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Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories―their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories and cultures.
The plural and polyphonic quality of “histórias” is also of note; unlike the English “histories,” the word in Portuguese carries a double meaning that encompasses both fiction and nonfiction, personal, political, economic and cultural, as well as mythological narratives.
The book features more than 400 works from Africa, the Americas and the Caribbean, as well as Europe, from the 16th to the 21st century. These are organized in eight thematic groupings: Maps and Margins; Emancipations; Everyday Lives; Rites and Rhythms; Routes and Trances; Portraits; Afro Atlantic Modernisms; Resistances and Activism.
Artists include: Nina Chanel Abney, Emma Amos, Benny Andrews, Emanoel Araujo, Maria Auxiliadora, Romare Bearden, John Biggers, Paul Cézanne, Victoria Santa Cruz, Beauford Delaney, Aaron Douglas, Melvin Edwards, Ibrahim El-Salahi, Ben Enwonwu, Ellen Gallagher, Theodore Géricault, Barkley Hendricks, William Henry Jones, Loïs Mailou Jones, Titus Kaphar, Wifredo Lam, Norman Lewis, Ibrahim Mahama, Edna Manley, Archibald Motley, Abdias Nascimento, Gilberto de la Nuez, Toyin Ojih Odutola, Dalton Paula, Rosana Paulino, Howardena Pindell, Heitor dos Prazeres, Joshua Reynolds, Faith Ringgold, Gerard Sekoto, Alma Thomas, Hank Willis Thomas, Rubem Valentim, Kara Walker and Lynette Yiadom-Boakye.

Offering a compelling call to arms while challenging the pervasive grip of colonialism on the Black psyche, this manifesto charts a course toward a future defined by autonomy, dignity, and radical liberation. 

Delving into the historical currents of resistance—from Negritude to Black nationalism to pan-Africanism—this manifesto unapologetically confronts the insidious nature of modern colonialism. In a world where the very presence of the Black body incites fear and insecurity among white supremacists, Afro-Decolonial Manifesto exposes the fallacy of equating Black existence with reverse colonialism. It challenges the prevailing narratives of gratitude and guilt, asserting the right of the Black diaspora to reclaim its autonomy and dignity, and also examines the effectiveness of movements like Black Lives Matter, advocating for a renewed Black internationalism rooted in Africa’s unity and autonomy.  

In a stirring call to arms, Afro-Decolonial Manifesto heralds a new era of resistance, where reparation becomes not just a demand for restitution, but a catalyst for radical change. This volume emboldens Black people to reclaim their narrative, their agency, and their future. It is a testament to the enduring spirit of liberation and the indomitable resilience of Black lives.

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In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong’o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960’s and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure.

If black survival in an anti-black world often feels like a race against time, Afro-Fabulations looks to the modes of memory and imagination through which a queer and black polytemporality is invented and sustained. Moving past the antirelational debates in queer theory, Nyong’o posits queerness as “angular sociality,” drawing upon queer of color critique in order to name the gate and rhythm of black social life as it moves in and out of step with itself. He takes up a broad range of sites of analysis, from speculative fiction to performance art, from artificial intelligence to Blaxploitation cinema. Reading the archive of violence and trauma against the grain, Afro-Fabulations summons the poetic powers of queer world-making that have always been immanent to the fight and play of black life.

While Africans and their descendants have lived in Mexico for centuries, many Afro-Mexicans do not consider themselves to be either black or African. For almost a century, Mexico has promoted an ideal of its citizens as having a combination of indigenous and European ancestry. This obscures the presence of African, Asian, and other populations that have contributed to the growth of the nation. However, performance studies—of dance, music, and theatrical events—reveal the influence of African people and their cultural productions on Mexican society.

In this work, Anita González articulates African ethnicity and artistry within the broader panorama of Mexican culture by featuring dance events that are performed either by Afro-Mexicans or by other ethnic Mexican groups about Afro-Mexicans. She illustrates how dance reflects upon social histories and relationships and documents how residents of some sectors of Mexico construct their histories through performance. Festival dances and, sometimes, professional staged dances point to a continuing negotiation among Native American, Spanish, African, and other ethnic identities within the evolving nation of Mexico. These performances embody the mobile histories of ethnic encounters because each dance includes a spectrum of characters based upon local situations and historical memories.

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Longlisted • National Book Award (Nonfiction)

Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery—in all its political, intellectual, and cultural forms—continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III’s seminal work on the philosophy of Blackness.

Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, “at every scale of abstraction, violence saturates Black life.”

And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson’s seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters—whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.

Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.

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After the Rain is a graphic novel adaptation of Nnedi Okorafor’s short story “On the Road.” The drama takes place in a small Nigerian town during a violent and unexpected storm. A Nigerian-American woman named Chioma answers a knock at her door and is horrified to see a boy with a severe head wound standing at her doorstep. He reaches for her, and his touch burns like fire. Something is very wrong. Haunted and hunted, Chioma must embrace her heritage in order to survive.

John Jennings and David Brame’s graphic novel collaboration uses bold art and colors to powerfully tell this tale of identity and destiny.

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In After the Rain, celebrated self-care storyteller Alexandra Elle delivers 15 lessons on how to overcome obstacles, build confidence, and cultivate abundance. Part memoir and part guide, Elle shares stirring stories from her own remarkable journey from self-doubt to self-love.

This soulful collection is filled with illuminating reflections on loss, fear, bravery, healing, love, acceptance, and more.

• Readers follow along her journey as she transforms challenging experiences—a difficult childhood, painful romantic relationships, and single parenting as a young mom—into fuel for her career as a successful entrepreneur and author driven by purpose and pasion
• Filled with Elle's signature candor and warmth
• Includes empowering affirmations and meditations for readers to practice in their own lives

After the Rain is a soulful guide to help you embrace all the beauty, love, and opportunity life has to offer.

• Presented in luminous package with a foil case and gold accents
• A beautiful gift for anyone on the path to self-discovery, and an uplifting reminder that there is always sunshine after the rain
• Perfect for the friend who loves meditating, self-care, journaling, or seeking personal transformation and empowerment
• Great for those who loved Present Over Perfect by Shauna Niequist, 100 Days to Brave by Annie F. Downs, and anything written by Brené Brown, Rupi Kaur, Rachel Hollis, and Elizabeth Gilbert

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When he was just a boy, Ilyas was stolen from his parents on the coast of east Africa by German colonial troops. After years away, fighting against his own people, he returns home to find his parents gone and his sister, Afiya, abandoned into de facto slavery. Hamza too, is back from the war. He was not stolen but sold into service, where he became the protégé of an officer whose special interest has left him literally scarred for life. With nothing but the clothes on his back, he seeks only steady work and safety – until he meets the beautiful, undaunted Afiya. As these young people live and work and fall in love, their fates knotted ever more tightly together, the shadow of a new war on another continent falls over them, ready to snatch them up and once again carry them away.
Spanning from the end of the nineteenth century, when the Europeans carved up Africa, on through the tumultuous decades of revolt and suppression that followed, AFTERLIVES is an astonishingly moving portrait of survivors refusing to sacrifice their humanity to the violent forces that assail them.

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In the first Spice Isle Bakery Mystery, investigating a murder was never supposed to be on the menu. . .

Little Caribbean, Brooklyn, New York: Lyndsay Murray is opening Spice Isle Bakery with her family, and it’s everything she’s ever wanted. The West Indian bakery is her way to give back to the community she loves, stay connected to her Grenadian roots, and work side-by-side with her family. The only thing getting a rise out of Lyndsay is Claudio Fabrizi, a disgruntled fellow bakery owner who does not want any competition. On opening day, he comes into the bakery threatening to shut them down. Fed up, Lyndsay takes him to task in front of what seems to be the whole neighborhood. So when Claudio turns up dead a day later—murdered—Lyndsay is unfortunately the prime suspect. To get the scent of suspicion off her and her bakery, Lyndsay has to prove she’s innocent—under the watchful eyes of her overprotective brother, anxious parents, and meddlesome extended family—what could go wrong?

A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.

A collection of Sojourner Truth's iconic words, including her famous speech at the 1851 Women's Rights Convention in Akron, Ohio

A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century.

Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives--and upended them. Now Penguin brings you a new set of the acclaimed Great Ideas, a curated library of selections from the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

Perceptive and original, Ain’t I an Anthropologist is an overdue reassessment of Zora Neale Hurston’s place in American cultural and intellectual life.

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Award-winning author Okorafor delivers the sequel to "Akata Witch." SunnyNwazue and her friends from the Leopard Society travel to the mysterious townof Osisi, where they fight in a climactic battle to save humanity.

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World Fantasy Award-winning author Nnedi Okorafor weaves together a story of magic, mystery, and finding one’s place in the world—for fans of Ursula Le Guin and Diana Wynne Jones.

Twelve-year-old Sunny lives in Nigeria, but she was born American. Her features are African, but she’s albino. She’s a terrific athlete, but can’t go out into the sun to play soccer. There seems to be no place where she fits. And then she discovers something amazing-she is a “free agent,” with latent magical power. Soon she’s part of a quartet of magic students, studying the visible and invisible, learning to change reality. But will it be enough to help them when they are asked to catch a career criminal who knows magic too?

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From the moment Sunny Nwazue discovered she had mystical energy flowing in her blood, she sought to understand and control her powers. Throughout her adventures in Akata Witch and Akata Warrior, she had to navigate the balance between nearly everything in her life—America and Nigeria, the “normal” world and the one infused with juju, human and spirit, good daughter and powerful Leopard Person.

Now, those hard lessons and abilities are put to the test in a quest so dangerous and fantastical, it would be madness to go…but may destroy the world if she does not. With the help of her friends, Sunny embarks on a mission to find a precious object hidden deep in an otherworldly realm. Defeating the guardians of the prize will take more from Sunny than she has to give, and triumph will mean she will be forever changed.

Series Overview: Book 3 in the Akata series

Book 1: Akata Witch

Book 2: Akata Warrior

Young readers will learn the basics of beekeeping with this vibrantly illustrated book that takes place on the Sankofa Farms apiary.

Told from Akeem's perspective, Akeem Keeps Bees! begins with the arrival and installation of a package of bees and follows Akeem and his Dad throughout the year as they inspect the hive, find the queen, deal with a swarm, harvest honey, and prepare for winter. 

Every part of the process is illustrated for young readers, teaching them the special role that bees play on a farm. The author, Kamal Bell, is a leading voice among Black farmers educating and inspiring Black youth about farming and beekeeping. Perfect for children ages 6 through 10.

Welcome to the summer of the apocalypse. One 12-year-old boy leads the charge against the forces of evil as he tries to stop the Four Horsemen from taking over the world in the start to a wildly funny and addictive fantasy series about accepting yourself and finding your inner hero.

Alex Wise feels like his world is ending. His best friend, Loren, is leaving town for the summer, his former friend and maybe sort of crush Sky hasn't spoken to him since he ditched Alex on first day of sixth grade, and now his mom is sending him and his annoying younger sister, Mags, on a cruise with the dad who abandoned them. And, as if things couldn't get worse, a creepy shadow monster may or may not be stalking him.

But none of this could prepare Alex for the actual end of the world. Too bad that is exactly what's coming, after the definitely-real Shadow Man kidnaps Mags and she is possessed by the ancient spirit of Death—one of the Four Horsemen of the Apocalypse. Luckily (depending on who you ask), Alex is possessed as well by a powerful god who imbues Alex with their powers in an effort to stop the Horsemen…if he can figure out how to use them. So begins an epic battle between good and evil: Alex, Loren, a grumpy demi-god, and Alex's fourth grade teacher vs. Death, Pestilence, Famine, War, and the waves of chaos and destruction they bring to LA and soon the rest of the globe. Just your average summer vacation.

Alex is more used to being left behind than leading the way, but now he's the only one who can save his sister—and the world. That is, if he can unlock his new powers and see himself as the hero he is.

“Never has the apocalypse been so fun!"
—Mark Oshiro, author of THE INSIDERS and co-author with Rick Riordan of THE SUN AND THE STAR: A NICO DI ANGELO ADVENTURE.

A Puerto Rican trans epic that blends poetic play and speculative fiction, by a Lambda Literary Award winner

Algarabía follows Cenex, a trans being who narrates his life while navigating the stories told on his behalf. An inhabitant of a colony of Earth in a parallel universe, Cenex leads us through his years as an experimental subject, a stay in suburbia, and not-so-far-off lands as he struggles to find a name, a body, and a stable home. His song clashes variegated sources with work by cis writers on trans figures, referencing everything from Clueless to Taino cosmology within a single line.

Algarabía inscribes an origin narrative for trans people in the face of their erasure from colonial and anti-colonial literary canons, laughing at its own survival with sharp, unserious rage.

Una epopeya puertorriqueña trans que mezcla poesía y narrativa especulativa, por un ganador del Premio Lambda

Algarabía sigue a Cenex, un ser trans que narra su vida retrospectivamente mientras navega por las historias contadas en su nombre. Habitante de una colonia de la Tierra en un universo paralelo, Cenex nos conduce a través de sus años como sujeto experimental, una estancia suburbana, unas tierras no tan lejanas y su lucha por encontrar un cuerpo y un hogar estables. Su canto enfrenta textos de escritores cis sobre figuras trans con una variedad de fuentes, haciendo referencia a Clueless y a la cosmología taína dentro de un mismo verso.

Algarabía inscribe un mito fundacional para las personas trans frente a su exclusión de los cánones literarios coloniales y anticoloniales y se ríe de su propia supervivencia con una rabia pícara y aguda.

The stunning new picture book by presidential inaugural poet Amanda Gorman and Caldecott Honor-winning illustrator Christian Robinson—available in Spanish

Te dicen que esto
no va a funcionar.
¿Pero cómo lo sabrás
si nunca lo intentas?

Amanda Gorman, poeta inaugural presidencial y autora #1 superventas del New York Times, y Christian Robinson, ganador de los premios Caldecott Honor y Coretta Scott King Honor, han creado un mensaje de esperanza eterna.

A veces el mundo se siente roto. Y los problemas parecen demasiado grandes para solucionarlos. Pero de alguna forma, tenemos el poder de cambiar las cosas. Con un poco de fe, y con la ayuda de un amigo, juntos podemos encontrar la belleza y crear un cambio.

Con un texto íntimo e inspirador, e ilustraciones poderosamente impresionantes, Algo, algún día nos enseña que hasta los gestos más pequeños pueden tener un gran impacto.

Rashid Johnson, Cauleen Smith and others pay tribute to a truly extraordinary figure in 20th-century American jazz

This volume unpacks the cultural legacy of musician, spiritual leader, wife and mother Alice Coltrane. Accompanying the eponymous exhibition at Los Angeles’ Hammer Museum, the book takes its title from Coltrane’s 1977 autobiography and devotional text, Monument Eternal, in which she reflected on her newfound spiritual beliefs and the path to healing and self-discovery. Coltrane was "ahead of her time," as her son, saxophonist Ravi Coltrane, says: she was "one of the first people to move outside the mainstream, and certainly one of the first female, Black, American jazz musicians to record her own music in her own studio, and to release music on her own terms."
Alice Coltrane, Monument Eternal explores themes including spiritual transcendence, sonic innovation and architectural intimacy. The project juxtaposes works from 19 contemporary American artists with pieces of ephemera from Coltrane’s archive―including handwritten sheet music, unreleased audio recordings and rarely seen footage―to honor her cultural output and practice.
Alice Coltrane was born in Detroit in 1937 and took up music at an early age, beginning piano lessons at seven years old. In 1967 her husband, saxophonist John Coltrane, gifted her a harp, on which she went on to record seminal albums including Journey in Satchidananda and A Monastic Trio, making her one of the very few harpists in the history of jazz. Coltrane moved to Southern California in 1972 and founded the Sai Anantam ashram. She lived and worked in Los Angeles, where she died in 2007 at age 69.

This book was published in conjunction with Hammer Museum

Do aliens exist? Are UFOs real? The race is on to discover alien life in the universe!

This book will sort myth from fact to bring you the real science behind the search for alien lifeforms. Space expert Joalda Morancy will take readers on a tour of the solar system (and beyond), onboard new NASA missions searching for the most likely alien hiding places—from icy moons of Jupiter to the clouds of Venus. Along the way kids will find out about:

• The robots sent to Mars to look for Martians
• What really goes on at Area 51
• Ways to spot an advanced alien civilization (hint—look for dim stars)

They may seem as fanciful as wizards and monsters, but this book will show that scientists not only believe that aliens exist—but that it’s only a matter of time before we find them.

Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses.

In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.

Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned poetic ear, identifying moments that seem routine even as they open chasms of hurt. Viewing himself as an unreliable narrator, Jones looks outward to understand what’s within, bringing forth cultural icons like Little Richard, Paul Mooney, Aretha Franklin and Diahann Carroll to illuminate how long and how perilously we’ve been living on top of fault lines. As these poems seek ways to love and survive through America’s existential threats, Jones ushers his readers toward the realization that the end of the world is already here—and the apocalypse is a state of being.

Join us as we continue discussing bell hooks' All About Love. This was our book club pick in June but the group truly believed that they needed more time with this text. 

This discussion will take place September 13, 2022 at 7:00 PM in the Kindred Stories' Reading Garden. RSVP Required. See ya'll there!

About the Book

With the warmth and intimacy of M. Scott Peck and in the intellectual tradition of Eric Fromm, bell hooks’ most popular and accessible work ever in which she shows us how to cultivate a love ethic that will heal us as individuals and as a nation

“The word ‘love’ is most often defined as a noun, yet...we would all love better if we used it as a verb,” writes bell hooks as she comes out fighting and on fire in All About Love. Here, at her most provocative and intensely personal, the renowned scholar, cultural critic, and feminist skewers our view of love as romance. In its place she offers a proactive new ethic for a people and a society bereft with lovelessness.

As bell hooks uses her incisive mind and razor-sharp pen to explore the question “What is love?” her answers strike at both the mind and heart. In thirteen concise chapters, hooks examines her own search for emotional connection and society’s failure to provide a model for learning to love. Razing the cultural paradigm that the ideal love is infused with sex and desire, she provides a new path to love that is sacred, redemptive, and healing for the individuals and for a nation. The Utne Reader declared bell hooks one of the “100 Visionaries Who Can Change Your Life.” All About Love is a powerful affirmation of just how profoundly she can.

As bell hooks uses her incisive mind and razor-sharp pen to explore the question “What is love?” her answers strike at both the mind and heart.

In thirteen concise chapters, hooks examines her own search for emotional connection and society’s failure to provide a model for learning to love. Razing the cultural paradigm that the ideal love is infused with sex and desire, she provides a new path to love that is sacred, redemptive, and healing for the individuals and for a nation. The Utne Reader declared bell hooks one of the “100 Visionaries Who Can Change Your Life.” All About Love is a powerful affirmation of just how profoundly she can.

Now available in a special hardcover Deluxe Collector’s Edition featuring beautiful new packaging, including cloth over board one-piece case with gifty trim, case stamping with red foil, red-colored endpapers, red sprayed edges, and sewn-in red ribbon bookmark! 

A New York Times bestseller and enduring classic, All About Love is the acclaimed first volume in feminist icon bell hooks' "Love Song to the Nation" trilogy. All About Love reveals what causes a polarized society, and how to heal the divisions that cause suffering. Here is the truth about love, and inspiration to help us instill caring, compassion, and strength in our homes, schools, and workplaces.

“The word ‘love’ is most often defined as a noun, yet we would all love better if we used it as a verb,” writes bell hooks as she comes out fighting and on fire in All About Love. Here, at her most provocative and intensely personal, renowned scholar, cultural critic, and feminist bell hooks offers a proactive new ethic for a society bereft with lovelessness—not the lack of romance, but the lack of care, compassion, and unity. People are divided, she declares, by society’s failure to provide a model for learning to love. 

As bell hooks uses her incisive mind to explore the question “What is love?” her answers strike at both the mind and heart. Razing the cultural paradigm that the ideal love is infused with sex and desire, she provides a new path to love that is sacred, redemptive, and healing for individuals and for a nation. The Utne Reader declared bell hooks one of the “100 Visionaries Who Can Change Your Life.” All About Love is a powerful, timely affirmation of just how profoundly her revelations can change hearts and minds for the better. 

“Each offering from bell hooks is a major event, as she has so much to give us.” — Maya Angelou

Head, shoulders, knees, and . . . penises! Young children are curious about all body parts. With bright illustrations, readable language, and a matter-of-fact tone, this guide offers readers the information they need to understand how bodies work. All About Penises is a book that embraces body diversity, reassures kids, and provides caregivers easy ways to answer the common questions that children have. Additional guidance for parents and caregivers includes more information on being an askable parent and how to talk to young children about sensitive topics.

Head, shoulders, knees, and . . . vulvas and vaginas! Young children are curious about all body parts. With bright illustrations, readable language, and a matter-of-fact tone, this guide offers readers the information they need to understand how bodies work. All About Vulvas and Vaginas is a book that embraces body diversity, reassures kids, and provides caregivers easy ways to answer the common questions that children have. Additional guidance for parents and caregivers includes more information on being an askable parent and how to talk to young children about sensitive topics.