Based on the true story of the first African American NASCAR champion Wendell Scott, Born Driven is an uplifting tale celebrating the power of persistence and big dreams.

Like many other boys, Wendell Scott had a big dream: to become a race car driver. He loved to race anything and everything! Although he faced many difficulties as an African American boy in the South, Wendell had the willpower to overcome these obstacles. Join Wendell Scott for the time he challenged himself to compete in his town’s soapbox derby.

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A powerful 30-day workbook journey intended to help the reader lovingly confront their inner oppressor and come to terms with their own internalized biases.

Based on mental wellness advocate and writer Leesa Renee Hall's longstanding work, Inner Field Trip provides a user-friendly, nonjudgmental, and introspective template for exploring our inner biases about race and other forms of inequity. The cornerstone of Hall's model involves confronting one's "Inner Oppressor."

The Inner Oppressor is a manifestation of internalized cultural messages that drive us to judge others but also works to sabotage our own needs. This 30-day program in workbook form takes readers—who become active participants in the experience—on a deep dive from which they will emerge changed.

A self-care guidebook full of activities for Black men everywhere pursuing joy, creating connections, confronting racism, and working through intergenerational trauma.

Black men desperately need care and restoration. But what does that restoration look like when you’re a Black man in today’s world? How do you take care of your mental health when men who look like you die at the hands of police? How do you find peace and refuge when you’re not sure how to keep up with your partner? Or navigate a challenging workplace? While scrolling through social media feeds, you may feel like you don’t have access to wellness like women do. But Black men need a space for self-care too.

In Self-Care for Black Men, you will find practical answers to your questions. This book contains self-care strategies that address some of the most common issues Black men face, such as dealing with racism, navigating prejudice in the workplace, managing romantic relationships, and working through intergenerational trauma.

This is your guide to wellness and self-discovery written specifically for Black men. There will opportunities to learn new skills to manage your mental health, as well as do more deep reflection on your own terms. It’s time to take your health firmly within your own hands and Self-Care for Black Men will help you do that.

Teach your baby to communicate their basic wants and needs (with words and sign language), all as they easily learn the letters of the alphabet.

Help your baby express themselves! This adorable board book teaches your little one the letters of the alphabet while also reinforcing phrases that communicate their basic needs. A is for All Done. B is for Bath. C is for cold. Beautiful illustrations are accompanied by a sign language guide to help non-verbal babies, making this the perfect gift for any family.

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Set in late 16th-century Africa, India, Portugal, and Japan, The African Samurai is a powerful historical novel based on the true story of Yasuke, Japan’s first foreign-born samurai and the only samurai of African descent—for readers of Esi Edugyan and Lawrence Hill.

In 1579, a Portuguese trade ship sails into port at Kuchinotsu, Japan, loaded with European wares and weapons. On board is Father Alessandro Valignano, an Italian priest and Jesuit missionary whose authority in central and east Asia is second only to the pope’s. Beside him is his protector, a large and imposing East African man. Taken from his village as a boy, sold as a slave to Portuguese mercenaries, and forced to fight in wars in India, the young but experienced soldier is haunted by memories of his past.

From Kuchinotsu, Father Valignano leads an expedition pushing inland toward the capital city of Kyoto. A riot brings his protector in front of the land’s most powerful warlord, Oda Nobunaga. Nobunaga is preparing a campaign to complete the unification of a nation that’s been torn apart by over one hundred years of civil war. In exchange for permission to build a church, Valignano “gifts” his protector to Nobunaga, and the young East African man is reminded once again that he is less of a human and more of a thing to be traded and sold.

After pledging his allegiance to the Japanese warlord, the two men from vastly different worlds develop a trust and respect for one another. The young soldier is granted the role of samurai, a title that has never been given to a foreigner; he is also given a new name: Yasuke. Not all are happy with Yasuke’s ascension. There are whispers that he may soon be given his own fief, his own servants, his own samurai to command. But all of his dreams hinge on his ability to protect his new lord from threats both military and political, and from enemies both without and within.

A magnificent reconstruction and moving study of a lost historical figure, The African Samurai is an enthralling narrative about the tensions between the East and the West and the making of modern Japan, from which rises the most unlikely hero.

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A National Book Award Finalist for Young People’s Literature
Nominated as one of America’s best-loved novels by PBS’s The Great American Read

Ghost wants to be the fastest sprinter on his elite middle school track team, but his past is slowing him down in this first electrifying novel of the acclaimed Track series from Newbery honoree Jason Reynolds.

Ghost. Lu. Patina. Sunny. Four kids from wildly different backgrounds with personalities that are explosive when they clash. But they are also four kids chosen for an elite middle school track team—a team that could qualify them for the Junior Olympics if they can get their acts together. They all have a lot to lose, but they also have a lot to prove, not only to each other, but to themselves.

Running. That’s all Ghost (real name Castle Cranshaw) has ever known. But Ghost has been running for the wrong reasons—it all started with running away from his father, who, when Ghost was a very little boy, chased him and his mother through their apartment, then down the street, with a loaded gun, aiming to kill. Since then, Ghost has been the one causing problems—and running away from them—until he meets Coach, an ex-Olympic Medalist who sees something in Ghost: crazy natural talent. If Ghost can stay on track, literally and figuratively, he could be the best sprinter in the city. Can Ghost harness his raw talent for speed, or will his past finally catch up to him?

From Newbery Medal honoree and #1 New York Times bestselling author Jason Reynolds comes the sequel to the hilarious, hopeful, and action-packed middle grade novel Stuntboy, in the Meantime about the greatest young superhero you’ve never heard of, jam packed with illustrations by Raúl the Third!

Portico Reeves is the greatest superhero a lot of people have never heard of. He likes it that way—then no one can get in the way of him from keeping other other people safe. Super safe. He’s Stuntboy. He’s got the moves. And the saves. Except. There’s been one major fail.

He couldn’t save his parents from becoming Xs. Which is a word that sounds like coughing up a hairball. But don’t talk to him about the divorce, because of the hairball thing, and also, it gives Portico the frets.

What’s also giving him frets is his parents living on two separate floors in their apartment building. He’s never fully with one parent or the other. He’s in-between, all the time. The in-between time. And the elevator is busted, so to get between floors means getting past the bullies who hang in the stairwells.

So when Portico and new friend, Herbert, and best best friend, Zola, discover an empty apartment, unlocked, they are psyched. It’s a perfect hideout, and hangout, and it’s not half anyone’s…it’s all theirs. So they decide to make it their own…let’s say with stunts of the drawing kind. Problem is, that gives some Grown Up People the frets, which leads to double frets for Portico. And he’s not sure his arsenal of stunts can combat that.

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Designed as a companion to the hugely successful monograph Noah Davis, this volume offers further insight into the impact and legacy of the revolutionary Los Angeles artist and activist.

“Embedding his dreams on canvas and in the community, visionary American artist Noah Davis created a mighty legacy.” — Rachel Willcock, ArtReview (2022)
 
Looking to literature, film, architecture, and art history, Noah Davis imbued his ethereal paintings with emotion and imagination. Muted colors, fantastic scenes, and blurred subjects create an intoxicating vision. Attuned to the power of his medium, Davis layered his paintings—figuratively and literally—using a unique dry paint application to depict quotidian life at an enigmatic, almost magical remove. Featuring sumptuous close-ups throughout, this important new book brings into focus the rich, painterly variety and luminous detail of Davis’s canvases. 
 
With a special focus on the groundbreaking Underground Museum, which Noah Davis co-founded with his wife, Karon Davis, Noah Davis: In Detail includes a special conversation, moderated by Helen Molesworth, between Fred Moten, Glenn Ligon, Thomas Lax, and Julie Mehretu. This renowned group of artists and thinkers share personal experiences of the powerful and emotional impact of The Underground Museum and its connection to the larger artistic environs of Los Angeles. Franklin Sirmans contributes a new essay and Lindsay Charlwood, a lifelong friend of Noah’s, authors a chronology of his life, contextualizing his artistic and social achievements.

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A ruthless and razor-sharp essay collection that tackles the pervasive, creeping oppression and toxicity that has wormed its way into society—in our books, schools, and homes, as well as the systems that perpetuate them—from the acclaimed author of Mean, and one of our fiercest, foremost explorers of intersectional Latinx identity.

A creep can be a singular figure, a villain who makes things go bump in the night. Yet creep is also what the fog does—it lurks into place to do its dirty work, muffling screams, obscuring the truth, and providing cover for those prowling within it.

Creep is Myriam Gurba’s informal sociology of creeps, a deep dive into the dark recesses of the toxic traditions that plague the United States and create the abusers who haunt our books, schools, and homes. Through cultural criticism disguised as personal essay, Gurba studies the ways in which oppression is collectively enacted, sustaining ecosystems that unfairly distribute suffering and premature death to our most vulnerable. Yet identifying individual creeps, creepy social groups, and creepy cultures is only half of this book’s project—the other half is examining how we as individuals, communities, and institutions can challenge creeps and rid ourselves of the fog that seeks to blind us.

With her ruthless mind, wry humor, and adventurous style, Gurba implicates everyone from Joan Didion to her former abuser, everything from Mexican stereotypes to the carceral state. Braiding her own history and identity throughout, she argues for a new way of conceptualizing oppression, and she does it with her signature blend of bravado and humility.

A powerful and uplifting story about thirteen-year-old Isaiah, who has always worshiped his older brother, Seth, until a devastating accident forces him to step up and find a way to support his brother the way Seth has always supported him—from the acclaimed author of How Lamar's Bad Prank Won a Bubba-Sized Trophy and the Magnificent Mya Tibbs series.

Inspired by real events, Between Two Brothers is a big-hearted story about forgiveness and the power of a family’s unconditional love, perfect for readers who loved Fish in a Tree and Out of My Mind.

Isaiah "Ice" Abernathy has always worshiped his older brother, Seth. For years they’ve been not just brothers but best friends—and as Seth starts his senior year, Ice is eager to spend as much time with his brother as he can, making memories before Seth goes to college.

But when Seth announces he’s leaving much earlier than expected, and then he misses an important event—one he'd promised to attend—it causes a major fight.

Filled with regret, Ice plans to apologize to Seth later the next day, but later never comes, as he finds out Seth was in an accident—one that leaves him in the hospital. And the doctors say he may never recover.

Racked by fear and guilt, Ice chooses to step up, defy the experts, and help Seth recover in a way only he can—by trusting in their bond and the undying love between two brothers.

A high-stakes, propulsive young adult thriller with a body-swap twist thoughtfully explores themes of friendship and identity, perfect for fans of Tiffany D. Jackson.

Seventeen-year-old Megan has been jumping from friend group to friend group in her Atlanta-area suburb, trying on identities like outfits. Nothing ever felt right. Until she meets LC, the adventurous, charismatic girl who appeared at Megan’s favorite coffee shop like magic. They’ve been inseparable ever since, and Megan feels like she’s coming into who she’s really meant to be: someone like LC.

But LC has secrets—dangerous ones. On the night of their friendiversary, LC offers Megan a drug that makes Megan pass out at a party. When she awakens, she realizes that she and LC have swapped bodies and even worse . . . LC is already at Megan’s house, pretending to be Megan.

Now Megan has to fight against the horror of being trapped in someone else’s body while trying to figure out how to get her life back. The only way to do that is to own what makes Megan Megan . . . or die trying.

A powerful poetry collection in the vein of BLACK GIRL CALL HOME and IF THEY COME FOR US, about identity, culture, home and belonging.

PLANTAINS AND OUR BECOMING is an imaginative, blistering, beautifully written poetry collection about identity and history on the island of the Dominican Republic and Haiti to celebrate and center the Black Diasporic experience.

Through the exploration of the themes of self-love, nationalism, displacement, generational traumas, and ancestral knowledge, this collection uproots Black stereotypes while creating a new joyous vision for Black identity and personhood, one that is deeply grounded in the heirlooms and teachings of Black celebration as well as preservation.

The collection is structured in the following sections: Part I: Daughter of Diaspora, exploring immigration and identity within the U.S. Part II: A History of Plantains, exploring the aftermath of colonialism, displacement and gentrification for Afro-descendants.

A short story collection in the vein of Danielle Evans and Bryan Washington, about community, home, betrayal, and forgiveness.

HOLLER, CHILD is a short story collection packed with extraordinary and unforgettable writing and scenes, that explores concerns and issues that press at the bruises of guilt, betrayal, and forgiveness.

Set in the same Black community in Texas as PERISH, LaToya's debut novel, each story focuses on unique characters that illuminate life in Texas; they offer briliant, heartbreaking, but ultimately hopeful perspectives from the women and men in the community, and touch on big themes like race, power, inequality, and more.

In one story, the appearance of a horse in a man's suburban backyard places a former horse breeder in trouble with the police, while in another, following the mass suicide of his entire congregation, the mother of a cult leader tries to honor him in a way she couldn't while he was alive.

Fresh and urgently told, HOLLER, CHILD is a wise follow-up to LaToya's debut novel.

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Vampires and vaqueros face off on the Texas-Mexico border in this supernatural western from the author of The Hacienda.

From James McBride, author of the bestselling Oprah’s Book Club pick Deacon King Kong and the National Book Award–winning The Good Lord Bird, a novel about small-town secrets and the people who keep them

In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe’s theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe.

    As these characters’ stories overlap and deepen, it becomes clear how much the people who live on the margins of white, Christian America struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town’s white establishment played in it, McBride shows us that even in dark times, it is love and community—heaven and earth—that sustain us.

    Bringing his masterly storytelling skills and his deep faith in humanity to The Heaven & Earth Grocery Store, James McBride has written a novel as compassionate as Deacon King Kong and as inventive as The Good Lord Bird.

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When Sam is stuck sharing the streets for Chicago’s summer festivals with a man she can’t stand, she’ll find it’s often a bumpy road that leads to love….

As office manager of the city’s leading luxury boudoir and pinup photography studio, lovable grump Samantha Sawyer has everything under control. With an eventful summer season on the horizon, Sam is balancing an insane workload while preparing the Buxom Boudoir “Photobus,” a vintage coach bus converted into a mobile photobooth and meeting space, to make the rounds at Chicago’s bustling summer street festival roster. Sam’s busy schedule makes avoiding the difficult parts of her life much easier, but there’s one person who can see right through her to-do lists and icy façade, really see her…and Sam hates him for it.

A lot has changed in the last year for Russell Montgomery. Years of odd jobs and couch surfing around the country had left him scrambling, but after reconnecting with his brother, Reid (and coming as close to settling down as he’s ever been), Russ now works at a hot local restaurant. Russ has been welcomed into his newly engaged brother’s circle of friends—all except a close friend and coworker of Reid’s fiancée, an intriguingly stormy woman named Sam.

Luckily, Sam is certain that the insanity of her calendar will ensure their distance, and she won’t have to deal with Russ or his irritating, handsome smile. But when Russ is charged with the launch of a restaurant food truck for the festival circuit, the sizzling Chicago heat is no match for the fire between them….

Blackdom, New Mexico, was a township that lasted aboutthirty years. In this book, Timothy E. Nelson situates the township’s storywhere it belongs: along the continuum of settlement in Mexico’s Northern Frontier.Dr. Nelson illuminates the set of conscious efforts that helped Black pioneersdevelop Blackdom Township into a frontier boomtown.

“Blackdom” started as an inherited idea of a nineteenth-centuryAfrotopia. The idea of creating a Blackdom was refined within Blackinstitutions as part of the perpetual movement of Black Colonization. In 1903,thirteen Black men, encouraged by the 1896 Plessy decision, formed the BlackdomTownsite Company and set out to make Blackdom a real place in New Mexico, wherethey were outside the reach of Jim Crow laws.

Many believed that Blackdom was simply abandoned. However,new evidence shows that the scheme to build generational wealth continued toexist throughout the twentieth century in other forms. During Blackdom’s boomtimes,in December 1919, Blackdom Oil Company shifted town business from aregenerative agricultural community to a more extractive model. Nelson hasuncovered new primary source materials that suggest for Blackdom a newlydiscovered third decade. This story has never been fully told or contextualizeduntil now.

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Deana Lawson is one of the most powerful photographers of her generation. Her subject is black expressive culture and her canvas is the African Diaspora. Over the last ten years, she has created a visionary language to describe black identities, through intimate portraiture and striking accounts of ceremonies and rituals.Deana Lawson: An Aperture Monograph features forty beautifully reproduced photographs, an essay by the acclaimed writer Zadie Smith, and an extensive interview with the filmmaker Arthur Jafa.

Deana Lawson is one of the most intriguing photographers of her generation. Over the last ten years, she has created a visionary language to describe identities through intimate portraiture and striking accounts of ceremonies and rituals. Using medium- and large-format cameras, Lawson works with models she meets in the United States and on travels in the Caribbean and Africa to construct arresting, highly structured, and deliberately theatrical scenes animated by an exquisite range of color and attention to surprising details: bedding and furniture in domestic interiors or lush plants in Edenic gardens. The body—often nude—is central. Throughout her work, which invites comparison to the photography of Diane Arbus, Jeff Wall, and Carrie Mae Weems, Lawson seeks to portray the personal and the powerful in black life. Deana Lawson: An Aperture Monograph features forty beautifully reproduced photographs, an essay by the acclaimed writer Zadie Smith, and an expansive conversation with the filmmaker Arthur Jafa.

Forgotten Readers expands our definition of literacy and urges us to think of literature as broadly as it was conceived of in the nineteenth century. Elizabeth McHenry delves into archival sources, including the records of past literary societies and the unpublished writings of their members. She examines particular literary associations, including the Saturday Nighters of Washington, D.C., whose members included Jean Toomer and Georgia Douglas Johnson. She shows how black literary societies developed, their relationship to the black press, and the ways that African American women's clubs--which flourished during the 1890s--encouraged literary activity. In an epilogue, McHenry connects this rich tradition of African American interest in books, reading, and literary conversation to contemporary literary phenomena such as Oprah Winfrey's book club.

Johnson looks at various sites of performed blackness, including Marlon Riggs’s influential documentary Black Is . . . Black Ain’t and comedic routines by Eddie Murphy, David Alan Grier, and Damon Wayans. He analyzes nationalist writings by Amiri Baraka and Eldridge Cleaver, the vernacular of black gay culture, an oral history of his grandmother’s experience as a domestic worker in the South, gospel music as performed by a white Australian choir, and pedagogy in a performance studies classroom. By exploring the divergent aims and effects of these performances—ranging from resisting racism, sexism, and homophobia to excluding sexual dissidents from the black community—Johnson deftly analyzes the multiple significations of blackness and their myriad political implications. His reflexive account considers his own complicity, as ethnographer and teacher, in authenticating narratives of blackness.

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In A Quitter’s Paradise, the darkly humorous debut by bold, new voice Elysha Chang, a young woman does everything she can to ignore her mother’s death, even as unearthed family secrets become increasingly inextricable from her own.

Eleanor is doing just fine. Yes, she’s keeping secrets from her husband. Sure, she quit her PhD program and is now conducting unauthorized research on illegitimately procured mice. And, true, her mother is dead, and Eleanor has yet to go through her things. But what else is she supposed to do? What shape can grief take when you didn’t understand the person you’ve lost?

Resisting at every turn, Eleanor tumbles blindly down a path toward confronting her present. As Eleanor’s avoidance of her feelings results in a series of outrageous—often hilarious—choices, her actions begin to threaten all she holds most dear. Meanwhile, glimpses of Eleanor’s childhood and family history in Taiwan unfurl, revealing long-held secrets, and Eleanor starts to realize that she will never be able to escape her grief, or her family, despite her wildest attempts. But will she be brave enough to withstand the reckoning she’s hurtling toward?

At once disarmingly provocative and compulsively readable, A Quitter’s Paradise is an unexpectedly funny study of the beauty and contradictions of grief, family bonds, and self-knowledge, exploring the ways we unwittingly guard the secrets of our loved ones, even from ourselves.

Award-winning, New York Times bestselling author S. A. Cosby’s debut novel, republished in a new edition, with a new introduction from the author.

“I handle the bodies.”

Whether it's working at his cousin's funeral home or tossing around the local riffraff at his favorite bar, Nathan Waymaker is a man who knows how to handle the bodies. A former marine and sheriff's deputy, Nathan has built a reputation in his small Southern town as a man who can help when all other avenues have been exhausted. When a beloved local minister is found dead, his parishioners ask Nathan to make sure the death isn’t swept under the rug.

What starts out as an easy payday soon descends into a maze of mayhem filled with wannabe gangsters, vicious crime lords, porn stars, crooked police officers, and a particularly treacherous preacher and his mysterious wife. Nathan must use all his varied skills and some of his wit to navigate the murky waters of small town corruption even as dark secrets of his own threaten to come to the surface.

The USA Today bestselling author of The Worst Best Man is back with another hilarious #ownvoices rom-com about two strangers who get trapped in a lie and have to fake date their way out of it… 

Just weeks away from ditching DC for greener pastures, Solange Perreira is roped into helping her wedding planner cousin on a random couple’s big day. It’s an easy gig... until she stumbles upon a situation that convinces her the pair isn’t meant to be. What’s a true-blue romantic to do? Crash the wedding, of course. And ensure the unsuspecting groom doesn’t make the biggest mistake of his life.

Dean Chapman had his future all mapped out. He was about to check off “start a family” and was on track to “make partner” when his modern-day marriage of convenience went up in smoke. Then he learns he might not land an assignment that could be his ticket to a promotion unless he has a significant other and, in a moment of panic, Dean claims to be in love with the woman who crashed his wedding. Oops.

Now Dean has a whole new item on his to-do list: beg Solange to be his pretend girlfriend. Solange feels a tiny bit bad about ruining Dean’s wedding, so she agrees to play along. Yet as they fake-date their way around town, what started as a performance for Dean’s colleagues turns into a connection that neither he nor Solange can deny. Their entire romance is a sham... there’s no way these polar opposites could fall in love for real, right? 

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A brilliant literary memoir of chosen family and chosen heritage, told against the backdrop of Chicago’s North and South Sides

As a multiracial household in Chicago’s North Side community of Rogers Park, race is at the core of Francesca T. Royster and her family's world, influencing everyday acts of parenting and the conception of what family truly means. Like Maggie Nelson’s The Argonauts, this lyrical and affecting memoir focuses on a unit of three: the author; her wife Annie, who's white; and Cecilia, the Black daughter they adopt as a couple in their forties and fifties. Choosing Family chronicles this journey to motherhood while examining the messiness and complexity of adoption and parenthood from a Black, queer, and feminist perspective. Royster also explores her memories of the matriarchs of her childhood and the homes these women created in Chicago’s South Side—itself a dynamic character in the memoir—where “family” was fluid, inclusive, and not necessarily defined by marriage or other socially recognized contracts.

Calling upon the work of some of her favorite queer thinkers, including José Esteban Muñoz and Audre Lorde, Royster interweaves her experiences and memories with queer and gender theory to argue that many Black families, certainly her own, have historically had a “queer” attitude toward family: configurations that sit outside the white normative experience and are the richer for their flexibility and generosity of spirit. A powerful, genre-bending memoir of family, identity, and acceptance, Choosing Family, ultimately, is about joy—about claiming the joy that society did not intend to assign to you, or to those like you.

Transportation planners, engineers, and policymakers in the US face the monumental task of righting the wrongs of their predecessors while charting the course for the next generation. This task requires empathy while pushing against forces in the industry that are resistant to change. How do you change a system that was never designed to be equitable? How do you change a system that continues to divide communities and cede to the automobile?

In Inclusive Transportation: A Manifesto for Repairing Divided Communities, transportation expert Veronica O. Davis shines a light on the inequitable and often destructive practice of transportation planning and engineering. She calls for new thinking and more diverse leadership to create transportation networks that connect people to jobs, education, opportunities, and to each other.

Inclusive Transportation is a vision for change and a new era of transportation planning. Davis explains why centering people in transportation decisions requires a great shift in how transportation planners and engineers are trained, how they communicate, the kind of data they collect, and how they work as professional teams. She examines what “equity” means for a transportation project, which is central to changing how we approach and solve problems to create something safer, better, and more useful for all people.

Davis aims to disrupt the status quo of the transportation industry. She urges transportation professionals to reflect on past injustices and elevate current practice to do the hard work that results in more than an idea and a catchphrase.

Inclusive Transportation is a call to action and a practical approach to reconnecting and shaping communities based on principles of justice and equity.

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In this dark, seductive YA fantasy debut, a siren in hiding must choose between protecting her family and following her heart.

Saoirse Sorkova survives on lies. As a soldier, she lies about being a siren to avoid execution. At night, working as an assassin, Saoirse lies about her true identity. And to her family, Saoirse tells the biggest lie of all: that she can control her powers and doesn’t constantly grapple with the impulse to kill.

When Saoirse is forced to accept a job guarding the crown prince, she expects to hate Prince Hayes. After all, his father enforces the kingdom’s brutal creature segregation laws. But Saoirse finds herself drawn to him—especially when they’re forced to work together to stop a deadly killer. There’s only one problem: Saoirse is that deadly killer.
With a forbidden romance and a compulsively dark plot, this fantasy is perfect for fans of A Song Below Water and To Kill a Kingdom.