A posthumous book from hip-hop legend DMX that brings readers into the heart of his faith—a raw, redemptive collection of prayers and never-before-seen spiritual writings revealing the struggle and hope behind one of music’s most uncompromising voices. Authorized by the Estate of Earl “DMX” Simmons and carefully curated by co-administrators Desiree Lindstrom and Sasha Simmons, and featuring a foreword by Rakim.

DMX was celebrated for his brutally honest lyrics and raw, emotional delivery. Beneath that intensity was a man of deep and unshakable faith, relentlessly searching for grace while openly wrestling with temptation, suffering, and redemption. His prayers, whether whispered in solitude or spoken before thousands, revealed a soul determined to reconcile pain with purpose and anger with surrender. Through that vulnerability, he transformed hip-hop into testimony.

In quiet moments, DMX recorded his spiritual reflections wherever he could—on napkins, receipts, and hotel notepads—capturing his faith in its most immediate and unfiltered form. The Gospel According to DMX gathers this legacy into a posthumous collection of his prayers, sermons, spiritual writings, and selected lyrics. Presented in a beautifully designed edition crafted to echo the enduring form of a Bible, and including a moving foreword from Rakim, the book features never-before-seen handwritten pages that offer an intimate window into the private devotions of a man whose faith was as fierce as his artistry.

Despite its title, The Gospel According to DMX is not a religious or doctrinal text. Readers should note that some portions of this book contain profanity, explicit language, and mature themes. Earl Simmons's archival materials are presented in their original form and should be considered in the context of the complete body of work.

Emmy-winning comedian Katt Williams delivers a raw, unfiltered memoir that takes readers on a wild ride from homelessness to Hollywood, revealing the resilience, faith, and unapologetic humor that define his iconic career. With a forward by Shaquille O’Neal.

At thirteen, Micah Williams told his devout Jehovah’s Witness parents he was done. Knocking on doors wasn’t his calling, but knocking out audiences would be. He hitchhiked to Florida, hustled odd jobs, and years later would transform into Katt Williams, Emmy-winner, five-foot-five giant of comedy. The only man in Hollywood who can rock both a press and curl and sold-out arenas.

Katt details the grit and unwavering self-belief that fueled his ascent from an impromptu set at a small Florida comedy club to commanding audiences worldwide. He funded his own tours, kept his ownership, and he learned early that if you’re going to be underestimated, you might as well profit from it.

Katt also reveals the quieter side of the man behind the mic: thoughtful, spiritually grounded, and deeply committed to fatherhood. He addresses the headlines head-on, sets the record straight on his legal battles, while sharing what it really means to survive Hollywood without losing ownership of your money, your voice, or your peace.

From the soul of a man who refuses to fail, this memoir is part comedy masterclass and part middle finger to convention. It’s not just for fans; it’s for anyone who’s ever been told their dreams were too loud. Katt delivers a blueprint for betting on yourself…and winning.

A groundbreaking investigative account of the life of the mogul who brought hip-hop to the mainstream, offering readers a riveting look at the empire he built and the destructive power of celebrity

If not for Sean “Diddy” Combs’ ability to harness the voice of hip-hop and package it via artists like Mary J. Blige and the Notorious B.I.G., the landscape of American―and world―music would look and sound entirely different. For decades, mainstream performers clamored to be close to Combs; his charisma, vision, and brand of cool transformed hip-hop culture into a multibillion-dollar powerhouse. While his acumen built an empire that reflected the biggest names in not only music but also fashion, business, and the bright lights of Hollywood, another side of Combs was hidden from public view.

In Bad Boy for Life, journalist Cheyenne Roundtree vividly brings to life Combs’ early days and his rise to power. She also excavates the disturbing history of his alleged abuse. Through cultural insights, meticulous reporting, and in-depth interviews with more than one hundred sources, she examines Combs’ misuse of power that led to the criminal trial in 2025 that caused his kingdom to unravel.

Ultimately, this account shows how Combs embodies the much bigger story of hip-hop’s ascension, the wider music industry, and fame’s sinister aspects. This is one of the most significant pop-culture stories of our time, one that charts the path of an impresario while asking questions about accountability and justice, who is believed and who is silenced, and why we protect the powerful. In Bad Boy for Life, Roundtree depicts the man in full, offering a comprehensive portrait of Combs’ astonishing rise and fall.

They may be the author of the #1 most banned book in America, but George M. Johnson isn't finished telling their story yet. Written with unflinching emotion and unapologetic boldness, And If I Die Before I Wake is nothing short of a testimony -- one the world desperately needs to hear.

George M. Johnson is no stranger to death. In this debut adult memoir, readers are invited to witness as they navigate an HIV diagnosis, alcoholism, tremendous loss, and nationwide book bans over the span of 15 years. Through the highs and lows of life in the spotlight, they have clung to family and community like never before -- finding their most authentic self along the way.

Drawing inspiration from Toni Morrison, Jesmyn Ward, and Ta-Nehisi Coates, And If I Die Before I Wake explores grief, trauma, sexuality, and the Black family through the lens of transformation, healing, and hope. Poetic, grounded, and bursting with signature humor, this is New York Times-bestselling author George M. Johnson more bold, more brave, and more daring than ever.

“A landmark work of beauty, honesty, and insight.”—Helen Macdonald 

From acclaimed ornithologist and MacArthur Fellow J. Drew Lanham comes a modern classic of nature writing and memoir, newly expanded with reflections on the decade since its original publication. 

A decade after its original publication, The Home Place remains a distinguished work of American memoir and nature writing—a beloved bestseller that has inspired readers, birders, conservationists, and anyone seeking a deeper connection to the natural world.

In these pages, renowned ornithologist J. Drew Lanham traces his roots to Edgefield County, South Carolina, where generations of his family have lived since slavery. There, amid fields, forests, and fence rows, a young Lanham discovers the birds that will shape his life. Through birding, he finds wonder, purpose, and belonging, while beginning to grapple with what it means to be “the rare bird”—a Black naturalist in spaces where few people look like him.

With lyricism, humor, and unflinching honesty, Lanham explores race, inheritance, identity, and the enduring bonds between people and place. This special 10th anniversary edition includes new and expanded reflections that revisit the book’s central themes through the lens of a decade of cultural and environmental change, deepening the conversation that has made The Home Place a touchstone for readers across generations.

At once intimate and expansive, The Home Place is the story of a family’s roots, a birder’s awakening, and a lifelong love affair with nature. For longtime admirers and first-time readers alike, this anniversary edition celebrates a modern classic whose message of belonging, stewardship, and hope has only grown more urgent with time.

Amid the current firestorm of interest in women’s basketball, Natasha Howard reveals the tremendous obstacles she overcame to become a three-time WNBA champion who continues to excel on the hardwood.

THE PAST THREE YEARS HAVE SEEN A WORLDWIDE EXPLOSION of interest in women’s basketball and the rise of young superstars like Caitlin Clark, Angel Reese, and Paige Bueckers. As the audience grows exponentially, the public is hungry to know more about some of the women who have ushered the sport into this bright spotlight, including elite and still-active veterans like Breanna Stewart, A’ja Wilson, Natasha Howard, Napheesa Collier, and others.

Before Natasha Howard was a three-time WNBA champion, before she was named Defensive Player of the Year, she was a thoughtful girl growing up in very difficult circumstances. Her mother faced challenges of her own while shepherding her four children between cities, and sometimes in and out of homeless shelters. 

Young Natasha’s life changed when her uncle Greg introduced her to basketball―with a bribe that included candy. Tash was instantly hooked. But what does a basketball player do when her school doesn't have a girls' team? She joins together with a friend to demand that they be allowed to try out for the boys' team. Which is what Tash did―and then became a starter.

In 2025 Natasha Howard was named MVP of the 2025 WNBA Commissioner’s Cup. She currently plays with the Minnesota Lynx and shows no signs of slowing down at the age of thirty-four. The Vision Through My Lens is her powerful story of building a life for herself through basketball. As a gay, Black woman, she used all her strength to forge forth, to triumph over an astonishing array of obstacles. Coauthored by Deyscha Smith, this memoir tells an unusually empowering tale of a strong girl becoming a stronger woman.

The first biography of a controversial, iconoclastic architect of Black Studies, from a leading scholar of the Black intellectual tradition

In the 1960s and 1970s, Harold Cruse (1916–2005) was one of the most prominent Black intellectuals in the world, mentioned in the same breath as James Baldwin, Frantz Fanon, and Malcolm X. Today, Cruse is nearly forgotten. In this biography, Vincent W. Lloyd reclaims the story of an influential contrarian, a man who was beloved, feared, hated, reviled, praised.

Cruse grew up poor in Virginia and Harlem, worked as a critic and organizer, and then spent years making his living through manual labor while writing The Crisis of the Negro Intellectual (1967). The book electrified Black America, and the activist who never finished high school became a tenured college professor, a founder of the field of Black Studies, and a mentor to countless student activists. By the 1980s, however, Cruse’s distaste for integration, liberal pluralism, and multiculturalism meant that his influential work was fading from view.

Drawing on Cruse’s letters and unpublished writings, along with scores of interviews, Lloyd offers a fast-paced narrative of an extraordinary life―and a new perspective on Black justice struggles. Ultimately, this is the story of a singular man: passionate, brilliant, strange, and visionary.

An illuminating portrait of five Black woman artists and the New York nightclub that helped inspire the civil rights movement.

Before they became household names, Maya Angelou, Lorraine Hansberry, Abbey Lincoln, Miriam Makeba, and Nina Simone needed a place to practice and perform. That place was the Village Gate, a New York City nightclub that became a downtown hotspot for Black art, culture, music, and politics. Freedom’s Gate depicts the deepening political convictions and groundbreaking artistry of women of the Gate as they developed as entertainers, activists, and intellectuals in the spotlight of art and revolution. From Hansberry’s A Raisin in the Sun to Nina Simone’s “Mississippi Goddam” and Abbey Lincoln and Max Roach’s We Insist! Freedom Now Suite, Soyica Diggs Colbert brings to life the culture and performances that were the soundtrack to Black freedom struggles in the 1950s and early 1960s. With supporting roles from stars and activists such as Harry Belafonte, Stokely Carmichael, and Sidney Poitier, Freedom’s Gate is a vibrant history of a little-known chapter of the civil rights movement that gave voice and soul to the call for liberation.

20 photographs

The late, legendary performer and activist’s candid reflections on American race relations and social movements, based on previously unpublished conversations with the award-winning historian

Harry Belafonte was more than a bestselling folk singer and Hollywood’s first Black matinée idol; he was also the secret weapon of human rights movements for seventy years—a close confidante of Martin Luther King Jr. and Eleanor Roosevelt; a trusted whisperer to JFK; and a political advisor to African heads of state.

Belafonte simultaneously advised Robert F. Kennedy on how to win the Black vote, openly supported Communist leaders including Fidel Castro, and skillfully avoided being blacklisted by J. Edgar Hoover. He was also a masterful fundraiser, almost singlehandedly bankrolling the civil rights movement from his own earnings as well as donations solicited from Hollywood friends and Vegas mobsters. It was Belafonte’s idea to organize superstar artists to record the hit song, “We Are the World” in 1984 to benefit famine victims in Africa.

In this candid, revelatory book, drawn from a series of conversations with historian Kevin Baker shortly before Belafonte’s death in 2023, the legendary singer of “Day-O” shares his philosophy on racial politics, African colonialism, the emergence of Israel, the shortcomings of Barack Obama, and the rise of Donald Trump. A Burning House offers a primer on celebrity activism at its best—as well as a cautionary tale about the rise of American authoritarianism.

"My clothes are different, my face is different, my hair is different, but I am somebody. I am black, brown, white. I speak a different language. But I must be respected, protected, never rejected. I am God’s child. ⁣I am somebody.” —Jesse Jackson

Few figures loom as large as Reverend Jesse Jackson in the history of American civil rights. From marching in the 1960s with Dr. Martin Luther King, Jr., to forming the Rainbow PUSH Coalition, to his historic presidential campaigns, Jesse Jackson spent his life at the forefront of the civil rights movement. Recipient of numerous awards including the Presidential Medal of Freedom and NAACP Spingarn Medal, Jackson is undoubtedly one of the most consequential figures in the nation's history.

Collected here are rare and previously uncollected interviews with magazines, newspapers, and television broadcasts. In them, Jackson talks of his work with Dr. King, and the tragic night when he was killed. He addresses the economic deregulation of the 1970s, how it translated to tax cuts for the wealthy but few benefits for the poor and underrepresented. He tells of his own presidential campaigns and, with the political rise of Barack Obama, anticipates the election of the country's first Black president. From these brief glimpses emerges a picture of a man of moral purpose, who taught us that the only justification to look down on someone is to stop and pick them up.

The art historian, poet, and novelist close-reads images, moving and still, canonical and lesser known, that have shaped her evolving identity as an American “Mulatta” lesbian born at the end of the Civil Rights Movement in this singular blend of life-writing and cultural studies.

The daughter of the WASP mother who raised her and a Black father she has never known, J. Vanessa Lyon delivers a candid memoir across thirteen uniquely structured chapters in conversation with enduring, often damaging, mis/representations of so-called race mixing in fine art and popular media. Reflecting on a lifetime of being “dis-read,” she examines insidious cultural tropes of White passing beginning with art from the era of transatlantic slavery—from Rembrandt and Rubens, Gentileschi and Stubbs, to Manet—before moving on to Br’er Rabbit, Louise Nevelson, 1950s melodrama, and Adrian Piper. Original analysis of a broad chronological range of visual art parallels the unfolding of Lyon’s sense of self as animated by the interiors and geographies—not to mention the challenging and remarkable women—that have figured in her life. Through her investigations, she comes to terms with long-withheld information and the seemingly unalterable reality of being an out lesbian who, legally Black, may never be viewed by Whites or other African Americans in the ways she experiences her own raced and gendered personhood.

By turns scholarly and intimate, Blackness Thirteen Ways reveals surprising connections between the art Lyon teaches and the woman she has become, challenging history to accommodate an unapologetic image of herself and other “impassably” Black women.

A startling and eye-opening look into America’s First Family, Never Caught is the powerful story about a daring woman of “extraordinary grit” (The Philadelphia Inquirer).

When George Washington was elected president, he reluctantly left behind his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation’s capital. In setting up his household he brought along nine slaves, including Ona Judge. As the President grew accustomed to Northern ways, there was one change he couldn’t abide: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire.

Though Ona Judge lived a life of relative comfort, she was denied freedom. So, when the opportunity presented itself one clear and pleasant spring day in Philadelphia, Judge left everything she knew to escape to New England. Yet freedom would not come without its costs. At just twenty-two-years-old, Ona became the subject of an intense manhunt led by George Washington, who used his political and personal contacts to recapture his property.

“A crisp and compulsively readable feat of research and storytelling” (USA TODAY), historian and National Book Award finalist Erica Armstrong Dunbar weaves a powerful tale and offers fascinating new scholarship on how one young woman risked everything to gain freedom from the famous founding father and most powerful man in the United States at the time.

The little-known heroes behind Motown's greatest hits are finally heard in this moving memoir filled with the rich historical atmosphere and emotional resonance of Hidden Figures, The Immortal Life of Henrietta Lacks, and Questlove's Music Is History.

Their voices can be heard on Motown classics such as "My Guy," "I Heard It Through the Grapevine," and "Stop! In the Name of Love"--immortal songs that defined an era. Relegated to the shadows behind the stars, the three professional backup singers who contributed to these smash hits and countless others were rarely known to the public.

In One Step Away, Motown legend Louvain Demps, joined by Emmy Award-winning journalist Paul Milliken, flips the record to at last tell the story of The Andantes--the powerhouse trio of Black women who secretly shaped the soundtrack of a generation--shining a warm spotlight on their talent and contributions.

Marlene Barrow. Jackie Hicks. Louvain Demps. They were Motown's "clean-up girls" -- the voices called in when the stars couldn't hit the notes. They recorded background vocals for thousands of songs--racking up as many Billboard hits as Elvis, Mariah, and Beyoncé. Yet for their contributions they were often paid $10 a session, denied credit, and excluded from history.

Now, in a story as electrifying as the music itself, Louvain recreates Motown's golden years and her experiences in helping to build the brand, taking us from the vibrant Detroit street corners where she first sang to Studio A. One Step Away is both an intimate personal portrait of a legendary time and a journey of resilience, reinvention, and survival.

Part overlooked history, part heartfelt reminiscence, part cultural reckoning, One Step Away is the missing story of the women who made Motown sing. Informative and entertaining, it restores The Andantes to their rightful place in American music and popular culture, alongside the legends whose voices they helped immortalize.

One Step Away includes a 16-pages photo insert.

The incredible journey of activist Opal Lee—known as the Grandmother of Juneteenth—is brought to life in this biographical graphic novel that not only explores Opal’s remarkable path, but the history of the holiday of Juneteenth itself.

From the 1860s to Ms. Opal’s childhood home, from her years as a teacher to the White House, First Freedom: The Story of Opal Lee and Juneteenth seeks to give readers an insight into the history behind one of the central figures in the creation of America’s newest federal holiday, Juneteenth.

Born in 1926, Opal Lee grew up in a racially divided America and dedicated her life to overcoming the obstacles presented therein. A lifelong educator, Ms. Opal has been a community activist all her life, and would take on the movement to celebrate and commemorate Juneteenth not just as a holiday, but as a symbol of comprehensive freedom for all people.

Ms. Opal’s life personifies the fight for everyday freedom that leads to lasting change. As the Grandmother of Juneteenth says, “There is so much more to do.”

Written by acclaimed journalist, producer, and author Angélique Roché (My Super Hero is Black) and drawn by a trio of talented artists—including Alvin Epps (I Survived Hurricane Katrina, 2005: A Graphic Novel), Bex Glendining (the upcoming Indigo Port), and rising star Millicent Monroe—The First Freedom: The Story of Opal Lee and Juneteenth promises to illuminate the life of a singular woman and the history of a momentous holiday, with additional back matter providing more insights into Juneteenth’s history and the making of this graphic novel tribute.

A long-overdue corrective to the history of rock ‘n’ roll and alternative music, repopulating it with the extraordinary Black artists and influential figures who steered its course, from an author, journalist, and front woman of the British post punk band Big Joanie.

The history of rock and roll and alternative music is often told in bold, sweeping, isolated moments that are removed from the context of their time. Upon closer inspection, however, it becomes clear that the stories we tell center primarily on the achievements of white men like Elvis Presley, The Ramones, Nirvana, and David Bowie. White men who were the stars, white men who supposedly changed the game, white men who seemingly were at the forefront of every musical innovation in the 20th and 21st centuries. These rock and roll retellings perpetuate the belief that white men were the most important people to wield a guitar, strut on stage, or pound out a pummeling drumbeat. What is missing in these stories is everything in between—the people, the places, and the scenes that connect the dots—and you can’t tell the history of any music scene, let alone alternative music, without the Black community.

From the genre's earliest moments, Black musicians—like gospel entertainer Sister Rosetta Tharpe in the 1930s-40s and rock and roll legend Chuck Berry in the 1950s—have consistently pushed musical boundaries that forever impacted the music that followed. Throughout the decades, numerous Black entertainers continued to add their take on rock and alternative genres, expanding and building on what was already there to create what we know as alternative music today: look no further than the electric fire of Jimi Hendrix’s guitar licks in the '60s, the kaleidoscopic melee of hardcore and reggae that was Bad Brains in the late '70s, and the funkadelic swagger of Living Colour in the '80s.

Despite their groundbreaking contributions, why have Black musicians been so neglected from the historical canon? Is alternative music still seen as a white genre, and how are Black musicians and fans making space for themselves in the music scenes they love? We Were Here tells the story of Black artists performing in alternative genres from punk to rock and roll, indie to new wave, alongside their Black fans. Through brand new interviews and meticulous research, Phillips documents the history of Black people’s influence on these genres, highlighting the key players, assessing the legacy of their work, and drawing attention to those who have been obscured from history.

Where rock magazines and music books previously omitted or misunderstood the stories of Black artists and fans, this book centers their voices and attempts to right the wrongs of the past. Along the way, Phillips infuses her own coming-of-age story as a Black female musician in the punk scene, alongside a cultural analysis of rock and alternative music history.

A profound and poetic memoir, tracing the wounds that racism and colonialism have left on Black people across borders. 

With astute insight and immersive prose, Bonhomme outlines a personal and political history of life in the United States, Haiti, and Germany, discovering what it means to be Black at home and abroad. She unlearns the lies that she was told about slavery and colonialism and explores how communities are resisting the weight of centuries of history.

Whether examining debt, medical racism, art, or reparations, Tending to Our Wounds cuts a breathtaking course between the past and the present, the individual and the collective―identifying the tendrils of history in the everyday and outlining a path to real freedom.

A dazzlingly inventive account of kinship and dispossession by a two-time Minnesota Book Award–winning author

In his first work of nonfiction, poet chaun webster blends memoir, archival research, visual poetics, and cultural criticism to trace the ways structural anti-Black violence has shaped his inheritance, and grapples with the question of how to know―and mourn―the kin he was never able to meet.

webster is particularly drawn to his grandfather Reginald, who worked for years as a Pullman porter, who was denied rest while his labor enabled rest for others, and who died without receiving a pension before webster was born. Returning to the figures of Reginald and the train, webster explores the relationship between comportment and confinement, speaking in tongues in the Pentecostal church, the ancestral meeting place of dreams, his fraught relationship with his mother, and moments with his own child. Throughout, webster also reflects on nonbiological kinship, tethering his and his predecessors’ lives to those of several historical Black figures―Harriet Jacobs, John Henry, Henry “Box” Brown, and Henry Dumas, a writer who was killed by New York City police while riding the subway.

Attempting to exhaust the possibilities of the sentence and the grammar of anti-Blackness, webster riffs and rails on the debris within reach. Part elegy, part archival detective story, and part visual poem, Without Terminus is a philosophically rigorous and deeply moving text that takes us beyond the archive of loss.

“All my blessings are the blessings of community.”
―Octavia Spencer

“Give them their flowers while you can” is something Octavia Spencer’s mother often told her, and now, it’s how she lives.
In this captivating memoir, the Oscar-winning actor and producer recounts the seeds of the relationships that grew into the story of her life, from her tender teenage connection with Whoopi Goldberg to her sustaining friendships with Sandra Bullock, Melissa McCarthy, Allison Janney, Viola Davis, Jessica Chastain, and the many talented, inspiring women whose love and advice have helped her become the woman she is today.
Octavia drove to Los Angeles at twenty-six in search of a career. What she found was her chosen family, and together they built the world in which this book is set: a place where women support one another and the voices of history’s heroines ring aloud.
Give Them Their Flowers is a love letter to female friendship. It is a call to follow your personal passions, create community, and persevere. This is Octavia’s ode to all the women who wake up early to get it done: the mentors, the mothers, and the mother figures, the aunties and the godmothers, the creators, the visionaries, and the best friends.
“Men have given me jobs,” Octavia says. “Women are the reason the world knows who I am.”

Both an epic history and an intimate family story, a startling account of the lives of Black cops in one Midwestern city.

In the wake of the George Floyd protests, a Black police organization in Cleveland called the Black Shield was causing a stir. Officers broke ranks with their fellow cops, aligning themselves with local Black Lives Matter activists and supporting demands for radical reforms. In the midst of these fissures, Wilbert L. Cooper returned to his hometown to write a profile of the organization's president, who had become notorious years earlier for shooting a young unarmed Black man.

For Cooper, the news was deeply personal. Both of his parents are retired Black Cleveland cops, his sister was a Cleveland cop, and on his mother's side, there’s been a Cleveland cop in the family since 1950. Unearthing the dramatic histories of the Black Shield and his own family, Cooper tells the intertwined stories of the two: his relatives, who trace their roots back to the Great Migration and who chose policing because it was one of the few stepping stones to economic security and status in a segregated city; and an organization that, over decades of cultural and political upheaval, cycled endlessly between rebellion and acquiescence.

An intimate, bold work of literary nonfiction, The Black Shield is an urgent exploration of the complex duality of the Black cop. Cooper grapples with a knot of contradictions: Is the Black officer a sign of progressive change, or of the system’s masterful way of changing its appearance without changing its outcomes? How can he reconcile the fact that policing helped lift his family out of poverty, and the equally real panic that accompanies being pulled over? Fearless and singularly powerful, Cooper gives us an American story about race and power of a kind that has never been told before.

From Beatrice Dixon, founder of The Honey Pot Company, comes an inspiring memoir about overcoming adversity—personally and professionally—by trusting her intuition and following what she calls her “soul instinct” to build the life of her dreams.

Beatrice Dixon, cofounder and CEO of The Honey Pot Company, shares the powerful story of how trusting her dreams—and her inner voice—led her to build a groundbreaking well­ness brand and transform her life. The Honey Pot Company was born from a literal dream, in which Dixon’s late grandmother shared a recipe for an herbal remedy. When Dixon woke up, she went to her kitchen and formulated what would become the brand’s first product.

But Dixon’s story didn’t start—or stop—there. From being born prematurely without a nose or a forehead to navigating a scrappy adolescence, and pitching a vaginal wellness brand to rooms full of male investors, her journey has been anything but conventional. Through it all, she relied on her “soul instinct” to guide her.

Part memoir, part self-help book, The Soul Instinct is a raw, motivating look at the power of inner wisdom from one of the most influential voices in wellness today—and one of the few Black women to raise significant venture and private equity capital. Dixon imparts the lessons she’s learned throughout her life, including:

* How you must get lost to find your way
* There’s nothing to be ashamed of
* When you don’t know how, do it anyway
* Choose you
* Excellence is the baseline in everything you do
* How to build community in a crisis
* The importance of nurturing your soul

Fascinating, candid, and funny, The Soul Instinct will inspire readers to tap into their intuition and own their story. “The journey is in the seeking.”

"Groundbreaking . . . Chang's lyrical experiment memorably evokes an individual family's time capsule and an artist's timeless yearning to shape carbon dust into incandescent gem." —NPR

Now in paperback, from the poet who “resurrects mediums” (The Millions), a collection of literary letters and mementos on the art of remembering across generations.

For Victoria Chang, memory “isn’t something that blooms, but something that bleeds internally.” It is willed, summoned, and dragged to the surface. The remembrances in this collection of letters are founded in the fragments of stories her mother shared reluctantly and in the silences of her father. They are whittled and sculpted from an archive of family relics: a marriage license, a letter, a visa petition, a photograph. And, just as often, they are built on questions that can no longer be answered.

Dear Memory is not a transcription but a process of shaping and being shaped, knowing that when a writer dips their pen into history, what emerges is poetry. In letters to family, past teachers, fellow poets, and to the imagination itself, Victoria Chang offers a model for what it looks like to find ourselves in our histories.

In her gripping memoir "Lighthouse," Kia Lee courageously shares her personal journey of falling into an abusive relationship and the challenges she faced. With raw honesty, she reveals the insidious nature of emotional manipulation, gaslighting, and abuse that she endured, often without realizing the full extent of the harm. As the story unfolds, the abuse escalates to physical violence, placing Kia in a perilous and life-threatening situation.

"Lighthouse" is a powerful account of survival as Kia navigates the complexities of an abusive relationship and finds the strength to break free. Her story serves as a beacon of hope for others who may be experiencing similar situations, shedding light on the realities of domestic abuse and the importance of seeking help. "Lighthouse" is a compelling and timely memoir that sheds light on a pervasive issue and provides a voice for survivors, bringing hope, awareness, and

understanding to those who may be facing similar challenges.

Through her memoir, Kia Lee aims to raise awareness about the warning signs of abuse, dispel misconceptions, and provide support to those who may be struggling in similar situations. Her courageous storytelling and unwavering resilience are an inspiration to others, offering a message of empowerment and healing.

How do you rebuild yourself when your whole world changes overnight?

Thrust onto the public stage at fifteen years old after the Taliban’s brutal attack on her life, Malala Yousafzai quickly became an international icon known for bravery and resilience. But away from the cameras and crowds, she spent years struggling to find her place in an unfamiliar world. Now, for the first time ever, Malala takes us beyond the headlines in Finding My Way—a vulnerable, surprising memoir that buzzes with authenticity, sharp humor, and tenderness.

Finding My Way is a story of friendship and first love, of anxiety and self-discovery, of trying to stay true to yourself when everyone wants to tell you who you are. In it, Malala traces her path from high school loner to reckless college student to a young woman at peace with her past. Through candid, often messy moments like nearly failing exams, getting ghosted and meeting the love of her life, Malala reminds us that real role models aren’t perfect—they’re human.

In this astonishing memoir, Malala reintroduces herself to the world, sharing how she navigated life as someone whose darkest moments threatened to define her—while seeking the freedom to find out who she truly is. Finding My Way is an intimate look at the life of a young woman taking charge of her destiny—and a deeply personal testament to the strength it takes to be unapologetically yourself.

This powerful biography follows Judge Ketanji Brown Jackson’s road to the Supreme Court as the first Black woman to be confirmed, for middle grade readers from New York Times bestselling author Garen Thomas and The Washington Post reporter Lori Rozsa. This inspiring story features key childhood moments and all those who influenced and encouraged her along the way.

Before becoming the first black woman on the Supreme Court Ketanji Brown Jackson was a bright and happy kid with big dreams and determination. Guided by her parents, whose own stories influenced her, and who helped her navigate the obstacles she might face as a Black child, Ketanji’s spirit, drive, and belief in herself blossomed. She was popular in school and excelled in academics, debate, and theater, but it wasn’t always smooth sailing. Over the decades, she’d run up against a backdrop of people and Supreme Court rulings that sometimes opened doors for her . . . and sometimes shut them. By remaining true to herself and fighting for what’s right, Ketanji became an inspiration to children everywhere, accomplishing her lifelong goals and ascending to the nation’s highest court, where she now helps decide the direction of our country.

From New York Times bestselling author Garen Thomas and Washington Post reporter Lori Rozsa comes this empowering biography that proves that with perseverance, dreams can come true!

Finalist: PROSE Awards for Excellence in Humanities 2023 - Biography and Autobiography

“A fascinating biography of a fascinating woman.” - Booklist, starred review
“This definitive look at a remarkable figure delivers the goods.” - Publishers Weekly, starred review
"A brilliant analysis." - Jericho Brown, Pulitzer Prize winner
Featured in Ms. Magazine's "Most Anticipated Reads for the Rest of Us 2022" (books by or about historically excluded groups)

Born in New Orleans in 1875 to a mother who was formerly enslaved and a father of questionable identity, Alice Dunbar-Nelson was a pioneering activist, writer, suffragist, and educator. Until now, Dunbar-Nelson has largely been viewed only in relation to her abusive ex-husband, the poet Paul Laurence Dunbar. This is the first book-length look at this major figure in Black women's history, covering her life from the post-reconstruction era through the Harlem Renaissance.

Tara T. Green builds on Black feminist, sexuality, historical and cultural studies to create a literary biography that examines Dunbar-Nelson's life and legacy as a respectable activist – a woman who navigated complex challenges associated with resisting racism and sexism, and who defined her sexual identity and sexual agency within the confines of respectability politics. It's a book about the past, but it's also a book about the present that nods to the future.

Fiery, funny, inviting and digressive, Sonny Simmons' memoir is a long overdue celebration of the famed New York free jazz pioneer

Though his years in the New York free-jazz scene of the sixties cemented his reputation as "one of the most forceful and convincing composers and soloists in his field," saxophonist Sonny Simmons (1933–2021) was nearly forgotten by the '80s, which found him broke, heavily dependent on drugs and alcohol, and separated from his wife and kids. "I played on the streets from 1980 to 1994, 365 days a year," Simmons tells jazz historian and biographer Marc Chaloin. "I would go to North Beach, and I'd sleep in the park. The word got around town that Sonny is a junkie, really strung out."
The resurrection of Simmons' career―upon the release of his critically acclaimed Ancient Ritual (Qwest Records) in 1994―has become a modern legend of the genre. In the last two decades of his musical career, Simmons broke through to a new echelon of recognition, joining the pantheon of great innovators and masters of the music. But to this day he remains an undersung figure. Here, in the first ever book dedicated to his life, Simmons recounts his childhood in the backwoods of Louisiana, his adolescence in the burgeoning Bay Area jazz scene and his star-studded life in New York playing alongside the greats.

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Michael Jackson’s closest sister pulls back the curtain to reveal the inner workings of the Jackson family, Michael’s tortured soul, and her own love for her brother in this intimate portrait of a beloved, yet troubled, pop legend.

In this shocking New York Times bestselling memoir, La Toya Jackson pays heartfelt tribute to her legendary brother Michael’s tortured soul and offers unprecedented insight into the troubled entertainer’s tragic destruction.

La Toya Jackson was always closer to Michael than anyone knew. Now, she sheds light on the intimate moments she shared with the beloved pop legend and unveils the disturbing behind-the-scenes dealings that she believes foretold his death. Like Michael, La Toya experienced an upbringing that made her vulnerable to exploitation, and her own journey led to hell and back at the hands of her former manager and husband. Here, in vivid and candid detail, she reveals the most painful episodes of her deeply personal story and explores how anyone—regardless of fame, fortune, or status—can be trapped in a cycle of abuse. La Toya ultimately found the courage to break free, rebuild her life and career, and reconcile with her close-knit family. Her unforgettable story will touch the hearts of millions of fans and inspire anyone who feels as if there’s nowhere to go that it is possible to truly start over...

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A New York Times Notable Book

Daring and fiercely original, The Women is at once a memoir, a psychological study, a sociopolitical manifesto, and an incisive adventure in literary criticism. It is conceived as a series of portraits analyzing the role that sexual and racial identity played in the lives and work of the writer's subjects: his mother, a self-described "Negress," who would not be defined by the limitations of race and gender; the mother of Malcolm X, whose mixed-race background and eventual descent into madness contributed to her son's misogyny and racism; brilliant, Harvard-educated Dorothy Dean, who rarely identified with other blacks or women, but deeply empathized with white gay men; and the late Owen Dodson, a poet and dramatist who was female-identified and who played an important role in the author's own social and intellectual formation.

Hilton Als submits both racial and sexual stereotypes to his inimitable scrutiny with relentless humor and sympathy. The results are exhilarating. The Women is that rarest of books: a memorable work of self-investigation that creates a form of all its own.

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A searing debut YA poetry and essay collection about a Black cancer patient who faces medical racism after being diagnosed with leukemia in their early twenties, for fans of Audre Lorde's The Cancer Journals and Laurie Halse Anderson's Shout. When Walela is diagnosed at twenty-three with advanced stage blood cancer, they're suddenly thrust into the unsympathetic world of tubes and pills, doctors who don’t use their correct pronouns, and hordes of "well-meaning" but patronizing people offering unsolicited advice as they navigate rocky personal relationships and share their story online. But this experience also deepens their relationship to their ancestors, providing added support from another realm. Walela's diagnosis becomes a catalyst for their self-realization. As they fill out forms in the insurance office in downtown Los Angeles or travel to therapy in wealthier neighborhoods, they begin to understand that cancer is where all forms of their oppression intersect: Disabled. Fat. Black. Queer. Nonbinary. In Bless the Blood: A Cancer Memoir, the author details a galvanizing account of their survival despite the U.S. medical system, and of the struggle to face death unafraid.

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A brilliant literary memoir of chosen family and chosen heritage, told against the backdrop of Chicago’s North and South Sides

As a multiracial household in Chicago’s North Side community of Rogers Park, race is at the core of Francesca T. Royster and her family's world, influencing everyday acts of parenting and the conception of what family truly means. Like Maggie Nelson’s The Argonauts, this lyrical and affecting memoir focuses on a unit of three: the author; her wife Annie, who's white; and Cecilia, the Black daughter they adopt as a couple in their forties and fifties. Choosing Family chronicles this journey to motherhood while examining the messiness and complexity of adoption and parenthood from a Black, queer, and feminist perspective. Royster also explores her memories of the matriarchs of her childhood and the homes these women created in Chicago’s South Side—itself a dynamic character in the memoir—where “family” was fluid, inclusive, and not necessarily defined by marriage or other socially recognized contracts.

Calling upon the work of some of her favorite queer thinkers, including José Esteban Muñoz and Audre Lorde, Royster interweaves her experiences and memories with queer and gender theory to argue that many Black families, certainly her own, have historically had a “queer” attitude toward family: configurations that sit outside the white normative experience and are the richer for their flexibility and generosity of spirit. A powerful, genre-bending memoir of family, identity, and acceptance, Choosing Family, ultimately, is about joy—about claiming the joy that society did not intend to assign to you, or to those like you.