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For the first time Gucci Mane tells his extraordinary story in his own words. It is “as wild, unpredictable, and fascinating as the man himself” (Complex).

The platinum-selling recording artist began writing his remarkable autobiography in a federal maximum security prison. Released in 2016, he emerged radically transformed. He was sober, smiling, focused, and positive—a far cry from the Gucci Mane of years past.

A critically acclaimed classic, The Autobiography of Gucci Mane “provides incredible insight into one of the most influential rappers of the last decade, detailing a volatile and fascinating life...By the end, every reader will have a greater understanding of Gucci Mane, the man and the musician” (Pitchfork).

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An epic, award-winning biography of Malcolm X that draws on hundreds of hours of personal interviews and rewrites much of the known narrative.

From the Pulitzer Prize-winning author of Franchise comes the little-known story of the pioneering Black women artists and activists who were seen, but barely heard, at the 1963 March on Washington.

"Chatelain lets us see the complexities of these women’s lives, feel their pain, and marvel at their ability to cut through the thicket of racism and sexism."—Carol Anderson, New York Times bestselling author of White Rage

"Chatelain brilliantly reframes one of the most enduring images in American memory through the women erased from its frame."—Alexis Coe, New York Times bestselling author of You Never Forget Your First

There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day's headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its “Tribute to Negro Women Fighters for Freedom.”

In How Bright the Path Grows, Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker; civil rights activist Rosa Parks gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program, and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work.

How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.

From a preeminent King scholar, the origin story of the man, minister, and civil rights hero who would lead the nation and change the world.

We know who Martin Luther King, Jr. became, but who was he at the beginning of his life? How did his youth inform his outlook and activism?

Before Martin Luther King, Jr. was a civil rights leader, a Nobel Laureate, and a global hero, he was an emotional boy, a middling high school student devoted to fashion, dancing, and dating. Lerone A. Martin, Faculty Director of the Martin Luther King Institute at Stanford University, traces these roots to develop a fuller understanding of the influential preacher’s emotional life, his youthful confusion about his future and career direction, his teenage missteps, and his inspiration to fight for justice.

Revelatory, humanizing, and compassionate, Young King unearths:

* MLK's Childhood on Auburn Avenue: his days as “Little Mike"—the ever-eager middle child and a precocious prankster—spent at Ebenezer Baptist Church and the Auburn Avenue Library in Atlanta
* Early Encounters with Racism: his early experiences of segregation and the summers he spent on a Connecticut tobacco farm, his first trip outside the Jim Crow South
* College Life at Morehouse: his transformative time at Morehouse, playing basketball, hosting parties, studying sociology, and joining the Ministers’ Union
* Path to Seminary and Activism: his winding path to seminary and the co-development of his activist consciousness, his spiritual devotion, and his relationship with Coretta, his wife-to-be

As America undergoes another era of turmoil and change, this powerful biography provides a vital roadmap for how greatness comes to light. This essential work is a testament to how history shapes a leader.

Young King includes rarely seen black-and-white photographs of an adolescent MLK from his high school days and college years.

Legendary baseball player and manager Dusty Baker reflects on his extraordinary career—filled with invaluable lessons on perseverance, leadership, and living life meaningfully on the field and off.

Dusty Baker walked with baseball legends and became one himself. After he signed with the Braves in 1968 at the age of nineteen against his father’s wishes, no less than the great Hank Aaron promised to take Baker under his wing. Mentored by Aaron, Orlando Cepeda, and Willie Mays, Baker became a premier hitter, helping take the Dodgers to a World Series victory in 1981. He would bookend this with another championship in 2022, this time as a manager helping guide and redeem a Houston Astros team humbled by a cheating scandal. Respected by generations across the game, Baker has come to embody the spirit of the sport—and yet, to discuss his baseball career is only to scratch the surface of a remarkable life.

Crossroads will bring readers into the mind of one of baseball’s mavericks: a curious, inquisitive thinker whose deep interest in the worlds of music, wine, and the simpler joys of life charts a journey of success, struggle, faith, and perseverance. Baker's memoir is filled with hard-earned wisdom and a love for life so plentiful, it seems to radiate from every sentence.

A true American original, counting among his friends presidents and dignitaries, bluesmen and artists, Baker weaves a spell of life at the crossroads, where fate turns on our decisions and the unexpected answers that sometimes seek us out when we least expect it.

The autobiography of a Black woman who defied nineteenth-century conventions to become a preacher, popular speaker, abolitionist, and women’s rights activist. 

Sojourner Truth was an incredible, remarkable, epoch-defying woman who escaped from slavery and successfully sued for her son’s freedom, in addition to her career as a wildly successful orator and activist—a woman alive to the hypocrisies of her age, and unafraid to talk about them.

Her autobiography, which she dictated, is an outstanding historical document. Truth’s tale sheds a light on realities of slavery that are still rarely discussed: that she was a slave in upstate New York, not on a Southern plantation; that Dutch was her first language; that the circumstances of her slavery isolated her from a broader Black community; that her experience of religion was a racially integrated one, and became the means of her independence. Ultimately, The Narrative of Sojourner Truth is the story of a great American that reveals aspects of slavery and free Black life that are too often overlooked.

One of the most important African American leaders of the twentieth century and perhaps the most influential woman in the civil rights movement, Ella Baker (1903–1986) was an activist whose remarkable career spanned fifty years and touched thousands of lives. A gifted grassroots organizer, Baker shunned the spotlight in favor of vital behind-the-scenes work that helped power the Black freedom struggle. Making her way in predominantly male circles while maintaining relationships with a vibrant group of women, students, and activists, Baker was a national officer and key figure in the NAACP, a founder of the Southern Christian Leadership Conference, and a prime mover in the creation of the Student Nonviolent Coordinating Committee.

In this definitive biography, Barbara Ransby chronicles Baker’s long and rich career, revealing her complexity, radical democratic worldview, and enduring influence on group-centered, grassroots activism. Beyond documenting an extraordinary life, Ransby paints a vivid picture of the African American fight for justice and its intersections with other progressive struggles worldwide throughout the twentieth century.

In his most personal work yet, Grammy Award–winning rapper 2 Chainz shares the spiritual journey behind his success, offering a raw, reflective, and deeply motivational meditation on the inner voice that’s guided him his whole life: God.

Before he was 2 Chainz, he was Tauheed Epps—an only child growing up in College Park, Georgia, raised by a single mother while his father served time in prison. Though he excelled in school and earned a basketball scholarship, the streets were never far behind, and by fifteen, he had been arrested and was hustling to survive. He faced doubt and self-destruction, but even then, something told him there had to be more.

In THE VOICE IN MY HEAD IS GOD, 2 Chainz tells the story of how he walked away from the trap and found his purpose: not by fame or fear, but by faith. With his unmistakable voice and unflinching honesty, he reflects on the hardest moments of his life and the quiet revelations that shaped him. From the spiritual alarms he couldn’t ignore to the mentors who showed up at the right time, he explores how his music and verses poured out when he finally listened to the voice that had been there all along.

From hanging with Lil Wayne to getting early help from Ludacris, 2 Chainz brings us into the defining moments of his life and career while delivering a powerful message about discipline, divine timing, and self-belief. Along the way, he offers more than a memoir. He shares a way of thinking, of trusting yourself, and of listening to the voice that never steers you wrong.

Lyrical, grounded, and fiercely motivational THE VOICE IN MY HEAD IS GOD is part blueprint and all heart.

From the New York Times bestselling author of Black Man in a White Coat comes a powerful and urgent call to center psychiatry and mental health care within mainstream medicine

As much as we all might wish that mental health problems--with their elusive causes and unsettling behaviors--simply did not exist, millions of people suffer from them, sometimes to an extreme extent. Many others face addiction to alcohol and other drugs, as overdose and suicide deaths abound. Yet the vast majority of doctors receive minimal instruction during their lengthy medical training in treating these conditions. This mismatch ignores the clear overlap between physical and mental distress, and too-often puts psychiatrists on the outside looking in as the medical system continues to fail many patients.

In Facing The Unseen, bestselling author, professor of psychiatry, and practicing physician Damon Tweedy guides us through his days working in outpatient clinics, emergency rooms, and hospitals as he meets people from all walks of life who are grappling with physical and psychological illnesses. In powerful, compassionate, and eloquent prose, Tweedy argues for a more comprehensive and integrated approach, one in which people with mental illness have access to a health care system that places their full well-being front and center.

Pulitzer-Prize winning journalist Jose Antonio Vargas, called “the most famous undocumented immigrant in America,” tackles one of the defining issues of our time in this explosive and deeply personal call to arms.

“This is not a book about the politics of immigration. This book––at its core––is not about immigration at all. This book is about homelessness, not in a traditional sense, but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home.

After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom.”

―Jose Antonio Vargas, from Dear America

The big-hearted, bestselling South Korean memoir co-written by two best friends flouting gender norms and societal expectations with their decision to grow old together under one roof.

When most of their peers were moving in with romantic partners and having children, Kim Hana and Hwang Sunwoo chose independence—savoring solitude, quiet mornings, and the unmitigated freedom of living alone. But in their forties, something shifted, and they were met with a new, unexpected loneliness. Refusing to settle for the outdated choice between marriage or isolation, Hana and Sunwoo made a radical decision: to buy a home and live together—not as lovers, not as roommates, but as chosen family.

Now a bustling household of two women and four cats, Hana and Sunwoo still value solitude, but can do so while sharing a life and its meaning with someone else. Together they navigate the challenges and comforts of cohabiting in midlife, the growing pains of interdependence and the unexpected rewards of compromise when you’ve grown set in your ways. From sick days to career wins to aging parents and beach-side retirement plans, they are redefining domestic bliss on their own terms, where love, partnership, and home are defined not by tradition, but by choice.

With warmth, wit, and sharp social insight, Hana and Sunwoo share their blueprint for building a life outside the scripts of marriage and society’s expectations for women. Two Women Living Together is a quiet revolution—a celebration of female friendship, community, and the many forms that love and family can take.

In the tradition of books by Albert Woodfox and Angela Davis comes the gripping memoir of a wrongful conviction and life on death row in Angola prison, showing how incarcerated people care for, protect, mentor, and teach each other.

In 1975, seventeen-year-old Gary Tyler was sent to Angola prison to die. A year earlier, he had been wrongfully charged with the killing of a white teenager and found guilty by an all-white jury, making Gary the youngest prisoner on death row in the country.

Following his conviction, Amnesty International and investigative reporters documented the brutal treatment, fabricated evidence, recanted testimony, and repeated injustices that led to his sentencing. Three times Gary was recommended for a pardon; three times Louisiana governors refused to accept the political risk. After more than four decades in prison, Tyler was released in 2016—but he was never exonerated.

This is not a story of mistaken identity or circumstantial evidence, but one of systemic injustice from an institution hard-wired into a legacy of slavery—in effect, this was a legal lynching. It is precisely this harsh reality that makes this memoir a remarkable celebration of life and justice, a story of pride, forgiveness, community, and triumph. With insight and heart, Gary shows how he learned to reject bitterness and survive with the help and mentorship from activists such Albert Woodfox and Herman Wallace on the inside, and the relentless support from people on the outside. Stitching Freedom is the page-turning chance for Gary to reclaim his power and exonerate himself at last.

With more than two million copies in print, Manchild in the Promised Land is one of the most remarkable autobiographies of our time—the definitive account of African-American youth in Harlem of the 1940s and 1950s, and a seminal work of modern literature.

Published during a literary era marked by the ascendance of black writers such as Richard Wright, Ralph Ellison, James Baldwin, and Alex Haley, this thinly fictionalized account of Claude Brown’s childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s.

When the book was first published in 1965, it was praised for its realistic portrayal of Harlem—the children, young people, hardworking parents; the hustlers, drug dealers, prostitutes, and numbers runners; the police; the violence, sex, and humor.

The book continues to resonate generations later, not only because of its fierce and dignified anger, not only because the struggles of urban youth are as deeply felt today as they were in Brown’s time, but also because of its inspiring message. Now with an introduction by Nathan McCall, here is the story about the one who “made it,” the boy who kept landing on his feet and grew up to become a man.

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In 1999, Eve Jihan Cooper made history with her solo debut album, Let There Be Eve…Ruff Ryders’ First Lady, reaching number one on the Billboard 200, marking her as the third female rapper to ever obtain that position. She later made history again as the first recipient ever of the Grammy Award® for Best Rap/Sung Collaboration for her platinum single “Let Me Blow Ya Mind” with Gwen Stefani. Following up with three chart-topping albums that made unrivaled waves in the world of hip-hop and music, as well as trailblazing moments in TV/film and fashion, Eve now looks back on her groundbreaking career.

West Philadelphia was not for the faint of heart—Eve knows that better than anyone. However, she navigated those Philly streets (and later the rest of the world) seamlessly, though it was not without strength and resilience. She incorporates that unbridled ambition into every bar that she writes and every stage/set that she stands on. With a gritty realness that speaks to her style, she shares her experiences going from the Mill Creek Projects to Hollywood.

In this memoir, Eve reveals:
* Her experience working both in hip-hop and Hollywood simultaneously
* Dealing with a male-constructed industry that directly affects female rappers
* The internal mental health struggles that come from fame
* Her journey through fertility issues and motherhood
* Working on an entertaining yet controversial talk show
* Finding her balance as a wife, mother, and international superstar

Eve also unveils the war stories she’s endured throughout her career, from her entrance as “Eve of Destruction” into a male-dominated hip-hop industry, to the deeper story behind Scorpion that was never told until now, to the internal battle with her music, her label, and herself after Lip Lock.

This fearless, empowering, and inspirational memoir from hip-hop sensation Eve explores her rise to stardom as a female MC, her lasting legacy on pop culture and music, and her incredible yet enduring struggle balancing her personal life with her professional one.

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NEW YORK TIMES BEST SELLER • From the indie rock sensation known as Japanese Breakfast, an unforgettable memoir about family, food, grief, love, and growing up Korean American. •  "In losing her mother and cooking to bring her back to life, Zauner became herself.” —NPR

In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.

Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.

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At age nineteen, Natasha Trethewey had her world turned upside down when her former stepfather shot and killed her mother. Grieving and still new to adulthood, she confronted the twin pulls of life and death in the aftermath of unimaginable trauma and now explores the way this experience lastingly shaped the artist she became.

With penetrating insight and a searing voice that moves from the wrenching to the elegiac, Pulitzer Prize–winning poet Natasha Trethewey investigates this profound experience of pain, loss, and grief as an entry point into understanding the tragic course of her mother’s life and the way her own life has been shaped by a legacy of fierce love and resilience. Moving through her mother’s history in the deeply segregated South and through her own girlhood as a “child of miscegenation” in Mississippi, Trethewey plumbs her sense of dislocation and displacement in the lead-up to the harrowing crime that took place on Memorial Drive in Atlanta in 1985.

Memorial Drive is a compelling and searching look at a shared human experience of sudden loss and absence but also a piercing glimpse at the enduring ripple effects of white racism and domestic abuse. Animated by unforgettable prose and inflected by a poet’s attention to language, this is a luminous, urgent, and visceral memoir from one of our most important contemporary writers and thinkers.

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This extraordinary memoir of struggle and perseverance offers new ways of envisioning economic equality for everyone—from a leading activist and fashion pioneer.

Aurora James’s story is not a “success story.” Or at least, it shouldn’t be told that way. Having dropped out of high school, struggled with body image, and dabbled in street racing, her eventual arrest might have been her rock bottom. But as a visionary and optimist, that experience became one of many that reshaped her way of thinking about the world. After a brief modeling stint, James discovered the real power in creating for the runway and started her own business in a flea market, a sustainable fashion line showcasing traditional African design that would become an award-winning international brand. Then she founded one of the fastest-growing social justice nonprofits, the Fifteen Percent Pledge. But none of this came from a desire to “succeed.” It came from a desire to forge a new creative path—and to lift others up alongside her.

Already a rising star in fashion and the first Black American female designer to win a CFDA Award, James was inspired by the activism that swept the nation in the summer of 2020 to think bigger about how to empower Black business owners. With an idea and an Instagram post, she founded the Fifteen Percent Pledge, which challenges retailers to commit 15% of their shelf space and spending power to Black businesses. To date, more than two dozen of the world’s most recognized retailers have taken the pledge, redirecting $10 billion in revenue to Black brands.

Empowering and full of heart, Wildflower is the story of how Aurora James got to where she is now and a rallying cry for those eager to make change.

An acclaimed poet reclaims her origin story as the queer daughter of a Muslim Nigerian immigrant and a Black American visual artist in this groundbreaking memoir, combining lyrical prose, biting criticism, and haunting visuals.

“Hafizah Augustus Geter is a genuine artist, not bound by genre or form. Her only loyalty is the harrowing beauty of the truth.”—Tayari Jones, author of An American Marriage

“I say, ‘the Black Period,’ and mean ‘home’ in all its shapeshifting ways.” In The Black Period, Hafizah creates a space for the beauty of Blackness, Islam, disability, and queerness to flourish, celebrating the many layers of her existence that America has time and again sought to erase.

At nineteen, she lost her mother to a sudden stroke. Weeks later, her father became so heartsick that he needed a triple bypass. By her thirties, she was constantly in pain, pinballing between physical therapy appointments, her grief, and the grind that is the American Dream. Hafizah realized she'd spent years internalizing the narratives that white supremacy had fed her about herself. Suddenly, she says, I was standing at the cliff of my own life, remembering.

Recalling her parents’ lessons on the art of Black revision, and mixing history, political analysis, and cultural criticism, alongside stunning original artworks created by her father, renowned artist Tyrone Geter, Hafizah maps out her own narrative, weaving between a childhood populated with Southern and Nigerian relatives; her days in a small Catholic school; a loving but tragically short relationship with her mother; and the feelings of joy and community that the Black Lives Matter protests engendered in her as an adult. All throughout, she forms a new personal and collective history, addressing the systems of inequity that make life difficult for non-able-bodied persons, queer people, and communities of color while capturing a world brimming with potential, art, music, hope, and love.

A unique combination of gripping memoir and Afrofuturist thought, in The Black Period, Hafizah manages to sidestep shame, confront disability, embrace forgiveness, and emerge from the erasures

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A Washington Post culture writer chronicles the challenges she faces as a Black mother in a mostly white mommy group in a time of gentrification, racial reckoning, and a global pandemic.

“Can white moms and Black moms ever truly be friends, not just mom friends, like really real friends?”
 
Helena Andrews-Dyer lives in the Bloomingdale neighborhood of Washington, D.C., a picturesque collection of rowhouses near the center of the city that has become increasingly gentrified in the last decade. After having her first child a few years ago, she joined the local motherhood support group—“the Mamas”—and was surprised to find she was one of the only Black mothers. The racial, cultural, and socio-economic differences were made clear almost immediately. Then George Floyd happened. A man was murdered. A man who called out for his mama. And suddenly, the Mamas felt even more different. Though they were alike in some ways—they want their kids to be safe, they think their husbands are lazy, they work too much and they feel guilty about it—Helena realized she had an entirely different set of problems her neighborhood mom friends could never truly understand.
 
In The Mamas, Helena chronicles the particular challenges she faces in a group where a reading list is the first step to solving systemic racism and where she, a Black, professional, Ivy League-educated mom, is overcompensating with every move. And Helena grapples with her own inner tensions like, “Why do I never leave the house with the baby and without my wedding ring?” and “Why did every name we considered for our kids have to pass the résumé test?” Throw in a pandemic and a nationwide movement for social justice and follow Helena as she ultimately tries to find out if moms from different backgrounds can truly understand one another.
 
With sharp wit and refreshing honesty, The Mamas explores the contradictions and community of motherhood—white and Black and everything—against the backdrop of the rapidly changing world.

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The award-winning author of The Good Negress shares invaluable insights on the precarious journey toward creativity that is the writer’s life, and tells the compelling story of her relationship with Toni Morrison, painting an illuminating portrait of this towering yet enigmatic cultural icon.

With the publication of her debut novel The Good Negress in 1995, A. J. Verdelle became an overnight sensation, winning critical acclaim and competing for prestigious literature prizes. But for Verdelle, the most unexpected consequence was the friendship she formed with the legendary Toni Morrison. Receiving an advance copy of the book, the Pulitzer and Nobel prize-winning author—notorious for never giving early praise—called The Good Negress, “Truly Extraordinary.” It was a writer’s dream come true—a dream that for Verdelle would become simultaneously exhilarating and challenging.

Now, twenty-five years later, Verdelle tells the story of that success and what came after. Miss Chloe begins with the story of young Verdelle’s persistent aim to become an author, spending countless pre-dawn hours writing the novel that became The Good Negress. Verdelle then turns to the heady period after publication, focusing on her relationship with Toni—a precious gift that was most of the time a grace and a blessing, and at other times, confusing and too separate from literature. While Morrison continued to rise as an icon, Verdelle’s writing career took a sharp turn. Verdelle’s next novel—a Western featuring Black characters—is quickly bought by a young editor who leaves for another job before the manuscript is finished. Searching for direction, Verdelle moves to another publisher. Yet this second book will languish for more than fifteen years. In chronicling her journey, Verdelle offers an honest assessment of what it means to be a writer, including the expectations and let downs that famous friendships do not defray.

Miss Chloe ends with the period after Morrison has passed away, when Verdelle is left to face the reality of her writing career, pondering what it means to have promise that is yet to materialize. She finds comfort in advice Morrison offered over the years, insight she shares in this wise book. “In order for Morrison to take you seriously, to have patience with you, to be interested, you had to be able to hear her,” Verdelle writes. “You had to be able to sit still and listen. You had to be able to pipe up in the pauses, and prove you understood. You needed demonstrate that language was a skill you had, that Black culture was known to you and respected by you.” 

From the bestselling and Booker Prize–winning author of Girl, Woman, Other, Bernardine Evaristo’s memoir of her own life and writing, and her manifesto on unstoppability, creativity, and activism

Bernardine Evaristo’s 2019 Booker Prize win was a historic and revolutionary occasion, with Evaristo being the first Black woman and first Black British person ever to win the prize in its fifty-year history. Girl, Woman, Other was named a favorite book of the year by President Obama and Roxane Gay, was translated into thirty-five languages, and has now reached more than a million readers.

Evaristo’s astonishing nonfiction debut, Manifesto, is a vibrant and inspirational account of Evaristo’s life and career as she rebelled against the mainstream and fought over several decades to bring her creative work into the world. With her characteristic humor, Evaristo describes her childhood as one of eight siblings, with a Nigerian father and white Catholic mother, tells the story of how she helped set up Britain’s first Black women’s theatre company, remembers the queer relationships of her twenties, and recounts her determination to write books that were absent in the literary world around her. She provides a hugely powerful perspective to contemporary conversations around race, class, feminism, sexuality, and aging. She reminds us of how far we have come, and how far we still have to go. In Manifesto, Evaristo charts her theory of unstoppability, showing creative people how they too can visualize and find success in their work, ignoring the naysayers.

Both unconventional memoir and inspirational text, Manifesto is a unique reminder to us all to persist in doing work we believe in, even when we might feel overlooked or discounted. Evaristo shows us how we too can follow in her footsteps, from first vision, to insistent perseverance, to eventual triumph.

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Stunning for her daring originality, the author of Negroland gives us what she calls “a temperamental autobiography,” comprised of visceral, intimate fragments that fuse criticism and memoir.

Margo Jefferson constructs a nervous system with pieces of different lengths and tone, conjoining arts writing (poem, song, performance) with life writing (history, psychology). The book’s structure is determined by signal moments of her life, those that trouble her as well as those that thrill and restore. In this nervous system:
  •  The sounds of a black spinning disc of a 1950s jazz LP as intimate and instructive as a parent’s voice.
  •  The muscles and movements of a ballerina, spliced with those of an Olympic runner: template for what a female body could be.
  •  Harriet Beecher Stowe’s Topsy finds her way into the art of Kara Walker and the songs of Cécile McLorin Salvant.
  •  Bing Crosby and Ike Turner become alter egos.
  •  W. E. B. DuBois and George Eliot meet illicitly, as he appropriates lines from her story The Lifted Veil to write his famous “behind the veil” passages in The Souls of Black Folk.
  •  The words of multiple others (writers, singers, film characters, friends, family) act as prompts and as dialogue.
 
The fragments of this brilliant book, while not neglecting family, race, and class, are informed by a kind of aesthetic drive: longing, ecstasy, or even acute ambivalence. Constructing a nervous system is Jefferson’s relentlessly galvanizing mise-en-scène for unconventional storytelling as well as a platform for unexpected dramatis personae.

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Better Not Bitter is the first time that one of the now Exonerated Five is telling his individual story, in his own words. Yusef writes his narrative: growing up Black in central Harlem in the '80s, being raised by a strong, fierce mother and grandmother, his years of incarceration, his reentry, and exoneration. Yusef connects these stories to lessons and principles he learned that gave him the power to survive through the worst of life's experiences.

From bestselling author Celeste Headlee, an urgent and eye-opening story of the women who risked everything to ensure a generation of Black Americans had the right to read.

In the waning days of the antebellum South, millions of African Americans were suddenly released from enslavement. But they soon realized that “freedom” was not free; they were subject to hundreds of laws aimed at preventing them from voting and, in many cases, learning. Were it not for the work of an exceptional group of women―activists, educators, mothers, organizers―the foundations for Black education might never have been laid.

With Freedom's Daughters, Headlee set out to write into the record book the untold stories of these remarkable women. As a journalist who spent her career in public media, Headlee has long championed unheard voices and sought to tell the stories of those whose contributions have gone unacknowledged. But this project was fueled by an even deeper connection: Carrie Still Shepperson―one of the most important figures in this fight―is Headlee's great grandmother and one of the biggest influences in her life.

Now, after a decade of research spanning personal diaries to public records, Freedom’s Daughters paints a vivid portrait of figures intentionally erased from history, recognizing the work of a generation of Black women who believed freedom was inextricably linked with learning and free expression, and who worked tirelessly to secure access to literacy and education for a generation of children born into freedom.

By turns shocking, inspiring, and deeply moving, Freedom’s Daughters is Headlee’s impeccably researched journey to better understand her family history and herself, and a timely examination of the influence and power of unfettered access to schools, libraries, and higher education.

The legendary actor behind Roots, Star Trek: The Next Generation, and Reading Rainbow shares never-before-told stories from a life that has shaped generations—told at last on his own terms.

This is my attempt to pull back the curtain. Not just on the roles I’ve played, but on the life I’ve lived. The fears. The fight. The survival. And yes, the joy. All of it.

Tracing the different eras of his life—from Kunta Kinte to Geordi La Forge to Reading Rainbow and far beyond the camera—celebrated actor LeVar Burton fearlessly opens up about growing up during the Civil Rights Movement, being raised by a remarkable mother, and discovering his calling as a storyteller. He explores how acting has served as both a source of transformation and an escape from the most difficult parts of his past, while also confronting the challenges of being a parent, husband, and householder.

As Burton honors the loved ones whose strength and resilience shaped him in this inspiring memoir, he also asks what we owe to our ancestors and to each other, reflecting on the deep necessity he’s always felt advocating for liberation and equity. Generous, deeply moving, and illustrated with personal family photos, Take My Word For It is a courageous self-portrait of an iconic artist.

An updated and revised biography of Patrice Lumumba, former Prime Minister of the Democratic Republic of the Congo.

Patrice Lumumba (1926-61) is perhaps the most famous leader of the African independence movement. He became an icon of anti-imperialist struggle after his execution in 1961, when he had been the prime minister of the newly liberated Congo for only seven months. As the news came out, his picture was brandished in demonstrations in capitals around the world, along with those of Che Guevara and Mao Zedong. His life and the independence that he sought for the Congo made him a pivotal figure of the twentieth century, exposing ongoing Western colonialism and the problematic nature of the independence granted to huge swathes of the globe after 1945.

In this book, revised and updated to include new thinking on the Congo crisis and incorporating material recently released from British intelligence archives, Leo Zeilig tells the story of the Congo in the dying days of colonialism and of Lumumba’s transition from nationalist to revolutionary to international symbol of African liberation.

The veteran White House correspondent follows up Black Women Will Save the World with a gripping, soul-baring, and deeply personal examination of online misogynoir—specific and relentless online bullying attacks based solely on race and gender.

Notes on a Blacklash is veteran White House reporter April Ryan’s gripping, soul-baring look at what happens when the world suddenly turns its full attention on you. This isn’t just the story of one viral moment with President Trump. It’s about the avalanche that follows: the scrutiny, the emotional and physical toll, and the way your identity can become fuel for headlines and hashtags.

April pulls back the curtain on what it truly costs to be seen and what it takes to survive it. With vulnerability and power, she recounts the moments that made her go viral, not because she chased attention, but because she showed up authentically. Her presence, her truth, and her refusal to shrink under pressure struck a chord and sparked cultural firestorms.

From a high-stakes press room showdown to the history-making decision by Vice President Kamala Harris, from the public disrespect of Stevie Wonder to the slap heard around the world, April explores how race, gender, and power collide in a world addicted to outrage and instant opinions.

At its core, this book explores visibility—its price, its power, and the fight to reclaim your story when millions are watching. What does it mean to go viral when your hair is politicized, your voice is policed, and your very existence is treated as a threat? Sometimes, this is what it feels like when the spotlight finds you: uninvited, unrelenting, and impossible to ignore.

The long-awaited memoir by the comedy legend and author of multiple New York Times bestsellers, a beautiful and mesmerizing book that reveals as never before his childhood in South Central Los Angeles, his time in the infamous Bloods gang, and how humor became his salvation.

I learned a joke could be more than humor. It was body armor. Could be a spell. Could be a sword and a shield, all in one breath.

He was always Charlie’s Boy—even before he found his name, his voice, his fame.

In this raw, cinematic, and deeply personal memoir, acclaimed comedian and cultural critic D.L. Hughley documents his rise from the streets of South Central Los Angeles to the national spotlight—and the man who quietly stood behind him through it all.

While his mother’s wrath shaped his early years with fear and rejection, it was Charlie Hughley—a soft-spoken bag handler at the Los Angeles Airport—who raised D.L. and taught him how to survive through tough love and sacrifice. Though he was not D.L.’s biological father—a fact only revealed when D.L. was ten—Charlie gave his boy the only thing he truly needed: a sense of being seen.

It was a time when gangs ruled the streets of South Central, and D.L. rose through the ranks of the Bloods. But when his mother’s car was shot up and dead roses were left on his doorstep—signaling he was marked for death—D.L.’s mother knew that he couldn’t stay in Los Angeles. So, D.L. boarded a bus to Ohio and left behind everything he understood. It was exile. But it proved to be a fresh start.

This is not just a coming-of-age story. It’s the story of how one man found his voice by being raised in silence—and how he learned to get on stage and turn pain into punch lines. Through storytelling that’s both unsparing and funny, Charlie’s Boy is a tribute to the man who never asked for one, and a reckoning for the boy who had to wrestle for love, identity, and truth.

The inspiring memoir of a brilliant young man who, sentenced to life in prison, refused to surrender his future—a story so powerful that it transformed even the judge who handed down the sentence.
 
If our world were more just, Chris Young would have been crossing a stage at college graduation at the age of 22. Instead, he was marched into a maximum-security federal prison, facing life under mandatory drug sentencing laws. Like far too many young Black men from his neighborhood in Clarksville, Tennessee, this was where his story was supposed to end.
 
But one day in the prison library, a book caught his eye: an encyclopedia. As he began to turn the pages, Chris felt himself transported. Knowledge became a portal. He began to confront the nihilism around him, the trauma of his past, and the cruelty of a system determined to confine him. From the library, his cell, and even solitary confinement, Chris built an education from scratch, studying philosophy, art, anthropology, history, physics, and politics. He learned to analyze the stock market and taught himself how to code without a computer. He trained his mind—and refused to let prison dictate the limits of his imagination. At his sentencing hearing, Chris gave such a moving speech that the judge resigned from his lifetime appointment to the bench and fought to free him.
 
Started in solitary confinement and finished beyond bars, The Wound Is Where the Light Enters is a powerful meditation on choice, consequence, and human potential, told through the story of a man who was never given a chance—and who fought until, at last, he was.