Acclaimed historian Mary Frances Berry resurrects the remarkable story of ex-slave Callie House who, seventy years before the civil-rights movement, demanded reparations for ex-slaves. A widowed Nashville washerwoman and mother of five, House (1861-1928) went on to fight for African American pensions based on those offered to Union soldiers, brilliantly targeting $68 million in taxes on seized rebel cotton and demanding it as repayment for centuries of unpaid labor. Here is the fascinating story of a forgotten civil rights crusader: a woman who emerges as a courageous pioneering activist, a forerunner of Malcolm X and Martin Luther King, Jr.

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When a little girl walks into her local barbershop, she knows she wants the flyest, freshest fade on the block! But there are so many beautiful hairstyles to choose from, and the clients and her mother suggest them all: parts, perms, frizzy fros, dye jobs, locs, and even cornrows!
 
But this little girl stays true to herself and makes sure she leaves the shop feeling on top with the look she picks!
   
Author Shauntay Grant's sweet, rhyming story encourages young girls to be self-confident and celebrates the many shapes and forms Black hair can take. Through their stunning illustrations, Kitt Thomas is able to bring life and movement to the versatile styles featured in this book. 

A NEW YORK TIMES NOTABLE BOOK · A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE · 2022 LAMBDA LITERARY PRIZE FOR GAY FICTION FINALIST

The debut novel from television WRITER/PRODUCER OF THE CHI, NARCOS, and BEL-AIR tells a fierce and riveting queer coming-of-age story following the personal and political awakening of a young, gay, Black man in 1980s New York City.

"Consistently engrossing." ―New York Times Book Review

“Full of joy and righteous anger, sex and straight talk, brilliant storytelling and humor... A spectacularly researched Dickensian tale with vibrant characters and dozens of famous cameos, it is precisely the book we’ve needed for a long time.” ―Andrew Sean Greer, Pulitzer Prize-winning author of Less

Earl "Trey" Singleton III arrives in New York City with only a few dollars in his pocket. Born into a wealthy Black Indianapolis family, at 17, he is ready to leave his overbearing parents and their expectations behind.

In the city, Trey meets up with a cast of characters that changes his life forever. He volunteers at a renegade home hospice for AIDS patients, and after being put to the test by gay rights activists, becomes a member of the AIDS Coalition to Unleash Power (ACT UP). Along the way Trey attempts to navigate past traumas and searches for ways to maintain familial relationships―all while seeking the meaning of life amid so much death.

Vibrant, humorous, and fraught with entanglements, Rasheed Newson’s My Government Means to Kill Me is an exhilarating, fast-paced coming-of-age story that lends itself to a larger discussion about what it means for a young gay Black man in the mid-1980s to come to terms with his role in the midst of a political and social reckoning.

In this groundbreaking book, therapist Resmaa Menakem examines the damage caused by racism in America from the perspective of trauma and body-centered psychology.

The body is where our instincts reside and where we fight, flee, or freeze, and it endures the trauma inflicted by the ills that plague society. Menakem argues this destruction will continue until Americans learn to heal the generational anguish of white supremacy, which is deeply embedded in all our bodies. Our collective agony doesn't just affect African Americans. White Americans suffer their own secondary trauma as well. So do blue Americans—our police.

My Grandmother's Hands is a call to action for all of us to recognize that racism is not only about the head, but about the body, and introduces an alternative view of what we can do to grow beyond our entrenched racialized divide.

• Paves the way for a new, body-centered understanding of white supremacy—how it is literally in our blood and our nervous system.
• Offers a step-by-step healing process based on the latest neuroscience and somatic healing methods, in addition to incisive social commentary.

*Ships/ready for pick up in 5-8 business days*

This creative activity book belongs in the hands of every child who has lost someone special in their lives to help them heal through play and art therapy with stickers, coloring sheets, keepsakes, and comfort cards.

Whether a child has lost a grandparent, a pet, or an important person in their life, My Grief Comfort Book offers them space to process their emotions through hands-on art, play, and storytelling. From Writing a Goodbye Letter on the stationary in the book to creating a Memory Box to hold and share memories, the projects help kids heal after a death. Kids are encouraged to sketch Before and After Drawings, put together a Comfort Kit to cope when they're sad, or make an Activity Jar of things a loved one enjoyed before they died. The 25 prompts, games, exercises, and keepsake crafts were designed by author Brie Overton, the clinical director at the Experience Camps for grieving children. My Grief Comfort Book invites kids to take a creative break from the heaviness of their loss. As they draw, paint, share a story, or play a game, they build coping skills, manage their emotions, develop resilience, and make peace with their grief.

Winner of the Bram Stoker Award for Best Novel

In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest chilling novel that “will give you nightmares. The good kind, of course” (BuzzFeed) from the Jordan Peele of horror literature, Stephen Graham Jones.

“Some girls just don’t know how to die…”

Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the New York Times bestselling author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.

Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

On Saturday walks with her grandfather, a young girl connects with her Cabo Verdean heritage while learning about the true meaning of home in this moving debut picture book.

Papa always speaks of someday bringing his granddaughter back home to Cabo Verde. But the young girl has never set foot on their ancestral island’s faraway shores. And each time Papa urges her to speak Kriolu, the Portuguese creole native to the West African country, the girl’s tongue betrays her, and she stumbles over her own words. If she can’t even get the language right, can her grandfather’s home ever truly be hers, too?

But each Saturday afternoon when she helps guide her sight-impaired grandfather through their close-knit Massachusetts community, the girl swears she can smell, hear, feel Kriolu. And each Saturday she comes closer to discovering where home truly lies.

In this riveting domestic thriller for readers of Jeneva Rose, Kimberly McCreight, Kimberly Belle, and Shanora Williams, one woman’s seemingly perfect marriage is shattered by a shocking revelation. Now, how far will she go to learn the whole truth—and will it be enough to outrun the lethal consequences?

Growing up as a foster child, Brooke Perry has known more than her share of hard times. Securing a successful financial career and marrying Andre, a wealthy businessman, is far more than she ever dreamed she could achieve. And though she's suffered two miscarriages—losses that shook her and Andre to their core—she's content to create the happiest of futures . . .

. . . Until a mysterious other woman, Erika Jones, swears Andre fathered her baby, claimed the child was dead—and made her disappear. Brooke refuses to believe her—until Erika is killed in a sudden, extremely suspicious house fire. Then Brooke discovers Andre's first wife didn't in fact die from an illness.

Now Brooke is determined to uncover the truth, no matter the cost. Even if it means lying to the police—and facing arrest. Even if it takes all her courage to go up against Andre's formidable—and ruthless—mother. And as more of Andre's secrets and double life surface, Brooke will piece together a nightmare beyond mere lies and betrayal, a lethal hall of mirrors where she can believe nothing . . . and the stakes are higher, and deadlier, than she ever imagined.

In the first major Jamaican cookbook of its kind, Kingston-born chef Andre Fowles presents modern and classic recipes for the best of Jamaican food capturing the tastes and traditions of the island, with a foreword from Bruce Springsteen.

Jamaican cuisine is the result of a rich blend of cultural influences: Indigenous, African, Indian, Chinese, and European. Each dish tells a story of resilience and adaptation and reveals the culinary identity of Jamaica itself-dynamic, colorful, and always evolving. Chef Andre Fowles brings this food to life through more than 100 classic and traditional recipes. There are iconic Jamaican dishes like Jerk BBQ Pork Ribs, Pepper Shrimp, or Ackee and Saltfish that tell the stories of the island's culture and history, but also new spins like Sweet Jerk Crispy Cauliflower, a fish-and-chips-inspired Escovitch Fish Sandwich, and Rum Cake Tiramisu that showcase Jamaica's modern sensibility. Fresh coconut, plantains, and rice and peas are some of the key ingredients, alongside Scotch Bonnet peppers and herbs like thyme, scallion, and garlic.

From Saturday soups like Pepper Pot and Red Peas Soup to braises like Brown Stew Chicken and even desserts and drinks incorporating Jamaica's beloved rum, the book will bring a taste of Jamaican to home kitchens everywhere. The beautiful photos serve as armchair travel to entice even those you've never been to island. My Jamaican Table is a culinary journey as told by one of Jamaica's most dynamic chefs.

The latest in writer and visual artist Renee Gladman’s ever-expanding body of imaginative investigation is a sui generis novel of queerness and art-making, philosophy and sex.

The narrator of My Lesbian Novel is Renee Gladman, an artist and writer who has produced the same acclaimed body of experimental art and prose as real-life Renee Gladman, and who is now being interviewed by an unnamed interlocutor about a project in process, a seeming departure from her other works, a lesbian romance. 
 
Between reflections on art making and on the genre of lesbian romance—“though aspects of the formula drive me crazy . . . people who write these stories understand how beautiful women are”—a romance novel of her own takes shape on the page, written alongside the interview, which sometimes skips whole years between questions, so that time and aging become part of the process. 
 
The result is a beautifully orchestrated dialogue between reflection and desire, or clarity and confusion, between the pleasures of form and the pleasures of freedom in the unspooling of sentences over time.

Black feminist intersectional horror at its rawest...

At its core, the horror genre is an effective vehicle for exploring human behavior. From within its terrifying boundaries, and lack thereof, we can examine monstrosity. We can determine how monsters are labeled, analyze the actions of those deemed monstrous, and prophesy the impacts this labeling and actions have on the world around us.

Monsters are personal. Monsters are universal. These facts create an intriguing juxtaposition where the things deemed monstrous or frightening can be shaped by personal experiences, while also representing many aspects of the human condition; our fears are much more similar than dissimilar. This means my monsters are absolutely like yours: they are our collective nightmares. My Monsters Ain't Like Yours reflects this irony through Black feminist intersectional horror at its rawest.

My Mother Was a Freedom Fighter is poet Aja Monet’s ode to mothers, daughters, and sisters—the tiny gods who fight to change the world.

Textured with the sights and sounds of growing up in East New York in the nineties, to school on the South Side of Chicago, all the way to the olive groves of Palestine, these stunning poems tackle racism, sexism, genocide, displacement, heartbreak, and grief, but also love, motherhood, spirituality, and Black joy.

In this colorful bilingual Spanish and English board book from New York Times bestselling, three-time Pura Belpré Award–winning author-illustrator Raúl the Third, join Coco Rocho as he celebrates his mother and their adventures together in the World of ¡Vamos!

Adventures with mom are always fun, especially when they're in both English and Spanish!

In this bilingual board book, young readers are introduced to Spanish vocabulary through the love between mother and child.

¡Te quiero, Mama! Join Coco Rocho and all his companions in this sweet celebration of mothers everywhere!

The third title in a powerful board book series about the strength and potential our bodies hold.

My Mouth Says showcases all the wonderful things a mouth can do—from the physical to the meaningful. This book will provide young readers with a deep understanding of and appreciation for their own bodies, inviting them to look beyond what’s known or obvious.

Written in a lyrical, affectionate tone, and illustrated in bright, warm colors, this series celebrates bodies everywhere and is sure to spark wonder, love, and respect for everything of which we are capable.

Cleo Forsum is a bestselling novelist turned scriptwriter whose TV series, 'The Baking Detective' is a huge success. Writing is all she's ever wanted to do, and baking and murder stories have proved a winning combination.

But now she has decided to walk away from it all - including divorcing her husband, Wallace - before her past secrets catch up with her.

As Cleo drafts the final ever episodes of the series, people she knows start getting hurt. And it's soon clear that someone is trying to frame her for murder.

She thinks she knows why, but Cleo can't tell the police or prove her innocence. Because then she'd have to confess about her other husband . . .

A series of terrifying murders. A set of complex lies. And a woman with no way to clear her name.

Marrying the memoir and essay forms while exploring desire, Prince, and racism, Hilton Als’s My Pinup expands and delivers love.

In this brilliant two-part memoir, the Pulitzer Prize–winning writer Hilton Als distills into one cocktail the deep and potent complexities of love and of loss, of Prince and of power, of desire and of race. It’s delicious and it’s got the kick of a mule, especially as Als swirls into his mix the downtown queer nightclub scene, the AIDS crisis, Prince’s ass in his tight little pants, an ill-fated peach pie, Dorothy Parker, and his desire for true love. Always surprising and stealthily—even painfully—moving, Als plumbs longing: “I inched closer to him as he danced to you, Prince. But already he was you, Prince, in my mind. He had the same coloring, and the same loneliness I wanted to fill with my admiration. I couldn’t love him enough. We were colored boys together. There is not enough of that in the world, Prince—but you know that. Still, when other people see that kind of fraternity they want to kill it. But we were so committed to each other, we never could work out what that violence meant. There was so much love between us. Why didn’t anyone want us to share it?”

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Rainy summer days are no match for a little astronaut who builds the perfect rocket ship for an indoor space adventure to another galaxy, where the sky is his only limit!

A stormy afternoon and an order from Mom to stay inside are no match for this little dreamer, who uses everyday household items a rocket chair, a cardboard box, an old dish rag, and a super-duper imagination - to whip up a trip around the universe he won't soon forget.

My Rainy Day Rocket Ship is a high-spirited, engaging salute to the imagination of Black boys who use their beautiful minds to transform the mundane into the extraordinary, dream out loud, and boldly go where their sky is the only limit.

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A stirring memoir of growing up Black in a town at the epicenter of the fight for freedom, equality, and human rights.

Combining family stories of the everyday and the extraordinary as seen through the eyes of her twelve-year-old self, Willie Mae Brown gives readers an unforgettable portrayal of her coming-of-age in a fractured town at the crossroads of history. Selma's pivotal role in the civil rights movement forms an inescapable backdrop in this collection of stories. In one, Willie Mae takes it upon herself to offer summer babysitting services to a glamorous single white mother—a secret she keeps from her father that unravels with shocking results. In another, Willie Mae reluctantly joins her mother at a church rally, and is forever changed after hearing Martin Luther King Jr. deliver a defiant speech. My Selma! captures the voice and vision of a perspicacious, impetuous, resourceful young person who gives us a loving portrayal of her hometown while also delivering a no-holds-barred indictment of the time and place.

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A call to action and a narrative that runs counter to every racist stereotype that thwarts the lives of men of color today.

Will Jawando tells a deeply affirmative story of hope and respect for men of color at a time when Black men are routinely stigmatized. As a boy growing up outside DC, Will, who went by his Nigerian name, Yemi, was shunted from school to school, never quite fitting in. He was a Black kid with a divorced white mother, a frayed relationship with his biological father, and teachers who scolded him for being disruptive in class and on the playground. Eventually, he became close to Kalfani, a kid he looked up to on the basketball court. Years after he got the call telling him that Kalfani was dead, another sickening casualty of gun violence, Will looks back on the relationships with an extraordinary series of mentors that enabled him to thrive.

Among them were Mr. Williams, the rare Black male grade school teacher, who found a way to bolster Will’s self-esteem when he discovered he was being bullied; Jay Fletcher, the openly gay colleague of his mother who got him off junk food and took him to his first play; Mr. Holmes, the high school coach and chorus director who saw him through a crushing disappointment; Deen Sanwoola, the businessman who helped him bridge the gap between his American upbringing and his Nigerian heritage, eventually leading to a dramatic reconciliation with his biological father; and President Barack Obama, who made Will his associate director of public engagement at the White House—and who invited him to play basketball on more than one occasion. Without the influence of these men, Will knows he would not be who he is today: a civil rights and education policy attorney, a civic leader, a husband, and a father.

Drawing on Will’s inspiring personal story and involvement in My Brother’s Keeper, President Obama’s national initiative to address persistent opportunity gaps facing boys and young men of color, My Seven Black Fathers offers a transformative way for Black men to shape the next generation.

Ayoola summons me with these words—Korede, I killed him.

I had hoped I would never hear those words again.

Bleach

I bet you didn’t know that bleach masks the smell of blood. Most people use bleach indiscriminately, assum­ing it is a catchall product, never taking the time to read the list of ingredients on the back, never taking the time to return to the recently wiped surface to take a closer look. Bleach will disinfect, but it’s not great for cleaning residue, so I use it only after I have first scrubbed the bathroom of all traces of life, and death.

It is clear that the room we are in has been remod­eled recently. It has that never-been-used look, especially now that I’ve spent close to three hours cleaning up. The hardest part was getting to the blood that had seeped in between the shower and the caulking. It’s an easy part to forget.

 *All pre-orders are signed/personalized and come with exclusive art and bookmarks.*

 From Joya Goffney, author of Excuse Me While I Ugly Cry, comes her third stunning YA novel, a stirring coming-of-age, best friends-to-lovers romance about a girl named Nikki who plans to run away from small-town Texas but ultimately finds that her oldest friend, Mal, just might be the one who’s been there for her all along. Filled with Joya’s signature heart and humor, this book captures complex family dynamics, friendship, and love. For fans of I Wanna Be Where You Are by Kristina Forest and Counting Down with You by Tashie Bhuiyan.

From the artist behind Mystic Mondays comes a deluxe deck and guidebook set featuring 56 richly detailed, vibrantly illustrated plant cards and accompanying information on their meanings and their uses in personal growth and healing.
* Features 56 full-color Healing Herbology cards: Discover the potential contained within 56 plants, herbs, and flowers corresponding to the four elements, rendered in stunning colors and on these durable divination cards in a unique square shape.
* Designed and written by Grace Duong, founder of Mystic Mondays: Connect to the replenishing power of nature through this brand-new set from Grace Duong, founder and designer of Mystic Mondays.
* Includes guidebook: An accompanying 80-page guidebook features plant profiles and rituals for using the cards.
* Deluxe keepsake box: Housed in a magnetic-closure keepsake box, with a separate interior travel box for the cards, this one-of-a-kind collection is a must-have for modern mystics.

A note on packaging: In order to help honor our planet and reduce waste, we have only shrink wrapped the interior cards, rather than the keepsake box. Please feel confident that your product is not defective or used, but rather represents a step we are taking to protect our collective home. When you open your deck, you will find that the actual cards inside the box are shrink wrapped for protection and to ensure first use by the buyer.

For fans of the traditional Don Clemente Lotería game comes this mystical and Brujería inspired Lotería game-set, a perfect gift for all the Brujas!

This set includes:
* A mystically-inspired Lotería  set : A 9 x 5 ¾ x 1 ¼" box containing 54 full-color cards inspired by the traditional Lotería (Mexican bingo) with mystical and Brujería elements, such as El Copal, El Full Moon, Los Vibes, and more. Set also includes playing chips for the game, 10 double-sided tablas (playing boards), and a guidebook 
* New take on an a favorite game: This Mystical Lotería is a a fun and modern refresh for lovers of the traditional Lotería game
* Includes guidebook: Includes a 5-3/4 x 5", 72 page, full-color paperback book that explains the meanings behind each card
* Playing chips with game: Includes 2 sheets of 30 punch-outable playing chips for the game 
* 10-double-sided tablas/playing boards: Includes 10 double-sided full-color playing boards for the game
* Perfect gift and pastime: A perfect game for newer fans of lotería and older fans who are nostalgic for the game

Myth, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds (‘real’ and ‘imaginary’) unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in Myth move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre’s poems never stray too long or too far from the spell of unspoiled nature: “The palm trees nod / at the ocean / the ocean does / what it always does / trusts the moon completely.”

Friends ‘with benefits’ tour the wonders of Grenada’s landscapes; extraterrestrials visit the Caribbean and the locals don’t seem phased; red birds “saunter airily like tourists,” La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue/create futures that honour our truths, histories and legacies?

A sweet sibling story all about making family traditions your own—perfect for fans of Alma and How She Got Her Name and Welcome to the Party

Today’s the day! It’s Baby Sister’s naming ceremony, and big sister Amira could not be more excited. She has the perfect name picked out . . . or, at least, she hopes it’s the perfect name.

One by one, friends and family arrive. As Amira greets them, she asks what name they have brought to give to Baby Sister. Each is more beautiful than the last—Shakira, Akahana, Uhwe. And each has its own special meaning—thankful, red flower, moonlight. Amira knows that Baby Sister will love these names. But will she love the name Amira has chosen? Is it special enough?

A story about rich traditions and the unique bond between sisters, Naming Ceremony celebrates multigenerational family and Black joy.