This dazzling Christmas poem by Maya Angelou is powerful and inspiring for people of all faiths.

In this beautiful, deeply moving poem, Maya Angelou inspires us to embrace the peace and promise of Christmas, so that hope and love can once again light up our holidays and the world. “Angels and Mortals, Believers and Nonbelievers, look heavenward,” she writes, “and speak the word aloud. Peace.”

Read by the poet at the lighting of the National Christmas Tree at the White House on December 1, 2005, Maya Angelou’ s celebration of the “Glad Season” is a radiant affirmation of the goodness of life.

Set in the blockbuster and award-winning universe of League of Legends: Arcane and written by award-winning author C. L. Clark, discover a thrilling epic fantasy novel where Ambessa Medarda truly learns what it means to be a Chosen of the Wolf.

Medarda over all.

Ambessa Medarda: Warrior, general, mother. She is a woman to be feared, and the Medardas are unrivaled in their pursuit of glory. She has led conquests and armies. She has slain legendary beasts. She has made grave sacrifices in her ascent up the ranks. And for this she was rewarded: She entered the realm of death and was granted a vision of herself upon the throne of the vast Noxian empire.

But before she can lead her empire, she must become head of her own clan. Yet the title is contested by her cousin and former confidante, Ta’Fik. He knows the bloody sins of Ambessa’s past. And he knows he cannot allow her to rise.

They will fight a war for the very soul of the Medardas.

But the war won’t be fought on battlefields alone. Ambessa’s daughter, Mel, can deftly break through the walls around anyone’s heart, and she’ll put her talents to use for her mother. Yet despite Mel’s strength, Ambessa sees only a child who lacks her killer instincts. Mel knows she can be the leader Ambessa wants her to be, if only she gives her time.

With her family betraying her, enemies closing in on all sides, and unseen forces moving in the shadows, every day proves more dangerous than the last. But Ambessa will not bow. She will burn the world down to claim her place in it.

How medieval-inspired racial feudalism reigned in early America and was challenged by Black liberal thinkers

Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.

Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.

American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

In the vein of America’s First Daughter, Piper Huguley’s historical novel delves into the remarkable friendship of Portia Washington and Alice Roosevelt, the daughters of educator Booker T. Washington and President Teddy Roosevelt.

At the turn of the twentieth century, in a time of great change, two women—separated by societal status and culture but bound by their expected roles as the daughters of famed statesmen—forged a lifelong friendship. 

Portia Washington’s father Booker T. Washington was formerly enslaved and spent his life championing the empowerment of Black Americans through his school, known popularly as Tuskegee Institute, as well as his political connections. Dedicated to her father’s values, Portia contributed by teaching and performing spirituals and classical music. But a marriage to a controlling and jealous husband made fulfilling her dreams much more difficult. 

When Theodore Roosevelt assumed the presidency, his eldest daughter Alice Roosevelt joined him in the White House. To try to win her father’s approval, she eagerly jumped in to help him succeed, but Alice’s political savvy and nonconformist behavior alienated as well as intrigued his opponents and allies. When she married a congressman, she carved out her own agendas and continued espousing women’s rights and progressive causes. 

Brought together in the wake of their fathers’ friendship, these bright and fascinating women helped each other struggle through marriages, pregnancies, and political upheaval, supporting each other throughout their lives.  

A provocative historical novel and revealing portrait, Piper Huguley’sAmerican Daughters vividly brings to life two passionate and vital women who nurtured a friendship that transcended politics and race over a century ago.

A new history of US education through the nineteenth century that rigorously accounts for Black, Native, and white experiences; a story that exposes the idea of American education as “the great equalizer” to not only be a lie, but also a myth that reproduces past harms.

Education is the epicenter of every community in the United States. Indeed, few institutions are as pivotal in shaping our lives and values than public schools. Yet the nature of schooling has become highly politicized, placing its true colors on full display—a battleground where clashes over free speech and book bans abound, and where the suppression of knowledge about race, gender, and sexuality have taken center stage. Political forces are waging a war on academic freedom, raising serious questions. What gets taught, how, by whom, and who gets to decide? Yet, how might our perception of this reality shift when we recognize such battles as expressions of a relationship between race, power, and schooling as old as the country itself?

Access and equity in public education have long been discussed and attempts to address the educational debts owed to historically oppressed groups have taken the form of modern innovations and promises of future improvement. Yet the past plays an equally significant role in structuring our present reality—and in the case of our education system, there is a dark, unexamined history that continues to influence how schools forge our world.

Harvard University professor Jarvis R. Givens, an expert in the fields of American Educational History and African American Studies, draws on his own personal experiences and academic expertise to unveil how the political-economic exploitation of Black and Indigenous people played an essential role in building American education as an inequitable system premised on white possession and white benefit. In doing so, he clarifies that present conflicts are not merely culture wars, but indeed structural in nature. American Grammar is a revised origin story that exposes this legacy of racial domination in schooling, demonstrating how the educational experiences of Black, white, and Native Americans were never all-together separate experiences, but indeed relational, all part of an emergent national educational landscape. Givens reveals how profits from slavery and the seizure of native lands underwrote classrooms for white students; how funds from the US War Department developed native boarding schools; and how classroom lessons socialized students into an American identity grounded in antiblackness and anti-Nativeness, whereby the substance of schooling mirrored the very structure of US education.  

In unraveling this past, Givens provides more honest language for those working to imagine and build a truly more egalitarian future for all learners and communities, and especially those most vulnerable among us.

With 200,000 copies in print, this anthology has for decades been seen as a fundamental collection of African-American verse. Bontemps (1902-73), an important figure during and after the Harlem Renaissance, author of more than 25 novels, and longtime librarian at Fisk University, last revised this classic anthology just before his death, adding such crucial new voices as Audre Lorde, Nikki Giovanni, and Bob Kaufman, among others.

This edition, issued in 1996, reprints the poems in Bontemps's revised volume along with updated biographical notes. Nearly seventy poets are represented, their works indexed by both author and title.

“American Spy updates the espionage thriller with blazing originality.”—Entertainment Weekly
“There has never been anything like it.”—Marlon James, GQ
“So much fun . . . Like the best of John le Carré, it’s extremely tough to put down.”—NPR

NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY CHICAGO TRIBUNE AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • NPR • Entertainment Weekly • Esquire • BuzzFeed • Vulture • Real Simple • Good Housekeeping • The New York Public Library

What if your sense of duty required you to betray the man you love? 

It’s 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She’s brilliant, but she’s also a young black woman working in an old boys’ club. Her career has stalled out, she’s overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she’s given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes. Yes, even though she secretly admires the work Sankara is doing for his country. Yes, even though she is still grieving the mysterious death of her sister, whose example led Marie to this career path in the first place. Yes, even though a furious part of her suspects she’s being offered the job because of her appearance and not her talent.

In the year that follows, Marie will observe Sankara, seduce him, and ultimately have a hand in the coup that will bring him down. But doing so will change everything she believes about what it means to be a spy, a lover, a sister, and a good American.

Inspired by true events—Thomas Sankara is known as “Africa’s Che Guevara”—American Spy knits together a gripping spy thriller, a heartbreaking family drama, and a passionate romance. This is a face of the Cold War you’ve never seen before, and it introduces a powerful new literary voice.

NOMINATED FOR THE NAACP IMAGE AWARD • Shortlisted for the Center for Fiction First Novel Prize

“Spy fiction plus allegory, and a splash of pan-Africanism. What could go wrong? As it happens, very little. Clever, bracing, darkly funny, and really, really good.”—Ta-Nehisi Coates

“Inspired by real events, this espionage thriller ticks all the right boxes, delivering a sexually charged interrogation of both politics and race.”—Esquire

“Echoing the stoic cynicism of Hurston and Ellison, and the verve of Conan Doyle, American Spy lays our complicities—political, racial, and sexual—bare. Packed with unforgettable characters, it’s a stunning book, timely as it is timeless.”—Paul Beatty, Man Booker Prizewinning author of The Sellout

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On the corner of American Street and Joy Road, Fabiola Toussaint thought she would finally find une belle vie—a good life. But after they leave Port-au-Prince, Haiti, Fabiola’s mother is detained by U.S. immigration, leaving Fabiola to navigate her loud American cousins, Chantal, Donna, and Princess; the grittiness of Detroit’s west side; a new school; and a surprising romance, all on her own.

Just as she finds her footing in this strange new world, a dangerous proposition presents itself, and Fabiola must learn that freedom comes at a cost. Trapped at the crossroads of an impossible choice, will she pay the price for the American dream?

From the New York Times bestselling author of The Sweetness of Water comes a gripping story about a brother and sister, emancipated from slavery but still searching for true freedom, and their odyssey across the deserts of Mexico to escape a former master still intent on their bondage.

New Orleans, 1866. The Civil War might be over, but formerly enslaved Coleman and June have yet to find the freedom they’ve been promised. Two years ago, the siblings were separated when their old master, Mr. Harper, took June away to Mexico, where he hoped to escape the new reality of the postbellum South. Coleman stayed behind in Louisiana to serve the Harper family, clinging to the hope that one day June would return.
 
When an unexpected letter from Mr. Harper arrives, summoning Coleman to Mexico, Coleman thinks that finally his prayers have been answered. What Coleman cannot know is the tangled truth of June’s tribulations under Mr. Harper out on the frontier. And when disaster strikes Coleman’s journey, he is forced on the run with Mr. Harper's daughter, Florence. Together, they venture into the Mexican desert to find June, all the while evading two crooked brothers who'll stop at nothing to capture Coleman and Florence and collect the money they're owed. As Coleman and June separately navigate a perilous, parched landscape, the siblings learn quickly that freedom isn't always given—sometimes, it must be taken by force.
 
As in his New York Times bestselling debut The Sweetness of Water, Nathan Harris delves into the critical years of the Civil War’s aftermath to deliver an intimate and epic tale of what freedom means in a society still determined to return its Black citizens to bondage. Populated with unforgettable characters, Amity is a vital addition to the literature of emancipation.

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The first monograph on the sinuous, exhilaratingly colorful and pattern-filled portraiture of Amoako Boafo

Ghanaian painter Amoako Boafo has built a practice synthesizing the ways that art both reflects and perpetuates the power of representation. Amoako Boafo is the first monograph to comprehensively examine the artist's career to date. Heavily illustrated and featuring original contributions by Osei Bonsu, Rachel Cargle, Mutombo Da Poet and Aja Monet, the book also presents an insightful and expansive conversation with the artist by Paul Schimmel.
Exclusively portraying individuals from the diaspora and beyond, Boafo invites a reflection on Black subjectivity, diversity and complexity. His portraits, notable for their bold colors and patterns, celebrate his subjects as a means to challenge portrayals that objectify and dehumanize Blackness. As Boafo has stated, “the primary idea of my practice is representation, documenting, celebrating and showing new ways to approach Blackness.”
Amoako Boafo (born 1984) studied at the Ghanatta College of Art and Design in Accra, Ghana, in 2007, before attending the Academy of Fine Arts, Vienna, for his MFA. His first solo exhibition in the US, entitled I See Me, opened at Roberts Projects in 2019. That same year, Boafo was the first artist-in-residence at the new Rubell Museum in Miami, Florida. In 2020, he collaborated with Kim Jones, Dior Men’s creative director, for Dior’s Spring/Summer 2021 Men’s Collection. In 2021, Boafo was selected by the Uplift Art Program to create the inaugural “Suborbital Triptych” on the exterior panels of a Blue Origin New Shepard rocket, launched August 2021.

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If you could go anywhere in the world and do one thing you love, what would you choose? When given that opportunity, the acclaimed writer Jamaica Kincaid decided to trek through Nepal collecting seeds to plant in her garden at home in Vermont. Among Flowers is the story of that journey through the Himalayan landscape, as Kincaid and her companions navigate not only the perilous physical terrain but also Maoist guerrillas and fields of leeches that stand in their way. The vertiginous peaks and exotic plants come alive in Kincaid’s masterful prose. She also ruminates on the wonders of the natural world that can only be discovered when one leaves the comfort of home for the disorienting thrill of the unknown, and self-reflects on the limitations of the body and the privileges that come with chartering a trip through the Himalaya. Rich in detail and engrossingly told, Among Flowers is a classic travel memoir.

Celebrating the storied career of a beloved letterpress printer whose posters spread messages of racial justice

Detroit-based letterpress printer Amos Paul Kennedy, Jr. is celebrated for his type-driven messages of social justice and Black power, emblazoned in rhythmically layered and boldly inked posters made for the masses. Citizen Printer tells Kennedy’s inspiring story and contextualizes his important work―and offers readers tools for lifting their voices, too. A vital monograph on a trailblazing contemporary Black artist, Citizen Printer features 800 reproductions representing the breadth of Kennedy’s posters and prints, plus original portraiture of the artist at work, a powerful artist statement and a foreword by New York Times bestselling author Austin Kleon, all presented in a dynamic type-forward design from American Institute of Graphic Arts medalist Gail Anderson and Joe Newton.
Amos Paul Kennedy, Jr. (born 1948) was working a corporate job for AT&T when, at the age of 40, he discovered the art of letterpress printing on a tour of Colonial Williamsburg. Kennedy then devoted himself to the craft, earning an MFA at the University of Wisconsin–Madison and teaching at Indiana University. He now operates Kennedy Prints!, a communal letterpress center in Detroit. Borrowing words from social justice heroes Rosa Parks, Fannie Lou Hamer, Frederick Douglass, Sojourner Truth and others, Kennedy layers bold statements on race, capitalism, history and politics in exuberant, colorful and one-of-a-kind posters. Kennedy has been featured in the New York Times, the New York Times Magazine and the Economist, and his work has been exhibited by the Library of Congress, the Museum of Modern Art, New York and other institutions through the US. He was the subject of a 2012 feature-length documentary, Proceed and Be Bold!

When a girl's confidence is shaken and she begins to shrink, her grandmother is there to remind her of who she is in this empowering picture book about self-esteem.

Amoya Blackwood is loud, bold and carefree. She always has the answer in class. And she knows just what to say to make her friends laugh.

Amoya Blackwood shows up with a smile on her face. She enters a room and takes up space.

But one day Amoya Blackwood starts noticing that the adults around her want to be less loud, less bold, less carefree. They want her to take up less space, and so she does. She gets smaller and smaller and smaller.

She gets so small she hardly recognizes herself.

But then, a conversation with her Gran reminds Amoya of who she is. And a surprising thing happens . . .

Amy Sherald’s work, life, and significance for American art, as revealed in her powerful figurative paintings of Black subjects
 
Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, Amy Sherald: American Sublime unfolds her method of selecting individuals she meets on the street and using facial expression, body language, and clothing choices to create paintings that transcend portraiture and expand the canon of American art. Essays by curators Sarah Roberts and Rhea Combs; poet and writer Elizabeth Alexander; artist Dario Calmese; and renowned scholar Deborah Willis contextualize and illuminate Sherald’s creation of a new form of imaginative portraiture. Often depicting her subjects’ skin in gray monochrome, surrounded by few markers of place, time, or context beyond the clothes they wear, Sherald challenges the assumption that Black life is inextricably bound with struggle, creating images that engage in more expansive thinking about race and representation and the wide-open possibilities and complexities of every individual. Whether a passerby or the former first lady Michelle Obama, Sherald’s subjects are at ease with themselves, the world, and one another.
 
Published in association with the San Francisco Museum of Modern Art
 
Exhibition Schedule:
 
San Francisco Museum of Modern Art
(November 16, 2024–March 9, 2025)
 
Whitney Museum of American Art, New York
(April 9–August 3, 2025)
 
National Portrait Gallery, Washington, DC
(September 2025–January 2026)

The long-awaited first major monograph on the iconic portraitist of Black Americans

This is the first comprehensive monograph on acclaimed painter Amy Sherald, whose distinctive style of simplified realist portraiture features African American subjects rendered against colorful monochrome backdrops or in everyday settings. Sherald rose to fame after being chosen by former first lady Michelle Obama to paint her official portrait for the National Portrait Gallery in Washington, DC, in 2018, becoming the first African American woman to receive this honor. In addition to reproductions of Sherald’s recent works, the book—published to accompany her solo exhibition at Hauser & Wirth London in fall 2022—includes illustrations of earlier paintings, as well as an intimate glimpse into Sherald’s process and practice through a series of in-studio photographs. Newly commissioned texts include an art historical analysis of the artist’s work by Jenni Sorkin; a meditation on the politics and aesthetics of Sherald's portraiture by cultural scholar Kevin Quashie; and a conversation between Sherald and acclaimed author Ta-Nehisi Coates.
Amy Sherald was born in Georgia in 1973 and received her MFA in Painting from the Maryland Institute College of Art in 2004. She has been included in countless group shows at galleries and museums worldwide as well as the subject of solo exhibitions at Hauser & Wirth and Spelman College Museum of Fine Art, among others. Sherald lives in Baltimore and New Jersey.

A student will find that the hardest lessons sometimes come from outside the classroom in this stunning dark academia novel from the acclaimed author of The Year of the Witching and House of Hunger.

Lennon Carter’s life is falling apart.   

Then she gets a mysterious phone call inviting her to take the entrance exam for Drayton College, a school of magic hidden in a secret pocket of Savannah. Lennon has been chosen because—like everyone else at the school—she has the innate gift of persuasion, the ability to wield her will like a weapon, using it to control others and, in rare cases, matter itself.  

After passing the test, Lennon begins to learn how to master her devastating and unsettling power. But despite persuasion’s heavy toll on her body and mind, she is wholly captivated by her studies, by Drayton’s lush, moss-draped campus, and by her brilliant classmates. But even more captivating is her charismatic adviser, Dante, who both intimidates and enthralls her. 

As Lennon continues in her studies, her control grows, and she starts to uncover more about the secret world she has entered into, including the disquieting history of Drayton College. She is increasingly disturbed by what she learns, for it seems that the ultimate test is to embrace absolute power without succumbing to corruption...and it’s a test she’s terrified she’s going to fail.

The first intersectional history of the Black and Native American struggle for freedom in our country that also reframes our understanding of who was Indigenous in early America

Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Afro-Indigenous historian, Kyle T. Mays argues that the foundations of the US are rooted in antiblackness and settler colonialism, and that these parallel oppressions continue into the present. He explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart. Whether to end African enslavement and Indigenous removal or eradicate capitalism and colonialism, Mays show how the fervor of Black and Indigenous peoples calls for justice have consistently sought to uproot white supremacy.

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Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center. After five years, Roy’s conviction is suddenly overturned, and he returns to Atlanta ready to resume their life together.
 
This stirring love story is a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. An American Marriage is a masterpiece of storytelling, an intimate look deep into the souls of people who must reckon with the past while moving forward—with hope and pain—into the future.

A unique collaboration from two of America’s leading artists that explores the fascinating and hidden history of the plant world.

In this witty, deeply original book, the renowned novelist Jamaica Kincaid offers an ABC of the plants that define our world and reveals the often brutal history behind them.

Kara Walker, one of America’s greatest visual artists, illustrates each entry with provocative, brilliant, enthralling, many-layered watercolors.

There has never been a book like An Encyclopedia of Gardening for Colored Children―so inventive, surprising, and telling about what our gardens reveal.

Rastafari is an Afrocentric social and religious movement that emerged among Afro-Jamaican communities in the 1930s and has many adherents in the Caribbean and worldwide today. This book is a groundbreaking account of Rastafari, demonstrating that it provides a normative conception of Blackness for people of African descent that resists Eurocentric and colonial ideas.

Vivaldi Jean-Marie examines Rastafari’s core beliefs and practices, arguing that they constitute a distinctively Black system of norms and values―at once an ethos and a cosmology. He traces Rastafari’s origins in enslaved people’s strategies of resistance, Jamaican Revivalism, and Garveyism, showing how it incorporates ancestral religious traditions and emancipatory politics. An Ethos of Blackness draws out the significance of practices such as avoiding technological exploitation of natural artifacts and the belief in living in harmony with the natural order. Jean-Marie considers Rastafari’s theology, exploring its reinterpretation of biblical scriptures and its foundations in the rejection of Christianity’s Eurocentrism and racism. However, he insists, before Rastafari can fulfill its promise of liberation for people of African descent, it must confront its failure to include women and redress sexism.

Through rigorous and sensitive reflections on Rastafari culture and cosmology, this book offers deeply original insights into the Black theological imagination.

Register at https://www.crowdcast.io/e/an-evening-with-zora

We're celebrating the release of the boxed set of Zora Neale Hurston's collection of works, all with reimagined covers illustrated by incredible Black artists, and her newest release of essays, You Don't Know Us Negroes and Other Essays.

NYT bestselling author, Morgan Jerkins, will moderate a conversation with Lucy Ann Hurston (scholar and niece of Zora Neale Hurston), Patrick Dougher (cover artist for Their Eyes Were Watching God), and Genevieve West (co-editor of You Don't Know Us Negroes and Other Essays).

About the Boxed Set:

Available for the first time, this amazing boxed set includes 10 repackaged Zora Neale Hurston classics--each with a newly imagined cover by a popular contemporary Black artist. It's a beautifully-imaged package at a very affordable price point.

Cover artists are: Charly Palmer, Toyin Ojih Odutola, Jerome Lagarrigue, Patrick Dougher, Diana Ejaita, Jeff Manning, Samira Addo, Terry Lynn, Jamilla Okubo, and Tizta Berhanu.

Books included in the set:

• Dust Tracks on a Road
• Jonah's Gourd Vine
• Mules and Men
• Tell My Horse
• The Complete Stories
• Every Tongue Got to Confess
• Moses, Man of the Mountain
• Seraph on the Suwanee
• Mule Bone
• Their Eyes Were Watching God

About You Don't Know Us Negroes and Other Essays:

Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.

“One of the greatest writers of our time.”—Toni Morrison

One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston’s well-known works such as “How It Feels to be Colored Me” and “My Most Humiliating Jim Crow Experience.” 

The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer’s work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer’s development and a window into her world and time.

EVENT DEETS

When: October 2 at 11:00 AM - 1:30 PM CST

Where: Kindred Stories Reading Garden (Weather Permitting)

How: Purchase your ticket on Eventbrite and bring yourself! All tickets come with a copy of Wash Day Diaries.

ABOUT THE EVENT

We were absolutely floored when we seen the panels of Wash Day Diaries. The semi monochromatic but vivid images were...inspiring.

So, here we are spending a Sunday morning reading Wash Day Diaries, putting narrative to our wash day feelings, thoughts and experiences with Brittny Ray, our writing instructor and taking photos in front of our special Wash Day Diaries backdrop.

We are encouraging you all to come as you are! We want to see your natural hair in all its phases. Whether you'll be in the process of wash day during the event or you are in desperate need of your wash day routine, you are welcome to come be photographed and have a bellini or mimosa on us!

In an other, Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE’s incarnation as an animal liberation group; uses sovereignty in Morrison’s A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett’s films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.

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A joy-filled gift from the ancestors composed of 365 gentle prayers and affirmations to intuitively provide you with healing all year long.

“Ancestors said they experience life through your eyes. Living your life as full as you can nourishes them. You being alive is enough for them.” “I pray that you see life through. I pray that you let it show you just how good it can get.” “If you’re feeling stuck, speak to the heavens. A path to freedom will open up.”

Ancestors Said is full of 365 affirmations, prayers, and reflections just like these. It is designed to be used all year long, helping the reader along a healing journey and leading them to experience a deep connection with the ancestors and joy in their daily life.

Community ideals and magic clash in this follow-up to Grievers and Maroons by adrienne maree brown.

Ancestors is the powerful conclusion to adrienne maree brown's Grievers trilogy—a story of how life blooms amid tragedy and hate. In the wake of a mysterious pandemic known as Syndrome H-8, the survivors of a ravaged and isolated Detroit are building a future inside the network of deserted skyscrapers that define the city’s skyline. Dune’s magic keeps a lush green wall encircling the community, and while some settle inside its safety, others grow desperate to get out, fueling the tension between shelter and confinement. As Dune’s power blossoms and her connection to the spirits of the departed deepens, she must learn how to balance the needs of her people, both living and dead.