In this inspiring, intimate memoir, the first Black woman to ever be appointed to the U.S. Supreme Court chronicles her extraordinary life story.
 
With this unflinching account, Justice Ketanji BrownJackson invites readers into her life and world, tracing her family’s ascent from segregation to her confirmation on America’s highest court within the span of one generation.
 
Named “Ketanji Onyika,” meaning “Lovely One,” based on a suggestion from her aunt, a Peace Corps worker stationed in West Africa, Justice Jackson learned from her educator parents to take pride in her heritage since birth. She describes her resolve as a young girl to honor this legacy and realize her dreams: from hearing stories of her grandparents and parents breaking barriers in the segregated South, to honing her voice in high school as an oratory champion and student body president, to graduating magna cum laude from Harvard, where she performed in musical theater and improv and participated in pivotal student organizations.
 
Here, Justice Jackson pulls back the curtain, marrying the public record of her life with what is less known. She reveals what it takes to advance in the legal profession when most people in power don’t look like you, and to reconcile a demanding career with the joys and sacrifices of marriage and motherhood.
 
Through trials and triumphs, Justice Jackson’s journey will resonate with dreamers everywhere, especially those who nourish outsized ambitions and refuse to be turned aside. This moving, open-hearted tale will spread hope for a more just world, for generations to come.

Two strong-willed sisters fight their way to forgiveness in this feel-good Southern fiction, for fans of Terry McMillan and KJ Dell'Antonia's The Chicken Sisters.

Rose Tillman and her sister Marvina Nash haven't spoken in decades―not since Rose sent Marvina $40 to register their business, and Marvina used that money for her own personal purposes. Now retired, Rose wants to open the restaurant they'd once dreamed of. But, to her horror, Rose realizes she's forgotten their mother's secret spice mix recipe, known to only one other person in the world. With no other option, Rose embarks on a two-hour drive to Marvina's house back in Fork City, TX. Marvina has her own version of what caused their falling out, and it's a far cry from what Rose recalls. Marvina, skeptical and still indignant, but incurably polite, figures she'll give Rose a chance to speak her piece, before closing the door in her face. 

As the sisters fight their way to forgiveness, they unpack their complicated past, form an unexpected alliance with a young mother-to-be, and reconnect through the tantalizing aroma of chicken dinners that hold the power to heal―or divide―a community.

In a tale rich with Southern charm, Rose and Marvina discover, through fussing, laughter, and tears, that the secret ingredient to a bright future might just be found in facing who they are today―and in forgiving the past to embrace a second chance at sisterhood.

"Full of heart, generosity, and charm, Sisters with a Side of Greens is the kind of story that invites everyone to be a part of something bigger." ―Lucy Gilmore, author of The Lonely Hearts Book Club

"Chef's kiss! A captivating tale of sisterhood, forgiveness and what it means to live fully in the present. Stimpson delivers raw, complex characters and a delicious storyline that will stay with the reader long after the last page." ―Kim Michele Richardson, New York Times bestselling author

Winner of the 2016 Man Booker Prize

Winner of the 2015 National Book Critics Circle Award in Fiction

Named one of the best books of 2015 by The New York Times Book Review and the Wall Street Journal

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality―the black Chinese restaurant.

Born in the "agrarian ghetto" of Dickens―on the southern outskirts of Los Angeles―the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.

Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident―the last surviving Little Rascal, Hominy Jenkins―he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

For fans of Donna Barba Higuera's Lupe Wong Won't Dance and Aida Salazar's The Moon Within, comes Mani Semilla Finds Her Quetzal Voice – a contemporary middle grade novel full of spunk and activist heart.

Life sucks when you're twelve. You're not a little kid, but you're also not an adult, and all the grown-ups in your life talk about your body the minute it starts getting a shape. And what sucks even more than being a Chinese-Filipino-American-Guatemalan who can't speak any ancestral language well? When almost every other girl in school has already gotten her period except for you and your two besties.

Manuela “Mani” Semilla wants two things: To get her period, and to thwart her mom's plan of taking her to Guatemala on her thirteenth birthday. If her mom's always going on about how dangerous it is in Guatemala, and how much she sacrificed to come to this country, then why should Mani even want to visit?

But one day, up in the attic, she finds secret letters between her mom and her Tía Beatriz, who, according to family lore, died in a bus crash before Mani was born. But the letters reveal a different story. Why did her family really leave Guatemala? What will Mani learn about herself along the way? And how can the letters help her to stand up against the culture of harassment at her own school?

P R A I S E

“Anna Lapera expertly voices a young girl’s middle school trials, but with a voice so unique and heartfelt you will be cringing one moment and cheering the next. She weaves a distinctive story filled with humor, family heartache, and secrets while a young girl releases the fear of her voice and grasps its power.”
—Newbery Medalist Donna Barba Higuera

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When a spirited young woman with a penchant for adventure finds herself locked away in a dragon’s tower, she realizes that fate has a peculiar sense of humor when it comes to her romantic prospects, in this laugh-out-loud fantasy rom-com.
 
All children are told fairytales. Some are epic adventures with high stakes and exciting twists, while others are tales of pitiful princesses trapped in boring towers pining for their Prince Charmings to come and rescue them. Growing up, Cherry always hated those stories. Why didn’t the princesses just get up and rescue themselves? Little did she know that her own fate would take an ironically similar turn. Because now, here she is. Stuck. In a tower. Turns out, when a dragon holds you hostage, he doesn’t just let you get up and leave.
 
Who knew?
 
And just when Cherry thinks she sees hope on the horizon, that hope is smashed to bits by—you guessed it—another damn dragon.

A bold reconsideration of Hoodoo belief and practice

Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. She examines Hoodoo culture and history by tracing its emergence from African traditions to religious practices in the Americas. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls "regional Hoodoo clusters" and that after the turn of the nineteenth century, Hoodoo took on a national rather than regional profile. The spread came about through the mechanism of the "African Religion Complex," eight distinct cultural characteristics familiar to all the African ethnic groups in the United States.

The first interdisciplinary examination to incorporate a full glossary of Hoodoo culture, Mojo Workin': The Old African American Hoodoo System lays out the movement of Hoodoo against a series of watershed changes in the American cultural landscape. Hazzard-Donald examines Hoodoo material culture, particularly the "High John the Conquer" root, which practitioners employ for a variety of spiritual uses. She also examines other facets of Hoodoo, including rituals of divination such as the "walking boy" and the "Ring Shout," a sacred dance of Hoodoo tradition that bears its corollaries today in the American Baptist churches. Throughout, Hazzard-Donald distinguishes between "Old tradition Black Belt Hoodoo" and commercially marketed forms that have been controlled, modified, and often fabricated by outsiders; this study focuses on the hidden system operating almost exclusively among African Americans in the Black spiritual underground.

“You can be beautiful, even more beautiful than before.” This is the seductive promise of Dr. Nzinga’s clinic, where anyone can get their lips thinned, their skin bleached, and their nose narrowed. A complete demelanization will liberate you from the confines of being born in a black body—if you can afford it.

In this near-future Southern city plagued by fenced-in ghettos and police violence, more and more residents are turning to this experimental medical procedure. Like any father, our narrator just wants the best for his son, Nigel, a biracial boy whose black birthmark is getting bigger by the day. The darker Nigel becomes, the more frightened his father feels. But how far will he go to protect his son? And will he destroy his family in the process?

This electrifying, hallucinatory novel is at once a keen satire of surviving racism in America and a profoundly moving family story. At its center is a father who just wants his son to thrive in a broken world. Maurice Carlos Ruffin’s work evokes the clear vision of Ralph Ellison, the dizzying menace of Franz Kafka, and the crackling prose of Vladimir Nabokov. We Cast a Shadow fearlessly shines a light on the violence we inherit, and on the desperate things we do for the ones we love.

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A New York Times Notable Book

Daring and fiercely original, The Women is at once a memoir, a psychological study, a sociopolitical manifesto, and an incisive adventure in literary criticism. It is conceived as a series of portraits analyzing the role that sexual and racial identity played in the lives and work of the writer's subjects: his mother, a self-described "Negress," who would not be defined by the limitations of race and gender; the mother of Malcolm X, whose mixed-race background and eventual descent into madness contributed to her son's misogyny and racism; brilliant, Harvard-educated Dorothy Dean, who rarely identified with other blacks or women, but deeply empathized with white gay men; and the late Owen Dodson, a poet and dramatist who was female-identified and who played an important role in the author's own social and intellectual formation.

Hilton Als submits both racial and sexual stereotypes to his inimitable scrutiny with relentless humor and sympathy. The results are exhilarating. The Women is that rarest of books: a memorable work of self-investigation that creates a form of all its own.

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New York Times Book Review Editors’ Choice • An award-winning author charts the poignant global journeys of African Americans as she explores her own transatlantic family odyssey in Beyond the Shores, a powerful history of living abroad while Black.
 
“By exploring the life of Black expats, creatives, and activists, Beyond the Shores enhances the stories of migration to reveal how race is lived in the United States and abroad.”—Marcia Chatelain, Pulitzer Prize–winning author of South Side Girls

Part historical exploration, part travel memoir, Beyond the Shores reveals poignant histories of a diverse group of African Americans who have left the United States over the course of the past century. Together, the interwoven stories highlight African Americans’ complicated relationship to the United States and the world at large.
 
Beyond the Shores is not just about where African Americans stayed or where they ate when they traveled but also about why they left in the first place and how they were treated once they reached their destinations. Drawing on years of research, Dr. Tamara J. Walker chronicles their experiences in atmospheric detail, taking readers from well-known capital cities to more unusual destinations like Yangiyul, Uzbekistan, and Kabondo, Kenya. She follows Florence Mills, the would-be Josephine Baker of her day, in Paris, and Richard Wright, the author turned actor and filmmaker, in Buenos Aires. Throughout Beyond the Shores, she relays tender stories of adventurous travelers, including a group of gifted Black crop scientists in the 1930s, a housewife searching for purpose in the 1950s, a Peace Corps volunteer discovering his identity in the 1970s, and her own grandfather, who, after losing his eye fighting in World War II and returning to a country that showed no signs of honoring his sacrifice, set out with his wife and children on a circuitous journey that sent them back and forth across the Atlantic. Tying these tales together is Walker’s personal account of her family’s, and her own, experiences abroad—in France, Brazil, Argentina, Austria, and beyond.
 
By sharing the accounts of those who escaped the racism of the United States to try their hands at life abroad, Beyond the Shores shines a light on the meaning of home and the search for a better life.

A bold and haunting debut story collection that follows various characters as they navigate the day-to-day perils of Jim Crow racism from Diane Oliver, a missing figure in the canon of twentieth-century African American literature, with an introduction by Tayari Jones

A remarkable talent far ahead of her time, Diane Oliver died in 1966 at the age of 22, leaving behind these crisply told and often chilling tales that explore race and racism in 1950s and 60s America. In this first and only collection by a masterful storyteller finally taking her rightful place in the canon, Oliver’s insightful stories reverberate into the present day.

There’s the nightmarish “The Closet on the Top Floor” in which Winifred, the first Black student at her newly integrated college, starts to physically disappear; “Mint Juleps not Served Here” where a couple living deep in a forest with their son go to bloody lengths to protect him; “Spiders Cry without Tears,” in which a couple, Meg and Walt, are confronted by prejudices and strains of interracial and extramarital love; and the high tension titular story that follows a nervous older sister the night before her little brother is set to desegregate his school.

These are incisive and intimate portraits of African American families in everyday moments of anxiety and crisis that look at how they use agency to navigate their predicaments. As much a social and historical document as it is a taut, engrossing collection, Neighbors is an exceptional literary feat from a crucial once-lost figure of letters.

From the bestselling author of Queen Move, a mysterious artist's dark past stands in the way of a second chance at love in this sizzling suburban romance.

Can a secret crush become the love of a lifetime?

Jo Walsh has loved Cameron Mitchell for as long as she can remember. Whether front and center in her life or on the periphery, the tall, brooding artist has made his presence seductively and irresistibly known. But whenever they start to get close, Cam pulls away. Jo's tired of keeping her feelings in a box Cam is afraid to open. If he wants her, he'll have to prove it. And if he doesn't, Jo will need to know the real reason why . . .

How do you walk away from your soul mate? Cam wishes he knew. No matter how far he runs from Jo, he can't resist looking back at the silver eyes that seem to see right through him. But as well as Jo thinks she understands Cam, the dark truth about his past is something she shouldn't have to handle. Cam's sure that setting Jo free is the right thing to do. Too bad his heart has other ideas . . .

Guest-edited by Sarah Elizabeth
Lewis, Vision & Justice addresses
the role of photography in the
African American experience.

As the United States navigates a political moment defined by the close of the Obama era and the rise of #BlackLivesMatter activism, Aperture magazine releases “Vision & Justice,” a special issue guest edited by Sarah Lewis, the distinguished author and art historian, addressing the role of photography in the African American experience.

“Vision & Justice” includes a wide span of photographic projects by such luminaries as Lyle Ashton Harris, Annie Leibovitz, Sally Mann, Jamel Shabazz, Lorna Simpson, Carrie Mae Weems and Deborah Willis, as well as the brilliant voices of an emerging generation―Devin Allen, Awol Erizku, LaToya Ruby Frazier, Deana Lawson and Hank Willis Thomas, among many others. These portfolios are complemented by essays from some of the most influential voices in American culture including contributions by celebrated writers, historians, and artists such as Vince Aletti, Teju Cole, Henry Louis Gates, Jr., Margo Jefferson, Wynton Marsalis and Claudia Rankine.

"Vision & Justice” features two covers. This issue comes with an image by Awol Erizku, Untitled (Forces of Nature #1), 2014.

In this magical middle grade fantasy perfect for fans of The Marvellers and Amari and the Night Brothers, a shy boy must step up and become his own hero after his best friend disappears at a magical school.

Jaden and Elijah have been best friends since they were born. They're so close that Jaden doesn't even mind that he's constantly living in talented, high-achieving Elijah's shadow-well, he doesn't mind much.

But then Elijah disappears, leaving behind nothing but a cryptic note asking for Jaden's help. The next day, Jaden is invited to attend Elijah's fancy private boarding school. Only, it turns out it's not a boarding school at all. It's a school for magic! Somehow, before Elijah vanished, he used his note to transfer part of his own magic into Jaden-a feat that is supposed to be impossible.

Determined to find his friend, Jaden agrees to attend the school and learn to control his new powers. But a sinister force is threatening to destroy the whole magical world. And if Jaden doesn't stop it, he'll be the next to disappear.

*ships in 7 - 10 business days*

From Jas Hammonds, award-winning author of We Deserve Monuments, comes an unflinching novel about addiction that Courtney Summers, New York Times bestselling author of Sadie and I’m the Girl, called “sensitively wrought and gorgeously written.”

It’s the summer before college and eighteen-year-old Blake Brenner and her girlfriend, Ella, have one goal: join the mysterious and exclusive Serena Society. The sorority promises status and lifelong connections to a network of powerful, trailblazing women of color. Ella’s acceptance is a sure thing―she’s the daughter of a Serena alum. Blake, however, has a lot more to prove.

As a former loner from a working-class background, Blake lacks Ella’s pedigree and confidence. Luckily, she finds courage at the bottom of a liquor bottle. When she drinks, she’s bold, funny, and unstoppable―and the Serenas love it. But as pledging intensifies, so does Blake’s drinking, until it’s seeping into every corner of her life. Ella assures Blake that she’s fine; partying hard is what it takes to make the cut . . .

But success has never felt so much like drowning. With her future hanging in the balance and her past dragging her down, Blake must decide how far she’s willing to go to achieve her glittering dreams of success―and how much of herself she’s willing to lose in the process.

Ex-best friends, Tiwa and Said, must work together to save their Islamic Center from demolition, in this romantic story of rekindling and rebuilding by award-winning authors Faridah Àbíké-Íyímídé & Adiba Jaigirdar!

Let’s get one thing straight: this is a love story.

These days, Said Hossain spends most of his time away at boarding school. But when his favorite hometown librarian Ms. Barnes dies, he must return home to New Crosshaven for her funeral and for the summer. Too bad being home makes it a lot harder to avoid facing his ex-best friend, Tiwa Olatunji, or facing the daunting task of telling his Bangladeshi parents that he would rather be an artist than a doctor.

Tiwa doesn’t understand what made Said start ignoring her, but it’s probably that fancy boarding school of his. Though he’s unexpectedly staying through the summer, she’s determined to take a page from him and pretend he doesn’t exist. Besides, she has more than enough going on, between grieving her broken family and helping her mother throw the upcoming Eid celebration at the Islamic Center—a place that means so much to Tiwa.

But when the Islamic Center accidentally catches fire, it turns out the mayor plans to demolish the center entirely. Things are still tense between the ex-friends but Tiwa needs Said’s help if there’s any hope of changing the mayor’s mind, and Said needs a project to submit to art school (unbeknownst to anyone). Will all their efforts be enough to save the Islamic Center, save Eid, and maybe save their relationship?

In one of the best-loved volumes of her work, J. California Cooper tells exuberant tales full of wonder at the mystery of life and the hardness of fate. Awed, bedeviled, bemused, all of Cooper's characters are borne up by the sheer power of life itself.

The world is dying around her. Enemies lurk in the shadows. And she can’t remember a thing about who she is…in New York Times bestselling author Rachel Howzell Hall’s gorgeous, otherworldly blend of fantasy and adventure—perfect for fans of N.K. Jemisin and The Witcher.

My name is Kai.

I wish I can say that my life has changed.

But I don’t remember my life before today.

I wake up, naked and voiceless, in a forest outside a town called Maford. Everyone I meet there either fears me or loathes me. Strange beasts, otherworldly creatures, hunt me. Each time I fight them, I unlock new powers—seeing the glow of death, moving objects with a flick of my hand, controlling the weather.

I do have a weakness.

The moment I touch another, a piece of me dies. Yes, I’m dying every day.

That’s why I need to know right now: who am I? What am I? I need answers before I perish.

But my amulet—the source of my power—has been stolen. I know the thief—Adara and I were friends. Or so I thought. She lies. Now, I must work with her brother Jadon, the town’s blacksmith, to reclaim all that’s mine.

There’s a problem, though. A white-haired woman named Elyn has come to Maford, and she claims that we are old friends. Like Adara, Elyn also lies. She’s stronger and stranger than me, and she’s trying to stop me…

From what?

I don’t know.

But I must be powerful.

I must be someone.

Who?

Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicenter of protest following the murder of George Floyd, Bluff is Danez Smith’s powerful reckoning with their role and responsibility as a poet and with their hometown of the Twin Cities. This is a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward a new existence in a world that seems to be dissolving into desolate futures.

Smith brings a startling urgency to these poems, their questions demanding a new language, a deep self-scrutiny, and virtuosic textual shapes. A series of ars poetica gives way to “anti poetica” and “ars america” to implicate poetry’s collusions with unchecked capitalism. A photographic collage accrues across a sequence to make clear the consequences of America's acceptance of mass shootings. A brilliant long poem―part map, part annotation, part visual argument―offers the history of Saint Paul’s vibrant Rondo neighborhood before and after officials decided to run an interstate directly through it.

Bluff is a kind of manifesto about artistic resilience, even when time and will can seem fleeting, when the places we most love―those given and made―are burning. In this soaring collection, Smith turns to honesty, hope, rage, and imagination to envision futures that seem possible.

A bold, innovative biography that offers a new understanding of the life, work, and enduring impact of Audre Lorde.

We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde’s teachings on “the creative power of difference” may be missing something fundamental about her life and work, and what they can mean for us today.

Lorde’s understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde’s quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive―to live the ethics that a Black feminist lesbian warrior poetics demands.

In Survival Is a Promise, Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde’s manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.

A contemporary young adult novel about one life-altering year of a biracial Black and white teen boy, showing a raw glimpse into the systemic inequality in racialized communities.

Zay’s ma always said his mouth would get him in trouble. Sure enough, it got him into his first and only fight in his junior year of high school. Expelled from his district, Zay’s only hope for redemption is to transfer to Broadlawn Alternative School and complete the year.

Zay isn’t thrilled about the disgusting school lunch and classroom trailers at Broadlawn, and boarding with his aunt Mel and her live-in boyfriend isn’t the greatest. But he’d rather be there than in the city dealing with his estranged father, his overbearing mother, and the fallout from his fight. Besides, Broadlawn has Feven, the beautiful new student Zay is starting to get to know―and fall for.

Still, first love is rarely a fairy tale, and as Zay’s time in Broadlawn comes to an end, he learns that shaping yourself within a new place is a lot harder than letting it shape you.

A tender contemplation of first love, broken families, and healing generational trauma by an incredible voice in young adult fiction.

Set in a wonderfully reimagined 15th century West Africa, Masquerade is a dazzling, lyrical tale exploring the true cost of one woman’s fight for freedom and self-discovery, and the lengths she’ll go to secure her future.

“Sangoyomi delivers an incisive examination of gender, temptation, and the lengths people will go to hold power―a magnificent debut!” ―Vaishnavi Patel, New York Times bestselling author of Kaikeyi

Òdòdó’s hometown of Timbuktu has been conquered by the warrior king of Yorùbáland. Already shunned as social pariahs, living conditions for Òdòdó and the other women in her blacksmith guild grow even worse under Yorùbá rule.

Then Òdòdó is abducted. She is whisked across the Sahara to the capital city of Ṣàngótẹ̀, where she is shocked to discover that her kidnapper is none other than the vagrant who had visited her guild just days prior. But now that he is swathed in riches rather than rags, Òdòdó realizes he is not a vagrant at all; he is the warrior king, and he has chosen her to be his wife.

In a sudden change of fortune, Òdòdó soars to the very heights of society. But after a lifetime of subjugation, the power that saturates this world of battle and political savvy becomes too enticing to resist. As tensions with rival states grow, revealing elaborate schemes and enemies hidden in plain sight, Òdòdó must defy the cruel king she has been forced to wed by re-forging the shaky loyalties of the court in her favor, or risk losing everything―including her life.

Loosely based on the myth of Persephone, O.O. Sangoyomi’s Masquerade takes you on a journey of epic power struggles and political intrigue which turn an entire region on its head.

In this dark and seductive YA fantasy debut, perfect for fans of Fourth Wing and These Violent Delights, a siren assassin falls for a forbidden man.

Killer. Liar. Soldier. Spy.

Saoirse is a killer: Her ability to sing men to an early death makes her the top assassin in the kingdom.

Saoirse is a liar: If the royal family ever finds out she's a siren, she'll be executed immediately.

Saoirse is a soldier: As the top student at the most prestigious training academy in Kierdre, Saoirse has spent years honing herself into the perfect killing machine.

Saoirse is a spy: When her little sister is blackmailed, Saoirse takes a dangerous job to protect her-personal bodyguard to the crown prince. One misstep, and Saoirse will lose her life.

But the biggest threat of all is to her heart. Prince Hayes would call for her death in an instant if he knew the truth. But the closer Saoirse gets to Hayes, the harder it gets to resist him.

Cinderella is dead, but Snow White fights on . . .

New York Times bestselling author Kalynn Bayron makes her highly anticipated return to the realm of fairy tales with this thrilling twist on the classic story of Snow White.

Princess Eve was raised with one purpose: to destroy the Knight, an evil sorcerer who terrorizes Queens Bridge with his wicked magic. Her own unique magic--the ability to conjure weapons from nature--makes her a worthy adversary. Far too many of subjects of Queens Bridge have been devastated by the Knight's trickery.

As she approaches her seventeenth birthday, Eve is ready to battle. But her mother, Queen Regina, has been acting bizarrely, talking to a strange mirror alone every night. Then a young man claiming to be the Knight's messenger appears and shares a shocking truth about Eve's past. Unsure of who to trust or what to do next, Eve must find the courage to do what she's always done: fight. But will it be enough to save her family and her queendom?

With Love, Miss Americanah―the Young Adult contemporary romance debut from Jane Igharo―sees a teenager move from Nigeria to America and navigate her senior year with the help of classic teen movies and a new crush, all while working through grief and the rigid expectations of her mother.

17-year-old Enore Adesuwa doesn’t dive into things, she walks in carefully. So when she, her mother, and her sister move from Nigeria to America shortly after her father’s death, she wants to be extremely prepared before attending an American high school. Her cousin, Adrian, doesn’t have time to explain the ins and outs to her but, luckily, he recommends the perfect research tool: teen movies.

Still dealing with grief but armed with a set of rules of survival gathered from these movies (including the crucial rule of keeping a low profile), Enore is ready for her senior year. But when she meets Davi Santiago, it may be much harder than she thought to keep to her rules. Because not only is he super thoughtful (and okay, very good looking), he constantly encourages her to share her incredible singing talent. Enore prefers the background but it just might be time for her to take center stage, even in spite of her mother’s strict expectations.

Maybe it would be easier to follow all the rules, the ones Enore set for herself and the ones her mom imposes, but as every teen movie has taught her, a coming-of-age is nothing without a little rebellion. And with help from her crush, her sister, and some new friends who don’t quite fit the roles she expects them to play, Enore’s senior year might indeed be cinematic.

From acclaimed novelist John Vercher, a profoundly moving novel of what it means to be a father, a son, a writer, and a biracial American fighting to reconcile the past

Reeling from the sudden death of his teenage son, our narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged grandfather. He travels to a beach town several hours south of his home with the intention of immediately selling the land. But upon inspection, what lies beneath the dirt is much more than he can process in the throes of grief. As a biracial Black man struggling with the many facets of his identity, he’s now the owner of a former plantation passed down by the men on his white mother’s side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovery―and a fight for reclamation―of a painful past. With the wit of Paul Beatty’s The Sellout and the nuance of Zadie Smith’s On Beauty, Devil Is Fine is a darkly funny and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

Exuberant and heart-warming, J. California Cooper is the embodiment of the simple folk tradition in black writing associated most often with Zora Neale Hurston and Langston Hughes. The author of seventeen plays and two novels, it is her stories of black family life in rural and small town America that have achieved the most acclaim and the broadest audience. SOME SOUL TO KEEP is amongst the finest and most enduring of her work.

Cooper writes with a transparent clarity and such high-spirited energy that her characters leap off the page, bursting with the stories they've got to tell--stories of simple people, stories of families and fate, of love and marriage, of death and the triumph of the human spirit. Cooper is that most rare and wondrous thing: a true storyteller whose tales trace the energies of life itself.

Bridget Jones’s Diary meets Survival of the Thickest in Danielle Allen’s CURVY GIRL SUMMER, a smoking-hot, hilarious novel about the perils of online dating.

“There’s got to be an easier way than dating. I want the shortcut. I just want to find my person and start our lives together.”
After a one-night stand with her clingy ex, Aaliyah James has an epiphany: this ain’t it. She knows what she wants, and she’s ready to move past casual hookups, flings, and situationships.

But for her family, the clock is ticking―after all, she’s almost thirty. And when they imply that her personality (and her body) might be too big to land a man, she lets them know they’ve gone too far―and her (nonexistent) man loves her curves, thank you very much. Now, she has seven weeks to find the perfect boyfriend to rub in their faces at the big, fancy birthday celebration she’s been planning.

After her first blind date goes wrong, charming local bartender Ahmad Williamson consoles her with a drink and some playful banter. Aaliyah takes him up on his suggestion to use a dating app―but the more she sees of his warm, funny, and easygoing nature, the less she wants to check her DMs. Will her next swipe bring her closer to true love―or is her real match closer than she thinks?

Hip-Hop Is History is a book only Questlove could have written: a perceptive and personal reflection on the first half-century of hip-hop.

When hip-hop first emerged in the 1970s, it wasn’t expected to become the cultural force it is today. But for a young Black kid growing up in a musical family in Philadelphia, it was everything. He stayed up late to hear the newest songs on the radio. He saved his money to buy vinyl as soon as it landed. He even started to try to make his own songs. That kid was Questlove, and decades later, he is a six-time Grammy Award–winning musician, an Academy Award–winning filmmaker, a New York Times bestselling author, a producer, an entrepreneur, a cofounder of one of hip-hop’s defining acts (the Roots), and the genre’s unofficial in-house historian.

In this landmark book, Hip-Hop Is History, Questlove skillfully traces the creative and cultural forces that made and shaped hip-hop, highlighting both the forgotten but influential gems and the undeniable chart-topping hits—and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story of a cultural revolution and a sweeping, grand theory of the evolution of the great artistic movement of our time. And Questlove, of course, approaches it with not only the encyclopedic fluency and passion of an obsessive fan but also the expertise and originality of an innovative participant.

Hip-hop is history, and also his history.

New York Times bestselling creators Renée Watson and Bea Jackson offer a picture book ode to a picture-perfect summer day, from sunrise to sunset.

Summer is here!
No dark clouds in the sky,
it's a perfect day for play.
What joy will summer bring me today?

Summer is finally here, and she's bringing the most perfect day! From sunup to sundown, there's so much to do on this lovely summer day. With summer comes fresh fruit, sweet and tangy, jump ropes for leaping and dancing, and friends at the pool swimming and floating. Summer brings family cookouts under shady trees, gardens overflowing, and the familiar song of the ice-cream truck. This beautiful ode to all the season's sensations follows one girl's perfect day in an exploration of joy, family, friendship, sunshine, and wonder.

Her stars shimmer like spilled glitter across the sky.
I whisper a wish and say goodbye to the day.
I wish summer would stay.

Renée Watson celebrates iconic childhood joys in this love letter to summer featuring bright, sun-drenched art from Bea Jackson.

May you know fear but not be driven by it
May you know joy and follow it everywhere
May you know light and shine it every chance you get

From the bestselling author of What the Road Said, Cleo Wade’s next heartfelt and lyrical picture book is a love letter to the infinite potential of the future, expressing the many hopes and dreams we hold for our children and ourselves. Gorgeously illustrated by the author and filled to the brim with her signature big-hearted emotions, this book is an important reminder that, above all, what we wish for everyone’s precious life is that they can love and be loved.

*ships in 7 - 10 business days*

The “revelatory” (The New York Review of Books) story of an ordinary man, his century, and his home.

Jamaica Kincaid’s first obsession, the island of Antigua, comes vibrantly to life under the gaze of Mr. Potter, an illiterate chauffeur who makes his living along the wide, open roads that pass the only towns he has ever seen. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air.

As Mr. Potter’s narrative unfolds in linked vignettes, his story becomes the story of a vital, damaged community. Amid his surroundings, he struggles to live at ease: to purchase a car, to have girlfriends, and to shake off the encumbrance of his daughters―one of whom will return to Antigua after he dies and tell his story with equal measures of distance and sympathy.

In Mr. Potter, Kincaid breathes life into a figure unlike any other in contemporary fiction, an individual consciousness emerging gloriously out of an unexamined life.

A unique collaboration from two of America’s leading artists that explores the fascinating and hidden history of the plant world.

In this witty, deeply original book, the renowned novelist Jamaica Kincaid offers an ABC of the plants that define our world and reveals the often brutal history behind them.

Kara Walker, one of America’s greatest visual artists, illustrates each entry with provocative, brilliant, enthralling, many-layered watercolors.

There has never been a book like An Encyclopedia of Gardening for Colored Children―so inventive, surprising, and telling about what our gardens reveal.