The final book in the bestselling How To series: simple, refreshing meditations of Zen Master Thich Nhat Hanh give us inspiration and tools for transforming our suffering and cultivating happiness

In inspiring passages and simple exercises, Zen Master Thich Nhat Hanh teaches us what he calls “the art of suffering.” He gives us teachings and tools for transforming suffering as well as ways to touch moments of happiness and smile even while suffering is still there.
Written with characteristic simplicity and wisdom, these insightful meditations—born from the Zen master’s lifetime of Zen practice and peacemaking—teach us how to come back to ourselves, calm our body and mind, and not let suffering overwhelm us. When we’re willing to face our suffering and look deeply into it, we begin to understand its origins. Transformation and healing become possible, and along with it a greater capacity to understand the suffering of others and resolve conflicts in our relationships. Creating peace and understanding in ourselves and our relationships in this way is essential for helping create true understanding and peace in our communities, society, and the world. Thich Nhat Hanh offers practices for transforming our own suffering, listening deeply to the suffering of others, and especially how to cultivate our own smile and happiness.
All Mindfulness Essentials books are illustrated with playful sumi-ink drawings by California artist Jason DeAntonis.

Series Overview: The Mindfulness Essentials series is a back-to-basics collection from world-renowned Zen master Thich Nhat Hanh that introduces everyone to the essentials of mindfulness practice. The books, pocket-sized and perfect for placement at point of sale, all come with original sumi-ink artwork by California artist Jason DeAntonis.

A humorous guide to living on the Moon by astrophysicist Joalda Morancy, timed to coincide with the NASA Artemis Moon missions

An illustrated guide to lunar survival for kids from astrophysicist Joalda Morancy, timed to coincide with the NASA Artemis Moon missions.

Humans are heading back to the Moon. But once we get there, how on the Moon will we stay alive? In this practical guide, future astronauts will learn how to dodge meteorites, shield themselves from dangerous radiation, and grow the food they’ll need to survive life away from our home planet.

As well as practical tips, Morancy lifts a lid on some of the coolest developments in lunar science—including the possibility of building underground cities in lava tubes and the giant catapult that could be used to get stuff back to Earth.

Like Andy Weir’s The Martian everything in this space book is based on real, groundbreaking science. And no one is better placed to write it: when they’re not writing kids’ books, Joalda Morancy is building the lunar lander the Artemis missions will use to take astronauts—including the first woman and first person of color —to the surface!

Hilarious illustrations by award-winning artist Aaron Cushley, including graphic novel elements, convey the wonder and excitement of future space travel and give this book a key point of difference from other solar system books.

Don’t leave Earth without it!

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More than 30 acclaimed writers—including diverse voices such as Nikki Giovanni, David Omotosho Black, Natasha Trethewey, Barry Jenkins, Jacqueline Woodson, Tayari Jones, and Angela Flournoy—reflect on their experience and expertise in this unique book on the craft of writing that focuses on the Black creative spirit.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world.

For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth? How We Do It addresses these profound questions. Not a traditional “how to” writing handbook, it seeks to guide rather than dictate and to validate the complexity and range of styles—and even how one thinks about craft itself.

An outstanding list of contributors offer their insights on a range of important topics. Pulitzer Prize winner Jericho Brown explores the lives personified in poetry, while Pulitzer Prize winner Natasha Trethewey explores decolonizing enduring metaphors. National Book Award finalist Angela Flournoy illuminates the pain of grief in all forms and how it can be revealed in the act of creation, and iconoclast Nikki Giovanni offers an elegiac declaration on language.

New and previously published essays and interviews provide encouragement, examples, and templates, and offer lessons on everything from poetic form and plotting a story to the lessons inherent in the act of writing, trial & error, and finding inspiration in the works of others, including those of Toni Morrison, Shakespeare, and Edward P. Jones. A handbook and a reference tool, How We Do It is a thoughtful and welcome tool that offers direction to help Black artists establish their own creative practice while celebrating and widening the scope of the Black writer’s role in art, history, and culture.

Contributors include David Omotosho Black, Jericho Brown, Breena Clark, Rita Dove, Camille T. Dungy, W. Ralph Eubanks, Curdella Forbes, Angela Flournoy, Ernest Gaines, Nikki Giovanni, Marita Golden, Ravi Howard, Terrance Hayes, Mitchell S. Jackson, Barry Jenkins, Charles S. Johnson, Tayari Jones, Jamaica Kincaid, Tony Medina, E. Ethelbert Miller, Elizabeth Nunez, Carl Phillips, Jewell Parker Rhodes, Rion Amilcar Scott, Evie Shockley, Natasha Trethewey, Frank X Walker, Afaa M. Weaver, Crystal Wilkinson, Jacqueline Woodson, Tiphanie Yanique.

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“People don’t just happen,” writes Saeed Jones. “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’”

Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir about a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.

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This celebration of Black resistance, from protests to art to sermons to joy, offers a blueprint for the fight for freedom and justice -- and ideas for how each of us can contribute

Many of us are facing unprecedented attacks on our democracy, our privacy, and our hard-won civil rights. If you're Black in the US, this is not new. As Colorlines editors Akiba Solomon and Kenrya Rankin show, Black Americans subvert and resist life-threatening forces as a matter of course. In these pages, leading organizers, artists, journalists, comedians, and filmmakers offer wisdom on how they fight White supremacy. It's a must-read for anyone new to resistance work, and for the next generation of leaders building a better future.

Featuring contributions from:

• Ta-Nehisi Coates
• Tarana Burke
• Harry Belafonte
• Adrienne Maree brown
• Alicia Garza
• Patrisse Khan-Cullors
• Reverend Dr. Valerie Bridgeman
• Kiese Laymon
• Jamilah Lemieux
• Robin DG Kelley
• Damon Young
• Michael Arceneaux
• Hanif Abdurraqib
  
• Dr. Yaba Blay
  
• Diamond Stingily
  
• Amanda Seales
• Imani Perry
  
• Denene Millner
  
• Kierna Mayo
  
• John Jennings
  
• Dr. Joy Harden Bradford
  
• Tongo Eisen-Martin

Winner of the 2018 Lambda Literary Award for LGBTQ Nonfiction

The Combahee River Collective, a path-breaking group of radical black feminists, was one of the most important organizations to develop out of the antiracist and women’s liberation movements of the 1960s and 70s. In this collection of essays and interviews edited by activist-scholar Keeanga-Yamahtta Taylor, founding members of the organization and contemporary activists reflect on the legacy of its contributions to Black feminism and its impact on today’s struggles.

Keeanga-Yamahtta Taylor writes on Black politics, social movements, and racial inequality in the United States. Her book From #BlackLivesMatter to Black Liberation won the 2016 Lannan Cultural Freedom Award for an Especially Notable Book. Her articles have been published in Souls: A Critical Journal of Black Politics, Culture and Society, Jacobin, New Politics, The Guardian, In These Times, Black Agenda Report, Ms., International Socialist Review, and other publications. Taylor is Assistant Professor in the Department of African American Studies at Princeton University.

In How We Heal, bestselling author Alexandra Elle offers a life-changing invitation to heal yourself and reclaim your peace. In these pages, readers will discover essential techniques for self-healing, including journaling rituals to cultivate innate strength, accessible tools for processing difficult emotions, and restorative meditations to ease the mind.

Alex Elle elegantly weaves together themes like self-healing, mindfulness, inner child work, and boundary setting and presents the reader with easy-to-follow practices that have changed her life and the lives of the thousands of people she has taught. Her 4-part framework for healing will appeal to anyone who wants a clear process, while the compelling personal stories leave the reader feeling connected and ready to begin again.

Complementing the practices are powerful insights from Alex Elle's own journey of self-discovery using writing to heal, plus remarkable stories of healing from a range of luminary voices, including Nedra Tawwab, Morgan Harper Nichols, Dr. Thema Bryant, Barb Schmidt, and many more.

Brimming with encouragement and delivered with Alex Elle's signature warmth and candor, How We Heal is a must-have companion for anyone that wants to unlock their inner wisdom and confidence to heal on their own.

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Set between the United States and México, Andrés N. Ordorica’s debut novel is a tender and lyrical exploration of belonging, grief, and first love—a love story for those so often written off the page.

When Daniel de La Luna arrives as a scholarship student at an elite East Coast university, he bears the weight of his family’s hopes and dreams, and the burden of sharing his late uncle’s name. Daniel flounders at first—but then Sam, his roommate, changes everything. As their relationship evolves from brotherly banter to something more intimate, Daniel soon finds himself in love with a man who helps him see himself in a new light. But just as their relationship takes flight, Daniel is pulled away, first by Sam’s hesitation and then by a brutal turn of events that changes Daniel’s life forever.

As he grapples with profound loss, Daniel finds himself in his family’s ancestral homeland in México for the summer, finding joy in this setting even as he struggles to come to terms with what’s happened and faces a host of new questions: How does the person he is connect with this place his family comes from? How is his own story connected to his late uncle’s? And how might he reconcile the many parts of himself as he learns to move forward?

Equal parts tender and triumphant, Andrés N. Ordorica’s How We Named the Stars is a debut novel of love, heartache, redemption, and learning to honor the dead; a story of finding the strength to figure out who you are—and who you could be—if only the world would let you.

An Invitation to Community and Models for Connection

After almost every presentation activist and writer Mia Birdsong gives to executives, think tanks, and policy makers, one of those leaders quietly confesses how much they long for the profound community she describes. They have family, friends, and colleagues, yet they still feel like they're standing alone. They're "winning" at the American Dream, but they're lonely, disconnected, and unsatisfied.

It seems counterintuitive that living the "good life"--the well-paying job, the nuclear family, the upward mobility--can make us feel isolated and unhappy. But in a divided America, where only a quarter of us know our neighbors and everyone is either a winner or a loser, we've forgotten the key element that helped us make progress in the first place: community. In this provocative, groundbreaking work, Mia Birdsong shows that what separates us isn't only the ever-present injustices built around race, class, gender, values, and beliefs, but also our denial of our interdependence and need for belonging. In response to the fear and discomfort we feel, we've built walls, and instead of leaning on each other, we find ourselves leaning on concrete.

Through research, interviews, and stories of lived experience, How We Show Up returns us to our inherent connectedness where we find strength, safety, and support in vulnerability and generosity, in asking for help, and in being accountable. Showing up--literally and figuratively--points us toward the promise of our collective vitality and leads us to the liberated well-being we all want.

In How We Write Now Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.

From the creator of Yes, I'm Hot In This, this cheeky, hilarious, and honest graphic novel asks the question everyone has to figure out for themselves: Who are you?

Huda and her family just moved to Dearborn, Michigan, a small town with a big Muslim population. In her old town, Huda knew exactly who she was: She was the hijabi girl. But in Dearborn, everyone is the hijabi girl.
 
Huda is lost in a sea of hijabis, and she can't rely on her hijab to define her anymore. She has to define herself. So she tries on a bunch of cliques, but she isn't a hijabi fashionista or a hijabi athlete or a hijabi gamer. She's not the one who knows everything about her religion or the one all the guys like. She's miscellaneous, which makes her feel like no one at all. Until she realizes that it'll take finding out who she isn't to figure out who she is.

A National Book Award for Young People's Literature Finalist

YALSA 2025 Great Graphic Novels for Teens

In this laugh-out-loud funny sequel to the graphic novel Huda F Are You?, the Fahmys are off to Disney World, but self-conscious Huda worries her family will stand out too much.

Huda and her sisters can’t believe it when her parents announce that they’re actually taking a vacation this summer . . . to DISNEY WORLD! But it’s not quite as perfect as it seems. First Huda has to survive a 24-hour road trip from Michigan to Florida, with her sisters annoying her all the way. And then she can’t help but notice the people staring at her and her family when they pray in public. Back home in Deerborn she and her family blend right in because there are so many other Muslim families, but not so much in Florida and along the way.

It's a vacation of forced (but unexpectly successful?) sisterly bonding, a complicated new friendship, a bit more independence, and some mixed feelings about her family's public prayers. Huda is proud of her religion and who she is, but she still sure wishes she didn’t care so much what other people thought.

In the hilarious and poignant graphic novel follow-up to National Book Award finalist Huda F Cares?, Huda's life and worldview is turned upside down when her parents announce they're divorcing.

Huda Fahmy is ready for junior year. She’s got a plan to join all the clubs, volunteer everywhere, ace the ACTs, write the most awe-inspiring essay for her scholarship applications. Easy.

But then Mama and Baba announce the most unthinkable news: they’re getting a divorce.

Huda is devastated. She worries about what this will mean for her family, their place in the Muslim community, and her future. Her grades start tanking, she has a big fight with her best friend, and everything feels out of control. Will her life ever feel normal again? Huda F wants to know.

"Black power is giving power to people who have not had power to determine their destiny."
"I have the people behind me and the people are my strength."
"You can jail a Revolutionary, but you can't jail the Revolution!"

Part 3 of the Radical Dreams Black Liberation Series celebrating 50 years of the Black Panther Party.

2.25 inches tall
Soft enamel with black plating
2 posts
Comes with 2 rubber pin backs 

Jordan Peele and Jeff Vandermeer meet The Overstory in comedy writer Allison Mick’s darkly humorous debut eco-horror novel, as a Black woman returns home to the redwood forests of northern California, only to unearth the monsters that lurk among the trees…

Jasmine Bay is a nurse for an Oakland mental health facility, battling her own demons, caught in a spiral of suicidal despair. Estranged from her brother James and his wife Tilly, who was once her best friend, Jas has chosen self-isolation to protect herself—even if it means denying herself a hopeful future with co-worker and potential love interest Henry Lewis.

When her godmother dies, Jas returns to Redceder for the funeral, a logging town where her grandfather William Whipple made a living deforesting the countryside, ripping and raping apart nature’s very foundations for corporate profits. As trees fell to axes and chainsaws, so did dozens of lumberjacks, falling prey to the dangers of their job—and to the ecoterrorism of Jas’s grandfather who was lynched for his crimes.

And buried in the haunted woods are even more dark secrets perpetrated by Jas’s family. Unnatural acts giving birth to entities made of human flesh and petrified bark, seeking to avenge the devastation that ravaged their land. It is an inheritance that threatens to consume the remnants of Jas’s family, and her very sanity. . .

Celebrated comedy writer Allison Mick’s Humboldt Cut exposes the traumatic costs of environmental destruction in an energetic, darkly humorous horror adventure that combines the botanical terrors of VanderMeer’s Annihilation and the psychological horror of The Only Good Indians by Stephen Graham Jones with a dash of Jordan Peele.

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“I ate and ate and ate in the hopes that if I made myself big, my body would be safe. I buried the girl I had been because she ran into all kinds of trouble. I tried to erase every memory of her, but she is still there, somewhere. . . . I was trapped in my body, one I made but barely recognized or understood but of my own making. I was miserable, but I was safe.”

In this intimate and searing memoir, the New York Times bestselling author Roxane Gay addresses the experience of living in a body that she calls “wildly undisciplined.” She casts an insightful and critical eye over her childhood, teens, and twenties—including the devastating act of violence that was a turning point in her young life—and brings readers into the present and the realities, pains, and joys of her daily life.

A word-of-mouth phenomenon turned best-selling cult classic in Korea, Hunger is a visceral, psychologically daring novel that reveals how love and money shape, wound, and consume us.

“A feast for the literary senses.”—Anton Hur, Judge of the International Booker Prize

On an ordinary afternoon, a woman sees her partner murdered in the street. Time freezes. She lifts his body from the pavement, cradles him home, disinfects each inch of skin—and sits down to begin.

As he witnesses his own funeral from beyond, their two voices—living and dead—lament a lifetime of bone-grinding labor in a society that devours everyone whole. But the woman is no longer willing to bow before law, God, or money. In an act of love and rebellion, she transforms his body into her own, entombing him within her flesh so that he may live again.

Raw, furious, and unflinchingly intimate, Hunger is the Korean underground phenomenon that indicts capitalism, mourns lost love, and pushes the boundaries of what the body can endure for justice and survival. A psychologically and philosophically thrilling novel, it cuts to the core of how we are consumed by the world—and how we might consume it back.

“An instant cult classic… You have to read it.”—Harper’s Bazaar

DELUXE EDITION--featuring beautiful dark red sprayed edges!

The Huntsman is after me.
But he will be mine first.

Nine years ago, my aunt took everything from me.

My world. My throne. My mother.

I’ve bided my time since then, serving under her in the Mwuaji crime family, but she’s crossed another line. She put a price on my head, sending the legendary assassin the Huntsman, Malachi Bowden, after me.

The Huntsman’s never failed a contract before, but I know everything there is to know about him. It’s finally time for me to take my revenge and finish the war my aunt started.

The Huntsman might be my death. But Malachi Bowden?

He’s my weakness.

Welcome to The Hunted Kingdom.

Huntsman is a dark mafia romance that explores themes, subjects, and scenes that may not be suitable for everyone. Please see the author's content note at the beginning of the book.

Tropes:
Enemies to lovers
Forced proximity
Touch her/him and die
Morally grey MMCs
Revenge
Fairytale reimagining

A young girl with vitiligo celebrates her skin in this joyful picture book by debut author Lid’ya C. Rivera and illustrated by #1 New York Times bestselling illustrator Niña Mata! 

“I stand up and I stand out.

I am the light and the spark.

I was created special with my many beauty marks.”

Perfect for fans of I Am Enough by Grace Byers, Remarkably You by Pat Zietlow Miller, and I Am Every Good Thing by Derrick Barnes, life coach and inspirational speaker, Lid’ya C. Rivera’s love letter to kids with vitiligo is fun, empowering, and appealing to anyone who has something that makes them stand out (that’s everyone!).

Backmatter includes a letter from the author and facts about vitiligo.

Security breaches? Check. Dimensional chaos? Naturally. Forbidden attraction? Oh, absolutely!

Jericha Brown the fierce, no-nonsense head of her own security firm, just landed the contract of a lifetime-until her lead agent walks out, taking half the team with him. What a jerk!

With her reputation and business on the line, Jericha does the unthinkable: reaches out to a former frenemy for help.

But to Jericha's surprise, little Miss Steal a Dream sold her business to an infuriatingly smug (and dangerously hot) newcomer named Raymond Statton. Desperate, Jericha hires him as a temporary subcontractor, only to uncover a secret that flips her world upside down: Raymond is a Shadow Walker, a rare and powerful being who can slip between dimensions.

It's shocking, sure... but Jericha's got her own magical skeletons in the closet, and when their secrets (and maybe a few clothing items) start flying, things get messy fast. Like, flaming-sword-in-the-office and surprise-demons-on-the-rooftop kind of messy.

Witty, wild, and a little bit wicked-this is what happens when enemies-to-lovers meets magical workplace comedy and nobody reads the HR manual.

Open a book. Read a spell. Whoop, there he is... a demon.

The last single friend in her group and tired of being stood up by her girls, a drunken Rayna turns to her first love, a book. After jokingly casting a spell her favorite character used to conjure a loving boyfriend, the results aren't nearly as funny.

Because the damn spell worked, just not in the way she thought it would!

Now she has a brooding demon who she needs to sever the magical bond with if she ever wants to live a normal life again.

Lovers of monster romance will enjoy this new book from USA Today Bestselling Author, Jessica Cage!

Order your copy today!

Who needs a job when you just signed a new mortgage?

When Whitney Harris loses her dream job as an art broker, she drowns her sorrows in a few too many cocktails. But her night takes a turn for the bizarre when she accidentally hooks up with Domino, a drop-dead gorgeous vampire with a flair for the dramatic and a taste for trouble.

Now, instead of just worrying about her next paycheck, Whitney finds herself in a world where Domino's vampire affiliates have their sights set on her-because she's special. Duh!

As she navigates this unexpected romance, she discovers her friends have their own supernatural secrets: spells and daggers anyone?

With danger lurking in every shadow, Whitney must figure out how to survive this new chaotic reality. Can she embrace her wild side, save her heart (and neck), and turn the tables on fate before she becomes a vampire's main course?

Get ready for a laugh-out-loud adventure filled with love, friendship, and a whole lot of supernatural shenanigans!

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We are all here for a purpose. We are more than enough. We just need to believe it.

The perfect debut picture book for our times: a lyrical ode to self-confidence and kindness, for girls from every background and every color, from Empire actor and activist Grace Byers and talented newcomer artist Keturah A. Bobo.

Like the sun, I'm here to shine. . . .

I Am Enough is the book everyone needs - a gorgeous, lyrical ode to loving who you are, respecting others, and being kind to one another - from actor and activist Grace Byers and talented newcomer Keturah A. Bobo.

With vibrant artwork that shows girls of diverse body shapes and skin tones, this is the perfect gift for mothers and daughters, baby showers, and graduation.

Ages 3-7

The confident Black narrator of this book is proud of everything that makes him who he is. He's got big plans, and no doubt he'll see them through--as he's creative, adventurous, smart, funny, and a good friend. Sometimes he falls, but he always gets back up. And other times he's afraid, because he's so often misunderstood and called what he is not. So slow down and really look and listen, when somebody tells you--and shows you--who they are. There are superheroes in our midst!

30 Card Deck

Negative self-talk sucks. But, like any bad habit with practice, you can make major improvements. "i am" everything™ affirmation cards will help you quiet the noise and focus on what makes you feel good.

"i am" is the most powerful phrase you can speak because what follows "i am" defines who you are in the moment. Strive every day to reaffirm your awesomeness. I am everything™ affirmation cards are a tool to remind you of all of your amazing qualities. You can shuffle the deck and draw one card and read it aloud to yourself every morning to start your day. Or, you can use them as needed by shuffling the deck and pulling a card in the moment.

Created by Tarisha Clark.

Dimensions: 2.75” x 4.75".

YOU are your ancestors' wildest dreams. How will you express YOUR greatness? Perfect for fans of I Am Every Good Thing, Little Legends, and All Because You Matter.

"Affirming. . . . A joyful tribute." -- Kirkus Reviews

“A vibrant, heartwarming celebration of Black excellence.” ― School Library Journal

I AM FLY.

From my crown

down to the kicks

on my feet...

I AM my ancestors' wildest dreams.

In this electrifying anthem to Black boy joy and pride, a young child discovers his place in a distinguished lineage. As he meets ten exceptional Black men--historical and contemporary figures who have paved the way for his own future success--he internalizes their greatness. Just like them, he can reach his dreams. And just like him, you have within you big potential.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"