When life rewrites the story, only friendship will see them through.

After years of hard work, four best friends—Celeste, Yasmeen, Toni and Leslie—are finally on the verge of opening the bookstore of their dreams. A place where their community can find solace with an intriguing new read, a comforting beverage and book-loving friends.

But before they can cut the ribbon, their worlds are upended.

Toni receives devastating news just months before her wedding, while Celeste’s struggling marriage threatens to collapse completely. Leslie learns a shocking secret about her family, and a lotto ticket changes Yasmeen’s life—but not for the better.

As the bookstore’s grand opening fast approaches, the four women must lean on each other now more than ever to navigate their grief and uncertainty. And together, they’ll learn that sometimes, even life’s most unexpected plot twists can lead to beautiful new beginnings.

Euphoria meets Girl in Pieces in this coming-of-age story of a girl trying to put a grief-stricken past behind her, only to be startled by the discovery of a long-lost sister who puts into question everything she thought she knew.

Amélie Cœur has never known what it truly means to be happy.

She thought she’d found happiness once, in a love that ended in tragedy and nearly sent her over the edge. Now, at seventeen, Mel is beginning to piece her life back together. Under the supervision of Laurelle Child Services, the exclusive foster care agency that raised her, Mel is sober and living with a new family among Manhattan’s elite. It’s her last chance at adoption before she ages out of the system, and she promised, this time, she’ll try.

But a casual relationship with a boy is turning into something she never intended for it to be, causing small cracks in her carefully constructed walls. Then the sister she has no memory of contacts Mel, unearthing complicated feelings about the past and what could have been.

As the anniversary of the worst day of her life approaches, Mel must weather the rising tides of grief and depression before she loses herself, and those close to her, all over again.

Award-winning author Wanda Morris returns with a powerful, haunting thriller following a lawyer who after the mysterious disappearance of a local landowner and the death of his sister just months before, uncovers a conspiracy that dates back to Reconstruction and persists in half the United States today.

Deena Wood’s life has fallen apart in the aftermath of losing her beloved mother, her marriage, and her prestigious job at an Atlanta law firm. She needs what the Geechee people of coastal Georgia call a “dayclean,” a fresh start.

She returns to her childhood home in Brunswick, Georgia, to heal. But her return is anything but the respite she thought it might be. To make peace with all her loss, she often drives through the city. One day, she unwittingly finds herself on the oceanfront property of a loner widower who is fighting to keep land that has been in his family since the end of the Civil War. He threatens her and warns her to never return. But shortly after, he disappears, and his very expensive property is quickly put up for sale. Curious about what has happened to the man, Deena digs into his disappearance and finds a family legacy at risk. What starts out as a bit of curious snooping, turns into a deadly game of illegal land grabs and property redevelopment in poor and rural communities with dark and powerful forces at work.

Without realizing it, Deena finds herself caught up in a nightmarish scheme that threatens her community and her family. She’ll need help and finds it in a close but unlikely source because she knows she must do whatever it takes to stop the sinister forces at play before she becomes their next target.

Mic check! Learn your opposites with Biggie Smalls in the Legends of Hip-Hop board book series.

In this accessible series perfectly crafted for babies (and adult fans), music producer Pen Ken and 3x Emmy Award–nominated animation director Saxton Moore introduce mini emcees to some of hip-hop’s biggest and brightest luminaries with fun facts about each rapper, organized by a teachable concept.

In this book, children will meet Biggie and learn all about opposites!

Check out other books in the series, including Legends of Hip-Hop: 2Pac and Legends of Hip-Hop: Queen Latifah.

From Laura Obuobi, author of Black Gold and NAACP Image Award nominee, and illustrator Anna Cunha comes a whimsical bedtime story about the love between a Black father and his daughter. This tender tale with lush natural imagery and pure Black joy captures love’s vastness, showing us its greatest form is often the one between parent and child.

One question must be answered before Afia can slip into a peaceful sleep: What does love look like? With the companionship of her loving papa, Afia journeys to find love and learns that it is the warmth of the sun’s hugs, the brook’s soothing song, and other mesmerizing gifts of nature. But Afia’s quest also teaches her that she may not have to go too far to see the emotion at the heart of the world’s wonders.

The second title in a delightful new Level 2 I Can Read! series from acclaimed author Olugbemisola Rhuday-Perkovich and illustrator Lydia Mba, starring Makeda, an exuberant seven-year-old "maker" and problem solver who loves to create.

Perfect for readers who love Rosie Revere, Engineer and Reina Ramos Works It Out.

Makeda is excited to bring Subway, the class guinea pig, home for the weekend. But Subway seems S-A-D—so Makeda and her friend Glory decide to make him an F-U-N new cage to cheer him up. But what if what is fun for Makeda is not fun for Subway? 

This Level 2 I Can Read! book features an engaging story, longer sentences, and language play perfect for developing readers.

In this powerful and comprehensive guide in the spirit of Jambalaya and Sacred Woman, an herbalist celebrates ancient and modern African holistic healing.

“The message of this book is: hold onto your yams, your collards, watermelon, and roots. There is magic, mystery, connection, and healing stored within them.”—Stephanie Rose Bird

Stephanie Rose Bird grew up surrounded by forests, listening to the stories of her ancestors and learning African healing ways. From an early age, she dedicated herself to herbalism and living a spiritually fulfilled life in harmony with nature. Now, the wisdom she as accrued is gathered in this impressive encyclopedic work of African Healing and herbal medicine.

Stephanie teaches you how to garden and harvest in unison with the seasons, and how to use herbalism and magic—derived from ancestral and spiritual helpers—to heal. A treasure trove of knowledge, Motherland Herbal showcases an array of recipes and rituals that nourish every facet of life:

* Seasonal recipes to support overall well-being
* Tinctures for common ailments such as headaches, flu, or heartburn
* Remedies for improving mental health, lessening symptoms of anxiety, stress, or depression
* Natural body and home care products, from facials to cleaning solutions
* Herbal Baths for relaxation, sexual wellness, and good luck
* Rituals and Altars for universal experiences, such as learning to letting go after loss and improving creativity and fertility
* Love Potions, Sleep Potions, Protective Amulets, and more

Written in Stephanie’s warm and authoritative voice, Motherland Herbal seamlessly blends activism and ancestral folklore with the realms of spirituality, gardening, and holistic wellness. Her deep reverence for the wisdom of her ancestors infuses every page of this guide, which is a foundational resource that will shape the landscape of African healing and folk medicine for generations to come.

Motherland Herbal includes 54 original pieces of art, including maps and artwork created by the author.

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Her life. Her rules. Finally.

Anuri Chinasa has had enough. And really, who can blame her? She was the unwilling star of her stepmother’s social media empire before “momfluencers” were even a thing. For years, Ophelia documented every birthday, every skinned knee, every milestone and meltdown for millions of strangers to fawn over and pick apart.

Now, at twenty-five, Anuri is desperate to put her way-too-public past behind her and start living on her own terms. But it’s not going so great. She can barely walk down the street without someone recognizing her, and the fraught relationship with her father has fallen apart. Then there’s her PhD application (still unfinished) and her drinking problem (still going strong). When every detail of her childhood was so intensely scrutinized, how can she tell what she really wants?

Still, Ophelia is never far away and has made it clear she won’t go down without a fight. With Noelle, Anuri’s five-year-old half sister now being forced down the same path, Anuri discovers she has a new mission in life…

To take back control of the family narrative.

Through biting wit and heartfelt introspection, this darkly humorous story dives deep into the deceptive allure of a picture-perfect existence, the overexposure of children in social media and the excitement of self-discovery.

The View cohost and three-time Emmy Award winner Sunny Hostin transports readers to Highland Beach in the captivating third novel of her New York Times bestselling Summer Beach series.

In this awakening, spirited novel, Sunny Hostin celebrates family, friendship, and community and reminds us of the importance of the legacies of our collective past and finding one’s way in the world.

Founded in the late 1800s by the son of Frederick Douglass, Highland Beach along the Chesapeake Bay is the oldest Black resort community in America. Inside this proud and secluded beach community of about 100 private homes is Olivia Jones’s legacy.

But Oliva’s legacy comes with thorns—intertwined are secrets of her aunt’s death; a controlling grandmother who is determined to crush anyone or anything that will interfere with her son’s political career; and a father who wants to rebuild the family he rejected decades ago.

In the midst of tense family drama, Olivia must decide if she wants to return to the beautiful life she’s created in Sag Harbor—with the neighbors and wonderful man who’ve become central to her happiness—or finally achieve her dream of having a family and home to call her own in Highland Beach.

A moving picture book about the history of Emancipation Park in Houston, Texas—and the origins of Juneteenth.

When people visit me, they are free—to run, play, gather, and rejoice.

They built me to remember.

On June 19, 1865, the 250,000 enslaved people of Texas learned they were free, ending slavery in the United States. This day was soon to be memorialized with the dedication of a park in Houston. The park was called Emancipation Park, and the day it honored would come to be known as Juneteenth.  

In the voice and memory of the park itself—its fields and pools, its protests and cookouts, and, most of all, its people—the 150-year story of Emancipation Park is brought to life. Through lyrical text and vibrant artwork, Tonya Duncan Ellis and Jenin Mohammed have crafted an ode to the struggle, triumph, courage, and joy of Black America—and the promise of a people to remember.

Growing up in Seale, Alabama as a Black Queer kid, then attending the Rhode Island School of Design as an undergraduate, Jon Key hungered to see himself in the fields of Art and Design. But in lectures, critiques, and in the books he read, he struggled to see and learn about people who intersected with his identity or who GOT him. So he started asking himself questions:

What did it mean to be a graphic designer with his point of view? What did it mean to be a Black graphic designer? A Queer graphic designer? Someone from the South? Could his identity be communicated through a poster or a book? How could identity be archived in a design canon that has consistently erased contributions by designers who were not white, straight, and male?

In Black, Queer, & Untold, acclaimed designer and artist Jon Key answers these questions and manifests the book he and so many others wish they had when they were coming up. He pays tribute to the incredible designers, artists, and people who came before and provides them an enduring, reverential stage – and in so doing, gifts us a book that takes its place among the creative arts canon. 

An intimate look at Juneteenth, this story is a warm exploration of a family and a community. 

Juneteenth is the smell of brisket filling the air. Juneteenth is the sounds of music, dancing, and cheering ringing from the parade outside. It is love. It is prayer. It is friends and relatives coming together to commemorate freedom, hope for tomorrow, and one another.

This book is an ode to the history of the Black community in the United States, a tribute to Black joy, and a portrait of familial love. With poignant text and vivid illustrations, Juneteenth Is offers a window and a mirror for readers, resonating with kids who will see themselves reflected in its pages and those who hope to understand experiences beyond their own.

CELEBRATES BLACK JOY: At its root, this is a story of family and community. Vibrant illustrations capture the warmth and unity of Black families and Black communities in a portrait of beautiful joy.

REMEMBERING A LEGACY: Both a story of celebration and a commemoration of freedom, this book honors a past of struggle, resilience, and triumph. It recognizes Juneteenth not just as a holiday but as a cultural legacy. An author’s note also explains the significance of the color red to Juneteenth—its use as a symbol of African American endurance and the ways Black communities weave the color into modern-day celebrations through food and clothing.

BLACK HISTORY IS AMERICAN HISTORY: Juneteenth marks an undeniable truth of American history and remains a cultural touchstone for many Black Americans, making it important for all Americans to understand. Much-needed in this time of growing representation and discussion about equity and social justice, this book is a strong resource for parents and educators seeking to introduce Black history and encourage respectful conversations.

Perfect for:
* Anyone looking for diverse picture books
* Teachers and librarians
* Gift-giving for Juneteenth celebrations, Black History Month, or classroom bookshelf

The wise words of science fiction icon Octavia E. Butler live on in this beautiful and giftable little volume.

“There’s no single answer that will solve all our future problems. There’s no magic bullet. Instead there are thousands of answers—at least. You can be one of them if you choose to be.”

Originally published in Essence magazine in the year 2000, Octavia E. Butler’s essay “A Few Rules for Predicting the Future” offers an honest look into the inspiration behind her science fiction novels and the importance of studying history and taking responsibility for our actions if we are to move forward. 

Organized into four main rules, this short essay reminds readers to learn from the past, respect the law of consequences, be aware of their perspectives, and count on the surprises. Citing the warning signs of fascism, the illusive effects of fear and wishful thinking, and the unpredictable nature of what is yet to come, Butler shares realistic but hopeful suggestions to shape our future into something good. An inspiring and motivational gift for students and recent graduates, fans of Butler's work, and anyone seeking a brighter day tomorrow, this exquisite gift book includes stunning Afrofuturist artwork by Manzel Bowman alongside the full text of the original essay.

LITERARY ICON: Octavia E. Butler was a pioneering science fiction writer whose novels, written decades ago, remain eerily relevant, reflecting on themes of racial injustice, women’s rights, environmental collapse, and political corruption. In 1995, she became the first science fiction author to win a MacArthur Genius grant, and her books are taught in over 200 colleges and universities nationwide. This book shares Butler's timely but lesser-known essay and is a must-read for fans of her classic sci-fi works.
 
CELEBRATE BLACK CREATORS: This book spotlights one of the greatest authors of Afrofuturism, a genre and philosophy that explores and reimagines Black culture, creativity, and liberation through fiction, art, music, film, and other media. Octavia E. Butler’s forward-thinking essay is paired with contemporary illustrations by Manzel Bowman, whose evocative images are also inspired by Afrofuturist visions.
 
INSPIRING GIFT: A unique gift for students, recent graduates, and anyone celebrating life milestones or looking forward in life, this beautifully designed hardcover book is sure to inspire. Octavia E. Butler’s essay is also an important, evergreen reminder for writers, creatives, dreamers, and activists who want to envision and work toward a brighter future.

Perfect for:
* Fans of Octavia Butler and her novels, including Kindred and Parable of the Sower
* People interested in nonfiction and essays by Black women writers
* Afrofuturism lovers and social justice-minded sci-fi readers
* Literary bibliophiles looking for a stunning new addition to their bookshelf
* Gift-giving to graduating high school and college students
* Activists and community leaders
* Inspirational essay readers
* Fans of Manzel Bowman and Afrofuturist art

Meet Chase and his amazing chef-dad, Courtney Lindsay, the real-life culinary genius who will whisk you away on a mouthwatering journey! Dive into the kitchen with this father-son duo as they whip up a healthy, vegan, kid-approved recipe that is as fun to make as it is to eat. With a focus on kitchen safety and foundational prep skills, ''Chase the Chef'' is a book that invites kids of all ages to roll up their sleeves and become kitchen superstars

Finalist 2023 National Book Critics Circle John Leonard Prize

Black Pastoral explores the complex duality of Black peoples’ past and present relationship with nature. It surveys the ways in which our histories (both Black histories and natural/ecological histories), our suffering and our thriving, are forever wound around one another. They are painful at times and act as a salve at others. Ariana Benson’s poems meditate upon the violence and tenderness that simultaneously characterize the entangling of the two, taking the form of a series of ecopoetic musings that re-envision these confluences.

Moreover, Benson’s poems illustrate the beauty inherent to Blackness, to nature, to the remarkable relationship they share, while also refusing its permission to collect idly, like an opaque skein of film obscuring uglier, necessary truths. Black Pastoral seeks to be both love letter and elegy, both flame to raze the field and flood to nourish the land anew.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

 fans of Ashley Herring Blake’s Delilah Green Doesn’t Care and Chencia C. Higgins' D'Vaughn and Kris Plan a Wedding comes an utterly charming and queerly irresistible romantic comedy…where all’s fair in love and bowling.
This is how love rolls…

For teacher Ava Williams, some subjects are not up for debate. Like history—specifically, the one she has with Grace Jones, bowling pro and local celeb. Who is now, for no identifiable reason, teaching at the same small-town Georgia high school as Ava. Once upon a time, they were thick as thieves, best friends, rivals who pushed each other, and total bowling nerds. Then they shared a kiss, sweet and confusing…and after that, they split and nothing was ever the same.

Ava is pretty sure she has every reason to hate Grace. Especially when the school’s soggy potato of a principal announces—finally—that the students can have the bowling team Ava has been pushing for, for years…only to hand it to Grace.

Now they’re expected to be partners and lead their new bowling team to victory in six months. And with that, their rivalry is back. Fierce, ultracompetitive…and with an undeniable attraction that pushes, pulls and crashes together. It’s history. It’s chemistry. And it’s just a matter of time before it explodes…one way or the other.

The New York Times bestselling multitalented artist makes his fiction debut with this electrifying novel—The Accomplice combines the imaginative page-turning suspense of S. A. Cosby’s novels with the high-tension thrills of the Netflix blockbuster series Money Heist.

In The Accomplice, Curtis "50 Cent" Jackson and award-winning mystery writer Aaron Philip Clark introduces readers to New York-born and Texas-bred Nia Turner, who always dreamt of becoming a Texas Ranger. She knows the dangers of the job, and as the first Black female ranger, she knows the politics, but she’s never encountered a criminal like Desmond Bell. A Vietnam vet turned thief, Desmond steals more than money; he steals the secrets of the rich and powerful and blackmails them for millions. When Desmond steals from the Duchamps, the wealthiest family in the country, Nia’s investigation into the robbery threatens to expose him and the criminal enterprise he works for. As the bodies pile up, Nia digs deeper for the truth, putting her life and career in danger. It’s a deadly cat-and-mouse game between ranger and thief, but to protect their family’s secrets, the Duchamps won’t hesitate to kill them both.

“Nuila’s storytelling gifts place him alongside colleagues like Atul Gawande.” —Los Angeles Times

This “compelling mixture of health care policy and gripping stories from the frontlines of medicine” (The Guardian) explores the question: where does an uninsured person go when turned away by hospitals, clinics, and doctors?

Here, we follow the lives of five uninsured Houstonians as their struggle for survival leads them to a hospital that prioritizes people over profit. First, we meet Stephen, the restaurant franchise manager who signed up for his company’s lowest priced plan, only to find himself facing insurmountable costs after a cancer diagnosis. Then Christian—a young college student and retail worker who can’t seem to get an accurate diagnosis, let alone treatment, for his debilitating knee pain. Geronimo, thirty-six years old, has liver failure, but his meager disability check disqualifies him for Medicaid—and puts a life-saving transplant just out of reach. Roxana, who’s lived in the community without a visa for more than two decades, suffers from complications related to her cancer treatment. And finally, there’s Ebonie, a young mother whose high-risk pregnancy endangers her life. Whether due to immigration status, income, or the vagaries of state Medicaid law, all five are denied access to care. For all five, this exclusion could prove life-threatening.

Each patient eventually lands at Ben Taub, the county hospital where Dr. Nuila has worked for over a decade. Nuila delves with empathy into the experiences of his patients, braiding their dramas into a singular narrative that contradicts the established idea that the only way to receive good health care is with good insurance. As readers follow the moving twists and turns in each patient’s story, it’s impossible to deny that our system is broken—and that Ben Taub’s innovative model, where patient care is more important than insurance payments, could help light the path forward.

Policing is violent. And its violence is not distributed equally: stark racial disparities persist despite decades of efforts to address them. Amid public outcry and an ongoing crisis of police legitimacy, there is pressing need to understand not only how police perceive and use violence but also why.

With unprecedented access to three police departments and drawing on more than 100 interviews and 1,000 hours on patrol, The Danger Imperative provides vital insight into how police culture shapes officers’ perception and practice of violence. From the front seat of a patrol car, it shows how the institution of policing reinforces a cultural preoccupation with violence through academy training, departmental routines, powerful symbols, and officers’ street-level behavior.

This violence-centric culture makes no explicit mention of race, relying on the colorblind language of “threat” and “officer safety.” Nonetheless, existing patterns of systemic disadvantage funnel police hyperfocused on survival into poor minority neighborhoods. Without requiring individual bigotry, this combination of social structure, culture, and behavior perpetuates enduring inequalities in police violence.

A trailblazing, on-the-ground account of modern policing, this book shows that violence is the logical consequence of an institutional culture that privileges officer survival over public safety.

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From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age

Jamaica Kincaid's The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman's inexorable evolution, evoked in startling and magical poetry.

Powerful, disturbing, stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own.

Kincaid takes us from Xuela's childhood in a home where she can hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack LaBatte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela's is an intensely physical world, redolent of overripe fruit, gentian violet, sulfur, and rain on the road, and it seethes with her sorrow, her deep sympathy for those who share her history, her fear of her father, her desperate loneliness. But underlying all is "the black room of the world" that is Xuela's barrenness and motherlessness.

The essential resource and guide to African American spirituality and traditions.

This is a fabulous resource for anyone who wants to understand African American spirituality, shamanism, and indigenous spiritual practices and beliefs. It is designed to be informative while providing hands-on recipes, rituals, projects, and resources to help you become an active participant in its wonderfully soulful traditions.

Inside you will find:
1. A celebration of healing, magic, and the divination traditions of ancient African earth-based spirituality
2. An explanation of how these practices have evolved in contemporary African American culture
3. A potpourri of recipes, rituals, and resources that you can use to heal your life

Among the topics covered:
* African spiritual practices of Santeria, Obeah, Lucumi, Orisa, and Quimbois
* Hoodoo—and how to use it to improve your health
* Ancient healing rituals and magical recipes of Daliluw
* Talking drums, spiritual dancing, clapping, tapping, singing, and changing
* Power objects, tricks and mojo bags, and herbal remedies

Previously published as The Big Book of Soul.

An introduction to the spiritual source of the beliefs and practices that have so profoundly shaped African American religious traditions.

Most of the Africans who were enslaved and brought to the Americas were from the Yoruba nation of West Africa, an ancient and vast civilization. In the diaspora caused by the slave trade, the guiding concepts of the Yoruba spiritual tradition took root in Haiti, Puerto Rico, Cuba, Brazil, and the United States.

In this accessible introduction, Baba Ifa Karade provides an overview of the Yoruba tradition and its influence in the West. He describes the sixteen Orisha, or spirit gods, and shows us how to work with divination, use the energy centers of the body to internalize the teachings of Yoruba, and create a sacred place of worship. The book also includes prayers, dances, songs, offerings, and sacrifices to honor the Orisha.

In Listening to Images Tina M. Campt explores a way of listening closely to photography, engaging with lost archives of historically dismissed photographs of black subjects taken throughout the black diaspora. Engaging with photographs through sound, Campt looks beyond what one usually sees and attunes her senses to the other affective frequencies through which these photographs register. She hears in these photos—which range from late nineteenth-century ethnographic photographs of rural African women and photographs taken in an early twentieth-century Cape Town prison to postwar passport photographs in Birmingham, England and 1960s mug shots of the Freedom Riders—a quiet intensity and quotidian practices of refusal. Originally intended to dehumanize, police, and restrict their subjects, these photographs convey the softly buzzing tension of colonialism, the low hum of resistance and subversion, and the anticipation and performance of a future that has yet to happen. Engaging with discourses of fugitivity, black futurity, and black feminist theory, Campt takes these tools of colonialism and repurposes them, hearing and sharing their moments of refusal, rupture, and imagination.

In Image Matters, Tina M. Campt traces the emergence of a black European subject by examining how specific black European communities used family photography to create forms of identification and community. At the heart of Campt's study are two photographic archives, one composed primarily of snapshots of black German families taken between 1900 and 1945, and the other assembled from studio portraits of West Indian migrants to Birmingham, England, taken between 1948 and 1960. Campt shows how these photographs conveyed profound aspirations to forms of national and cultural belonging. In the process, she engages a host of contemporary issues, including the recoverability of non-stereotypical life stories of black people, especially in Europe, and their impact on our understanding of difference within diaspora; the relevance and theoretical approachability of domestic, vernacular photography; and the relationship between affect and photography. Campt places special emphasis on the tactile and sonic registers of family photographs, and she uses them to read the complexity of "race" in visual signs and to highlight the inseparability of gender and sexuality from any analysis of race and class. Image Matters is an extraordinary reflection on what vernacular photography enabled black Europeans to say about themselves and their communities.

In the 1960s and ’70s, a diverse range of storefronts―including head shops, African American bookstores, feminist businesses, and organic grocers―brought the work of the New Left, Black Power, feminism, environmentalism, and other movements into the marketplace. Through shared ownership, limited growth, and democratic workplaces, these activist entrepreneurs offered alternatives to conventional profit-driven corporate business models. By the middle of the 1970s, thousands of these enterprises operated across the United States―but only a handful survive today. Some, such as Whole Foods Market, have abandoned their quest for collective political change in favor of maximizing profits.

Vividly portraying the struggles, successes, and sacrifices of these unlikely entrepreneurs, From Head Shops to Whole Foods writes a new history of social movements and capitalism by showing how activists embraced small businesses in a way few historians have considered. The book challenges the widespread but mistaken idea that activism and political dissent are inherently antithetical to participation in the marketplace. Joshua Clark Davis uncovers the historical roots of contemporary interest in ethical consumption, social enterprise, buying local, and mission-driven business, while also showing how today’s companies have adopted the language―but not often the mission―of liberation and social change.

From one of our most acclaimed contemporary writers, an urgent and essential collection of poems illuminating the visionary presence of Palestinians.

Fady Joudah’s powerful sixth collection of poems opens with, “I am unfinished business,” articulating the ongoing pathos of the Palestinian people. A rendering of Joudah’s survivance, [...] speaks to Palestine’s daily and historic erasure and insists on presence inside and outside the ancestral land. 

Responding to the unspeakable in real time, Joudah offers multiple ways of seeing the world through a Palestinian lens—a world filled with ordinary desires, no matter how grand or tragic the details may be—and asks their reader to be changed by them. The sequences are meditations on a carousel: the past returns as the future is foretold. But “Repetition won’t guarantee wisdom,” Joudah writes, demanding that we resuscitate language “before [our] wisdom is an echo.” These poems of urgency and care sing powerfully through a combination of intimate clarity and great dilations of scale, sending the reader on heartrending spins through echelons of time. […]is a wonder. Joudah reminds us “Wonder belongs to all.”

A collection of personal stories, history, poetry, and art

A Land With a People is a book of stories, photographs and poetry which elevates rarely heard Palestinian and Jewish voices and visions. Eloquently framed with a foreword by the dynamic Palestinian legal scholar and activist, Noura Erakat, this book began as a storytelling project of Jewish Voice for Peace-New York City and subsequently transformed into a theater project performed throughout the New York City area.

Stories touch hearts, open minds, and transform our understanding of the “other”―as well as our comprehension of own roles and responsibilities― and A Land With a People emerges from this reckoning. It brings us the narratives of secular, Muslim, Christian, and queer Palestinians who endure the particular brand of settler colonialism known as Zionism. It relays the transformational journeys of Ashkenazi, Mizrahi, queer, and Palestinian Jews who have come to reject the received Zionist narrative. Unflinching in their confrontation of the power dynamics that underlie their transformation process, these writers find the courage to face what has happened to historic Palestine, and to their own families as a result. Contextualized by a detailed historical introduction and timeline charting 150 years of Palestinian and Jewish resistance to Zionism, this collection will stir emotions, provoke fresh thinking, and point to a more hopeful, loving future―one in which Palestine/Israel is seen for what it is in its entirety, as well as for what it can be.

From prize-winning Korean author Kim Hye-jin comes the contemplative, superbly-crafted story of a woman scapegoated by sudden tragedy, and the unexpected paths she must wander in search of redemption.

Haesoo is a successful therapist and regular guest on a popular TV program. But when she makes a scripted negative comment about a public figure who later commits suicide, she finds herself ostracized by friends, fired from her job, and her marriage begins to unravel. These details come to the reader gradually, in meditative prose, through bits and pieces of letters that Haesoo writes and finally abandons as she walks alone through her city.

One day she has an unexpected encounter with Sei, a 10-year-old girl attempting to feed an orange cat. Stray cats seem to be everywhere; they have the concern of one other neighborhood woman and the ire of everyone else. Like Haesoo and Sei, the cats endure various insults and recover slowly. Haesoo, who would not otherwise care about animals or form relationships with children, now finds herself pulled back by degrees into the larger world.

“Having been Jane Eyre, Anna Karenina and Esther Greenwood all my life, my writing was an opportunity for the reader to have to be me…” 

Shortly after flight MAS370 goes missing, scholarship student Girl boards her own mysterious flight from Australia to London to work on a dissertation on Sylvia Plath. Though she is ambivalent toward academia and harbors ideas about writing a post-colonial novel, if only she could work out just what that means, Girl relishes the freedom that has come with distance from the expectations and judgements of her very tight-knit Malaysian-Australian family. At last Girl has an opportunity to live on her own terms. 

Unfolding across Girl’s time at an artist residency in Scotland as she makes friends and enemies alike in a world far removed from any she’s ever known, But the Girl is a wry and playfully philosophical coming of age novel that reveals the joys, embarrassments, pleasures, and agonies of trying to discover and understand who you are. Girl grapples with the long shadow of colonialism, the pressure of expectations in immigrant families, and the sometimes difficult fact that those closest to us remain the most unknowable.

The 1967 Arab–Israeli War rocketed the question of Israel and Palestine onto the front pages of American newspapers. Black Power activists saw Palestinians as a kindred people of color, waging the same struggle for freedom and justice as themselves. Soon concerns over the Arab–Israeli conflict spread across mainstream black politics and into the heart of the civil rights movement itself. Black Power and Palestine uncovers why so many African Americans―notably Martin Luther King, Jr., Malcolm X, and Muhammad Ali, among others―came to support the Palestinians or felt the need to respond to those who did.

Americans first heard pro-Palestinian sentiments in public through the black freedom struggle of the 1960s and 1970s. Michael R. Fischbach uncovers this hidden history of the Arab–Israeli conflict's role in African American activism and the ways that distant struggle shaped the domestic fight for racial equality. Black Power's transnational connections between African Americans and Palestinians deeply affected U.S. black politics, animating black visions of identity well into the late 1970s. Black Power and Palestine allows those black voices to be heard again today.

In chronicling this story, Fischbach reveals much about how American peoples of color create political strategies, a sense of self, and a place within U.S. and global communities. The shadow cast by events of the 1960s and 1970s continues to affect the United States in deep, structural ways. This is the first book to explore how conflict in the Middle East shaped the American civil rights movement.