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The groundbreaking, "eerily prophetic, almost haunting" work on American racism and the struggle for racial justice (Michelle Alexander, author of The New Jim Crow).

In Faces at the Bottom of the Well, civil rights activist and legal scholar Derrick Bell uses allegory and historical example—including the classic story "The Space Traders"—to argue that racism is an integral and permanent part of American society. African American struggles for equality are doomed to fail, he writes, so long as the majority of whites do not see their own well-being threatened by the status quo. Bell calls on African Americans to face up to this unhappy truth and abandon a misplaced faith in inevitable progress. Only then will blacks, and those whites who join with them, be in a position to create viable strategies to alleviate the burdens of racism.

Now with a new foreword by Michelle Alexander, author of The New Jim Crow, this classic book was a pioneering contribution to critical race theory scholarship, and it remains urgent and essential reading on the problem of racism in America.

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A multidisciplinary look at the foremost archive of Black American visual culture, as recast by Theaster Gates

This book features essays and other reflections commissioned in response to the Facsimile Cabinet of Women Origin Stories, a monumental participatory work by Theaster Gates (born 1973). The Cabinet includes nearly 3,000 framed images of women from the Johnson Publishing Company archive, and highlights from the collection appear in this edited volume.
Founded in 1942, Chicago-based Johnson Publishing chronicled the lives of Black Americans for more than seven decades through the magazines Ebony and Jet. Composed from arguably the most important archive of American Black visual culture in the 20th century, Gates’ work centers the essential and too often unsung role of women in this history.
When the Cabinet was exhibited at the Colby College Museum of Art, 12 women from a wide range of disciplines (including archivists, legal scholars, anthropologists and librarians, as well as curators, visual artists, filmmakers, writers and art historians) were invited to reflect on a work that brings a sisterhood of images to light.

Two elven sisters become imprisoned in the intoxicating world of the fae, where danger and love lie in wait. Faebound is the first book in an enchanting new trilogy from the Sunday Times bestselling author of The Final Strife.

“A romantic fantasy of epic proportions, crackling with magic and passion.”—Samantha Shannon, bestselling author of The Priory of the Orange Tree

Yeeran was born on the battlefield, has lived on the battlefield, and one day, she knows, she’ll die on the battlefield.

As a warrior in the elven army, Yeeran has known nothing but violence her whole life. Her sister, Lettle, is trying to make a living as a diviner, seeking prophecies of a better future.

When a fatal mistake leads to Yeeran’s exile from the Elven Lands, both sisters are forced into the terrifying wilderness beyond their borders. 

There they encounter the impossible: the fae court. The fae haven’t been seen for a millennium. But now Yeeran and Lettle are thrust into their seductive world, torn among their loyalties to each other, their elven homeland, and their hearts.

Faeries Never Lie, the next young adult collection in the Untold Legends series edited by Zoraida Córdova and Natalie C. Parker, is filled with fourteen short stories to revel in, that center faeries of varying genders and cultures!

There’s something to be said for starting your first day in faerie boarding school, for chasing a faerie through Chang’an during the Tang Dynasty, for searching for the missing part of your throuple who may have run away with a faerie prince, for descending into madness after spending countless nights plagued by the same faerie dream―and much more.

Fly into this revelry filled with tricksters, lovers, monsters, and the like, in this exciting collection for those who love faeries and those who are experiencing them for the first time!

Edited by Zoraida Córdova and Natalie C. Parker, Faeries Never Lie features short stories from beloved authors Nafiza Azad, Holly Black, Dhonielle Clayton, Christine Day, Chloe Gong, Tessa Gratton, Kwame Mbalia, Ryan La Sala, L.L. McKinney, Anna-Marie McLemore, Kaitlyn Sage Patterson, Rory Power.

Ringgold's most formative and influential political works are gathered in this beautifully designed clothbound volume

Alongside reproductions of key works made between 1967 and 1981, Faith Ringgold: Politics / Power provides an overview of Ringgold's seminal artistic and activist work, and its historical context during these years, including accounts by the artist herself.
During the 1960s and 1970s, Ringgold, a dedicated and impassioned civil rights advocate, established her voice as a feminist and within the Black Arts Movement. Her influential work expressed her in-depth knowledge of art history and contemporary art, as well as her activism. Spanning mediums such as painting, cut paper works, posters, collage and textile art, the works presented in this publication foreground the artist’s explicitly political pieces, for which she deployed new material and formal processes, and developed a radical aesthetics and vocabulary.
Organized chronologically, the book allows readers to retrace the artist’s foundational creative approaches to contemporaneous social, political and artistic questions. It includes illustrations of individual artworks together with previously unpublished work and archival materials.

In the second book in the Detective Harriet Foster thriller series, author Tracy Clark weaves a twisted journey into the underbelly of Chicago as Harriet and her team work to unmask a serial killer stalking the city’s aldermen.

The Chicago PD is on high alert when two city aldermen are found dead: one by apparent suicide, one brutally stabbed in his office, and both with thirty dimes left on their bodies—a betrayer’s payment. With no other clues, the question is, Who else has a debt to pay?

Detective Harriet Foster is on the case before the killer can strike again. But even with the help of her partner, Detective Vera Li, and the rest of their team, Harriet has little to go on and a lot at risk. There’s no telling who the killer’s next target is or how many will come next.

To stop another murder, Harriet and her officers will have to examine what the victims had going on behind the scenes to determine who could be tangled up in this web of betrayal…and who could be out for revenge.

An exciting, eye-catching repackage of acclaimed author Walter Dean Myers' bestselling paperbacks!

With an Introduction by National Ambassador of Young People's Literature Jason Reynolds and bonus material by Coretta Scott King Award winner Christopher Myers.

A coming-of-age tale for young adults set in the trenches of the Vietnam War in the late 1960s, this is the story of Perry, a Harlem teenager who volunteers for the service when his dream of attending college falls through. Sent to the front lines, Perry and his platoon come face-to-face with the Vietcong and the real horror of warfare. But violence and death aren't the only hardships. As Perry struggles to find virtue in himself and his comrades, he questions why Black troops are given the most dangerous assignments, and why the US is even there at all.

A national bestseller in Canada, hailed by The New York Times as an “intimate expression of self-acceptance and forgiveness, tenderly written to fellow trans women and others.”

“Required reading.”—Glennon Doyle, #1 bestselling author of Untamed

A THEM AND AUTOSTRADDLE BEST BOOK OF THE YEAR

What happens when we imagine loving the people—and the parts of ourselves—that we do not believe are worthy of love?

Kai Cheng Thom grew up a Chinese Canadian transgender girl in a hostile world. As an activist, psychotherapist, conflict mediator, and spiritual healer, she’s always pursued the same deeply personal mission: to embrace the revolutionary belief that every human being, no matter how hateful or horrible, is intrinsically sacred.

But then Kai Cheng found herself in a crisis of faith, overwhelmed by the viciousness with which people treated one another, and barely clinging to the values and ideals she’d built her life around: justice, hope, love, and healing. Rather than succumb to despair and cynicism, she gathered all her rage and grief and took one last leap of faith: she wrote. Whether prayers or spells or poems—and whether there’s a difference—she wrote to affirm the outcasts and runaways she calls her kin. She wrote to flawed but nonetheless lovable men, to people with good intentions who harm their own, to racists and transphobes seemingly beyond saving. What emerged was a blueprint for falling back in love with being human.

He’s her biggest competition.

And the key to her success.

When Keisha Edwards collides with Rhodes scholar Julian Langley, she briefly considers switching from her MBA to chemistry—because theirs is off the charts! But when Tall, Dark and Arrogant asks for her number? The answer is no. Besides, if Keisha’s going to graduate top of her class, she doesn’t have time for romance.

Julian is no novice when it comes to beautiful women, yet when Keisha turns him down, it stings. But not as much as discovering she’s in his MBA program—and she’s the one to beat for top marks. Well, the competition is on—until they’re assigned to a group project. As their chemistry threatens to boil over, it’ll be a test to see if these frenemies can work together to succeed in business…and in love…

From Harlequin Special Edition: Believe in love. Overcome obstacles. Find happiness.

The Friendship Chronicles

Book 1: The Shoe Diaries
Book 2: Bloom Where You're Planted
Book 3: London Calling
Book 4: Her New York Minute
Book 5: Falling for the Competition

More teens are turning away from the faith than ever before: it is estimated that 75 to 88 percent of Christian teens walk away from Christianity by the end of their freshman year of college. Something must be done.

Family Driven Faith equips Christian parents with the tools they need to raise children biblically in a post-Christian, antifamily society. Voddie Baucham, who with his wife has overcome a multigenerational legacy of broken and dysfunctional homes, shows that God has not left us alone in raising godly children. 

This bold book is an urgent call to parents―and the church―to return to biblical discipleship in and through the home. This paperback edition includes a new preface and a study guide to facilitate interaction in small-group settings and to help parents put principles into practice.

From the award-winning author and illustrator of Standing in the Need of Prayer comes a joyous picture book about an intergenerational Black family cooking a delicious feast and appreciating their quality time together.

Aunts, uncles, cousins, all pitch in.
Hustle, bustle in the kitchen.

Catching up, shooting the breeze,
sharing stories and recipes.

When it comes to a family feast, it’s all hands on deck! Big Ma and Pops have been up early in anticipation of everyone’s arrival. Aunts, uncles, and cousins gather from all over to help prepare their big meal. Clanging pots, chopping vegetables, sharing recipes, and swiping little treats are part of the fun! After the cooking is done, all of the relatives come together to pray, eat, and enjoy their special moment as a family.

Newbery Honor and Children's Literature Legacy Award winner Carole Boston Weatherford and Coretta Scott King Illustrator Award winner Frank Morrison deliver a heartwarming peek at the love and the chaos that ensue when a family comes together and connects through food.

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From the bestselling, National Book Award–winning author Elizabeth Acevedo comes her first novel for adults, the story of one Dominican-American family told through the voices of its women as they await a gathering that will forever change their lives.

Flor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake—a party to bring her family and community together to celebrate the long life she’s led—her sisters are surprised. Has Flor foreseen her own death, or someone else’s? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila.

But Flor isn’t the only person with secrets. Matilde has tried for decades to cover the extent of her husband’s infidelity, but she must now confront the true state of her marriage. Pastora is typically the most reserved sister, but Flor’s wake motivates this driven woman to solve her sibling’s problems. Camila is the youngest sibling, and often the forgotten one, but she’s decided she no longer wants to be taken for granted.

And the next generation, cousins Ona and Yadi, face tumult of their own: Yadi is reuniting with her first love, who was imprisoned when they were both still kids; Ona is married for years and attempting to conceive. Ona must decide whether it’s worth it to keep trying—to have a child, and the anthropology research that’s begun to feel lackluster.

Spanning the three days prior to the wake, Family Lore traces the lives of each of the Marte women, weaving together past and present, Santo Domingo and New York City. Told with Elizabeth Acevedo’s inimitable and incandescent voice, this is an indelible portrait of sisters and cousins, aunts and nieces—one family’s journey through their history, helping them better navigate all that is to come.

A philosopher, psychiatrist, and political activist, Frantz Fanon was a fierce, acute critic of racism and oppression. Born of African descent in Martinique in 1925, Fanon fought in defense of France during World War II but later against France in Algeria’s war for independence. His last book, The Wretched of the Earth, published in 1961, inspired leaders of diverse liberation movements: Steve Biko in South Africa, Che Guevara in Latin America, the Black Panthers in the States. Wideman’s novel is disguised as the project of a contemporary African American novelist,Thomas, who undertakes writing a life of Fanon. The result is an electrifying mix of perspectives, traveling from Manhattan to Paris to Algeria to Pittsburgh. Part whodunit, part screenplay, part love story, Fanon introduces the French film director Jean-Luc Godard to the ailing Mrs. Wideman in Homewood and chases the meaning of Fanon’s legacy through our violent, post-9/11 world, which seems determined to perpetuate the evils Fanon sought to rectify.

In his debut collection Fantasia for the Man in Blue, Tommye Blount orchestrates a chorus of distinct, unforgettable voices that speak to the experience of the black, queer body as a site of desire and violence. A black man’s late-night encounter with a police officer—the titular “man in blue”—becomes an extended meditation on a dangerous erotic fantasy. The late Luther Vandross, resurrected here in a suite of poems, addresses the contradiction between his public persona and a life spent largely in the closet: “It’s a calling, this hunger / to sing for a love I’m too ashamed to want for myself.” In “Aaron McKinney Cleans His Magnum,” the convicted killer imagines the barrel of the gun he used to bludgeon Matthew Shepard as an “infant’s small mouth” as well as the “sad calculator” that was “built to subtract from and divide a town.” In these and other poems, Blount viscerally captures the experience of the “other” and locates us squarely within these personae.

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A National Book Award Finalist for Young People’s Literature
Nominated as one of America’s best-loved novels by PBS’s The Great American Read

Ghost wants to be the fastest sprinter on his elite middle school track team, but his past is slowing him down in this first electrifying novel of the acclaimed Track series from Newbery honoree Jason Reynolds.

Ghost. Lu. Patina. Sunny. Four kids from wildly different backgrounds with personalities that are explosive when they clash. But they are also four kids chosen for an elite middle school track team—a team that could qualify them for the Junior Olympics if they can get their acts together. They all have a lot to lose, but they also have a lot to prove, not only to each other, but to themselves.

Running. That’s all Ghost (real name Castle Cranshaw) has ever known. But Ghost has been running for the wrong reasons—it all started with running away from his father, who, when Ghost was a very little boy, chased him and his mother through their apartment, then down the street, with a loaded gun, aiming to kill. Since then, Ghost has been the one causing problems—and running away from them—until he meets Coach, an ex-Olympic Medalist who sees something in Ghost: crazy natural talent. If Ghost can stay on track, literally and figuratively, he could be the best sprinter in the city. Can Ghost harness his raw talent for speed, or will his past finally catch up to him?

Far Away from Here is a novel about three young Black American Muslims on the cusp of adulthood confronting faith, tradition, and the impact of their personal decisions in five years post-Hurricane Katrina New Orleans.

In New Orleans, it’s been five years since Hurricane Katrina ravaged the heart and soul of both the city and its residents. Three young Black Muslim friends have reconnected after drifting apart as teenagers: Fatima left with the floodwaters of Katrina following the murder of her childhood love and fiancé, Wakeel, and has now returned to reluctantly care for Wakeel’s mother. Tahani rebelled against a strict Muslim upbringing and feels stifled in her life as a single mother, trying to make ends meet while craving a creative outlet. And Saif, the cousin of Wakeel, must reconcile with Fatima over how his illicit past played a role in his cousin’s death.

All three struggle to envision a future for themselves that they can actively shape. A testament to the stories we tell ourselves and each other, Far Away From Here is a coming-of-age novel threaded with themes of community, tradition, faith, and the courage to own one’s narrative.

“Simultaneously brutally grounded and wildly imaginative.” —Adrian Tchaikovsky, Arthur C. Clarke Award winner

A tense and thrilling vision of humanity’s future in the chilling emptiness of space from rising giant in science fiction, Arthur C. Clarke Award winner Tade Thompson

The colony ship Ragtime docks in the Lagos system, having traveled light-years to bring one thousand sleeping souls to a new home among the stars. But when first mate Michelle Campion rouses, she discovers some of the sleepers will never wake.

Answering Campion’s distress call, investigator Rasheed Fin is tasked with finding out who is responsible for these deaths. Soon a sinister mystery unfolds aboard the gigantic vessel, one that will have repercussions for the entire system—from the scheming politicians of Lagos station, to the colony planet Bloodroot, to other far-flung systems, and indeed to Earth itself.

Praise for Far from the Light of Heaven

"Gripping and skillfully told, with an economy and freshness of approach that is all Tade Thompson''s own. The setting is interstellar, but it feels as real, immediate, and lethal as today's headlines." —Alastair Reynolds

"[I]nventive, exciting and compulsively readable...This book is like the Tardis, larger inside than out, with a range of ideas, characters, and fascinating future settings making it probably the best science fiction novel of the year." —The Guardian

For more from Tade Thompson, check out:

The Wormwood Trilogy
Rosewater
Rosewater: Insurrection
Rosewater: Redemption

Farming While Black is the first comprehensive “how to” guide for aspiring African-heritage growers to reclaim their dignity as agriculturists and for all farmers to understand the distinct, technical contributions of African-heritage people to sustainable agriculture. At Soul Fire Farm, author Leah Penniman co-created the Black and Latinx Farmers Immersion (BLFI) program as a container for new farmers to share growing skills in a culturally relevant and supportive environment led by people of color. Farming While Black organizes and expands upon the curriculum of the BLFI to provide readers with a concise guide to all aspects of small-scale farming, from business planning to preserving the harvest. Throughout the chapters Penniman uplifts the wisdom of the African diasporic farmers and activists whose work informs the techniques described—from whole farm planning, soil fertility, seed selection, and agroecology, to using whole foods in culturally appropriate recipes, sharing stories of ancestors, and tools for healing from the trauma associated with slavery and economic exploitation on the land. Woven throughout the book is the story of Soul Fire Farm, a national leader in the food justice movement.

adj.
1. A girl or guy who is quick to engage in sexual activities.
--Oftentimes used to shame. Oftentimes used to blame victims for their own abuse.

After the untimely death of her mother, Caprice Latimore has to move in with her grandmother. At eight years old, life as she knows it is turned upside down. The trauma of losing her mother is made worse with the introduction of Marcel, her grandmother's adult son who still lives in the home.

Her uncle Marcel takes an inappropriate interest in her that ultimately results in a tragic breaking point for the child. The only silver lining is that shortly after what Caprice calls "that night", Marcel is booked by local police with a drug possession charge. He's sentenced to prison for twelve years.

Seven years later, however, Marcel is released on good behavior.

Caprice is now sixteen, still dealing with the emotional scars of the past. But things aren't like they were before.

Because now she has Shaun Taylor, the boy across the street who will do whatever it takes to make sure no one ever hurts Caprice again.

fast is a standalone that spans twenty years. Separated into three acts, we watch Caprice grow from eight years old to sixteen years old to twenty-eight years old. She gets hurt, she falls in love, she grows, and she just might overcome.

fast is a story written about victims who were made to feel like their abuse was their own fau

Piggy is in a bind, and Khyro has the cure for her problem. The only issue is that Khyro is married to Piggy’s cousin Tabitha. With her back against the wall, Piggy must use Fat Ma to get herself ahead. In this erotic tale, find out just how nasty and sticky the situation will become.

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In this disarming and candid memoir, cultural critic Clarkisha Kent unpacks the kind of compounded problems you face when you’re a fat, Black, queer woman in a society obsessed with heteronormativity.

There was no easy way for Kent to navigate personal discovery and self-love. As a dark-skinned, first-generation American facing a myriad of mental health issues and intergenerational trauma, at times Kent’s body felt like a cosmic punishment. In the face of body dysmorphia, homophobia, anti-Blackness, and respectability politics, the pursuit of “high self-esteem” seemed oxymoronic. 

Fat Off, Fat On: A Big Bitch Manifesto is a humorous, at times tragic, memoir that follows Kent on her journey to realizing that her body is a gift to be grown into, that sometimes family doesn’t always mean home, and how even ill-fated bisexual romances could free her from gender essentialism. Perfect for readers of Keah Brown’s The Pretty One, Alida Nugent’s You Don’t Have to Like Me, and Stephanie Yeboah’s Fattily Ever After, Kent’s debut explores her own lived experiences to illuminate how fatphobia intertwines with other oppressions. It stresses the importance of addressing the violence scored upon our minds and our bodies, and how we might begin the difficult—but joyful—work of setting ourselves free.

What if the witch gave Merida a different spell? This New York Times best-selling series twists Disney•Pixar's Brave into a fast-paced story in which Merida is sent back in time.

If you could change your fate, would you? Merida understands that as princess of Clan DunBroch, she has certain obligations—but that doesn’t mean she has to like it. Especially when one of those obligations means losing her freedom by becoming betrothed to a man she has never met. Merida balks at this tradition, but her mother Queen Elinor insists that Merida must do this to embrace her role as future queen.

Determined to chart her own path, Merida follows magical wisps to a witch’s cottage, where she is given a magic pastry and promised it will incite “a great transformation” in her mother. But instead of feeding Elinor the pastry, Merida eats it herself.

Merida awakens in the past, a now-teenage Elinor holding a knife to her throat and accusing her of espionage. She’s been transported to a time when the Clans MacCameron and DunBroch are bitter enemies. And it just so happens that the timing of Merida’s arrival has kept Elinor and Fergus from meeting.

Will Merida be able to bridge the rival clans, help her parents fall in love, and change her own fate?

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The emergence of Haiti as a sovereign Black nation lit a beacon of hope for Black people throughout the African diaspora. Leslie M. Alexander’s study reveals the untold story of how free and enslaved Black people in the United States defended the young Caribbean nation from forces intent on maintaining slavery and white supremacy. Concentrating on Haiti’s place in the history of Black internationalism, Alexander illuminates the ways Haitian independence influenced Black thought and action in the United States. As she shows, Haiti embodied what whites feared most: Black revolution and Black victory. Thus inspired, Black activists in the United States embraced a common identity with Haiti’s people, forging the idea of a united struggle that merged the destinies of Haiti with their own striving for freedom.

A bold exploration of Black internationalism’s origins, Fear of a Black Republic links the Haitian revolution to the global Black pursuit of liberation, justice, and social equality.

In this “captivating” (Sky + Telescope) book, a top cosmologist argues that physics must embrace the excluded and listen to the unheard 

When asked by legendary theoretical physicist Christopher Isham why he had attended graduate school, cosmologist Stephon Alexander answered: "To become a better physicist." As a young student, he could hardly have anticipated Isham's response: "Then stop reading those physics books." Instead, Isham said, Alexander should start listening to his dreams. 

This is only the first of the many lessons in Fear of a Black Universe. As Alexander explains, greatness in physics requires transgression, a willingness to reject conventional expectations. He shows why progress happens when some physicists come to think outside the mainstream, and why, as in great jazz, great physics requires a willingness to make things up as one goes along. 

Compelling and necessary, Fear of a Black Universe offers us remarkable insight into the art of physics and empowers us all to think big. 

The bookclub meeting will take place on February 29, 2024 at 7 PM in the Kindred Stories' Reading Garden. Be sure to show up with the book read (or partially read). You are always welcome to just come and take up space. 

ABOUT THE BOOK

BOOK CLUB MEETING DEETS

When: Thursday, February 27 @ 7PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004

How: RSVP ONLY to let us know you plan to attend and RSVP WITH BOOK to purchase your book and support Fiction Club!

ABOUT GOOD DIRT

The daughter of an affluent Black family pieces together the connection between a childhood tragedy and a beloved heirloom in this moving novel from the New York Times bestselling author of Black Cake, a Read with Jenna Book Club Pick

When ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well.

The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby's high profile romance falls apart without any explanation, that's exactly what they get.

So Ebby flees to France, only for her past to follow her there. And as she tries to process what's happened, she begins to think about the other loss her family suffered on that day eighteen years ago—the stoneware jar that had been in their family for generations, brought North by an enslaved ancestor. But little does she know that the handcrafted piece of pottery held more than just her family's history—it might also hold the key to unlocking her own future.

In this sweeping, evocative novel, Charmaine Wilkerson brings to life a multi-generational epic that examines how the past informs our present.

BOOK CLUB MEETING DEETS

When: Tuesday, February 18 @ 7PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004

How: RSVP ONLY to let us know you plan to attend and RSVP WITH BOOK to purchase your book and support Non Fiction Book Club!

ABOUT THE BLACK UTOPIANS

How did the disillusioned, the betrayed, the confined, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What does utopia look like in black?

When preacher Albert Cleage, Jr., founded the innovative church known as the Shrine of the Black Madonna in Detroit, he had an audacious goal: to combine Afrocentric Christian practice with radical social projects to transform the self-conception of its members. The Shrine’s members opened bookstores and co-ops, created a self-defense force, raised their children communally, and eventually established the country’s largest black-owned farm, where attempts to create an earthly paradise for black people continue today.

Aaron Robertson sets the Shrine’s story alongside a diverse array of black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. He also traces his own family’s journey from the historic blacktown of Promise Land, Tennessee, to Detroit.

The Black Utopians offers a nuanced portrait of the struggle for spaces where black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future.