Do you want to reach your professional goals and prioritize your well-being?

Discover the perfect balance of work and self-care with the help of Vex King and Kaushal, the bestselling authors of The Greatest Self-Help Book (is the one Written By You).

The husband and wife duo are back with a game-changing six-month daily planner that introduces you to the power of mindful planning, every day.

You will discover effective planning techniques, such as setting a Power Hour, the 50–10 method and time blocking, alongside health trackers, affirmations and mindful activities to help you take care of your well-being. Each month, you will have the opportunity to answer reflective questions and fill in a work–life balance wheel so you can follow your progress.

It is time to embark on your own mindful journey and embrace one day and one moment at a time, for ultimate peace and positivity.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in a West that betrays its fundamental values

On October 25, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet has been viewed more than 10 million times.

As an immigrant who came to the West, El Akkad believed that it promised freedom. A place of justice for all. But in the past twenty years, reporting on the War on Terror, Ferguson, climate change, Black Lives Matter protests, and more, and watching the unmitigated slaughter in Gaza, El Akkad has come to the conclusion that much of what the West promises is a lie. That there will always be entire groups of human beings it has never intended to treat as fully human—not just Arabs or Muslims or immigrants, but whoever falls outside the boundaries of privilege. One Day, Everyone Will Have Always Been Against This is a chronicle of that painful realization, a moral grappling with what it means, as a citizen of the U.S., as a father, to carve out some sense of possibility in a time of carnage.

This is El Akkad’s nonfiction debut, his most raw and vulnerable work to date, a heartsick breakup letter with the West. It is a brilliant articulation of the same breakup we are watching all over the United States, in family rooms, on college campuses, on city streets; the consequences of this rupture are just beginning. This book is for all the people who want something better than what the West has served up. This is the book for our time.

Challenges narrow perceptions of Blackness as both an identity and lived reality to understand the diversity of what it means to be Black in the US and around the world

What exactly is Blackness and what does it mean to be Black?
Is Blackness a matter of biology or consciousness?
Who determines who is Black and who is not?
Who’s Black, who’s not, and who cares?

In the United States, a Black person has come to be defined as any person with any known Black ancestry. Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law in almost all southern states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. Has the social and political landscape changed one hundred years later?

One Drop explores the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They have all had their identity called into question simply because they do not fit neatly into the stereotypical “Black box”—dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we can visualize multiple possibilities for Blackness.

Two people…
Two different objectives…
One ultimate goal…

Gideon “Gee” Powers has one hundred and eighty days to secure his rightful place as head of the family.

Rhian Barnes has one hundred and eighty days to complete a bucket list.
One night in Sin City blurs the lines and two become one.

Megastar Whitney “Sahara” Richardson has everything planned—including when she’ll have kids. But a mix-up at the fertility clinic makes her the biological mother of a child she didn’t carry and whose father she’s never met. A fun celebrity rom-com with the poignancy of Abby Jimenez and a modern twist on “surprise baby” for fans of Jasmine Guillory.

World-famous Whitney “Sahara” Richardson is at the top of her game. With four Grammys, an Oscar nod, and a half-billion-dollar clothing line, her career is skyrocketing. Even her headline-grabbing dating life is looking up. And if everything goes as planned, marriage and children are just a few years away—and they will come in that order. However, a mix-up at the fertility clinic where her eggs are stored puts the cart before the horse, making her the biological mother of a child she didn’t carry and whose father she’s never met.

Oops. Sahara suddenly has a daughter…and her father wants to keep her.

“Token is everything. It is funny and insightful, satirical and swoony. A rom-com perfect for our times. I can’t wait to see it on the big screen!” —KAIA ALDERSON, author of Sisters in Arms

"One of the Good Ones is magic.” —Damon Young, author of What Doesn’t Kill You Makes You Blacker

A shockingly powerful exploration of the lasting impact of prejudice and the indomitable spirit of sisterhood that will have readers questioning what it truly means to be an ally, from sister-writer duo Maika Moulite and Maritza Moulite, authors of Dear Haiti, Love Alaine.

ISN’T BEING HUMAN ENOUGH?

When teen social activist and history buff Kezi Smith is killed under mysterious circumstances after attending a social justice rally, her devastated sister Happi and their family are left reeling in the aftermath. As Kezi becomes another immortalized victim in the fight against police brutality, Happi begins to question the idealized way her sister is remembered. Perfect. Angelic.

One of the good ones.

Even as the phrase rings wrong in her mind—why are only certain people deemed worthy to be missed?—Happi and her sister Genny embark on a journey to honor Kezi in their own way, using an heirloom copy of The Negro Motorist Green Book as their guide. But there’s a twist to Kezi’s story that no one could’ve ever expected—one that will change everything all over again.

"Astonishing!" —Laura Ruby, two-time National Book Award finalist and author of Bone Gap
"Brilliant" —Kirkus Reviews, starred review
"Thrilling" —SLJ, starred review

From the critically acclaimed and New York Times bestselling author of When No One Is Watching comes a riveting thriller about the new caretaker of a historic estate who finds herself trapped on an island with a murderer—and the ghosts of her past. 

Years after a breakdown and a diagnosis of dissociative identity disorder derailed her historical preservationist career, Kenetria Nash and her alters have been given a second chance they can’t refuse: a position as resident caretaker of a historic home. Having been dormant for years, Ken has no idea what led them to this isolated Hudson River island, but she’s determined not to ruin their opportunity.

Then a surprise visit from the home’s conservation trust just as a Nor’easter bears down on the island disrupts her newfound life, leaving Ken trapped with a group of possibly dangerous strangers—including the man who brought her life tumbling down years earlier. When he turns up dead, Ken is the prime suspect.

Caught in a web of secrets and in a race against time, Ken and her alters must band together to prove their innocence and discover the truth of Kavanaugh Island—and their own past—or they risk losing not only their future, but their life.

*Ships in 7-10 business days*

Lenore Bennett has always been a force. A star artist and style icon at her high school, she’s a master in the subtle art of not giving a . . . well, you know what. But now that graduation is here, she’s a little less sure.

She’s heading to NYU in the fall with a scarlet U (for “undeclared”) written across her chest. Her parents always remind her that Black kids don’t have the luxury of figuring it out as they go—they have to be 110 percent prepared. But it’s a lot of pressure to be her ancestors’ wildest dreams when Lenore’s not even sure what her dreams are yet.

When her family embarks on a post-graduation Mediterranean cruise, her friend Tessa is sure Lenore’s in for a whirlwind romance. But Lenore knows that doesn’t happen in real life. At least not to girls like her.

Then she meets Alex Lee. After their parents bond over the Cupid Shuffle, she ends up stuck with him for the remainder of the cruise. He’s a hopeless romantic and a golden boy with a ten-year plan. In short, he’s irritating as hell.

But as they get to know each other during the picturesque stops across Europe, he may be able to help her find something else she’s been looking for, even if she doesn’t want to admit it to herself: love.

Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, One Way Witch is the second in the She Who Knows trilogy

The world has forgotten Onyesonwu.

As a teen, Najeeba learned to become the beast of wind, fire and dust: the kponyungo. When that took too much from her, including the life of her father, she let it all go, and for a time, she was happy — until only a few years later, when the small, normal life she’d built was violently destroyed.

Now in her forties and years beyond the death of her second husband, Najeeba has just lost her beloved daughter. Onyesonwu saved the world. Najeeba knows this well, but the world does not. This is how the juju her daughter evoked works. One other person who remembers is Onyesonwu’s teacher Aro, a harsh and hard-headed sorcerer. Najeeba has decided to ask him to teach her the Mystic Points, the powerful heart of sorcery. There is something awful Najeeba needs to kill and the Mystic Points are the only way. Najeeba is truly her daughter’s mother.

When Aro agrees to help, Najeeba is at last ready to forge her future. But first, she must confront her past — for certain memories cannot lie in unmarked graves.

Perfect for fans of Rick Yancey and Marie Lu, The Ones We're Meant to Find is a sci-fi fantasy with mind-blowing twists, ready to burst onto the YA scene, from the critically-acclaimed Descendant of the Crane author, Joan He.

Cee awoke on an abandoned island three years ago. With no idea of how she was marooned, she only has a rickety house, an old android, and a single memory: she has a sister, and Cee needs to find her.

STEM prodigy Kasey wants escape from the science and home she once trusted. The Metropolis―Earth's last unpolluted place―is meant to be a sanctuary for those committed to planetary protection, but it’s populated by people willing to do anything for refuge, even lie. Now, she'll have to decide if she’s ready to use science to help humanity, even though it failed the people who mattered most.

A charming and touching romantic comedy about two best friends, a marriage-of-convenience, and taking a leap of faith to land exactly where you’re meant to be.

Miz is not the marrying kind. She's more of the no-strings-attached kind. No labels, only fun. So, when she finds a diamond ring in her casual-but-very-hot hook-up’s gym bag, she immediately ends things and runs.

Kal is one of Miz's best friends, an aspiring actor who moved to Toronto from Ethiopia and is on the brink of his big break. But when he's suddenly at risk of losing his work visa—which would mean leaving Toronto forever—Miz panics. What will she do without him? What if she never sees him again?

There's only one solution: Miz will marry Kal to become his spousal sponsor. He'll get to keep pursuing his acting career, and she'll get to keep her best friend in the city. It'll be a quick, short only-on-paper marriage between friends, followed by a quick, easy divorce. What could possibly go wrong?

The Love Hypothesis meets The Holiday in this fake dating YA romance about a city girl and country boy’s lives colliding at Christmas

City girl Tia Solanké is dreading the festive season. She and her boyfriend are on a break and the last thing she wants is to spend Christmas away from London. Dragged to Saiyan Hedge Farm by her mother, Tia takes an instant dislike to the countryside estate. She falls in horse manure, is chased by sheep and the Wi-Fi sucks. How can she stalk her ex and concoct a foolproof plan to win him back from here?

Country boy Quincy Parker and his family run the farm, and this year they’ve been selected to host the biggest event in town—the Winter Ball. Preparations are underway, and Quincy is working around the clock to make it a success while recovering from his own devastating breakup. The only problem is, he’s told everyone he has a date to the ball, which couldn’t be further from the truth.

At first, Tia and Quincy don’t see eye to eye—until they realize they both have something to gain by pretending to be a couple. But when a snowstorm threatens to cancel the Winter Ball, their fake relationship is put to the test. Will Tia and Quincy be able to keep up appearances and save the day, or will real feelings get in the way?

The buzzy, viral sensation Only For The Week, is the first book in Natasha Bishop’s The Forever Falling series, featuring Black love, messy family dynamics, sexy banter, and sweet and spicy romance.

You are cordially invited tothewedding of Amerie Cross and Arnold Hightower.

A destination wedding in Tulum should be a breeze, but Dr. Janelle Cross―thesister ofthebride andthe ex-girlfriend ofthegroom―can’t catch a break. Between her maid of honor duties, her sister’s Bridezilla antics, and her family tiptoeing around her non-existent feelingsforher ex, Janelle is desperate to let off some steam. So, whenthebest man, Rome, proposesthey give intotheir undeniable chemistry, Janelle agrees, under one condition:their affair canonlylast aweek.

What happens in Tulum doesn’t always stay in Tulum . . .

ForRome Martin, Janelle has always been off limits. She’s his best friends ex, and Rome is nothing if not loyal. But he’s never been able to get her off his mind, and now he might finally have a chance to win her over.

As thewedding bringsthem together, every kiss, adventure, and stolen moment feels right. Janelle and Rome agreed to live inthemoment, but arethey willing to risk it allforforever?

Tropes:
Friends with benefits
He falls first
Vacation romance
Family drama
Black joy
Forced proximity
Forbidden love
Fling to forever

A vibrant and brilliant new collection of award-winning short fiction from the acclaimed author of the “charming, witty, and incredibly humane” (The Pittsburgh Gazette) debut The Eternal Audience of One.

Presented as a literary mixtape, Only Stars Know the Meaning of Space is a work of literature that provides you with a modern reading experience. The A-Side, read as one narrative, tells the story of a soon-to-be thirty-year-old aspiring writer navigating a complicated world. The B-Side, taken as a separate experience, features (seemingly) independent and unrelated short stories.

There’s “Crunchy, Green Apples (or, Omo)”, a story about loss told by the strangest of narrative devices: a shopping list. “Sofa, So Good, Sort Of (or, John Muafangejo)” is a first-person account of a family’s history and a long journey towards hope. A group of friends attempts to navigate a recent breakup in “From the Lost City of Hurtlantis to the Streets of Helldorado (or, Franco).”

When read together, however, a third world emerges—a complex, intergenerational, and interconnected world exploring the universal gaping void of grief. Rather than attempting to cross this black hole directly, the collection carefully traces around its edges, revealing the enormity of this cosmic force from the “electrifying voice you have been waiting for” (Maaza Mengiste, author of The Shadow King).

Black Panther meets X-Men in this action-packed and empowering middle grade adventure about a British Nigerian girl who learns that her Afro hair has psychokinetic powers—perfect for fans of Amari and the Night Brothers!

Onyeka has a lot of hair­—the kind that makes strangers stop in the street and her peers whisper behind her back. At least she has Cheyenne, her best friend, who couldn’t care less what other people think. Still, Onyeka has always felt uncomfortable with her vibrant curls…until the day Cheyenne almost drowns and Onyeka’s hair takes on a life of its own, inexplicably pulling Cheyenne from the water.

At home, Onyeka’s mother tells her the shocking truth: Onyeka’s psycho-kinetic powers make her a Solari, one of a secret group of people with super powers unique to Nigeria. Her mother quickly whisks her off to the Academy of the Sun, a school in Nigeria where Solari are trained. But Onyeka and her new friends at the academy soon have to put their powers to the test as they find themselves embroiled in a momentous battle between truth and lies…

Onyeka and her superpowered friends set off to England on a rescue mission in this third and final installment of “well-crafted fantasy fun” (Kirkus Reviews) in the Onyeka middle grade trilogy, perfect for fans of Rick Riordan, The Marvellers, and X-Men.

Solari—children with superpowers—have always been native to Nigeria, but Onyeka and her friends have been alerted to one hidden in England. Tasked with retrieving the young Solari, they successfully complete their mission, arriving safe and sound back at the Academy of the Sun with Tobi in tow.

Tobi’s identity and superpower remain a mystery, until a breadcrumb trail leads Onyeka to the truth. But someone else has uncovered the secret, and unlike Onyeka, they don’t have Tobi’s best interests at heart. Can our superhero save the day once again?

Opacities is a book about writing, publishing, and friendship. Rooted in an epistolary relationship between Sofia Samatar and a friend and fellow writer, this collection of meditations traces Samatar's attempt to rediscover the intimacy of writing

In a series of compressed, dynamic prose pieces, Samatar blends letters from her friend with notes on literature, turning to Édouard Glissant to study the necessary opacity of identity, to Theresa Hak Kyung Cha for a model of literary kinship, and to a variety of others, including Clarice Lispector, Maurice Blanchot, and Rainer Maria Rilke, for insights on the experience and practice of writing.

In so doing, Samatar addresses a number of questions about the writing life: Why does publishing feel like the opposite of writing? How can a black woman navigate interviews and writing conferences without being reduced to a symbol? Are writers located in their biographies or in their texts? And above all, how can the next book be written?

Blurring the line between author and character and between correspondence and literary criticism, Opacities delivers a personal, contemplative exploration of writing where it lives, among impassioned conversations and the work of beloved writers.

The true story of Black activist Opal Lee and her vision of Juneteenth as a holiday for everyone celebrates Black joy and inspires children to see their dreams blossom. Growing up in Texas, Opal knew the history of Juneteenth, but she soon discovered that many Americans had never heard of the holiday that represents the nation's creed of "freedom for all."

Every year, Opal looked forward to the Juneteenth picnic--a drumming, dancing, delicious party. She knew from Granddaddy Zak's stories that Juneteenth celebrated the day the freedom news of President Lincoln's Emancipation Proclamation finally sailed into Texas in 1865--over two years after the president had declared it! But Opal didn't always see freedom in her Texas town. Then one Juneteenth day when Opal was twelve years old, an angry crowd burned down her brand-new home. This wasn't freedom at all. She had to do something! Opal Lee spent the rest of her life speaking up for equality and unity. She became a teacher, a charity worker, and a community leader. At the age of 89, she walked from Fort Worth, Texas to Washington, D.C., in an effort to gain national recognition for Juneteenth.

Through the story of Opal Lee's determination and persistence, children ages 4 to 8 will learn:

• all people are created equal
• the power of bravery and using your voice for change
• the history of Juneteenth, or Freedom Day, and what it means today
• no one is free unless everyone is free
• fighting for a dream is worth every difficulty

Featuring the illustrations of New York Times bestselling illustrator Keturah A. Bobo (I am Enough), Opal Lee and What It Means to Be Free celebrates the life and legacy of a modern-day Black leader while sharing a message of hope, unity, joy, and strength.

In Open Admissions Danica Savonick traces the largely untold story of the teaching experience of Toni Cade Bambara, June Jordan, Audre Lorde, and Adrienne Rich at the City University of New York (cuny) in the late 1960s and early 1970s. This period, during which cuny guaranteed tuition-free admission to every city high school graduate, was one of the most controversial in US educational history. Analyzing their archival teaching materials—syllabi, lesson plans, and assignments—alongside their published work, Savonick reveals how these renowned writers were also transformative educators who developed creative methods of teaching their students to navigate and change the world. In fact, many of their methods—such as student-led courses, collaborative public projects, and the publication of student writing—anticipated the kinds of student-centered and antiracist pedagogies that have become popular in recent years. In addition to recovering the pedagogical legacy of these writers, Savonick shows how teaching in cuny’s free and open classrooms fundamentally altered their writing and, with it, the course of American literature and feminist criticism.

Tracing five centuries of exploitation in Latin America, a classic in the field, now in its twenty fifth year

Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx.

Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe.

Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably.
This classic is now further honored by Isabel Allende’s inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.

A stunning first novel about two young Black artists in London falling in and out of love by a new literary virtuoso, and finalist for the BBC Short Story Award, twenty-six-year old writer and photographer Caleb Azumah Nelson

A stunning first novel about two young Black artists in London falling in and out of love by a new literary virtuoso and finalist for the BBC Short Story Award, twenty-six-year-old writer and photographer Caleb Azumah Nelson

“Open Water is tender poetry, a love song to Black art and thought, an exploration of intimacy and vulnerability between two young artists learning to be soft with each other in a world that hardens against Black people.” —Yaa Gyasi, author of Homegoing

In a crowded London pub, two young people meet. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists—he a photographer, she a dancer—and both are trying to make their mark in a world that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence, and over the course of a year they find their relationship tested by forces beyond their control.

Narrated with deep intimacy, Open Water is at once an achingly beautiful love story and a potent insight into race and masculinity that asks what it means to be a person in a world that sees you only as a Black body; to be vulnerable when you are only respected for strength; to find safety in love, only to lose it. With gorgeous, soulful intensity, and blistering emotional intelligence, Caleb Azumah Nelson gives a profoundly sensitive portrait of romantic love in all its feverish waves and comforting beauty.

This is one of the most essential debut novels of recent years, heralding the arrival of a stellar and prodigious young talent.

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Fans of the Netflix reboot of The Babysitters Club will delight as four new sisters band together in the heart of New York City. Discover this jubilant novel about the difficulties of change, the loyalty of sisters, and the love of family from a prolific award-winning author. Bo and her mom always had their own rhythm. But ever since they moved to Harlem, Bo’s world has fallen out of sync.

She and Mum are now living with Mum’s boyfriend Bill, his daughter Sunday, the twins, Lili and Lee, the twins’ parents…along with a dog, two cats, a bearded dragon, a turtle, and chickens. All in one brownstone! With so many people squished together, Bo isn’t so sure there is room for her.

Set against the bursting energy of a New York City summer, award-winning author Olugbemisola Rhuday-Perkovich delivers a joyful novel about a new family that hits all the right notes!

From beloved and bestselling author Roxane Gay, “a strikingly fresh cultural critic” (Washington Post) comes an exhilarating collection of her essays on culture, politics, and everything in between.

Since the publication of the groundbreaking Bad Feminist and Hunger, Roxane Gay has continued to tackle big issues embroiling society—state-sponsored violence and mass shootings, women’s rights post-Dobbs, online disinformation, and the limits of empathy—alongside more individually personalized matters: can I tell my co-worker her perfume makes me sneeze? Is it acceptable to schedule a daily 8 am meeting? In her role as a New York Times opinion section contributor and the publication’s “Work Friend” columnist, she reaches millions of readers with her wise voice and sharp insights.

Opinions is a collection of Roxane Gay’s best nonfiction pieces from the past ten years. Covering a wide range of topics—politics, feminism, the culture wars, civil rights, and much more—with an all-new introduction in which she reflects on the past decade in America, this sharp, thought-provoking anthology will delight Roxane Gay’s devotees and draw new readers to this inimitable talent.

Before I Fall meets Everything, Everything in this hilarious and heart-racing #ownvoices romance from debut author Justin A. Reynolds. Now in paperback!

When Jack and Kate meet at a party, bonding until sunrise over their mutual love of Froot Loops and their favorite flicks, Jack knows he’s falling—hard. Soon she’s meeting his best friends, Jillian and Franny, and Kate wins them over as easily as she did Jack.

But this love story is . . . complicated. It is an almost happily ever after. Because Kate dies. And their story should end there. Yet Kate’s death sends Jack back to the beginning, the moment they first meet, and Kate’s there again. Beautiful, radiant Kate. Jack isn’t sure if he’s losing his mind. Still, if he has a chance to prevent Kate’s death, he’ll take it. Even if that means believing in time travel. However, Jack will learn that his actions are not without consequences. And when one choice turns deadly for someone else close to him, he has to figure out what he’s willing to do to save the people he loves.

An elegantly inventive debut novel that offers a sharp new take on the immigrant story in post-9/11 America

Told as a series of conversations, Optional Practical Training follows Pavitra, a young Indian woman who came to the US for college from Bangalore, India, and graduates in 2006 with a degree in physics. Her student visa grants her an extra twelve months in the country for work experience―a period known as Optional Practical Training―so she takes a position as a math and physics teacher at a private high school near Cambridge, Massachusetts.

What Pavitra really wants, though, is the time and space to finish a novel―to diverge from what’s expected of her within her family of white-collar professionals and to build a life as a writer. Navigating her year of OPT―looking for a room to rent, starting her job―she finds that each person she encounters expects something from her too. As her landlord, colleagues, students, parents of her students, friends of her family, and neighbors talk to and at her, they shape her understanding of race, immigration, privilege, and herself.

Throughout the book, Pavitra seems to speak very rarely; and yet, as she responds to the assumptions, insights, projections, and observations of those around her, a subtle and sophisticated portrait emerges of a young woman and aspiring artist defining a place for herself in the world.

The critically acclaimed author of In the Wake, "Christina Sharpe is a brilliant thinker who attends unflinchingly to the brutality of our current arrangements . . . and yet always finds a way to beauty and possibility" (Saidiya Hartman).

A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages, sometimes about language, beauty, memory; sometimes about history, art, photography, and literature—always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.

At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. “I learned to see in my mother’s house,” writes Sharpe. “I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words.” Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method,” collects entries from a community of thinkers toward a “Dictionary of Untranslatable Blackness,” and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.

A pioneering, dazzling satire about a biracial black girl from Philadelphia searching for her Jewish father in New York City

Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering a mythic journey of self-discovery like no other.

Why don’t our schools work? Eve L. Ewing tackles this question from a new angle: What if they’re actually doing what they were built to do? She argues that instead of being the great equalizer, America’s classrooms were designed to do the opposite: to maintain the nation’s inequalities. It’s a task at which they excel.

“This book will transform the way you see this country.”—Michelle Alexander, author of The New Jim Crow
 
If all children could just get an education, the logic goes, they would have the same opportunities later in life. But this historical tour de force makes it clear that the opposite is true: The U.S. school system has played an instrumental role in creating and upholding racial hierarchies, preparing children to expect unequal treatment throughout their lives.
 
In Original Sins, Ewing demonstrates that our schools were designed to propagate the idea of white intellectual superiority, to “civilize” Native students and to prepare Black students for menial labor. Education was not an afterthought for the Founding Fathers; it was envisioned by Thomas Jefferson as an institution that would fortify the country’s racial hierarchy. Ewing argues that these dynamics persist in a curriculum that continues to minimize the horrors of American history. The most insidious aspects of this system fall below the radar in the forms of standardized testing, academic tracking, disciplinary policies, and uneven access to resources.
 
By demonstrating that it’s in the DNA of American schools to serve as an effective and underacknowledged mechanism maintaining inequality in this country today, Ewing makes the case that we need a profound reevaluation of what schools are supposed to do, and for whom. This book will change the way people understand the place we send our children for eight hours a day.

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An inspiring exploration of the goddesses of the West African spiritual traditions and their role in shaping Yoruba (Ifa), Santeria, Haitian Vodoun, and New Orleans Voodoo.

Throughout Africa and beyond in the diaspora caused by the slave trade, the divine feminine was revered in the forms of goddesses like the ancient Nana Buluku, water spirits like Yemaya, Oshun, and Mami Wata, and the warrior Oya. The power of these goddesses and spirit beings has taken root in the West. New Orleans, for example, is the home of Marie Laveau, who used her magical powers to become the “Voodoo Queen” of New Orleans.

Orishas, Goddesses, and Voodoo Queens shows you how to celebrate and cultivate the traits of these goddesses, drawing upon their strengths to empower your own life. In addition to offering a guided tour of the key goddesses of the African religious traditions, the book offers magical spells, rituals, potions, astrological correspondences, sacred offerings, and much more to help guide you on your own transformational journey.