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A groundbreaking A-Z survey of the work of over 300 modern and contemporary artists born or based in Africa

Modern and Contemporary African art is at the forefront of the current curatorial and collector movement in today’s art scene. This groundbreaking new book, created in collaboration with a prestigious global advisory board, represents the most substantial appraisal of contemporary artists born or based in Africa available. Features the work of more than 300 artists, including El Anatsui, Marlene Dumas, David Goldblatt, Lubaina Himid, William Kentridge, Julie Mehretu, Wangechi Mutu, and Robin Rhode, as well as lesser-known names from across Africa, with stunning and surprising examples of their art paired with insightful texts that demonstrate their contribution to the painting, sculpture, installation, photography, moving image, and performance art.

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A beautiful first guide to African elephants, part of an exciting new series of animal books.

Head on safari to the grasslands of Africa to study African elephants in this beautiful nonfiction field guide for kids.

You might know that African elephants are the largest land animals on Earth, but there’s so much more to learn about these tusked creatures. Turn the pages to find out why the grandmother is in charge of an elephant family, and why big ears help elephants cool down! Meet a baby elephant as it takes its first steps, and discover how to tell the difference between an African elephant and an Asian elephant. The book also looks at the conservation challenges these iconic animals face due to climate change and ivory poaching.

Following the hugely successful Black Sci-Fri Short Stories and Asian Ghost Short Stories, comes this deluxe edition of new African writing and tales rooted in ancient culture. This collection explores the deep-seated supernatural element in African storytelling – whether reaching back to the spirits, ancestors and ogres of folklore or the vibrantly modern ghosts of today's African horror. New and contemporary stories complement poignant folktales such as ‘The Story of Takane’ from Lesotho and ‘The Disobedient Daughter Who Married a Skull’ from Nigeria.

With a foreword by award-winning Nigerian-British writer Nuzo Onoh, an introduction by Prof. Divine Che Neba, and invaluable editorial support from writer and editor Chinelo Onwualu, this latest offering in the Flame Tree Gothic fantasy series delves into the fascinating heritage of African ghostly lore and literature, while allowing it to be reclaimed and retold by contemporary African voices.

The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

Already a major international bestseller, Zeinab Badawi’s sweeping and much-needed survey of African history traces the continent’s extraordinary legacy from prehistory to the present from the African perspective.

“Equal parts gripping and galvanizing. . . . Researched across more than 30 countries, it brings the dazzling civilizations of pre-colonial Africa vividly to life. A book that feels both long-overdue—and wholly worth the wait.” —British Vogue

Everyone is originally from Africa, and this book is therefore for everyone.

For too long, Africa’s history has been dominated by western narratives of slavery and colonialism, or simply ignored. Now, Zeinab Badawi sets the record straight.

In this fascinating book, Badawi guides us through Africa’s spectacular history—from the very origins of our species, through ancient civilizations and medieval empires with remarkable queens and kings, to the miseries of conquest and the elation of independence. Visiting more than thirty African countries to interview countless historians, anthropologists, archaeologists and local storytellers, she unearths buried histories from across the continent and gives Africa its rightful place in our global story.

The result is a gripping new account of Africa: an epic, sweeping history of the oldest inhabited continent on the planet, told through the voices of Africans themselves.

In this expansive collection of history, meet ten real-life kings, queens, inventors, scholars, and visionaries who lived in Africa thousands of years ago and changed the world.

Black history begins thousands of years ago with the many cultures and people of the African continent. Through portraits of ten heroic figures, bestselling author Tracey Baptiste takes readers on an empowering, energetic journey through time to meet some of the great leaders and thinkers whose vision built nations and shaped the course of history:

• Menes: Creator of Dynasties
• Merneith: A Queen Erased
• Imhotep: From Peasant to God
• Aesop: The Wisest Man in the Ancient World
• Hannibal Barca: Unparalleled Military Strategist
• Terence: North African Playwright
• Amanirenas: Warrior, Diplomat, Queen
• Tin Hinan: Founder of a City on the Dunes
• Mansa Musa: The Richest Man of All Time
• Queen Idia: Kingmaker

Illustrator Hillary D. Wilson's brilliant portraits accompany each profile, along with vivid, information-filled landscapes, maps, and graphics for readers to pore over and return to again and again. This rich and thrilling work, which celebrates Black excellence and provides an essential correction to Eurocentric tellings of history, will enthrall readers of all ages.

“In African Icons, Baptiste engages in the hard work of unveiling the myths about the African continent to young readers . . . This is a great beginner’s guide to pre-colonial Africa.” —Ibram X. Kendi, National Book Award-winning author of Stamped from the Beginning and How to Be an Antiracist  

A culinary adventure and celebration of African cooking and cultural diversity, from a pioneering West African food writer, television personality, and cooking teacher.

Food writer and cook Lerato Umah-Shaylor’s magnificent cookbook is a delicious eating tour of the African continent, introducing vibrant and varied cuisines that are rich in flavor, diverse in culture, and steeped in tradition.

Lerato adds her own modern twist and inventive style to traditional African dishes that have been passed down and enjoyed for generations, and combines these recipes with personal stories of Africa infused with her delectable sense of adventure.

With Africana, home cooks can learn how to create some of the most iconic African dishes, from Nigeria to Madagascar and Morocco to South Africa. Here are more than 100 recipes to delight and inspire, such as Spice Island Coconut Fish Curry, Harissa Leg of Lamb with Hibiscus, Senegalese Yassa, Tunisian Tagine, South African Malva Pudding, and the secret to the perfect Jollof.

A feast for the senses, bursting with flavor, and offering a sense of wanderlust, Africana will bring the magic of the continent to any kitchen.

If the question is America-and by extension, who is and what does it mean to be American? -AFRICANAMERICAN'T offers no answers. The CAN'T in the title suggests impossibility and that is precisely what the book is interested in. Even in the so-called land of opportunity, some things remain impossible for its speaker(s). In a way, AFRICANAMERICAN'T is a document of attempted refusals: assimilation, forgetting, and allegiance to any one country. However valid despair might be as a response to the continued failings of his two countries, Ayokunle Falomo traverses the distance between betrayal and love in an attempt to find poetry-and perhaps, something like hope-in all the places it can't be found.

Africans to Spanish America expands the Diaspora framework that has shaped much of the recent scholarship on Africans in the Americas to include Mexico, Peru, Ecuador, and Cuba, exploring the connections and disjunctures between colonial Latin America and the African Diaspora in the Spanish empires. While a majority of the research on the colonial Diaspora focuses on the Caribbean and Brazil, analysis of the regions of Mexico and the Andes opens up new questions of community formation that incorporated Spanish legal strategies in secular and ecclesiastical institutions as well as articulations of multiple African identities. Editors Sherwin K. Bryant, Rachel Sarah O'Toole, and Ben Vinson III arrange the volume around three themes: identity construction in the Americas; the struggle by enslaved and free people to present themselves as civilized, Christian, and resistant to slavery; and issues of cultural exclusion and inclusion. Across these broad themes, contributors offer probing and detailed studies of the place and roles of people of African descent in the complex realities of colonial Spanish America.

Contributors are Joan C. Bristol, Nancy E. van Deusen, Leo J. Garofalo, Herbert S. Klein, Charles Beatty-Medina, Karen Y. Morrison, Rachel Sarah O'Toole, Frank "Trey" Proctor III, and Michele Reid-Vazquez.

From the creator of the iconic hair product, Afro Sheen, and the first Black company to be traded on Wall Street comes the story of multi-millionaire George E. Johnson

You might already be familiar with Afro Sheen and Ultra Sheen, but have you heard of the man behind the company that produced those products? George Ellis Johnson the acclaimed self-made businessman—along with Hilary Beard—reveals his inspiring and captivating rise from humble beginnings to the top of the haircare industry.

At just 27 years old, Johnson created the Johnson Products Company. After years of hard work, traveling the country and going from barbershop to barbershop to sell his products, JPC became the first Black-owned company to trade on a major stock exchange, the financial sponsor of Soul Train, and once considered the largest Black-owned manufacturing company in the world. At the height of its success, JPC was worth $37M. In this coming-of-age story, Johnson uses the life skills and strong character built from working odd jobs as a teenager and practicing the golden rule to create a business that would both nurture and advance the Black community. Without a formal education, he filled a gap in the Black haircare industry and created a high-quality formula for straightening hair and the iconic Ultra Sheen and Afro Sheen products that supported Black people in expressing their authentic beauty.

For decades, Johnson has been an inspiration to Black entrepreneurs, setting an example of Black wealth and providing a safe space for Black people to work. 

Afro Sheen is a timely, impassioned look at both an industry and cultural moment; Johnson’s impact is finally on full display, as he brilliantly highlights how having perseverance and a daring vision can create both change and a lasting legacy.

The Afro Unicorns are on parade! Magical, Unique, and Divine celebrate inclusivity and friendship as they bring all the Afro Unicorns together to celebrate the annual Festival of Crowns.

The Festival of Crowns is one of the biggest gatherings of the year in Afronia, and everyone is excited to march in the big parade to celebrate.

But when a last-minute problem puts the parade in jeopardy, the three best friends work together to find a solution.

When Afro Unicorn creator April Showers realized that her favorite emoji—the unicorn!—was only available in white, she was inspired to create a more inclusive brand for children of color to celebrate how magical, unique, and divine they truly are.

Don’t miss the other books in the Afro Unicorn series—
The Most Magical Time of the Year!
Divine Makes a Splash
We Are Afro Unicorns
You Are a Unicorn!
A Magical Day

Step 1 Readers feature big type and easy words for children who know the alphabet and are eager to begin reading. Rhyme and rhythmic text paired picture clues help children decode the story.

The Afro Unicorns know they need to BELIEVE in themselves in order to SUCCEED! But when Unique and Divine enroll at a new school called Afronia Academy and meet an artsy student named Dreama, their confidence will be put to the test— that is, if their teachers don't do it first. This beautifully illustrated graphic novel celebrates joy, beauty, and of course, unicorns!

Divine and Unique are attending a new magical school called Afronia Academy. It’s a very hard school to get into, and Superior Majestic reminds them that they were chosen to attend because they are kind, fair, smart, and believe in themselves. There, the Afro Unicorns meet a student named Dreama. Dreama seems like she's always distracted, but why? Unique and Divine have got to find out!

This full-color graphic novel is great for young readers beginning their graphic novel journey and graphic novel enthusiasts alike. It also features a Dyslexia-friendly font. Dreama uses a few words in Spanish, with a pronunciation guide and Spanish language glossary in the back to help kids navigate new text. Dreama is bilingual, and readers will enjoy learning phrases with her.

When Afro Unicorn creator April Showers realized that her favorite emoji—the unicorn!—was only available in white, she was inspired to create a more inclusive brand for children of color to celebrate how magical, unique, and divine they truly are.

"The brand, created by author Showers, has a cultural resonance that cannot be understated, and young readers will see important aspects of Black beauty and empowerment reflected in the characterization and storytelling of the Afro Unicorns. . . this appealing unicorn book has a significant underpinning of inclusivity." - School Library Journal for Afro Unicorn: The Land of Afronia (vol. 1)

Afronia is known for being bright and colorful, but what happens when a disgraced unicorn wants to take the color away? Join unicorn best friends Divine and Unique as they journey to save Afronia in this all-new, action-packed graphic novel that celebrates Black joy and beauty. 

Welcome to the mystical land of Afronia, where life is good and full of color. The Afro Unicorns can't wait to celebrate the annual Festival of Crowns. But on the way to the festival, Divine and Unique come across Castle Monotonic, which is home to the mysterious Madame Imperious who wants to drain all the color from Afronia. Madame Imperious has already started draining the color from a young Afrosaurus. It's up to Unique and Divine to save Afronia and the Afrosaurus. Otherwise, their magical land might be doomed . . . FOREVER!

This full-color graphic novel is great for young readers beginning their graphic novel journey and graphic novel enthusiasts alike. It also features a Dyslexia-friendly font.

When Afro Unicorn creator April Showers realized that her favorite emoji—the unicorn!—was only available in white, she was inspired to create a more inclusive brand for children of color to celebrate how magical, unique, and divine they truly are.

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Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories―their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories and cultures.
The plural and polyphonic quality of “histórias” is also of note; unlike the English “histories,” the word in Portuguese carries a double meaning that encompasses both fiction and nonfiction, personal, political, economic and cultural, as well as mythological narratives.
The book features more than 400 works from Africa, the Americas and the Caribbean, as well as Europe, from the 16th to the 21st century. These are organized in eight thematic groupings: Maps and Margins; Emancipations; Everyday Lives; Rites and Rhythms; Routes and Trances; Portraits; Afro Atlantic Modernisms; Resistances and Activism.
Artists include: Nina Chanel Abney, Emma Amos, Benny Andrews, Emanoel Araujo, Maria Auxiliadora, Romare Bearden, John Biggers, Paul Cézanne, Victoria Santa Cruz, Beauford Delaney, Aaron Douglas, Melvin Edwards, Ibrahim El-Salahi, Ben Enwonwu, Ellen Gallagher, Theodore Géricault, Barkley Hendricks, William Henry Jones, Loïs Mailou Jones, Titus Kaphar, Wifredo Lam, Norman Lewis, Ibrahim Mahama, Edna Manley, Archibald Motley, Abdias Nascimento, Gilberto de la Nuez, Toyin Ojih Odutola, Dalton Paula, Rosana Paulino, Howardena Pindell, Heitor dos Prazeres, Joshua Reynolds, Faith Ringgold, Gerard Sekoto, Alma Thomas, Hank Willis Thomas, Rubem Valentim, Kara Walker and Lynette Yiadom-Boakye.

Offering a compelling call to arms while challenging the pervasive grip of colonialism on the Black psyche, this manifesto charts a course toward a future defined by autonomy, dignity, and radical liberation. 

Delving into the historical currents of resistance—from Negritude to Black nationalism to pan-Africanism—this manifesto unapologetically confronts the insidious nature of modern colonialism. In a world where the very presence of the Black body incites fear and insecurity among white supremacists, Afro-Decolonial Manifesto exposes the fallacy of equating Black existence with reverse colonialism. It challenges the prevailing narratives of gratitude and guilt, asserting the right of the Black diaspora to reclaim its autonomy and dignity, and also examines the effectiveness of movements like Black Lives Matter, advocating for a renewed Black internationalism rooted in Africa’s unity and autonomy.  

In a stirring call to arms, Afro-Decolonial Manifesto heralds a new era of resistance, where reparation becomes not just a demand for restitution, but a catalyst for radical change. This volume emboldens Black people to reclaim their narrative, their agency, and their future. It is a testament to the enduring spirit of liberation and the indomitable resilience of Black lives.

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In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong’o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960’s and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure.

If black survival in an anti-black world often feels like a race against time, Afro-Fabulations looks to the modes of memory and imagination through which a queer and black polytemporality is invented and sustained. Moving past the antirelational debates in queer theory, Nyong’o posits queerness as “angular sociality,” drawing upon queer of color critique in order to name the gate and rhythm of black social life as it moves in and out of step with itself. He takes up a broad range of sites of analysis, from speculative fiction to performance art, from artificial intelligence to Blaxploitation cinema. Reading the archive of violence and trauma against the grain, Afro-Fabulations summons the poetic powers of queer world-making that have always been immanent to the fight and play of black life.

While Africans and their descendants have lived in Mexico for centuries, many Afro-Mexicans do not consider themselves to be either black or African. For almost a century, Mexico has promoted an ideal of its citizens as having a combination of indigenous and European ancestry. This obscures the presence of African, Asian, and other populations that have contributed to the growth of the nation. However, performance studies—of dance, music, and theatrical events—reveal the influence of African people and their cultural productions on Mexican society.

In this work, Anita González articulates African ethnicity and artistry within the broader panorama of Mexican culture by featuring dance events that are performed either by Afro-Mexicans or by other ethnic Mexican groups about Afro-Mexicans. She illustrates how dance reflects upon social histories and relationships and documents how residents of some sectors of Mexico construct their histories through performance. Festival dances and, sometimes, professional staged dances point to a continuing negotiation among Native American, Spanish, African, and other ethnic identities within the evolving nation of Mexico. These performances embody the mobile histories of ethnic encounters because each dance includes a spectrum of characters based upon local situations and historical memories.

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Longlisted • National Book Award (Nonfiction)

Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery—in all its political, intellectual, and cultural forms—continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III’s seminal work on the philosophy of Blackness.

Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, “at every scale of abstraction, violence saturates Black life.”

And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson’s seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters—whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.

Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.

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After the Rain is a graphic novel adaptation of Nnedi Okorafor’s short story “On the Road.” The drama takes place in a small Nigerian town during a violent and unexpected storm. A Nigerian-American woman named Chioma answers a knock at her door and is horrified to see a boy with a severe head wound standing at her doorstep. He reaches for her, and his touch burns like fire. Something is very wrong. Haunted and hunted, Chioma must embrace her heritage in order to survive.

John Jennings and David Brame’s graphic novel collaboration uses bold art and colors to powerfully tell this tale of identity and destiny.

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In After the Rain, celebrated self-care storyteller Alexandra Elle delivers 15 lessons on how to overcome obstacles, build confidence, and cultivate abundance. Part memoir and part guide, Elle shares stirring stories from her own remarkable journey from self-doubt to self-love.

This soulful collection is filled with illuminating reflections on loss, fear, bravery, healing, love, acceptance, and more.

• Readers follow along her journey as she transforms challenging experiences—a difficult childhood, painful romantic relationships, and single parenting as a young mom—into fuel for her career as a successful entrepreneur and author driven by purpose and pasion
• Filled with Elle's signature candor and warmth
• Includes empowering affirmations and meditations for readers to practice in their own lives

After the Rain is a soulful guide to help you embrace all the beauty, love, and opportunity life has to offer.

• Presented in luminous package with a foil case and gold accents
• A beautiful gift for anyone on the path to self-discovery, and an uplifting reminder that there is always sunshine after the rain
• Perfect for the friend who loves meditating, self-care, journaling, or seeking personal transformation and empowerment
• Great for those who loved Present Over Perfect by Shauna Niequist, 100 Days to Brave by Annie F. Downs, and anything written by Brené Brown, Rupi Kaur, Rachel Hollis, and Elizabeth Gilbert

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When he was just a boy, Ilyas was stolen from his parents on the coast of east Africa by German colonial troops. After years away, fighting against his own people, he returns home to find his parents gone and his sister, Afiya, abandoned into de facto slavery. Hamza too, is back from the war. He was not stolen but sold into service, where he became the protégé of an officer whose special interest has left him literally scarred for life. With nothing but the clothes on his back, he seeks only steady work and safety – until he meets the beautiful, undaunted Afiya. As these young people live and work and fall in love, their fates knotted ever more tightly together, the shadow of a new war on another continent falls over them, ready to snatch them up and once again carry them away.
Spanning from the end of the nineteenth century, when the Europeans carved up Africa, on through the tumultuous decades of revolt and suppression that followed, AFTERLIVES is an astonishingly moving portrait of survivors refusing to sacrifice their humanity to the violent forces that assail them.

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In the first Spice Isle Bakery Mystery, investigating a murder was never supposed to be on the menu. . .

Little Caribbean, Brooklyn, New York: Lyndsay Murray is opening Spice Isle Bakery with her family, and it’s everything she’s ever wanted. The West Indian bakery is her way to give back to the community she loves, stay connected to her Grenadian roots, and work side-by-side with her family. The only thing getting a rise out of Lyndsay is Claudio Fabrizi, a disgruntled fellow bakery owner who does not want any competition. On opening day, he comes into the bakery threatening to shut them down. Fed up, Lyndsay takes him to task in front of what seems to be the whole neighborhood. So when Claudio turns up dead a day later—murdered—Lyndsay is unfortunately the prime suspect. To get the scent of suspicion off her and her bakery, Lyndsay has to prove she’s innocent—under the watchful eyes of her overprotective brother, anxious parents, and meddlesome extended family—what could go wrong?

A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.

A collection of Sojourner Truth's iconic words, including her famous speech at the 1851 Women's Rights Convention in Akron, Ohio

A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century.

Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives--and upended them. Now Penguin brings you a new set of the acclaimed Great Ideas, a curated library of selections from the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

Perceptive and original, Ain’t I an Anthropologist is an overdue reassessment of Zora Neale Hurston’s place in American cultural and intellectual life.

From pasties to postpartum and everything in between.

No one said motherhood would be easy. For Adiba Nelson, the journey to parenthood started with a big bang and continues with a breakdown (or two) and several “why?” questions for God.  

Witty and bold, Afro-Latina Adiba grew up in survival mode. Her sometimes complicated relationship with her strong-willed, vibrant, religious mother marked her views of mothering and love. When a chance encounter with a tall-ish, brown-skinned brotha at Ruby Tuesday’s right before closing time collided with a Jill Scott song and the right time of the month, Adiba found herself unexpectedly pregnant. She also found herself unexpectedly falling into the same relationship patterns of the matriarchs before her—the ones she swore she’d never end up in. 

Mom to a new baby with high medical needs and with a slew of hardships that just won’t quit, she set out on a reckoning that was just as generational as it was personal. Along the way, Adiba never loses her heart or her humor. This is a true love story, but the kind about a woman loving herself enough to change the course of her life for herself, her child, and the women after her as well as before.

Ain’t That A Mother is not your average motherhood memoir—and Adiba is not your average mother. The in-between moments and the self-revelations are where this bold and brilliant story of love, family secrets, and lots of “what the…?” really shines. Just like parenting, the story is messy, but the reward is incredibly satisfying. 

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Award-winning author Okorafor delivers the sequel to "Akata Witch." SunnyNwazue and her friends from the Leopard Society travel to the mysterious townof Osisi, where they fight in a climactic battle to save humanity.