ordinary woman—an uneducated villager living under Japanese occupation—who takes control of her own destiny and rises to become an advocate for women’s literacy as a force for change.

“Women need other women to survive.”

In 1924, Korea is an occupied country. In Seoul’s secret, underground networks and throughout the countryside, rebellion against the Japanese Empire simmers, threatening to boil over. Kim Na-Young lives a simple life in the rural village of Daegeori, where she watches the moon rise and set over the pine-wooded mountains, tends to her household alongside her best friend, Yeon-Soo, and cares for her sick mother.

But the occupation touches every Korean life—even Na-Young’s. In the wake of a tragedy that stuns the village, Na-Young’s father arranges her marriage to a man she’s never met, and Na-Young and Yeon-Soo decide to flee, taking their fate into their own hands. That decision sets them on their own collision course with the occupying forces, resulting in a violent encounter that will alter both of their lives forever—in shockingly different ways.

Taking us from a small village to the bustling corridors of Seoul, where women and girls can learn to read and write in multiple languages and members of the revolution pass coded messages through the back rooms of teahouses, Ann Y. K. Choi weaves a masterful tale of a woman taking command not only of her own identity but her own destiny.

A sweeping journey through historical Korea and an utterly compelling portrait of one woman’s remarkable life, All Things Under the Moon is both a stunning literary achievement and a beautifully written tribute to the sacrifices women make for each other.

NATIONAL BESTSELLER • Provocative and illuminating essays from women at the forefront of the climate movement who are harnessing truth, courage, and solutions to lead humanity forward.

“A powerful read that fills one with, dare I say . . . hope?”—The New York Times
 
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SMITHSONIAN MAGAZINE

There is a renaissance blooming in the climate movement: leadership that is more characteristically feminine and more faithfully feminist, rooted in compassion, connection, creativity, and collaboration. While it’s clear that women and girls are vital voices and agents of change for this planet, they are too often missing from the proverbial table. More than a problem of bias, it’s a dynamic that sets us up for failure. To change everything, we need everyone.
 
All We Can Save illuminates the expertise and insights of dozens of diverse women leading on climate in the United States—scientists, journalists, farmers, lawyers, teachers, activists, innovators, wonks, and designers, across generations, geographies, and race—and aims to advance a more representative, nuanced, and solution-oriented public conversation on the climate crisis. These women offer a spectrum of ideas and insights for how we can rapidly, radically reshape society.
 
Intermixing essays with poetry and art, this book is both a balm and a guide for knowing and holding what has been done to the world, while bolstering our resolve never to give up on one another or our collective future. We must summon truth, courage, and solutions to turn away from the brink and toward life-giving possibility. Curated by two climate leaders, this collection is a celebration of visionaries who are leading us on a path toward all we can save.

With essays and poems by:

Emily Atkin • Xiye Bastida • Ellen Bass • Colette Pichon Battle • Jainey K. Bavishi • Janine Benyus • adrienne maree brown • Régine Clément • Abigail Dillen • Camille T. Dungy • Rhiana Gunn-Wright • Joy Harjo • Katharine Hayhoe • Mary Annaïse Heglar • Jane Hirshfield • Mary Anne Hitt • Ailish Hopper • Tara Houska, Zhaabowekwe • Emily N. Johnston • Joan Naviyuk Kane • Naomi Klein • Kate Knuth • Ada Limón • Louise Maher-Johnson • Kate Marvel • Gina McCarthy • Anne Haven McDonnell • Sarah Miller • Sherri Mitchell, Weh’na Ha’mu Kwasset • Susanne C. Moser • Lynna Odel • Sharon Olds • Mary Oliver • Kate Orff • Jacqui Patterson • Leah Penniman • Catherine Pierce • Marge Piercy • Kendra Pierre-Louis • Varshini • Prakash • Janisse Ray • Christine E. Nieves Rodriguez • Favianna Rodriguez • Cameron Russell • Ash Sanders • Judith D. Schwartz • Patricia Smith • Emily Stengel • Sarah Stillman • Leah Cardamore Stokes • Amanda Sturgeon • Maggie Thomas • Heather McTeer Toney • Alexandria Villaseñor • Alice Walker • Amy Westervelt • Jane Zelikova

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The paths of three young Black women in pre–Civil War Philadelphia unexpectedly—and dangerously—collide in this debut novel inspired by the explosive history of a divided city. “A beguiling story of friendship, deception, and women crossing boundaries in the name of freedom.”—Lisa Wingate, #1 New York Times bestselling author of The Book of Lost Friends Philadelphia, 1837. After Charlotte escaped from the crumbling White Oaks plantation down South, she’d expected freedom to feel different from her former life as an enslaved housemaid. After all, Philadelphia is supposed to be the birthplace of American liberty. Instead, she’s locked away playing servant to her white-passing father, as they both attempt to hide their identities from slavecatchers who would destroy their new lives. Longing to break away, Charlotte befriends Nell, a budding abolitionist from one of Philadelphia’s wealthiest Black families. Just as Charlotte starts to envision a future, a familiar face from her past reappears: Evie, her friend from White Oaks, has been brought to the city by the plantation mistress, and she’s desperate to escape. But as Charlotte and Nell conspire to rescue her, in a city engulfed by race riots and attacks on abolitionists, they soon discover that fighting for Evie’s freedom may cost them their own. All We Were Promised is the story of three women in vastly different circumstances—the rebel, the socialite, and the fugitive—risking everything for one another in an American city straining to live up to its loftiest ideals.

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Years before he wrote his National Book Award–winning novel Middle Passage, Charles Johnson created these sidesplitting and subversive gag comics about Black life in America, now collected for the first time in nearly half a century.

Before Charles Johnson found fame as a novelist and won the National Book Award for Middle Passage in 1991, he was a cartoonist, and a very good one.

Taught via mail correspondence course by the comics editor Lawrence Lariar, mentored by the New Yorker cartoonist Charles Barsotti, and inspired by the call of poet Amiri Baraka to celebrate and depict Black life in America, Johnson crafted some of the fiercest and funniest cartoons of the twentieth century. 

Reimagining the gag comic as a powerful and incendiary tool, Johnson tackled America’s mid-century afflictions—segregation, inner-city poverty, police brutality, and white supremacy—by craftily subverting stale gag tropes. He populated them with bullet-dodging Black Panthers, doubt-filled Klansmen, militant babies, self-serving politicians, and complacent suburban liberals.

This collection, Johnson’s first in nearly fifty years, brings together work from across his career: college newspaper gags, selections from his books Black Humor and Half-Past Nation Time, his unpublished manuscript Lumps in the Melting Pot, and uncollected pieces. Taken together, this volume reveals Johnson as long overdue for appreciation as a cartoonist of the first order. 

Mary B. Addison killed a baby.

Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: a white baby had died while under the care of a churchgoing black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official.

Mary survived six years in baby jail before being dumped in a group home. The house isn’t really “home”—no place where you fear for your life can be considered a home. Home is Ted, who she meets on assignment at a nursing home.

There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary must find the voice to fight her past. And her fate lies in the hands of the one person she distrusts the most: her momma. No one knows the real Momma. But does anyone know the real Mary?

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Her life. Her rules. Finally.

Anuri Chinasa has had enough. And really, who can blame her? She was the unwilling star of her stepmother’s social media empire before “momfluencers” were even a thing. For years, Ophelia documented every birthday, every skinned knee, every milestone and meltdown for millions of strangers to fawn over and pick apart.

Now, at twenty-five, Anuri is desperate to put her way-too-public past behind her and start living on her own terms. But it’s not going so great. She can barely walk down the street without someone recognizing her, and the fraught relationship with her father has fallen apart. Then there’s her PhD application (still unfinished) and her drinking problem (still going strong). When every detail of her childhood was so intensely scrutinized, how can she tell what she really wants?

Still, Ophelia is never far away and has made it clear she won’t go down without a fight. With Noelle, Anuri’s five-year-old half sister now being forced down the same path, Anuri discovers she has a new mission in life…

To take back control of the family narrative.

Through biting wit and heartfelt introspection, this darkly humorous story dives deep into the deceptive allure of a picture-perfect existence, the overexposure of children in social media and the excitement of self-discovery.

Allow Me to Retort is an easily digestible argument about what rights we have, what rights Republicans are trying to take away, and how to stop them. Mystal explains how to protect the rights of women and people of color instead of cowering to the absolutism of gun owners and bigots. He explains the legal way to stop everything from police brutality to political gerrymandering, just by changing a few judges and justices. He strips out all of the fancy jargon conservatives like to hide behind and lays bare the truth of their project to keep America forever tethered to its slaveholding past.

Mystal brings his trademark humor, expertise, and rhetorical flair to explain concepts like substantive due process and the right for the LGBTQ community to buy a cake, and to arm readers with the knowledge to defend themselves against conservatives who want everybody to live under the yoke of eighteenth-century white men. The same tactics Mystal uses to defend the idea of a fair and equal society on MSNBC and CNN are in this book, for anybody who wants to deploy them on social media.

You don’t need to be a legal scholar to understand your own rights. You don’t need to accept the “whites only” theory of equality pushed by conservative judges. You can read this book to understand that the Constitution is trash, but doesn’t have to be.

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Ally Baby Can books introduce allyship to tiny change-makers! Perfect for shared reading with an adult.

Ally Baby Can: Be Feminist models how young kids can stand up for women and nonbinary people in the fight against sexism and gender inequality.

Extensive back matter includes important guidelines for allyship, a kid-friendly reading list, and other helpful resources for baby and you.

It is never too early to learn about ways to change our world.

“Amina Akhtar’s Almost Surely Dead is a witty, fresh psychological thriller that’s part stalker thriller, part ghost story. This book took turns I never saw coming. I was up all night, tearing through the pages as the mysterious pieces came together, leading to an explosive conclusion.” ―Mindy Kaling

A psychological thriller with a twist, Almost Surely Dead is a chilling account of how one woman’s life spins out of control after a terrifying―and seemingly random―attempt on her life.

Dunia Ahmed lives an ordinary life―or she definitely used to. Now she’s the subject of a true crime podcast. She’s been missing for over a year, and no one knows if she’s dead or alive. But her story has listeners obsessed, and people everywhere are sporting merch that demands “Find Dunia!”

In the days before her disappearance, Dunia is a successful pharmacist living in New York. The daughter of Pakistani immigrants, she’s coping with a broken engagement and the death of her mother. But then something happens that really shakes up her world: someone tries to murder her.

When her would-be killer winds up dead, Dunia figures the worst is over. But then there’s another attempt on her life…and another. And police suspect someone close to her may be the culprit. Dunia struggles to make sense of what’s happening. And as childhood superstitions seep into her reality, she becomes convinced that someone―or something―is truly after her.

This road to love may have a few speed bumps.

Former hot mess Jolene Baxter is committed to doing better. It’s why she offered to help her sister and brother-in-law move across the country. However, her goodwill is tested when last minute changes—mainly her father ditching her for an all-expenses paid vacation—forces her to make the journey with a man who is the human version of a pebble in her shoe.

Jason Akana operates on lists and bitter coffee, but none of those things will help him on a sixteen-hour trip with the most infuriating woman. Maybe they can get along and forget their heated confrontation five years ago at his best friend’s wedding…when pigs fly.

But the addition of vehicle problems, an unplanned pit stop in a small town, and chemistry that inconveniently tags along, shifts their perspectives. And once the dust settles after their trip, a tentative friendship emerges. Will these two stubborn people successfully navigate the unexpected feelings that follow close behind? Or will they hit a roadblock before reaching happily ever after?

Alvin Ailey (1931-1989) was a choreographic giant in the modern dance world and a champion of African-American talent and culture. His interracial Alvin Ailey American Dance Theater provided opportunities to black dancers and choreographers when no one else would. His acclaimed "Revelations” remains one of the most performed modern dance pieces in the twentieth century. But he led a tortured life, filled with insecurity and self-loathing. Raised in poverty in rural Texas by his single mother, he managed to find success early in his career, but by the 1970s his creativity had waned. He turned to drugs, alcohol, and gay bars and suffered a nervous breakdown in 1980. He was secretive about his private life, including his homosexuality, and, unbeknownst to most at the time, died from AIDS-related complications at age 58.Now, for the first time, the complete story of Ailey's life and work is revealed in this biography. Based on his personal journals and hundreds of interviews with those who knew him, including Mikhail Baryshnikov, Judith Jamison, Lena Horne, Katherine Dunham, Sidney Poitier, and Dustin Hoffman, Alvin Ailey is a moving story of a man who wove his life and culture into his dance.

Paperback Release - September 2, 2025

The highly anticipated third book in the #1 New York Times bestselling Supernatural Investigations series that began with Amari and the Night Brothers! 

Perfect for fans of Tristan Strong Punches a Hole in the Sky, Percy Jackson and the Olympians, and Nevermoor.

War has come to the supernatural world, and Amari’s two worst enemies are leading the charge.

Elaine Harlowe has manipulated her way into becoming prime minister, using her mind control ability to force the Bureau to take up her vicious grudge against magiciankind. Meanwhile, Dylan Van Helsing, the newly crowned leader of the League of Magicians—and Amari’s former partner—is after a destructive new power that would not only ensure the magicians’ victory . . . it would make him invincible.

With neither the Bureau nor the League safe for Amari, and her newly returned brother, Quinton, determined to keep her out of the fray, she and her friends decide to find a way to end the war on their own.

So when they learn that the only way to stop Dylan is to find powerful magical inventions known as Wonders, they go after them. But wielding these items comes at a terrible cost, and Amari will have to decide just how much she’s willing to sacrifice . . . because the Despicable Wonders will demand everything.

Sequel to the New York Times bestseller Amari and the Night Brothers!

Artemis Fowl meets Men in Black in this magical second book in the New York Times and Indie bestselling Supernatural Investigations trilogy—perfect for fans of Tristan Strong Punches a Hole in the Sky, the Percy Jackson series, and Nevermoor.

After finding her brother and saving the entire supernatural world, Amari Peters is convinced her first full summer as a Junior Agent will be a breeze.

But between the fearsome new Head Minister’s strict anti-magician agenda, fierce Junior Agent rivalries, and her brother Quinton’s curse steadily worsening, Amari’s plate is full. So when the secretive League of Magicians offers her a chance to stand up for magiciankind as its new leader, she declines. She’s got enough to worry about!

But her refusal allows someone else to step forward, a magician with dangerous plans for the League. This challenge sparks the start of the Great Game, a competition to decide who will become the Night Brothers’ successor and determine the future of magiciankind.

The Great Game is both mysterious and deadly, but among the winner’s magical rewards is Quinton’s last hope—so how can Amari refuse?

Amari Peters has never stopped believing her missing brother, Quinton, is alive. Not even when the police told her otherwise, or when she got in trouble for standing up to bullies who said he was gone for good.

So when she discovers a ticking briefcase in his closet containing a nomination for a summer tryout at the Bureau of Supernatural Affairs, she’s certain the secretive organization holds the key to locating Quinton—if only she can wrap her head around the idea of magicians, fairies, aliens, and other supernatural creatures all being real.

Set in the blockbuster and award-winning universe of League of Legends: Arcane and written by award-winning author C. L. Clark, discover a thrilling epic fantasy novel where Ambessa Medarda truly learns what it means to be a Chosen of the Wolf.

Medarda over all.

Ambessa Medarda: Warrior, general, mother. She is a woman to be feared, and the Medardas are unrivaled in their pursuit of glory. She has led conquests and armies. She has slain legendary beasts. She has made grave sacrifices in her ascent up the ranks. And for this she was rewarded: She entered the realm of death and was granted a vision of herself upon the throne of the vast Noxian empire.

But before she can lead her empire, she must become head of her own clan. Yet the title is contested by her cousin and former confidante, Ta’Fik. He knows the bloody sins of Ambessa’s past. And he knows he cannot allow her to rise.

They will fight a war for the very soul of the Medardas.

But the war won’t be fought on battlefields alone. Ambessa’s daughter, Mel, can deftly break through the walls around anyone’s heart, and she’ll put her talents to use for her mother. Yet despite Mel’s strength, Ambessa sees only a child who lacks her killer instincts. Mel knows she can be the leader Ambessa wants her to be, if only she gives her time.

With her family betraying her, enemies closing in on all sides, and unseen forces moving in the shadows, every day proves more dangerous than the last. But Ambessa will not bow. She will burn the world down to claim her place in it.

How medieval-inspired racial feudalism reigned in early America and was challenged by Black liberal thinkers

Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.

Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.

American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

In the vein of America’s First Daughter, Piper Huguley’s historical novel delves into the remarkable friendship of Portia Washington and Alice Roosevelt, the daughters of educator Booker T. Washington and President Teddy Roosevelt.

At the turn of the twentieth century, in a time of great change, two women—separated by societal status and culture but bound by their expected roles as the daughters of famed statesmen—forged a lifelong friendship. 

Portia Washington’s father Booker T. Washington was formerly enslaved and spent his life championing the empowerment of Black Americans through his school, known popularly as Tuskegee Institute, as well as his political connections. Dedicated to her father’s values, Portia contributed by teaching and performing spirituals and classical music. But a marriage to a controlling and jealous husband made fulfilling her dreams much more difficult. 

When Theodore Roosevelt assumed the presidency, his eldest daughter Alice Roosevelt joined him in the White House. To try to win her father’s approval, she eagerly jumped in to help him succeed, but Alice’s political savvy and nonconformist behavior alienated as well as intrigued his opponents and allies. When she married a congressman, she carved out her own agendas and continued espousing women’s rights and progressive causes. 

Brought together in the wake of their fathers’ friendship, these bright and fascinating women helped each other struggle through marriages, pregnancies, and political upheaval, supporting each other throughout their lives.  

A provocative historical novel and revealing portrait, Piper Huguley’sAmerican Daughters vividly brings to life two passionate and vital women who nurtured a friendship that transcended politics and race over a century ago.

With 200,000 copies in print, this anthology has for decades been seen as a fundamental collection of African-American verse. Bontemps (1902-73), an important figure during and after the Harlem Renaissance, author of more than 25 novels, and longtime librarian at Fisk University, last revised this classic anthology just before his death, adding such crucial new voices as Audre Lorde, Nikki Giovanni, and Bob Kaufman, among others.

This edition, issued in 1996, reprints the poems in Bontemps's revised volume along with updated biographical notes. Nearly seventy poets are represented, their works indexed by both author and title.

“American Spy updates the espionage thriller with blazing originality.”—Entertainment Weekly
“There has never been anything like it.”—Marlon James, GQ
“So much fun . . . Like the best of John le Carré, it’s extremely tough to put down.”—NPR

NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY CHICAGO TRIBUNE AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • NPR • Entertainment Weekly • Esquire • BuzzFeed • Vulture • Real Simple • Good Housekeeping • The New York Public Library

What if your sense of duty required you to betray the man you love? 

It’s 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She’s brilliant, but she’s also a young black woman working in an old boys’ club. Her career has stalled out, she’s overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she’s given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes. Yes, even though she secretly admires the work Sankara is doing for his country. Yes, even though she is still grieving the mysterious death of her sister, whose example led Marie to this career path in the first place. Yes, even though a furious part of her suspects she’s being offered the job because of her appearance and not her talent.

In the year that follows, Marie will observe Sankara, seduce him, and ultimately have a hand in the coup that will bring him down. But doing so will change everything she believes about what it means to be a spy, a lover, a sister, and a good American.

Inspired by true events—Thomas Sankara is known as “Africa’s Che Guevara”—American Spy knits together a gripping spy thriller, a heartbreaking family drama, and a passionate romance. This is a face of the Cold War you’ve never seen before, and it introduces a powerful new literary voice.

NOMINATED FOR THE NAACP IMAGE AWARD • Shortlisted for the Center for Fiction First Novel Prize

“Spy fiction plus allegory, and a splash of pan-Africanism. What could go wrong? As it happens, very little. Clever, bracing, darkly funny, and really, really good.”—Ta-Nehisi Coates

“Inspired by real events, this espionage thriller ticks all the right boxes, delivering a sexually charged interrogation of both politics and race.”—Esquire

“Echoing the stoic cynicism of Hurston and Ellison, and the verve of Conan Doyle, American Spy lays our complicities—political, racial, and sexual—bare. Packed with unforgettable characters, it’s a stunning book, timely as it is timeless.”—Paul Beatty, Man Booker Prizewinning author of The Sellout

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On the corner of American Street and Joy Road, Fabiola Toussaint thought she would finally find une belle vie—a good life. But after they leave Port-au-Prince, Haiti, Fabiola’s mother is detained by U.S. immigration, leaving Fabiola to navigate her loud American cousins, Chantal, Donna, and Princess; the grittiness of Detroit’s west side; a new school; and a surprising romance, all on her own.

Just as she finds her footing in this strange new world, a dangerous proposition presents itself, and Fabiola must learn that freedom comes at a cost. Trapped at the crossroads of an impossible choice, will she pay the price for the American dream?

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The first monograph on the sinuous, exhilaratingly colorful and pattern-filled portraiture of Amoako Boafo

Ghanaian painter Amoako Boafo has built a practice synthesizing the ways that art both reflects and perpetuates the power of representation. Amoako Boafo is the first monograph to comprehensively examine the artist's career to date. Heavily illustrated and featuring original contributions by Osei Bonsu, Rachel Cargle, Mutombo Da Poet and Aja Monet, the book also presents an insightful and expansive conversation with the artist by Paul Schimmel.
Exclusively portraying individuals from the diaspora and beyond, Boafo invites a reflection on Black subjectivity, diversity and complexity. His portraits, notable for their bold colors and patterns, celebrate his subjects as a means to challenge portrayals that objectify and dehumanize Blackness. As Boafo has stated, “the primary idea of my practice is representation, documenting, celebrating and showing new ways to approach Blackness.”
Amoako Boafo (born 1984) studied at the Ghanatta College of Art and Design in Accra, Ghana, in 2007, before attending the Academy of Fine Arts, Vienna, for his MFA. His first solo exhibition in the US, entitled I See Me, opened at Roberts Projects in 2019. That same year, Boafo was the first artist-in-residence at the new Rubell Museum in Miami, Florida. In 2020, he collaborated with Kim Jones, Dior Men’s creative director, for Dior’s Spring/Summer 2021 Men’s Collection. In 2021, Boafo was selected by the Uplift Art Program to create the inaugural “Suborbital Triptych” on the exterior panels of a Blue Origin New Shepard rocket, launched August 2021.

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If you could go anywhere in the world and do one thing you love, what would you choose? When given that opportunity, the acclaimed writer Jamaica Kincaid decided to trek through Nepal collecting seeds to plant in her garden at home in Vermont. Among Flowers is the story of that journey through the Himalayan landscape, as Kincaid and her companions navigate not only the perilous physical terrain but also Maoist guerrillas and fields of leeches that stand in their way. The vertiginous peaks and exotic plants come alive in Kincaid’s masterful prose. She also ruminates on the wonders of the natural world that can only be discovered when one leaves the comfort of home for the disorienting thrill of the unknown, and self-reflects on the limitations of the body and the privileges that come with chartering a trip through the Himalaya. Rich in detail and engrossingly told, Among Flowers is a classic travel memoir.

Celebrating the storied career of a beloved letterpress printer whose posters spread messages of racial justice

Detroit-based letterpress printer Amos Paul Kennedy, Jr. is celebrated for his type-driven messages of social justice and Black power, emblazoned in rhythmically layered and boldly inked posters made for the masses. Citizen Printer tells Kennedy’s inspiring story and contextualizes his important work―and offers readers tools for lifting their voices, too. A vital monograph on a trailblazing contemporary Black artist, Citizen Printer features 800 reproductions representing the breadth of Kennedy’s posters and prints, plus original portraiture of the artist at work, a powerful artist statement and a foreword by New York Times bestselling author Austin Kleon, all presented in a dynamic type-forward design from American Institute of Graphic Arts medalist Gail Anderson and Joe Newton.
Amos Paul Kennedy, Jr. (born 1948) was working a corporate job for AT&T when, at the age of 40, he discovered the art of letterpress printing on a tour of Colonial Williamsburg. Kennedy then devoted himself to the craft, earning an MFA at the University of Wisconsin–Madison and teaching at Indiana University. He now operates Kennedy Prints!, a communal letterpress center in Detroit. Borrowing words from social justice heroes Rosa Parks, Fannie Lou Hamer, Frederick Douglass, Sojourner Truth and others, Kennedy layers bold statements on race, capitalism, history and politics in exuberant, colorful and one-of-a-kind posters. Kennedy has been featured in the New York Times, the New York Times Magazine and the Economist, and his work has been exhibited by the Library of Congress, the Museum of Modern Art, New York and other institutions through the US. He was the subject of a 2012 feature-length documentary, Proceed and Be Bold!

When a girl's confidence is shaken and she begins to shrink, her grandmother is there to remind her of who she is in this empowering picture book about self-esteem.

Amoya Blackwood is loud, bold and carefree. She always has the answer in class. And she knows just what to say to make her friends laugh.

Amoya Blackwood shows up with a smile on her face. She enters a room and takes up space.

But one day Amoya Blackwood starts noticing that the adults around her want to be less loud, less bold, less carefree. They want her to take up less space, and so she does. She gets smaller and smaller and smaller.

She gets so small she hardly recognizes herself.

But then, a conversation with her Gran reminds Amoya of who she is. And a surprising thing happens . . .

Amy Sherald’s work, life, and significance for American art, as revealed in her powerful figurative paintings of Black subjects
 
Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, Amy Sherald: American Sublime unfolds her method of selecting individuals she meets on the street and using facial expression, body language, and clothing choices to create paintings that transcend portraiture and expand the canon of American art. Essays by curators Sarah Roberts and Rhea Combs; poet and writer Elizabeth Alexander; artist Dario Calmese; and renowned scholar Deborah Willis contextualize and illuminate Sherald’s creation of a new form of imaginative portraiture. Often depicting her subjects’ skin in gray monochrome, surrounded by few markers of place, time, or context beyond the clothes they wear, Sherald challenges the assumption that Black life is inextricably bound with struggle, creating images that engage in more expansive thinking about race and representation and the wide-open possibilities and complexities of every individual. Whether a passerby or the former first lady Michelle Obama, Sherald’s subjects are at ease with themselves, the world, and one another.
 
Published in association with the San Francisco Museum of Modern Art
 
Exhibition Schedule:
 
San Francisco Museum of Modern Art
(November 16, 2024–March 9, 2025)
 
Whitney Museum of American Art, New York
(April 9–August 3, 2025)
 
National Portrait Gallery, Washington, DC
(September 2025–January 2026)

The long-awaited first major monograph on the iconic portraitist of Black Americans

This is the first comprehensive monograph on acclaimed painter Amy Sherald, whose distinctive style of simplified realist portraiture features African American subjects rendered against colorful monochrome backdrops or in everyday settings. Sherald rose to fame after being chosen by former first lady Michelle Obama to paint her official portrait for the National Portrait Gallery in Washington, DC, in 2018, becoming the first African American woman to receive this honor. In addition to reproductions of Sherald’s recent works, the book—published to accompany her solo exhibition at Hauser & Wirth London in fall 2022—includes illustrations of earlier paintings, as well as an intimate glimpse into Sherald’s process and practice through a series of in-studio photographs. Newly commissioned texts include an art historical analysis of the artist’s work by Jenni Sorkin; a meditation on the politics and aesthetics of Sherald's portraiture by cultural scholar Kevin Quashie; and a conversation between Sherald and acclaimed author Ta-Nehisi Coates.
Amy Sherald was born in Georgia in 1973 and received her MFA in Painting from the Maryland Institute College of Art in 2004. She has been included in countless group shows at galleries and museums worldwide as well as the subject of solo exhibitions at Hauser & Wirth and Spelman College Museum of Fine Art, among others. Sherald lives in Baltimore and New Jersey.

A student will find that the hardest lessons sometimes come from outside the classroom in this stunning dark academia novel from the acclaimed author of The Year of the Witching and House of Hunger.

Lennon Carter’s life is falling apart.   

Then she gets a mysterious phone call inviting her to take the entrance exam for Drayton College, a school of magic hidden in a secret pocket of Savannah. Lennon has been chosen because—like everyone else at the school—she has the innate gift of persuasion, the ability to wield her will like a weapon, using it to control others and, in rare cases, matter itself.  

After passing the test, Lennon begins to learn how to master her devastating and unsettling power. But despite persuasion’s heavy toll on her body and mind, she is wholly captivated by her studies, by Drayton’s lush, moss-draped campus, and by her brilliant classmates. But even more captivating is her charismatic adviser, Dante, who both intimidates and enthralls her. 

As Lennon continues in her studies, her control grows, and she starts to uncover more about the secret world she has entered into, including the disquieting history of Drayton College. She is increasingly disturbed by what she learns, for it seems that the ultimate test is to embrace absolute power without succumbing to corruption...and it’s a test she’s terrified she’s going to fail.