In How We Heal, bestselling author Alexandra Elle offers a life-changing invitation to heal yourself and reclaim your peace. In these pages, readers will discover essential techniques for self-healing, including journaling rituals to cultivate innate strength, accessible tools for processing difficult emotions, and restorative meditations to ease the mind.

Alex Elle elegantly weaves together themes like self-healing, mindfulness, inner child work, and boundary setting and presents the reader with easy-to-follow practices that have changed her life and the lives of the thousands of people she has taught. Her 4-part framework for healing will appeal to anyone who wants a clear process, while the compelling personal stories leave the reader feeling connected and ready to begin again.

Complementing the practices are powerful insights from Alex Elle's own journey of self-discovery using writing to heal, plus remarkable stories of healing from a range of luminary voices, including Nedra Tawwab, Morgan Harper Nichols, Dr. Thema Bryant, Barb Schmidt, and many more.

Brimming with encouragement and delivered with Alex Elle's signature warmth and candor, How We Heal is a must-have companion for anyone that wants to unlock their inner wisdom and confidence to heal on their own.

“Majestic.”—Eduardo C. Corral

“Radiant and deeply moving.”—Christopher Castellani

Set between the United States and México, Andrés N. Ordorica’s debut novel is a tender and lyrical exploration of belonging, grief, and first love—a love story for those so often written off the page.

When Daniel de La Luna arrives as a scholarship student at an elite East Coast university, he bears the weight of his family’s hopes and dreams, and the burden of sharing his late uncle’s name. Daniel flounders at first—but then Sam, his roommate, changes everything. As their relationship evolves from brotherly banter to something more intimate, Daniel soon finds himself in love with a man who helps him see himself in a new light. But just as their relationship takes flight, Daniel is pulled away, first by Sam’s hesitation and then by a brutal turn of events that changes Daniel’s life forever.

As he grapples with profound loss, Daniel finds himself in his family’s ancestral homeland in México for the summer, finding joy in this setting even as he struggles to come to terms with what’s happened and faces a host of new questions: How does the person he is connect with this place his family comes from? How is his own story connected to his late uncle’s? And how might he reconcile the many parts of himself as he learns to move forward?

Equal parts tender and triumphant, Andrés N. Ordorica’s How We Named the Stars is a debut novel of love, heartache, redemption, and learning to honor the dead; a story of finding the strength to figure out who you are—and who you could be—if only the world would let you.

Explore what it means to share! From playtime and laughter to giving advice, this book shows the importance of sharing and the value of generosity.

Each one of us has the power to be exactly who we want to be. This inspiring board book empowers children to look within themselves to find the courage and confidence to be who they are meant to be as they learn why it's important to share. From playtime and laughter to giving advice, this book shows the importance of sharing and the value of generosity.

* Perfect board book for toddlers, ages 2 to 5
* Simple, accessible text to introduce the importance of sharing and the value of generosity
* Features a diverse cast of characters

Little Voices are board books designed to inspire and empower the youngest of readers. Each book features diverse characters and helps to develop a child’s social emotional skills, as well as build confidence and courage.

In How We Write Now Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.

At once surreal and neoclassical, Lee-Smith’s masterful compositions reflect the social alienation of mid-20th-century America

Hughie Lee-Smith came of age in the midst of the Great Depression, spending his early life primarily between Cleveland and Detroit. The Midwest left an indelible impression on the artist, whose Social Realist paintings referenced its expansive gray skies and industrial architecture. Carnival imagery recurs throughout Lee-Smith’s work via the motifs of ribbons, pendants and balloons, often evoking the contrast between the carnival’s playful theatricality and its uncanny imitation of reality. He depicted abandoned, crumbling urban architecture as the sets for his existential tableaux, and even when his figures appear together, they always seem solitary. Over the course of his long career, Lee-Smith developed a distinct figurative vocabulary influenced by both Neoclassicism and Surrealism—the summation of a lifelong effort to see beyond the real.

This volume, published for a 2022 show at Karma, New York, surveys the artist's practice from 1938 to 1999, tracing his development from depictions of the Midwest to his years on the East Coast in the decades following World War II. It features writing by Hilton Als, Lauren Haynes, Steve Lock and Leslie King-Hammond, as well as a conversation between Reggie Burrows Hodges, LeRonn P. Brooks and Kellie Jones.

Hughie Lee-Smith (1915–99) was born in Eustis, Florida. Early in his career he was involved in several WPA projects, including Karamu House in Cleveland (the oldest running African American theater in the nation) and the Southside Community Art Center in Chicago, where he would cross paths with Charles White, Gordon Parks and Margaret Taylor-Burroughs, among others. Eventually teaching would take him to the East Coast, where he was artist in residence at Howard University in Washington, DC, and later an instructor at the Art Students League of New York. He died in Albuquerque, New Mexico.

“I ate and ate and ate in the hopes that if I made myself big, my body would be safe. I buried the girl I had been because she ran into all kinds of trouble. I tried to erase every memory of her, but she is still there, somewhere. . . . I was trapped in my body, one I made but barely recognized or understood but of my own making. I was miserable, but I was safe.”

In this intimate and searing memoir, the New York Times bestselling author Roxane Gay addresses the experience of living in a body that she calls “wildly undisciplined.” She casts an insightful and critical eye over her childhood, teens, and twenties—including the devastating act of violence that was a turning point in her young life—and brings readers into the present and the realities, pains, and joys of her daily life.

In this action-packed thriller from a New York Times bestselling and award-winning author, two parents facing catastrophe must find their lost children before the unthinkable can happen.
 

In London, the police storm Heathrow Airport to bring in a father for questioning about his missing daughter.
 
In Florida, a mother makes a connection between her son and the bomber, fearing he has been radicalized.
 
And in Oregon, an unknown organization’s conspiracy to bring America to its knees unfolds…
 
On the run from the authorities, the two parents are thrown together in a race against time to stop a catastrophe that will derail the country’s future forever.

But can they find their kids before it’s too late?

 
For fans of The Chain and I Am Pilgrim, this ground-breaking, blockbuster thriller is unlike any other thriller you will read this year.

A young girl with vitiligo celebrates her skin in this joyful picture book by debut author Lid’ya C. Rivera and illustrated by #1 New York Times bestselling illustrator Niña Mata! 

“I stand up and I stand out.

I am the light and the spark.

I was created special with my many beauty marks.”

Perfect for fans of I Am Enough by Grace Byers, Remarkably You by Pat Zietlow Miller, and I Am Every Good Thing by Derrick Barnes, life coach and inspirational speaker, Lid’ya C. Rivera’s love letter to kids with vitiligo is fun, empowering, and appealing to anyone who has something that makes them stand out (that’s everyone!).

Backmatter includes a letter from the author and facts about vitiligo.

Paperback Release: March 4, 2025

A riveting memoir by the former CEO of Black Entertainment Television (BET), about the glamorous and ugly moments of being a high-powered Black woman executive in the entertainment industry.

As an incredible glass-ceiling breaker and the woman who brought timeless television shows like The Game and Being Mary Jane to cable, Debra Lee has been the visionary responsible for elevating Black images and storytelling for decades. Now she’s telling her own story, in an intimate and eye-opening tale about the triumphant and tricky moments of a career in entertainment.

I Am Debra Lee is a page-turner, filled with deeply personal revelations, juicy celebrity intel, and electrifying behind-the-scenes stories that reveal how she went from a girl raised in the segregated South to leading the first Black company traded on the New York Stock Exchange and how she juggled social responsibility while managing a company targeted toward the Black community. In a rousing narrative, Lee writes: “I don’t just love Black culture—the magic in our hair, the swagger in our steps, the particular way we can say ‘alright now’ to fit our changing moods—Black culture saved me.” In her exciting debut, she answers all of our questions about building an unapologetically Black enterprise as a Black woman. What to do when you’re forced to attend a board meeting eight weeks after a C-section. How to manage a team of men when you’re the first female CEO at the company. How she learned the hard way to say no to those in power when their vision didn’t align with her purpose.

I Am Debra Lee tackles lessons that women CEOs rarely dare to. She addresses her personal struggles with motherhood and “having it all,” navigating reproductive choice, fertility, and #MeToo while achieving great professional success. Being Black and a woman in corporate life isn’t easy for anyone. But Lee shows how she evolved from a shy girl who dreaded public speaking to becoming a force to be reckoned with as she helped build the leading entertainment company for Black audiences and consumers of Black culture globally.

*ship in 7-10 business days

We are all here for a purpose. We are more than enough. We just need to believe it.

The perfect debut picture book for our times: a lyrical ode to self-confidence and kindness, for girls from every background and every color, from Empire actor and activist Grace Byers and talented newcomer artist Keturah A. Bobo.

Like the sun, I'm here to shine. . . .

I Am Enough is the book everyone needs - a gorgeous, lyrical ode to loving who you are, respecting others, and being kind to one another - from actor and activist Grace Byers and talented newcomer Keturah A. Bobo.

With vibrant artwork that shows girls of diverse body shapes and skin tones, this is the perfect gift for mothers and daughters, baby showers, and graduation.

Ages 3-7

The confident Black narrator of this book is proud of everything that makes him who he is. He's got big plans, and no doubt he'll see them through--as he's creative, adventurous, smart, funny, and a good friend. Sometimes he falls, but he always gets back up. And other times he's afraid, because he's so often misunderstood and called what he is not. So slow down and really look and listen, when somebody tells you--and shows you--who they are. There are superheroes in our midst!

30 Card Deck

Negative self-talk sucks. But, like any bad habit with practice, you can make major improvements. "i am" everything™ affirmation cards will help you quiet the noise and focus on what makes you feel good.

"i am" is the most powerful phrase you can speak because what follows "i am" defines who you are in the moment. Strive every day to reaffirm your awesomeness. I am everything™ affirmation cards are a tool to remind you of all of your amazing qualities. You can shuffle the deck and draw one card and read it aloud to yourself every morning to start your day. Or, you can use them as needed by shuffling the deck and pulling a card in the moment.

Created by Tarisha Clark.

Dimensions: 2.75” x 4.75".

In his sophomore picture book, NBA superstar Stephen Curry encourages kids to embrace the differences that make them extraordinary! It’s the first day of school for Zoe, a young girl with hearing loss who dreams of playing on her school’s soccer team. But, self-conscious of her hearing aids, Zoe is too nervous to try out. With the help of and perspectives from new friends, what begins as a bumpy, anxiety-filled start for Zoe, soon transitions into an eye-opening experience about what it means to be different—and what it means to be extraordinary. I Am Extraordinary teaches kids how to look inside themselves to find self-acceptance and the confidence to achieve any goal.

You can be more than one thing—you can be anything!

A follow-up to the #1 New York Times bestselling and critically acclaimed picture book I Promise, this second slam-dunk picture book from NBA champion and cultural icon LeBron James motivates readers to remember they can accomplish their goals when they believe in themselves. Written in fun rhyming verse and illustrated by award-winning and bestselling artist Niña Mata, this book will help little dreamers dream BIG.

Perfect for shared reading in and out of the classroom, I Am More Than is also a great gift for graduation, birthdays, and other occasions.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

Monsters and mortals, rejoice! Acheron is back . . .

Though Laure has tried to close the lid on her ballet shoes and the feelings she once held for dance since the Palais Garnier incident two months ago, Laure is spinning out. Between partying, drinking, and avoiding anything and, well, everyone, she has no time to be anything but a monster. But when Laure stumbles across a mysterious dead body during one of her nights out, she’s forced to notice the cracks stretching beyond herself.

Below the streets of Paris, Elysium is dying, and Acheron and Lethe’s influence is spilling into the streets like a blight. Laure isn’t the only of Elysium’s beasts to rise from the ruins of Palais Garnier, and someone is mobilizing an army of monsters with plans greater than Laure, Andor, and Keturah could have ever guessed. While Laure is warring between her wants and Acheron’s ever-demanding appetite, she and her circle of monsters are left to reckon with a not-so-simple question: how do you save yourself from oblivion?

Jamison Shea's sharp and unflinching voice will bring readers to terrifying new heights in this vicious sequel to the "relentlessly gory and almost euphoric in its embrace of the horrific" (NPR) I Feed Her to the Beast and the Beast is Me.

Over the course of these poems, the Black, queer protagonist begins to erase violent structures and fill the white spaces with her hard-won wisdom and love. I am the Most Dangerous Thing doesn't just use poetry to comment on life and history. The book is a comment on writing itself. What have words done? When does writing become a form of disengagement, or worse, violence?

The book is an exercise in paring the state down to its true logic of violence and imagining what can happen next. There are many contradictions—Although the protagonist teaches the same science that was used to justify enslavement and a racial caste system, she knows she will die at the hands of science and denies the state the last word by penning her own death certificate. As an educator and knowledge worker, she is an overseer of the same racist, misogynistic, and homophobic systems that terrorize her. Yet, she musters the courage to kill Kurtz, a primordial vision of white terror. She is Black and queer and fat and angry and chill and witty and joyful and depressed and lovely and flawed and an (im)perfect dagger to the heart of white supremacist capitalism.

We may be different, but our hearts beat the same.

In southern Africa, there is a belief called ubuntu―the idea that we are all connected. No matter where we’re from or who we are, a person is a person through their connections to other people. With simple, lyrical text and charming artwork, this lively picture book first published in South Africa is the perfect introduction to the concept of ubuntu for young kids. A celebration of friendship and kindness, the book shows children the many ways that we are all one.

Revised edition: Previously published as We Are One, this edition of I Am You includes editorial revisions.

Bold statements, compelling quotes, and thoughtful prompts lead young Black girls on a journey of ancestral wisdom and self-discovery in this beautifully illustrated guided journal.

I AM a voice for my people.  I CAN create my own opportunities.  I WILL live with hope.
 
These and other powerful mantras will enlighten, engage, and empower young Black girls to embrace their connection to a long, unbroken line of historical and contemporary Black women who have inspired people through the centuries and across continents. The courage, integrity, humanity, passion, and intellect that flows through the lives of these foremothers is each girl’s to discover, inherit, and enhance with her own accomplishments.
 
Meaningful quotes and biographies provide real-life examples of how readers can implement what they learn in their own lives. And guided questions and prompts lead girls through a process of self-reflection that acknowledges their own potential to inspire and lead.

Hardcover

Each page of I Can Make You Feel Good is full bleed and bathed in Mitchell’s signature candy-colored palette. With no white space visible, the book’s design mirrors the photographer’s all-encompassing vision which is characterized by a use of glowing natural light and rich color to portray the young Black men and women he photographs with intimacy and optimism.

Paperback Release: January 14, 2025

The #1 New York Times bestselling author of Feeding the Soul (Because It’s My Business) presents an inspirational guide for encouraging positive changes in your life—one day and one challenge at a time.

I did a new thing today!

Years ago, Tabitha Brown started a 30-day personal challenge that she called “I Did a New Thing!” The challenge was simple. Every day she would do something she’d never done before. Sometimes it was something small like trying a new food. Other times, she’d step it up a bit and speak to someone she’d never spoken to before. Still other times, she’d do the hard thing—facing a fear that she had, like having that tough conversation with a friend. No matter what it was, the point was that she was going to take a leap of faith and watch God open up a new lane for her.

One of the “new things” she tried was a vegan challenge. She’d been struggling with illness for nearly a year and was desperately searching for healing. She challenged herself to eat vegan every day for thirty days, and six years later, her life has never been the same—all because she decided to do a new thing.

In I Did a New Thing, Tab shares her own stories and those of others, alongside gentle guidance and encouragement to create these incredible changes for yourself and see what good can come from them. Whether that means having the hard conversation or trying for a promotion or simply wearing something different or doing something kind for someone else, Tab has a plan for you: Try one new thing, every single day, for thirty days. You don’t have to wait until Monday or the beginning of a new month or year to get started. There’s no set time and place or any extra preparation required. All you have to do is show up for yourself. And that can start right now.

A serial killer's desire to protect children fuels a parallel drive to murder other sadistic men in this immersive and literary psychological thriller.

BULLIED AS CHILD FOR BEING OVERWEIGHT and an orphan, the serial killer in I Disappeared Them hides in plain sight. By day, he is an affable family man with a disarming smile, surrounded by his children and loving wife. At night he punches the clock as a hard-working pizza man. After work, he roams Miami's nighttime streets as the Periwinkle Killer, the sociopath passing judgment on the wicked according to a twisted moral code. He believes himself to be a defender of women and children. The Everglades is filling up with the corpses of his victims. He must be stopped, but there are no clues except the periwinkles he leaves at every crime scene.

I Disappeared Them is a brutal, boy meets girl love story that delves into the Periwinkle Killer’s childhood to confront the age-old question, is a serial killer designed or destined? Like Bret Easton Ellis's American Psycho and Joyce Carol Oates's Zombie, Preston L. Allen's immersive narrative hauntingly occupies the peculiar psychological landscape of a murderer.

Work isn’t what it used to be. Leaders need a field guide that equips them with what to say and do as they face the new culture expectations of today’s employees. Many employees now show up for work not just to do their jobs but also to discover, debate, and digest important social issues. A growing number of workers want to have an impact in the world, and their preferences are a prompt for employers to be more mindful of the role of business in driving societal change, starting with what people experience at work. Felicia Joy and Elena Grotto, experts on behavioral science, business strategy, and organizational culture, share practical guidance to help organizations rise to these new standards by advancing seven behaviors, including the surprising—and perhaps most important—new business skill for high-performing cultures: forgiveness. Managers today are asked to operate as both business leaders and community leaders within the workplace—and the latter skillset is new to many. I Don’t Just Work Here helps managers leverage culture to bolster business results as they replace anxiety with confidence and lead with greater purpose in providing the expanded support employees need to develop and perform. Organizations that take heed, elevate people managers, invest in building a strategic culture, and lead with clear values and behaviors are more likely to have a decisive competitive advantage and greater business impact for years to come.

There will be blood.

Ace of Spades meets House of Hollow in this villain origin story.

Laure Mesny is a perfectionist with an axe to grind. Despite being constantly overlooked in the elite and cutthroat world of the Parisian ballet, she will do anything to prove that a Black girl can take center stage. To level the playing field, Laure ventures deep into the depths of the Catacombs and strikes a deal with a pulsating river of blood.

The primordial power Laure gains promises influence and adoration, everything she’s dreamed of and worked toward. With retribution on her mind, she surpasses her bitter and privileged peers, leaving broken bodies behind her on her climb to stardom.

But Laure quickly learns she’s not the only monster around, and her vicious desires make her a perfect target for slaughter. As she descends into madness and the mystifying underworld beneath her, she is faced with the ultimate choice: continue to break herself for scraps of validation or succumb to the darkness that wants her exactly as she is—monstrous heart and all. That is, if the god-killer doesn’t catch her first.

From debut author Jamison Shea comes an edge-of-your-seat thriller that lifts a veil on the institutions that profit on exclusion and the toll of giving everything to a world that will never love you back.

"Very good writers have an ability to make you understand what they're feeling. But the very best writers have an ability to make you understand what you're feeling. And that's where Michael Arceneaux sits, and that's what he does in this new book. It's like he's crawling around inside your head opening file cabinets and telling you what the gibberish you've scribbled on each page in each file means. What a great, fun read."—Shea Serrano, #1 New York Times bestselling author

New York Times bestselling author Michael Arceneaux returns with a hilarious collection of essays about making your voice heard in an increasingly noisy and chaotic world.

In his books I Can't Date Jesus and I Don't Want to Die Poor, Michael Arceneaux established himself as one of the most beloved and entertaining writers of his generation, touching upon such hot-button topics as race, class, sexuality, labor, debt, and, of course, paying homage to the power and wisdom of Beyoncé. In this collection, Arceneaux takes stock of how far he has traveled—and how much ground he still has to cover in this patriarchal, heteronormative society. He explores the opportunities afforded to Black creatives but also the doors that remain shut or ever-so-slightly ajar; the confounding challenges of dating in a time when social media has made everything both more accessible and more unreliable; and the allure of returning home while still pushing yourself to seek opportunity elsewhere.

I Finally Bought Some Jordans is both a corrective to, and a balm for, these troubling times, revealing a sharply funny and keen-eyed storyteller working at the height of his craft.

It’s the most wonderful time of the year, and a mother and daughter are enjoying the sights and sounds of the holiday season. The little girl hears sleigh bells ringing and carolers singing—RING-A-LING! She smells chestnuts roasting—CRUNCH! CRUNCH! CRUNCH!—and sees the flashing lights of the department store windows—BLING! BLING! BLING! She spreads the spirit of giving wherever she goes. And when she reaches Santa, she tells him her Christmas wish—for peace and love everywhere, all the days of the year!

In the same feel-good style of I Got the Rhythm, this text celebrates the joys of the holiday season, once again illustrated by award-winning artist Frank Morrison.