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Annie John is a haunting and provocative story of a young girl growing up on the island of Antigua. A classic coming-of-age story in the tradition of The Catcher in the Rye and A Portrait of the Artist as a Young Man, Kincaid's novel focuses on a universal, tragic, and often comic theme: the loss of childhood. Annie's voice--urgent, demanding to be heard--is one that will not soon be forgotten by readers.

An adored only child, Annie has until recently lived an idyllic life. She is inseparable from her beautiful mother, a powerful presence, who is the very center of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's benign shadow. Looking back on her childhood, she reflects, "It was in such a paradise that I lived." When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she instinctively rebels against authority; and most frighteningly, her mother, seeing Annie as a "young lady," ceases to be the source of unconditional adoration and takes on the new and unfamiliar guise of adversary. At the end of her school years, Annie decides to leave Antigua and her family, but not without a measure of sorrow, especially for the mother she once knew and never ceases to mourn. "For I could not be sure," she reflects, "whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world."

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Welcome to the ultimate literary parlor game—a collection of unattributed erotic stories written by a stellar list of authors, including winners of the Pulitzer Prize, National Book Awards, PEN Awards, the Women’s Prize for Fiction, Edgar Awards, and more. Anthology editors Hillary Jordan and Cheryl Lu-Lien Tan present an elegant, international collection of erotica, that explores the diverse spectrum of desire. There are stories of sexual obsession and sexual love, of domination and submission. There’s revenge sex, unrequited sex, funny sex, tortured sex, fairy tale sex, and even sex in the afterlife.

This seductive anthology is true to its name: while the authors are listed in alphabetical order at the beginning of the book, none of the stories are attributed, providing readers with a glimpse into the landscape of sexuality as explored by twenty-seven of today’s best-known authors.

Contributors include: Robert Olen Butler, Catherine Chung, Trent Dalton, Heidi Durrow, Tony Eprile, Louise Erdrich, Jamie Ford, Julia Glass, Peter Godwin, Hillary Jordan, Rebecca Makkai, Valerie Martin, Dina Nayeri, Chigozie Obioma, Téa Obreht, Helen Oyeyemi, Mary-Louise Parker, Victoria Redel, Jason Reynolds, S.J. Rozan, Meredith Talusan, Cheryl Lu-Lien Tan, Souvankham Thammavongsa, Jeet Thayil, Paul Theroux, Luis Alberto Urrea, Edmund White

In his eagerly anticipated debut as author-illustrator, Caldecott and Coretta Scott King honoree Christian Robinson brings young readers on a playful, imaginative journey into another world.

What if you
encountered another perspective?
Discovered another world?
Met another you?

What might you do?

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National Book Award Finalist
New York Times Bestseller

For August, running into a long-ago friend sets in motion resonant memories and transports her to a time and a place she thought she had mislaid: 1970s Brooklyn, where friendship was everything.

August, Sylvia, Angela, and Gigi shared confidences as they ambled their neighborhood streets, a place where the girls believed that they were amazingly beautiful, brilliantly talented, with a future that belonged to them.

But beneath the hopeful promise there was another Brooklyn, a dangerous place where grown men reached for innocent girls in dark hallways, where mothers disappeared, where fathers found religion, and where madness was a mere sunset away.

Jacqueline Woodson’s Another Brooklyn heartbreakingly illuminates the formative period when a child meets adulthood—when precious innocence meets the all-too-real perils of growing up. In prose exquisite and lyrical, sensuous and tender, Woodson breathes life into memories, portraying an indelible friendship that united young lives.

PRE-ORDER. ON SALE DATE: February 4, 2025

In this mesmerizing psychological novel, a strange job leads a widowed photographer down a rabbit hole where the line between past and present, and the living and the dead blurs.

What is our relationship with the dead? How do we remember them? What dark secrets do our images of them hold? How do we emerge from grief to face the time we have left?

Ten years after the tragic death of her husband, Dolores Ayala, owner of an old photography studio that has run out of clients, receives the most unusual assignment of her career: to take a portrait of a deceased person on the day of his funeral. Accepting it leads her to meet Clemente Artés, an eccentric old man obsessed with recovering the ancient tradition of photographing the dead. Under his guidance, Dolores will explore this forgotten practice, experience the slow time of the daguerreotype, and our need for images to remember those who are no longer there. She will also discover that some of them hold dark secrets that should never be revealed and, above all, that the dead never cease to move and sometimes pounce on the memory of the living.

Miguel Ángel Hernández has written a subtle, dazzling novel about the borders between life and death, about memory and guilt, about the past that stays with us and our constant search for air to breathe.

How philosophy can teach us to be less anxious about being anxious by understanding that it’s an essential part of being human

Today, anxiety is usually thought of as a pathology, the most diagnosed and medicated of all psychological disorders. But anxiety isn’t always or only a medical condition. Indeed, many philosophers argue that anxiety is a normal, even essential, part of being human, and that coming to terms with this fact is potentially transformative, allowing us to live more meaningful lives by giving us a richer understanding of ourselves. In Anxiety, Samir Chopra explores valuable insights about anxiety offered by ancient and modern philosophies—Buddhism, existentialism, psychoanalysis, and critical theory. Blending memoir and philosophy, he also tells how serious anxiety has affected his own life—and how philosophy has helped him cope with it.

Chopra shows that many philosophers—including the Buddha, Kierkegaard, Nietzsche, Freud, and Heidegger—have viewed anxiety as an inevitable human response to existence: to be is to be anxious. Drawing on Karl Marx and Herbert Marcuse, Chopra examines how poverty and other material conditions can make anxiety worse, but he emphasizes that not even the rich can escape it. Nor can the medicated. Inseparable from the human condition, anxiety is indispensable for grasping it. Philosophy may not be able to cure anxiety but, by leading us to greater self-knowledge and self-acceptance, it may be able to make us less anxious about being anxious.

Personal, poignant, and hopeful, Anxiety is a book for anyone who is curious about rethinking anxiety and learning why it might be a source not only of suffering but of insight.

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From the acclaimed author of All Her Little Secrets comes yet another gripping, suspenseful novel where, after the murder of a white man in Jim Crow Mississippi, two Black sisters run away to different parts of the country . . . but can they escape the secrets they left behind?

It’s the summer of 1964 and three innocent men are brutally murdered for trying to help Black Mississippians secure the right to vote. Against this backdrop, twenty-two-year-old Violet Richards finds herself in more trouble than she’s ever been in her life. Suffering a brutal attack of her own, she kills the man responsible. But with the color of Violet’s skin, there is no way she can escape Jim Crow justice in Jackson, Mississippi. Before anyone can find the body or finger her as the killer, she decides to run. With the help of her white beau, Violet escapes. But desperation and fear leads her to hide out in the small rural town of Chillicothe, Georgia, unaware that danger may be closer than she thinks.

Back in Jackson, Marigold, Violet’s older sister, has dreams of attending law school. Working for the Mississippi Summer Project, she has been trying to use her smarts to further the cause of the Black vote. But Marigold is in a different kind of trouble: she’s pregnant and unmarried. After news of Huxley’s murder brings the police to her door, Marigold sees no choice but to flee Jackson too. She heads North seeking the promise of a better life and no more segregation. But has she made a terrible choice that threatens her life and that of her unborn child? 

Two sisters on the run—one from the law, the other from social shame. What they don’t realize is that there’s a man hot on their trail. This man has his own brand of dark secrets and a disturbing motive for finding the sisters that is unknown to everyone but him . . .

Johnson looks at various sites of performed blackness, including Marlon Riggs’s influential documentary Black Is . . . Black Ain’t and comedic routines by Eddie Murphy, David Alan Grier, and Damon Wayans. He analyzes nationalist writings by Amiri Baraka and Eldridge Cleaver, the vernacular of black gay culture, an oral history of his grandmother’s experience as a domestic worker in the South, gospel music as performed by a white Australian choir, and pedagogy in a performance studies classroom. By exploring the divergent aims and effects of these performances—ranging from resisting racism, sexism, and homophobia to excluding sexual dissidents from the black community—Johnson deftly analyzes the multiple significations of blackness and their myriad political implications. His reflexive account considers his own complicity, as ethnographer and teacher, in authenticating narratives of blackness.

Join us for our month bookclub meeting. April is Poetry Month and we're reading Best Barbarian by Roger Reeves, a National Book Award Winner. 

Please support the space and opportunities we create by purchasing your book from our store. 

Our meeting will be on Thursday, April 27, 2023 in the Kindred Stories Reading Garden. Be sure to RSVP and show up with the book read (or mostly read). 

The bookclub meeting is on April 25, 2024 at 7 PM. We're be in the Kindred Stories Reading. Be sure to show up with the book read (or partially read) but you are always welcome to just come and take up space. 

ABOUT THE BOOK

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court

Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since the '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is told that his father's work will lead to a memoir that will solve their financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.
Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in front of the Supreme Court.
Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the U.S. Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant.

The bookclub meeting will take place on April 23, 2024 at 6:30 PM in the Kindred Stories' Reading Garden. Be sure to show up with the book read (or partially read). You are always welcome to just come and take up space. 

ABOUT THE BOOK

With her characteristic brilliance, grace and radical audacity, Angela Y. Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable.

For generations of Americans, the abolition of slavery was sheerest illusion. Similarly,the entrenched system of racial segregation seemed to last forever, and generations lived in the midst of the practice, with few predicting its passage from custom. The brutal, exploitative (dare one say lucrative?) convict-lease system that succeeded formal slavery reaped millions to southern jurisdictions (and untold miseries for tens of thousands of men, and women). Few predicted its passing from the American penal landscape. Davis expertly argues how social movements transformed these social, political and cultural institutions, and made such practices untenable.
In Are Prisons Obsolete?, Professor Davis seeks to illustrate that the time for the prison is approaching an end. She argues forthrightly for “decarceration”, and argues for the transformation of the society as a whole.

"Art as Social Action . . . is an essential guide to deepening social art practices and teaching them to students." —Laura Raicovich, president and executive director, Queens Museum

Art as Social Action is both a general introduction to and an illustrated, practical textbook for the field of social practice, an art medium that has been gaining popularity in the public sphere. With content arranged thematically around such topics as direct action, alternative organizing, urban imaginaries, anti-bias work, and collective learning, among others, Art as Social Action is a comprehensive manual for teachers about how to teach art as social practice.

Along with a series of introductions by leading social practice artists in the field, valuable lesson plans offer examples of pedagogical projects for instructors at both college and high school levels with contributions written by prominent social practice artists, teachers, and thinkers, including:

• Mary Jane Jacob
• Maureen Connor
• Brian Rosa
• Pablo Helguera
• Jen de los Reyes
• Jeanne van Heeswick
• Jaishri Abichandani
• Loraine Leeson
• Ala Plastica
• Daniel Tucker
• Fiona Whelan
• Bo Zheng
• Dipti Desai
• Noah Fischer

Lesson plans also reflect the ongoing pedagogical and art action work of Social Practice Queens (SPQ), a unique partnership between Queens College CUNY and the Queens Museum.

Inspired by the author’s own childhood, this contemporary graphic novel paints a picture of an aspiring young artist on a mission to prove that the arts are worth fighting for. 

Dale Donavan has heard the same lecture over and over again: Art will get you nowhere in life. A kid with a creative streak, Dale wants nothing more than to doodle, play video games, and create comics forever—maybe even as a full-time job one day. But between his grandfather pushing him to focus on his studies and a school with zero interest in funding arts programs, Dale feels like his future has already been decided for him. 
 
That is, until he comes up with the perfect plan: What if he starts an after-school art club, gathers a team of creative students like himself, and proves all the naysayers—his stubborn vice principal in particular—wrong? 
 
This might just work, but if the club isn’t financially successful by the end of the semester, the school with shut them down. This may be Dale’s only chance to show the adults in his life that a career as an artist is not just a dream but a possibility! 

From New York Times bestselling poet r.h. Sin comes a 52-card deck of affirmations that promotes the acceptance and appreciation of the body and mind, growth and healing, through all stages of awareness.

Written and curated with his signature honesty, the affirmations in Ascending Assertion: 52 Weeks of Awareness and Self-Care are a weekly reminder from r.h. Sin that words are powerful and so are you.

Includes a deluxe easel to display the weekly cards that is beechwood, 100% plastic free, and the cards are FSC certified paper.

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In the heart-pounding conclusion to the Wings of Ebony duology, which #1 New York Times bestselling author Nicole Yoon calls “bold, inventive, big-hearted and deeply perceptive,” Rue makes her final stand to reclaim her people’s stolen magic.

Rue has no memory of how she ended up locked in a basement prison without her magic or her allies. But she’s a girl from the East Row. And girls from the East Row don’t give up. Girls from the East Row pick themselves back up when they fall. Girls from the East Row break themselves out.

But reuniting with her friends is only half the battle. When she finds them again, Rue makes a vow: she will find a way to return the magic that the Chancellor has stolen from her father’s people. Yet even on Yiyo Peak, Rue is a misfit—with half a foot back in Houston and half a heart that is human as well as god, she’s not sure she’s the right person to lead the fight to reclaim a glorious past.

When a betrayal sends her into a tailspin, Rue must decide who to trust and how to be the leader that her people deserve…because if she doesn’t, it isn’t just Yiyo that will be destroyed—it will be Rue herself.

On May 2, 1973, Black Panther Assata Shakur (aka JoAnne Chesimard) lay in a hospital, close to death, handcuffed to her bed, while local, state, and federal police attempted to question her about the shootout on the New Jersey Turnpike that had claimed the life of a white state trooper. Long a target of J. Edgar Hoover's campaign to defame, infiltrate, and criminalize Black nationalist organizations and their leaders, Shakur was incarcerated for four years prior to her conviction on flimsy evidence in 1977 as an accomplice to murder.

This intensely personal and political autobiography belies the fearsome image of JoAnne Chesimard long projected by the media and the state. With wit and candor, Assata Shakur recounts the experiences that led her to a life of activism and portrays the strengths, weaknesses, and eventual demise of Black and White revolutionary groups at the hand of government officials. The result is a signal contribution to the literature about growing up Black in America that has already taken its place alongside The Autobiography of Malcolm X and the works of Maya Angelou.

Two years after her conviction, Assata Shakur escaped from prison. She was given political asylum by Cuba, where she now resides.

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Astrology for Black Girls is a charming introduction to the wonders of self-discovery and empowerment through the Zodiac.

Astrology for Black Girls gives young girls information and context for the core foundations of the Zodiac. This book provides the perfect introduction to the sun, moon, rising signs, and more. Speaking directly to black girls, author and life-long astrology practitioner Jordannah Elizabeth address:

• Practicing both Faith and Astrology
• Talking to Family and Friends about the stars
• Using the Zodiac for discovery and understanding 

 Complete with four-color illustrations by Chellie Carroll throughout, this beautiful book will capture the imagination of middle-grade Black girls for years to come.

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP’s increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s.

A radical rethinking of poetics and the negation of borders from more than 40 Latinx poets.

Até Mais: Until More gathers poets from a diverse spectrum of Latinidad, sharing their truths, visions, wonderments, fears, and revelations. Visions of collective futures emerge from a resistance to colonialist projects, displacement, and anti-indigenous settler cultures.

In this anthology, Latinx poets engage in a radical rethinking of what our society can (or cannot) achieve through imagination. Despite/against the presence of borders, the unity enacted within these pages creates a mission of community resistance.

The bookclub meeting will take place on August 31, 2023 at 7:30PM in the Kindred Stories Reading Garden. Be sure to show up with the book read (or partially read) but you are always welcome to just come and take up space. 

Please support the space and opportunities we create by purchasing your book from our store. 

ABOUT THE BOOK

BOOK CLUB MEETING DEETS

When: Thursday, August 22 @ 7PM 

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to let us know you plan to attend and RSVP WITH BOOK to purchase your book and support Adult Fiction Book Club 

ABOUT LITTLE ROT

One weekend. The elite underbelly of a Nigerian city. A breakup that starts a spiral. A party that goes awry. A tangled web of sex and lies and corruption that leaves no one unscathed. Little Rot is a whirling journey through the city’s dark side, told through the eyes of five people, each determined to run from the twisted powers out to destroy them.

Aima and Kalu are a longtime couple who have just split. When Kalu, reeling from his loss, visits a sex party hosted by his best friend, Ahmed, he makes a decision that will plunge them all into chaos, brutally upending their lives. Ola and Souraya, two Nigerian sex workers visiting from Kuala Lumpur, intersect with the three old friends as everything goes to hell. Sucked into the city’s corrupt underworld, they’re all looking for a way out of the trouble they’ve instigated, driven by loss and fueled by a desperate need to escape the dangerous threat that looms over them. They careen madly in the face of the poison of power, sexual violence, murder, betrayals. Little Rot tests how far these five will go to save each other—or themselves—when confronted by evil, culminating in a shattering denouement.

With each novel, with each creation, Akwaeke Emezi shows their genius as a storyteller, as a visionary force who has created a thrilling tale of sex, power, and deviance in Little Rot. You won’t be able to look away.

 BOOK CLUB MEETING DEETS

When: Tuesday, August 20 @ 7PM 

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to let us know you plan to attend the book club meeting and RSVP WITH BOOK to purchase your book and support Non Fiction Book Club 

ABOUT BLACK AF HISTORY