A historical and philosophical exploration of the impact of design on underserved communities, examining the field’s shortcomings as well as its potential to create positive change. Through essays that delve into history and practice, and case studies that demonstrate practical strategies, Design Against Racism explores how designers of all disciplines can address, through their work, the legacies of racism and oppression.

Design profoundly influences culture. The heart of this book is its powerful blend of essays on design history, illustrated case studies, and discussions of practical methods to approach design work, adapted from the restorative justice movement. It explores how design as a professional practice and academic discipline directly affects historically excluded communities, offering frameworks and examples that foster collective improvement.

Topics from author Omari Souza, founder of the annual State of Black Design conference, and contributing design professionals include:
* Unveiling the White Gaze: The Narrative of Whiteness and Colonial Nostalgia
* Language as a Tool for Marginalization—and Resistance
* Hip-Hop Architecture: Transforming Spaces through Culture and Innovation
* Afrofuturism as a Design Strategy
* Whose Knowledge Is It? Reclaiming Histories, Narratives, and the Plurality of Knowledge
* Nonhierarchical Engagement with Communities—Anti-Racist Design Community Pop-Up

This is a critique of design and a practical handbook that will teach designers and educators how a restorative justice approach can transform their design practice to counteract and fight racism.

TIMELY AND ESSENTIAL TOPICS: Thought-provoking essays from leaders in design diversity offer an anti-racist approach to design practice based in an understanding of history, a focus on community building, and a commitment to inclusion.

AUTHOR & CONTRIBUTORS: Omari Souza is an Assistant Professor of Communication Design at the University of North Texas and co-host of the highly acclaimed minisode podcast The Design of Business | The Business of Design. Contributors include preeminent design professionals George Fourlas, Shamika Klassen, Kaleena Sales, Zariah Cameron, Lesley-Ann Noel, Cassini Nazir, Yolanda A. Rankin, Soniyah Robinson, and Danielle Lake.

Perfect for:
* Student and professional design practitioners of all disciplines, including graphic designers, product designers, architects, and more
* Course adoption for design programs
* Anyone eager to explore the themes of anti-racism and decolonizing design

The New York Times bestselling author brings his trademark legal acumen and passionate snark to offer a brilliant takedown of ten shocking pieces of legislation that continue to perpetuate hate, racial bias, injustice, and inequality today—an urgent yet hopeful read for our current political climate

“Mystal is a grassroots legal superhero, and his superpower is the ability to explain to the masses in clear language the all-too-human forces at play behind the making of our laws.” —Michael Eric Dyson, New York Times bestselling author of Tears We Cannot Stop

In Bad Law, the New York Times bestselling author of Allow Me To Retort: A Black Guy’s Guide to the Constitution reimagines what our legal system, and society at large, could look like if we could move past legislation plagued by racism, misogyny, and corruption. Through accessible yet detailed prose and trenchant wit, Mystal argues that these egregiously awful laws—his “Bill of Wrongs”—continue to cause systematic and individual harm and should be repealed completely.

By exposing the flawed foundations of the rules we live by, and through biting humor and insight, Bad Law offers a crisp, pertinent take on:

* abortion and the Hyde Amendment, and the role federal funding, or lack thereof, has played in depriving women of necessary health and reproductive care
* immigration and illegal reentry, and the illusions that have been sold to us regarding immigration policy, reform, and whiteness at large
* voter registration laws, and how the right to vote has become a moral issue, and ironically, antidemocratic
* gun control and the Protection of Lawful Commerce in Arms Act, and the extreme yet obvious dangers of granting immunity to gun manufacturers

But, as the man Samantha Bee calls “irrepressible and righteously indignant” and Matt Levine of Bloomberg Opinion calls “the funniest lawyer in America,” points out, these laws do not come to us from on high; we write them, and we can and should unwrite them. In a fierce, funny, and wholly original takedown spanning all the hot-button topics in the country today, one of our most brilliant legal thinkers points the way to a saner tomorrow.

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It was love at first sight when actress Tembi met professional chef, Saro, on a street in Florence. There was just one problem: Saro’s traditional Sicilian family did not approve of his marrying a black American woman. However, the couple, heartbroken but undeterred, forged on. They built a happy life in Los Angeles, with fulfilling careers, deep friendships, and the love of their lives: a baby girl they adopted at birth. Eventually, they reconciled with Saro’s family just as he faced a formidable cancer that would consume all their dreams.

From Scratch chronicles three summers Tembi spends in Sicily with her daughter, Zoela, as she begins to piece together a life without her husband in his tiny hometown hamlet of farmers. Where once Tembi was estranged from Saro’s family, now she finds solace and nourishment—literally and spiritually—at her mother-in-law’s table. In the Sicilian countryside, she discovers the healing gifts of simple fresh food, the embrace of a close knit community, and timeless traditions and wisdom that light a path forward. All along the way she reflects on her and Saro’s romance—an incredible love story that leaps off the pages.

In Sicily, it is said that every story begins with a marriage or a death—in Tembi Locke’s case, it is both. “Locke’s raw and heartfelt memoir will uplift readers suffering from the loss of their own loved ones” (Publishers Weekly), but her story is also about love, finding a home, and chasing flavor as an act of remembrance. From Scratch is for anyone who has dared to reach for big love, fought for what mattered most, and those who needed a powerful reminder that life is...delicious.

For the first time, the edited journals of Alice Walker are gathered together to reflect the complex, passionate, talented, and acclaimed Pulitzer Prize winner of The Color Purple. She intimately explores her thoughts and feelings as a woman, a writer, an African-American, a wife, a daughter, a mother, a lover, a sister, a friend, a citizen of the world.

In an unvarnished and singular voice, she explores an astonishing array of events: marching in Mississippi with other foot soldiers of the Civil Rights Movement, led by Martin Luther King, Jr.; her marriage to a Jewish lawyer, defying laws that barred interracial marriage in the 1960s South; an early miscarriage; writing her first novel; the trials and triumphs of the Women’s Movement; erotic encounters and enduring relationships; the ancestral visits that led her to write The Color Purple; winning the Pulitzer Prize; being admired and maligned, sometimes in equal measure, for her work and her activism; and burying her mother. A powerful blend of Walker’s personal life with political events, this revealing collection offers rare insight into a literary legend.

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This book was selected by the artists participating in Project Row Houses' Round 52: Gulf Coast Anthropocene, which is on view from July 31 to December 5.  To learn more about Project Row Houses and this exhibit, please visit https://projectrowhouses.org/.

No geology is neutral, writes Kathryn Yusoff. Tracing the color line of the Anthropocene, A Billion Black Anthropocenes or None examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery.

Yusoff initiates a transdisciplinary conversation between feminist black theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep time, and the afterlives of geology.

The much-anticipated follow up to the groundbreaking anthology Disability Visibility: another revolutionary collection of first-person writing on the joys and challenges of the modern disability experience, and intimacy in all its myriad forms. What is intimacy? More than sex, more than romantic love, the pieces in this stunning and illuminating new anthology offer broader and more inclusive definitions of what it can mean to be intimate with another person. Explorations of caregiving, community, access, and friendship offer us alternative ways of thinking about the connections we form with others—a vital reimagining in an era when forced physical distance is at times a necessary norm. But don't worry: there's still sex to consider—and the numerous ways sexual liberation intersects with disability justice. Plunge between these pages and you'll also find disabled sexual discovery, disabled love stories, and disabled joy. These twenty-five stunning original pieces—plus other modern classics on the subject, all carefully curated by acclaimed activist Alice Wong—include essays, photo essays, poetry, drama, and erotica: a full spectrum of the dreams, fantasies, and deeply personal realities of a wide range of beautiful bodies and minds. Disability Intimacy will free your thinking, invigorate your spirit, and delight your desires.

An exuberant, opinionated, stereotype-busting portrait of contemporary Africa in all its splendid diversity, by one of its leading new writers.

So often, Africa has been depicted simplistically as a uniform land of famines and safaris, poverty and strife, stripped of all nuance. In this bold and insightful book, Dipo Faloyin offers a much-needed corrective, weaving a vibrant tapestry of stories that bring to life Africa’s rich diversity, communities, and histories.

Starting with an immersive description of the lively and complex urban life of Lagos, Faloyin unearths surprising truths about many African countries’ colonial heritage and tells the story of the continent’s struggles with democracy through seven dictatorships. With biting wit, he takes on the phenomenon of the white savior complex and brings to light the damage caused by charity campaigns of the past decades, revisiting such cultural touchstones as the KONY 2012 film. Entering into the rivalries that energize the continent, Faloyin engages in the heated debate over which West African country makes the best jollof rice and describes the strange, incongruent beauty of the African Cup of Nations. With an eye toward the future promise of the continent, he explores the youth-led cultural and political movements that are defining and reimagining Africa on their own terms.

The stories Faloyin shares are by turns joyful and enraging; proud and optimistic for the future even while they unequivocally confront the obstacles systematically set in place by former colonial powers. Brimming with humor and wit, filled with political insights, and, above all, infused with a deep love for the region, Africa Is Not a Country celebrates the energy and particularity of the continent’s different cultures and communities, treating Africa with the respect it deserves.

Allow Me to Retort is an easily digestible argument about what rights we have, what rights Republicans are trying to take away, and how to stop them. Mystal explains how to protect the rights of women and people of color instead of cowering to the absolutism of gun owners and bigots. He explains the legal way to stop everything from police brutality to political gerrymandering, just by changing a few judges and justices. He strips out all of the fancy jargon conservatives like to hide behind and lays bare the truth of their project to keep America forever tethered to its slaveholding past.

Mystal brings his trademark humor, expertise, and rhetorical flair to explain concepts like substantive due process and the right for the LGBTQ community to buy a cake, and to arm readers with the knowledge to defend themselves against conservatives who want everybody to live under the yoke of eighteenth-century white men. The same tactics Mystal uses to defend the idea of a fair and equal society on MSNBC and CNN are in this book, for anybody who wants to deploy them on social media.

You don’t need to be a legal scholar to understand your own rights. You don’t need to accept the “whites only” theory of equality pushed by conservative judges. You can read this book to understand that the Constitution is trash, but doesn’t have to be.

In Remembered Rapture: The Writer at Work, award-winning author and renowned academic “bell hooks reveals the heart of her writing life and the process through which she has come to be known as a ‘visionary feminist’” (Essence).

Born and raised in the rural South, bell hooks learned early the power of the written word and the importance of speaking her mind. Her passion for words is the heartbeat of this collection of essays.

Remembered Rapture celebrates literacy, the joys of reading and writing, and the lasting power of the book. With grace and insight, these essays reveal bell hooks’s wide-ranging intellectual scope, untangling the complex personae of women writers, especially those whose work goes against the grain.

“For anyone who writes, or seeks to understand the writing process, or wants to know more about the erudite and passionate mind of bell hooks, this is the book to read.”―The Philadelphia Inquirer

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An arresting and one-of-a-kind memoir about the alternately exultant and harrowing trip growing up as a Black child desperate to create a clear reality for herself in this country

Written in a distinctive voice and filled with personality, humor, and pathos, Fruit Punch is a memoir unlike any other, from a one-of-a-kind millennial talent. Growing up in Dallas, Texas, in the nineties and early 2000s, Kendra Allen had a complicated, loving, and intense family life filled with desire and community but also undercurrents of violence and turmoil. “We equate suffering to perseverance and misinterpret the weight of shame,” she writes. As she makes her way through a world of obscureness, Kendra finds herself slowly discovering outlets to help navigate growing up and against the expected performance of being a young Black woman in the South—a complex interplay of race, class, and gender that proves to be ever-shifting ground.

Fruit Punch touches on everything from questions of beauty and how we form concepts of ourselves—as a small rebellion, young Kendra scratched a hole into every pair of stockings she was forced to wear—to what it means to grow up in her great uncle’s Southern Baptist church—with rules including “No uncrossed ankles” and “No questions.” Inflected by a powerful sense of place and touched by poetry, Fruit Punch is a stunning achievement—a memoir born of love and endurance, fight or flight, and what it means to be a witness, from a blisteringly honest and observant voice. 

A fascinating, first-person account of a historic era in the struggle for black empowerment in America.

Long an iconic figure for radicals, Huey Newton is now being discovered by those interested in the history of America's social movements. Was he a gifted leader of his people or a dangerous outlaw? Were the Black Panthers heroes or terrorists?

Whether Newton and the Panthers are remembered in a positive or a negative light, no one questions Newton's status as one of America's most important revolutionaries. To Die for the People is a recently issued classic collection of his writings and speeches, tracing the development of Newton's personal and political thinking, as well as the radical changes that took place in the formative years of the Black Panther Party.

With a rare and persuasive honesty, To Die for the People records the Party's internal struggles, rivalries and contradictions, and the result is a fascinating look back at a young revolutionary group determined to find ways to deal with the injustice it saw in American society. And, as a new foreword by Elaine Brown makes eminently clear, Newton's prescience and foresight make these documents strikingly pertinent today.

Huey Newton was the founder, leader and chief theoretician of the Black Panther Party, and one of America’s most dynamic and important revolutionary philosophers.

"Huey P. Newton's To Die for the People represents one of the most important analyses of the politics of race, black radicalism, and democracy written during the civil rights-Black Power era. It remains a crucial and indispensible text in our contemporary efforts to understand the continuous legacy of social movements of the 1960s and 1970s."
—Peniel Joseph, author of Waiting Til the Midnight Hour: A Narrative History of Black Power in America

"Huey P. Newton's name, and more importantly, his history of resistance and struggle, is little more than a mystery for many younger people. The name of a third-rate rapper is more familiar to the average Black youth, and that's hardly surprising, for the public school system is invested in ignorance, and Huey P. Newton was a rebel — and more, a Black Revolutionary . . . who gave his best to the Black Freedom movement; who inspired millions of others to stand."
—Mumia Abu Jamal, political prisoner and author of Jailhouse Lawyers

"Newton's ability to see theoretically, beyond most individuals of his time, is part of his genius. The opportunity to recognize that genius and see its applicability to our own times is what is most significant about this new edition."
—Robert Stanley Oden, former Panther, Professor of Government, California State University, Sacramento

When The Souls of Black Folk was first published in 1903, it had a galvanizing effect on the conversation about race in America—and it remains both a touchstone in the literature of African America and a beacon in the fight for civil rights. Believing that one can know the “soul” of a race by knowing the souls of individuals, W. E. B. Du Bois combines history and stirring autobiography to reflect on the magnitude of American racism and to chart a path forward against oppression, and introduces the now-famous concepts of the color line, the veil, and double-consciousness.

With "The Talented Tenth" and "The Souls of White Folk"

The collected creative nonfiction of a singular American writer, Jesmyn Ward, including widely shared classics, three never-before-published speeches, and an introductory essay.

Respair (noun, obsolete), fresh hope after despair.

From the two-time National Book Award winner and New York Times bestselling author Jesmyn Ward, this collection of essays documents more than a decade of work in the life of a singular writer often lauded as “the heir apparent to Toni Morrison” (LitHub). Beginning with her upbringing in a multigenerational household in rural Mississippi, the cradle of both her youth and her gift for storytelling, Ward brings her keen wisdom and hauntingly lyrical prose to a range of topics, following in her grandmother Dorothy’s footsteps when she promises always to “Tell it straight. Tell it all.”

True to her word, in these pages Ward contemplates the writers and novels of her youth and adulthood—the transformative power of discovering Octavia Butler as a twenty-something, the mirror that Richard Wright’s novels held up to her own childhood, and of course, her lifelong love for Toni Morrison. Ward ruminates on her approach to both fiction and life, reflecting on the power of the novel, how to raise a Black son in an era of rising divisiveness and cruelty, as well as her own personal tragedies—including the titular essay of the collection, which tells the story of her partner’s sudden death on the eve of the COVID-19 epidemic. Every bit as piercing and moving as her fiction, On Witness and Respair is a testament to Ward’s powers as “one of America’s finest living writers” (San Francisco Chronicle) and is a monument to hope, beauty, and personal and collective resilience.

A gorgeous, authoritative, and image-filled celebration of pageantry and community created by ballroom culture for Black and Brown LGBTQIA+ people.

The subculture of Ballroom emerged in Harlem in the ‘60s out of a need for safe and inclusive spaces for Black and Brown queer people, in which family-like "Houses" competed at performative balls, allowing members of this marginalized groups to shine. Thanks to shows like Pose and Legendary, it has grown into a global phenomenon. It offers refuge from the threats and violence against the LGBTQIA+ community while also serving as a testament to the radical nature of queer joy with its pageantry and commitment to chosen family.

Ballroom: A History, A Movement, A Celebration is an exhaustively researched tome honoring where Ballroom began and where it is now. It explores how Ballroom has served the Black and Brown LGBTQIA+ community. Bringing both an authoritative and entertaining sweep to this hugely important and influential cultural sensation, this book is filled with photos, interviews, and stories, presenting a captivating, well-documented narrative about not only how to survive but how to do so fashionably, glamorously, and in the company of one another.

Pennsylvania State Senator Nikil Saval tells the story of an unlikely partnership between June Jordan and R. Buckminster Fuller, and their attempt to reimagine Harlem in the wake of the 1964 riots.

In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a lasting impression on Jordan, who, while known for her work as a poet, playwright, and activist, responded with a proposal for a multiple-tower housing design. Through an unlikely partnership with R. Buckminster Fuller, Jordan’s “Skyrise for Harlem” project offered a Futuristic vision for Harlem that argued for environmental redesign: “it is architecture, conceived of in its fullest meaning as the creation of environment, which may actually determine the pace, pattern, and quality of living experience.”
 
Jordan was not an architect in the conventional sense, Saval says. “But in the understanding of someone who sought to propose and build interventions in public space, she was.”

From the author of the New York Times bestseller Begin Again, a politically astute, lyrical meditation on how ordinary people can shake off their reliance on a small group of professional politicians and assume responsibility for what it takes to achieve a more just and perfect democracy.

“Like attending a jazz concert with all of one’s favorite musicians…James Baldwin, Martin Luther King, Jr., Malcolm X, Ella Baker, Toni Morrison, and more…Glaude brilliantly takes us on an epic tour through their lives and work.”
―Henry Louis Gates, Jr., author of The Black Box: Writing the Race

We are more than the circumstances of our lives, and what we do matters. In We Are the Leaders We Have Been Looking For, one of the nation’s preeminent scholars and a New York Times bestselling author, Eddie S. Glaude Jr., makes the case that the hard work of becoming a better person should be a critical feature of Black politics. Through virtuoso interpretations of Martin Luther King, Jr., Malcolm X, and Ella Baker, Glaude shows how we have the power to be the heroes that our democracy so desperately requires.

Based on the Du Bois Lectures delivered at Harvard University, the book begins with Glaude’s unease with the Obama years. He felt then, and does even more urgently now, that the excitement around the Obama presidency constrained our politics as we turned to yet another prophet-like figure. He examines his personal history and the traditions that both shape and overwhelm his own voice.

Glaude weaves anecdotes about his evolving views on Black politics together with the writings of Ralph Waldo Emerson, John Dewey, Toni Morrison, James Baldwin, and Ralph Ellison, encouraging us to reflect on the lessons of these great thinkers and address imaginatively the challenges of our day in voices uniquely our own.

Narrated with passion and philosophical intensity, this book is a powerful reminder that if American democracy is to survive, we must step out from under the shadows of past giants to build a better society―one that derives its strength from the pew, not the pulpit.

Why is less than 1% of rural land in the U.S. owned by Black people? An acclaimed writer and activist explores the impact of land theft and violent displacement on racial wealth gaps, arguing that justice stems from the literal roots of the earth.

“With heartfelt prose and unyielding honesty, Baker explores the depths of her roots and invites readers to reflect on our own.”—Donovan X. Ramsey, author of the National Book Award for Nonfiction semi-finalist When Crack Was King

To understand the contemporary racial wealth gap, we must first unpack the historic attacks on Indigenous and Black land ownership. From the moment that colonizers set foot on Virginian soil, a centuries-long war was waged, resulting in an existential dilemma: Who owns what on stolen land? Who owns what with stolen labor? To answer these questions, we must confront one of this nation’s first sins: stealing, hoarding, and commodifying the land.

Research suggests that between 1910 and 1997, Black Americans lost about 90% of their farmland. Land theft widened the racial wealth gap, privatized natural resources, and created a permanent barrier to access that should be a birthright for Black and Indigenous communities. Rooted traces the experiences of Brea Baker’s family history of devastating land loss in Kentucky and North Carolina, identifying such violence as the root of persistent inequality in this country. Ultimately, her grandparents’ commitment to Black land ownership resulted in the Bakers Acres—a haven for the family where they are sustained by the land, surrounded by love, and wholly free.

A testament to the Black farmers who dreamed of feeding, housing, and tending to their communities, Rooted bears witness to their commitment to freedom and reciprocal care for the land. By returning equity to a dispossessed people, we can heal both the land and our nation’s soul.

By a prize-winning, young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race.

Even as it shines light on the beauty and toxicity of Black masculinity from a transgender perspective—the tropes, the presumptions—Pretty is as much a powerful and tender love letter as it is a call for change.

“I should be able to define myself, but I am not. Not by any governmental or cultural body,” Brookins writes. “Every day, I negotiate the space between who I am, how I’m perceived, and what I need to unlearn. People have assumed things about me, and I can’t change that. Every day, I am assumed to be a Black American man, though my ID says ‘female,’ and my heart says neither of the sort. What does it mean—to be a girl-turned-man when you’re something else entirely?”

Informed by KB Brookins’s personal experiences growing up in Texas, those of other Black transgender masculine people, Black queer studies, and cultural criticism, Pretty is concerned with the marginalization suffered by a unique American constituency—whose condition is a world apart from that of cisgender, non-Black, and non-masculine people. Here is a memoir (a bildungsroman of sorts) about coming to terms with instantly and always being perceived as “other”

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Longlisted for the National Book Award

A Kirkus Prize Finalist

A Boston Globe-Horn Book Honor Book

"A must-have"―Booklist (starred review)

Celebrated author Carole Boston Weatherford and illustrator Floyd Cooper provide a powerful look at the Tulsa Race Massacre, one of the worst incidents of racial violence in our nation's history. The book traces the history of African Americans in Tulsa's Greenwood district and chronicles the devastation that occurred in 1921 when a white mob attacked the Black community.

News of what happened was largely suppressed, and no official investigation occurred for seventy-five years. This picture book sensitively introduces young readers to this tragedy and concludes with a call for a better future.

Deep, trans-species lessons for a world in crisis.

Undrowned is a book-length meditation for social movements and our whole species based on the subversive and transformative guidance of marine mammals. Our aquatic cousins are queer, fierce, protective of each other, complex, shaped by conflict, and struggling to survive the extractive and militarized conditions our species has imposed on the ocean. Gumbs employs a brilliant mix of poetic sensibility and naturalist observation to show what they might teach us, producing not a specific agenda but an unfolding space for wondering and questioning. From the relationship between the endangered North Atlantic Right Whale and Gumbs’s Shinnecock and enslaved ancestors to the ways echolocation changes our understandings of “vision” and visionary action, this is a masterful use of metaphor and natural models in the service of social justice.

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“I ate and ate and ate in the hopes that if I made myself big, my body would be safe. I buried the girl I had been because she ran into all kinds of trouble. I tried to erase every memory of her, but she is still there, somewhere. . . . I was trapped in my body, one I made but barely recognized or understood but of my own making. I was miserable, but I was safe.”

In this intimate and searing memoir, the New York Times bestselling author Roxane Gay addresses the experience of living in a body that she calls “wildly undisciplined.” She casts an insightful and critical eye over her childhood, teens, and twenties—including the devastating act of violence that was a turning point in her young life—and brings readers into the present and the realities, pains, and joys of her daily life.

Paperback. Ginzburg compiles vivid newspaper accounts from 1886 to 1960 to provide insight and understanding of the history of racial violence.

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In The Afrominimalist’s Guide to Living With Less, Christine gets right to the heart of how childhood experiences and expectations manifest in adulthood, the delicate dance between needs and wants, and the complicated weight of familial and societal pressures. A far cry from Konmaried closets, capsule wardrobes, and conspicuous consumption, Christine’s brand of “living with less” is more than a decluttering regimen. Inspired by her personal journey, Christine presents a radical revisioning of minimalism, one that celebrates the importance of history and heritage, and gives you permission to make space for what really matters…your way.

Black communities in America have a long history of constructing sanctuaries amid oppression, from the secret hush harbors of slavery to the digital refuges created in response to the resurgence of white supremacist violence in the Trump era. These havens have offered places to grieve and to gather, to imagine freedom when the world denied it, and to practice care and resistance in the face of constant danger. They remind us that even in the darkest moments, Black people have made space to grieve, rest, heal, strategize, and imagine new futures.

In Hush to Harbor traces this enduring sanctuary-making through both historical memory and contemporary expression from the legacy of Freedmen’s Towns and Green Books for Motorists in the Jim Crow era as testaments to Black mobility and mutual protection to present-day digital activism and grassroots organizing that reimagine safety in the public sphere. 

Blending literary criticism, cultural history, and ethnography, Scott demonstrates that sanctuary is not merely a place of retreat but a political and spiritual practice that calls forth a collective act of making space when none is offered. In Hush to Harbor offers not just a chronicle of survival but a blueprint for sustaining Black refuge in a time of urgent need, redefining what it means to be safe in a nation that has never guaranteed safety for Black life.

A fresh, charming, socially conscious tour of the mysteries of space-time, from the award-winning author of The Disordered Cosmos

In her highly acclaimed debut, distinguished cosmologist and particle physicist Dr. Chanda Prescod-Weinstein shared with her audience an abiding sense of wonder at the cosmos, while imagining a world without the entrenched injustice that plagues her field. Now, in The Edge of Space-Time, she embraces that cosmic wonder, taking readers on a mind-altering journey to the boundaries of the universe, inviting us to spend time at the edge of what we know about space-time and about ourselves.

Guided by her conviction that for humanity to go forward we must know our cosmic past, Prescod-Weinstein renders accessible some of the most abstract concepts of theoretical physics and draws on poetry and popular culture—from Queen Latifah to Lewis Carroll to Big K.R.I.T. to Sun Ra and Star Trek— to tell fascinating stories about the fundamental quantum nature of space-time and everything inside of it. Here we meet the quantum cat that is both dead and alive, learn the difference between dark matter and dark energy, explore the inner workings of black holes, investigate the possibility of a unified theory of quantum gravity, and map out the meeting place of the unimaginably vast with the confoundingly small, following our guide out to the far reaches of the particle horizon and down to the tiniest (and queerest) neutrino. Prescod-Weinstein shows us how spending time with the cosmos is a vital human activity that enriches all our lives. Along the way, she calls on us to resist colonial approaches to space exploration and instead imagine a better path forward in our pursuit of humanity’s undeniable connection with the stars.

Through Prescod-Weinstein’s clear-eyed and unique perspective, and informed by her deep knowledge of post-colonial history and Black feminist thought, The Edge of Space-Time argues that physics is an essential way for everyone to look at the universe and presents a compelling case that “the edge” is a powerful vantage point from which to see the big picture.

A personal meditation on, examination of, and tribute to Black single motherhood, unapologetically told through poignant essays and candid interviews by a celebrated cultural critic

“Jamilah Lemieux is one of the most important feminist writers of the twenty-first century.”—Brittney Cooper

With her signature candid, humorous, and sometimes biting takes, Jamilah Lemieux suffers no fools while also courageously revealing the scars of her own parenting journey and search for self-acceptance in a world that hates “baby mamas.” With a particular verve and relatability—honed in her many years among Black Twitter’s most prominent voices—Lemieux centers the complex reality of Black single motherhood: uncertainty and fierceness alike.

Black. Single. Mother. combines riveting personal essays, infused with whip-smart cultural and historical analysis, with twenty-one intimate first-person testimonies from a spectrum of Black single mothers. A long-overdue offering in celebration of the American matriarch most often maligned, Black. Single. Mother. sets out to inspire a new cultural and community dialogue about this powerful figure as one profoundly deserving of love, support, and respect.