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It’s Christmas in Catalina Cove, a time full of promise and second chances... One Christmas Wish is an all-new, holiday-themed romance in New York Times bestselling author, Brenda Jackson's beloved Catalina Cove series.

"Jackson brings the quaint Southern town to life in a memorable holiday romance complete with affable characters."—Publishers Weekly on One Christmas Wish

It’s Christmas in Catalina Cove, a time of promise and second chances. But when you’re starting over, love is the last thing you’re wishing for…

Vaughn Miller’s Wall Street career was abruptly ended by a wrongful conviction and two years in prison. Since then, he’s returned to his hometown, kept his head down and forged a way forward. When he is exonerated and his name cleared, he feels he can hold his head up once again, maybe even talk to the beautiful café owner who sets his blood to simmering.

Sierra Crane escaped a disastrous marriage—barely. She and her six-year-old goddaughter have returned to the only place that feels like home. Determined to make it on her own, Sierra opens a soup café. Complication is the last thing she needs, but the moment Vaughn walks into her café, she can’t keep her eyes off the smoldering loner.

When they give in to their attraction, what Sierra thought would be a onetime thing becomes so much more. Vaughn knows she’s the one. Sierra can’t deny the way Vaughn makes her feel, but she’s been burned before. With Christmas approaching, Vaughn takes a chance to prove his love, and it will be up to Sierra to decide if her one Christmas wish—true happiness—will come true.

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Rita Williams-Garcia’s Newbery Honor Book, Coretta Scott King Award winner, and New York Times bestseller One Crazy Summer tells the moving story of three sisters who travel to turbulent Oakland, California, in 1968 in search of the mother who abandoned them.
 
Eleven-year-old Delphine has it together. Even though her mother, Cecile, abandoned her and her younger sisters, Vonetta and Fern, seven years ago. And even though Delphine must look after her sisters during a summer trip to California to visit Cecile. When they arrive on the West Coast, their mother decides that they will attend a day camp run by the Black Panthers. Unexpectedly, the three sisters learn much about their family, their country, and themselves.

Acclaimed author Rita Williams-Garcia writes with insight and humor about family and identity in this brilliant, award-winning middle grade novel. This book won the Coretta Scott King Award and the Scott O'Dell Award for Historical Fiction, and was a Newbery Honor Book and a National Book Award Finalist.
 
EXTRAS will include a portion of Rita Williams-Garcia's Coretta Scott King Award acceptance speech, a deleted chapter, and more!

You can sparkle, shimmer, shine – just like Marsha did.

This vibrant and joyful picture book celebrates the legacy of Marsha P. Johnson, a Black trans woman and activist who played an instrumental role during the Stonewall Riots that lead to PRIDE month, written by award-winning filmmaker and artist Tourmaline.

You wouldn’t even believe the things Saint Marsha used to get up to—she had more of a zest for life than anyone I’ve ever known, and the biggest heart, too.

It’s a hot summer day and New York City is buzzing like a hive of eager honeybees. From Riis Beach to the Flower District, into the West Village and over to the Brooklyn Museum, folks young and old embrace the resolute and love-filled spirit of icon activist Marsha P. Johnson in all that they do.

Told through the eyes of an old friend and with bright, buoyant artwork, this jubilant story celebrates the indelible stamp that Marsha P. Johnson left on New York City and beyond, culminating in a powerful convergence one day in June 2020, when activists from across all five boroughs rallied loudly for Black trans lives.

The spirit of Marsha has never been more alive and present in what we do.

Do you want to reach your professional goals and prioritize your well-being?

Discover the perfect balance of work and self-care with the help of Vex King and Kaushal, the bestselling authors of The Greatest Self-Help Book (is the one Written By You).

The husband and wife duo are back with a game-changing six-month daily planner that introduces you to the power of mindful planning, every day.

You will discover effective planning techniques, such as setting a Power Hour, the 50–10 method and time blocking, alongside health trackers, affirmations and mindful activities to help you take care of your well-being. Each month, you will have the opportunity to answer reflective questions and fill in a work–life balance wheel so you can follow your progress.

It is time to embark on your own mindful journey and embrace one day and one moment at a time, for ultimate peace and positivity.

Challenges narrow perceptions of Blackness as both an identity and lived reality to understand the diversity of what it means to be Black in the US and around the world

What exactly is Blackness and what does it mean to be Black?
Is Blackness a matter of biology or consciousness?
Who determines who is Black and who is not?
Who’s Black, who’s not, and who cares?

In the United States, a Black person has come to be defined as any person with any known Black ancestry. Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law in almost all southern states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. Has the social and political landscape changed one hundred years later?

One Drop explores the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They have all had their identity called into question simply because they do not fit neatly into the stereotypical “Black box”—dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we can visualize multiple possibilities for Blackness.

Three years ago, I decided to have my first one-night stand. The plan was simple: research how to do it and meet a man at the bar before nerves playing with my guts got the best of me. I wanted to ring in the new year between a stranger's legs. Someone with good hygiene and exceptional tensile strength to take the edge off of studying mechanical engineering.

Then he walked in.

I'd heard whispers about "a night with Knight," tales of toe cramps and matted hair. Antonio is the biggest player and not the man to relieve me of my pent-up tension. His thick thighs, veiny forearms, and charming smile promised a trip to the hospital.

I shouldn't have followed him back to his condo, but I did.

Dinner turned into a kiss, and that kiss led to accidental humping. That's how we ended up in the emergency room. He had a broken nose, and my wig was stuck on his watch.

Three years and a PhD later, Antonio has cemented himself in my life as my best friend. Moving to the city where my sister lives-and where he plays professional rugby-wasn't a big deal at first. But everything changed when we hugged. His cologne surrounded me, and his eyes stayed locked on mine.

Our friendship is platonic, ironclad after the one-night stand gone wrong. So why can't I shake the feeling that we've barely scratched the surface?

From the author of the National Book Award finalist Ghostroots, a debut novel that thrills with its eerie mix of folklore and history.

The lonely daughter of a distant mother, Yosoye arrives in Lagos ready to change her life. Weeks after she begins an internship at a fancy architectural firm, she discovers she is pregnant. Yosoye is joyful―a new life brings the hope of connection and companionship.

But an inexplicable force is haunting the pregnant women of Lagos. As construction speeds ahead on the firm’s glossy new development on land reclaimed from the ocean, stories of the uncanny deaths in the city’s open waters reach a fever pitch. Yosoye finds herself stalked by a presence she can neither ignore nor appease―without risking her unborn baby and her precarious hopes for the future.

In One Leg on Earth, ‘Pemi Aguda turns the question of who belongs in a city into an arresting exploration of what it means to be a mother in an unforgiving world, and a haunting vision of the dark side of progress.

"One of the Good Ones is magic.” —Damon Young, author of What Doesn’t Kill You Makes You Blacker

A shockingly powerful exploration of the lasting impact of prejudice and the indomitable spirit of sisterhood that will have readers questioning what it truly means to be an ally, from sister-writer duo Maika Moulite and Maritza Moulite, authors of Dear Haiti, Love Alaine.

ISN’T BEING HUMAN ENOUGH?

When teen social activist and history buff Kezi Smith is killed under mysterious circumstances after attending a social justice rally, her devastated sister Happi and their family are left reeling in the aftermath. As Kezi becomes another immortalized victim in the fight against police brutality, Happi begins to question the idealized way her sister is remembered. Perfect. Angelic.

One of the good ones.

Even as the phrase rings wrong in her mind—why are only certain people deemed worthy to be missed?—Happi and her sister Genny embark on a journey to honor Kezi in their own way, using an heirloom copy of The Negro Motorist Green Book as their guide. But there’s a twist to Kezi’s story that no one could’ve ever expected—one that will change everything all over again.

"Astonishing!" —Laura Ruby, two-time National Book Award finalist and author of Bone Gap
"Brilliant" —Kirkus Reviews, starred review
"Thrilling" —SLJ, starred review

From the critically acclaimed and New York Times bestselling author of When No One Is Watching comes a riveting thriller about the new caretaker of a historic estate who finds herself trapped on an island with a murderer—and the ghosts of her past. 

Years after a breakdown and a diagnosis of dissociative identity disorder derailed her historical preservationist career, Kenetria Nash and her alters have been given a second chance they can’t refuse: a position as resident caretaker of a historic home. Having been dormant for years, Ken has no idea what led them to this isolated Hudson River island, but she’s determined not to ruin their opportunity.

Then a surprise visit from the home’s conservation trust just as a Nor’easter bears down on the island disrupts her newfound life, leaving Ken trapped with a group of possibly dangerous strangers—including the man who brought her life tumbling down years earlier. When he turns up dead, Ken is the prime suspect.

Caught in a web of secrets and in a race against time, Ken and her alters must band together to prove their innocence and discover the truth of Kavanaugh Island—and their own past—or they risk losing not only their future, but their life.

"Nothing short of astonishing. The best writers are brave writers, and Harris has proven herself among those ranks." ―Mateo Askaripour, New York Times bestselling author of Black Buck

Coming home means risking everything she's built and confronting everything she's survived.

Eight years after surviving a sexual assault, Sara Lancaster has rebuilt her life far from her hometown of Savannah, Georgia. She pours herself into her poetry and her daughter, Alana: a precocious eight-year-old with a brilliant mind and a wild imagination. But when her father suffers a stroke, Sara has no choice but to return to the place that failed her and the people who never believed her story.

Back in Savannah, Sara steps into her father's shoes at his beloved indie bookstore and tries to maintain a low profile. Her only priority is to keep Alana safe―and hidden―from the Wyler family, whose powerful, well-respected son is serving time for Sara's assault. What Sara doesn't expect is to discover that Jacob Wyler―her attacker's identical twin brother and once her teenage crush―has also returned to town, dealing with his own grief and shame. When the two reconnect, Sara and Jacob are drawn together by their shared losses, their love of language and science, and the ache of unresolved questions.

One Summer in Savannah is a powerful debut about confronting trauma, reclaiming agency, and discovering unexpected paths toward forgiveness.

"An unforgettable portrayal of familial tragedy, bravery, and redemption." ―Kim Michele Richardson, New York Times bestselling author of The Book Woman's Daughter

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Lenore Bennett has always been a force. A star artist and style icon at her high school, she’s a master in the subtle art of not giving a . . . well, you know what. But now that graduation is here, she’s a little less sure.

She’s heading to NYU in the fall with a scarlet U (for “undeclared”) written across her chest. Her parents always remind her that Black kids don’t have the luxury of figuring it out as they go—they have to be 110 percent prepared. But it’s a lot of pressure to be her ancestors’ wildest dreams when Lenore’s not even sure what her dreams are yet.

When her family embarks on a post-graduation Mediterranean cruise, her friend Tessa is sure Lenore’s in for a whirlwind romance. But Lenore knows that doesn’t happen in real life. At least not to girls like her.

Then she meets Alex Lee. After their parents bond over the Cupid Shuffle, she ends up stuck with him for the remainder of the cruise. He’s a hopeless romantic and a golden boy with a ten-year plan. In short, he’s irritating as hell.

But as they get to know each other during the picturesque stops across Europe, he may be able to help her find something else she’s been looking for, even if she doesn’t want to admit it to herself: love.

Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, One Way Witch is the second in the She Who Knows trilogy

The world has forgotten Onyesonwu.

As a teen, Najeeba learned to become the beast of wind, fire and dust: the kponyungo. When that took too much from her, including the life of her father, she let it all go, and for a time, she was happy — until only a few years later, when the small, normal life she’d built was violently destroyed.

Now in her forties and years beyond the death of her second husband, Najeeba has just lost her beloved daughter. Onyesonwu saved the world. Najeeba knows this well, but the world does not. This is how the juju her daughter evoked works. One other person who remembers is Onyesonwu’s teacher Aro, a harsh and hard-headed sorcerer. Najeeba has decided to ask him to teach her the Mystic Points, the powerful heart of sorcery. There is something awful Najeeba needs to kill and the Mystic Points are the only way. Najeeba is truly her daughter’s mother.

When Aro agrees to help, Najeeba is at last ready to forge her future. But first, she must confront her past — for certain memories cannot lie in unmarked graves.

When tensions veer between hope and despair, the ensuing fracture can swing like a scythe and cut a ragged seam between past and present. In One Wild Word Away, Geffrey Davis weaves a deft set of poems about illness, family, loss, and rebirth. The luxurious sonics and crisp descriptions in each line are haunted by grief and buoyed by love as the speaker confronts generational trauma and the potential loss of a loved one while in the process of raising his own son.

The buzzy, viral sensation Only For The Week, is the first book in Natasha Bishop’s The Forever Falling series, featuring Black love, messy family dynamics, sexy banter, and sweet and spicy romance.

You are cordially invited tothewedding of Amerie Cross and Arnold Hightower.

A destination wedding in Tulum should be a breeze, but Dr. Janelle Cross―thesister ofthebride andthe ex-girlfriend ofthegroom―can’t catch a break. Between her maid of honor duties, her sister’s Bridezilla antics, and her family tiptoeing around her non-existent feelingsforher ex, Janelle is desperate to let off some steam. So, whenthebest man, Rome, proposesthey give intotheir undeniable chemistry, Janelle agrees, under one condition:their affair canonlylast aweek.

What happens in Tulum doesn’t always stay in Tulum . . .

ForRome Martin, Janelle has always been off limits. She’s his best friends ex, and Rome is nothing if not loyal. But he’s never been able to get her off his mind, and now he might finally have a chance to win her over.

As thewedding bringsthem together, every kiss, adventure, and stolen moment feels right. Janelle and Rome agreed to live inthemoment, but arethey willing to risk it allforforever?

Tropes:
Friends with benefits
He falls first
Vacation romance
Family drama
Black joy
Forced proximity
Forbidden love
Fling to forever

Black Panther meets X-Men in this action-packed and empowering middle grade adventure about a British Nigerian girl who learns that her Afro hair has psychokinetic powers—perfect for fans of Amari and the Night Brothers!

Onyeka has a lot of hair­—the kind that makes strangers stop in the street and her peers whisper behind her back. At least she has Cheyenne, her best friend, who couldn’t care less what other people think. Still, Onyeka has always felt uncomfortable with her vibrant curls…until the day Cheyenne almost drowns and Onyeka’s hair takes on a life of its own, inexplicably pulling Cheyenne from the water.

At home, Onyeka’s mother tells her the shocking truth: Onyeka’s psycho-kinetic powers make her a Solari, one of a secret group of people with super powers unique to Nigeria. Her mother quickly whisks her off to the Academy of the Sun, a school in Nigeria where Solari are trained. But Onyeka and her new friends at the academy soon have to put their powers to the test as they find themselves embroiled in a momentous battle between truth and lies…

Onyeka and her superpowered friends set off to England on a rescue mission in this third and final installment of “well-crafted fantasy fun” (Kirkus Reviews) in the Onyeka middle grade trilogy, perfect for fans of Rick Riordan, The Marvellers, and X-Men.

Solari—children with superpowers—have always been native to Nigeria, but Onyeka and her friends have been alerted to one hidden in England. Tasked with retrieving the young Solari, they successfully complete their mission, arriving safe and sound back at the Academy of the Sun with Tobi in tow.

Tobi’s identity and superpower remain a mystery, until a breadcrumb trail leads Onyeka to the truth. But someone else has uncovered the secret, and unlike Onyeka, they don’t have Tobi’s best interests at heart. Can our superhero save the day once again?

Opacities is a book about writing, publishing, and friendship. Rooted in an epistolary relationship between Sofia Samatar and a friend and fellow writer, this collection of meditations traces Samatar's attempt to rediscover the intimacy of writing

In a series of compressed, dynamic prose pieces, Samatar blends letters from her friend with notes on literature, turning to Édouard Glissant to study the necessary opacity of identity, to Theresa Hak Kyung Cha for a model of literary kinship, and to a variety of others, including Clarice Lispector, Maurice Blanchot, and Rainer Maria Rilke, for insights on the experience and practice of writing.

In so doing, Samatar addresses a number of questions about the writing life: Why does publishing feel like the opposite of writing? How can a black woman navigate interviews and writing conferences without being reduced to a symbol? Are writers located in their biographies or in their texts? And above all, how can the next book be written?

Blurring the line between author and character and between correspondence and literary criticism, Opacities delivers a personal, contemplative exploration of writing where it lives, among impassioned conversations and the work of beloved writers.

The true story of Black activist Opal Lee and her vision of Juneteenth as a holiday for everyone celebrates Black joy and inspires children to see their dreams blossom. Growing up in Texas, Opal knew the history of Juneteenth, but she soon discovered that many Americans had never heard of the holiday that represents the nation's creed of "freedom for all."

Every year, Opal looked forward to the Juneteenth picnic--a drumming, dancing, delicious party. She knew from Granddaddy Zak's stories that Juneteenth celebrated the day the freedom news of President Lincoln's Emancipation Proclamation finally sailed into Texas in 1865--over two years after the president had declared it! But Opal didn't always see freedom in her Texas town. Then one Juneteenth day when Opal was twelve years old, an angry crowd burned down her brand-new home. This wasn't freedom at all. She had to do something! Opal Lee spent the rest of her life speaking up for equality and unity. She became a teacher, a charity worker, and a community leader. At the age of 89, she walked from Fort Worth, Texas to Washington, D.C., in an effort to gain national recognition for Juneteenth.

Through the story of Opal Lee's determination and persistence, children ages 4 to 8 will learn:

• all people are created equal
• the power of bravery and using your voice for change
• the history of Juneteenth, or Freedom Day, and what it means today
• no one is free unless everyone is free
• fighting for a dream is worth every difficulty

Featuring the illustrations of New York Times bestselling illustrator Keturah A. Bobo (I am Enough), Opal Lee and What It Means to Be Free celebrates the life and legacy of a modern-day Black leader while sharing a message of hope, unity, joy, and strength.

Tracing five centuries of exploitation in Latin America, a classic in the field, now in its twenty fifth year

Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx.

Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe.

Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably.
This classic is now further honored by Isabel Allende’s inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.

A stunning first novel about two young Black artists in London falling in and out of love by a new literary virtuoso, and finalist for the BBC Short Story Award, twenty-six-year old writer and photographer Caleb Azumah Nelson

A stunning first novel about two young Black artists in London falling in and out of love by a new literary virtuoso and finalist for the BBC Short Story Award, twenty-six-year-old writer and photographer Caleb Azumah Nelson

“Open Water is tender poetry, a love song to Black art and thought, an exploration of intimacy and vulnerability between two young artists learning to be soft with each other in a world that hardens against Black people.” —Yaa Gyasi, author of Homegoing

In a crowded London pub, two young people meet. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists—he a photographer, she a dancer—and both are trying to make their mark in a world that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence, and over the course of a year they find their relationship tested by forces beyond their control.

Narrated with deep intimacy, Open Water is at once an achingly beautiful love story and a potent insight into race and masculinity that asks what it means to be a person in a world that sees you only as a Black body; to be vulnerable when you are only respected for strength; to find safety in love, only to lose it. With gorgeous, soulful intensity, and blistering emotional intelligence, Caleb Azumah Nelson gives a profoundly sensitive portrait of romantic love in all its feverish waves and comforting beauty.

This is one of the most essential debut novels of recent years, heralding the arrival of a stellar and prodigious young talent.

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Fans of the Netflix reboot of The Babysitters Club will delight as four new sisters band together in the heart of New York City. Discover this jubilant novel about the difficulties of change, the loyalty of sisters, and the love of family from a prolific award-winning author. Bo and her mom always had their own rhythm. But ever since they moved to Harlem, Bo’s world has fallen out of sync.

She and Mum are now living with Mum’s boyfriend Bill, his daughter Sunday, the twins, Lili and Lee, the twins’ parents…along with a dog, two cats, a bearded dragon, a turtle, and chickens. All in one brownstone! With so many people squished together, Bo isn’t so sure there is room for her.

Set against the bursting energy of a New York City summer, award-winning author Olugbemisola Rhuday-Perkovich delivers a joyful novel about a new family that hits all the right notes!

Before I Fall meets Everything, Everything in this hilarious and heart-racing #ownvoices romance from debut author Justin A. Reynolds. Now in paperback!

When Jack and Kate meet at a party, bonding until sunrise over their mutual love of Froot Loops and their favorite flicks, Jack knows he’s falling—hard. Soon she’s meeting his best friends, Jillian and Franny, and Kate wins them over as easily as she did Jack.

But this love story is . . . complicated. It is an almost happily ever after. Because Kate dies. And their story should end there. Yet Kate’s death sends Jack back to the beginning, the moment they first meet, and Kate’s there again. Beautiful, radiant Kate. Jack isn’t sure if he’s losing his mind. Still, if he has a chance to prevent Kate’s death, he’ll take it. Even if that means believing in time travel. However, Jack will learn that his actions are not without consequences. And when one choice turns deadly for someone else close to him, he has to figure out what he’s willing to do to save the people he loves.

From the award-winning author/illustrator of GENDER QUEER and a bright new talent, the story of a kid named Saachi, who is navigating friendship woes, sister issues, a new crush, and a resistance to blue-and-pink binaries.

Bodies are the worst. I wish I didn't have a body.

Saachi is a storyteller. At school, she's surrounded by kids she's known forever -- including her best friend, Lyla, who shares Saachi's love of fantasy novels and creating new worlds.

But as seventh grade starts, kids are changing. Suddenly, it matters who you like and if you can find a boyfriend or girlfriend. Even Lyla seems more interested in hanging out with her new boyfriend than in writing and drawing with Saachi anymore. Saachi's not interested in any of that boy/girl stuff. Why can't things just stay the way they were?

Saachi also doesn't love all the ways her body is changing. What if she doesn't feel like a girl -- or like a boy, either? In a world where there is so much either/or, Saachi is going to need to find her own options . . . and create her own story.

The critically acclaimed author of In the Wake, "Christina Sharpe is a brilliant thinker who attends unflinchingly to the brutality of our current arrangements . . . and yet always finds a way to beauty and possibility" (Saidiya Hartman).

A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages, sometimes about language, beauty, memory; sometimes about history, art, photography, and literature—always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.

At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. “I learned to see in my mother’s house,” writes Sharpe. “I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words.” Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method,” collects entries from a community of thinkers toward a “Dictionary of Untranslatable Blackness,” and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.

A pioneering, dazzling satire about a biracial black girl from Philadelphia searching for her Jewish father in New York City

Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering a mythic journey of self-discovery like no other.

Why don’t our schools work? Eve L. Ewing tackles this question from a new angle: What if they’re actually doing what they were built to do? She argues that instead of being the great equalizer, America’s classrooms were designed to do the opposite: to maintain the nation’s inequalities. It’s a task at which they excel.

“This book will transform the way you see this country.”—Michelle Alexander, author of The New Jim Crow
 
If all children could just get an education, the logic goes, they would have the same opportunities later in life. But this historical tour de force makes it clear that the opposite is true: The U.S. school system has played an instrumental role in creating and upholding racial hierarchies, preparing children to expect unequal treatment throughout their lives.
 
In Original Sins, Ewing demonstrates that our schools were designed to propagate the idea of white intellectual superiority, to “civilize” Native students and to prepare Black students for menial labor. Education was not an afterthought for the Founding Fathers; it was envisioned by Thomas Jefferson as an institution that would fortify the country’s racial hierarchy. Ewing argues that these dynamics persist in a curriculum that continues to minimize the horrors of American history. The most insidious aspects of this system fall below the radar in the forms of standardized testing, academic tracking, disciplinary policies, and uneven access to resources.
 
By demonstrating that it’s in the DNA of American schools to serve as an effective and underacknowledged mechanism maintaining inequality in this country today, Ewing makes the case that we need a profound reevaluation of what schools are supposed to do, and for whom. This book will change the way people understand the place we send our children for eight hours a day.

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An inspiring exploration of the goddesses of the West African spiritual traditions and their role in shaping Yoruba (Ifa), Santeria, Haitian Vodoun, and New Orleans Voodoo.

Throughout Africa and beyond in the diaspora caused by the slave trade, the divine feminine was revered in the forms of goddesses like the ancient Nana Buluku, water spirits like Yemaya, Oshun, and Mami Wata, and the warrior Oya. The power of these goddesses and spirit beings has taken root in the West. New Orleans, for example, is the home of Marie Laveau, who used her magical powers to become the “Voodoo Queen” of New Orleans.

Orishas, Goddesses, and Voodoo Queens shows you how to celebrate and cultivate the traits of these goddesses, drawing upon their strengths to empower your own life. In addition to offering a guided tour of the key goddesses of the African religious traditions, the book offers magical spells, rituals, potions, astrological correspondences, sacred offerings, and much more to help guide you on your own transformational journey.