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Set between the United States and México, Andrés N. Ordorica’s debut novel is a tender and lyrical exploration of belonging, grief, and first love—a love story for those so often written off the page.

When Daniel de La Luna arrives as a scholarship student at an elite East Coast university, he bears the weight of his family’s hopes and dreams, and the burden of sharing his late uncle’s name. Daniel flounders at first—but then Sam, his roommate, changes everything. As their relationship evolves from brotherly banter to something more intimate, Daniel soon finds himself in love with a man who helps him see himself in a new light. But just as their relationship takes flight, Daniel is pulled away, first by Sam’s hesitation and then by a brutal turn of events that changes Daniel’s life forever.

As he grapples with profound loss, Daniel finds himself in his family’s ancestral homeland in México for the summer, finding joy in this setting even as he struggles to come to terms with what’s happened and faces a host of new questions: How does the person he is connect with this place his family comes from? How is his own story connected to his late uncle’s? And how might he reconcile the many parts of himself as he learns to move forward?

Equal parts tender and triumphant, Andrés N. Ordorica’s How We Named the Stars is a debut novel of love, heartache, redemption, and learning to honor the dead; a story of finding the strength to figure out who you are—and who you could be—if only the world would let you.

An Invitation to Community and Models for Connection

After almost every presentation activist and writer Mia Birdsong gives to executives, think tanks, and policy makers, one of those leaders quietly confesses how much they long for the profound community she describes. They have family, friends, and colleagues, yet they still feel like they're standing alone. They're "winning" at the American Dream, but they're lonely, disconnected, and unsatisfied.

It seems counterintuitive that living the "good life"--the well-paying job, the nuclear family, the upward mobility--can make us feel isolated and unhappy. But in a divided America, where only a quarter of us know our neighbors and everyone is either a winner or a loser, we've forgotten the key element that helped us make progress in the first place: community. In this provocative, groundbreaking work, Mia Birdsong shows that what separates us isn't only the ever-present injustices built around race, class, gender, values, and beliefs, but also our denial of our interdependence and need for belonging. In response to the fear and discomfort we feel, we've built walls, and instead of leaning on each other, we find ourselves leaning on concrete.

Through research, interviews, and stories of lived experience, How We Show Up returns us to our inherent connectedness where we find strength, safety, and support in vulnerability and generosity, in asking for help, and in being accountable. Showing up--literally and figuratively--points us toward the promise of our collective vitality and leads us to the liberated well-being we all want.

In How We Write Now Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.

From the creator of Yes, I'm Hot In This, this cheeky, hilarious, and honest graphic novel asks the question everyone has to figure out for themselves: Who are you?

Huda and her family just moved to Dearborn, Michigan, a small town with a big Muslim population. In her old town, Huda knew exactly who she was: She was the hijabi girl. But in Dearborn, everyone is the hijabi girl.
 
Huda is lost in a sea of hijabis, and she can't rely on her hijab to define her anymore. She has to define herself. So she tries on a bunch of cliques, but she isn't a hijabi fashionista or a hijabi athlete or a hijabi gamer. She's not the one who knows everything about her religion or the one all the guys like. She's miscellaneous, which makes her feel like no one at all. Until she realizes that it'll take finding out who she isn't to figure out who she is.

A National Book Award for Young People's Literature Finalist

YALSA 2025 Great Graphic Novels for Teens

In this laugh-out-loud funny sequel to the graphic novel Huda F Are You?, the Fahmys are off to Disney World, but self-conscious Huda worries her family will stand out too much.

Huda and her sisters can’t believe it when her parents announce that they’re actually taking a vacation this summer . . . to DISNEY WORLD! But it’s not quite as perfect as it seems. First Huda has to survive a 24-hour road trip from Michigan to Florida, with her sisters annoying her all the way. And then she can’t help but notice the people staring at her and her family when they pray in public. Back home in Deerborn she and her family blend right in because there are so many other Muslim families, but not so much in Florida and along the way.

It's a vacation of forced (but unexpectly successful?) sisterly bonding, a complicated new friendship, a bit more independence, and some mixed feelings about her family's public prayers. Huda is proud of her religion and who she is, but she still sure wishes she didn’t care so much what other people thought.

In the hilarious and poignant graphic novel follow-up to National Book Award finalist Huda F Cares?, Huda's life and worldview is turned upside down when her parents announce they're divorcing.

Huda Fahmy is ready for junior year. She’s got a plan to join all the clubs, volunteer everywhere, ace the ACTs, write the most awe-inspiring essay for her scholarship applications. Easy.

But then Mama and Baba announce the most unthinkable news: they’re getting a divorce.

Huda is devastated. She worries about what this will mean for her family, their place in the Muslim community, and her future. Her grades start tanking, she has a big fight with her best friend, and everything feels out of control. Will her life ever feel normal again? Huda F wants to know.

"Black power is giving power to people who have not had power to determine their destiny."
"I have the people behind me and the people are my strength."
"You can jail a Revolutionary, but you can't jail the Revolution!"

Part 3 of the Radical Dreams Black Liberation Series celebrating 50 years of the Black Panther Party.

2.25 inches tall
Soft enamel with black plating
2 posts
Comes with 2 rubber pin backs 

At once surreal and neoclassical, Lee-Smith’s masterful compositions reflect the social alienation of mid-20th-century America

Hughie Lee-Smith came of age in the midst of the Great Depression, spending his early life primarily between Cleveland and Detroit. The Midwest left an indelible impression on the artist, whose Social Realist paintings referenced its expansive gray skies and industrial architecture. Carnival imagery recurs throughout Lee-Smith’s work via the motifs of ribbons, pendants and balloons, often evoking the contrast between the carnival’s playful theatricality and its uncanny imitation of reality. He depicted abandoned, crumbling urban architecture as the sets for his existential tableaux, and even when his figures appear together, they always seem solitary. Over the course of his long career, Lee-Smith developed a distinct figurative vocabulary influenced by both Neoclassicism and Surrealism—the summation of a lifelong effort to see beyond the real.

This volume, published for a 2022 show at Karma, New York, surveys the artist's practice from 1938 to 1999, tracing his development from depictions of the Midwest to his years on the East Coast in the decades following World War II. It features writing by Hilton Als, Lauren Haynes, Steve Lock and Leslie King-Hammond, as well as a conversation between Reggie Burrows Hodges, LeRonn P. Brooks and Kellie Jones.

Hughie Lee-Smith (1915–99) was born in Eustis, Florida. Early in his career he was involved in several WPA projects, including Karamu House in Cleveland (the oldest running African American theater in the nation) and the Southside Community Art Center in Chicago, where he would cross paths with Charles White, Gordon Parks and Margaret Taylor-Burroughs, among others. Eventually teaching would take him to the East Coast, where he was artist in residence at Howard University in Washington, DC, and later an instructor at the Art Students League of New York. He died in Albuquerque, New Mexico.

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“I ate and ate and ate in the hopes that if I made myself big, my body would be safe. I buried the girl I had been because she ran into all kinds of trouble. I tried to erase every memory of her, but she is still there, somewhere. . . . I was trapped in my body, one I made but barely recognized or understood but of my own making. I was miserable, but I was safe.”

In this intimate and searing memoir, the New York Times bestselling author Roxane Gay addresses the experience of living in a body that she calls “wildly undisciplined.” She casts an insightful and critical eye over her childhood, teens, and twenties—including the devastating act of violence that was a turning point in her young life—and brings readers into the present and the realities, pains, and joys of her daily life.

In this action-packed thriller from a New York Times bestselling and award-winning author, two parents facing catastrophe must find their lost children before the unthinkable can happen.
 

In London, the police storm Heathrow Airport to bring in a father for questioning about his missing daughter.
 
In Florida, a mother makes a connection between her son and the bomber, fearing he has been radicalized.
 
And in Oregon, an unknown organization’s conspiracy to bring America to its knees unfolds…
 
On the run from the authorities, the two parents are thrown together in a race against time to stop a catastrophe that will derail the country’s future forever.

But can they find their kids before it’s too late?

 
For fans of The Chain and I Am Pilgrim, this ground-breaking, blockbuster thriller is unlike any other thriller you will read this year.

"A fable becoming reality of a woman becoming herself: Tehila Hakimi's Hunting in America just purely bangs." —Joshua Cohen

An award-winning, thrillingly subversive novel about an Israeli woman who moves to America, takes up hunting, and is drawn into a world of predator, prey, and dark attraction

An Israeli woman relocates to America on assignment from her tech company. In an attempt to leave her past behind and adapt entirely to the new culture in which she finds herself, she joins her colleagues on a deer hunt, discovering a surprising acumen for the sport. She fires again and again, refining her skills with every shot. As she embarks on an affair with her hunting guide and colleague, David, she sinks deeper into hunting season, vacillating between predator and prey as the boundaries between man, woman, work, and nature begin to collapse. Hunting with David becomes the one stable aspect of her life until one day everything changes.

With a poet's eye and a hunter's aim, Tehila Hakimi's beguiling debut novelis a taut, twisty story about the everyday violence that haunts countries, and one woman's tenuous grasp on reality.

DELUXE EDITION--featuring beautiful dark red sprayed edges!

The Huntsman is after me.
But he will be mine first.

Nine years ago, my aunt took everything from me.

My world. My throne. My mother.

I’ve bided my time since then, serving under her in the Mwuaji crime family, but she’s crossed another line. She put a price on my head, sending the legendary assassin the Huntsman, Malachi Bowden, after me.

The Huntsman’s never failed a contract before, but I know everything there is to know about him. It’s finally time for me to take my revenge and finish the war my aunt started.

The Huntsman might be my death. But Malachi Bowden?

He’s my weakness.

Welcome to The Hunted Kingdom.

Huntsman is a dark mafia romance that explores themes, subjects, and scenes that may not be suitable for everyone. Please see the author's content note at the beginning of the book.

Tropes:
Enemies to lovers
Forced proximity
Touch her/him and die
Morally grey MMCs
Revenge
Fairytale reimagining

An estranged mother and father join forces to uncover the truth about their missing daughter in a haunting novel about trauma, loss, family, and hope.

When patrolman Brandon Hall comes upon a broken-down car on a Colorado highway, he finds a young girl in a bloodied nightgown at the wheel. In the back seat, the brutalized body of a teenage boy. The girl will say only one word: Hurt.

When the girl is admitted to the hospital, the doctor on call is Brandon’s ex-wife, Olivia Blake. For Olivia and Brandon, the traumatized Jane Doe opens a floodgate of memories. It’s been four years since they shared their own tragedy―the unsolved disappearance of their eight-year-old daughter, Carly, and the end of their marriage. As Olivia focuses on Jane Doe’s care, Brandon makes a startling discovery: a series of disappearances from across the country, over decades, that could finally lead to the truth about their missing daughter.

But will unraveling the past trigger a backslide into grief, guilt, and obsession? Or is finding out what horrors lie in the Colorado mountains the only thing that can heal them, and the mysterious young girl in their care?

A young girl with vitiligo celebrates her skin in this joyful picture book by debut author Lid’ya C. Rivera and illustrated by #1 New York Times bestselling illustrator Niña Mata! 

“I stand up and I stand out.

I am the light and the spark.

I was created special with my many beauty marks.”

Perfect for fans of I Am Enough by Grace Byers, Remarkably You by Pat Zietlow Miller, and I Am Every Good Thing by Derrick Barnes, life coach and inspirational speaker, Lid’ya C. Rivera’s love letter to kids with vitiligo is fun, empowering, and appealing to anyone who has something that makes them stand out (that’s everyone!).

Backmatter includes a letter from the author and facts about vitiligo.

Open a book. Read a spell. Whoop, there he is... a demon.

The last single friend in her group and tired of being stood up by her girls, a drunken Rayna turns to her first love, a book. After jokingly casting a spell her favorite character used to conjure a loving boyfriend, the results aren't nearly as funny.

Because the damn spell worked, just not in the way she thought it would!

Now she has a brooding demon who she needs to sever the magical bond with if she ever wants to live a normal life again.

Lovers of monster romance will enjoy this new book from USA Today Bestselling Author, Jessica Cage!

Order your copy today!

Who needs a job when you just signed a new mortgage?

When Whitney Harris loses her dream job as an art broker, she drowns her sorrows in a few too many cocktails. But her night takes a turn for the bizarre when she accidentally hooks up with Domino, a drop-dead gorgeous vampire with a flair for the dramatic and a taste for trouble.

Now, instead of just worrying about her next paycheck, Whitney finds herself in a world where Domino's vampire affiliates have their sights set on her-because she's special. Duh!

As she navigates this unexpected romance, she discovers her friends have their own supernatural secrets: spells and daggers anyone?

With danger lurking in every shadow, Whitney must figure out how to survive this new chaotic reality. Can she embrace her wild side, save her heart (and neck), and turn the tables on fate before she becomes a vampire's main course?

Get ready for a laugh-out-loud adventure filled with love, friendship, and a whole lot of supernatural shenanigans!

A riveting memoir by the former CEO of Black Entertainment Television (BET), about the glamorous and ugly moments of being a high-powered Black woman executive in the entertainment industry.

As an incredible glass-ceiling breaker and the woman who brought timeless television shows like The Game and Being Mary Jane to cable, Debra Lee has been the visionary responsible for elevating Black images and storytelling for decades. Now she’s telling her own story, in an intimate and eye-opening tale about the triumphant and tricky moments of a career in entertainment.

I Am Debra Lee is a page-turner, filled with deeply personal revelations, juicy celebrity intel, and electrifying behind-the-scenes stories that reveal how she went from a girl raised in the segregated South to leading the first Black company traded on the New York Stock Exchange and how she juggled social responsibility while managing a company targeted toward the Black community. In a rousing narrative, Lee writes: “I don’t just love Black culture—the magic in our hair, the swagger in our steps, the particular way we can say ‘alright now’ to fit our changing moods—Black culture saved me.” In her exciting debut, she answers all of our questions about building an unapologetically Black enterprise as a Black woman. What to do when you’re forced to attend a board meeting eight weeks after a C-section. How to manage a team of men when you’re the first female CEO at the company. How she learned the hard way to say no to those in power when their vision didn’t align with her purpose.

I Am Debra Lee tackles lessons that women CEOs rarely dare to. She addresses her personal struggles with motherhood and “having it all,” navigating reproductive choice, fertility, and #MeToo while achieving great professional success. Being Black and a woman in corporate life isn’t easy for anyone. But Lee shows how she evolved from a shy girl who dreaded public speaking to becoming a force to be reckoned with as she helped build the leading entertainment company for Black audiences and consumers of Black culture globally.

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We are all here for a purpose. We are more than enough. We just need to believe it.

The perfect debut picture book for our times: a lyrical ode to self-confidence and kindness, for girls from every background and every color, from Empire actor and activist Grace Byers and talented newcomer artist Keturah A. Bobo.

Like the sun, I'm here to shine. . . .

I Am Enough is the book everyone needs - a gorgeous, lyrical ode to loving who you are, respecting others, and being kind to one another - from actor and activist Grace Byers and talented newcomer Keturah A. Bobo.

With vibrant artwork that shows girls of diverse body shapes and skin tones, this is the perfect gift for mothers and daughters, baby showers, and graduation.

Ages 3-7

The confident Black narrator of this book is proud of everything that makes him who he is. He's got big plans, and no doubt he'll see them through--as he's creative, adventurous, smart, funny, and a good friend. Sometimes he falls, but he always gets back up. And other times he's afraid, because he's so often misunderstood and called what he is not. So slow down and really look and listen, when somebody tells you--and shows you--who they are. There are superheroes in our midst!

30 Card Deck

Negative self-talk sucks. But, like any bad habit with practice, you can make major improvements. "i am" everything™ affirmation cards will help you quiet the noise and focus on what makes you feel good.

"i am" is the most powerful phrase you can speak because what follows "i am" defines who you are in the moment. Strive every day to reaffirm your awesomeness. I am everything™ affirmation cards are a tool to remind you of all of your amazing qualities. You can shuffle the deck and draw one card and read it aloud to yourself every morning to start your day. Or, you can use them as needed by shuffling the deck and pulling a card in the moment.

Created by Tarisha Clark.

Dimensions: 2.75” x 4.75".

In his sophomore picture book, NBA superstar Stephen Curry encourages kids to embrace the differences that make them extraordinary! It’s the first day of school for Zoe, a young girl with hearing loss who dreams of playing on her school’s soccer team. But, self-conscious of her hearing aids, Zoe is too nervous to try out. With the help of and perspectives from new friends, what begins as a bumpy, anxiety-filled start for Zoe, soon transitions into an eye-opening experience about what it means to be different—and what it means to be extraordinary. I Am Extraordinary teaches kids how to look inside themselves to find self-acceptance and the confidence to achieve any goal.

YOU are your ancestors' wildest dreams. How will you express YOUR greatness? Perfect for fans of I Am Every Good Thing, Little Legends, and All Because You Matter.

"Affirming. . . . A joyful tribute." -- Kirkus Reviews

“A vibrant, heartwarming celebration of Black excellence.” ― School Library Journal

I AM FLY.

From my crown

down to the kicks

on my feet...

I AM my ancestors' wildest dreams.

In this electrifying anthem to Black boy joy and pride, a young child discovers his place in a distinguished lineage. As he meets ten exceptional Black men--historical and contemporary figures who have paved the way for his own future success--he internalizes their greatness. Just like them, he can reach his dreams. And just like him, you have within you big potential.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

NATIONAL BESTSELLER • In his final years, one of America’s greatest writers envisioned a book about his three assassinated friends, Medgar Evers, Malcolm X, and Martin Luther King. His deeply personal notes for the project had never been published before acclaimed filmmaker Raoul Peck mined them to compose his Academy Award-nominated documentary.

“Thrilling…. A portrait of one man’s confrontation with a country that, murder by murder, as he once put it, ‘devastated my universe.’” —The New York Times

Peck weaves these texts together, brilliantly imagining the book that Baldwin never wrote with selected published and unpublished passages, essays, letters, notes, and interviews that are every bit as incisive and pertinent now as they have ever been. Peck’s film uses them to jump through time, juxtaposing Baldwin’s private words with his public statements, in a blazing examination of the tragic history of race in America.

This edition contains more than 40 black-and-white images from the film.

NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD FINALIST • A “stunning” (America Ferrera) YA novel about a teenager coming to terms with losing her sister and finding herself amid the pressures, expectations, and stereotypes of growing up in a Mexican American home—from the author of Crying in the Bathroom

“Alive and crackling—a gritty tale wrapped in a page-turner. ”—The New York Times

Perfect Mexican daughters do not go away to college. And they do not move out of their parents’ house after high school graduation. Perfect Mexican daughters never abandon their family.

But Julia is not your perfect Mexican daughter. That was Olga’s role.

Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed.

But it’s not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend Lorena, and her first love, first everything boyfriend Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister’s story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal?

Over the course of these poems, the Black, queer protagonist begins to erase violent structures and fill the white spaces with her hard-won wisdom and love. I am the Most Dangerous Thing doesn't just use poetry to comment on life and history. The book is a comment on writing itself. What have words done? When does writing become a form of disengagement, or worse, violence?

The book is an exercise in paring the state down to its true logic of violence and imagining what can happen next. There are many contradictions—Although the protagonist teaches the same science that was used to justify enslavement and a racial caste system, she knows she will die at the hands of science and denies the state the last word by penning her own death certificate. As an educator and knowledge worker, she is an overseer of the same racist, misogynistic, and homophobic systems that terrorize her. Yet, she musters the courage to kill Kurtz, a primordial vision of white terror. She is Black and queer and fat and angry and chill and witty and joyful and depressed and lovely and flawed and an (im)perfect dagger to the heart of white supremacist capitalism.