The first installment in the Healing Verses series from prolific writer and poet r.h. Sin comes New Moons, a profound collection of restorative poetry woven together to address the intricate journey of healing from trauma.

Through its beautiful narrative and empathetic voice, New Moons: Phases of Healing stands as a testament to the transformative power of words in healing the soul and rebuilding a life touched by trauma. In this collection of reflections and poetry, r.h. Sin takes readers along the journey of heartbreak that led him to a new a joyful place of resilience and self-renewal in hopes that they, too, might find themselves on the other side of hurt and renewed by the promise of new love in all its many forms.
 
Designed to be a beacon of light and hope, the carefully selected writings within these pages explore themes of loss, grief, recovery, and the rediscovery of strength within oneself, making it a compassionate companion for anyone navigating the challenging process of healing. Start your journey today, guided by the light of New Moons.

A scalding, darkly humorous debut following an enmeshed mother-daughter duo, both best friends and enemies, and the plastic surgery addiction that warps their lives into a perilous spiral
 
At twenty-six, Linli Feng is still trying to escape her mother Fanny’s orbit. But after three years of estrangement, just when Linli has been accepted into a prestigious graduate program, she is dragged back by Fanny’s latest medical catastrophe and forced to return home. 

For decades, Fanny has been addicted to plastic surgery, getting bargain procedures in the basements of LA’s bootleg beauty industry. Now Fanny’s disfigured face is in dangerous revolt, infected and collapsing yet again from black-market injectables.
 
But even as Linli wades through the wreck of family finances and juggles her mother’s medical care, Fanny has another secret in store. Fanny has won a spot on America’s Beauty Extreme, a reality television competition in which botched plastic surgery addicts compete for reconstructive surgery as riveted audiences tune in. When Linli attempts to rescue Fanny from the sinister subculture that has already claimed her mother’s face, she must at last confront the corrosive reality of American success that is at the fraught heart of their relationship.

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New Suns 2 brings you fresh visions of the strange, the unexpected, the shocking—breakthrough stories, stories shining with emerging truths, stories that pierce stale preconceptions with their beauty and bravery. Like the first New Suns anthology (winner of the World Fantasy, Locus, IGNYTE, and British Fantasy awards), this book liberates writers of many races to tell us tales no one has ever told.

Many things come in twos: dualities, binaries, halves, and alternates. Twos are found throughout New Suns 2, in eighteen science fiction, fantasy, and horror stories revealing daring futures, hidden pasts, and present-day worlds filled with unmapped wonders.

Including stories by Daniel H. Wilson, K. Tempest Bradford, Darcie Little Badger, Geetanjali Vandemark, John Chu, Nghi Vo, Tananarive Due, Alex Jennings, Karin Lowachee, Saad Hossain, Hiromi Goto, Minsoo Kang, Tlotlo Tsamaase, Rochita Loenen-Ruiz, Malka Older, Kathleen Alcalá, Christopher Caldwell and Jaymee Goh with a foreword by Walter Mosley and an afterword by Dr. Grace Dillon.

A groundbreaking new book from the Magnolia network TV star exploring the baking traditions of Latin America, infusing classic breads and pastries with new energy and introducing readers to the cultures and stories behind each recipe

Bryan Ford has changed the way the world sees baking; no longer the Euro-centric approach to the craft, he broadens the scope to celebrate the baking traditions of Latin America, starting with a simple approach to recipes and technique, and sharing the depth and nuance of the stories behind each loaf and pastry. 

Taking a completely unique, yet long overdue approach, there is no book like New World Baking on the market. From Pan de Mole to Medialunas, Palmeritas to Pan Frances, and Flan to Arepa Dulce de Maiz, the recipes here will highlight the beauty and breadth of Latin American baking. This is an essential baking book for every home baker looking to expand their understanding of the history of the craft and explore the sweets and treats, breads and bakes of this region, from the Caribbean to Peru. 

Newsworthy wrestles with living in a culture infected by white supremacy where current media is distrusted, cursory, and impossible to escape. And yet, we yearn to know. We crave a thoughtfulness--apart from soundbites and viral videos--that plumbs deeper, one that reawakens our shared humanity by reminding us that under headlines beat all of our "pierced hearts."

A leading light in the new poetic guard, Deborah D.E.E.P. Mouton's collection is a poetic reimagining of the newspaper, collecting cutouts from the editing floor to resurrect those who would otherwise be forgotten. Not content to further sensationalize the horrors perpetrated on Black Americans by a broken justice system, Mouton boldly relays stories of police brutality by reinventing poetic form and function, reminding us that wisdom, context, and every angle of truth is what infuses information with elucidation.

Akin to An American Marriage, Newsworthy grounds the fragility and danger inherent in contemporary Black experience in an "ordinary" family: mother, father, brother (Josh), and sister (Amandla), following their near and lived tragedies against the backdrop of murdered black Americans. Amandla serves as a surrogate for all of us, regardless of skin color, morphing from naive bystander to headline herself. Alongside her, we witness the exponential compilation of threat. We learn to conceive of dread, anger, compassion, suffering, and love as survival tactics. And we uncover what we should have seen all along: that to be human in the world is to rectify its injustices. With Newsworthy, Mouton brings us news of the heart.

From Ibi Zoboi, bestselling, award-winning author of American Street and co-author of Punching the Air, comes a bold new YA coming-of-age story, which explores race, feminism, and complicated family dynamics. The ideal next read for fans of Roxane Gay, Jacqueline Woodson, and Elizabeth Acevedo.

Warrior Princess. That’s what Nigeria Jones’s father calls her. He has raised her as part of the Movement, a Black separatist group based in Philadelphia. Nigeria is homeschooled and vegan and participates in traditional rituals to connect her and other kids from the group to their ancestors. But when her mother—the perfect matriarch of their Movement—disappears, Nigeria’s world is upended. She finds herself taking care of her baby brother and stepping into a role she doesn’t want.

Nigeria’s mother had secrets. She wished for a different life for her children, which includes sending her daughter to a private Quaker school outside of their strict group. Despite her father’s disapproval, Nigeria attends the school with her cousin, Kamau, and Sage, who used to be a friend. ­There, she begins to flourish and expand her universe.

As Nigeria searches for her mother, she starts to uncover a shocking truth. One that will lead her to question everything she thought she knew about her life and her family.

From award-winning author Ibi Zoboi comes a powerful story about discovering who you are in the world—and fighting for that person—by having the courage to be your own revolution.

Finalist for the National Book Critics Circle Award in Biography • A Washington Post Notable Book • One of Smithsonian Magazine's Ten Best History Books of the Year • One of AAIHS's Best Black History Books of 2024

“Though broad strokes of Tubman’s story are widely known, Miles probes deeper, examining her inner life, faith and relationships with other enslaved Black women to paint a deeper, more vibrant portrait of a historical figure whose mythic status can sometimes overshadow her humanity.” –The New York Times

From the National Book Award–winning author of All That She Carried, an intimate and revelatory reckoning with the myth and the truth behind an American everyone knows and few really understand

Harriet Tubman is among the most famous Americans ever born and soon to be the face of the twenty-dollar bill. Yet often she’s a figure more out of myth than history, almost a comic-book superhero. Despite being barely five feet tall, unable to read, and suffering from a brain injury, she managed to escape from her own enslavement, return again and again to lead others north to freedom without loss of life, speak out powerfully against slavery, and then become the first American woman in history to lead a military raid, freeing some seven hundred people. You could almost say she’s America’s Robin Hood, a miraculous vision, often rightly celebrated but seldom understood.

Tiya Miles’s extraordinary Night Flyer changes all that. With her characteristic tenderness and imaginative genius, Miles explores beyond the stock historical grid to weave Tubman’s life into the fabric of her world. She probes the ecological reality of Tubman’s surroundings and examines her kinship with other enslaved women who similarly passed through a spiritual wilderness and recorded those travels in profound and moving memoirs. What emerges, uncannily, is a human being whose mysticism becomes more palpable the more we understand it—a story that offers us powerful inspiration for our own time of troubles. Harriet Tubman traversed many boundaries, inner and outer. Now, thanks to Tiya Miles, she becomes an even clearer and sharper signal from the past, one that can help us to echolocate a more just and sustainable path.

Finalist for the National Book Critics Circle Award in Biography • A Washington Post Notable Book • Finalist for the PEN America Literary Award •One of Smithsonian Magazine's Ten Best History Books of the Year • One of AAIHS's Best Black History Books of 2024

“Though broad strokes of Tubman’s story are widely known, Miles probes deeper, examining her inner life, faith and relationships with other enslaved Black women to paint a deeper, more vibrant portrait of a historical figure whose mythic status can sometimes overshadow her humanity.” –The New York Times

From the National Book Award–winning author of All That She Carried, an intimate and revelatory reckoning with the myth and the truth behind an American everyone knows and few really understand

Harriet Tubman is among the most famous Americans ever born and soon to be the face of the twenty-dollar bill. Yet often she’s a figure more out of myth than history, almost a comic-book superhero. Despite being barely five feet tall, unable to read, and suffering from a brain injury, she managed to escape from her own enslavement, return again and again to lead others north to freedom without loss of life, speak out powerfully against slavery, and then become the first American woman in history to lead a military raid, freeing some seven hundred people. You could almost say she’s America’s Robin Hood, a miraculous vision, often rightly celebrated but seldom understood.

Tiya Miles’s extraordinary Night Flyer changes all that. With her characteristic tenderness and imaginative genius, Miles explores beyond the stock historical grid to weave Tubman’s life into the fabric of her world. She probes the ecological reality of Tubman’s surroundings and examines her kinship with other enslaved women who similarly passed through a spiritual wilderness and recorded those travels in profound and moving memoirs. What emerges, uncannily, is a human being whose mysticism becomes more palpable the more we understand it—a story that offers us powerful inspiration for our own time of troubles. Harriet Tubman traversed many boundaries, inner and outer. Now, thanks to Tiya Miles, she becomes an even clearer and sharper signal from the past, one that can help us to echolocate a more just and sustainable path.

From the award-winning poet at the height of his career, a book of personal and American experiences, both beautiful and troubling, touching on the generative cycle of loss and renewal

Following on his exquisite Stones, Kevin Young’s new collection, written over the span of sixteen years, shapes stories of loss and legacy, inspired in part by other lives. After starting in the bayous of his family's Louisiana, Young journeys to further states of mind in “All Souls,” evoking “The whale / who finds the shore / & our poor prayers.” Another central sequence, “The Two-Headed Nightingale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into enslavement, stolen, and then displayed by P. T. Barnum and others, the twins later toured the world as free women, their alto and soprano voices harmonizing their own way. Young’s poem explores their evolving philosophical selfhood and pluralities: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”
In “Darkling,” a cycle of poems inspired by Dante’s Divine Comedy, Young expands and embroiders the circles of Hell, drawing a cosmology of both loneliness and accompaniment, where “the dead don’t know / what to do / with themselves.” Young writes of grief and hope as familiar yet surprising states: “It’s like a language, / loss—,” he writes, “learnt only / by living—there—.” Evoking the history of poetry, from the darkling thrush to the darkling plain, Young is defiant and playful on the way through purgatory to a kind of paradise. When he goes, he warns, “don't dare sing Amazing Grace”—that “National / Anthem of Suffering.” Instead, he suggests, “When I Fly Away, / Don't dare hold no vigil . . . Just burn the whole / Town on down.”
This collection will stand as one of Young’s best—his voice shaping sorrow with music, wisdom, heartache, and wit.

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A gripping, radically intimate debut novel about a group of enslaved women staging a covert rebellion against their owners

On a struggling Texas plantation, six enslaved women slip from their sleeping quarters and gather in the woods under the cover of night. The Lucys—as they call the plantation owners, after Lucifer himself—have decided to turn around the farm’s bleak financial prospects by making the women bear children. They have hired a “stockman” to impregnate them. But the women are determined to protect themselves.

Now each of the six faces a choice. Nan, the doctoring woman, has brought a sack of cotton root clippings that can stave off children when chewed daily. If they all take part, the Lucys may give up and send the stockman away. But a pregnancy for any of them will only encourage the Lucys further. And should their plan be discovered, the consequences will be severe.

Visceral and arresting, Night Wherever We Go illuminates each woman’s individual trials and desires while painting a subversive portrait of collective defiance. Unflinching in her portrayal of America’s gravest injustices, while also deeply attentive to the transcendence, love, and solidarity of women whose interior lives have been underexplored, Tracey Rose Peyton creates a story of unforgettable power.

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Peace Adzo Medie, author of Reese’s Book Club pick His Only Wife, returns with a moving novel about the unbreakable power of female friendship.
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When Selasi and Akorfa were young girls in Ghana, they were more than just cousins; they were inseparable. Selasi was exuberant and funny, Akorfa quiet and studious. They would do anything for each other, imploring their parents to let them be together, sharing their secrets and desires and private jokes.

Then Selasi begins to change, becoming hostile and quiet; her grades suffer and she builds a space around herself, shutting Akorfa out. Meanwhile, Akorfa is accepted to an American university with the goal of becoming a doctor. Although hopeful that she can create a fuller life as a woman in America, she discovers the insidious ways that racism places obstacles in her path once she leaves Ghana. It takes a crisis to bring the friends back together, with Selasi’s secret revealed and Akorfa forced to reckon with her role in their estrangement.

A riveting depiction of class and family in Ghana, a compelling exploration of memory, and an eye-opening story of life as an African-born woman in the United States, Nightbloom is above all a gripping and beautifully written novel attesting to the strength of female bonds in the face of societies that would prefer to silence women.

Kiara and her brother, Marcus, are scraping by in an East Oakland apartment complex optimistically called the Regal-Hi. Both have dropped out of high school, their family fractured by death and prison. But while Marcus clings to his dream of rap stardom, Kiara hunts for work to pay their rent—which has more than doubled—and to keep the nine-year-old boy next door, abandoned by his mother, safe and fed.

 
One night, what begins as a drunken misunderstanding with a stranger turns into the job Kiara never imagined wanting but now desperately needs: nightcrawling. Her world breaks open even further when her name surfaces in an investigation that exposes her as a key witness in a massive scandal within the Oakland Police Department.
 
Rich with raw beauty, electrifying intensity, and piercing vulnerability, Nightcrawling marks the stunning arrival of a voice unlike any we have heard before. 

When the students in Nikki and Deja’s class find out that their school is going to hold its first-ever election for student body president, some kids are more excited than others. But none is as excited as Deja, who figures she’s a shoo-in for the third grade nomination. Deja decides that Nikki will be her campaign manager, of course, and puts her to work right away. But will Deja’s tendency to rush into things and boss people around alienate her best friend when she needs her most, and spoil her chances of becoming president of Carver Elementary?

This is a charming new entry in a chapter book series praised for its humor and authentic characters.

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There's so much happening on Fulton Street, you'd need a newsletter to keep on top of all the action . . . and Nikki and Deja are just the girls to write it!

Newsy news is not just regular news. It's news that's interesting and exciting. Nikki and Deja know that there's plenty of newsy news happening on their block and at Carver Elementary, just waiting to be reported. Luckily, Nikki has her special pen and notepad, Deja has the use of Auntie Dee's computer, and they both have lots of ideas. Before long, the Fulton Street Newsy News Newsletter is born. At first, everyone wants to read what the girls have written. But after just one issue, some unexpected problems arise. Will Nikki and Deja's plans to become celebrated journalists succeed?

Like the first two Nikki and Deja stories, this accessible chapter book shines with emotional depth and humor, perfectly capturing the complexities and joys of elementary school girls' friendships.

The highly anticipated debut monograph from trailblazing artist Nina Chanel Abney

Combining representation and abstraction, Nina Chanel Abney’s paintings capture the frenetic pace of contemporary culture. Broaching subjects as diverse as race, celebrity, religion, politics, sex, and art history, her works eschew linear storytelling in lieu of disjointed narratives. Through a bracing use of color and unapologetic scale, Abney’s canvases propose a new type of history painting. 

The first definitive monograph on this contemporary American artist presents a collection of more than 300 works, including large-scale paintings, works on paper, sculptures, installations, murals, and commercial collaborations, along with a behind-the-scenes look at the artist’s process. Insightful texts from influential art-world figures and writers underscore Abney’s artistic impact.

Strikingly designed, with an eye-catching acetate jacket, vibrant pages, double gatefolds, and curated inserts, Nina Chanel Abney is a celebration of the artist’s distinctively bold style and innovative approach.

Combining representation and abstraction, Abney's vibrant works reference gender, sexuality and pop culture

Committed to sharing social realities through fantastic, expansive forms, Nina Chanel Abney is an artist possessed of an iconic style and wit. Through stylized, cubistic and highly charged painterly symbols, she references radical traditions of graphic design and street art to communicate urgent political and cultural realities with immediacy to the largest possible audience. Abney’s paintings and collages use dynamic color and form to draw viewers into complex narratives.
Big Butch Energy/Synergy features Abney’s recent exhibitions at ICA Miami and moCa Cleveland. In these works, Abney mines cinematic and media representations of student Greek life to explore how gender perception and performance is inspired by the legacies of social ritual and visual culture. The complex compositions reference scenes from popular slapstick comedy films such as National Lampoon’s Animal House (1978) and Porky’s (1981), while citing traditions of Baroque portraiture and fraternity composites. Inspired by her experience as a masculine-of-center woman, with this body of work Abney asks how viewers gender a figure in a work of art.
Nina Chanel Abney was born in 1982 in Harvey, Illinois, and is based in New York, where she attended Parsons School of Design. Abney’s work is held in the collections of the Whitney Museum of American Art, New York; the Museum of Modern Art, New York; the Brooklyn Museum, New York; the Bronx Museum, New York; the Nasher Museum of Art, North Carolina; and the Pennsylvania Academy of the Fine Arts, among others.

This book was published in conjunction with Institute of Contemporary Art, Miami/Museum of Contemporary Art Cleveland

From the #1 New York Times bestselling author, rapper, and activist--Sister Souljah uses her passionate voice to deliver what is at once a fiercely candid autobiography and a survival manual for any Black woman determined to keep her heart open and her integrity intact in modern America.

Each chapter of No Disrespect is devoted to someone who made a difference in Sister Souljah's life--from the mother who raised her to the men who educated (and mis-educated) her about love--and each bares a controversial truth about the Black condition in America: the disintegration of families; the unremitting combat between the sexes; and the thousand and one ways in which racism continues to circumscribe how Black people see themselves and treat one another.

The result is an outspoken and often courageous rejoinder to the pieties of race, class, and gender by a writer who is at once wise, bawdy, brutally funny, and as sensitive a lightning rod in a thunderstorm.

No More Dancing: Embracing The Power of Restorative Living by Carlos J. Malave is a transformative guide for those ready to stop sidestepping their own needs and start building authentic, balanced relationships. Growing up, Malave found deep connection through the rhythm of Salsa, Merengue, and Bachata. Dance was a language of unity and joy, but over time, he realized he had been "dancing around" his discomforts and conflicts, avoiding confrontation for the sake of harmony. This book reveals his journey to self-acceptance and the power of setting boundaries without guilt.

Malave explores how recognizing our emotions is the foundation for respect and genuine connection. Boundaries, he explains, aren't walls but pathways to healthier relationships. Through reflective exercises, readers will identify their needs, manage emotional triggers, and practice compassionate self-care. By embracing discomfort and engaging in honest conversations, we can forge bonds rooted in understanding and strength.

Inspired by his father's legacy and his commitment to pass these lessons to his daughter, Malave invites readers to step away from avoidance and stand firmly in their truth. No More Dancing is a heartfelt call to live courageously, create a legacy of authenticity, and leave the world a little more whole.

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A persuasive primer on police abolition from two veteran organizers

“One of the world’s most prominent advocates, organizers and political educators of the [abolitionist] framework.” —NBCNews.com on Mariame Kaba

In this powerful call to action, New York Times bestselling author Mariame Kaba and attorney and organizer Andrea J. Ritchie detail why policing doesn’t stop violence, instead perpetuating widespread harm; outline the many failures of contemporary police reforms; and explore demands to defund police, divest from policing, and invest in community resources to create greater safety through a Black feminist lens.

Centering survivors of state, interpersonal, and community-based violence, and highlighting uprisings, campaigns, and community-based projects, No More Police makes a compelling case for a world where the tools required to prevent, interrupt, and transform violence in all its forms are abundant. Part handbook, part road map, No More Police calls on us to turn away from systems that perpetrate violence in the name of ending it toward a world where violence is the exception, and safe, well-resourced and thriving communities are the rule.

This little toddler is awake and ready to go! But why is everyone else sleeping in? Stretch and yawn, it's time to play! No more sleeping in!

Mommy, Daddy, Sister, and even Kitty are sleeping in, but our little toddler is about to change that with a PAT, KNOCK, CLAP, and BANG! This energetic, rhythmic board book invites the reader to join in on the fun of waking everyone up to play.

In this poignant memoir, as candid and indelible as The Glass Castle and Memorial Drive, a writer takes on the conflict between the love that binds us to home and the desire to escape it for good.

On a highway in Houston, Texas, Sarah LaBrie’s mother was found screaming at passing cars, terrified she would be murdered by invisible assailants. The diagnosis of schizophrenia that followed compelled Sarah to rethink her childhood, marked at turns by violence and all-consuming closeness.

Digging into the events that led to her mother’s break, Sarah traces her family history of mental illness, from the dysphoria that plagued her great-grandmother, a granddaughter of slaves, to her own experience with depression as a scholarship student at Brown. At the same time, she navigates a decades-long fixation on a novel she can’t finish but can't abandon, her complicated feelings about her white partner, and a fraught friendship colored by betrayal.

Spanning the globe from Houston’s Third Ward to Paris to Tallinn and New York to Los Angeles, No One Gets to Fall Apart is an unflinching chronicle of one woman's attempt to forge a new future through a better understanding of the past.

This book isn’t just for one kind of entrepreneur—it’s for every kind. Whether you're thriving with purpose or struggling to grow your business and battle self-doubt, No One is Self-Made offers solutions and encouragement you need to push forward with the right community. From the visionary behind the groundbreaking Village Market, a direct pipeline connecting Black businesses to engaged consumers, this inspirational guide dares to dismantle the myth of individualism and reveals how collective support can shatter systemic barriers to success. It’s a bold roadmap for entrepreneurs and leaders determined to rewrite the rules of business.

Support is a verb.

Dr. Lakeysha Hallmon keeps this mantra pinned to her wall as a reminder of the undeniable impact of community. When she was pursuing her entrepreneurial dreams, she quickly saw the racial disparities and systemic issues affecting Black small businesses. She began meeting many brilliant entrepreneurs and small business owners, recognizing their potential to soar if backed by invested supporters. 

In response, Dr. Hallmon founded the Village Market and challenged people to put the “Support is a Verb” mantra to action by rallying around businesses within their own communities. As a result, The Village Market funneled millions of dollars into local businesses, attacking the wealth gap and spiriting economic prosperity. This replicable model has inspired others nationwide to adopt a similar approach and economic strategy. She found that her beliefs were true: that by rooting our lives, businesses, and work in community–we find resources to create and support economic mobility from within.

No One Is Self-Made is an inspirational narrative weaving together themes of community, purposeful businesses, and collective economics. This book debunks the myth of being self-made and empowers readers to abandon the notion and lean into community on their pathway to success. Entrepreneurs at any stage of growth will appreciate Dr. Hallmon’s story—with all the ups and downs of founding the Village Market—and the road-tested advice she dispenses for those trying to find success in business, career, and life. She explains economic and social factors, missteps that can derail goals, and the tools necessary to create their own thriving village. Along the way, it becomes clear why working within a collective is a more effective path to success than going it alone.

A selection of the exquisite, passionate verse of the Palestinian poet Najwan Darwish, superbly translated into English

Finalist for the 2025 PEN Award for Poetry in Translation • Finalist for the 2025 Derek Walcott Prize for Poetry • Winner of the 2024 Big Other Readers’ Choice Award • Shortlisted for the 2025 PEN Heaney Prize • Longlisted for the 2025 National Translation Award for Poetry, sponsored by American Literary Translators Association

“An unvarnished view of war and its repercussions: fear, dread, devastation, and exile.”―Elisabeth Egan, New York Times Book Review
 
Born in Jerusalem in 1978, Najwan Darwish is one of the most important poets of the Arabic-speaking world. This definitive collection, which draws from five volumes published in Arabic as well as new unpublished work, brings to English-language readers a sweeping trove of Darwish’s most powerful and urgent poetry of the last decade.
 
In spare lyric verse, Darwish testifies to the brutal and intimate traumas of war, the anguished fatigue of waking up each morning in an occupied land, and the immeasurable toll of the Israeli-Palestinian conflict. While anchored in the geography of Palestine, his poetry also explores the rich artistic inheritance of the Arabic-speaking world, moving between regions, landscapes, and eras, from the glories of medieval Granada to the rippling shores of contemporary Haifa. In dialogue with poets, philosophers, and seekers from many different traditions, Darwish’s verse pulses with spiritual longing and a sense of battered, disoriented wonder―a witness to both the atrocities we visit upon one another and the miracle that we are here at all.
 
No One Will Know You Tomorrow is a tribute to the indomitability of the human spirit: its sensitive attunement to beauty and its endurance in the face of unspeakable tragedy.

A PR relationship between a pop superstar and a pro-athlete bad boy turns into so much more in this swoony romance from the acclaimed author of When I Think of You.

Ella Simone’s popstar life is what dreams are made of. Her eight year marriage to renowned music producer, Elliot Majors, has helped garner the hits, awards, and adoring fans to prove it. But when Ella tires of Elliot's many infidelities, she decides to fight for her independence despite the ironclad prenup that threatens her career.

To help her case, Ella is under strict orders to stick to The Plan: no headlines, no rumors, no rocking the boat. But this strategy is thrown a curveball after an awards show wardrobe snafu and quick rescue by Miles Westbrook, MLB’s most eligible player, sends the tabloids into a frenzy. Amid tricky divorce proceedings, Ella’s magnetic connection with the charismatic pitcher might just be her downfall.

Now the pressure is on to turn a scandal into an opportunity and give their teams what they want: a picture-perfect performance that will shore up both Ella and Miles' reputations. But as the lines between reality and PR begin to blur, Ella will either stick to the choreographed life she knows so well, or surrender to a love that could set her free.

“[A] rich and lyrical tale of desperation and redemption . . . Throughout, Sainz Borgo applies stark poetry to the terrifying setting, where 'moans and cries attributed to ghosts sometimes masked executions and beatings.' It’s a stunner.” —Publishers Weekly (starred review)

“[A] deeply felt meditation on migration, mourning and the simultaneous entanglement and estrangement of the living and the dead” —Los Angeles Times

Winner of the 2023 Jan Michalski Prize, a searing novel of loss and resilience that illuminates the often-overlooked human dimension of the migrant crisis, re-imagining the border as a dreamlike purgatory bridging life and death.

In an unnamed Latin American country, a mysterious plague quickly spreads, erasing the memory of anyone infected. Angustias Romero flees with her family, but their flight is tragically cut short when she loses both her children. Consumed by grief, she finds herself within the hallucinatory expanse of Mezquite––a town corrupted by greed and populated by storytellers, refugees, and violent, predatory gangs.

Here, Angustias is finally able to lay her children to rest at the Third Country, a cemetery run by the larger-than-life Visitación Salazar and a refuge beyond suffering and fear. While Visitación remains defiant in her mission to care for the dead, the cemetery she oversees is the focal point of a bitter land dispute with Alcides Abundio, the most feared landowner of the border. Caught in this power struggle, Angustias and Visitación–friends and sometimes rivals– stand their ground on a frontier where the law is dictated by violence; a surreal territory whose very nature blurs the boundaries between life and death.

Exploring what we are capable of and how far we will go when we have nothing to lose, No Place to Bury the Dead confirms Karina Sainz Borgo’s importance amongst the voices of modern Latin American literature, merging thriller, western, and classic tragedy in an unforgettable and urgent novel that won the 2023 Jan Michalski Prize.

Translated from the Spanish by Elizabeth Bryer

A devoted father is pushed to the limit in this gripping thriller by the bestselling author of The Quiet Ones.

No one is more shocked than Eric Newton when he discovers he has an adult daughter. Happily married, a successful business owner, and a dedicated father of two young children, Eric vows to make up for lost time with his newfound child, Destiny. He'll do whatever it takes to be the perfect dad and invites Destiny to move in with his family. But Destiny, twenty-years-old, has her own ideas about Eric's role in her life--and after a nasty argument one night, Eric wakes to find that she's vanished without a trace.

Convinced that Destiny's involvement with her shady boyfriend has landed her in trouble, Eric knows he's got to find her. He embarks upon a relentless hunt for clues. His search plunges him deep into a shadowy world he never knew existed, a treacherous web of con artists, psychopaths, and buried secrets.

But when tragedy strikes close to home, Eric realizes that the answers may lie in his own tangled past--and that to save his daughter, he must face his worst fears, no matter the cost.

A compelling, twisty read for fans of domestic suspense and psychological thrillers!

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No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought. Satisfying moments are captured in odes to Idris Elba’s dulcet tones on a meditation app and the satisfaction of half-priced Entenmann’s poundcake; in childlike observations of parental Black love, the coveted female form on Jet Magazine covers, and the desire for Zamunda to be a real place full of Black joy. The sour taps into an analysis of reclusiveness, silencing catcalls from men on the street, and detailed recipes and advice to the Black girls forced to endow themselves with armor against the world.

Cynthia Manick’s latest is a playlist of everyday life, introverted thoughts, familial bonds, and social commentary. In piercing language, she traces the circle of life for a narrator who dares to exist between youthful remembrances and adulthood realities. Each poem in No Sweet Without Brine is a reminder that a hint of sorrow makes the celebration and recognition of the glory of Blackness in all ways, and through all people, that much sweeter.