The first book to provide a comprehensive framework for ethical psychedelic medicine—for therapists, trip sitters, and anyone concerned about upholding boundaries and safety in the entheogen and plant medicine community

Psychedelic advisor Rebecca Martinez lays out the groundwork for an ethical approach to 21st-century psychedelic therapy. Applying a social-justice lens to entheogenic practice, Martinez provides practical guidance for psychedelic sitters, advocates, explorers, and those practicing (or learning to practice) licensed psychedelic therapy.

As psychedelics become a more accessible pathway to healing, how do practitioners—and seekers—navigate complex issues in a wide range of settings? Here, you’ll learn skills like:

• Understanding consent and boundaries
• Building safe and ethical psychedelic experiences
• How to integrate the cultural and historical contexts of plant medicines
• Considering the psychological risks and benefits of psychedelic therapy
• How to apply a social-justice lens to entheogenic healing

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An award-winning historian shows how girls who found self-understanding in the natural world became women who changed America.

Harriet Tubman, forced to labor outdoors on a Maryland plantation, learned from the land a terrain for escape. Louisa May Alcott ran wild, eluding gendered expectations in New England. The Indigenous women’s basketball team from Fort Shaw, Montana, recaptured a sense of pride in physical prowess as they trounced the white teams of the 1904 World’s Fair. Celebrating women like these who acted on their confidence outdoors, Wild Girls brings new context to misunderstood icons like Sacagawea and Pocahontas, and to underappreciated figures like Native American activist writer Zitkála-Šá, also known as Gertrude Bonnin, farmworkers’ champion Dolores Huerta, and labor and Civil Rights organizer Grace Lee Boggs.

This beautiful, meditative work of history puts girls of all races—and the landscapes they loved—at center stage and reveals the impact of the outdoors on women’s independence, resourcefulness, and vision. For these trailblazing women of the nineteenth and early twentieth centuries, navigating the woods, following the stars, playing sports, and taking to the streets in peaceful protest were not only joyful pursuits, but also techniques to resist assimilation, racism, and sexism. Lyrically written and full of archival discoveries, Wild Girls evokes landscapes as richly as the girls who roamed in them—and argues for equal access to outdoor spaces for young women of every race and class today.

A prize-winning scholar draws on astonishing new research to demonstrate how Black people used the law to their advantage long before the Civil Rights Movement.

The familiar story of civil rights goes something like this: Once, the American legal system was dominated by racist officials who shut Black people out and refused to recognize their basic human dignity. Then, starting in the 1940s, a few brave lawyers ventured south, bent on changing the law—and soon, everyday African Americans joined with them to launch the Civil Rights Movement. In Before the Movement, historian Dylan C. Penningroth overturns this story, demonstrating that Black people had long exercised “the rights of everyday use,” and that this lesser-known private-law tradition paved the way for the modern vision of civil rights. Well-versed in the law, Black people had used it to their advantage for nearly a century to shape how they worked, worshiped, learned, and loved. Based on long-forgotten sources found in the basements of county courthouses, Before the Movement recovers a vision of Black life allied with, yet distinct from, “the freedom struggle.”

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“When an author’s unmitigated brilliance shows up on every page, it’s tempting to skip a description and just say, Read this! Such is the case with this breathlessly powerful, deceptively breezy book of poetry.” —Booklist, Starred Review

An alphabet board book inspired by the bestselling HAIR LOVE, from the original award–winning author and illustrator duo—and perfect for baby gift baskets.

A is for Afro, N is for Natural, and W is for Waves. Letter by letter, follow Zuri and her father in their joy-filled journey through the kinks and curls of Black hair. 

This 7x7 board book is perfect as a baby gift, for existing fans of HAIR LOVE, young readers embracing their natural hair, and toddlers learning their ABCs!

*This book is not currently on our shelves and will ship in 5-10 business days.  Please see FAQs for more information.

I’m Not Yelling is part strategy for savvy black business women navigating a predominantly white corporate America and part vessel empowering black women to find their voices in toxic work environments and be successful business women.  

Strategies to Help Blackwomen Succeed in the Corporate Workplace Culture

"What a gift to Black women in the workplace!…For those committed to challenging stereotypes and enhancing workplace inclusion, this book is a must-read." —Dana Brownlee, Forbes Careers senior contributor

#1 Best Seller in Women & Business and Business Etiquette

I'm Not Yelling is a strategy guide empowering Black businesswomen to combat workplace discrimination, redefine workplace culture, and find their voices in toxic work environments.

Navigate corporate America fearlessly. Explore the data and hear the accounts of Black women in business who face, work through, and rise above workplace discrimination. This book offers a blueprint for Black women in business to tackle a toxic work environment and assert their rightful place. Facing obstacles such as imposter syndrome and structural racism, I'm Not Yelling arms you with the knowledge and strategy needed to succeed in the face of adversity.

Become a strong Black leader and instill positive change in the workplace culture. I'm Not Yelling is your guide to understanding and implementing changes in human resource management that promote diversity and inclusion. Celebrate the significance of Black History Month, define racism in its subtle and overt forms, and emerge as a beacon of strength and resilience.

Inside discover:

• Proven strategies to navigate a toxic work environment, enhancing your professional resilience
• Insightful perspectives on black feminism and its role in shaping successful black businesswomen
• Effective techniques for influencing human resource management, fostering a diverse and inclusive workplace culture
• Empowering narratives on overcoming workplace discrimination

If you have read books like Black Women Will Save the World, We Should All Be Millionaires, The Light We Carry, White Women, or Your Next Level Life, then you’ll love I'm Not Yelling: A Black Woman’s Guide to Navigating the Workplace.

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Sixteen tales by bestselling and award-winning authors that explore the Black experience through fantasy, science fiction, and magic. With stories by: Elizabeth Acevedo, Amerie, Patrice Caldwell, Dhonielle Clayton, J. Marcelle Corrie, Somaiya Daud, Charlotte Nicole Davis, Justina Ireland, Alaya Dawn Johnson, Danny Lore, L. L. McKinney, Danielle Paige, Rebecca Roanhorse, Karen Strong, Ashley Woodfolk, and Ibi Zoboi.

Evoking Beyoncé's Lemonade for a teen audience, these authors who are truly Octavia Butler's heirs, have woven worlds to create a stunning narrative that centers Black women and gender nonconforming individuals. A Phoenix First Must Burn will take you on a journey from folktales retold to futuristic societies and everything in between. Filled with stories of love and betrayal, strength and resistance, this collection contains an array of complex and true-to-life characters in which you cannot help but see yourself reflected. Witches and scientists, sisters and lovers, priestesses and rebels: the heroines of A Phoenix First Must Burn shine brightly. You will never forget them.

Now available in trade paper!

The power of faith intersects with the practicality of counseling in this unique partnership of a faith/worship leader and a therapist as they offer a pathway for readers to find help, hope, healing, and freedom while navigating life's struggles.

No one is immune from life's difficulties, yet many people are reluctant to talk about mental health or seek professional help when they are struggling. People of faith who are battling issues such as anxiety, depression, life changes, stress, or relationship problems may suffer in silence, believing things would get better if only their faith was stronger, they prayed more, or if they had more self-discipline. The stigma about needing to seek help is all too real. 

But seeking professional help isn't a sign of weakness; it's a sign that someone is serious about moving forward emotionally, relationally, and spiritually. Written by producer, artist, and author Anthony Evans, along with licensed psychotherapist Stacy Kaiser, When Faith Meets Therapy:

• Dispels the cultural myths and stigmas that surround professional therapy
• Shares stories from the authors' personal experiences and others who are facing life's challenges
• Provides practical steps that readers can take in the pursuit of emotional, relational, and spiritual progress

Anthony and Stacy met five years ago when Anthony was seeking emotional and relational healing of his own. Stacy led Anthony through his own process of internal renovation and remains his personal therapist to this day.

When Faith Meets Therapy contains priceless, practical knowledge to break stereotypes that surround therapy, all while offering immeasurable hope and encouragement.

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The Nameplate is a vibrant photographic celebration of nameplate jewelry featuring deeply personal stories and rich cultural contexts, collected by the creators of the Documenting the Nameplate project.

Nameplate jewelry comes in many shapes, styles, and sizes—from simple scripted pendants to bejeweled rings, belts, and bracelets with a first, last, and/or nickname. Like so many individuals who proudly wear nameplates, Marcel Rosa-Salas and Isabel Attyah Flower were first introduced to this storied jewelry during childhood. Their love of the style gradually blossomed into a wide-reaching research project, Documenting the Nameplate, through which they've spent years collecting photographs and testimonials from nameplate-wearers across the country and world.

Featuring essays and interviews from scholars and cultural figures, portraits by contemporary photographers, archival imagery, and a historical exploration into the multifaceted and often overlooked significance of nameplate jewelry, The Nameplate is a tribute to the people who make, wear, and cherish it.

"The most potent weapon in the hands of the oppressor is the mind of the oppressed." Like all of Steve Biko's writings, those words testify to the passion, courage, and keen insight that made him one of the most powerful figures in South Africa's struggle against apartheid. They also reflect his conviction that black people in South Africa could not be liberated until they united to break their chains of servitude, a key tenet of the Black Consciousness movement that he helped found.

I Write What I Like contains a selection of Biko's writings from 1969, when he became the president of the South African Students' Organization, to 1972, when he was prohibited from publishing. The collection also includes a preface by Archbishop Desmond Tutu; an introduction by Malusi and Thoko Mpumlwana, who were both involved with Biko in the Black Consciousness movement; a memoir of Biko by Father Aelred Stubbs, his longtime pastor and friend; and a new foreword by Professor Lewis Gordon.

Biko's writings will inspire and educate anyone concerned with issues of racism, postcolonialism, and black nationalism.

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Lincoln Agrippa Daily, known on the 1920s Marseilles waterfront as "Banjo," prowls the rough waterfront bistros with his drifter friends, drinking, looking for women, playing music, fighting, loving, and talking--about their homes in Africa, the West Indies, or the American South and about being Black.

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Award-winning author, screenwriter, and editor Gary Phillips gathers his most thrilling, outlandish, and madcap pulp fiction in an 17-story collection that straddles the line between bizarro, science fiction, noir, and superhero classics.

Aztec vampires, astral projecting killers, oxygen stealing bombs, undercover space rangers, aliens occupying Los Angeles, right wing specters haunting the ’hood, masked vigilantes, and mad scientists in their underground lairs plotting world domination populate the stories in this rip-snorting collection. In these pages grindhouse melds with blaxploitation along with strong doses of B movie hardcore drive-in fare.

Phillips, editor of the Anthony Award-winning The Obama Inheritance: Fifteen Stories of Conspiracy Noir, and author of One-Shot Harry and Matthew Henson and the Ice Temple of Harlem, said this about pulp. “The most common definition of pulp is it’s fast-paced, a story containing out there characters and a wild plot. There is that. But certainly, as we’ve now arrived at the era of retro-pulp, these stories have elements of characterization: not just action, but a glimpse behind the steely eyes of these doers of incredible deeds.” As an added bonus, Phillips resurrects Phantasmo, a Golden Age comics character created by Black artist-writer E.C. Stoner in an all-new outing of ethereal doings (includes 4 original illustrations by cover artist Adam Shaw).

Deciphers the history of “Black capitalist” rhetoric— and how it serves to enrich a minuscule few at the expense of the many

In his 1970 book The Myth of Black Capitalism, Earl Ofari Hutchinson laid out a rigorous challenge to the presumption that capitalism, in any shape or form, has the potential to rectify the stark injustices endured by Black people in America. Ofari engaged in a diligent historical review of the participation of African Americans in commercial activity in this capitalist country, demonstrating conclusively that the creation of a class of Black capitalists failed to ameliorate the extreme inequity faced by African Americans. Even “Buy Black” campaigns which aimed to “keep resources in the community,” he showed, reinforced a Black bourgeoisie which often enough exploited the Black underclass to increase their own wealth. Whether Black capitalists dared to go up against, or merely tried to find their place amongst, giant monopoly corporations, Ofari argued they would make little substantive progress in the lives of Black people. And whether calls for “Black capitalism” came from within the Black Power movement for Black economic autonomy, or were appropriated by the old-line Black elite, in the end the promotion of the myth of “Black capitalism” was a project of the Black elite which solely served the interests of the capitalist managerial class.

It was Richard Nixon who first introduced the notion of “Black capitalism” into mainstream American discourse, coopting the term at a time when African Americans comprised only 3% of the nation’s employers. That number dwindled thereafter, and yet the term only gained cachet following the election of Barack Obama and the increased visibility of the Black elite. Thankfully, just as the rhetoric of ‘Black capitalism” is being resuscitated, it is being confronted once more. In this second edition of Earl Ofari’s pathbreaking book, a Monthly Review Press classic, the author adds a new Introduction, which shows both the enduring strength of the ideology of Black capitalism and its continued inability to change the nature of what has always been a racialized system of production and distribution. Ofari reveals “Black capitalism" for what it really is: a diversion from the struggle for liberation that works at cross purposes with the fight against exploitation, and a fantasy which enriches a minuscule few at the expense of the many. The Myth of Black Capitalism argues definitively that only a direct assault on the oppression of Black people and the capitalist system itself can bring this exploitation to an end.

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“A significant new voice in fiction, Norris has written what may be one of the defining novels of the era at the intersection between Black Lives Matter and COVID-19.” —BuzzFeed

One of Publishers Weekly's Best Novels of the Summer ∙ One of The Millions' Most Anticipated Books of June ∙ One of ALTA's Recommended Reads for June ∙ One of BuzzFeed's Amazing Small Press Books To Add To Your Summer Reading List

Copeland Cane V, the child who fell outta Colored People Time and into America, is a fugitive…
He is also just a regular teenager coming up in a terrifying world. A slightly eccentric, flip-phone loving kid with analog tendencies and a sideline hustling sneakers, the boundaries of Copeland’s life are demarcated from the jump by urban toxicity, an educational apparatus with confounding intentions, and a police state that has merged with media conglomerates—the highly-rated Insurgency Alert Desk that surveils and harasses his neighborhood in the name of anti-terrorism.

Recruited by the nearby private school even as he and his folks face eviction, Copeland is doing his damnedest to do right by himself, for himself. And yet the forces at play entrap him in a reality that chews up his past and obscures his future. Copeland’s wry awareness of the absurd keeps life passable, as do his friends and their surprising array of survival skills. And yet in the aftermath of a protest rally against police violence, everything changes, and Copeland finds himself caught in the flood of history.

Set in East Oakland, California in a very near future, The Confession of Copeland Cane introduces us to a prescient and contemporary voice, one whose take on coming of age in America becomes a startling reflection of our present moment.

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Illustrated by New York Times best-selling artist Bea Jackson, this poignant story speaks to Lunella Lafayette's insecurities about her hair as School Picture Day approaches.

Sure, Lunella may be a genius Super Hero (Moon Girl), but when someone makes unkind comments about her hair, she questions whether she needs to change it for School Picture Day. She is, after all, still a 13-year-old girl. Ultimately, Lunella figures out the hairstyle that makes her feel like her best self for her school picture, but not before struggling with what that means for her.

Readers will explore and relate to themes of self-kindness, patience, identity, and acceptance in this charming and funny story.

If you like this book, you might also considering adding these titles to your library:

• Moon Girl and Devil Dinosaur: One Girl Can Make a Difference
• Moon Girl and Devil Dinosaur: Lunella's Journal
• Night Night Groot
• Snow Day for Groot!
• Captain Marvel: What Makes a Hero

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Perfect for fans of the Moon Girl and Devil Dinosaur series, this novelization helps readers understand how Moon Girl manages her life: junior high school student by day; crime-fighting Super Hero by night--not to mention the guardian of a 10-ton red dinosaur who lives in her secret lab.

This paperback novelization follows the 13-year-old Marvel Super Hero around her Lower East Side of Manhattan neighborhood, where her family owns and runs a roller-skating rink. As Moon Girl explores the cause of so many unexplained neighborhood power blackouts lately, readers will  learn how Moon Girl came to be, meet her sidekick, a giant red T-Rex, and follow them on their first adventure fighting against the evil villain who is bringing darkness to her beloved community.

If you like this book, you might also like: 

• Moon Girl and Devil Dinosaur: Hair Today, Gone Tomorrow
• The Unstoppable Wasp
• Shang-Chi and the Legend of theTen Rings: Who Guards My Sleep
• Gravity Falls Journal 3
• Descendants 3 Novelization
• Gabby Duran Alien Babysitting Adventures

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Every secret comes to haunt you in this YA horror that combines the swoony romance and emotional resonance of John Green with the surrealist horror imagery and razor-sharp wit of Jordan Peele.

Seventeen-year-old Hylee Williams didn’t ask to disappear. But she did disappear, and not only that, but when she vanished from our world, she materialized in a dark, twisted version of the night that changed her life forever: the night her older brother went missing.

Just as Hylee realizes this moment could be the key to unraveling the truth about her brother, she’s yanked away from the dark place back to our world. Craving a sense of normalcy, she goes to a party with her best friend—where she meets Eilam Roads. Tall, handsome, and undeniably, inexplicably familiar, Hylee can’t help the pull she feels towards him. It’s a classic teen girl-meets-boy situation, until it happens again. She disappears, right in front of him.

Together, Hylee and Eilam investigate the truth about time, space, and reality, with Hylee increasingly convinced her time travel holds the key to saving her brother. But the more they learn, the more Hylee begins to see darkness lurking in her world—and in herself.

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Red Africa makes the case for a revolutionary Black politics inspired by Marxist anti-colonial struggles in Africa. Kevin Ochieng Okoth revisits historical moments when Black radicalism was defined by international solidarity in the struggle against capitalist-imperialism, that together help us to navigate the complex histories of the Black radical tradition.

He challenges common misconceptions about national liberation, showing that the horizon of national liberation was not limited to the nation-building projects of post-independence governments.

While African socialists sought to distance themselves from Marxism and argued for a ‘third way’ socialism rooted in ‘traditional African culture’ the intellectual and political tradition Okoth calls ‘Red Africa’ showed that Marxism and Black radicalism were never incompatible.

The revolutionary Black politics of Eduardo Mondlane, Amílcar Cabral, Walter Rodney and Andrée Blouin gesture toward a decolonised future that never materialised. We might yet build something new from the ruins of national liberation, something which clings onto the utopian promise of freedom and refuses to let go. 

Red Africa is not simply an exercise in nostalgia, it is a political project that hopes to salvage what remains of this tradition—which has been betrayed, violently suppressed, or erased—and to build from it a Black revolutionary politics capable of imagining new futures out of the uncertain present.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation.

A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.

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A powerful and proven guidebook that shows organizations how to recognize racism in designed artifacts, systems, and experiences—and how to replace them with anti-racist design solutions.

Anti-racist design interventions can be difficult. Well-intentioned conversations can fuel tensions, activate racialized trauma, and lead to misunderstandings, especially in spaces not typically focused on diversity, equity, and inclusion. Even when progress is made, white supremacy culture can resurface. We need anti-racist guidelines and approaches that lay bare racialized systems of oppression and fundamentally disrupt their replication. In Racism Untaught, Lisa E. Mercer and Terresa Moses, two veteran anti-racist educators, deliver this exact approach.

Mercer and Moses provide a step-by-step guide to anti-racist interventions in academic, business, and community settings that benefits all participants. Adapted from their successful workshop series and filled with concrete examples and ample case studies, their book teaches participants how to analyze design—and reimagine racialized artifacts, systems, and experiences guided by anti-oppressive principles. They demonstrate how to examine positionality within the context of racism and oppression; help us understand how design can reinforce and perpetuate oppression; and reveal the unique relationship among equity, ethics, and responsibility that constitutes the core value of an anti-racist design discipline. In Racism Untaught, Mercer and Moses provide the framework we need to unlearn racialized design practices and move more generatively toward collective liberation.

With a foreword by renowned designer Cheryl D. Miller, Racism Untaught is a valuable tool for anyone who wants to help themselves and their organization create an actionable and inclusive plan to dismantle racial oppression and instead realize equitable, anti-racist, and liberatory design.

A radical new vision of the nation's founding era and a major act of historical recovery 

Featuring more than 120 writers, this groundbreaking anthology reveals the astonishing richness and diversity of Black experience in the turbulent decades of the American Revolution

Black Writers of the Founding Era is the most comprehensive anthology ever published of Black writing from the turbulent decades surrounding the birth of the United States. An unprecedented archive of historical sources––including more than 200 poems, letters, sermons, newspaper advertisements, slave narratives, testimonies of faith and religious conversion, criminal confessions, court transcripts, travel accounts, private journals, wills, petitions for freedom, even dreams, by over 100 authors––it is a collection that reveals the surprising richness and diversity of Black experience in the new nation.

Here are writers both enslaved and free, loyalist and patriot, female and male, northern and southern; soldiers, seamen, and veterans; painters, poets, accountants, orators, scientists, community organizers, preachers, restaurateurs and cooks, hairdressers, criminals, carpenters, and many more. Along with long-famous works like Phillis Wheatley’s poems and Benjamin Banneker’s astonishing mathematical and scientific puzzles are dozens of first-person narratives offering little-known Black perspectives on the events of the times, like the Boston Massacre and the death of George Washington.

From their bold and eloquent contributions to public debates about the meanings of the revolution and the values of the new nation–– writings that dramatize the many ways in which protest, activism, and community organizing have been integral to the Black American experience from the beginning––to their intimate thoughts preserved in private diaries and letters, some unseen to the present day, the words of the many writers gathered here will indelibly alter our understandings of American history. 

A foreword by Annette Gordon-Reed and an introduction by James G. Basker, along with introductory headnotes and explanatory notes drawing on cutting edge scholarship, illuminate these writers’ works and to situate them in their historical contexts.

A 16-page color photo insert presents portraits of some of the writers included and images of the original manuscripts, broadside, and books in which their words have been preserved.

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The ultimate hands-on workbook for anyone looking to get their finances in order—from budgeting to investing and everything in between—by Tiffany "The Budgetnista" Aliche, the New York Times bestselling author of the smash hit Get Good with Money

We all want to live within our means, save for retirement, invest a little, and yet still have some left over each month for fun. But as most people know, real life can get in the way of even our best intentions! To help us set realistic goals and keep us on track to meeting them, New York Times bestselling financial educator Tiffany “The Budgetnista” Aliche has an invaluable 10-step action plan: Made Whole. With her signature down-to-earth style, she offers worksheets, checklists, and action items for ten important building blocks—from the ins and outs of budgeting, investing, credit rating, and estate planning, to getting insurance and getting the flow of our money automated. A hardworking tool for getting our financial ducks in a row, it also includes:

• Clear explanations of intimidating financial terminology
• Simple instruction on calculating our present situation and future needs

• Invaluable worksheets for keeping track of the numbers

• Handy hacks for increasing your credit score, making savings "hard to access," and finding support to stay on track to your goals

A masterclass in taking charge of your money, Made Whole has what every reader needs to achieve financial savvy, stability, and security.

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Discover design strategies for using your own unique social identities and experiences as inspiration to challenge the status quo and create the kind of lasting change that leads to greater equity and social justice, from Stanford University's d.school.

Who are you? What motivates you as a changemaker? What forces are preventing you (and others) from thriving? These questions are essential to the work of creating social change, and they are exactly what Design Social Change asks you to explore.

Designer and design educator Lesley-Ann Noel shares the essential design strategies for making a lasting impact. This work starts with knowing yourself and builds outward into making change in your community and the larger world. Design Social Change gives you tools to tailor your approach to design, taking into account your history, personality, ethics, and goals for a better future.

The strategies for change are based on equity and fairness, understanding your own role in these systems of both justice and inequity. These strategies demonstrate how to use anger, joy, and empathy as inspiration for understanding what people need to thrive. Using the tools of design, these new approaches will help you craft projects that are relevant to you and create more just, equitable futures. The time is always right to work toward a fair and just society.

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A multigenerational novel and an epic debut that explores the origins of a south Georgia family’s tradition and how its modern-day sons and daughters struggle the legacies of America’s Civil Rights Movement and the far-reaching impacts of the 1800s slave trade from Senegal to Charleston, S.C.

On a routine day, Fletcher Dukes drives his older sister, Olga, who is losing her sight, to do weekly grocery shopping at the Piggly Wiggly. On the liquor aisle, they pass a tall woman, head bowed reading a wine label. Fletcher smells her perfume first, then sees a strawberry birthmark on the nape of a woman’s neck and knows at once that this is his lost love, Altovise Benson. Fletcher and Altovise risked their lives together in sit-ins and marches, but their plan to marry was interrupted when the police turned a peaceful protest violent. The two were jailed in different towns leading to a separation that would ultimately span 52 years. Before Altovise’s departure, Fletcher carves her a peach seed monkey with diamond eyes. As we learn via harrowing flashbacks to 1800’s Senegal, an undiscovered Dukes ancestor who was sold into slavery carved the first monkey—the Peach Seed Monkey that forms the talismanic tradition, the rite of passage, that each generation of Dukes man gifts to his son on his 13th birthday—along with the tools and knowledge to carve them himself. By giving one to Altovise Fletcher initiates a physical and spiritual break in a tradition that like the Civil Rights Movement irrevocably shapes the lives of future generations including a Fletcher’s daughters, his grandson, Bo-D and a constellation of Dukes in the present.

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A tale of alien science and earthbound magic and the secrets families keep from each other.

“A beautifully multifaceted story... Highly recommended.” —The New York Times

Cinnamon Jones dreams of stepping on stage and acting her heart out like her famous grandparents, Redwood and Wildfire. But she’s always been theatrically challenged. That won’t necessarily stop her! But her family life is a tangle of mysteries and secrets, and nobody is telling her the whole truth.

Before her brother died, he gave Cinnamon The Chronicles of the Great Wanderer—a tale of a Dahomean warrior woman and an alien from another dimension who perform at the 1893 Chicago World's Fair. They are a story of magic or alien science, but the connection to Cinnamon's past is unmistakable.

When an act of violence wounds her family, Cinnamon and her theatre squad determine to solve the mysteries and bring her worlds crashing together.

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Funny, thoughtful, inspiring, and deeply personal essays about yoga, wellness, and life from author of EVERY BODY YOGA, Jessamyn Stanley. Stanley explores her relationship (and ours) to yoga (including why we practice, rather than how); wrestles with issues like cultural appropriation, materialism, and racism; and explores the ways we can all use yoga as a tool for self-love. 

Finding self-acceptance both on and off the mat.
In Sanskrit, yoga means to “yoke.” To yoke mind and body, movement and breath, light and dark, the good and the bad. This larger idea of “yoke” is what Jessamyn Stanley calls the yoga of the everyday—a yoga that is not just about perfecting your downward dog but about applying the hard lessons learned on the mat to the even harder daily project of living.
In a series of deeply honest, funny autobiographical essays, Jessamyn explores everything from imposter syndrome to cannabis to why it’s a full-time job loving yourself, all through the lens of yoke. She calls out an American yoga complex that prefers debating the merits of cotton versus polyblend leggings rather than owning up to its overwhelming Whiteness. She questions why the Western take on yoga so often misses—or misuses—the tradition’s spiritual dimension. And reveals what she calls her own “whole-ass problematic”: Growing up Baháí, loving astrology, learning to meditate, finding prana in music.
And in the end, Jessamyn invites every reader to find the authentic spirit of yoke—linking that good and that bad, that light and that dark.