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The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated.

Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection—Hartman’s first book, now revised and expanded, with a new foreword, afterword, and illustrations—her singular talents and analytical framework are turned toward the “terrible spectacle” of slavery, illuminating the intertwining of violence, subjugation, and selfhood even in abolitionist depictions of enslavement. Through unmasking the hidden and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers.

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A profound intellectual engagement with Afrofuturism and the philosophical questions of space and time

Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism. Kara Keeling explores how the speculative fictions of cinema, music, and literature that center black existence provide scenarios wherein we might imagine alternative worlds, queer and otherwise. In doing so, Keeling offers a sustained meditation on contemporary investments in futurity, speculation, and technology, paying particular attention to their significance to queer and black freedom.

Keeling reads selected works, such as Sun Ra’s 1972 film Space is the Place and the 2005 film The Aggressives, to juxtapose the Afrofuturist tradition of speculative imagination with the similar “speculations” of corporate and financial institutions. In connecting a queer, cinematic reordering of time with the new possibilities technology offers, Keeling thinks with and through a vibrant conception of the imagination as a gateway to queer times and black futures, and the previously unimagined spaces that they can conjure.

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Astrophysicist and folklorist Dr. Moiya McTier channels The Milky Way in this approachable and utterly fascinating autobiography of the titular galaxy, detailing what humans have discovered about everything from its formation to its eventual death, and what more there is to learn about this galaxy we call home.

After a few billion years of bearing witness to life on Earth, of watching one hundred billion humans go about their day-to-day lives, of feeling unbelievably lonely, and of hearing its own story told by others, The Milky Way would like a chance to speak for itself. All one hundred billion stars and fifty undecillion tons of gas of it.

It all began some thirteen billion years ago, when clouds of gas scattered through the universe's primordial plasma just could not keep their metaphorical hands off each other. They succumbed to their gravitational attraction, and the galaxy we know as the Milky Way was born. Since then, the galaxy has watched as dark energy pushed away its first friends, as humans mythologized its name and purpose, and as galactic archaeologists have worked to determine its true age (rude). The Milky Way has absorbed supermassive (an actual technical term) black holes, made enemies of a few galactic neighbors, and mourned the deaths of countless stars. Our home galaxy has even fallen in love.

After all this time, the Milky Way finally feels that it's amassed enough experience for the juicy tell-all we've all been waiting for. Its fascinating autobiography recounts the history and future of the universe in accessible but scientific detail, presenting a summary of human astronomical knowledge thus far that is unquestionably out of this world.

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From the esteemed President of Hampton University, an insider account that reveals the secret to HBCU graduates’ remarkable success—a distinguished honor roll which includes Vice President Kamala Harris, Dr. Martin Luther King Jr., Oprah Winfrey, Zora Neale Hurston, Toni Morrison, Ruth Carter, Ta-Nehisi Coates, and many others.

In his more-than-four-decade tenure as the President of Hampton University—one of 107 Historically Black Colleges and Universities in America—Dr. William R. Harvey has been a champion of the cultural impact and value of HBCUs, demonstrated by the achievements of their numerous notable alumni. Their success is no coincidence. It is the result of a faultless formula that sets HBCUs apart and helps their students thrive—a formula built on core tenets, including displaying moral and wholesome values at all times, continuously pursuing character growth, and embracing communal responsibilities whenever possible.

The mission of Dr. Harvey is to represent Blackness to its highest degree at every opportunity. He is a passionate believer in the remarkability of the Black diaspora in all its complexity and beauty. That conviction drives the timeless lessons he’s adhered to and has instilled in his students: the power of dress to establish respect; the importance of integrity; financial accountability; reverence for elders. It is these tried-and-true lessons and others that have uniquely prepared and propelled HBCU students to success for generations. 

The Historically Black Colleges and Universities' Guide to Excellence is a thoughtful and knowledgeable account of what it truly takes to successfully navigate a white world as a Black person while retaining one’s core Blackness. Practical and proven, it lays the groundwork for individual and communal Black prosperity. 

The definitive history of the pervasiveness of racial inequality in American higher education

America’s colleges and universities have a shameful secret: they have never given Black people a fair chance to succeed. From its inception, our higher education system was not built on equality or accessibility, but on educating—and prioritizing—white students. Black students have always been an afterthought. While governments and private donors funnel money into majority white schools, historically Black colleges and universities (HBCUs), and other institutions that have high enrollments of Black students, are struggling to survive, with state legislatures siphoning away federal funds that are legally owed to these schools. In The State Must Provide, Adam Harris reckons with the history of a higher education system that has systematically excluded Black people from its benefits.

Harris weaves through the legal, social, and political obstacles erected to block equitable education in the United States, studying the Black Americans who fought their way to an education, pivotal Supreme Court cases like Plessy v. Ferguson and Brown v. Board of Education, and the government’s role in creating and upholding a segregated education system. He explores the role that Civil War–era legislation intended to bring agricultural education to the masses had in creating the HBCUs that have played such a major part in educating Black students when other state and private institutions refused to accept them.

The State Must Provide is the definitive chronicle of higher education’s failed attempts at equality and the long road still in front of us to remedy centuries of racial discrimination—and poses a daring solution to help solve the underfunding of HBCUs. Told through a vivid cast of characters, The State Must Provide examines what happened before and after schools were supposedly integrated in the twentieth century, and why higher education remains broken to this day. 

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A multidisciplinary look at the foremost archive of Black American visual culture, as recast by Theaster Gates

This book features essays and other reflections commissioned in response to the Facsimile Cabinet of Women Origin Stories, a monumental participatory work by Theaster Gates (born 1973). The Cabinet includes nearly 3,000 framed images of women from the Johnson Publishing Company archive, and highlights from the collection appear in this edited volume.
Founded in 1942, Chicago-based Johnson Publishing chronicled the lives of Black Americans for more than seven decades through the magazines Ebony and Jet. Composed from arguably the most important archive of American Black visual culture in the 20th century, Gates’ work centers the essential and too often unsung role of women in this history.
When the Cabinet was exhibited at the Colby College Museum of Art, 12 women from a wide range of disciplines (including archivists, legal scholars, anthropologists and librarians, as well as curators, visual artists, filmmakers, writers and art historians) were invited to reflect on a work that brings a sisterhood of images to light.

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A call to action and a narrative that runs counter to every racist stereotype that thwarts the lives of men of color today.

Will Jawando tells a deeply affirmative story of hope and respect for men of color at a time when Black men are routinely stigmatized. As a boy growing up outside DC, Will, who went by his Nigerian name, Yemi, was shunted from school to school, never quite fitting in. He was a Black kid with a divorced white mother, a frayed relationship with his biological father, and teachers who scolded him for being disruptive in class and on the playground. Eventually, he became close to Kalfani, a kid he looked up to on the basketball court. Years after he got the call telling him that Kalfani was dead, another sickening casualty of gun violence, Will looks back on the relationships with an extraordinary series of mentors that enabled him to thrive.

Among them were Mr. Williams, the rare Black male grade school teacher, who found a way to bolster Will’s self-esteem when he discovered he was being bullied; Jay Fletcher, the openly gay colleague of his mother who got him off junk food and took him to his first play; Mr. Holmes, the high school coach and chorus director who saw him through a crushing disappointment; Deen Sanwoola, the businessman who helped him bridge the gap between his American upbringing and his Nigerian heritage, eventually leading to a dramatic reconciliation with his biological father; and President Barack Obama, who made Will his associate director of public engagement at the White House—and who invited him to play basketball on more than one occasion. Without the influence of these men, Will knows he would not be who he is today: a civil rights and education policy attorney, a civic leader, a husband, and a father.

Drawing on Will’s inspiring personal story and involvement in My Brother’s Keeper, President Obama’s national initiative to address persistent opportunity gaps facing boys and young men of color, My Seven Black Fathers offers a transformative way for Black men to shape the next generation.

More teens are turning away from the faith than ever before: it is estimated that 75 to 88 percent of Christian teens walk away from Christianity by the end of their freshman year of college. Something must be done.

Family Driven Faith equips Christian parents with the tools they need to raise children biblically in a post-Christian, antifamily society. Voddie Baucham, who with his wife has overcome a multigenerational legacy of broken and dysfunctional homes, shows that God has not left us alone in raising godly children. 

This bold book is an urgent call to parents―and the church―to return to biblical discipleship in and through the home. This paperback edition includes a new preface and a study guide to facilitate interaction in small-group settings and to help parents put principles into practice.

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The Black Lives Matter movement has exposed the state violence and social devaluation that Black populations continue to suffer. Police shootings and incarceration inequalities in the US and UK are just two examples of the legacy of slavery today. This book offers a criminological exploration of the case for slavery and anti-Black racism reparations in the context of the enduring harms and differential treatment of Black citizens. Through critical analysis of legal arguments and reviewing recent court actions, it refutes the policy perspectives that argue against reparations. Highlighting the human rights abuses inherent to and arising from slavery and ongoing racism, this book calls for governments to take responsibility for the impact of ongoing racialized injustice.

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Black Indian, searing and raw, is Amy Tan's The Joy Luck Club and Alice Walker's The Color Purple meets Leslie Marmon Silko's Ceremony--only, this isn't fiction. Beautifully rendered and rippling with family dysfunction, secrets, deaths, drunks, and old resentments, Shonda Buchanan's memoir is an inspiring story that explores her family's legacy of being African Americans with American Indian roots and how they dealt with not just society's ostracization but the consequences of this dual inheritance. Buchanan was raised as a Black woman, who grew up hearing cherished stories of her multi-racial heritage, while simultaneously suffering from everything she (and the rest of her family) didn't know. Tracing the arduous migration of Mixed Bloods, or Free People of Color, from the Southeast to the Midwest, Buchanan tells the story of her Michigan tribe -- a comedic yet manically depressed family of fierce women, who were everything from caretakers and cornbread makers to poets and witches, and men who were either ignored, protected, imprisoned, or maimed -- and how their lives collided over love, failure, fights, and prayer despite a stacked deck of challenges, including addiction and abuse. Ultimately, Buchanan's nomadic people endured a collective identity crisis after years of constantly straddling two, then three, races. The physical, spiritual, and emotional displacement of American Indians who met and married Mixed or Black slaves and indentured servants at America's early crossroads is where this powerful journey begins.  Black Indian doesn't have answers, nor does it aim to represent every American's multi-ethnic experience. Instead, it digs as far down into this one family's history as it can go sometimes, with a bit of discomfort. But every family has its own truth, and Buchanan's search for hers will resonate in anyone who has wondered "maybe there's more than what I'm being told."

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Social justice leader Tamika D. Mallory states her case for action in this searing indictment of America’s historical, deadly, and continuing assault on Black and brown lives.

From Minneapolis to Louisville, to Portland, Kenosha, and Washington, DC, America’s reckoning with its unmet promises on race and class is at a boiling point not seen since the 1960s. While conversations around pathways to progress take place on social media and cable TV, history tells us that meaningful change only comes with radical legislation and boots-on-the-ground activism. Here, Mallory shares her unique personal experience building coalitions, speaking truth to power, and winning over hearts and minds in the struggle for shared prosperity and safety.

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This book is written for the young person who doesn't know how to speak up to the racist adults in their life. For the 14 year old who sees injustice at school and isn't able to understand the role racism plays in separating them from their friends. For the kid who spends years trying to fit into the dominant culture and loses themselves for a little while. It's for all of the Black and Brown children who have been harmed (physically and emotionally) because no one stood up for them or they couldn't stand up for themselves; because the colour of their skin, the texture of their hair, their names made white folx feel scared and threatened. It is written so children and young adults will feel empowered to stand up to the adults who continue to close doors in their faces. This book will give them the language and ability to understand racism and a drive to undo it. In short, it is for everyone.

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The emergence of Haiti as a sovereign Black nation lit a beacon of hope for Black people throughout the African diaspora. Leslie M. Alexander’s study reveals the untold story of how free and enslaved Black people in the United States defended the young Caribbean nation from forces intent on maintaining slavery and white supremacy. Concentrating on Haiti’s place in the history of Black internationalism, Alexander illuminates the ways Haitian independence influenced Black thought and action in the United States. As she shows, Haiti embodied what whites feared most: Black revolution and Black victory. Thus inspired, Black activists in the United States embraced a common identity with Haiti’s people, forging the idea of a united struggle that merged the destinies of Haiti with their own striving for freedom.

A bold exploration of Black internationalism’s origins, Fear of a Black Republic links the Haitian revolution to the global Black pursuit of liberation, justice, and social equality.

In collaboration with JVL Media—a captivating exploration of why many high-performing Black business leaders attribute their transformational leadership qualities to their experiences growing up in the Black Church and how we can foster these skills in younger generations despite waning church attendance.

The Black church in the U.S. has long been a “one-stop shop” for developing Black leaders, teaching them many of the qualities required to lead effectively in today’s ultra-competitive, digital, and swiftly transforming corporate world. Many high-performing Black leaders benefited from their experiences growing up in this cultural institution steeped in rich history.

Merging cultural study with applied neuroscience and tenets of positive psychology, L. Michelle Smith dissect how these qualities are demonstrated by leaders across industries, from resiliency to their sense of undeniable purpose, their ability to build community and collaborative environments, the delivery and language of their speaking style to their unique leadership flair. She reveals how this historic institution has served as a timeless wellspring of leadership development, empowerment, and cultural preservation and ultimately, is Black leaders’ “secret sauce.”

Call and Response also explores whether the Black Church will be able to continue to ingrain these skills in future generations. Smith examines how cultural shifts have resulted in a decline in church attendance, how online attendance has risen since the Covid pandemic, and finally, how Black leaders may—or may not—be passing these traditions down to their children.

A unique, conversation-starting essay collection about critical care work, kink practices, and how one might transform the other.

M. K. Thekkumkattil is an ICU nurse looking for ways to show real care for their patients in the age of COVID. When not working in critical care, they struggle with chronic illness, endure controlling partners, and write letters to former patients that wrestle with the violence of professional nursing. At the same time, their slow gender awakening and the new, kink-informed relationships that accompany it begin to shape a way out of the brutalities the hospital system requires.

In essays that blend memoir and manifesto, The Sexuality of Care builds a convincing new argument for how the present-day medical system fails both its patients and its laboring nurses, as well as how the vision of radical consent found in queer kink practices lets us imagine a future where hospitals are abolished, yet care thrives.

The history and meaning of one of the most controversial words in American English

Few words in English are as charged as "nigga" and "n*gger." While the slur "n*gger" is universally recognized as offensive, fierce debates continue over the use of "nigga"―who can say it, what it means, and whether it has been reclaimed as a term of endearment among Black people. Are these two words or one word with two pronunciations, and do they have different meanings?

Wassup, My Nigga is the first book written by an African American linguist to explore the word's origin, history, and usage. Drawing on sources across time, from nineteenth-century slave narratives and ex-slave recordings to contemporary conversations on social media, the book reveals how the word's meanings vary according to context and across racial groups. It challenges myths about reclamation, explains why multiple pronunciations exist, and examines what the evidence really shows about how―and whether―meanings have changed over time.

By presenting the discussion within the context of African American English, Wassup, My Nigga sheds new light on one of the most controversial words in American English and what it reveals about language, race, and identity.

Unfolding as both an archive and an origin story, this publication marks the first institutional monograph dedicated to Detroit-born artist LaKela Brown, whose sculptural reliefs translate the language of adornment into an aesthetic of memory, intimacy, and cultural lineage. Brown's plaster casts and gilded surfaces echo the textures of jewelry, bamboo earrings, rope chains, hair braids, and domestic patterns―motifs drawn from Black aesthetics and everyday life. Through composition, touch, and repetition, she transforms these symbols of identity and style into a visual vocabulary that honors embodied experience and cultural inheritance. Essays by Rhea L. Combs, Jessica Kenyatta Walker, and Jova Lynne bring together perspectives from Black feminist theory, curatorial practice, and contemporary art to frame Brown's work within longer genealogies of Black material culture and expressive labor, tracing the ways Brown's sculptural gestures mirror the intricate processes through which stories and aesthetics are passed across generations.

Winner of the 2023 Horowitz Prize by the Bard Graduate Center
Winner of the 2025 James A. Porter and David C. Driskell Award in African American Art History from the Driskell Center at the University of Maryland
Shortlisted for the 2024 Charles C. Eldredge Prize by the Smithsonian American Art Museum
Finalist for the 2024 Sterling Stuckey Book Prize by the Association for the Study of the Worldwide African Diaspora

A meditation on suffering, resilience, creativity, and grace

In 1942 Missouri Pettway, newly suffering the loss of her husband, pieced together a quilt out of his old, worn work clothes. Nearly six decades later her daughter Arlonzia Pettway, approaching eighty at the time and a seasoned quiltmaker herself, readily recalled the cover made by her grieving mother within the small African American farming community of Gee's Bend, Alabama.

At once a story of grief, a quilt, and a community, Stitching Love and Loss connects Missouri Pettway's cotton covering to the history of a place, its residents, and the work of mourning. Interpreting varied sources of history and memory, Lisa Gail Collins engages crucial and enduring questions, simultaneously singular and shared: What are the languages, practices, and processes of mourning? How is loss expressed and remembered? What are the roles for creativity in grief? And how might a closely crafted material object, in its conception, construction, use, and memory, serve the work of grieving a loved one? Placing this singular quilt within its historical and cultural context, Collins illuminates the perseverance and creativity of the African American women quilters in this rural Black Belt community.

Black Appalachia: Race, Place, and Identity is the long-awaited successor to Blacks in Appalachia (1985), the first modern anthology to examine the socioeconomic, cultural, and political experiences of Black Appalachians. Edited by Cicero M. Fain III, Sheena Harris Hayes, Wilburn Hayden Jr., and William H. Turner, Black Appalachia features more than twenty-five emerging and established scholars and creatives who challenge how we think about the region by finding new answers to persistent questions.

Covering topics such as migration, discrimination, the arts, and the links between memory and place, this book demonstrates that Appalachia's Black residents maintain a significant role in shaping the region. It documents a renaissance of ideas, music, poetry, photography, and food and uses innovative scholarship, perspectives, and fields of inquiry to acknowledge the challenges and complexities of the Black experience in Appalachia, both historically and within a contemporary framework that addresses new realities.

Black Appalachia expands on the still largely untold story of Black America, reframing legacy and history, highlighting marginalized communities, and celebrating their contributions.

Experience the intensely colorful work of British artist Hurvin Anderson

Experience the intensely colorful work of British artist Hurvin Anderson.

Anderson’s first major solo show brings together more than 60 of his vibrant paintings, spanning the artist’s entire career, from his days as a student to his most recent works.

Through color-drenched landscapes and interiors, Anderson meanders back and forth across the Atlantic between the UK and the Caribbean. The youngest of eight children, he was the first to be born in the UK after his family left Jamaica for Birmingham in the 1960s. As a result, Anderson’s work reflects on his experiences of belonging and diaspora.

Thanks to his profoundly atmospheric use of composition to explore the markers of identity, this exhibition confirms Anderson’s standing as one of the most important contemporary painters of a generation.

A raucous roller-coaster history of the WNBA, from celebrated start-up to lean years, and on to the recent boom, from a passionate sports journalist

The history of the WNBA is an epic one, and in The W, journalist Tamryn Spruill tells the full thrilling story. This is a three-decade tale of tenacious athletes, devoted fans, and a vibrant, diverse league that struggled for years to find a firm footing in the wider sports culture.

When the WNBA launched to much fanfare in 1996, the nascent league was treated like a kid sister with a lot of potential. Eight teams collectively owned by the NBA played a short schedule during the men’s offseason. Fans flocked to arenas to see stars Sheryl Swoopes, Lisa Leslie, and Rebecca Lobo, and the Houston Comets won their first of four consecutive championships.

But television broadcasts were hard to find, the conversation around the league was often blatantly sexist, and less than a decade after their “four peat,” the dynastic Comets had been disbanded and ceased to exist.

Social media helped players upend that dynamic, be their authentic selves, and engender change inside the league and beyond it. College stars became pros, legends broke records, and the women of the WNBA became undeniable. Thirty years after its founding, the time has more than come for this comprehensive account of the league, and the women whose drive, on-court and off, built the W.

The twentieth century has seen two great waves of African American migration from rural areas into the city, changing not only the country’s demographics but also black culture. In her thorough study of migration to Houston, Bernadette Pruitt portrays the move from rural to urban homes in Jim Crow Houston as a form of black activism and resistance to racism.

Between 1900 and 1950 nearly fifty thousand blacks left their rural communities and small towns in Texas and Louisiana for Houston. Jim Crow proscription, disfranchisement, acts of violence and brutality, and rural poverty pushed them from their homes; the lure of social advancement and prosperity based on urban-industrial development drew them. Houston’s close proximity to basic minerals, innovations in transportation, increased trade, augmented economic revenue, and industrial development prompted white families, commercial businesses, and industries near the Houston Ship Channel to recruit blacks and other immigrants to the city as domestic laborers and wage earners.

Using census data, manuscript collections, government records, and oral history interviews, Pruitt details who the migrants were, why they embarked on their journeys to Houston, the migration networks on which they relied, the jobs they held, the neighborhoods into which they settled, the culture and institutions they transplanted into the city, and the communities and people they transformed in Houston.

“Literally, chilaquiles are a breakfast I grew up eating: fried corn tortillas with tomato-chile sauce. Symbolically, they are the culinary metaphor for how working-class women speak with the seasoning of their food.”—from the Introduction

Through the ages and across cultures, women have carved out a domain in which their cooking allowed them to express themselves, strengthen family relationships, and create a world of shared meanings with other women. In Voices in the Kitchen, Meredith E. Abarca features the voices of her mother and several other family members and friends, seated at their kitchen tables, to share the grassroots world view of these working-class Mexican and Mexican American women.

In the kitchen, Abarca demonstrates, women assert their own sazón (seasoning), not only in their cooking but also in their lives. Through a series of oral histories, or charlas culinarias (culinary chats), the women interviewed address issues of space, sensual knowledge, artistic and narrative expression, and cultural and social change. From her mother’s breakfast chilaquiles to the most elaborate traditional dinner, these women share their lives as they share their savory, symbolic, and theoretical meanings of food.

The charlas culinarias represent spoken personal narratives, testimonial autobiography, and a form of culinary memoir, one created by the cooks-as-writers who speak from their kitchen space. Abarca then looks at writers-as-cooks to add an additional dimension to the understanding of women’s power to define themselves.

Voices in the Kitchen joins the extensive culinary research of the last decade in exploring the importance of the knowledge found in the practical, concrete, and temporal aspects of the ordinary practice of everyday cooking.

Writings on black men’s cultural production and black masculinity by one of today’s leading historians of modern and contemporary art.
 
Collecting twenty years of incisive essays, articles, and interviews—including four published here for the first time—by art historian Huey Copeland, this book affirms the extraordinary depth of black men’s cultural production and the diversity of artistic practices that explore visual black masculinity in the United States. Part history, part memoir, part critical manifesto, Touched by the Mother offers a multi-faceted look at American art and discourse of the past fifty years, a personal meditation on navigating the world as a black gay man, and a feminist perspective on the ways transatlantic slavery continues to mark African and African diasporic men. Focusing on how the black maternal shapes black masculinity, Copeland confronts the dynamics that position African-American men—after their mothers—as sites of violence, creativity, and contestation in the cultural imagination.
 
Richly illustrated throughout, Touched by the Mother considers an exciting range of assemblage, painting, performance, photography, sculpture, and video works by more than twenty renowned practitioners, along with interviews featuring Hilton Als, Thelma Golden, Frank B. Wilderson, III, and other influential figures in contemporary art, culture, and criticism. Works by artists including Mark Bradford, Theaster Gates, David Hammons, Barkley L. Hendricks, Arthur Jafa, Glenn Ligon, Kerry James Marshall, Howardena Pindell, Sun Ra, and Lorna Simpson represent modes of making and thinking that are uniquely “touched by the mother,” Copeland argues, moving us toward the promise of black feminist futures.

In this inspiring book, based on her twenty years of research, highly acclaimed author and teacher Louise DeSalvo reveals the healing power of writing. DeSalvo shows how anyone can use writing as a way to heal the emotional and physical wounds that are an inevitable part of life. Contrary to what most self-help books claim, just writing won't help you; in fact, there's abundant evidence that the wrong kind of writing can be damaging.

DeSalvo's program is based on the best available and most recent scientific studies about the efficacy of using writing as a restorative tool. With insight and wit, she illuminates how writers, from Virginia Woolf to Henry Miller to Audre Lorde to Isabel Allende, have been transformed by the writing process. Writing as a Way of Healing includes valuable advice and practical techniques to guide and inspire both experienced and beginning writers.

There are moments in life that change us forever—moments when a diagnosis is given, when a final breath is taken, or when the weight of care becomes both a privilege and a burden. These are the sacred spaces of goodbye, often filled with sorrow, but also with love, clarity, and even peace. Journeys of Goodbye was born from those spaces.

This book is for anyone who has ever whispered goodbye to someone they loved far too soon, unsure of how to move forward. It’s for the one sitting at the bedside of a parent, spouse, sibling, or friend—holding on tightly while slowly letting go. It’s for the courageous souls living with life-limiting illnesses who find strength in each new sunrise. And it is for the clinicians, caregivers, and spiritual leaders who walk with grace through the shadows, offering compassion and comfort when it’s needed most.

In these pages, you’ll find real stories—raw, beautiful, and transformative—told by spiritual leaders, healthcare professionals, and ordinary people facing extraordinary moments. Some stories speak of pain; others, of peace. All speak of the sacred journey toward the end of life and the mysterious threshold of what lies beyond. More than anything, this book is an offering of hope. It reminds us that even in the ache of loss, there is love. Even in the mystery of death, there is light. And even in goodbye, there is the promise of something more.

May Journeys of Goodbye give you the courage to face what’s ahead, the comfort to heal from what’s behind, and the faith to believe in what cannot always be seen.

The first full and definitive narrative of one of the most shocking and largely unknown events of racial injustice in US history: the execution of nineteen Black soldiers in Texas

On the sweltering, rainy night of August 23, 1917, one of the most consequential events affecting America’s long legacy of racism and injustice began in Houston, Texas. Inflamed by a rumor that a white mob was arming to attack them, and after weeks of police harassment, more than 100 African American soldiers of the 3rd Battalion, 24th Infantry Regiment, took their weapons without authorization and, led by a sergeant, marched into the largely Black San Felipe district of the city. Violent confrontations with police and civilians ensued and nineteen lives were lost.

The Army moved quickly to court-martial 118 soldiers on charges of mutiny and murder, even though a majority of the soldiers involved had never fired their weapons. Inadequately defended en masse by a single officer who was not a lawyer and had no experience in capital cases, in three trials undermined by perjured testimony and clear racial bias, and confronted by an all-white tribunal committed to a rapid judgment, 110 Black soldiers were found guilty—despite the fact that no mutiny had, in fact, taken place. In the predawn darkness of December 11, thirteen of them were hanged at Fort Sam Houston in San Antonio—hastily and in secret, without any chance to appeal. News of the largest mass execution in the Army’s history outraged the country and inspired preventive legislation; and yet six more Black soldiers were executed in early 1918 and the rest were sentenced to life in prison.

The Houston Incident, as it became known, has remained largely untold, a deep stain on the Army’s record and pride. Award-winning historian and Army veteran John A. Haymond has spent six years researching the events surrounding the Incident and leading the efforts that ultimately led, in November 2023, to the largest act of retroactive clemency in the Army’s history when the verdicts were overturned and honorable discharges awarded to all the soldiers involved. His dramatic chronicle of what transpired—situated amongst the rampant racism in Texas and the country—is a crucially important and harrowing reminder of our racially violent past, offering the promise that justice, even posthumously, can prevail.

In What Can I Bring?, veteran food and cookbook writer and guest extraordinaire Casey Elsass takes the stress out of the partygoer’s eternal dilemma with 75 recipes that will make you the talk of the party—for the right reasons.

In a room full of bags of chips, be the most desired dip with Golden Ratio Guac or Seven Onion Dip. Put down the $12 bottle of pinot grigio and pick up a tray of Jell-O Cocktail Shots. Discover a world of standout brunch dishes, such as Cream-Soaked Cinnamon Rolls or Bagel Panzanella. When you’re on dessert duty, choose from Buttermilk Brownies, Apple + Chinese Five-Spice Pie, Very Creamy Ice Cream, or death-by-chocolate Bruce Bogtrotter Cake. And when the host instructs you to bring yourself, come prepared with giftable treats like Seasoned Oyster Crackers or Homemade Hot Fudge. With plenty of options and adaptations for special diets and allergies, including vegan, gluten-free, and nut-free recipes, and detailed instructions for packing and serving for minimal stress on-site, this book is your road map for crowd-pleasing party fare. The only thing you’ll be taking home is the title of MVP—Most Valuable Partygoer.

Winner, James Beard Award for Best Book in U.S. Foodways
Winner, IACP Book of the Year
Winner, IACP Best American Cookbook
An NPR Best Book of the Year
A Saveur, Washington Post, and Garden & Gun Best Cookbook of the Year
A Bon Appétit, Food & Wine, Eater, Epicurious, and The Splendid Table Best New Cookbook
A Forbes Best New Cookbook for Travelers: Holiday Gift Guide 2021
Long-Listed for The Art of Eating Prize for Best Food Book of 2021

“Sometimes you find a restaurant cookbook that pulls you out of your cooking rut without frustrating you with miles long ingredient lists and tricky techniques. Mosquito Supper Club is one such book. . . . In a quarantine pinch, boxed broth, frozen shrimp, rice, beans, and spices will go far when cooking from this book.” 
—Epicurious, The 10 Restaurant Cookbooks to Buy Now

“Martin shares the history, traditions, and customs surrounding Cajun cuisine and offers a tantalizing slew of classic dishes.”
—Publishers Weekly, starred review

For anyone who loves Cajun food or is interested in American cooking or wants to discover a distinct and engaging new female voice—or just wants to make the very best duck gumbo, shrimp jambalaya, she-crab soup, crawfish étouffée, smothered chicken, fried okra, oyster bisque, and sweet potato pie—comes Mosquito Supper Club.
 
Named after her restaurant in New Orleans, chef Melissa M. Martin’s debut cookbook shares her inspired and reverent interpretations of the traditional Cajun recipes she grew up eating on the Louisiana bayou, with a generous helping of stories about her community and its cooking. Every hour, Louisiana loses a football field’s worth of land to the Gulf of Mexico. Too soon, Martin’s hometown of Chauvin will be gone, along with the way of life it sustained. Before it disappears, Martin wants to document and share the recipes, ingredients, and customs of the Cajun people.
 
Illustrated throughout with dazzling color photographs of food and place, the book is divided into chapters by ingredient—from shrimp and oysters to poultry, rice, and sugarcane. Each begins with an essay explaining the ingredient and its context, including traditions like putting up blackberries each February, shrimping every August, and the many ways to make an authentic Cajun gumbo. Martin is a gifted cook who brings a female perspective to a world we’ve only heard about from men. The stories she tells come straight from her own life, and yet in this age of climate change and erasure of local cultures, they feel universal, moving, and urgent.