A fresh portrait of this iconic American—and the first to involve a Tubman family member since Harriet herself was interviewed in 1886.

For all Harriet Tubman’s accomplishments and the myriad books written about her, many gaps, errors, and misconceptions of her legendary life persist. One such fallacy is that Sarah H. (Hopkins) Bradford is to blame for omitted information in Harriet Tubman: The Moses of Her People and that she ended her second book too soon. But according to the Tubman family, it was Harriet’s physical disability, the result of a head injury she incurred as a child, that left her unable to complete the necessary lengthy interview process with Sarah and properly flesh out the work.

Harriet Tubman: Military Scout and Tenacious Visionary sets out to rectify these omissions and many others. As recognition and tributes to Tubman’s remarkable contributions to American history and civil liberty continues to grow, the time is right for a new biography with the involvement of her family, who have been the caretakers and stewards of her legacy for generations.

Just who was this remarkable woman? We might know the outlines of her story, but the deep research of Jean Marie Wiesen and rich family memory of Rita Daniels combine to form a nuanced and vibrant portrait of a historic figure we all thought we knew. Uncovering Harriet's ancestral roots in Ghana and exploring her time on the underground railroad, as a military scout, suffragette, and more, Harriet Tubman is an inspiring and illuminating narrative about a key figure in our history.

Black transgender luminary Tourmaline brings to life the first definitive biography of the revolutionary activist Marsha P. Johnson, one of the most important and remarkable figures in LGBTQIA+ history, revealing her story, her impact, and her legacy.

“She is the preeminent and foremost scholar on Marsha P. Johnson. . . . To us, Tourmaline is the expert.”—Janet Mock, Allure

“Thank god the revolution has begun, honey.” Rumor has it that after Marsha P. Johnson threw the first brick in the 1969 Stonewall Uprising, she picked up a shard of broken mirror to fix her makeup. Marsha, a legendary Black transgender activist, embodied both the beauty and the struggle of the early gay rights movement. Her work sparked the progress we see today, yet there has never been a definitive record of her life. Until now. 
 
Written with sparkling prose, Tourmaline’s richly researched biography Marsha finally brings this iconic figure to life, in full color. We vividly meet Marsha as both an activist and artist: She performed with RuPaul and with the internationally renowned drag troupe The Hot Peaches. She was a muse to countless artists from Andy Warhol to the band Earth, Wind & Fire. And she continues to inspire people today.
 
Marsha didn’t wait to be freed; she declared herself free and told the world to catch up. Her story promises to inspire readers to live as their most liberated, unruly, vibrant, and whole selves.

A powerful, incisive reckoning with the impacts of school desegregation that traces four generations of the author’s family to show how the implementation of integration decimated Black school systems and did much of the Black community a disservice

On May 17, 1954 the landmark case Brown v. Board of Education determined that racial segregation in schools was unconstitutional. Heralded as a massive victory for civil rights, the decision's goal was to give Black children equitable access to educational opportunities and clear a path to a better future. Yet in the years following the ruling, schools in predominantly Black neighborhoods were shuttered or saw their funding dwindle, Black educators were fired en masse, and Black children faced discrimination and violence from their white peers as they joined resource-rich schools that were ill-prepared for the influx of new students.

Award-winning interdisciplinary scholar of education and Black history Noliwe Rooks weaves together sociological data and cultural history to challenge the idea that integration was a boon for Black children. She tells the story of her grandparents, who were among the thousands of Black teachers fired following the Brown decision; her father, who was traumatized by his experiences at an almost exclusively-white school; her own experiences moving from a flourishing, racially diverse school to an underserved inner-city one; and finally her son and his Black peers, who over half-century after Brown still struggle with hostility and prejudice from white teachers and students alike. She also shows how present-day discrimination lawsuits directly stem from the mistakes made during integration.

At once assiduously researched and deeply engaging, Integrated tells the story of how education has remained both a tool for community progress and a seemingly inscrutable cultural puzzle. Rooks' deft hand turns the story of integration's past and future on it's head, and shows how we may better understand and support generations of students to come.

From the New York Times bestselling creative team behind The ABCs of Black History comes a statement-making follow-up that celebrates women, their history, and their future by centering the diversity of the disruptors who blazed a path forward for everyone.

In a beautiful picture book brimming with G for Groundbreaking women, National Book Award nominee Rio Cortez and illustrator Lauren Semmer celebrate all the joys, challenges, and historic forward movement of women’s history in the United States, with a special focus on the Black women, brown women, transwomen, and others who make change happen. This is a book about Artists, Activists and Allies, about Civil Rights and Choice, about Freedom Fighters, Headliners, Labor -- and Librarians! It’s about historic moments—Kamala Harris being sworn in as the first African-American and first Asian-American Vice President of the United States; Title IX passing through Congress; Seneca Falls, where the first women’s rights convention was held; the Riot Grrrls movement; and so much more. 

The ABCs of Women’s History is a story of persistence. It’s a story of pride. And it’s a story of progress. This book celebrates the disruptors, the dreamers, the determined, and the do-it-yourself-ers who continue to inspire the next generation of women to build a brighter, better tomorrow.

From the creator of the iconic hair product, Afro Sheen, and the first Black company to be traded on Wall Street comes the story of multi-millionaire George E. Johnson

You might already be familiar with Afro Sheen and Ultra Sheen, but have you heard of the man behind the company that produced those products? George Ellis Johnson the acclaimed self-made businessman—along with Hilary Beard—reveals his inspiring and captivating rise from humble beginnings to the top of the haircare industry.

At just 27 years old, Johnson created the Johnson Products Company. After years of hard work, traveling the country and going from barbershop to barbershop to sell his products, JPC became the first Black-owned company to trade on a major stock exchange, the financial sponsor of Soul Train, and once considered the largest Black-owned manufacturing company in the world. At the height of its success, JPC was worth $37M. In this coming-of-age story, Johnson uses the life skills and strong character built from working odd jobs as a teenager and practicing the golden rule to create a business that would both nurture and advance the Black community. Without a formal education, he filled a gap in the Black haircare industry and created a high-quality formula for straightening hair and the iconic Ultra Sheen and Afro Sheen products that supported Black people in expressing their authentic beauty.

For decades, Johnson has been an inspiration to Black entrepreneurs, setting an example of Black wealth and providing a safe space for Black people to work. 

Afro Sheen is a timely, impassioned look at both an industry and cultural moment; Johnson’s impact is finally on full display, as he brilliantly highlights how having perseverance and a daring vision can create both change and a lasting legacy.

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In 1999, Eve Jihan Cooper made history with her solo debut album, Let There Be Eve…Ruff Ryders’ First Lady, reaching number one on the Billboard 200, marking her as the third female rapper to ever obtain that position. She later made history again as the first recipient ever of the Grammy Award® for Best Rap/Sung Collaboration for her platinum single “Let Me Blow Ya Mind” with Gwen Stefani. Following up with three chart-topping albums that made unrivaled waves in the world of hip-hop and music, as well as trailblazing moments in TV/film and fashion, Eve now looks back on her groundbreaking career.

West Philadelphia was not for the faint of heart—Eve knows that better than anyone. However, she navigated those Philly streets (and later the rest of the world) seamlessly, though it was not without strength and resilience. She incorporates that unbridled ambition into every bar that she writes and every stage/set that she stands on. With a gritty realness that speaks to her style, she shares her experiences going from the Mill Creek Projects to Hollywood.

In this memoir, Eve reveals:
* Her experience working both in hip-hop and Hollywood simultaneously
* Dealing with a male-constructed industry that directly affects female rappers
* The internal mental health struggles that come from fame
* Her journey through fertility issues and motherhood
* Working on an entertaining yet controversial talk show
* Finding her balance as a wife, mother, and international superstar

Eve also unveils the war stories she’s endured throughout her career, from her entrance as “Eve of Destruction” into a male-dominated hip-hop industry, to the deeper story behind Scorpion that was never told until now, to the internal battle with her music, her label, and herself after Lip Lock.

This fearless, empowering, and inspirational memoir from hip-hop sensation Eve explores her rise to stardom as a female MC, her lasting legacy on pop culture and music, and her incredible yet enduring struggle balancing her personal life with her professional one.

Paperback Release - October 21, 2025

In this poignant memoir, as candid and indelible as The Glass Castle and Memorial Drive, a writer takes on the conflict between the love that binds us to home and the desire to escape it for good.

On a highway in Houston, Texas, Sarah LaBrie’s mother was found screaming at passing cars, terrified she would be murdered by invisible assailants. The diagnosis of schizophrenia that followed compelled Sarah to rethink her childhood, marked at turns by violence and all-consuming closeness.

Digging into the events that led to her mother’s break, Sarah traces her family history of mental illness, from the dysphoria that plagued her great-grandmother, a granddaughter of slaves, to her own experience with depression as a scholarship student at Brown. At the same time, she navigates a decades-long fixation on a novel she can’t finish but can't abandon, her complicated feelings about her white partner, and a fraught friendship colored by betrayal.

Spanning the globe from Houston’s Third Ward to Paris to Tallinn and New York to Los Angeles, No One Gets to Fall Apart is an unflinching chronicle of one woman's attempt to forge a new future through a better understanding of the past.

From Law Roach, award-winning celebrity stylist and the world’s only image architect, comes a groundbreaking guide to becoming your ultimate, confident self.

Law Roach is the mastermind behind looks that have broken the Internet time and again—from Zendaya at the Met Gala to Anya Taylor-Joy at the Golden Globes, from Lewis Hamilton’s iconic streetwear to Céline Dion’s style renaissance. Nobody knows better than Law how to turn an outfit into a moment of fashion history.

In a little over a decade, he’s gone from industry outsider to the most celebrated name in style, having been honored two consecutive years with the Hollywood Reporter’s prestigious Stylist of the Year award and receiving the Council of Fashion Designers of America’s inaugural Stylist Award in 2022.

Now, for the first time ever, Law shares the secrets of his approach. With How to Build a Fashion Icon, he takes readers behind the scenes of his process and journey, revealing his tips, tricks, and most memorable styling moments to show readers how to live their most iconic and fashionable lives.

Part self-help guide, part manifesto, this book guides readers step-by-step through that process, and along the way, Law weaves in personal anecdotes—from his childhood in the Southside of Chicago to the first time he styled Zendaya—with practical exercises to help readers cultivate the most essential feature of iconic style: confidence.

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NEW YORK TIMES BEST SELLER • From the indie rock sensation known as Japanese Breakfast, an unforgettable memoir about family, food, grief, love, and growing up Korean American. •  "In losing her mother and cooking to bring her back to life, Zauner became herself.” —NPR

In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.

Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.

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At age nineteen, Natasha Trethewey had her world turned upside down when her former stepfather shot and killed her mother. Grieving and still new to adulthood, she confronted the twin pulls of life and death in the aftermath of unimaginable trauma and now explores the way this experience lastingly shaped the artist she became.

With penetrating insight and a searing voice that moves from the wrenching to the elegiac, Pulitzer Prize–winning poet Natasha Trethewey investigates this profound experience of pain, loss, and grief as an entry point into understanding the tragic course of her mother’s life and the way her own life has been shaped by a legacy of fierce love and resilience. Moving through her mother’s history in the deeply segregated South and through her own girlhood as a “child of miscegenation” in Mississippi, Trethewey plumbs her sense of dislocation and displacement in the lead-up to the harrowing crime that took place on Memorial Drive in Atlanta in 1985.

Memorial Drive is a compelling and searching look at a shared human experience of sudden loss and absence but also a piercing glimpse at the enduring ripple effects of white racism and domestic abuse. Animated by unforgettable prose and inflected by a poet’s attention to language, this is a luminous, urgent, and visceral memoir from one of our most important contemporary writers and thinkers.

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This extraordinary memoir of struggle and perseverance offers new ways of envisioning economic equality for everyone—from a leading activist and fashion pioneer.

Aurora James’s story is not a “success story.” Or at least, it shouldn’t be told that way. Having dropped out of high school, struggled with body image, and dabbled in street racing, her eventual arrest might have been her rock bottom. But as a visionary and optimist, that experience became one of many that reshaped her way of thinking about the world. After a brief modeling stint, James discovered the real power in creating for the runway and started her own business in a flea market, a sustainable fashion line showcasing traditional African design that would become an award-winning international brand. Then she founded one of the fastest-growing social justice nonprofits, the Fifteen Percent Pledge. But none of this came from a desire to “succeed.” It came from a desire to forge a new creative path—and to lift others up alongside her.

Already a rising star in fashion and the first Black American female designer to win a CFDA Award, James was inspired by the activism that swept the nation in the summer of 2020 to think bigger about how to empower Black business owners. With an idea and an Instagram post, she founded the Fifteen Percent Pledge, which challenges retailers to commit 15% of their shelf space and spending power to Black businesses. To date, more than two dozen of the world’s most recognized retailers have taken the pledge, redirecting $10 billion in revenue to Black brands.

Empowering and full of heart, Wildflower is the story of how Aurora James got to where she is now and a rallying cry for those eager to make change.

An acclaimed poet reclaims her origin story as the queer daughter of a Muslim Nigerian immigrant and a Black American visual artist in this groundbreaking memoir, combining lyrical prose, biting criticism, and haunting visuals.

“Hafizah Augustus Geter is a genuine artist, not bound by genre or form. Her only loyalty is the harrowing beauty of the truth.”—Tayari Jones, author of An American Marriage

“I say, ‘the Black Period,’ and mean ‘home’ in all its shapeshifting ways.” In The Black Period, Hafizah creates a space for the beauty of Blackness, Islam, disability, and queerness to flourish, celebrating the many layers of her existence that America has time and again sought to erase.

At nineteen, she lost her mother to a sudden stroke. Weeks later, her father became so heartsick that he needed a triple bypass. By her thirties, she was constantly in pain, pinballing between physical therapy appointments, her grief, and the grind that is the American Dream. Hafizah realized she'd spent years internalizing the narratives that white supremacy had fed her about herself. Suddenly, she says, I was standing at the cliff of my own life, remembering.

Recalling her parents’ lessons on the art of Black revision, and mixing history, political analysis, and cultural criticism, alongside stunning original artworks created by her father, renowned artist Tyrone Geter, Hafizah maps out her own narrative, weaving between a childhood populated with Southern and Nigerian relatives; her days in a small Catholic school; a loving but tragically short relationship with her mother; and the feelings of joy and community that the Black Lives Matter protests engendered in her as an adult. All throughout, she forms a new personal and collective history, addressing the systems of inequity that make life difficult for non-able-bodied persons, queer people, and communities of color while capturing a world brimming with potential, art, music, hope, and love.

A unique combination of gripping memoir and Afrofuturist thought, in The Black Period, Hafizah manages to sidestep shame, confront disability, embrace forgiveness, and emerge from the erasures

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A Washington Post culture writer chronicles the challenges she faces as a Black mother in a mostly white mommy group in a time of gentrification, racial reckoning, and a global pandemic.

“Can white moms and Black moms ever truly be friends, not just mom friends, like really real friends?”
 
Helena Andrews-Dyer lives in the Bloomingdale neighborhood of Washington, D.C., a picturesque collection of rowhouses near the center of the city that has become increasingly gentrified in the last decade. After having her first child a few years ago, she joined the local motherhood support group—“the Mamas”—and was surprised to find she was one of the only Black mothers. The racial, cultural, and socio-economic differences were made clear almost immediately. Then George Floyd happened. A man was murdered. A man who called out for his mama. And suddenly, the Mamas felt even more different. Though they were alike in some ways—they want their kids to be safe, they think their husbands are lazy, they work too much and they feel guilty about it—Helena realized she had an entirely different set of problems her neighborhood mom friends could never truly understand.
 
In The Mamas, Helena chronicles the particular challenges she faces in a group where a reading list is the first step to solving systemic racism and where she, a Black, professional, Ivy League-educated mom, is overcompensating with every move. And Helena grapples with her own inner tensions like, “Why do I never leave the house with the baby and without my wedding ring?” and “Why did every name we considered for our kids have to pass the résumé test?” Throw in a pandemic and a nationwide movement for social justice and follow Helena as she ultimately tries to find out if moms from different backgrounds can truly understand one another.
 
With sharp wit and refreshing honesty, The Mamas explores the contradictions and community of motherhood—white and Black and everything—against the backdrop of the rapidly changing world.

Marrying the memoir and essay forms while exploring desire, Prince, and racism, Hilton Als’s My Pinup expands and delivers love.

In this brilliant two-part memoir, the Pulitzer Prize–winning writer Hilton Als distills into one cocktail the deep and potent complexities of love and of loss, of Prince and of power, of desire and of race. It’s delicious and it’s got the kick of a mule, especially as Als swirls into his mix the downtown queer nightclub scene, the AIDS crisis, Prince’s ass in his tight little pants, an ill-fated peach pie, Dorothy Parker, and his desire for true love. Always surprising and stealthily—even painfully—moving, Als plumbs longing: “I inched closer to him as he danced to you, Prince. But already he was you, Prince, in my mind. He had the same coloring, and the same loneliness I wanted to fill with my admiration. I couldn’t love him enough. We were colored boys together. There is not enough of that in the world, Prince—but you know that. Still, when other people see that kind of fraternity they want to kill it. But we were so committed to each other, we never could work out what that violence meant. There was so much love between us. Why didn’t anyone want us to share it?”

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The award-winning author of The Good Negress shares invaluable insights on the precarious journey toward creativity that is the writer’s life, and tells the compelling story of her relationship with Toni Morrison, painting an illuminating portrait of this towering yet enigmatic cultural icon.

With the publication of her debut novel The Good Negress in 1995, A. J. Verdelle became an overnight sensation, winning critical acclaim and competing for prestigious literature prizes. But for Verdelle, the most unexpected consequence was the friendship she formed with the legendary Toni Morrison. Receiving an advance copy of the book, the Pulitzer and Nobel prize-winning author—notorious for never giving early praise—called The Good Negress, “Truly Extraordinary.” It was a writer’s dream come true—a dream that for Verdelle would become simultaneously exhilarating and challenging.

Now, twenty-five years later, Verdelle tells the story of that success and what came after. Miss Chloe begins with the story of young Verdelle’s persistent aim to become an author, spending countless pre-dawn hours writing the novel that became The Good Negress. Verdelle then turns to the heady period after publication, focusing on her relationship with Toni—a precious gift that was most of the time a grace and a blessing, and at other times, confusing and too separate from literature. While Morrison continued to rise as an icon, Verdelle’s writing career took a sharp turn. Verdelle’s next novel—a Western featuring Black characters—is quickly bought by a young editor who leaves for another job before the manuscript is finished. Searching for direction, Verdelle moves to another publisher. Yet this second book will languish for more than fifteen years. In chronicling her journey, Verdelle offers an honest assessment of what it means to be a writer, including the expectations and let downs that famous friendships do not defray.

Miss Chloe ends with the period after Morrison has passed away, when Verdelle is left to face the reality of her writing career, pondering what it means to have promise that is yet to materialize. She finds comfort in advice Morrison offered over the years, insight she shares in this wise book. “In order for Morrison to take you seriously, to have patience with you, to be interested, you had to be able to hear her,” Verdelle writes. “You had to be able to sit still and listen. You had to be able to pipe up in the pauses, and prove you understood. You needed demonstrate that language was a skill you had, that Black culture was known to you and respected by you.” 

From the bestselling and Booker Prize–winning author of Girl, Woman, Other, Bernardine Evaristo’s memoir of her own life and writing, and her manifesto on unstoppability, creativity, and activism

Bernardine Evaristo’s 2019 Booker Prize win was a historic and revolutionary occasion, with Evaristo being the first Black woman and first Black British person ever to win the prize in its fifty-year history. Girl, Woman, Other was named a favorite book of the year by President Obama and Roxane Gay, was translated into thirty-five languages, and has now reached more than a million readers.

Evaristo’s astonishing nonfiction debut, Manifesto, is a vibrant and inspirational account of Evaristo’s life and career as she rebelled against the mainstream and fought over several decades to bring her creative work into the world. With her characteristic humor, Evaristo describes her childhood as one of eight siblings, with a Nigerian father and white Catholic mother, tells the story of how she helped set up Britain’s first Black women’s theatre company, remembers the queer relationships of her twenties, and recounts her determination to write books that were absent in the literary world around her. She provides a hugely powerful perspective to contemporary conversations around race, class, feminism, sexuality, and aging. She reminds us of how far we have come, and how far we still have to go. In Manifesto, Evaristo charts her theory of unstoppability, showing creative people how they too can visualize and find success in their work, ignoring the naysayers.

Both unconventional memoir and inspirational text, Manifesto is a unique reminder to us all to persist in doing work we believe in, even when we might feel overlooked or discounted. Evaristo shows us how we too can follow in her footsteps, from first vision, to insistent perseverance, to eventual triumph.

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Stunning for her daring originality, the author of Negroland gives us what she calls “a temperamental autobiography,” comprised of visceral, intimate fragments that fuse criticism and memoir.

Margo Jefferson constructs a nervous system with pieces of different lengths and tone, conjoining arts writing (poem, song, performance) with life writing (history, psychology). The book’s structure is determined by signal moments of her life, those that trouble her as well as those that thrill and restore. In this nervous system:
  •  The sounds of a black spinning disc of a 1950s jazz LP as intimate and instructive as a parent’s voice.
  •  The muscles and movements of a ballerina, spliced with those of an Olympic runner: template for what a female body could be.
  •  Harriet Beecher Stowe’s Topsy finds her way into the art of Kara Walker and the songs of Cécile McLorin Salvant.
  •  Bing Crosby and Ike Turner become alter egos.
  •  W. E. B. DuBois and George Eliot meet illicitly, as he appropriates lines from her story The Lifted Veil to write his famous “behind the veil” passages in The Souls of Black Folk.
  •  The words of multiple others (writers, singers, film characters, friends, family) act as prompts and as dialogue.
 
The fragments of this brilliant book, while not neglecting family, race, and class, are informed by a kind of aesthetic drive: longing, ecstasy, or even acute ambivalence. Constructing a nervous system is Jefferson’s relentlessly galvanizing mise-en-scène for unconventional storytelling as well as a platform for unexpected dramatis personae.

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Better Not Bitter is the first time that one of the now Exonerated Five is telling his individual story, in his own words. Yusef writes his narrative: growing up Black in central Harlem in the '80s, being raised by a strong, fierce mother and grandmother, his years of incarceration, his reentry, and exoneration. Yusef connects these stories to lessons and principles he learned that gave him the power to survive through the worst of life's experiences.

A sweeping narrative of the unique beauty and trials of Black matriarchy in America that weaves a sharp, tender examination of three single Black mothers—the author's grandmother, mother, and the author herself—with stories of influential Black women in our culture

"Bonét tells the whole history of this country through the relationships of and between Black mothers and daughters."—Imani Perry, National Book Award-winning author of South to America

“Bonét dances on our hearts in this classic creation of will and wit. Electrifying... Wow.”—Kiese Laymon, author of Heavy: An American Memoir

Betty Jean, the author’s grandmother, had a house along a bayou in Texas, a home paid for and run without a man by her side. This home served as the center of Bonét’s family’s universe, the one place that was a constant through all of life’s changes.

Mama Connie, one of Betty Jean’s eleven children, vowed that her life would be different. And in many ways it was: she got married, lived in suburbia, and built a life resembling the American dream. But when it came to raising children of her own, she was more like Betty Jean than she cared to admit. But, like her mother before her, Connie’s sweat was the founding salt of her own universe.

Today, Sasha Bonét navigates all aspects of being a mother—escape, promise, burden, assent, and rebellion—not just for the women in her family who came before her, but for Black women with whom society is acquainted, too: figures like Nina Simone, Betty Davis, and Darnella Frazier, who filmed the murder of George Floyd.

Generations of Black women have borne children, borne the burdens of events untold, and borne witness to unspeakable trials. The Waterbearers carries this history, its fierce eloquence capturing a masterpiece of life written by an author who is intimately acquainted with how Black women have passed down knowledge and culture. Sasha Bonét doesn’t just present genealogical lineages but illuminates the cultural and societal connections of strong Black women who have built legacies and changed the world, sometimes in the most mundane of moments. The fierce eloquence of this story confirms Sasha Bonét as a voice we all now need to hear.

"This book is the chronicle of a bright and lively artistic ear that brought the African-American people full into the twentieth century. It is a wonderful book!” ―Amiri Baraka

In his incisive introduction to The Big Sea, an American classic, Arnold Rampersad writes: "This is American writing at its best--simpler than Hemingway; as simple and direct as that of another Missouri-born writer...Mark Twain."

Langston Hughes, born in 1902, came of age early in the 1920s. In The Big Sea he recounts those memorable years in the two great playgrounds of the decade--Harlem and Paris. In Paris he was a cook and waiter in nightclubs. He knew the musicians and dancers, the drunks and dope fiends. In Harlem he was a rising young poet--at the center of the "Harlem Renaissance."

In The Heart of a Woman, Maya Angelou leaves California with her son, Guy, to move to New York. There she enters the society and world of black artists and writers, reads her work at the Harlem Writers Guild, and begins to take part in the struggle of black Americans for their rightful place in the world. In the meantime, her personal life takes an unexpected turn. She leaves the bail bondsman she was intending to marry after falling in love with a South African freedom fighter, travels with him to London and Cairo, where she discovers new opportunities.

The Heart of a Woman is filled with unforgettable vignettes of such renowned people as Billie Holiday and Malcom X, but perhaps most importantly chronicles the joys and the burdens of a black mother in America and how the son she has cherished so intensely and worked for so devotedly finally grows to be a man.

Reared in Houston (Freedmen’s Town), Texas, Emmett J. Scott was a journalist, newspaper editor, government official, author, and chief of staff, adviser, and ghostwriter to Booker T. Washington. Called “the power broker of the Tuskegee Machine,” Scott was a Renaissance man, scholar, and political fixer. However, his life has not received a full examination until now.

Built upon fifty years of research, Maceo C. Dailey’s Emmett J. Scott offers fascinating detail by describing Scott’s role in promoting the Tuskegee Institute. Before his 2015 death, Dailey had nearly singular access to the Scott papers at Morgan State University, which have been officially closed for decades. Readers will finally be exposed to Scott’s behind-the-scenes contributions to racial uplift and will see his influential role in advancing not only the Tuskegee Institute but also the Booker T. Washington agenda.

Editors Will Guzmán and David H. Jackson Jr. lend their own expertise in bringing Dailey’s lifetime project to fruition. Two-time Pulitzer Prize–winning historian David Levering Lewis, a close friend of Dailey’s, provides a timely foreword. Former Black Panther Party chairwoman Elaine Brown, Scott’s granddaughter, reflects on his impact and her relationship with the Scott family in the afterword.

Taken together, this work of biography is an impressive reference and an essential endeavor of recovery, one that restores to prominence the life and legacy of Emmett J. Scott.

“It was one of those periods that you got through, as opposed to enjoyed. It wasn’t an environment that . . . was nurturing, so you shut it out. You just got through it. You just took it a day at a time. You excelled if you could. You did your best. You felt as though the eyes of the community were on you.”—Glenda Wilson, East Side Junior High

Much has been written about the historical desegregation of Little Rock Central High School by nine African American students in 1957. History has been silent, however, about the students who desegregated Little Rock’s five public junior high schools—East Side, Forest Heights, Pulaski Heights, Southwest, and West Side—in 1961 and 1962.

The First Twenty-Five gathers the personal stories of these students some fifty years later. They recall what it was like to break down long-standing racial barriers while in their early teens—a developmental stage that often brings emotional vulnerability. In their own words, these individuals share what they saw, heard, and felt as children on the front lines of the civil rights movement, providing insight about this important time in Little Rock, and how these often painful events from their childhoods affected the rest of their lives.

We are not defined by our origin stories. We choose who we become.

Daria Burke’s childhood growing up under the shadow of an absent father and a mother debilitated by drug addiction was marked by neglect and poverty. Despite these fractured beginnings, she forges a triumphant path out of Detroit and into fashion’s C-Suite. After ten years of therapy, she believes her healing journey is complete.

When she discovers a photograph of the car accident that she believes altered the course of her early life, Burke is forced to confront the parts of her childhood she had avoided. This discovery sparks a four-year immersion into neuroplasticity, epigenetics, the impact of adverse childhood experiences on early brain development and ultimately, why some of us remain stuck in past trauma while others experience Post Traumatic Growth. She dives headfirst into an exploration of her trauma, grappling with the enduring grip of the past on the present and the mind's influence over the body.

More than a story of personal triumph, Of My Own Making is a soulful and scientific exploration of the power to shape one's destiny. In facing the stark reality of her past, Burke reminds us that every moment demands a choice, and that we owe it to ourselves to reparent our inner child and reclaim the lives we deserve.

Burke’s lyrical account of a life lived with courage and intention offers an empathetic and hard-won perspective on the nature versus nurture debate and the power of acceptance. Part memoir, part methodology, it is a fearless rallying cry inspiring us to excavate and examine the stories that define our lives. Ultimately, the narratives that we craft with our own hands are the only ones that matter.

A magnificently illustrated picture book biography of Barack Obama : a tireless organizer, a brilliant orator, a Nobel Peace Prize winner, and the first Black president of the United States of America.

Before he became the president, Barack Obama was a little boy called Barry. Amid a happy childhood in Hawaii and Indonesia, he also yearned for a better understanding of Black history and culture, and a better sense of his own identity as a Black American. Spurred by conversations around race, injustice, and inequality, he became a community organizer, practiced civil rights law, and was elected to the US Senate. “Yes we can!” became a rallying cry for his message of hope and change throughout the 2008 presidential election—which resulted in Barack Obama becoming the first Black president of the United States.

This addition to the highly acclaimed Big Words series celebrates one of the most inspiring American leaders of our time. With evocative illustrations by award-winning artist Tonya Engel, Doreen Rappaport’s richly detailed narrative employs rousing quotes from Obama himself and encourages young readers to investigate who they are and who they might one day become.

Don’t miss these other titles in the Big Words series!
Ellen Takes Flight: The Life of Astronaut Ellen Ochoa
Ruth Objects: The Life of Ruth Bader Ginsburg
Helen’s Big World: The Life of Helen Keller
Abe’s Honest Words: The Life of Abraham Lincoln
Martin’s Big Words: The Life of Dr. Martin Luther King, Jr.

Accidentally on Purpose dives into Kristen Kish’s childhood as a Korean adoptee in the Midwest, finding purpose in kitchens, and becoming the season 10 winner of—and now host—of Top Chef all the while navigating life in the spotlight, coming out in her adult years, and all the life lessons in between.

Kristen Kish never set out to live a public life—not when she was a carefree softball-tossing kid, not in high school working at a pretzel stand, not even, briefly, as a working model. And definitely not when she finally landed her true calling as a chef. But in those early days, becoming a chef meant tethering oneself to a restaurant, not a television set. But it happened naturally (or as naturally as possible, given all the technology and TV magic involved), even if it was totally unanticipated.
 
Of course, like most things in life, the road to this full circle moment—from Top Chef season 10 winner to now hosting—was so much more winding and complicated than it may have appeared from the outside. From growing up as an adoptee in the Midwest, to trying to fit in with all the other girls who were busy dating boys, to coming out and finding love when she least expected it, Kristen learned that, unlike a map, no set of plans or definitions can dictate or explain a life. In fact, accidents happen. That curveballs will come. And they will often be consequential to one’s path.
 
In Accidentally on Purpose, what defines Kristen’s story aren’t the missteps or even the pleasant surprises that crop up. It’s how to respond when they do, and the decisions made at those intersections. Because while accidents may be unexpected, they don’t have to be at odds with purpose. And as Kristen approaches life’s milestones, big and small, with intention—the ones she expected, and those she didn’t—she realizes she can write her own definitions and chart her own course.

PRE-ORDER.  ON SALE DATE: October 7, 2025

A vivid and explosive graphic novel about the life and times of the legendary Fela Kuti - the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat.