Keyana is heading back to school in this exciting picture book written by bestselling author Natasha Anastasia Tarpley (I Love My Hair!) and illustrated by Charnelle Pinkney Barlow!

Keyana has come up with the perfect idea for a class project, and getting it done is pretty fun! All she has to do is pick the people and places she loves around her school. But when the teacher asks Keyana to present the project in front of everyone, she’ll have to find a little bit of confidence and a big way to share.

Praise for the KEYANA series: 

Tarpley's pleasant, relatable text and Barlow's vivid soft-pastel illustrations combine here to create a heartwarming story...This book is a beauty to behold.―Booklist

A celebration of big ideas, teamwork, and family...A loving depiction of a warm, affectionate Black family. 
 ―Kirkus

In a delightful story about Black child joy and family, Tarpley gives us an adorable and dynamic main character in Keyana, who has presence and confidence aplenty... A recommended purchase for collections needing a little more Black joy on the shelves.―School Library Journal

A comprehensive look at the early career of a rising star in contemporary Black portraiture

This is the first monograph on the practice of young American painter Khalif Tahir Thompson (born 1995), who will receive an MFA from the Yale School of Art in the spring of 2024. With several solo exhibitions and artwork in museum permanent collections, Thompson is already prolific. His paintings are populated by Black figures set in colorful, shimmering environments that sometimes resemble patchworks verging on abstraction. They incorporate multiple materials apart from oil and acrylic, including handmade paper, pearls, fabric, velvet, newspaper and leather. Whether isolated or in a group, candid or posed, each figure is imbued with an innate identity. Says Thompson of his work: "I believe painting can be a tool in considering the emotional, psychological complexity of an individual's story and identity ... I alter perception and invoke empathy towards my subjects, depicting their reality across a visceral lens."

A fun, lyrical debut picture book, Kicks is an essential read for sneaker fans of all ages, from award-winning poet Van G. Garrett and New York Times bestselling illustrator Reggie Brown.

“A brilliantly written and illustrated ode to sneakers and sneakerheads, young and old. A gift to us all.” —Angie Thomas, #1 New York Times best-selling author

This is a love letter to sneakers. But not just any sneakers. Only the flyest, floatiest, you-est kicks you can get—the ones that let you soar!

This colorful, rhythmic adventure has something to offer anyone who prizes a great pair of shoes and any reader who loves to play with words.

One of our country's premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race.

Killing Rage speaks to this imbalance. These twenty-three essays are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. They address a spectrum of topics having to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; and internalized racism in movies and the media. And in the title essay, hooks writes about the "killing rage"--the fierce anger of black people stung by repeated instances of everyday racism--finding in that rage a healing source of love and strength and a catalyst for positive change.

bell hooks is Distinguished Professor of English at City College of New York. She is the author of the memoir Bone Black as well as eleven other books. She lives in New York City.

*ships in 7-10 business days*

In 1997, the image of the “Welfare Queen” dominated white America’s perceptions of Black women. Legislation was being proposed to deny benefits to children born to welfare mothers and to require insertion of birth-control implants as a condition of receiving aid. Meanwhile, a booming fertility industry was catering primarily to infertile white couples.

Dorothy Roberts’s landmark book, Killing the Black Body, made a powerful entrance into the national conversation of the era, exposing America’s systemic abuse of Black women’s bodies, from slave masters’ economic stake in bonded women’s fertility to government programs that coerced thousands of poor Black women into being sterilized as late as the 1970s. These abuses point not only to the degradation of Black motherhood, but to the exclusion of Black women’s reproductive needs from the feminist agenda. Killing the Black Body turns twenty next year and is as relevant today as it was upon publication. In our current moment of Black Lives Matter, Between the World and Me, and authors like Chimamanda Ngozi Adichie and Roxane Gay speaking out about feminism and race, Killing the Black Body offers a vision of reproductive freedom that respects each and every American.

A passionate debut cookbook celebrates Caribbean food, its legacy preserved―and, ultimately, transformed―by the kinship of those who share food.

As the daughter of Jamaican immigrants, Marie Mitchell cooks to understand and celebrate recipes that have been passed down from generation to generation. In Kin, her hotly anticipated debut cookbook, she shares dishes from the Caribbean and its diaspora. Accompanied by gorgeous photographs, many shot in the Caribbean, the book’s 80 recipes blend influences from South Asia, Africa, and Latin America in crispy Saltfish Fritters, Honey Jerk Wings with Fluffy Cassava Fries and Hot Pepper Sauce, garlicky Mojo Roast Pork, Sweet Tangy Coleslaw, and Creamy Tomato Curry. Her breads, desserts, and drinks evoke the islands and are stunningly easy: coconut bread buns, a Ginger Drizzle cake, Summer Rum Punch. Marie’s food is subtle and playful, layering different notes and spices carefully to create delicate, rewarding flavors perfect for home cooks.

full color photographs, illustrations, and chapter openers throughout

The visionary author’s masterpiece pulls us—along with her Black female hero—through time to face the horrors of slavery and explore the impacts of racism, sexism, and white supremacy then and now.

Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.

“As you turn the pages of this novel and get lost in Dana’s story, allow yourself to relive the horrors of slavery....Allow yourself to know the pain of our nation’s past.”—Tomi Adeyemi, New York Times bestseller and Hugo and Nebula award-winning author, from the new foreword

This brand new package for young adults includes a redesigned interior for better readability, specially commissioned cover art by Carlos Fama, metallic stock cover, and spot gloss on cover elements

“I lost an arm on my last trip home. My left arm.”

Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.

Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).

“Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.” 
—N. K. Jemisin

The New York Times best-selling author’s time-travel classic that makes us feel the horrors of American slavery and indicts our country’s lack of progress on racial reconciliation

Soon to be an FX Networks TV series adaptation with a pilot directed by Janicza Bravo (Zola), written by Branden Jacobs-Jenkins (Watchmen), and executive produced by Jacobs-Jenkins and Darren Aronofsky (The Fountain)

“I lost an arm on my last trip home. My left arm.”

Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.

Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).

A vital path home. Employing African epistemologies and an embodied African beingness, this book embraces the revelation and miracle of Blackness.

Creating a world worthy of our children requires recalling the dignity and distinction of the African way of life.

This book is not written for settler consumption. Kindred Creation is a call and response to dream and design better worlds rooted in African lifeways: a path to Black freedom, a love letter to Black futures, and a blueprint to intergenerational Black joy and dignity—all (and always) on Black terms.

Author, organizer, and designer Aida Mariam Davis explores the historical and ongoing impacts of settler colonialism, making explicit the ways that extraction, oppression, and enslavement serve the goals of empire—not least by severing ancestral connections and disrupting profound and ancient relationships to self, nature, and community.

Structured in three parts—Remember, Refuse, and Reclaim—Kindred Creation is a philosophical guidebook and a vital invitation to power and reconnection. Davis employs parable, poetry, theory, memory, narrative, and prophecy to help readers:

* Remember: By unforgetting the unending and cascading violence of settler colonialism and other forms of domination and exploring the ways that African land, language, lifestyle, and labor are stolen, distorted, and repackaged for colonial consumption to extract capital and sever ties to ancestral knowledge, lifeways, and dignity

* Refuse: By rejecting and interrupting death-making institutions and relationships and choosing kinship and self-determination in the face of settler colonial violence

* Reclaim: By revealing that freedom is within us—and within reach. Davis shares how the reader can birth new worlds and relationships and offers strategies for reclaiming land, language, lifestyle, and labor.

The colonial violence and dispossession of African land, language, and labor is inflicted intentionally—and by design. Reclaiming African lifeways and remembering what was forcibly forgotten must be by creation: a re-membering of our interconnectedness and kinship.

Join us for Kindred Spirits, a unique event where we celebrate the magic within us all. Come fellowship with ya kinfolk and take advantage of the full moon. Whether you're looking for spiritual guidance, self-discovery, or a fun way to express your individuality, Kindred Spirits is the perfect blend of mystical and modern.

EVENT DEETS

When: Wednesday, October 16, 2024 @ 6PM

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP to let us know you're coming!

WHAT TO EXPECT:

Step into a night of magic and connection! Discover insights with tarot reading, get a luxury piercing by a professional, or explore the colors of your energy with an aura reading. Join us for an unforgettable evening of self-discovery, mystical vibes, and community.

We hope you join us!

Gold Kindred Stories Bookmark 

Now you can support your favorite independent bookstore everywhere you go!

Wear our little bookshop with Love and Pride.

If you got an invite to this gathering, know that you are truly apart of our community. 

EVENT DEETS

When: Please refer to invitation.

Where: Kindred Stories' Reading Garden

How: RSVP with the password to the notes to secure your spot and we'll see you there! 

ABOUT THE GATHERING

There is nothing formal about this gathering! There will be food, drinks and a bomb playlist. Come hang out with the Kindred Stories Staff, some of our favorite local authors and fellow readers/book lovers. 

Kindred Stories x Utility Objects

Beautifully, molded, hand-painted, and hand stamped mug created by Aleshia of Utility Objects.

Includes custom Kindred Stories logo and "Reading is Self-Care" Stamp.

Natural stoneware ceramics, like wood or metal, varies in color and patinas with age. This makes each piece unique.

Dimensions: 3½” wide X 5¼” high

Capacity: 16oz

Instructions for care: Hand or machine wash

Kindred Stories x Utility Objects

Beautifully, molded, hand-painted, and hand stamped mug created by Aleshia of Utility Objects.

Includes custom Kindred Stories logo and "Reading is Self-Care" Stamp.

Natural stoneware ceramics, like wood or metal, varies in color and patinas with age. This makes each piece unique.

Dimensions: 3½” wide X 5¼” high

Capacity: 16oz

Instructions for care: Hand or machine wash

More than 35 years after its release, Kindred continues to draw in new readers with its deep exploration of the violence and loss of humanity caused by slavery in the United States, and its complex and lasting impact on the present day. Adapted by celebrated academics and comics artists Damian Duffy and John Jennings, this graphic novel powerfully renders Butler’s mysterious and moving story, which spans racial and gender divides in the antebellum South through the 20th century.

Butler’s most celebrated, critically acclaimed work tells the story of Dana, a young black woman who is suddenly and inexplicably transported from her home in 1970s California to the pre–Civil War South. As she time-travels between worlds, one in which she is a free woman and one where she is part of her own complicated familial history on a southern plantation, she becomes frighteningly entangled in the lives of Rufus, a conflicted white slaveholder and one of Dana’s own ancestors, and the many people who are enslaved by him.

This is the first design in the Kinfolk series, which includes illustrations of family life. Card No. 1 features a small child getting their hair combed by a parent and was designed by SaVonne Anderson, Founder and Creative Director of Aya Paper Co.

Interior is blank for you to write your own message.

Size: A6 4.5 x 6.25 in.

Each card comes with a 100% recycled A6 kraft envelope.

Printing Specs: Each card has been printed digitally with 100% non toxic toner on 100% PCW Recycled, PCF Chlorine Free paper.

This is the fourth design in the Kinfolk series, which includes illustrations of Black family life. Card No. 4 features a woman holding a small child in her arms and was designed by SaVonne Anderson, Founder and Creative Director of Aya Paper Co.

 Size: A6 4.5 x 6.25 in

Each card comes with a 100% recycled A6 kraft envelope.

A diverse and steamy, forbidden billionaire romance from New York Times bestselling author and BookTok sensation Ana Huang!

She's his opposite in every way...and the greatest temptation he's ever known.

Reserved, controlled, and proper to a fault, Kai Young has neither the time nor inclination for chaos―and Isabella, with her purple hair and inappropriate jokes, is chaos personified.

With a crucial CEO vote looming and a media empire at stake, the billionaire heir can't afford the distraction she brings.

Isabella is everything he shouldn't want, but with every look and every touch, he's tempted to break all his rules…and claim her as his own.

***

Bold, impulsive, and full of life, Isabella Valencia has never met a party she doesn't like or a man she couldn't charm...except for Kai Young.

It shouldn't matter. He's not her type―the man translates classics into Latin for fun, and his membership at the exclusive club where she bartends means he's strictly off limits.

But she can't deny that, beneath his cool exterior, is a man who could make her melt with just a touch.

No matter how hard they try, they can't resist giving into their forbidden desires.

Even if it costs them everything.

An arranged marriage billionaire romance standalone from New York Times bestselling author and BookTok sensation Ana Huang.

She was my North Star, the brightest jewel in my sky.

Ruthless. Meticulous. Arrogant.

Billionaire CEO Dante Russo thrives on control, both personally and professionally.

He never planned to marry…until the threat of blackmail forces him into an engagement with a woman he barely knows.

Vivian Lau, jewelry heiress and daughter of his newest enemy. The wife he never wanted, and the weakness he never saw coming.

It doesn't matter how beautiful or charming she is. Dante will do everything in his power to destroy the blackmail and their betrothal.

There's only one problem: now that he has her, he can't bring himself to let her go.

***

Elegant. Ambitious. Well-mannered.

Vivian Lau is the perfect daughter and her family's ticket into the highest echelons of society.

Marrying a blue-blooded Russo means opening doors that would otherwise remain closed to her new-money parents.

While the rude, elusive Dante isn't her idea of a dream partner, she agrees to their arranged marriage out of duty.

Craving his touch was never part of the plan.

Neither was the worst possible outcome: falling in love with her future husband.

This groundbreaking body of comics journalism collects Anderson's entire biography of the renowned civil rights leader Rev. Martin Luther King, Jr. Over a decade in the making, the saga has been praised for its vivid recreation of one of the most tumultuous periods in U.S. history and for its accuracy in depicting the personal and public lives of King, from his birth to his assassination. King probes the life story of one of America's greatest public figures with an unflinchingly critical eye, casting King as an ambitious, dichotomous figure deserving of his place in history but not above moral sacrifice to get there. Anderson's expressionistic visual style is wrought with dramatic energy; panels evoke a painterly attention to detail but juxtapose with one another in such a way as to propel King's story with cinematic momentum. Anderson's successful use of the graphic novel to tell a major work of nonfiction has drawn favorable comparisons to Art Spiegelman's Maus: A Survivor's Tale, Joe Sacco's Palestine, and Osamu Tezuka's Adolph.

King not only recreates the major events in King's public life, but chronicles the daily, rough-and-tumble, behind-the-scenes political maneuverings and strategic compromises that were required to mobilize millions of people toward a common goal. His internal debates with Ralph Abernathy and Jesse Jackson and his hardball negotiations with John F. Kennedy and Lyndon Johnson are dramatized. Anderson's achievement is not merely a political biography filled with names and dates, but a fully rounded portrait of a fallible human engaged in a superhuman effort his fears, his doubts, his relationship with his wife Coretta King, and his children are compassionately and truthfully rendered.

Anderson's visual approach includes the use of photographs, realistic portraiture, and expressionistic imagery alternating between stark black and white chiaroscuro and painterly full color. The dialogue is unflinchingly naturalistic and accurately reflects the moral urgency and labyrinthine political and practical complexities that King was navigating, from his deeply felt, personal commitment to a public cause to the wider political eruptions the country was experiencing. This is a respectful, unsparing, truthful biography of a man and his times that captures the moral and political gravitas of the cause as well as its human dimension. A major work of comics, depicting a major work of history.

Tshepo Masango Chéry charts a new genealogy of early twentieth-century Black Christian activists who challenged racism in South Africa before the solidification of apartheid by using faith as a strategy against global racism.

In Kingdom Come, Tshepo Masango Chéry charts a new genealogy of early twentieth-century Black Christian activists who challenged racism in South Africa before the solidification of apartheid by using faith as a strategy against global racism. Masango Chéry traces this Black freedom struggle and the ways that South African church leaders defied colonial domination by creating, in solidarity with Black Christians worldwide, Black-controlled religious institutions that were geared toward their liberation. She demonstrates how Black Christians positioned the church as a site of political resistance and centered specifically African visions of freedom in their organizing. Drawing on archival research spanning South Africa, Zimbabwe, Kenya, the United Kingdom, and the United States, Masango Chéry tells a global story of the twentieth century that illuminates the formations of racial identity, state control, and religious belief. Masango Chéry’s recentering of South Africa in the history of worldwide Black liberation changes understandings of spiritual and intellectual routes of dissemination throughout the diaspora.

A riveting story about the Black Panther Party and the high cost that can come with revolution

Raised in Haiti by a father deeply embedded in activism, Nettie Boileau joins the Black Panthers’ Free Health Clinics in Oakland in 1968. She quickly becomes devoted to the cause and its dedication to helping people in a racially divided America—and gets swept up in an all-consuming love affair with Melvin Mosley, a defense captain of the Black Panther Party. But when Nettie and Melvin head to Chicago to help launch the Illinois chapter of the Panthers, they find themselves targets of J. Edgar Hoover’s famous covert campaigns against civil rights leaders. As she learns more about the inner workings of the Panthers—and her relationship with Melvin reveals its own fault lines—Nettie discovers that fighting for social justice may not always mean equal justice for women. She must figure out what is left for her within the movement, what she stands for, and whom she can count on.

For fans of Honorée Fanonne Jeffers’s The Love Songs of W. E. B. Du Bois and Dolen Perkins-Valdez’s Take My Hand, Fabienne Josaphat’s Kingdom of No Tomorrow takes readers inside the Black Panther movement in this timely story of self-determination and the importance of revolution amid injustice.