Foreword by Tayari Jones, author of An American Marriage

Edited with an introduction by Genevieve West, professor and chair of the English, Speech, and Foreign Languages department at Texas Woman’s University

A collection of remarkable stories of the Harlem Renaissance from “one of the greatest writers of our time” (Toni Morrison) Zora Neale Hurston.

In May 1925, Zora Neale Hurston—then a fledgling writer—was living in New York, “desperately striving for a toe-hold on the world.” For the next decade, she wrote short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period.

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories that flash with Hurston’s biting, satiric humor, as they share revelations about love and migration, gender and class, racism and sexism, that proudly reflect African American folk culture. Brought together for the first time, they include eight of Hurston’s “lost” Harlem gems, which were found in dusty periodicals and archives. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.

Life skills for liberation.

In our complex world, facilitation and mediation skills are as important for individuals as they are for organizations. How do we practice them in ways that align with nature, with pleasure, with our best imagining of our future? How do we attend to generating the ease necessary to help us move through the inevitable struggles of life? How do we practice the art of holding others without losing ourselves? Black feminists have answers to those questions that can serve anyone working to create changes in our world, changes great and small; individually, interpersonally, and within our organizations.

Holding Change is about attending to coordination, to conflict, to being humans in right relationship with each other, not as a constant ongoing state, but rather as a magnificent, mysterious, ever-evolving dynamic in which we must involve ourselves, shape ourselves and each other. The majority of the book is sourced from brown’s twenty-plus years of facilitation and mediation work with movement groups.

Includes contributions by Autumn Brown, Sage Crump, Malkia Devich-Cyril, Ejeris Dixon, Alexis Pauline Gumbs, Prentis Hemphill, Micky ScottBey Jones, N’Tanya Lee, and Makani Themba

Event Deets:

What: Holiday Sip & Shop with @blackgirlthatreads

Where: Kindred Stories - 2304 Stuart Street

When: Saturday, December 21, 2024 - 10 AM - 12 PM

A short story collection in the vein of Danielle Evans and Bryan Washington, about community, home, betrayal, and forgiveness.

HOLLER, CHILD is a short story collection packed with extraordinary and unforgettable writing and scenes, that explores concerns and issues that press at the bruises of guilt, betrayal, and forgiveness.

Set in the same Black community in Texas as PERISH, LaToya's debut novel, each story focuses on unique characters that illuminate life in Texas; they offer briliant, heartbreaking, but ultimately hopeful perspectives from the women and men in the community, and touch on big themes like race, power, inequality, and more.

In one story, the appearance of a horse in a man's suburban backyard places a former horse breeder in trouble with the police, while in another, following the mass suicide of his entire congregation, the mother of a cult leader tries to honor him in a way she couldn't while he was alive.

Fresh and urgently told, HOLLER, CHILD is a wise follow-up to LaToya's debut novel.

Sean Enfield delves into the great American condition: burnout.

Threading his experiences both as a Texan student and later as a first-year teacher of predominately Muslim students at a Texas middle school, Holy American Burnout! weaves personal essay and cultural critique into the historical fabric of Black and bi-racial identity.

Enfield intersects examinations of which voices are granted legitimacy by virtue of school curriculum, the complex relationship between basketball and education for Black and brown students, his students' burgeoning political consciousness during the 2016 presidential campaign, and cultural figures ranging from Kendrick Lamar to Hamlet.

These classroom narratives weave around Enfield's own formative experiences contending with a conflicted bi-racial family lineage, reenacting the Middle Passage as the only Black student in his 7th grade history class, and moshing in both Christian and secular hardcore pits.

As Enfield wrestles with the physical, mental, and emotional burdens that American society places on educators, students, and all relatively conscious minorities in this country, he reaches for an education that better navigates our burnt-out empire.

A novel by a brilliant new voice, Hombrecito is a queer coming-of-age story about a young immigrant’s complex relationships with his mother and his motherland

In this groundbreaking novel, Santiago Jose Sanchez plunges us into the heart of one boy’s life. His mother takes him and his brother from Colombia to America, leaving their absent father behind but essentially disappearing herself once they get to Miami.

In America, his mother works as a waitress when she was once a doctor. The boy embraces his queer identity as wholeheartedly as he embraces his new home, but not without a sense of loss. As he grows, his relationship with his mother becomes fraught, tangled, a love so intense that it borders on vivid pain but is also the axis around which his every decision revolves. She may have once forgotten him, disappeared, but she is always on his mind.

He moves to New York, ducking in and out of bed with different men as he seeks out something, someone, to make him whole again. When his mother invites him to visit family in Colombia with her, he returns to the country as a young man, trying to find peace with his father, with his homeland, with who he’s become since he left, and with who his mother is: finally we come to know her and her secrets, her complex ambivalence and fierce love.

Hombrecito—“little man”—is a moving portrait of a young person between cultures, between different ideas of himself. From an extraordinary new talent, this is a story told with startling beauty and intensity, a story for anyone searching for home, searching for a way to love.

Home Girls, the pioneering anthology of Black feminist thought, features writing by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and contains work by many of feminism's foremost thinkers. This edition features an updated list of contributor biographies and an all-new preface that provides Barbara Smith the opportunity to look back on forty years of the struggle, as well as the influence the work in this book has had on generations of feminists. The preface from the previous Rutgers edition remains, as well as all of the original pieces, set in a fresh new package. 

Contributors: Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willi (Willie) M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Spears Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita J. Weems.

The official re-release of Ebony Stewart’s latest collection Home.Girl.Hood.

Rings on every finger. Hood and educated AF. You’ve met her. Wearing all her feelings and responding with a side-eye or a tongue-pop. You’ve seen her. At the grocery store. In restaurants. On the subway. At the bus stop. In a car you pulled up next to blaring whatever matches her mood. Hair in some natural or protective style for the Gods. Ebony Stewart. An around the way girl. One part human, all parts womxn. You know these poems because they be familiar. They be your grandmama, mama, auntie, and sis stories. Welcome to Home.Girl.Hood.

Urgent, propulsive, and deeply insightful, Homebodies is a thrilling debut novel about a young Black writer whose world is turned upside down when she loses her job in media and her searing manifesto about racism in the industry goes viral.

Mickey Hayward dreams of writing stories that matter. She has a flashy media job that makes her feel successful and a devoted girlfriend who takes care of her when she comes home exhausted and demoralized. It’s not all A-list media parties and steamy romance, but Mickey’s on her way, and it’s far from the messy life she left behind in Maryland. Despite being overlooked and mistreated at work, everything finally seems to be falling into place—until she finds out she’s being replaced.

Distraught and enraged, Mickey fires back with a detailed letter outlining the racism and sexism she’s endured as a Black woman in media, certain it will change the world for the better. But when her letter is met with overwhelming silence, Mickey is sent into a tailspin of self-doubt. Forced to reckon with just how fragile her life is—including the uncertainty of her relationship—she flees to the last place she ever dreamed she would run to, her hometown, desperate for a break from her troubles.

Back home, Mickey is seduced by the simplicity of her old life—and the flirtation of a former flame—but the life she left behind in New York refuses to be forgotten. When a media scandal catapults Mickey’s forgotten letter into the public zeitgeist, suddenly everyone wants to hear what Mickey has to say. It’s what she’s always wanted—isn’t it?

Insightful, funny, and deeply sexy, Homebodies is a testament to those trying to be heard and loved in a world that refuses to make space, and introduces a standout new writer.

In this collection of essays on African and Caribbean literature, culture, and politics, Ngugi wa Thiong'o delivers a groundbreaking critique of colonialism and capitalism in postcolonial Africa.

In these essays, Ngugi wa Thiong'o eloquently interweaves a range of issues including religious oppression, consumerism, and independence with the powerful intellect and passion that has come to characterise his writing. These pieces are essential for readers wishing to uncover a critical perspective on African society and culture.

Homecoming is a groundbreaking collection intended to provoke and encourage thoughtful debate on how best to 'restore the creative glory of Africa and of all Africans' in the wake of postcolonialism.

'One of the greatest writers of our time.' Chimamanda Ngozi Adichie
'A tremendous writer... It's hard to doubt the power of the written word when you hear the story of Ngugi wa Thiong'o.' Guardian
'One of Africa's greatest writers.' New York Times

Winner of the American Book Award
A classic of the Black Arts Movement brought back to life in a refreshed edition

"A lion in literature's forest. When she writes she roars, and when she sleeps other creatures walk gingerly."— Maya Angelou

Originally published in 1984, this collection of prose, prose poems and lyric verses is as fresh and radical today as it was then. Sonia Sanchez, the premiere poet of the Black Arts Movement, shows the “razor blades” in clenched in her teeth in these powerful pieces.

Two half sisters, Effia and Esi, unknown to each other, are born into different villages in eighteenth-century Ghana.

Effia is married off to an Englishman and will live in comfort in the palatial rooms of Cape Coast Castle, raising children who will be sent abroad to be educated before returning to the Gold Coast to serve as administrators of the empire. Esi, imprisoned beneath Effia in the Castle’s women’s dungeon and then shipped off on a boat bound for America, will be sold into slavery.

Stretching from the wars of Ghana to slavery and the Civil War in America, from the coal mines in the American South to the Great Migration to twentieth-century Harlem, Yaa Gyasi’s novel moves through histories and geographies and captures—with outstanding economy and force—the troubled spirit of our own nation. She has written a modern masterpiece.

In Homegrown, cultural critics bell hooks and Amalia Mesa-Bains reflect on the innate solidarity between Black and Latino culture. A work of activism through dialogue, Homegrown is a declaration of solidarity that rings true even ten years after its first publication.

In Homegrown, cultural critics bell hooks and Amalia Mesa-Bains reflect on the innate solidarity between Black and Latino culture. Riffing on everything from home and family to multiculturalism and the mass media, hooks and Mesa-Bains invite readers to re-examine and confront the polarizing mainstream discourse about Black-Latino relationships that is too often negative in its emphasis on political splits between people of color. A work of activism through dialogue, Homegrown is a declaration of solidarity that rings true even ten years after its first publication.

This new edition includes a new afterword, in which Mesa-Bains reflects on the changes, conflicts, and criticisms of the last decade.

In one of the best-loved volumes of her work, J. California Cooper tells exuberant tales full of wonder at the mystery of life and the hardness of fate. Awed, bedeviled, bemused, all of Cooper's characters are borne up by the sheer power of life itself.

The country is changing, and her own world is being turned upside down. Nothing—and no one—will ever be the same.

Georgia, 1962. Rose Perkins Bourdon returns home to Parsons, GA, without her husband and pregnant with another man’s baby. After tragedy strikes her husband in the war overseas, a numb Rose is left with pieces of who she used to be and is forced to figure out what she is going to do with the rest of her life. Her sister introduces her to members of the Student Nonviolent Coordinating Committee—young people are taking risks and fighting battles Rose has only seen on television. Feeling emotions for the first time in what feels like forever, the excited and frightened Rose finds herself becoming increasingly involved in the resistance efforts. And of course, there is also the young man, Isaac Weinberg, whose passion for activism stirs something in her she didn’t think she would ever feel again.

Homeward follows Rose’s path toward self-discovery and growth as she becomes involved in the Civil Rights Movement, finally becoming the woman she has always dreamed of being.

Praise for Homeward:

"This is a harrowing novel about the push and pull of fidelity, family, and faith under the crush of history. Angela Jackson-Brown has written a deeply emotional novel that feels timeless while also speaking to the particularly troubled times in which we live."

—Wiley Cash, New York Times bestselling author of When Ghosts Come Home

* A stirring tale of one woman’s experience in the Civil Rights movement that changed a nation, written from Angela Jackson-Brown’s experience of being born and raised in the rural South.
* Stand-alone novel
* Includes Discussion Questions for book clubs

FINALIST FOR THE 2020 NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY
FINALIST FOR THE 2021 NAACP IMAGE AWARD FOR POETRY

Danez Smith is our president

Homie is Danez Smith’s magnificent anthem about the saving grace of friendship. Rooted in the loss of one of Smith’s close friends, this book comes out of the search for joy and intimacy within a nation where both can seem scarce and getting scarcer. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family―blood and chosen―arrives with just the right food and some redemption. Part friendship diary, part bright elegy, part war cry, Homie is the exuberant new book written for Danez and for Danez’s friends and for you and for yours.

Breakout author Bolu Babalola pens her vibrant debut novel, full of passion, humor, and heart, that centers on a young Black British woman who has no interest in love and unexpectedly finds herself caught up in a fake relationship with the man she warned her girls about.

Sharp-tongued (and secretly soft-hearted) Kiki Banjo has just made a huge mistake. An expert in relationship-evasion and the host of the popular student radio show, Brown Sugar, she’s made it her mission to make sure the women of the Afro-Caribbean Society at Whitewell University do not fall into the mess of “situationships”, players, and heartbreak. But when the Queen of the Unbothered kisses Malakai Korede, the guy she just publicly denounced as “The Wastemen of Whitewell” in front of every Blackwellian on campus, she finds her show and her reputation on the brink.

They’re soon embroiled in a fake relationship to try and salvage their reputations and save their futures. Kiki has never surrendered her heart before and a player like Malakai, no matter how charming he is or how incredible their connection is, won’t be the one to change that.

After surprisingly entertaining study sessions and intimate late-night talks at old-fashioned diners force Kiki to look beyond her own presumptions, is she ready to open herself up to something deeper?

A side-splittingly funny and sparkling debut novel, Honey and Spice is full of delicious tension and romantic intrigue that will make you weak at the knees.

"Honey Hush!" is an exclamation used among black women, especially those from the South, as a friendly encouragement, a mild suggestion of playful disbelief, or a suggestion that one is telling truths that are prohibited. This anthology will make readers say "Honey, Hush!" many times. Often hard-hitting, sometimes risque', always dramatic and eloquent, the vibrant humor of African American women is celebrated in this bold, unique and comprehensive collection. Arising from the depth of black women's souls and the breadth of their lives, it reflects what the American experience has meant to them.

E. Patrick Johnson's Honeypot opens with the fictional trickster character Miss B. barging into the home of Dr. EPJ, informing him that he has been chosen to collect and share the stories of her people. With little explanation, she whisks the reluctant Dr. EPJ away to the women-only world of Hymen, where she serves as his tour guide as he bears witness to the real-life stories of queer Black women throughout the American South. The women he meets come from all walks of life and recount their experiences on topics ranging from coming out and falling in love to mother/daughter relationships, religion, and political activism. As Dr. EPJ hears these stories, he must grapple with his privilege as a man and as an academic, and in the process he gains insights into patriarchy, class, sex, gender, and the challenges these women face. Combining oral history with magical realism and poetry, Honeypot is an engaging and moving book that reveals the complexity of identity while offering a creative method for scholarship to represent the lives of other people in a rich and dynamic way.

A young biracial girl looks around her world for her color. She finally chooses her own, and creates a new word for herself―honeysmoke.

Simone wants a color.

She asks Mama, “Am I black or white?”

“Boo,” Mama says, just like mamas do, “a color is just a word.”

She asks Daddy, “Am I black or white?”

“Well,” Daddy says, just like daddies do, “you’re a little bit of both.”

For multiracial children, and all children everywhere, this picture book offers a universal message that empowers young people to create their own self-identity.

Simone knows her color―she is honeysmoke.

An Imprint Book

"This will appeal to so many biracial kids looking for a way to embrace every part of themselves." ―NBCNews.com

"A terrific addition to the WeNeedDiverseBooks canon, where it joins such books as Selina Alko's I’m Your Peanut Butter Big Brother and Taye Diggs' Mixed Me!." ―Booklist

In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.

What does self-care look like when struggling to make ends meet, living with a disability, or navigating intersectional marginalization? How can you prioritize well-being while divesting from systems built to destroy you? The answer: Hood Wellness, a groundbreaking exploration that challenges the oppressive systems deeply rooted in health and wellness industries in the United States.

In a world where self-care is critical to survival, Gordon offers a revolutionary perspective that celebrates individuals' unique privileges, challenges, and desires. By defying the norms of multi-billion-dollar industries, Hood Wellness illuminates the possibilities that emerge when we prioritize well-being while divesting from harmful structures.

Hood Wellness is also a deep exploration of people forced to overcome harrowing circumstances with little more than communal support and the will to get well.

From terminal illness and police violence to embracing gender identity in a society that's attacking trans and queer rights, each story reflects America's extreme political, racial, and gender climates. Gordon challenges everything we think we know about wellness by calling out the wellness industry's inability to include those outside the margins of white, heteronormative identities. She lays plain that self-care as we know it is mostly just surface-level "cute," and communal care is the call-to-action that America needs.

Drawing on elements of memoir, self-help, humor, critical race theory, and devastatingly honest storytelling, Gordon guides readers on a transformative journey toward a new paradigm of wellness.

This compelling book serves as a beacon, empowering individuals to cultivate resilience and self-love in today's world. As Gordon shares her personal odyssey, she intertwines the stories of others, revealing her profound discoveries, triumphs, and passions related to self-care.

Hood Wellness introduces readers to an inclusive and accessible self-care primer and an approach to well-being that holds the potential to bring about profound change in their lives.

Discover the history, practices, and magic of Hoodoo—from veneration of ancestors to worship rituals—in this miniature illustrated guidebook, written by a longtime practitioner.

Hoodoo is a rich cultural and spiritual tradition, created by enslaved Africans and practiced today throughout the United States. This multi-faceted practice draws on elements of African spiritual traditions, Christianity, Spiritualism, indigenous knowledge, and natural healing. This gorgeously illustrated miniature book delves into the practice, history, and profound magic of Hoodoo, and its significance for the Black community within the United States, as well as ways to incorporate this tradition into your own practice.

A multilayered memoir of basketball, family, home, love, and race, John Edgar Wideman’s Hoop Roots brings "a touch of Proust to the blacktop" (Time) as it tells of the author's love for a game he can no longer play. Beginning with the scruffy backlot playground he discovered in Pittsburgh some fifty years ago, Wideman works magical riffs that connect black music, language, culture, and sport. His voice modulates from nostalgic to outraged, from scholarly to streetwise, in describing the game that has sustained his passion throughout his life.

*ships in 7 -10 business days*

Hot Comb offers a poignant glimpse into Black women’s lives and coming of age stories as seen across a crowded, ammonia-scented hair salon while ladies gossip and bond over the burn. The titular story “Hot Comb” is about a young girl’s first perm—a doomed ploy to look cool and to stop seeming “too white” in the all-black neighborhood her family has just moved to. In “Virgin Hair” taunts of “tender-headed” sting as much as the perm itself. It’s a scenario that repeats fifteen years later as an adult when, tired of the maintenance, Flowers shaves her head only to be hurled new put-downs. The story “My Lil Sister Lena” traces the stress resulting from being the only black player on a white softball team. Her hair is the team curio, an object to touched, a subject to be discussed and debated at the will of her teammates, leading Lena to develop an anxiety disorder of pulling her own hair out. Among the series of cultural touchpoints that make you both laugh and cry, Flowers recreates classic magazine ads idealizing women’s needs for hair relaxers and product. “Change your hair form to fit your life form” and “Kinks and Koils Forever” call customers from the page.

Latrice Richardson is a thirty eight year old divorced, single mother who has an amazing career and a wonderful eight year old son named Quincy. What she doesn't have is any semblance of a love life and sex is non-existent. After a scorching one night stand with a handsome stranger, Nathan Woodson, Latrice never expects to see him again, and definitely not at the front of her son's classroom!
Nathan Woodson is a former foster kid who loves teaching and has just landed his dream job. The last thing he expected was the sexy enchantress he spent the night with, to be the mother of one of his students.
Despite the two of them both trying to keep things professional, Latrice and Nathan find themselves being drawn closer together. But with nosey school moms on the prowl and his job on the line, they find that love may be too hot for this parent and teacher to handle.
Hot for Teacher is a sexy rom-com that features an older woman/younger man, (somewhat) secret lovers and plenty of high heat.

From the award-winning actor and playwright Anna Deavere Smith, two teeming, pungent cross-sections of the American experience.

In the provocative and at times bitterly funny play House Arrest, Smith examines the relationships between a succession of American presidents and their observers in and out of the press. Arcing from Clinton and Monica Lewinsky to Jefferson and Sally Hemings and alive with the voices of such real-life figures as Ed Bradley, George Stephanopoulos, Anita Hill, and Abraham Lincoln, the result is a priceless examination of the intersection of public power and private life.

In Piano, Smith casts her gaze back a century as she follows the tangled lines of race, sex, and exploitation in a prosperous Cuban household on the eve of the Spanish-American War. Deftly and suspensefully, Smith tells a story of ruptured allegiances and ramifying deceptions in which no one—master or servant, friend or enemy—is what he or she pretends to be. Together these two plays are further proof that Anna Deavere Smith is one of the most searing and revelatory voices in the American theater.

In the latest from Shirley Jackson and Bram Stoker Award-winning author of THE DEVIL TAKES YOU HOME, a group of five teenage boys in Puerto Rico seek vengeance after one of their mothers is murdered; a Latinx STAND BY ME with a haunted, obsidianly dark heart. 

For childhood friends Gabe, Xavier, Tavo, Paul, and Bimbo, death has always been close. Hurricanes. Car accidents. Gang violence. Suicide. Estamos rodeados de fantasmas was Gabe’s grandmother’s refrain. We are surrounded by ghosts. But this time is different. Bimbo's mom has been shot dead. We’re gonna kill the guys who killed her Bimbo swears. And they all agree.

Feral with grief, Bimbo has become unrecognizable, taking no prisoners in his search for names. Soon, they learn Maria was gunned down by guys working for the drug kingpin of Puerto Rico. No one has ever gone up against him and survived. As the boys strategize, a storm gathers far from the coast. Hurricanes are known to carry evil spirits in their currents and bring them ashore, spirits which impose their own order.

Blurring the boundaries between myth, mysticism, and the grim realities of our world, House of Bone and Rain is a harrowing coming of age story; a doomed tale of devotion, the afterlife of violence, and what rolls in on the tide.

*ships in 7 -10 business days*

A stunning, contemporary Black southern gothic novel about what it means to be a poor woman in the God fearing south in the age of OnlyFans, by a breakout new Affrilachian writer, perfect for readers of The Other Black Girl and Luster

Magnolia Brown is nineteen years old, broke, and effectively an orphan. She feels stuck and haunted: by her overdrawn bank account, her predatory landlord, and the ghost of her late grandmother Mama Brown.

One night, while working at her dead-end gas station job, a mysterious, slick stranger named Cotton walks in and offers to turn Magnolia’s luck around with a lucrative “modeling” job at his family’s funeral home. She accepts. But despite things looking up, Magnolia’s problems fatten along with her wallet. When Cotton’s requests become increasingly weird, Magnolia discovers there’s a lot more at stake than just her rent.

Sharp as a belted knife, this sly social commentary cuts straight to the bone. House of Cotton will keep you mesmerized until the very last page.