Mic check! Learn your opposites with Biggie Smalls in the Legends of Hip-Hop board book series.

In this accessible series perfectly crafted for babies (and adult fans), music producer Pen Ken and 3x Emmy Award–nominated animation director Saxton Moore introduce mini emcees to some of hip-hop’s biggest and brightest luminaries with fun facts about each rapper, organized by a teachable concept.

In this book, children will meet Biggie and learn all about opposites!

Check out other books in the series, including Legends of Hip-Hop: 2Pac and Legends of Hip-Hop: Queen Latifah.

From Laura Obuobi, author of Black Gold and NAACP Image Award nominee, and illustrator Anna Cunha comes a whimsical bedtime story about the love between a Black father and his daughter. This tender tale with lush natural imagery and pure Black joy captures love’s vastness, showing us its greatest form is often the one between parent and child.

One question must be answered before Afia can slip into a peaceful sleep: What does love look like? With the companionship of her loving papa, Afia journeys to find love and learns that it is the warmth of the sun’s hugs, the brook’s soothing song, and other mesmerizing gifts of nature. But Afia’s quest also teaches her that she may not have to go too far to see the emotion at the heart of the world’s wonders.

The second title in a delightful new Level 2 I Can Read! series from acclaimed author Olugbemisola Rhuday-Perkovich and illustrator Lydia Mba, starring Makeda, an exuberant seven-year-old "maker" and problem solver who loves to create.

Perfect for readers who love Rosie Revere, Engineer and Reina Ramos Works It Out.

Makeda is excited to bring Subway, the class guinea pig, home for the weekend. But Subway seems S-A-D—so Makeda and her friend Glory decide to make him an F-U-N new cage to cheer him up. But what if what is fun for Makeda is not fun for Subway? 

This Level 2 I Can Read! book features an engaging story, longer sentences, and language play perfect for developing readers.

In this powerful and comprehensive guide in the spirit of Jambalaya and Sacred Woman, an herbalist celebrates ancient and modern African holistic healing.

“The message of this book is: hold onto your yams, your collards, watermelon, and roots. There is magic, mystery, connection, and healing stored within them.”—Stephanie Rose Bird

Stephanie Rose Bird grew up surrounded by forests, listening to the stories of her ancestors and learning African healing ways. From an early age, she dedicated herself to herbalism and living a spiritually fulfilled life in harmony with nature. Now, the wisdom she as accrued is gathered in this impressive encyclopedic work of African Healing and herbal medicine.

Stephanie teaches you how to garden and harvest in unison with the seasons, and how to use herbalism and magic—derived from ancestral and spiritual helpers—to heal. A treasure trove of knowledge, Motherland Herbal showcases an array of recipes and rituals that nourish every facet of life:

* Seasonal recipes to support overall well-being
* Tinctures for common ailments such as headaches, flu, or heartburn
* Remedies for improving mental health, lessening symptoms of anxiety, stress, or depression
* Natural body and home care products, from facials to cleaning solutions
* Herbal Baths for relaxation, sexual wellness, and good luck
* Rituals and Altars for universal experiences, such as learning to letting go after loss and improving creativity and fertility
* Love Potions, Sleep Potions, Protective Amulets, and more

Written in Stephanie’s warm and authoritative voice, Motherland Herbal seamlessly blends activism and ancestral folklore with the realms of spirituality, gardening, and holistic wellness. Her deep reverence for the wisdom of her ancestors infuses every page of this guide, which is a foundational resource that will shape the landscape of African healing and folk medicine for generations to come.

Motherland Herbal includes 54 original pieces of art, including maps and artwork created by the author.

*ships in 7- 10 business days*

Her life. Her rules. Finally.

Anuri Chinasa has had enough. And really, who can blame her? She was the unwilling star of her stepmother’s social media empire before “momfluencers” were even a thing. For years, Ophelia documented every birthday, every skinned knee, every milestone and meltdown for millions of strangers to fawn over and pick apart.

Now, at twenty-five, Anuri is desperate to put her way-too-public past behind her and start living on her own terms. But it’s not going so great. She can barely walk down the street without someone recognizing her, and the fraught relationship with her father has fallen apart. Then there’s her PhD application (still unfinished) and her drinking problem (still going strong). When every detail of her childhood was so intensely scrutinized, how can she tell what she really wants?

Still, Ophelia is never far away and has made it clear she won’t go down without a fight. With Noelle, Anuri’s five-year-old half sister now being forced down the same path, Anuri discovers she has a new mission in life…

To take back control of the family narrative.

Through biting wit and heartfelt introspection, this darkly humorous story dives deep into the deceptive allure of a picture-perfect existence, the overexposure of children in social media and the excitement of self-discovery.

The View cohost and three-time Emmy Award winner Sunny Hostin transports readers to Highland Beach in the captivating third novel of her New York Times bestselling Summer Beach series.

In this awakening, spirited novel, Sunny Hostin celebrates family, friendship, and community and reminds us of the importance of the legacies of our collective past and finding one’s way in the world.

Founded in the late 1800s by the son of Frederick Douglass, Highland Beach along the Chesapeake Bay is the oldest Black resort community in America. Inside this proud and secluded beach community of about 100 private homes is Olivia Jones’s legacy.

But Oliva’s legacy comes with thorns—intertwined are secrets of her aunt’s death; a controlling grandmother who is determined to crush anyone or anything that will interfere with her son’s political career; and a father who wants to rebuild the family he rejected decades ago.

In the midst of tense family drama, Olivia must decide if she wants to return to the beautiful life she’s created in Sag Harbor—with the neighbors and wonderful man who’ve become central to her happiness—or finally achieve her dream of having a family and home to call her own in Highland Beach.

A moving picture book about the history of Emancipation Park in Houston, Texas—and the origins of Juneteenth.

When people visit me, they are free—to run, play, gather, and rejoice.

They built me to remember.

On June 19, 1865, the 250,000 enslaved people of Texas learned they were free, ending slavery in the United States. This day was soon to be memorialized with the dedication of a park in Houston. The park was called Emancipation Park, and the day it honored would come to be known as Juneteenth.  

In the voice and memory of the park itself—its fields and pools, its protests and cookouts, and, most of all, its people—the 150-year story of Emancipation Park is brought to life. Through lyrical text and vibrant artwork, Tonya Duncan Ellis and Jenin Mohammed have crafted an ode to the struggle, triumph, courage, and joy of Black America—and the promise of a people to remember.

Growing up in Seale, Alabama as a Black Queer kid, then attending the Rhode Island School of Design as an undergraduate, Jon Key hungered to see himself in the fields of Art and Design. But in lectures, critiques, and in the books he read, he struggled to see and learn about people who intersected with his identity or who GOT him. So he started asking himself questions:

What did it mean to be a graphic designer with his point of view? What did it mean to be a Black graphic designer? A Queer graphic designer? Someone from the South? Could his identity be communicated through a poster or a book? How could identity be archived in a design canon that has consistently erased contributions by designers who were not white, straight, and male?

In Black, Queer, & Untold, acclaimed designer and artist Jon Key answers these questions and manifests the book he and so many others wish they had when they were coming up. He pays tribute to the incredible designers, artists, and people who came before and provides them an enduring, reverential stage – and in so doing, gifts us a book that takes its place among the creative arts canon. 

An intimate look at Juneteenth, this story is a warm exploration of a family and a community. 

Juneteenth is the smell of brisket filling the air. Juneteenth is the sounds of music, dancing, and cheering ringing from the parade outside. It is love. It is prayer. It is friends and relatives coming together to commemorate freedom, hope for tomorrow, and one another.

This book is an ode to the history of the Black community in the United States, a tribute to Black joy, and a portrait of familial love. With poignant text and vivid illustrations, Juneteenth Is offers a window and a mirror for readers, resonating with kids who will see themselves reflected in its pages and those who hope to understand experiences beyond their own.

CELEBRATES BLACK JOY: At its root, this is a story of family and community. Vibrant illustrations capture the warmth and unity of Black families and Black communities in a portrait of beautiful joy.

REMEMBERING A LEGACY: Both a story of celebration and a commemoration of freedom, this book honors a past of struggle, resilience, and triumph. It recognizes Juneteenth not just as a holiday but as a cultural legacy. An author’s note also explains the significance of the color red to Juneteenth—its use as a symbol of African American endurance and the ways Black communities weave the color into modern-day celebrations through food and clothing.

BLACK HISTORY IS AMERICAN HISTORY: Juneteenth marks an undeniable truth of American history and remains a cultural touchstone for many Black Americans, making it important for all Americans to understand. Much-needed in this time of growing representation and discussion about equity and social justice, this book is a strong resource for parents and educators seeking to introduce Black history and encourage respectful conversations.

Perfect for:
* Anyone looking for diverse picture books
* Teachers and librarians
* Gift-giving for Juneteenth celebrations, Black History Month, or classroom bookshelf

Camo, by photographer Thandiwe Muriu, is the first publication to chronicle the work of this international artist, celebrating the vibrant portraits she creates that combine cultural textiles and beauty ideologies. Muriu takes us on a colorful, reflective journey through her world as a woman living in modern Kenya as she reinterprets contemporary African portraiture. 

As the sole woman operating in the male-dominated advertising photography industry in Kenya, Thandiwe Muriu has repeatedly confronted questions around the role of women in society, the place of tradition, and her own self-perception. These experiences inspired her personal project of cultural reflection: the Camo series. Camo was the catalyst for her to push new boundaries in her photography, leading her into a deeply personal artistic journey.

The compelling, fully saturated photographs in this collection confront issues surrounding identity while seeking to redefine female empowerment through Muriu’s choice of materials. These constructed images are not digital manipulations but physical sets that incorporate African Ankara wax textiles as backdrops and custom-tailored clothing and headdresses. At the forefront of her practice is using textiles to make her subjects disappear and serve as a canvas for reflection on the question of identity and its evolution over time. Muriu also consistently reimagines common objects associated with the daily lives of Kenyans into bold accessories donned by her subjects. These objects range from hairpins to the mosquito-repellent coils she grew up using. In Kenya, an object can have multiple uses beyond its original purpose; as Muriu explains, “When you have little, you transform and reuse it.”

Throughout the book, each image is paired with an inspirational African proverb in both English and Swahili, expressing the collected wisdom of generations that continue to inspire. Proverbs such as "With a little seed of imagination, you can grow a field of hope" convey the uplifting spirit of Muriu's work that empowers women, preserves tradition, and celebrates African beauty and culture. 

A visually stunning art book and cultural touchstone, Camo is a collectible treasure as the first book to showcase the work of a rising star in the worlds of photography and art.

The wise words of science fiction icon Octavia E. Butler live on in this beautiful and giftable little volume.

“There’s no single answer that will solve all our future problems. There’s no magic bullet. Instead there are thousands of answers—at least. You can be one of them if you choose to be.”

Originally published in Essence magazine in the year 2000, Octavia E. Butler’s essay “A Few Rules for Predicting the Future” offers an honest look into the inspiration behind her science fiction novels and the importance of studying history and taking responsibility for our actions if we are to move forward. 

Organized into four main rules, this short essay reminds readers to learn from the past, respect the law of consequences, be aware of their perspectives, and count on the surprises. Citing the warning signs of fascism, the illusive effects of fear and wishful thinking, and the unpredictable nature of what is yet to come, Butler shares realistic but hopeful suggestions to shape our future into something good. An inspiring and motivational gift for students and recent graduates, fans of Butler's work, and anyone seeking a brighter day tomorrow, this exquisite gift book includes stunning Afrofuturist artwork by Manzel Bowman alongside the full text of the original essay.

LITERARY ICON: Octavia E. Butler was a pioneering science fiction writer whose novels, written decades ago, remain eerily relevant, reflecting on themes of racial injustice, women’s rights, environmental collapse, and political corruption. In 1995, she became the first science fiction author to win a MacArthur Genius grant, and her books are taught in over 200 colleges and universities nationwide. This book shares Butler's timely but lesser-known essay and is a must-read for fans of her classic sci-fi works.
 
CELEBRATE BLACK CREATORS: This book spotlights one of the greatest authors of Afrofuturism, a genre and philosophy that explores and reimagines Black culture, creativity, and liberation through fiction, art, music, film, and other media. Octavia E. Butler’s forward-thinking essay is paired with contemporary illustrations by Manzel Bowman, whose evocative images are also inspired by Afrofuturist visions.
 
INSPIRING GIFT: A unique gift for students, recent graduates, and anyone celebrating life milestones or looking forward in life, this beautifully designed hardcover book is sure to inspire. Octavia E. Butler’s essay is also an important, evergreen reminder for writers, creatives, dreamers, and activists who want to envision and work toward a brighter future.

Perfect for:
* Fans of Octavia Butler and her novels, including Kindred and Parable of the Sower
* People interested in nonfiction and essays by Black women writers
* Afrofuturism lovers and social justice-minded sci-fi readers
* Literary bibliophiles looking for a stunning new addition to their bookshelf
* Gift-giving to graduating high school and college students
* Activists and community leaders
* Inspirational essay readers
* Fans of Manzel Bowman and Afrofuturist art

Meet Chase and his amazing chef-dad, Courtney Lindsay, the real-life culinary genius who will whisk you away on a mouthwatering journey! Dive into the kitchen with this father-son duo as they whip up a healthy, vegan, kid-approved recipe that is as fun to make as it is to eat. With a focus on kitchen safety and foundational prep skills, ''Chase the Chef'' is a book that invites kids of all ages to roll up their sleeves and become kitchen superstars

Finalist 2023 National Book Critics Circle John Leonard Prize

Black Pastoral explores the complex duality of Black peoples’ past and present relationship with nature. It surveys the ways in which our histories (both Black histories and natural/ecological histories), our suffering and our thriving, are forever wound around one another. They are painful at times and act as a salve at others. Ariana Benson’s poems meditate upon the violence and tenderness that simultaneously characterize the entangling of the two, taking the form of a series of ecopoetic musings that re-envision these confluences.

Moreover, Benson’s poems illustrate the beauty inherent to Blackness, to nature, to the remarkable relationship they share, while also refusing its permission to collect idly, like an opaque skein of film obscuring uglier, necessary truths. Black Pastoral seeks to be both love letter and elegy, both flame to raze the field and flood to nourish the land anew.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

The New York Times bestselling multitalented artist makes his fiction debut with this electrifying novel—The Accomplice combines the imaginative page-turning suspense of S. A. Cosby’s novels with the high-tension thrills of the Netflix blockbuster series Money Heist.

In The Accomplice, Curtis "50 Cent" Jackson and award-winning mystery writer Aaron Philip Clark introduces readers to New York-born and Texas-bred Nia Turner, who always dreamt of becoming a Texas Ranger. She knows the dangers of the job, and as the first Black female ranger, she knows the politics, but she’s never encountered a criminal like Desmond Bell. A Vietnam vet turned thief, Desmond steals more than money; he steals the secrets of the rich and powerful and blackmails them for millions. When Desmond steals from the Duchamps, the wealthiest family in the country, Nia’s investigation into the robbery threatens to expose him and the criminal enterprise he works for. As the bodies pile up, Nia digs deeper for the truth, putting her life and career in danger. It’s a deadly cat-and-mouse game between ranger and thief, but to protect their family’s secrets, the Duchamps won’t hesitate to kill them both.

“Nuila’s storytelling gifts place him alongside colleagues like Atul Gawande.” —Los Angeles Times

This “compelling mixture of health care policy and gripping stories from the frontlines of medicine” (The Guardian) explores the question: where does an uninsured person go when turned away by hospitals, clinics, and doctors?

Here, we follow the lives of five uninsured Houstonians as their struggle for survival leads them to a hospital that prioritizes people over profit. First, we meet Stephen, the restaurant franchise manager who signed up for his company’s lowest priced plan, only to find himself facing insurmountable costs after a cancer diagnosis. Then Christian—a young college student and retail worker who can’t seem to get an accurate diagnosis, let alone treatment, for his debilitating knee pain. Geronimo, thirty-six years old, has liver failure, but his meager disability check disqualifies him for Medicaid—and puts a life-saving transplant just out of reach. Roxana, who’s lived in the community without a visa for more than two decades, suffers from complications related to her cancer treatment. And finally, there’s Ebonie, a young mother whose high-risk pregnancy endangers her life. Whether due to immigration status, income, or the vagaries of state Medicaid law, all five are denied access to care. For all five, this exclusion could prove life-threatening.

Each patient eventually lands at Ben Taub, the county hospital where Dr. Nuila has worked for over a decade. Nuila delves with empathy into the experiences of his patients, braiding their dramas into a singular narrative that contradicts the established idea that the only way to receive good health care is with good insurance. As readers follow the moving twists and turns in each patient’s story, it’s impossible to deny that our system is broken—and that Ben Taub’s innovative model, where patient care is more important than insurance payments, could help light the path forward.

Policing is violent. And its violence is not distributed equally: stark racial disparities persist despite decades of efforts to address them. Amid public outcry and an ongoing crisis of police legitimacy, there is pressing need to understand not only how police perceive and use violence but also why.

With unprecedented access to three police departments and drawing on more than 100 interviews and 1,000 hours on patrol, The Danger Imperative provides vital insight into how police culture shapes officers’ perception and practice of violence. From the front seat of a patrol car, it shows how the institution of policing reinforces a cultural preoccupation with violence through academy training, departmental routines, powerful symbols, and officers’ street-level behavior.

This violence-centric culture makes no explicit mention of race, relying on the colorblind language of “threat” and “officer safety.” Nonetheless, existing patterns of systemic disadvantage funnel police hyperfocused on survival into poor minority neighborhoods. Without requiring individual bigotry, this combination of social structure, culture, and behavior perpetuates enduring inequalities in police violence.

A trailblazing, on-the-ground account of modern policing, this book shows that violence is the logical consequence of an institutional culture that privileges officer survival over public safety.

*ships in 7 - 10 business days*

From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age

Jamaica Kincaid's The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman's inexorable evolution, evoked in startling and magical poetry.

Powerful, disturbing, stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own.

Kincaid takes us from Xuela's childhood in a home where she can hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack LaBatte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela's is an intensely physical world, redolent of overripe fruit, gentian violet, sulfur, and rain on the road, and it seethes with her sorrow, her deep sympathy for those who share her history, her fear of her father, her desperate loneliness. But underlying all is "the black room of the world" that is Xuela's barrenness and motherlessness.

The essential resource and guide to African American spirituality and traditions.

This is a fabulous resource for anyone who wants to understand African American spirituality, shamanism, and indigenous spiritual practices and beliefs. It is designed to be informative while providing hands-on recipes, rituals, projects, and resources to help you become an active participant in its wonderfully soulful traditions.

Inside you will find:
1. A celebration of healing, magic, and the divination traditions of ancient African earth-based spirituality
2. An explanation of how these practices have evolved in contemporary African American culture
3. A potpourri of recipes, rituals, and resources that you can use to heal your life

Among the topics covered:
* African spiritual practices of Santeria, Obeah, Lucumi, Orisa, and Quimbois
* Hoodoo—and how to use it to improve your health
* Ancient healing rituals and magical recipes of Daliluw
* Talking drums, spiritual dancing, clapping, tapping, singing, and changing
* Power objects, tricks and mojo bags, and herbal remedies

Previously published as The Big Book of Soul.

An introduction to the spiritual source of the beliefs and practices that have so profoundly shaped African American religious traditions.

Most of the Africans who were enslaved and brought to the Americas were from the Yoruba nation of West Africa, an ancient and vast civilization. In the diaspora caused by the slave trade, the guiding concepts of the Yoruba spiritual tradition took root in Haiti, Puerto Rico, Cuba, Brazil, and the United States.

In this accessible introduction, Baba Ifa Karade provides an overview of the Yoruba tradition and its influence in the West. He describes the sixteen Orisha, or spirit gods, and shows us how to work with divination, use the energy centers of the body to internalize the teachings of Yoruba, and create a sacred place of worship. The book also includes prayers, dances, songs, offerings, and sacrifices to honor the Orisha.

In the 1960s and ’70s, a diverse range of storefronts―including head shops, African American bookstores, feminist businesses, and organic grocers―brought the work of the New Left, Black Power, feminism, environmentalism, and other movements into the marketplace. Through shared ownership, limited growth, and democratic workplaces, these activist entrepreneurs offered alternatives to conventional profit-driven corporate business models. By the middle of the 1970s, thousands of these enterprises operated across the United States―but only a handful survive today. Some, such as Whole Foods Market, have abandoned their quest for collective political change in favor of maximizing profits.

Vividly portraying the struggles, successes, and sacrifices of these unlikely entrepreneurs, From Head Shops to Whole Foods writes a new history of social movements and capitalism by showing how activists embraced small businesses in a way few historians have considered. The book challenges the widespread but mistaken idea that activism and political dissent are inherently antithetical to participation in the marketplace. Joshua Clark Davis uncovers the historical roots of contemporary interest in ethical consumption, social enterprise, buying local, and mission-driven business, while also showing how today’s companies have adopted the language―but not often the mission―of liberation and social change.

From one of our most acclaimed contemporary writers, an urgent and essential collection of poems illuminating the visionary presence of Palestinians.

Fady Joudah’s powerful sixth collection of poems opens with, “I am unfinished business,” articulating the ongoing pathos of the Palestinian people. A rendering of Joudah’s survivance, [...] speaks to Palestine’s daily and historic erasure and insists on presence inside and outside the ancestral land. 

Responding to the unspeakable in real time, Joudah offers multiple ways of seeing the world through a Palestinian lens—a world filled with ordinary desires, no matter how grand or tragic the details may be—and asks their reader to be changed by them. The sequences are meditations on a carousel: the past returns as the future is foretold. But “Repetition won’t guarantee wisdom,” Joudah writes, demanding that we resuscitate language “before [our] wisdom is an echo.” These poems of urgency and care sing powerfully through a combination of intimate clarity and great dilations of scale, sending the reader on heartrending spins through echelons of time. […]is a wonder. Joudah reminds us “Wonder belongs to all.”

A collection of personal stories, history, poetry, and art

A Land With a People is a book of stories, photographs and poetry which elevates rarely heard Palestinian and Jewish voices and visions. Eloquently framed with a foreword by the dynamic Palestinian legal scholar and activist, Noura Erakat, this book began as a storytelling project of Jewish Voice for Peace-New York City and subsequently transformed into a theater project performed throughout the New York City area.

Stories touch hearts, open minds, and transform our understanding of the “other”―as well as our comprehension of own roles and responsibilities― and A Land With a People emerges from this reckoning. It brings us the narratives of secular, Muslim, Christian, and queer Palestinians who endure the particular brand of settler colonialism known as Zionism. It relays the transformational journeys of Ashkenazi, Mizrahi, queer, and Palestinian Jews who have come to reject the received Zionist narrative. Unflinching in their confrontation of the power dynamics that underlie their transformation process, these writers find the courage to face what has happened to historic Palestine, and to their own families as a result. Contextualized by a detailed historical introduction and timeline charting 150 years of Palestinian and Jewish resistance to Zionism, this collection will stir emotions, provoke fresh thinking, and point to a more hopeful, loving future―one in which Palestine/Israel is seen for what it is in its entirety, as well as for what it can be.

From prize-winning Korean author Kim Hye-jin comes the contemplative, superbly-crafted story of a woman scapegoated by sudden tragedy, and the unexpected paths she must wander in search of redemption.

Haesoo is a successful therapist and regular guest on a popular TV program. But when she makes a scripted negative comment about a public figure who later commits suicide, she finds herself ostracized by friends, fired from her job, and her marriage begins to unravel. These details come to the reader gradually, in meditative prose, through bits and pieces of letters that Haesoo writes and finally abandons as she walks alone through her city.

One day she has an unexpected encounter with Sei, a 10-year-old girl attempting to feed an orange cat. Stray cats seem to be everywhere; they have the concern of one other neighborhood woman and the ire of everyone else. Like Haesoo and Sei, the cats endure various insults and recover slowly. Haesoo, who would not otherwise care about animals or form relationships with children, now finds herself pulled back by degrees into the larger world.

“Having been Jane Eyre, Anna Karenina and Esther Greenwood all my life, my writing was an opportunity for the reader to have to be me…” 

Shortly after flight MAS370 goes missing, scholarship student Girl boards her own mysterious flight from Australia to London to work on a dissertation on Sylvia Plath. Though she is ambivalent toward academia and harbors ideas about writing a post-colonial novel, if only she could work out just what that means, Girl relishes the freedom that has come with distance from the expectations and judgements of her very tight-knit Malaysian-Australian family. At last Girl has an opportunity to live on her own terms. 

Unfolding across Girl’s time at an artist residency in Scotland as she makes friends and enemies alike in a world far removed from any she’s ever known, But the Girl is a wry and playfully philosophical coming of age novel that reveals the joys, embarrassments, pleasures, and agonies of trying to discover and understand who you are. Girl grapples with the long shadow of colonialism, the pressure of expectations in immigrant families, and the sometimes difficult fact that those closest to us remain the most unknowable.

The 1967 Arab–Israeli War rocketed the question of Israel and Palestine onto the front pages of American newspapers. Black Power activists saw Palestinians as a kindred people of color, waging the same struggle for freedom and justice as themselves. Soon concerns over the Arab–Israeli conflict spread across mainstream black politics and into the heart of the civil rights movement itself. Black Power and Palestine uncovers why so many African Americans―notably Martin Luther King, Jr., Malcolm X, and Muhammad Ali, among others―came to support the Palestinians or felt the need to respond to those who did.

Americans first heard pro-Palestinian sentiments in public through the black freedom struggle of the 1960s and 1970s. Michael R. Fischbach uncovers this hidden history of the Arab–Israeli conflict's role in African American activism and the ways that distant struggle shaped the domestic fight for racial equality. Black Power's transnational connections between African Americans and Palestinians deeply affected U.S. black politics, animating black visions of identity well into the late 1970s. Black Power and Palestine allows those black voices to be heard again today.

In chronicling this story, Fischbach reveals much about how American peoples of color create political strategies, a sense of self, and a place within U.S. and global communities. The shadow cast by events of the 1960s and 1970s continues to affect the United States in deep, structural ways. This is the first book to explore how conflict in the Middle East shaped the American civil rights movement.

"Honey Hush!" is an exclamation used among black women, especially those from the South, as a friendly encouragement, a mild suggestion of playful disbelief, or a suggestion that one is telling truths that are prohibited. This anthology will make readers say "Honey, Hush!" many times. Often hard-hitting, sometimes risque', always dramatic and eloquent, the vibrant humor of African American women is celebrated in this bold, unique and comprehensive collection. Arising from the depth of black women's souls and the breadth of their lives, it reflects what the American experience has meant to them.

Run, Run, Run! is a fun, fun, fun board book for on-the-go toddlers!

It's time to run a race like no other! Finish line? Winning? None of that matters here. Exploring is the goal! In this colorful board book by bestselling author-illustrator Taro Gomi, follow the racer as he runs far past the finish line and through fields, a farm, a forest, and more. Toddlers will delight in turning the pages to find out where he will run, run, run to next!

Ideal for fans of Taro Gomi and his popular children's books, including the classic Everyone Poops, My Friends, Little Truck, and Little Chicks, this board book combines irresistibly expressive artwork and energetic text to create a read-along story parents and kids will not walk but run to read again and again.

PERFECT FOR ACTIVE TODDLERS: Not only do toddlers love to run—they love to run everywhere! This spirited board book gives little ones a glimpse of what it's like to run in cities, farms, forests, and more, letting them live out their dreams of running free with the whole world at their feet. It's the ultimate board book adventure!

CELEBRATES THE POWER OF IMAGINATION: It's a toddler's dream come true: running (and running) everywhere! The youngest readers will delight in exploring a variety of scenes and reveling in the little racer's ideal race.
 
A GREAT GIFT: This colorful, detail-rich board book is the perfect present for young ones just starting to walk and run. Not only will it inspire them, but it will help to redefine what winning means when experience is the goal! Great for baby shower, new baby, or child's birthday gift giving.

Perfect for:
* Fans of Taro Gomi and Everyone Poops
* Gift-givers seeking a sweet and engaging board book
* Parents, grandparents, caregivers, and storytime leaders who love sharing fun stories and vibrant art with babies and toddlers
* Runners and joggers who want to share their outdoor hobby with the kids in their lives

Learning new words and phrases has never been so fun—and funny! 

Taro Gomi introduces toddlers to first words in unforgettable ways: From flowers to a face, to greetings and games, this one-of-a-kind collection not only provides first-word basics but a fresh and fun-filled approach all while letting the youngest of readers “travel” to Japan through its pages. At once a first word and phrases primer and an introduction to new people and places, this content-rich collection will be treasured by kids and caregivers alike. 

A STAND-OUT GIFT: Just right for birthdays, baby showers, and any giving occasion! A one-of-a-kind art style and unique take on a first-words book for toddlers and babies make this collection a must-have as well as a treasured keepsake.

TARO IS THE BEST TEACHER: From Everyone Poops to I Know Numbers!, kids love learning from Taro Gomi! With quirky and expressive illustrations paired with first words and phrases, young children will build their vocabulary while learning about the exciting world around them. 

PACKED WITH HUMOR: With Taro Gomi's attention to detail, each page captures countless laugh-out-loud moments sure to make this book a fan favorite.

FOCUS ON FIRST WORDS AND FEELINGS: This book is a powerful and important springboard, modeling first words and providing important social-emotional learning by allowing kids to talk about their emotions and inner life.

Perfect for:
* Fans of Taro Gomi's Everyone Poops and other bestselling children's books
* Gift givers seeking a book for babies and toddlers who are starting to learn new words
* Teachers and librarians looking for fun, engaging books that teach children a wide variety of words
* Readers of Richard Scarry books, First 100 Words, and other popular alphabet and early learning books for kids

Percival Everett's blistering satire about race and publishing, now adapted for the screen as AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

NAMED A MOST ANTICIPATED BOOK OF THE YEAR BY THE WASHINGTON POST, TIME, USA TODAY, & MORE

“You will burn through Victim and find your hands scalded when you are done…Pitch perfect.” —Xochitl Gonzalez, New York Times bestselling author of Olga Dies Dreaming

There’s a fine line between bending the truth and telling bold-faced lies, and Javier Perez is willing to cross it. Victim is a fearless satire about a hustler from the Bronx who sees through the veneer of diversity initiatives and decides to cash in on the odd currency of identity.

Javier Perez is a hustler from a family of hustlers. He learns from an early age how to play the game to his own advantage, how his background—murdered drug dealer dad, single cash-strapped mom, best friend serving time for gang activity—can be a key to doors he didn’t even know existed. This kind of story, molded in the right way, is just what college admissions committees are looking for, and a full academic scholarship to a prestigious university brings Javi one step closer to his dream of becoming a famous writer.

As a college student, Javi embellishes his life story until there’s not even a kernel of truth left. The only real connection to his past is the occasional letter he trades with his childhood best friend, Gio, who doesn’t seem to care about Javi’s newfound awareness of white privilege or the school-to-prison pipeline. Soon after Javi graduates, a viral essay transforms him from a writer on the rise to a journalist at a legendary magazine where the editors applaud his “unique perspective.” But Gio more than anyone knows who Javi really is, and sees through his game. Once Gio’s released from prison and Javi offers to cut him in on the deal, will he play along with Javi’s charade, or will it all come crumbling down?

A sendup of virtue signaling and tear-jerking trauma plots written with the bite of Paul Beatty, Victim asks what real diversity looks like and how far one man is willing to go to make his story hit the right notes.